#who really wrote this book

[itty-britty-blog]

This seems like a good time to remind the world of Makt Myrkanna, or Powers of Darkness, the insane Icelandic Dracula fanfic by Valdimar Ásmundsson that managed to pass itself off as just a regular translation for OVER 100 YEARS and no one noticed.

Anyway, it’s a great read, check it out

[inkskinned]

this is just my opinion but i think any good media needs obsession behind it. it needs passion, the kind of passion that's no longer "gentle scented candle" and is now "oh shit the house caught on fire". it needs a creator that's biting the floorboards and gnawing the story off their skin. creators are supposed to be wild animals. they are supposed to want to tell a story with the ferocity of eating a good stone fruit while standing over the sink. the same protective, strange instinct as being 7 and making mud potions in pink teacups: you gotta get weird with it.

good media needs unhinged, googling-at-midnight kind of energy. it needs "what kind of seams are invented on this planet" energy and "im just gonna trust the audience to roll with me about this" energy. it needs one person (at least) screaming into the void with so much drive and energy that it forces the story to be real.

sometimes people are baffled when fanfic has some stunning jaw-dropping tattoo-it-on-you lines. and i'm like - well, i don't go here, but that makes sense to me. of fucking course people who have this amount of passion are going to create something good. they moved from a place of genuine love and enjoyment.

so yeah, duh! saturday cartoons have banger lines. random street art is sometimes the most precious heart-wrenching shit you've ever seen. someone singing on tiktok ends up creating your next favorite song. youtubers are giving us 5 hours of carefully researched content. all of this is the impossible equation to latestage capitalism. like, you can't force something to be good. AI cannot make it good. no amount of focus-group testing or market research. what makes a story worth listening to is that someone cares so much about telling it - through dance, art, music, whatever it takes - that they are just a little unhinged about it.

one time my friend told me he stayed up all night researching how many ways there are to peel an orange. he wrote me a poem that made me cry on public transportation. the love came through it like pith, you know? the words all came apart in my hands. it tasted like breakfast.

[lazylittledragon]

ok someone please correct me if i'm wrong but am i weird for thinking those 'audiobooks don't count as reading' posts are ableist as fuck????

[shinynewmemories]

Listen to me Suzanne Collins did not have to give Katniss and Peeta a history before the games. She did NOT have to do that. She could have just had their story begin when Peeta's name was called. She could have had them be total strangers until the moment of the reaping.

Like: "And the boy tribute is... Peeta Mellark!" Katniss: Who's that? Or she could have made them vaguely familiar with each other! Peeta's name is called and Katniss just thinks, Oh, I know that name! He's in my class, actually. Poor boy... Anyway!

Either way, SC could have written the rest of the story exactly the same! I think many authors would have done that! Because if Peeta's purpose in the book was to be Gale's competition, to be one of the 3 corners of a love triangle, THAT WOULD HAVE BEEN THE WAY TO DO IT!! But that's NOT how she did it because that's NOT what Peeta is.

And what is he? To Katniss, Peeta's someone who saved her and her family and received nothing in return except a beating. Peeta's someone she has had her eye on but has never worked up the courage to talk to. Peeta's someone she associates with kindness and hope. And all this before the start of the events of the book! Just because WE, the READERS, met Gale before Peeta and immediately felt a connection with him does NOT mean that was Katniss's experience! And that's what SC is trying to tell us!

To dismiss Katniss and Peeta's past as unimportant or inconsequential compared to whatever Katniss and Gale have in the present is to fundamentally misunderstand Katniss as a character and, as a result, condemn oneself to never fully understand the choices she makes in the future.

Suzanne Collins wrote it that way on purpose because she had something to say. And no one will ever be able to convince me that something wasn't "It was always going to be Peeta".

[poorly-drawn-mdzs]

Gaslight, Gatekeep, Girl found dead in a hidden room.

