#who was experimenting with a new (at the time) vocaloid | Explore Tumblr posts and blogs

k3itar0-with-a-three · 19 days ago

Note

Hi hello there

Tumblr has a grudge against me (I can't figure out how to submit asks from the right blog) (I may be stupid) but I'm @akari-of-moonlight and also I'm the idiot in your comments who promised a FYE animatic

Anyway I was listening to your songs again today and kind of got emotional so if you don't mind a mini rant:

I can never thank you enough for getting me into Tetro. I found Tetro at a very low point in my creative journey, when I was really struggling with managing stress and finding it in me to try to get better at music and art, as much failing as that would entail. But in Tetro, I found the inspiration to try again. In the story, in the characters, in the amazing community around it. As the series has ended, I can’t believe how lucky I was to discover it.

Nemesis was not only my gateway, but really the one thing I kept coming back to, over and over, until I finally reserved the time to look up the Tetro official channel. Ironically, as one fan (of likely many) who freakishly obsesses over Kamimura, Nemesis is one of my all-time favorite songs, just in general.

Hellbent was a sleeper hit for me. After weeks of listening to it before and after chapter 2, finally it hit me for the first time and had me on the floor in extreme grief.

Just My Style came out right around when I was seriously getting into Tetro, and instantly went on my main playlist. I can honestly say that Just My Style made me like that darn red microplastic exponentially more. Those first three songs (along with YNL, which also activated the shrimp posture and writhing that Hellbent did) carried me through the grief of the Tetro experience, and I love them so, so much.

And then Feast Your Eyes came out. God, Feast Your Eyes. As someone filled a whole notebook page with “Hasegawa Ken will live” and nothing else, the 5th trial was… an experience. Through the absolute euphoria of the genius narrative, the crushing grief of losing my boy, and the immense guilt of watching him in the first place, Feast Your Eyes was on repeat, full blast, every time headphones were within my reach. I think I kind of already yapped about it enough in the mile long timestamp comment I left (yes, hi, that was me, I wrote that at midnight I’m sorry), but I really did mean every word and more.

Most recently, When I’m Gone has been crumbling my soul to pieces, and I couldn't be happier for it. I feel like I’ve gone on a bit long, but to say it changed my brain chemistry is an understatement. I kneel before the throne of Thorn as well, for the absolutely immaculate instrumentals.

Even more than the brilliant lyrics and banger melodies, I am forever grateful that you inspired me to make music again. Seeing someone close to my age be that talented made me really think that maybe I could do it too. I’ve wanted to learn how to produce music and tune vocaloid for so many years now, but I never really believed I could. I can’t stress enough how incredible the music you make is. I’m midway through my first real song (lyrics complete; instrumentals halfway), and I owe it to you. Your music got me to work on an animatic and a song, two things I’d all but given up on.

Even beyond Tetro, even beyond any fansongs, I’ll always be a Glowmie. No matter what new masterpiece you make. <3

I'm

Im actually crying

I never knew i could mean this much to someone, and I'm being completely serious here... my entire goal with becoming an entertainer and becoming Keitaro was to entertain people and make them smile! And to see that I now have over 1000 smiles under my belt makes me feel like I truly reached my goal. But- to know that I helped someone discover something they love and rediscover their creative spark makes me so so so happy... thank you so much :) no words can describe how happy this made me, and I'm so glad to have you and so many others as Glowmies <3

You guys are practically my lifeblood. I create not only to do what I love, but for people to be inspired to do the same. I'm so so so glad that I've done my job :)

Thank you. So much. 🩷💚

18 notes · View notes

dreamtalebiggestfan · 26 days ago

Text

why am I so obsessed with dreamtale after so many years... like 7-8 years I don't understand someone please help

I love Swad sm look at him and his big wings (he's one of the main reason why I love birds so much)

I have tried distracting myself from Dreamtale by finding new interests. (I did that cuz the fandom's getting smaller and smaller and there are less dreamtale contents)

I wish I could erase my memories, rediscover Dreamtale lore all over again.

My obsession with Dreamtale is totally not unhealthy at all ❤️❤️❤️❤️❤️🔥🔥🔥🔥🔥

Also where can I find Swad's full body design? I wanna draw himmm

also take this random ass picture

sWAD SWAD SWAD SWAD SWAD SWAD SWAD SWAD SWAD SWAD SWAD SWAD SWAD SWAD SWAD

***OVERSHARING WARNING***

(and cringe too lol)

I love Dream and Nightmare

I love Swad and Swan

I love shattered and passive nm,

I love reset dreamtale

I love media dream

I love OSD dream (so much so much)

I love GSD

My memory is absolute shit. worse than ink's for sure.

I love dreamswap

AGHAGHAGHAGHAGH

Aghaghaghagh I'm so sane rn trust

The fuck am I ranting abt

Fuck.

I'm mentally stable

Yay.

ok thanks for reading bye

Not really, I had a lot more to share but I already forgot about 60% of it, I just can't remember shit properly

dream is a very complex character I love him.

Idk stuff about nightmare as much as I know abt dream. can someone share nightmare's details personality and why he acts that way?

Also I'm a vocaloid fan, I mostly listen to teto and flower's

I like uh, dream, not in that kind of way though, more like, uh, a proud parent?? Idk I was gonna say it but then I forgot, mb. Ohhh right its more of an admirable way. Dream is the character I want to be. I love him so much, maybe if I were him I'd love myself a little more. Not really I just want to feel something new. Dream is the best, he has flaws, everything, better than me in every way imaginable. Big thanks to joku for making Dreamtale, this is the only solid reason I have to live for lol.

Being Dream isn't going to be easy though, I don't know why I want to be him, it's not like things will get better, it's just that I'll experience something new. Those fucking scenarios in my head at night are only the things that keep me motivated. Get home. Get in bed. Scenarios. Sleep. Repeat.

Dream is my comfort character. He is nothing like me, I am nothing like him, I don't know why, don't humans love themselves the most? Don't they love people who are similar to them? Dream is the opposite of me yet I love him, sometimes I wanna know what it feels like for everybody to look up at you, admire you. Even if it's just all fake from his aura he can't control, I dunno, Swad is a really cool concept too. I'd be dead without Undertale and the AUs lol, Dreamtale is my safe space(?) I don't know but just me seeing stuff that are Dreamtale related makes me jump mentally, almost physically. I just love the lore, the characters, the personalities.

Dream, is the best comfort character I've had. At first it was my imaginary friend, then Dream, then nikolai(bsd), then dream. Fuck you mean dream dream dream dream dream??

If I really were Dream though I'd probably given up a long time ago. I'll never make a story as good as him. That's what I like about Dream, he's beyond my expectations, who I wanna be, not some weird depressed person. Anyways I just like Dream a lot, he's the best.

He's the best, the absolute best. If I had to pick, Dreamtale disappears or I die, I'd rather die. Dream is my lil precious boi :3

8 notes · View notes

kangelbrittle · 4 months ago

Text

SHELLYVISION HEADCANONS!!!!

been gone for a while, sorrryy,,, eueueue.

SHELLY-- -has infact stolen a few of vees hoodies, clothes, etc -plays ipad games on vees tv head -tetris specifically -bakes for vee sometimes -autistic + adhd -infodumps on vee -gives vee every hyperfixation hobby stuff shes moved on from, crocheting, sewing, stamp making -writes vees love letters when shes at work (geologist) -reads wikipedia articles in her freetime -loves reading, makes vee read her bedtime stories -makes vees friendship bracelets, but vee barely wears them because she forgets -influenced by vee from listening to vocaloids (check one of vees headcanons to see who she likes :3) -loves indie produced stuff, books, games, etc. -wears gloves often even when she doesnt need to -gets cold easily -short shorts, collared t shirt combo -definitely unironically watches cowboy movies -watches filipino 80's movies (specfically fpj) -has a slight fear of loud sounds (yes she gets partially scared from dinosaur roars.) -has tried playing shooting games at vees request but has shit aim -has coordination problems -shows off how fast she can spin a pen -has a bunch of washi tapes -loves calligraphy itself -knows a bit from a bunch of languages -loves live action stuff, stage play, etc -played in a choir once, left because her voice got raspy for some reason and she got bored VEE-- -loves rhythm games -definitely knows a few instruments, mainly the piano and violin -sometimes treats shellys infodumps like a bedtime story for afternoon naps -reality show stan -definitely sits infront of the tv like a 50 year old dad -beer enjoyer -knows how to make hella good drinks -has experience as a bartender -hates milky drinks, milk, smoothies, shakes, etc -LOVES greens, a fucking rabbit atp -owns a stickerbook that she shares with shelly -hoarder, has a box filled with shelly and her old stuff -gets mad every time she sees shelly steal one of her clothes -loves kaito and len for some reason, semi forced shelly to listen to some of their songs (yes it includes + boy) -very organized -organizes shellys stuff for her and helps her on throwing-out-old-stuff-day (aka she keeps half the stuff shelly throws in her junk pile) -has a storage room filled with EVERYTHING you'd need in I.T -hates having to watch shellys cowboy movies -secretly prefers being the small spoon -regularly bites shelly to assert dominance -has multiple weighted blankets, which, only shelly uses -had an emo phase, shelly stole one of her pictures from that era -suprisingly SHIT handwriting -shelly once accidentally installed a virus in her while trying to find new games -supports pirating (ykwim) -cosplayer, does matching cosplays with shelly all the time -anime enjoyer -paints shellys nails since she cant paint hers

