#who sticks to his morals

[the-goblinprince]

and if i said heimerdinger is just a little sweetie and yall are all haters then what

[fortheloveofexy]

"andrew would be a rogue in dnd" "no he'd be a barbarian" "actually I think he'd be a fighter-" wrong, wrong. all of us, including me, were wrong.

he'd be a paladin. nobody else takes an oath more seriously than him.

[mishy-mashy]

Kudo is actually such a kind, soft-hearted guy that had to toughen up because he cared too much

He looked at AFO's rule, and even though he was weak, he had that glint in his eye that has been referred to as the "will of a hero" to oppose him. A hopeful glint shared with Midoriya, Bakugo, and Hawks

He even parallels Hawks when they talk about that particular look in their eye

From a glimmer in the eye, to which eye is shown, how much of the face, a similar angle of the face, and placement of text questioning the existence of that light,

He stormed to kill Yoichi with Bruce, but couldn't, once he saw the state Yoichi was in. Even knowing he was the enemy, he still reached out his hand and never let go, even when they were running

When Yoichi died, even though they'd only been together for two months, Kudo still cried and froze up.

This is a reaction from a man who repeatedly used lives as a stepping stone for his own goal.

Kudo said himself, that victory was life, and defeat was death. He had killed and seen his friends killed over and over, but still cries when it happens again. And to someone he only knew for two months, at that.

Kudo gathered allies under his cause, and they were loyal enough to die for him. Bruce cries (still smiling tho) facing AFO, tried protecting Kudo when he froze up at Yoichi's death, and we see all Kudo's comrades dead in the end. Maybe Bruce was suicidal when he went to face AFO, knowing he'd die, but most of his comrades (and Kudo) were already gone. Their cause was snuffed out, but the will persisted.

Kudo is a bit like Aizawa.

A bit crass and blunt, doesn't like beating around the bush, but he can clearly see what kind of person you are. He's not openly kind, but you know he cares so much, but has also lost too much once. He's seen his friend(s) die, and shouldn't it have been him in that spot? Shouldn't he have died instead, but was forced to continue living for that dead person's sake?

His speech about why we call Abilities "Quirks", recognizing people's intent over raw power is the real power. (Ch 369)

He's blunt and goes straight to the results rather than beat around the bush, but it doesn't mean his heart is frozen and he doesn't care about you. (Ch 408)

He cares so much, and that's why he has to do so much. (His whole Resistance thing, figuring out how Yoichi's Factor works to make sure Yoichi and his will can live on in some way)

He recognizes that Midoriya isn't driven by duty, but that he genuinely adores Quirks too much. (Ch 414) He could look at Midoriya, read that immediately, and even though he looked through his memories, Midoriya's character was his takeaway. Not that Midoriya is an idiot for letting himself be stepped on, or that this kid was bullied, but that Midoriya could see the goodness in others.

Like how Aizawa saw that Midoriya was relying on the reason [It can't be helped] whenever OFA broke his bones and told him he can't always break himself just because he could be fixed (Midoriya's recklessness that showed itself on the first day of school). He called out something that was an underlying, innate belief to Midoriya, that was so normal to the teen, and no one else had brought up as wrong to him.

The first thing they perceive is a person's character.

When Aizawa tied up Midoriya on the first day of school, he wasn't telling him off over his Quirk destroying him being a PR thing or too gruesome for the public. It was out of the fact that his Quirk shouldn't destroy him, because it's dangerous for Midoriya.

Aizawa came off antagonistic, but he was looking out for Midoriya. He didn't want him to keep breaking his whole arm, he didn't want him to get stuck in the mindset that he had to get hurt to use his Quirk, he was looking out for his wellbeing from the start. A kid he didn't know personally until that day.

Kudo did a similar thing. He turned his back, and refused to help, because they were putting their hopes in a delusional boy who would go too far. When the vestiges realized their gathered Abilities and Quirks were letting Midoriya have the freedom to do as he wished, Kudo already knew, only saying "His path is the right one". He could relate to having to run full-sprint to see your goal realized, even if everything opposed him, but didn't want Midoriya to go through that same path alone.

If he were alone, he'd be like Nagant. He had to have comrades to be like Kudo, able to continue and stand for their beliefs, but having comrades to fall back on, or pull him back when it's too much. That's why he follows up in that moment with, "But, if there's something Midoriya does need..."