[First] Prev <–-> Next

[aru-art]

happy 2nd anniversary to what continues to be the game of all time!! 🪐

[babybells123]

(ASOS, Sansa II)

(ASOS, Jon XII)

[profoundmakerdreamerss-blog]

Tomarry AU where Harry knows everything but it's not because he is a time traveller, neither because he is a seer —

Pages and words have always been Harry's best friend. Living inside a cupboard did not help with his obsession. Rather, it was due to those pages that he survived. (He was 14 when he got his room instead of a bloody cupboard to sleep in.). The library was the only place Harry was able to hide from Dudley before they were sent to different schools.

When he was fourteen, and hiding from Dudley in the public library (he was mad that his gaming room was given to him.) he ends up reading a book he came to like very much.

It was a book about an orphan boy (like him.) who ends up going to this magic world (oh, how Harry wished) but sadly Tom ended up being hated there as well. Harry was awed by Tom's strength, but also angry (at the world how they let Tom down.) and angry at Tom for destroying himself to destroy what hurt him (or maybe he was angry at himself for not being able to do the same, maybe he was angry that he couldn't save Tom —) Harry was fourteen and it would seem he was angry at a lot of things.

(—that day Harry punched Dudley back after Dudley hit him. He didn't get to eat for a week straight.)

Jealousy is something he never let himself feel, because it wasn't a privilege he was given — not really. But one thing he was jealous of was the fact that Tom got to fly. (Harry wondered some nights — hungry and unable to sleep — what would he do if he got a magic letter? Would he have friends? How nice it would be to get to eat 3 times a day — how nice it would be to just fly away.).

Harry Potter loved Tom Riddle. Harry Potter also loved Lord Voldemort. The boy who died to be born as a monster. The boy who swallowed all the hatred so that he could hate the world in return (oh, how Harry wish he could burn down the world too sometimes — how he wish he could just hate hate hate and not care care care; maybe then he would finally stop trying look for approval in his aunt's eyes). Harry knew when started reading the book Tom was as cruel as he was strong. And he knew as he read the text, there would come a day Tom would burn the world like he was also burned. Even though he didn't agree with Tom's decisions most of the time he knew Tom. So yes, Harry Potter might not agree with Voldemort but he still loved him. And he wished that he could tell him that. Wished he could tell the man who was still a boy that wanted a family so bad that he stayed up for hours at night searching, hungry to find any living family there was, hungry for a belonging that he wasn't even deigned in the magic world. He wished he could tell Voldemort that no matter what he became, Harry would love him.

So imagine his surprise when he wakes up in a moving train — right after going to bed (instead of a cake he got a can of soup) the night he turned sixteen. Imagine how surprised as he sat there, in robes that he doesn't remember he ever owned. Imagine him freaking out that he got kidnapped as the door of his train compartment opened, and in came Tom Riddle.

[sciderman]

I give you one better, I invite you to avoid the negativity and tell us. What would be the perfect DP/SP cannon comic for you? Like that topics and motivations and even silly jokes would make you fill with joy and happiness and fun reading it?

Also if you could choose any writer to do it, who would it be?

for real the spideypool book of all time is avenging spider-man #12-#13, for wade and peter's ridiculous dynamic where - unlike most of deadpool and spider-man's team-ups, spider-man is honestly in good spirits and good humour, and is rolling with the punches.

i think that's the big reason why i love this particular team-up so much - it's not as mean-spirited as literally every other spider-man and deadpool routine, where spider-man is kind of excessively mean to deadpool. like sure, wade and peter aren't friends, exactly, but peter's not excessively mean, and they just have this delightful little dynamic where - like, peter's disappointed, but i don't know, it doesn't feel belittling to me. even when peter's disappointed.

it's the most likeable peter's ever been in any spider-man and deadpool team-up. he really really has a likability issue in every single spider-man/deadpool team-up. in every single one, save for this one, peter is just... really unlikeable in the spider-man/deadpool dynamic. he's always holier-than-thou, and i really can't stand it.