----- holy FUCK my laptop is tweaking out while making this, i genuinely had to stop midway because my laptop was literally js flashing black and white, some1 send help anyways i love these two.. lesbianism <3

#headcanons #dandys world #dandys world headcanons #wlw #shellyvision #shelly #vee #dandys world ship #ily shellyvision mwamwamwamwamwamwawmawma olala olele

12 notes · View notes

saika077 · 1 year ago

Text

I know the Vocaloid fandom makes fun of pjsk fandom a lot (especially those on TikTok w/ how many misinfo they spread lmao), but I feel like that there are a lot of Vocaloid moments that you just had to be there to experience it. (Feel free to add more.)

Galaco discontinuing. (Was genuinely sad when this happened)

Umetora releasing Ifuudoudou and we all collectively lost our minds bc how tf did they do that?? It was pretty mind blowing at the time to make Vocaloids talk, let alone moan.

IA English demos. English vocal synths was never be the same after that.

Kaitoverse and Kaitocest. It's giving those Onceler and Sans AUs tumblr era.

That one Kaito x everyone mmd video. You Know Which One.

SeeU's voice provider who got arrested for blackmailing.

SeeU fetish art being broadcasted on Fox News??

Iroha's voice provider telling transphobes to go buy Iroha instead of whining about his new voice after his transition. (He's still a great singer imo, people are just haters fr)

NeruP's musical transition that's basically just

Hachi/Kenshi Yonezu and Syudou's "beef", which is just some lighthearted fun and people joked about it when they announced that they'll be working on the CSM op and ed respectively. Just overall good times.

The OG UTAUs that started off as a "joke Vocaloid" complete with joke-y info in their official profile (Teto being a 30-something year old chimera, Tei being a yandere for Len, Ruko being a futanari, Ritsu being a crossdresser who shoves nukes in their bra, etc.)

Fanloids like Zatsune Miku, Sakine Meiko, Yowane Haku, Akita Neru, etc. People just be making whatever tf oc they can by making adjustments to existing VBs and I think that was cool af.

I remember back then that some people are genuinely upset that people are sexualizing Acme Iku and other H-loids like, my brother in Miku, what did you think the H in H-loid stands for? 😭

#vocaloid #vocal synth #utau #fanloid #pjsk

29 notes · View notes

keitaiware · 5 months ago

Text

📁 Interview 003: "Emulating Windows on MacOS for UTAU Workflow." ft. ryouichii

Today's topic is something most of you all must be curious about, when making my content, my job is to make UTAU on MacOS a better experience for everyone. So today I pulled together a very interesting interview on contrasting the experience of UTAU on Windows and MacOS operating systems! We will be interviewing UTAU content creator Ryouichii for today's interview, who operates between MacOS and Windows in their workflow.

Before we get started with the questions, please introduce yourself!

Ryouichi: I’m Ryouichi! I'm an artist and UTAU user from the UK, I make covers and manage 3 (soon-to-be 4) UTAUs! My main UTAU is Hikuine Kiiro, who just recently got a massive multi-expression VCV for his 10th anniversary!

youtube

I'm super proud of it.. it took me more than a year to put together. I got into Vocaloid around 2011-2012 and subsequently found out UTAU is a thing at around 2013? It took me a while, but I released my first UTAU in late 2014 and it's led me to where I am now !

That's incredible! You've been in the scene since the very beginning! I'm happy to see you're still here pouring out your passion into your work. Kiiro is a very impressive UTAU. I look forward to seeing your new projects to come! For our first question, I originally saw your tweet when you sold your PC to work on MacOS, and it really interested me because. I normally don't see phenomena like that, its normally vice versa?

Q. So, when switching to MacOS, what stood out to you, and why did you switch?

Ryouichi: I mainly switched to MacOS out of frustration with Windows 11, and with Windows 10 reaching EOS, I thought it was time to jump ship. I was getting tired of the constant hitches and bugs, along with Microsoft forcing bloatware onto my PC. I remember specifically watching the bluetooth menu freaking the heck out and I just gave up on the spot and went to look for Macbooks. Funnily enough, past experiences with MacOS was a little frustrating too (...not sure if it was because I had no idea what I was doing?), but this was around the OS X days, so I gave it the benefit of the doubt. When I switched, Sonoma was the latest version, and it felt sooo much easier to use compared to El Capitan personally.

I see, I've heard of the difficulties with the latest in Windows. At least Macs give you the option to update! It is very common when switching from Windows, most my friends complain to me about the interface of MacOS, but its something that I've used for the last 13 years! But I get the struggle because I recently got a Windows laptop and it feels so rigid compared to MacOS? But I feel I've gotten better at navigating it and broke the habit of double clicking! (haha)

Q. For the next question, before the interview, we discussed emulation on MacOS, so I would like to ask what it is like having a workflow reliant on emulation, and what it is like producing a cover between Mac and Windows OS?

Ryouichi: It's definitely clunky, and at one point, I had to change my external storage from a hard drive to an SSD because of the hangs and freezes it would cause. It can also be very expensive!! Parallels charges up the butt for a license, and you don't even get to own the software if you don't want weird limits on performance. I know there's VMware, but I couldn't get it to access my external storage for whatever reason, so I dropped that pretty quickly. I've gotten used to Parallels over the months, though! It can be slow at times, but it allows me to use a workflow I'm very comfy with, and that's perfectly fine with me. As for making covers between OS's, I find Mac to be more restrictive than Windows personally. It's because I established a good workflow while I was still using Windows, and trying to fit that into MacOS proved difficult. I will say producing videos on MacOS feels much smoother though!! I used to use AviUtl for that stuff, but moving to MacOS forced me to switch to more professional software like After Effects, and it runs like a dream… I've dabbled with it on Windows before and found the performance to be not so good? So in comparison, it's great, honestly.

A Parallels license is quite expensive! Its the only option for Silicon MacOS as far as I know, but on Intel, I did have a Windows Bootcamp set up. It was quite laggy, so I deleted the partition and stuck with vanilla MacOS. For MV production, I will say the larger programs like the Adobe suite, and Final Cut, run MUCH better on Apple Silicon than on Intel MacOS. So because of this I do all of my MV production on my iPad!

Continuing on the topic of emulation, people have mentioned Wine and Homebrew, but I do believe that running UTAU2008 through these means is a bit clunky. Found this out recently when trying to emulate Notepad++, as its a hassle to boot and locate using the Wine emulator. So when opting for Parallels, while it might be expensive you’re paying for the quality as well!

This was a very good contrast between Windows and MacOS; taking advantage of both operating systems, and discussing virtual machine emulation!

Q. To continue on the topic, what sorts of features do you wish MacOS had?

Ryouichi: It's not really a MacOS feature, but more on the end of developers… I really wish there was more MacOS support for games. Sure, there's crossover and GPTK which do an amazing job with translating games over to apple silicon, but I prefer native support, since some games are SO particular and finicky on crossover. It's a shame that there's barely any games coming out with that, especially with how good graphical processing is getting with the newer chips. But if I had to nitpick, I wish there were individual app volume sliders… and I wish screenshots were automatically copied into the clipboard … but that's about it honestly.

Ah yes, I recently have been looking into Crossover but I genuinely wish there was more support for MacOS. Crossover perpetual will cost an arm and a leg, but I believe it is much more streamlined than Wine. Crossover has the convenience of making your Windows applications accessible from a singular hub rather than digging in your system files. This is one of the main reasons I got a Windows laptop was to play the games I bought during steam sales!