Kudo and Aizawa could see themselves or their comrades in others, and knew how to approach those character flaws that were normalized to others and said person.

Kudo could see others for who they were, and I think it's this, and his caring nature, that he gathered so many allies with him. He knew when to be blunt, when to show kindness, that the truth hurts but needs to be seen, was actually very logical and witty, and when to step aside and let people do their thing, even if it wasn't the best move (like saving All Might). Because that was what was best for that person.

It's not like people would join someone so wholeheartedly without conviction and being left unseen by that person. So many people were willing to die with and for Kudo, and Bruce believes in him so much.

When All Might's vestige was fading and becoming more solid, Kudo had to look away. They knew it meant All Might was dying in the real world.

Kudo was telling Midoriya not to intervene with Gearshift there. But once he saw All Might genuinely dying out, he couldn't look at him, and kept quiet. He stopped hanging onto battlefield logic of necessity, shut up, let Midoriya do his thing, and it saved All Might. It saved Midoriya from seeing his idol die in front of him, and Kudo didn't have to see another ally die beside him.

The chapter is literally called [We Love You All Might!!]. Even if it's just meant to focus in Bakugo and Midoriya, and only has 2 exclamation marks, it can't discount the world is watching. The vestiges care about All Might too.

When the vestiges come up with the plan to forcibly transfer themselves to deal damage, Kudo volunteers himself as the test dummy. Sure, he backs it with a lot of reason too, but he didn't want anyone else to go first as a test drive

He, with a Gearshift Ability that resembled a manual car, was the test drive. Ha ha pun- *gets shot*

En tried going first. Kudo rejected him, saying he would go first.

"Part ways with Gearshift [me], and you'll be free of the crippling recoil too."

Too. TOO.

KUDO JUST WANTED TO GO AND BE DESTROYED FIRST. HE PUT THE FREEDOM OF RECOIL DOWN AS AN EXTRA BONUS SO THEY'D AGREE WITH HIS CHOICE.

I'd cut the image so it looks better, and I can use Bruce's words elsewhere, but this is an image limit, so,

- Kudo refused to let anyone else go first. This was before giving reasons to convince them he should leave first

- En gives reason to why it can't be Kudo. Kudo just says, "Listen." and reminds them of now.

- Look at Kudo's face when he says that. The guy knows what he's doing when he cuts off En, and would probably be a horrible liar. He might as well be pulling this out of his ass.

He's said "The world will end" "You have to or else" "Five minutes" "You're going to die" a few times in this fight already. DUDE STOPPP

(Terrible liar and a guy who purposely eggs you to torment? What a great friend he would be [yknow, when u make ur friends freak out by being ominous or reminding them of stuff. Like Toast to Lilypichu in a game of Observation Duty])

- "Too."

- Bruce's trust in him, but knowing when to pull Kudo back from going too far

Also, when he's transferred, he smiles to Midoriya. He knows he's about to die again, but the last thing he does for Midoriya is

1) Take away the recoil of his existence as a Factor on the boy

2) Reassure him that it's okay, so it doesn't weigh on his conscience

Even if only in thought, STILL!

KUDO LOOKED SO PROUD OF MIDORIYA!

I bet Kudo is suuuch a sentimental fool

> [Be me and watch your new friend die]

> [I have Yoichi's Factor]

> [It's like I carry his will now]

> [Have a glint of opposition in my eye that drives the Demon Lord and my comrades (Bruce) crazy]

> [Hey Bruce, let's figure out how it transfers]

> [Bruce's common sense VS my rabid ideas]

> [I win]

> [Bruce was unwilling the whole time and still ends up with the Factor]

> [The Factor is named One For All, after something in Yoichi's favorite comic book series]

> [We pass it on to the future to carry forward]

> [Even as everyone else and me dies, I make sure Yoichi and his will are safe from his Demon Lord brother that locked him up]

> [Decades later, my sweet vaulted friend reminds me of when we met]

> [I turn around and give my whole-hearted support to believe in some 15-year old boy because Yoichi believes in him too]

SEN - TIM - ENT - AL!

When Shinomori was stolen by AFO, Shinomori pushed everyone away before they could really notice the invader. Kudo called out for him.