so if there were a spider-man and deadpool book i'd want to read - it would have to have wade and peter on equal footing. none of this holier-than-thou stuff - peter doesn't see himself as superior. he probably will still see deadpool as a nuisance, but he doesn't think he's better than wade. i'd want it to stay street-level. i'd want a lot of opportunities for each of them to surprise each other with their abilities - i'd want wade to constantly be taken aback by peter's brilliance, and i'd want peter to be taken aback by how sharp wade is. i'd want that respect between them to grow, over time. equal footing. a balance of powers. i really don't think it's fair that, kind of consistently, peter's always held the power in the dynamic and wade's kind of always a bit of a doormat with peter. so - i want them to dismantle that hero-worship dynamic, and put them on equal footing.

god. and the series has to be funny. dear god let it be funny. the sm/dp series was just - not funny. i can't remember a single joke that landed, for me. if there's anything a spider-man and deadpool book has to be, it's funny. please. deeeeaaaar god please.

[toastedcinnamonflakes]

Thinking about Demons, and how one of the dominant themes is treating people not as people but as ideas. It is introduced with Barbara Petrovna and Stepan - Barbara has this idea in her head she was introduced to during childhood, of how a romantic poet should look and what he should be like, and she latches onto Stepan, convinced that she can make him into that, because he outwardly resembles that picture. She is deceiving herself, and when she finally realises that she gets angry and pushes Stepan way. She is disappointed because he was not the ideal version of himself she wanted.

And, of course, that theme runs through the whole novel. People assuming others are one thing, and then not treating them as actual people.

Everybody does it with Stavrogin, of course. Pyotr is convinced he's the saviour, and Ivan is, too, although he's going more in a spiritual direction than Pyotr. Kirillov thinks Nikolai is a great thinker, giving him this idea about suicide and godhood. Liza wants him to be her romantic escape, the one thing freeing her from her life.

Stavrogin himself says it at some point. It's such a weight, not being able to be yourself, because EVERYBODY THINKS YOU SHOULD BE SOMETHING ELSE.

The whole novel is full of characters deceiving themselves and others, trying to make others into what they want them to be and lying to themselves in the process. Julia Michailovna and her husband are another example.

I'm just rambling here, but it is such an interesting theme, and one that I'd love to explore further.

[cacodaemonia]

Okay, I just had to share this. For the fic I'm currently posting, I needed to find a drug in Star Wars that was basically space!weed, and months ago, I came across marcan herb. It's exactly what I wanted for the story, and I keep telling people they need to look at the image on the wook legends page for marcan herb because like. If this doesn't scream D.A.R.E. for people who grew up in the US during the drugs moral panic, idk what does 🤣

You're welcome

[padfootastic]

i am so tired of female characters being inherently written as ‘terrifying’ or ‘scary’ w no respect to their characterisation.

for one, it feels so fake. i know so many women irl (i am one!!!) and there are very few, of any, that i would categorise as ‘scary as is’. heck, even if we go by tempers—the numbers just don’t match.

but somehow in fics, every single woman is a terrifying force of nature bc that’s…somehow…the only way we can think of women? idk?

and also just, it’s such a two dimensional characterisation that i only see w the female characters. all men aren’t angry and hex-happy and scary all the time. they’re affable, chill, respond to situations thoughtfully instead of always resorting to violence.

i think it also bothers me bc the anger thing flows neatly into the v gendered carefree man child/stuck up fun sponge stereotypes that so many relationships are forced into. it’s just an icky dynamic all around.

and lastly,,,i don’t think it’s even normal for a character to be latently terrifying everyone all the time??? unless it’s a specific quirk of theirs??? like women aren’t dementors bro chill tf out

[luck-of-the-drawings]

IMAGINE. working at ur stupid uhhh job or whatever. pulling into your drive way and ready to work on some crazy project in your garage. opening the door to the most unfamiliar silence. did your wife and kid leave for something? could you imagine knocking on your kids door, hardly getting an answer, and opening it to find the splattered remains of your wife across his room your child is scared! hes hardly consolable, in a state of shock and terror. you are too, but youre the adult here. you need to take charge. you need to protect him. you need to do something. you need to do something.