On the topic of volume control, after trying Windows, I noticed there was a built-in feature to adjust individual App volume! I love this feature, but was something I had to pay for on my Mac using Sound Control, and that has been working smoothly for me. As for screenshots, I was not aware they did that! But I do see how that would be inconvenient. On iOS you're given the option to copy and paste a screenshot if I remember correctly.

Q. To wrap up this interview, what are you future ambitions for your work?

Ryouichi: My future ambitions ……. I'm not the type to really have those, honestly, I tend to just do what I wanna do without really thinking ahead. I guess I'd like to see myself improve! I like looking back on old art and covers and comparing it with what I've produced more recently. It's a really big reason why I'm still going, gives me a sense that what I'm doing is really doing something. I'd also want to dabble with different languages in vocal synths… I've been thinking of adding Korean to Kiiro's DiffSinger voicebank when I get around to re-recording it?? I just hope my bri'ish accent isn't distracting, innit ™️ I'd also like to put my name out more, be it making PVs for people, entering contests or something like CVfest if that's happening next year! I've noticed I've been losing interest over the years and I'd really like to revitalize it by doing things I usually wouldn't.

I see! Normally I just pick up work as I go, so it was probably a very direct question. Dabbling in other languages sounds fun! It can be very daunting, but I wish you all the luck with it, I’m sure you'll do fantastic! CVfest is a great event, a lot of people touch back into making a simple voicebank and build characters together! It's something I would be interested in as well! As for keeping passion more consistent, I think the easiest way to keep your interest is to incorporate new ideas and mediums into vocal synth as its a very tangible hobby! I've found myself using all my skills for it, so its very expansive. That being said, I appreciate you sharing your time and insight with us today on the KEITAIWARE project! If you would like to see more of Ryouichii's work, their profiles will be tagged below. Thank you for reading!

Twitter: https://twitter.com/ryouichii BSky: https://bsky.app/profile/ryouichi.uk YouTube: https://www.youtube.com/c/ryouichi

#keitaiware #keitai_interview #Youtube

6 notes · View notes

an-inspired-eternity · 2 years ago

Text

Shuffle AU Summary

These are the groups of my PRSK Unit Shuffle AU! They each loosely correspond to the genre of the groups in official PRSK, but naturally with more of their own styles and spins.

Different group set-ups means different dynamics, and while some canon dynamics remain (or are even strengthened), not every one will take the same form, if they remain at all.

Under the cut, I will send their logos and give some additional info as needed! Note that I have.. more developed for some of these guys than others.

First, Juvenile/Glory! J/G is a kind of a rock band (I am not in this kind of music scene, bear with me a little bit sghfdfh), initially formed by Airi and Ichika, Airi ends up dragging Ena and later Akito into playing/performing with them.

Airi meets Ichika at Miyajou, and ends up befriending the somewhat shy girl. She learns of how Ichika once had a dream of being in a band with her childhood friends, but explains they all drifted apart so she never got the chance.

Upon hearing this, Airi proposes the two form a band together, it might not be with her childhood friends, but this is better than nothing right? To get more numbers, Airi ends up inviting her long-time friend Ena, who bitches and moans but ultimately agrees to at least try (even if she laments having to change her classes and sleep schedule.)

It’s during their first practice sessions that something changes- the group suddenly find themselves the ability to access a new world- their SEKAI, a underground metro type areas with shop stalls- and gorgeous wall art that stuns Ena, it inspires her to keep up with the occasional art piece.

The three are doing well, but they find something’s.. missing, in their band, particularly vocally- not that any of them were bad singers, it just felt like there was a kind of sound missing from them that none of them could fulfill. That’s when Airi had the suggestion for Ena to invite her brother to sing with them.

Ena, once again, bitches and moans at the idea of having to work with her brother, but Airi is stubborn and insistent, so she eventually gives in and asks Akito. Akito also bitches and moans, but once again, Airi is relentless, so he offers to try. That’s when things begin to click together for the group. Akito had experience with music but had ultimately not gotten as far as he did here than he did with canon due to being less invested in Rad Weekend and also having never met Toya. The two siblings bicker a lot at first, but end up finding they enjoy having something to do together that their dad can’t ruin.

(Akito was technically to their SEKAI first but ala those dream visits in the main story prologues, and only properly got introduced to it later from Ena and/or Airi bringing him.)

J/G’s main vocaloids, Miku not withstanding, are Rin and Meiko! Intentionally pulling from VBS here, I don’t have much in mind for the J/G vocaloids at this time, although I do think Akito’s relationship with the Kagamines here is similar to that of canon Akito with the VBS Kagamines, something Ena is very entertained by.

Second up we have SWEET SYNDROME! SS is a idol group, half composed of newcomers and half composed of veterans- starting as a pair with Emu and Honami, they ended up taking Mafuyu and Shizuku in, forming a proper group.

Emu and Mafuyu met as young children, when Mafuyu got lost on a trip with her mom to PXL. Emu found the lost Mafuyu on her own, and with the help of her older family members, she helped Mafuyu to reunite with her mother.

Mafuyu’s mom was angry at first, for Mafuyu wandering off- but realized the one who had found her was the daughter of the rich and highly influential family that ran the park. Thinking that this would be good both for her own image, as well as the family being a possible good influence for her daughter, she allowed the two to remain friends.

Mafuyu ended up being entered into many child pageants at a young age, a early exposure to stardom. Once she got older, her mother began working to get Mafuyu into a idol agency, where Mafuyu could gain fame as a beautiful and elegant young lady, just how her mother raised her. Mafuyu lost sight of what who her true self and tastes were, molded by her mom to be the perfect girl her agency would want.

Emu and Mafuyu had grown a little apart during all of this, but Emu still treasured her friendship with Mafuyu, and as Mafuyu became an idol- she admired her. Less familiar with the darkness happening backstage, Emu had begun training and auditioning to become an idol in hopes of maybe getting to make people smile just like her dear friend- maybe even getting to do so together, too!

It wasn’t easy, she found she wasn’t what a lot of people were searching for. But she kept trying! And trying! And eventually while she was practicing during a break period at school, she was approached by her classmate Honami, who asked about what she was doing, and upon being told, if she could join too. Thus the two girls had become a pair.

Honami’s help had been deeply needed, as with the two now working together, they decided to start their own group- albeit a small one not capable of much. But word got to Mafuyu, and Emu explained what she had wanted- to sing and dance for people to make them smile just like her! And something stirred in Mafuyu, feelings the girl thought herself incapable of still having.

That was the key to their SEKAI- a museum that framed idols in a bit of a dark view, like they were only something to stare at and admire with no free choice of their own. Emu didn’t like it, she didn’t agree with that idea of what being an idol meant. Idols are supposed to make people happy, and that includes other idols!

It’s this thought process that helps them additionally reach Mafuyu’s school friend and felllow idol Shizuku. Shizuku had been close to giving up on being a idol herself due to the pressure and how unliked she felt for being “too perfect”, but the positivity of Emu and Honami had encouraged her to not give up, and thus Shizuku becomes the third member of SWEET SYNDROME.

Mafuyu’s mother was their biggest opponent, holding a growing distaste for the way the youngest Otori child had never seemed to grow out of her childish demeanor, but where she “failed”, her older siblings grew into mature responsible adults, people who could be good influence to her daughter and maybe send their youngest sister onto their respectable path instead.

But the group made their attempt, an effort to please Mafuyu’s mom in order to allow Mafuyu to work with them. She was very hesitant to allow Mafuyu to join, given her less than great feelings towards Emu- but her view of Shizuku and Honami, two more “mature and responsible” figures in the group, softened her resolve, and ultimately lead to her agreeing to the group’s formation.

SS’ main and only starting virtual singer is Miku. A quiet and somewhat odd version of the Virtual Singer, who clung to Mafuyu’s side a lot, but otherwise mostly kept to herself at first- occasionally leaving the main area of the museum to sit alone on the stage and sing to herself.

Third on the roster we have Spring CIRCUIT! A live show/street music group.. and also admittedly the one I’ve developed the least. The group was formed, a bit shakily, by Nene and Kohane, having witnessed one of Shiho and Haruka’s performances. It’s also something of a second chance, for Nene and Haruka.