Everyone is in shock, but I don't think it's a mistake that the text bubble calling out for Shinomori is pointing from Kudo.

All For One made it through and is ready to steal them, but the first thing Kudo did was call out for the one at the very front.

[On the post I made that mentions Shinomori pushing everyone away] What if Kudo wasn't pushed away? What if this was him at the front, realizing the danger and turning around, but being unable to do anything for Shinomori when he saw?

Like Bruce, Kudo communicates. He doesn't expect you to just follow or understand him. He actually lays it out and makes sure you keep up.

He explains

- the transfer of vestiges, and why he should go first

- his Quirk

- why Quirks are Quirks

- reports to Midoriya what's happening and what's next

- to Yoichi why they couldn't trust in a delusional boy. In a way that wasn't Bruce's roundabout "we lived in a terrible era and a leader gathered us"

When En panics, he barks at En to keep up. By barking at him, rather than any other way he could've used his tone, it shuts up En in his frantic babbling. Kudo also lets Vestige Might put in his thoughts to understand better, and uses it.

Eye reflection. Kudo can really see people for who they are, and understands others, and himself.

I can't repeat the pics cuz image limit, but look at previous panels here. For example, Kudo saying Yoichi's will lives in him, and when AFO reflected in his eyes

It's something I learned from Re:Zero. When a person in reflected in one's eye, something something that person can see the true core of you, of what you really are underneath everything. The eyes are the window and mirror [glass] of the soul. I finally see the true you.

AFO never reflected anyone.

But Kudo reflected AFO when the man accidentally killed Yoichi. He saw that AFO wasn't seeing anything, so later, Kudo smiled and mocked AFO at his own death.

"Yoichi?"

"He's gone."

"You killed him, Demon Lord."

And AFO hated that reminder.

Kudo was reminding him of what the truth was. Kudo saw it himself, and AFO blocked it out from the get-go. Kudo already knew what AFO was, what he was seeing, what he was doing to himself by blaming Kudo instead of himself.

And then, Kudo's eyes reflected his own hand when he realized Yoichi's Factor was in him.

Kudo clearly saw himself, and in himself, Yoichi. Nothing distorted it. It really was a clear mirror.

He really perceived Yoichi's will was living on, and was right. Otherwise, his eyes wouldn't have shown it.

Kudo was right about AFO. It's even implied back when he and Bruce had their backs turned; Kudo knew what AFO's real goal was. That was back when AFO preached unity and division under him.

Kudo could always see right through AFO. He really understood people from the start. And he never tried making up truths to justify what he was seeing, facing it head-on.

Kudo's lying about the world being black and white.

Kudo and Bruce saw the world as black and white. This was mentioned in the void.

Kudo also says, "Victory meant life. Defeat meant death."

But it's the Resistance. It's when Japan and the world was at their lowest. The world wasn't black and white; there's lots of gray.

Kudo and Bruce would've seen this. Kudo even admits that there's gray, just not directly.

Kudo says Yoichi knows, how he killed and trampled so many lives, to get back at AFO. He knows it wasn't right, or an amazing choice. Later, he says that when your back is against the wall, you have to make callous judgements. These hint at gray moments.

Kudo and Bruce have faced and been in the gray. But it's too hard to make the right choices, and there are times there is no right answer.

Historically, soldiers would convince themselves the enemy were monsters. They wouldn't be able to fight and kill them otherwise. They wouldn't be able to live with themselves without believing in this so badly.

Kudo and Bruce had to have been the same way. They were Meta Humans [Monsters] in a time they were viewed as diseased humans. The monsters were real. And they had a Demon Lord. Kudo and Bruce literally dressed up as soldiers.

Even if they were monsters to society, being Meta, Kudo and Bruce were still human. They knew this. The ones who tried believing in only black and white were inhabitants of the gray itself.

But they have to protect themselves. Kudo is so adamant that the world is only black and white, because he can't stand the gray. What it makes him do, what it means, that he's too weak to do anything.

Yoichi is an example of that gray area. The mortal enemy's younger brother, was actually locked up and sickly. He's just a comic book nerd. And it humanized the other side Kudo opposed so vehemently.

Kudo says victory is life and defeat is death. And Yoichi asked why he reached out to him then. He reminded Kudo of that gray area, and Kudo opened up.