[dvasva]

Tbh? I think the radiant emperor duology deserves more critique than it gets in its tag, so after stewing it over for a couple weeks and also discussing it with my friend, I have decided to do it myself.

So. Spoilers for She Who Became the Sun and He Who Drowned The World ahead.

First off, so nobody accuses me of hating the series, I liked the series. I'd say I'd give the first book a 4.5/5, I thoroughly enjoyed it, and I like both books. I truthfully skipped the fisting scene, it triggered some dysphoria that I wasn't comfortable with personally but I don't have problem with it existing in the book, it's good where it is, no changes.

No, my critiques come mostly from the second book, hwdts. Which sucks because I absolutely loved Baoxiang in it, it's a well known fact that my ideal type is pretty, really mean, characters. ('What about Madam Zhang?!!!???!? Shes mean and pretty!!' I hear you ask. Give it a second cause i will get to my beloved madam zhang) So, my critiques are mostly organized as 'The first part I didn't like in Hwdtw that signals the thing that became my biggest issue, the bits in the middle that i did like along with the bits that I felt didn't really work well, and Act 3 which is where my issues really were exacerbated.'

By the end of book one, I had a general annoyance but acceptance that Ma Xiuying was a bit of a weak character, and not weak as in 'dang shes a woman and cant fight' or any other sexist way you may interpret that, but weak as in structurally, she didn't really have as much depth as other characters. I thought she didn't have as much time put into her character as others. And yeah you could have a million character analysis essays over Ma and her place in the story and etc, but for me, her setup for the next book as potentially having conflict with Zhu or her own morals was the most interesting part of Ma. In general I think a lot of people tend to overlook this flaw partly because Ma is a cis lesbian character and the main 'love interest' in a book that is usually marketed to people as sapphic, which yeah there is certainly a sapphic relationship in the book but I think saying it's a major part of the book is really giving the relationship a load bearing wall ot isn't strong enough to carry. The Radiant Emperor Duology is not a romance, first and foremost. To describe it as a wlw romance is gonna leave people who read ot specifically for that reason kinda dissappointed by the end of book 2.

My big critiques didn't start until book two, and a particular scene, though. Ma, at the start of book two, was generally filling the niche of 'nagging wife' to zhu, which yknow, is a fine place to start from. I was a little disappointed there was no further discussion of Ma's disapproval of the morality of Zhu's actions, and in fact the dead child was pretty much entirely forgotten by Ma in favor of being Zhu's wife. Which, yknow, sure.

The Scene I had issue with happened (Spoilers once again) after Zhu finally captures Ouyang and imprisons him at her base of operations. Ma, dressed in her empressly regalia enters his room with the intention of being the bigger person. She walks in, looks at the stripped down and humiliated general who killed her father and famously is also really a women hater, and tells him she forgives him for killing her father. And then she gets upset and cries when the prideful general who hates women gives her a dressing down and taunts her and is like 'I'm glad I killed your father'? She nearly cries because Ouyang was mean to her (notably only cause he was mean to her and didn't gracefully accept her forgiveness, not because he killed ehr father) and runs off to Zhu. And Zhu responds with 'Wow, he's just a weirdo, everyone likes you and everyone in existance immediately knows you're a good person and you change people.' Which, my friend suggested before she finished the book, was a case of Zhu placating Ma and dismissing her feelings which would be an interesting dynamic.

Really my hangups with this scene come from multiple parts.

1. Ma' few character traits including being observant and reading people really well (a thing she's praised for in book 1) and having good social intuition are completely thrown out by her thinking being alone with ouyang and forgiving him would be a good idea and then her being shocked and upset when he spat on her forgiveness. And

2. Zhu's response is never once treated by the text as her dismissing Ma and placating her, and Zhu's statement despite never being shown to be true before and that moment being the first time it's ever mentioned, ends up becoming Chekov's moral purity by the end of the book, where the plot hinges on Ma being able to magically heal a damaged character's mind enough for Zhu to win in the end. Which I will get back to. There's a lot of other stuff happening between here and the end.

So, before I get back to Ma and her role in the story, I'll address some other bits from after this scene. Both problems and things I enjoyed generally.

Madam Zhang and her parallels to Baoxiang and her being the absolute queen of dissociating really was interesting (before act 3). She was a very compelling character who I completely understood and felt positively about. She had a way more interesting relationship with gender imo than Ma did, especially in book 2. I didn't really like that she was overwhelmingly shown having sexual villence done to her, that felt weirdly like a punishment. But, I did like her a whole bunch, and I liked the look we got into her head. She was probably my second, maybe third, favorite character in the whole book until Act 3.

I really, really liked Ouyangs dynamic and relationship with Zhu. The weird sexual tension between them, their weird kinda nonsexual but also kinda very sexual S&M relationship. It was somehow the most sensual, sexual part of a book that featured Madam Zhang having sex with multiple people, and Zhu going down on Ma, and a lot of other mentions of sex or scenes involving sex. Tbh I feel like, in a way, Ma was left to the sidelines for most of the book because Ouyang became the primary 'love' interest for a hot second there and the only reason Ma could get her spot back was Ouyang and Zbu's separation. Also, from what I've seen when people talk about this book, they always kinda try to express Zhu and Ouyang's dynamic as very nonsexual and nonromantic, as platonic mostly. And there is no inherent superiority of romantic over platonic, but I think to insist that it is only platonic, and not a strange swirl of romantic, platonic, sexual, frustration and relief, and a swirl of familiarity and vulnerability all wrapped into one, is doing the dynamic a bit of a disservice. And ther is, imo, very clearly a subtle hint of romantic intent and interest on Ouyang's part before he realizes Zhu has a body he hates.

Which is also another point I didn't like. Ouyang and Zhu's relationship end felt off. The entire bit with the pirates felt off, but especially how Ouyang found out about Zbu's body, and how Zhu reacted. I think Ouyang finding out second hand, from a combination of being suspicious and from Jiang saying it, was a poor way for that to be revealed. I think there was a better way for that to happen that woyld have felt more like a betrayl to zhu than this did. The fact that Zhu and Ouyang were so in tune and could see each other perfectly, but this one thing was a blind spot for both of them because of how unaffected by gender Zhu was compared to how overaffected by gender Ouyang was is a really interesting thing to explore, an interesting disconnect between two character's whose entire basis for their relationship is 'like recognizes like'. I think Zhu seeing it as a betrayl would have been more impactful if she had presented this informatuon to Ouyang herself and been rejected than how it went down. And, I think her not realizing Ouyang would be disgusted that he felt connected and felt a sameness to someone with a body he found grotesque and that he feared would have been more interesting for zhu, who views herself outside of womanhood and didnt really think that other people would not see her outside of womanhood, if she was the one who told ouyang herself.

Also, less importantly, think going into Ouyangs annoyance that zhu kept moving his target further away was a good move but it wasn't expanded on as much for my taste. I also really liked it when (spoiler) Xu Da dies, and that entire part despite some minir bits, was extremely good in that Zhu finally has tasted loss. She had, up until that point, been riding a wave of positivity, she was the underdog who won over and over again despite all the odds and despite her own reckless choices. So I did appreciate that everything went wrong for her at least once. that would have been, imo if other things were changed, a good place to end a book two in a three book series. Which will make sense as to why I mention it im a bit.

I also didn't like how Ma was nonexistant unless the plot was like 'ok we need to remind people that Ma exists.'

And there's of course other stuff but those are the main points of acts 1 and 2 that i wasn't fond of or that i liked.

Act 3 is a wholely different behemoth which can be encapsulated with 'I wish it was longer but also different' (courtesy of the convo my friend and I had).

My friend and I both agreed that we liked this kind of courtly drama game it was playing. My friend doesn't tend to like the structure or writing style of a lot of the chinese wuxia, danmei, or courtly drama translated books i read, so it was nice to know that the genre content isn't the issue for her there.