Haruka, after quitting ASRUN, found she had missed singing, and ended up looking into alternative activities she could enjoy- and found the similar-but-different-enough world of live shows. Through this as well, she met a classmate from Miyajou, Shiho, who had been doing solo shows on her own. They realized they had similar interests (plushies lmao) and something of a friendship and partnership formed.

Kohane, like in canon, was a bit of a drifter, not quite having any activity she could commit herself to, and Nene had been fearful to return to being on stage in any capacity since the incident from when she was in younger- going as far to deny her childhood best friend’s offer to join the more private group he’d formed.

But fate ended up bringing these two together, having been out on errands when they came across a venue mid live-show, with Shiho and Haruka performing on stage. It sparked something in them both- Kohane a urge to try singing and live shows, and Nene a urge to sing again- even if not in a play.

Shiho was quick to bounce and go on her way- not one for small talk, but Nene and Kohane had the chance to talk with Haruka, in which the pair both came to her about their newfound inspiration- and also subsequently realized they both had been inspired.

Haruka had given them a light warning about Shiho’s distant cold and demeanor, explaining she’s nicer than she appears, but that she has to warm up to you first. Past that however, Haruka was willing to work with and train them- and it was at this moment their SEKAI appeared- a large expansive arcade within it was a chill Miku and a strong aura’d but otherwise very polite Luka- who had a taste for photography that she and Kohane were quick to bond over.

It takes a bit, for Shiho to warm up to these new members Haruka picked up. Nene finds herself struggling to gain the courage to sing with all her heart again- but seeing how hard Kohane, a complete newcomer to all this, is trying, it inspires her. She’s done this before, she can do it again. That’s how the two manage to impress Shiho, and the group finaly becomes a full quartet.

Fourth on the list and second to last is Echo-Show! A theater troupe situated at the Wonder Stage of PXL! Run by Tsukasa, this group was formed along the way by Tsukasa’s basically sibling figures he collected along the way.

It starts with a hospital- specifically, a hospital housing Saki Tenma and a Mr. Yoisaki. Tsukasa, ever the dutiful older brother, visited his sister whenever he could afford to- but during one such trip, he met a odd girl. Her silver hair seemed to reach to her knees, the girl clearly hadn’t been doing well- physically or mentally.

Tsukasa quickly got to what he did best- making people happy. He doesn’t quite get a laugh, but the girl smiles, and he considers that a win. Tsukasa introduced himself, and the girl introduced herself back in turn- saying that her name was Kanade and that her only living parent was in a coma- something Tsukasa offered his condolences for.

The two became friends, and Tsukasa found himself visiting and checking on Kanade every so often. (In addition to Honami being Kanade’s housekeeper). Later on, Tsukasa had finally gotten his chance to form a troupe, having auditioned and been hired to perform at a small stage in PXL called the Wonder Stage, courtesy of the youngest Otori daughter.

Tsukasa found himself a bit.. shit out of luck in regards to actors. His sister had been scooped up already- but he turned to his brother figure, Toya- Toya had recently defied his father, quitting classical music and looking for his own thing he wanted to do. Tsukasa reached out to Toya, asking if he wanted to join his troupe.

Toya was a bit nervous, not having ever really been part of the shows Tsukasa put on for him and Saki as kids, but he wanted to give it a try. Plus he thought it would be something his dad would hate, which was a spiteful little bonus for him. This was one more addition to Tsukasa’s crew, but he didn’t think just the two of them was enough to work with, so he reached out to Kanade- who had become something of a sister to him.

Kanade vehemently did not want to perform on stage at first, but Tsukasa was understanding enough to say they’d start small in anything physical so that Kanade could work her body strength up. She could also help with any technological stuff behind the scenes as well- which is something she’d enjoy doing a lot more.

Their first test show wasn’t a huge hit (but not QUITE to the disastrous level of WXS’ first show LMAO), however it did attract the attention of one Minori Hanasato, who ends up being really into the show and their ideas behind it. Tsukasa, ever the resourceful one, basically scoops Minori up into the troupe.

There were.. incidents, involving the start of their fully formed troupe- Toya taking extra blame on himself and thinking he was bringing the group down, backing away for a while. (IE: the whole thing in the VBS main story where Toya questions his own resolve and Akito has to chase him down and prove otherwise.)

Last, but certainly not least (I would know, they’re the favorite child of this AU.) is House of Outcasts! A group youtube channel dedicated to doing skits and plays online. (Inspirationally I was thinking of both Starkid, as well as the Man On The Internet channel- or rather a less specifically gaming centered version of them).

The group starts with Rui and Mizuki, two lonely souls who connected in middle school over their shared isolation and disconnect from their peers. Deemed too "weird" to fit in amongst them. This friendship carries into Mizuki’s first year and Rui’s second year of high school- Rui having recently transferred to Kamikou to get away from a suffocating prestigious school he’d been at for his first year.

Rui had his solo live shows he’d try every so often, but the story begins when Rui comes to visit Mizuki and show them the most recent idea he had- Mizuki finds themselves very impressed, and explains that with their abilities in editing software, they could probably post Rui’s show online and get decent publicity with it.

So Rui and Mizuki end up forming their group- and after a bit of time Rui offers to Mizuki that they could perform with him, if they were comfortable doing so. Mizuki is hesitant at first, afraid that people online would be judgemental, but gives it a try and finds that not only is it more fun than they thought- but most people watching didn’t seem to care.

That’s when their SEKAI appeared. A rooftop building underneath a fantastical sky of stars and the moon- a light energy not unlike a child’s imagination to offset the aching familiarity a rooftop brought the pair. It was there they found a sisterly Miku, and a excitable Len- who reminded Rui, painfully so, of his younger child self. It was a safe place- somewhere the two would be accepted and not judged.

Things went on mostly as normal, in spite of the strange world they’d uncovered, and Mizuki ultimately invited their friend and classmate An into the group- An was more of a street musician than a street actor, but with a low activity in her search for the perfect partner, she ends up slotting into the group. Rui and An aren’t on the best of terms at first- not to say they didn’t like each other, it was just hard for the two to work on each other’s wavelengths. But they had managed.

It was later on then that they found Saki. The group had been out on a shopping trip when Saki spotted and recognized them, excitedly explaining that she was a huge fan and that their shows reminded her a lot of the ones her brother used to do for her- but a lot more in a style she really enjoyed. Hearing this, Rui ended up offering her to come aboard and perform with them, and Saki happily took it.

#shitpost agenda #shut up richie #project sekai #unit shuffle au #long post #juvenile/glory #sweet syndrome #spring circuit #house of outcasts

125 notes · View notes

1loer · 11 months ago

Text

also i always think about an AU where they bring Nanami back, but not Nanami from Hope's Peak, the Nanami from the NWP.

In Kingdom Hearts (BARE WITH ME), everything can have a heart (metaphorical/metaphysical. not the literal organ, but is vital for something to be fully alive). It's formed from your connections to others, and the experiences you have. Even digital beings grow hearts if they're put in the right conditions and form enough connections to others.

I think that right at the start, Nanami would have been a blank slate, simply a stand in for code, just a representation of the therapeutic software of the NWP (like how Miku is just a representation of her Vocaloid sound package) but designed to be someone so intergral and important to their lives, someone they all loved, possibly to boost the potential for success within the program. But I think that as their time within the program goes on, as her relationships with the others expand and deepen, she became more and more 'real'. I think she grew her own heart, one seperate, original, and her own. One unconnected to the girl she's supposed to be a copy of.

If this heart could have been saved from deletion, just like the rest of the Remnants were, and been brought back into the real world, made physical, put into a vessel, Nanami could have been resurrected.

But the implications of this.

Everyone has their memories back of this girl that she isn't, wasn't and never really could be. She's someone different now, forged by different experiences, colder, jankier. What would this mean for their grief? Kamukura grieved Nanami, even if he didn't know why. Hinata grieved Nanami, repressed as he was by the Project. The whole class turned to despair watching her die. Some watched her die two times over. Now Nanami is back, and she's everything they remember and she isnt. Nanami is back and she has to live up to these expectations of who everyone thinks she should be, and who she really is. Would the Remnants still greive? I think they would. I think she'd feel that. Where would the therapy tool she was built around end and a real girl, a newly real girl, who has never lived before start? She didn't even ask to be brought back. Would it be selfish to force such an existance upon her?

I think, as hopeful an ending as it would seem on the surface, Nanami coming back to life would be a whole new form of despair.

#oh pee #danganronpa #chiaki nanami #all this to say. The Nanami - Xion parallels wont stop haunting me #does this make any sense #me (a kingdom hearts expert not understanding how little a non-expert would know about kh):#i mean EVERYONE knows and understands the concept of the heart-soul-mind trinity #ik theres a fic out there that explores this. i've read it and it gave me such massive brain worms literally made me insane.#BUT...#((said very very quitely. so quietly that i hope the author never sees this))#i absolutely hate the way they wrote her relationship w/ hinata and komaeda. like they made her her dads??? or something??? idfk #sometimes....things with kom-ahin a....are worse.

13 notes · View notes

stepswordsen · 8 months ago

Text

【Magi】 Judar Wearing Hanfu 🖤❤️🐈‍⬛

【Magi】 Judar wearing hanfu 🖤❤️🐈‍⬛

【マギ】漢服（ハンフ）を着るジュダル

Intro

Judar is my fave Magi chara, and JuAli is my fave Magi ship, so I REALLY wanna create plushie designs of them one day, as well as a Tegaki fan-animatic MV... It's my dream 🙏

My unhinged gremlin black cat son who's Black Sun, Moon, and Eclipse themed! 🐈‍⬛☀️🖤🌙

1st Judar doodle is a planned concept art reference sheet I wanna do for my headcanon design of him wearing black and red hanfu 💞

2nd Judar doodle is based on a Vocaloid song parody with JuAli (Judar/Alibaba) x Unfriendly Hater by Meddmia (drawn by WOOMA) 🖤❤️💛

In my HCs, Judar wears a type of hanfu called Ruqun (襦裙). Ru (襦) is the cross-collared top of a hanfu, and the wrap-around skirt is called Qun (裙). The coat jacket is called Da Xiu Shan (大袖衫)

He'd look great wearing black and red hanfu with white and gold accents~ The black outer coat jacket is slightly translucent, so it'll show the cross collared top's red sleeves through it.

I drew some tentative rain drop earrings for now, but I imagine he would wear gold and red hanfu earrings, and/or snowflake/icicle ones (since Judar is an ice magic user) ❄️

I've been forgetting to post my doodles from my side account onto main, so here you go. I missed talking about my son and drawing him.

I think my art style is getting more refined 🥰💖 The way I draw faces/eyes has been improving steadily! The first Judar doodle was the first time I experimented with an eye style with thicker eyelashes and underlashes! I love the new eye style a lot, so I've comfortably settled into it for the rest of my arts.

I want to draw him in different styles of huafu too, but I made the main hanfu he wears in my HC version, simple to draw (black coat jacket, red cross collared top, black wrap around skirt) with simple patterns, just for my own sake.

...

I'm obsessed with Meow meow mf charas. Black and white colour scheme and design aesthetics. Black and/or white hair. Black Sun & Moon themed. Sharp tsurime eyes. Eyeshadow. Causes problems on purpose. C*nty Sen-core bastard cat. Smug chaotic edgy evil asshole character. Violent, unhinged, bloodthirsty and murderous. Arrogant with a huge ego that distances them from humanity (or social interactions).

I love "Sen-core Meow meow mf" and "Cunty Sen-core" bastard cat Annoying Nyam Nyam types like him /pos <3 🐈‍⬛💗

Judar's long black hair with braids, and black + white + red + yellow design hits my fave aesthetics 💗I love his braids sm

Judar is my fave Magi chara. No one is surprised LOL. Judar is a perfect Sen-core character.

Especially since I KNEW I have a history of being obsessed with Kuroha (KagePro) since I was 12. I knew exactly what would happen

The fact that my evil unhinged meow meow pipeline has led me from Kuroha (2013) to Judar (2022) is really not surprising at all.

It's so funny rereading my messages from 2022 when I first read Magi and guessed that he'd be my fave after seeing his 1st CAMEO appearance 😭😂 It's like watching my downfall in real time /lh

My friends mainly associate me with my meow meow mf faves like Douman, Xanxus, Judar, Idate, Kuroha, and Hibari. To be known for them is an honour ✨ It makes me very happy (❁´◡`❁)

Judar's a fun chara and a perfect squishable gremlin it's natural I'm devoted to him. I love my son

I wanna draw even more of him cuz he's just so fun to draw. I need to practice more cuz I have trouble drawing his spiky hair at times

I put the rest of my doodle WIPs, and talks of my headcanon design for him, and my art process under the cut ✨ Cuz I don't think I ever talked about how I got obsessed with this chara in full? I'll put that too

WIP Shots

The last one is an older doodle. I still like aspects of it but I'd redraw it (also the above doodles are just better drawn versions of it)

Headcanon Design

Judar wears hanfu and hanfu earrings in my headcanon design.

I imagined that he would wear gold and red hanfu earrings, and also snowflake/icicle ones! Silver snowflake ones, and glass icicle earrings would be cool...

So I think I may wanna put snowflake/ice and dragon patterns on his hanfu. The silhouette of a Chinese dragon (ice dragon) would be rad 🐉

I want Alibaba to wear traditional Arabic clothes (white and yellow). I've been looking into it for now, but I wanna draw it soon... I also HC Alibaba to have tanner skin in my HC design

Ohtaka is really good at harmonizing colour palettes (seen with the volume covers). I loooove using teal/cool tinted black when colouring my meow meow mf faves, so this is a treat hehe

Since Judar is from the Kou Empire, which is based on China, I wanted to project Judar's ethnicity onto his design more (since many friends who I've spoken to from my other interests didn't know he was even CN inspired until I told them)

I always take aspects I like from canon and imbue it with my own tastes! I base my drawings on my own headcanons/interpretations of my faves.

I agree with the above post <3

Magi is in my top favourite series ever in terms of art and writing. It's generally peak imo

Magi's biggest flaws are the whitewashing, colourism and racial stereotyping (ex. racially stereotyped clothing in the character designs) and some parts of the setting being bastardized takes on SWANA and South Asian cultures, and I've always been critical of that.

Of course, it's totally normal for cultures to do cultural exchanges with each other, but that's not what's going on here.

A lot of EA media feeds into insensitive/distasteful racial stereotypes on non EA cultures, we don't need more of it being perpetuated in fandom spaces. I personally won't be drawing certain Magi charas in their canon clothing designs.

Ohtaka's drawn him (Judar) in hanfu before, it should've been his canon clothes instead.

I love his hair design with the braids sm. I draw him in huafu in my HC design instead as a fix-it for the obvious colourism going on in Magi's chara designs, and also, the charas' clothing designs and parts of the settings too, being bastardized and racially stereotyped takes on SWANA and South Asian cultures.

WIP Shots (Art Process)

I drew these, which I like, but I liked the original best (up top). A few of them have slightly more curled hair strands! I think 1st and 2nd are the best in capturing the vibes, but the others are also interesting to see. I might incorporate some aspects from them when I refine this doodle

I think there's a lot of improvement from my past doodles. I still like this but I'd redraw it (since I feel like my recent doodles are just better drawn versions of this)

Admittedly I'm MUCH better at drawing meow meow mfs, so I haven't gotten the chance to draw Alibaba yet.

I find Judar's spiky hair hard to draw so I'm still trying to decide how I want to draw it...

I love how Ohtaka draws the shape of his braids. I didn't get the time to refine the sketch yet so I just blocked in the shape of his braids roughly with a silhouette (so I'll go fix it later)

I wanna redraw and refine the hair and clothes later 👍

I think when I actually get to colouring, though, I'm gonna desaturate the teal tinted black colour slightly

On the 1st sketch pass, I just care about making the face and eyes look good (since it's usually the main focus of my pieces)

Then I just scribble whatever for the clothes.

And then when I go back to clean up the sketch, then I fix everything else, including the clothes

Inspiration

(Magi: Kou Empire Arc - Ch. 255 Spoilers)

I was rereading the Judar vs. Aladdin fight in the Kou Empire arc and I love how dynamic Ohtaka's art is. I'm in love with the compositions

Judar's ice dragons and the the last page with Judar being themed with the moon!!! That's so cool. My son is so cool and iconic

Judar’s leitmotif is the Black Sun and Moon ☀️🖤🌙

I reread the Kou Empire arc so many times cuz it's SO good art/writing wise and just in general like WHDSHDHSH

But this is why I want Judar's hanfu to have snow/ice and ice dragons on it. I'll make it an easy pattern/silhouette and use a stamp brush probably cuz uh I don't want to have to draw that by hand every time

...

Ohtaka is one of my main art inspirations of what I wanna draw like someday in terms of technical skill. Her inking is godly.

Ohtaka is BRILLIANT with inking, dynamic battle compositions, perspectives, and colours... Her art is soooo good, it's such visual eye candy.

Ohtaka is brilliant with complex dynamic perspectives and inking. She draws GREAT expressions. Her colours harmonize really well. She's a brilliant author/story writer.

Her inking style is so unique. And it fits thematically too with how Magi is mainly in black and white (black and white rukh)

Since Magi was loosely based on 1001 Nights for the charas' names and parts of the setting, the roc/rukh is a giant legendary bird.

It's apparently a reference to Rukh/Rok (A mythological bird) and Rūḥ ("Essence/Soul")

Source: (X)

The way her inking stands out on its own with minimal screentone usage (except for BG effects and lighting) is a testament to her skill

Misc Rambles

These are my top fave meow meow mf faves.

My top main faves are all very important and personal to me, just in different ways. So I tie them all as no. 1 ✨

Irt Judar and Kuroha/Saeru, they're completely different characters personality wise, since Judar is mischievous, bratty and playful, childlike and emotionally immature (due to his personality and context), but they have similar~ish designs and a couple similarities, in terms of their basics.

As in, they're both evil black haired meow meow mfs with similar expression ranges, who are bloodthirsty, sadistic, and love causing violence for fun. They have the same Sen-core character type.

They have similar~ish hairstyles (black hair with braids in the back, unique eyes (Kuroha's snake eye pupils and the rings in Judar's eyes), and are unhinged bloodthirsty meow meow mf core charas

...

My History

(Magi: Ch. 15 - Judar's 1st Cameo Appearance)

Ok I don't think I ever told in full my origin story with this chara, I guess. Basically I was going off the mutuals/blorbo osmosis and just my friends' rambles at this point before I read the series.

And I was reading back my messages of what I sent to my friends at the time

I first read Magi, I think around Sept 2022, two chapters, then started again in Oct 2022 read to Ch. 15 saw Judar and was like. (.) 🧍 This design is Sen core. Don't let me go down like this.

When I first saw Judar’s CAMEO in Ch. 15... I had a feeling.

Cuz I sensed Sen core meow meow mf.

I felt my doom. I knew it... I sensed it with my instincts 😭

WHEN I FIRST SAW THIS PANEL OF JUDAR, I WAS LIKE OH NO... I SENSED MY DOWNFALL.

And then I was like, "Well I made my bed, so time to go lie in it 👍"

Since I saw the charas from my friends' tweets before, can you believe that at this point I was like "Wow I wonder how my would be ship interact together. They're on the same page!!!" 🤸

THIS IS INSANE OF ME DSAKLSDKLKLSDKLS

My friends were like "I can't believe you're shipping them this early 😭 Even before they actually interact omggg"

And I started shipping JuAli by Ch. 15. So before they even interacted. So when I JUST saw Judar. And then I doodled them right after (it was my first doodle of them!) 😭😂 LMFAOOOO

Good god me getting obsessed with charas/ships is like my insanity speedrun

Me with JuAli and KuroEne... Insanity speedrun x1000000

Like I had a feeling that he'd become my fave by his first CAMEO appearance... He makes his first major appearance around like ~Ch. 44

Douman took 5 days for me to be obsessed with after I found out about his character/writing.

Judar just took me seeing his 1st cameo appearance in the manga.

Kuroha/Saeru took just seeing the Outer Science MV when I was 12 (Tbf, Outer Science is peak KagePro and is one of the best KagePro MVs in terms of visuals and storytelling)

...

Judar is extremely important and personal to me, I feel this as someone who comes from a similar cultural background to him as well, Judar is EA/CN inspired and so his background and backstory context really makes me feel for him… Speaking personally, as someone who is Viet/SEA diaspora.

Considering Judar's backstory context, and his character arc themes of resentment and grief… Wahhhh ;__; I can mildly relate to him.

Like, ahhh, this character makes me so emotional… He makes me want to cry (in a good way). Emotional tears, cuz this chara is so healing and cathartic for me. I'll punch him out of love! 🫶

#magi #magi: the labyrinth of magic #magi: the kingdom of magic #magi fanart #judar #judal #judar magi #judal magi #fanart #digital art #my art #wip #doodle #artists on tumblr #stepswordsen art

13 notes · View notes

pricechecktranslations · 1 year ago

Text

Mothy RealSound interviews for Miku Symphony (2023)

A summary of the key points of two interviews for the 2023 Miku Symphony linked here and here

(September 22nd)

-Mothy is pretty chuffed (positively) that the series has lasted as long as it has. He began making songs in the early days of VOCALOID, well before it was profitable (people hadn't even done CD releases yet), so it was really just a hobby he did for fun. He cites this as the reason he's been able to go on for this long (as it was low-pressure for a while).

-He didn't have this huge story in mind at the very start, but he did come up with the characters' stories over time--part of this is because he noticed back in the day that songs with good illustrations tended to be more popular, so he also wanted something that could have good illustrations (talking about Servant of Evil specifically). VOCALOIDS were easy to use for his (and other people's) stories because they didn't have concrete stories of their own (he even cites how Rin and Len are weren't even strictly twins, but a lot of people think of them as such because of his series).

-He doesn't think Servant of Evil would have been as popular if he'd released it today, citing his success to it being the early days of NicoNico (and shortly after Rin and Len were released, when their popularity was high), as well as a lot of luck.

-Early on, mothy would come up with the songs first and make the story for it later, but around the time of Judgment of Corruption he began to make songs with the whole story in mind first.

-Mothy was in a metal band in college, and was also very influenced by the metal bands he was listening to the at time, a lot of them having fairy-tale and fantasy themes in their work (Scandinavian and melodic speed metal). He again also references Makihara Noriyuki, who he liked in highschool.

-For his stories and plot twists, mothy mentions inspiration from novelist Tsutsui Yasutaka, especially his short stories, saying that he's always liked the way they'll have a twist at the end. He also thinks it's more impactful for the songs as well, that they leave more of an impression on viewers of his videos on NicoNico. He's walked back on this a tiny bit though to keep it from becoming too overdone, so sometimes he will have things end the way people expect them to. He intends to make his new series a bit less dramatic along those lines, although it'll still be with the same tastes as his other work.

-mothy feels there's benefit both to mechanical sounding VOCALOIDS and ones that sound human--that each have their own uses in making music. He essentially views voice software as a type of musical instrument.

-He's gotten the impression that games like Prosekai have increased his audience, and that while most of his fans have been women, he's seeing more men getting into the series from it too. He's also seeing a lot more diversity in the age-range of his fans, seeing some people who were kids when they started and are getting closer to middle-aged now. This is a little complicated for him because he wants to appeal to both new and old fans alike. He's been thinking about re-releasing some of his old music, but it's tricky for him to do alone.

-While he doesn't currently let his fanbase influence him much, in the past he would usually take into consideration the fact that a lot of his fans were female when working on the story. As he's a man, though, this had its limits, and ultimately he decided to focus on what he wanted to do instead. He can do things as requested, but ultimately prefers his work to be free of limitations.

-He's excited for the Miku Symphony, thinking it's perfect for the tone of his work and that it'll get a large audience for the songs. It's also important because it's just about the music itself, rather than visuals or story.

-He considers the orchestral remakes a learning experience, since they sound nothing like the original music used to make the song. They also sound different depending on each performance, as well. Classical music is also considered a much more respected medium, so he was also happy to get that recognition as a songmaker. Essentially, he enjoys them a lot and it's a fresh take on the series.

-He also talks about the other symphony performances that have actual VOCALOID singing in them--he uses a lot of technical language I'm not familiar with here but essentially he was skeptical it would work and was pleasantly surprised by how it sounded.

-mothy feels that while those who like his work are often very devoted to them, he does not view himself as being or able to become popular. He's fine with that. It's not a matter of him disliking popular stuff, he's happy VOCALOID has become mainstream, but he doesn't desire popularity for himself. He just wants his work to be remembered after he's gone.

-More of him being humble--essentially he seems to view himself as filling a niche rather than being a great player in the VOCALOID landscape, and he encourages the interviewer (and reader) to see some of the other work out there that's been getting popular as well. There's so much content out there that someone's bound to like some of it.

2 (December 6th) (note, this interview was done alongside MitchieM, who was also involved in the symphony--I am not summarizing anything in here's strictly about MitchieM, focusing only on things that are relevant to mothy)

-MitchieM talks about how inspiring mothy's work is in the creative story genre, which is something they've been interested in doing more of lately. mothy talks about realy impressed with MitchieM's work as well, such as their tuning of Miku and the wide variety of musical styles they do.

-There's a bit of contrast between them, as mothy works on one story while MitchieM does multiple, but MitchieM points out that mothy also likes to experiment with genre a lot (which mothy insists is to keep himself from getting bored doing just one thing all the time)

-mothy talks a little about the making of his two new songs, how he wanted them to feel a little orchestral since it's on the symphony album, but since it's a digitally made song and not a live performance he gave it more of a rock-like feel. "Thousand Year Vow" is intended more as a series synopsis to capture its tone overall, while Grim the End is more of a nod to long-time fans who know more of the story. They're both intended to stand on their own without feeling like a continuation of the series, necessarily.

-They talk a little about the Miku symphony performances they like, their impressions of it, etc. Mothy mentions that it's not really something you listen to while dancing, but more something you listen to while relaxing. Also the importance of it being a performance with live instruments rather than being purely digital like a lot of music out there now (furthermore being a performance in a proper auditorium with all the acoustic benefits that provides).

-Also apparently the symphony this year is being recorded on an SACD, which is a super fancy CD that can record more nuanced and delicate sound than traditional CDs?

#()mothy interviews

41 notes · View notes

kawaiichibiart · 9 months ago

Text

I'm still fleshing it out, but here's what I got so far for my new PRSK AU:

It's called Shelter. Because of animal shelters, a place of protection, and the song (I'm very specifically thinking about the Vocaloid and UTAU chorus version ↓)

youtube

The idea so far is that for the past decade or two, there's been an illegal experiment going on where this group of "scientists" collect kids with the intent on turning them into animals. The majority of these kids were kidnapped while on their way to school, from parks, even from their bedrooms. And others were sold to them by their parents as a form of punishment.

Of course, after years of tests and experiments to see how far their animal instincts can go, some of these kids were able to escape.

Rui, Akito and Mafuyu were the fastest in the group who escaped and thus were able to help get more kids out. In total, eleven of them were able to escape:

Rui, Akito, Honami and Minori (who were turned into dogs)

Airi (who was turned into a cat)

Shizuku and Mafuyu (who were turned into rabbits)

Kohane (who was turned into a snake)

Emu and Mizuki (who were turned into birds)

and

Ichika (who was turned into a spider)

Everyone else was caught before they could escape.

The ones who did are planning how to get everyone else out. But a hurdle hits them when Mizuki and Emu, who were able to fly back and hide from sight, overheard that the other kids were being separated and sent to different labs. Having them all together proved to be an error since a massive breakout had happened and some managed to escape. Having them in smaller groups means less kids to focus on. Less kids to focus on means the people guarding them can keep a closer eye on them. And if another breakout occurs, everyone who tries to escape will be put into lockdown. No food. No water. Just them in a dark room until whoever's in charge decides they've learned their lesson.

With that in mind, they become more determined to help free the other kids from that prison.

Slowly, but surely, they're able to do so. It's dangerous and they have had times were they were only able to save one or two kids.

The ones who were saved were taken to Shelter, a sanctuary made by Mizuki's and Emu's sisters who were both grateful when the younger girls returned home. The two, along with the rest of the Otori family and parents of some of the other kids, provided what they could to ensure these kids would be safe and comfortable, especially those who wouldn't return home because they were sold into the experiment (Mafuyu, Toya and Ena).

There are just three more kids they need to save. But while they were able to get everyone else while on they were on the road, these three have almost made it to their new location. So if they want to get them out before they arrive, they have to go fast and they can't stop.

The ones who ultimately go on the last rescue mission are Rui, Akito, Ichika, Mafuyu and Mizuki. Following their plans, they're able to catch up with the van transporting these kids. They were able to quickly subdue the "scientists" and open the van revealing the last three kids. Two boys and a girl. One of the boy and the girl looked alike and the other boy had two toned blue hair. The blue haired boy and the girl were holding onto the other boy as he growled at them. It took them a moment to realize they weren't the "scientists" and a little longer to fully trust them.

And that's what I have so far. Here's some more stuff I plan to add but want to flesh out more:

"Scientists" are in quotes because they aren't scientists. At least either not anymore or they never got the title officially. They call themselves that because they're doing experiments and trying to "discover" something new. It's also to make them seem less threatening whenever they approach a kid with parents around. They lie about the experiment and will switch up their story to appeal to parents. They lie about how well behaved the kids who attended their classes went. How they learned respect and became obedient. Sometimes they just tell the truth: your kid seems to disobey you, wouldn't you think having a way to make them obey would be better?? A way to ensure they never leave you. We can do something for you. For a price, of course.

There is no one specific breed of animal they get experimented as. It's a combination of them, so they're all classed by the basic names (dog, cat, bird, etc.).

Mafuyu's, Toya's, Ena's and Akito's parents all try to see their kids once they escape, but are prohibited from doing so. The only one who can is Mafuyu's dad, but he respects their decision to not see him for the time being. Part of me wants the parents who sold their kids into this illegal experiment to face the consequences, but I'm not sure when to have it happen or how long it should be.

Tsukasa, Saki and Toya were the first group to be taken to the new labs. Because of this they got the furthest out before the others could get to them. While on the road minor experiments were done on them, expanding on the animal instincts they had, which is why Tsukasa ended up growling at them (the rescue group) when they opened the van. To him, the doors opening was always a sign of a threat. A threat he had to face on to ensure Saki and Toya weren't hurt.

Mizuki's sister moved back to Japan as soon as she finished college. Knowing her sister was taken made her want to return home so she could help search. It was during this time she met Hinata Otori, who's sister was also taken. They would end up creating Shelter when the two girls quite literally crashed into the Otori household.

Animal instincts and features vary depending on how long they got experimented on and a bit of Frankenstein-ing. For example, Tsukasa and Saki both have cat eyes (literally and in the sense they can see in the dark), better balance and their hair can puff out (it doesn't stand up right tho), since they were both amongst the first taken, while Akito, who was amongst the last taken, only has a slightly better sense of smell and hearing.

Kohane had the biggest amputation done since she was turned into a snake (she lost both her legs). And while she can get around, it does hurt. She also has a lot more fainting spells due to her instinct to play dead when she gets scared.

9 notes · View notes

f1zzyysoda · 17 days ago

Text

𝚆𝙴𝙻𝙲𝙾𝙼𝙴 𝚁𝙴𝙰𝙳𝙴𝚁𝚂 & 𝙰𝚁𝚃𝙸𝚂𝚃𝚂

Hiya there!! I’m Fizzy: A writer and artist who loves spinning silly stories and sharing creative art. This is my cozy little corner of the internet where I experiment with stories, fanfiction, and whatever else sparks my imagination. :33

I happily take writing requests as long as they align with my boundaries (check them out below!)

𝙰𝙱𝙾𝚄𝚃 𝚃𝙷𝙴 𝙰𝚄𝚃𝙷𝙾𝚁

✨ Meet the Author: Fizzy Pronouns: They/He Fandoms I Love: Vocaloid, Hellaverse, TADC, Omori, Object Shows (II & BFDI), My Hero Academia, HuntersXHunters, and MORE! Favorite Tropes: Doomed romance Genres I Write: Fiction, fantasy fanfiction, fluff, angst, humor, and a little bit of everything in between. ♡

💡 When I’m Not Writing I’m:

Probably daydreaming about a new story ideas

Sketching or doodling

Obsessively rewatching comfort shows. >//<

𝚆𝚁𝙸𝚁𝙸𝙽𝙶 𝚁𝙴𝚀𝚄𝙴𝚂𝚃

I’m happy to take writing requests, which are always open, but here are some guidelines to keep enjoyable!

🌟 What I’ll Write:

Fiction & Fanfiction

Fluff, angst, humor, slice-of-life, etc.

Violence and Blood

Fandom Fanfiction

OCs AU's or Lore

🚫 What I Won’t Write:

NSFW or explicit content.

Straight up gore

Requests involving harmful or problematic themes.

Additional Notes:

I promise that I'll do as many requests as I can.

Please be respectful when making requests!

I can decline any request that doesn’t align with my comfort level or boundaries.

Be patient; creativity takes time!

#introduction #intro post #writeblr #hatsune miku #skibidi sigma

2 notes · View notes

dkniade · 20 days ago

Note

omg blorbo questions look so fun! can i ask for 1, 3, & 29? (3 & 29 for any blorbo of your choice!)

Thank you for the question!

Blorbo ask game in question.

1. who’s the Blorbo that you’ve never posted about on your blog?

Not sure about never, but very rarely, I think: either MCU Loki or the white-haired IA in the MV of “Setsuna Drive” by Yoshimitsu Taki. Yes the character in a ~4 minute VOCALOID music video. Yeah.

Isn’t she cool? That stare, that outfit (the way the sleeve ends is so nice), the touching lyrics. It was my favourite shade of pink for a long time haha

Honestly one of my favourite IA designs. Sidu’s artstyle—Sidu is the character designer, artist, animator, and video editor for the music video—helps a lot too.

The lyrics, despite what it sounds like, are about car racing, since the song was written for a collaboration between IA and Super GT for the latter’s 20th anniversary in 2014.

3. was there any specific point / any specific moment that suddenly made this character your Blorbo, or did you slowly grow to love them more and more until they became a Blorbo to you?

Let’s say, Genshin Impact’s Furina de Fontaine.

It takes me some time to get used to each region’s story teaser, but I liked her design when I first saw screenshots of her from act one of Fontaine’s Archon Quest. ^^ (Androgynous women in suits, I guess.)

And then, her initial scene in Soloist’s Prologue is amazing. Strong first impression.

If I remember correctly, I cried when I heard “La vaguelette”the first few times.

And then, those scenes in Furina’s inner stage (?). “Scene 1, Before a Mirror, Furina”and “Scene 2, Accession Speech, Furina” especially.

Furina: As for the suffering… Well, I will admit that the first thing to come to mind was, “Why do I have to be the one to suffer?”…

Focalors: To accomplish this mission, you will have to stay on the stage for many, many years. You will endure and not grow old until your task ends. But I promise you… all will eventually end in a magnificent and dramatic trial, and everyone will be saved.

That switch in the second scene? From “In truth, I know little about becoming a nation's new god, but it will be my honor to guide you all” to “Hahahaha! ...Very good, my people. Only ones such as you are deserving of my rule.” Pain. Amber Lee Connors did a wonderful job in the English dub.

And then, that part in “More About Furina: V”:

I once lived in a world without a past or a future. To cope with that anxiety, I tried to create and act out a stronger, more god-like version of myself. Over the centuries, the stronger role I tried to play gradually merged with my real self. Even I can't separate the two now... but perhaps there's no need to distinguish them. Experiences of the past have formed who I am now, and that flawed performance has also become the most important part of me.

So long as the willing suspension of disbelief doesn’t break in a story, you can make the audience believe in anything, hehe. Guess it takes an actor to break an actor out of role. I certainly didn’t have a Focalors telling me what to do. ^^

29. has a fanfic about your Blorbo ever made you cry?

I don’t really read that much fanfic, and I can’t remember if a particular fan work of Furina made me cry.

But there’s a Chinese fan song about Furina—no wait, actually a cover of an existing song “错位时空” originally by 艾辰 (Ai Chen) with lyrics changed to fit Furina and the Fontaine AQ. It’s edited together with scenes from the quest too. Quite touching, I think. (If only I could cry about it?)

Does anyone have recommendations of Furina fics? Metafiction, anyone?

#dusk answers #furina #Vocaloid #ia

3 notes · View notes

itslouisan · 1 year ago

Text

Well, short post on Urahara as a vocaloid fan

Okay so, I said how I believe Urahara is a vocaloid fan in my last post, so I thought why can't I elaborate? Hell maybe expand it to what I think other characters would listen to

Urahara:

• He'd like Miku, Vflower, Fukase, Len and Kaito songs.

• His first ever vocaloid song would be strobe light, world is mine, triple baka or rosary pale; (even though I'm sure there's others songs he'd like and I'll talk about it in a second)

• He'd love the idea of virtual singers, probably nerding out to ANYONE about how he thought it was a great technology for musicians who didn't want to expose themselves, were beginners or just wanted to experiment something new, and how he thought this source could be the future of the music industry or even idol industry, having so much potential to evolve and change (which he was correct)

• He would probably try his best to go to a magic mirai show, would get the light sticks, everything.

• About producers, I think he'd be into Kikuo, Materu, Wowoka, Kanaria, Aira, Pinocchio, Akka and Deco 27 (perhaps Ichika too), but there's millions of producers, and since I'm not fluent in japanese, I can more easily list songs than the producers unfortunately since searching about the producers takes time and has a language barrier, specially considering vocaloid is all over the place and in theory everyone who makes music using vocaloid, even covers and small stuff, could be a producer, so ehhhh-

• Collects figures. I think he would be more into the complex figures and looks rather than the prize ones that are simpler

Some examples of figures I think Kisuke would like:

Songs I think Kisuke would relate/like more than others:

1- Strobe Light

An underrated song, in my interpretation of strobe light, it talks about breaking the routine, a girl who's so stuck in it she craves for something new but doesn't have the courage of trying. At the same time could talk about the line between life blurring and becoming gray, boring, with nothing interesting easily, it talks about how everyone around you seems to move on while you're stuck in a point of your life trying to change and try, still people move on, die, give up, and you can't do anything about it, yourself wanting to give up and feeling lost.

My take is that Kisuke would like it since he'd find it in his early months of exile, feeling lost, that everyone moved on, that he'd have to fight to adapt and survive in this new life, together with guilt of his friends being stuck with him now and losing their lives due to his own mistakes. He'd be stuck in a lifeless hopeless situation and routine, trying hard to break free but unable to, after all the situation wouldn't allow him to. He'd crave for freedom, for giving everyone comfort and rest, yet he couldn't rest, stop, live comfortably for a long time, everything blurring out, I think he'd listen to it a lot in his first MP3 player.

2- Cinderella

Okay urayoru moment, in my view, Cinderella is about 2 people leaving everything behind, their lives, their expectations, just wanting to be with each other and trusting that despite the odds of their situation they can be together and happy having each other's company even in dark times with a great love and trust to change their lifes

WHICH IS SO KISUKE AND YORUICHI??? Yoruichi giving away her status, her expectations as a member of the Shihōin clan, her old life, everything to save her friends BUT SPECIALLY Kisuke, trusting that he could pull it off and make a better life for them.

3- love trial

A song about someone who had such a terrible experience in love and relationships, that lost the trust completely in others, judging a partner who had previously liked and had affection for, and in the first place trying not to warm up to them and liking them again.

Another urayoru take, because we all agree Kisuke has trust issues, but I say maybe he always liked Yoruichi, but, because of his issues, when Yoruichi WAS ready to show and give him affection, he wasn't ready in the first couple of weeks or months because of previous events in his love life and life in general (which I hc Kisuke never got the handle of emotional romantic relationships and his first time doing sex with someone was terrible so yup, poor thing) but eventually melting this resolve and accepting he wanted to be happy with her.

4- Plus boy

OKAY HEAR ME OUT, he IS a pervert, no matter what you think, SO A SONG LIKE THAT FROM LEN? Hell he eats it up, plus, plus boy is about a teen boy (or teens in general) and the first signs of sexual attraction and leaving the childhood innocence of stuff, I hc Kisuke became more perverted around 14 years old, so it matches. Plus it's fire.

5- Copy cat

So, Kisuke definitely can't get the handle of social interactions and social cues, I view him as the nerd cast out kid, so, I imagine due to my hc of him having autism, he learned with time to mask all his "undesirable" and "unlikeable" traits that pushed people off, taking this facade for so long he copied the behaviors of other kids, teens, colleagues, liked people, viewing himself as someone with no essence or real personality, that is, he said "fuck it" at some point stopping the masking traits but still having personas, which is progress I guess when we're talking about Kisuke and the fact Shinigami are ageless so this could take centuries of evolution :v

Honorable mention:

In one of the asks kon made, we can see the door of Kisuke's room in the shōten, which translated to "Kisuke's castle", FIGHT ME BUT THIS DOOR DEFINITELY BLASTED WORLD IS MINE INSIDE THERE SOME POINT AND HAD LED LIGHTS CHANGING COLORS TO IT, WEARING A PRETTY DRESS AND CROW.

#headcannons #silly #vocaloid #hatsune miku #kagamine len #gumi vocaloid #urahara #urahara kisuke #bleach #bleach headcanons #nerd talks #Spotify

12 notes · View notes