Kudo might avoid the gray area because it's a matter of the heart and a moral dilemma, but it's what makes him human. When there's no right answer in the battlefield, he decides on his feelings instead.

He wishes the world was black and white, because it'd be so easy. But it's not.

Yoichi reminded him of how entering that gray area led to OFA ("when you reached out your hand to me"), and it had been the best choice in the end. The gray area is real, and Kudo's left a bare man with only his emotions when he's there.

Kudo is actually really kind and understanding. He's too soft for his own good. Thanks if you made it this far, I hope it makes sense (tag and image limit)

[designernishiki]

it’s kinda funny to me how that dumb scene in kiwami 1 of majima getting shot and left for dead in the harbor was basically just added as a half-assed way to explain majima not being around for a bit of the plot, but they accidentally(?) just made it seem like start of a chain reaction where majima ended up feeling slighted and heartbroken after being abandoned like that and then lashed out about it via smashing a big truck into the building kiryu was in. and yeah that isn’t inherently a romantic thing as-is but then they go and add the part where majima grabs a hostess and performatively hits on her as in-kiryu’s-face as possible, she says she’s already in love with someone, and majima lets her go immediately, no questions asked, making a big fucking point of it just to say see THAT kiryu? I appreciate when people are HONEST about their FEELINGS. people who won’t just BACKSTAB someone who CARES about them to save themselves. is that so crazy kiryu?? huh??? anyway make it up to me get down here and fight me right fucking now

[nostalgia-tblr]

"are people not into that?" i ask, after posting my weird niche shit to the internet, despite knowing it to be weird niche shit.

[moreaugriffins]

Every day i just want to write a post that just says "The Brigadier is so damn autistic."

but I then worry about what other people might say if I do that

but fuck it

The Brigadier is so fucking autistic, and nobody can change my mind

[lotussokka]

the idea that jc is the main character of mdzs is so nonsensical its almost laughable to me honestly. he couldve been /a/ main character if mxtx had focused the narration around both wwx and him. it wouldve changed the story to be the tale of two brothers instead of being primarily a love story but all the components of the existing story couldve remained intact as one half of a two sided story. however even then he wouldve been one of two main characters. ive thought quite a bit about it over the years since i read mdzs and i cannot think of any way to tell the events of the story with jc as Thee Main Character™. the main plot is driven by solving a mystery that jc had a passing knowledge of, at best, so even if mxtx had focused the pov entirely around jc the way she did wwx, it would be debatable if he was actually the main protagonist or if he functioned as an outsider pov to the main events. i mean that wouldve been an incredibly interesting choice and i wouldve had sooooo many Thoughts about how he’s barely the protagonist in his own story, but thats not the choice mxtx made

[mariocki]

New Scotland Yard: Point of Impact (1.1, LWT, 1972)

"I thought they'd lumber you with it."

"Did you, why?"

"It's a touchy one, isn't it?"

"There's a policeman involved."

"Yeah, unpleasant."

"Always."

"You were bound to get it."

"Thank you."

"Would've never happened at all if it hadn't been for that blasted Law and Order Brigade turning up on the scene, bloody reactionaries."

"Look, spare me the catchphrases, will you? I don't understand what half of them mean, I don't suppose the people who bandy them about do either."

"Well, I happen to know what a reactionary is."

"Good. You must explain it to me in great detail. Some other time."

[the-casbah-way]

What do you think happened to Jamie?

he was fired full speed into the sun at point blank range 🥳

[ashtnketchup]

i take 10 points of psychic damage every time I remember we only got 1 season of 9 and will never see him again

[leoleolovesdc]

Are my live decisions justifiable? Is this what hit-comic-book-superhero Dick Grayson would have wanted?

[thedeviljudges]

@kingkangyohan brought up such a lovely point on the bird app about how yohan's vendetta suited him; that the hate that burns through people actually looks good on him, and him being pleased and liberated is such a wonderful take on yohan because it's true!!

i think that's why yohan is so satisfying as a character because he's not trying to be anything other than himself. he doesn't go through the guilty stages or remorse - though most people would esp if it means potentially losing the love of their life.

yohan won against egregious transgressions, and it's gratifying for everyone to see someone who went through something so traumatic get revenge in a way that isn't necessarily the right way to approach coping with those feelings, but he does so nonetheless, and he's happy. yohan knew what he wanted; he got it (and more), and he can finally be at peace.