The biggest problems I had with the ending though was 1. I think Baoxiang and Ma had an interesting dynamic despite it being really rushed and how distasteful I found the entire concept of Ma being such a good wholesome goody good good person that she could change Baoxiang, quiet his demons and fix him in some way. That was annoying in an otherwise interesting dynamic. And 2. I think Madam Zhang's character traits and cleverness and all that were wiped away to make her inexplicably jealous of Ma in a way that I don't think fit her character and just served to fit a trope of jealous empress who hates the favored concubine.

So, here's my major proposed changes.

1. Ma gets sent to Khanbaliq extremely early on. Like, act one maybe after ouyang is captured early. This serves three purposes. A. Ma has something to do and is more present in the story. this could be a good xhance to let her actually feel frustrated or upset at Zhu in some tangible way that needs to be resolved or talked thru eventually. B. she gets more time to build a relationship with Baoxiang, whose entire defeat hinges on him having a strong connection with her. and C. Her absence in the other parts of the book feel less like she's being ignored or forgotten. It makes Zhu's lack of haste more than just a way to annoy Ouyang, and turns it into an interesting moral choice. Should she rush to Khanbaliq to save Ma or trust that Ma will be ok in favor of gaining power? Her lack of haste means Ouyang leaves, depressed, and she loses Xu Da, all while she doesn't even have the assurance that Ma is ok, she is truly at her lowest point with nobody with her. If Ma is in Khanbaliq and that's explored, then Zhu and Ouyang can also explore their dynamic without Ma feeling a bit like she is battling for Zhu's attention.

2. Madam Zhang is suspicious of Ma, or feels actually tangibly threatened by Ma. In act 3, Madam Zhang's anger towards Ma feels really out of place. She got exactly what she wants, she is empress, her emperor isn't interested in removing her from her position and her position isn't threatened by anyone. Baoxiang won't get rid of her, he won't demote her, he has shown zero sign of ever even considering it. So, why is Madam Zhang jealous of Ma? Imo, especially since she very clearly has dissociated into oblivion and has no love or affection for anyone anymore, and no real desire or motivation to secure her position further aside from maybe producing an heir to make sure shes taken care of after Baoxiang dies, there's no reason for her to be inextricably jealous of Ma. It kinda just erases all of Madam Zhang's political savvy and cunning into jealous, petty woman, and that sucks. If she was suspicious of Ma's intention, or Baoxiang genuinely expressed spmething that actively threatened her position, her hatred of Ma would make sense, but instead she hates Ma cause Ma is ugly and spends every night with Baoxiang. She hated rice buckets concubine cause that concubine used a lot of funds and competition genuinely made her position less stable. She needs better motivation for hating Ma.

3. As I mentioned earlier, Zhu needs to be the one to tell Ouyang that she does not have a dick. That's just all around better, it feels more like a betrayl to bare your secrets and be rejected, etc etc.

4. The duology should have been a trilogy, with book 3 starting when Zhu is at her lowest, ouyang is dead, ma is in khanbaliq, Xu Da is dead, a new guy is the emperor. This is where a book three should have started. in a series that has so many important characters, i feel like it needs more space. she's in a 10 gallon tank when really she needs a 30 gallon tank. Lots of it, especially towards the end of book 2, felt rushed and the extra book will absolutely push that back a bit and make it less rushed.

Anyways that's my critique of The Radiant emperor duology. Once Again, I liked the series, its one of my favorites i've read all year. I don't dislike it, and having a critique or opinion about something doesnt mean I didn't like the book or understand the book (because obviously if i understood it i would understand why its flawless). I liked it, there are things I wish were different, that's it.

[mulderscully]

thinking abt sam saying lestat will never forgive himself for creating claudia... the metaphor for giving birth to a child with terminal cancer... oh anne :(

[samantha-and-nellie]

i genuinely think that the most genius move that ag has made in the past few years was bringing brit bennett onto the team to write claudie’s books