[phoenixkaptain]

The all-consuming urge to do a character breakdown of Will Graham from Red Dragon…

They changed Will a lot from the books to the show. And don’t get me wrong, I love them both, but book Will Graham is so… silent.

He doesn’t speak to people. When he does, his responses are curt. He’s blunt. He doesn’t give a single fuck about hurting people’s feelings. Other people don’t like working with him. He’s quiet but intent and nothing fazes him. He can be insulted to his face and he just does not respond.

He’s a very nervous person, and rightfully so. But it’s a different nervous than Will in the show. Will in the show is very twitchy, Will in the book is still. Will can tell when psychiatrists (coughChiltoncoughcough) are trying to read him and he is Unimpressed.

When Lecter tries to derail the conversation, Will gets up to leave, and even says goodbye. Lecter says Will can’t appeal to his vanity, but when Will brings up Dr. Bloom being on the case, Lecter insists on looking over the files. He’s intimidated by Lecter, downright afraid and more than a little traumatized by Lecter, yet he still handles Lecter with finesse.

(If Dr. Bloom’s secretaries were better about not giving out people’s addresses to strangers on the phone, Will probably never would’ve been stabbed in the face.)

He isn’t exactly confident, but he knows when he’s right. He’s cold to people. People are scared of him. People don’t understand him.

He calls his wife all the time to get distracted from the case when it gets to be too much, and he genuinely seems to like Molly a lot, but Silence of the Lambs tells us that they don’t stay together.

Will doesn’t kill Dolarhyde. Molly kills Dolarhyde. She shoots him until she runs out of bullets. Will just gets stabbed in the face and runs until he collapses.

Will had a good conversation with a psychiatrist all of once in his entire life, and then that psychiatrist turned out to be a cannibalistic serial killer who obsesses over him. Will had a wife and a son and dogs and he loved them, and they left him. Will thought he was finally, finally done with Crawford and murder and serial killers, then he got stabbed in the face when he put his guard down.

I understand why they changed Will. I’ve heard people say that he’s difficult to relate to. He’s difficult to understand or like. He’s an alcoholic who pisses off a murderer on purpose and he’s so tired.

The biggest change is how much Crawford has to push him.

Will in the book is wheedled into it, but he refuses to do anything unless he has to. He refuses to see Lecter until he feels like he has to. He refuses to speak to anyone until someone else tells him to. He refuses to leave his hotel room unless Crawford drags him. That isn’t to say he doesn’t want to catch Dolarhyde. He definitely does. He just really wishes that he wasn’t the bait.

He’s an interesting character. He understands murder. He says that there’s a reason for the Dragon to bite his victims aside from sex, because there no hickeys. He says that it’s likely their suspect has never been incarcerated before. Lecter gives his opinion and then says that Will already thought of it, and Will had. He knows things. He’s haunted by things. He’s traumatized.

He figured out Lecter was the Ripper. Lecter figured out that Will knew. And Will asked him if he could leave to use the telephone down the hall. Perhaps more absurd, Lecter let him, and only stabbed Will after Will had already outed him. But that’s Lecter, Hannibal Lecter is the absolute most absurd character in all of fiction, I just find the image hilarious, like: “…may I borrow your telephone?” to the person you know painstakingly recreated the Wound Man with a corpse, as well as on paper.

I love book Will Graham. I am obsessed with his nonchalance that masks his terror. I adore that he got a Christmas card from Lecter and burned it. I can’t stop thinking about him, alone in an unfamiliar hotel room and surrounded by gruesome images of the cruelest of mankind’s mind, trying to use alcohol as a lifesaver so he doesn’t sink so deep that he can never resurface. Crawford thinks that as long as the criminal is ultimately found, it’s fine even if Will breaks.

The criminal is found. And Will most certainly breaks.

[brionysea]

come home mike the eldritch monsters miss you

[antiqua-lugar]

I can't write it due to lack of skill but a hilson Hannibal AU where Wilson is the one engineering fucked up cases to provide House with enrichment while still trying to be his coscience is not that big of a stretch as it seems

[smolvenger]

@steasstuff sent me this TikTok comment section…and…

Uhm…

Me: