#who have the most power over them

[the-siren-queens-lover]

This is what I am saying this whole thing. The quest for power and resorting to violence.

(You know this, Riko looking at Neil's dad and seeing 'power' and Neil as Nathaniel in Major816s fic Innominate where Nathaniel looks at Kengo, Riko's dad and how he never raises his voice but you can feel his power and control and how Nathaniel wants that for himself) like dude.

I hate Riko as much as any aftg fan, and none of what I'm about to say changes that, but how much more difficult would he have been to hate if we knew what his childhood was like? we make fun of Neil's rant at the winter banquet because he verbally destroyed Riko, but do you ever stop and wonder how much of it rang true? Neil doesn't just insult people, he picks them apart because he can see exactly where the fractures are. 'always a commodity, never a human being'? that shit must have hurt so badly because it's true, isn't it? Riko is praised, has been since he was a child, but not for who he is. the love he's always received, the admiration and the fame, it's all conditional. and I'm sure that despite being the Raven King, the Nest wasn't easy on him either. we just didn't see that because Neil is an unreliable narrator. does that excuse what he did? the torture, and asking others to rape Jean, and breaking Kevin's hands? no, it doesn't. but it does make me wonder if he, too, was broken as a child. was he always this psychopathic or was it caused by trauma? was there once a child begging for someone to save him where Riko now stands?

[poorly-drawn-mdzs]

Good morning, Sleepyhead.

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[star--nymph]

Vivienne's fear being 'becoming irrelevant' isn't something that's linked explicitly to her pride, no matter what Solas says about her (and the irony of Mr.Pride himself saying that should not be lost on you), it reveals what and who Vivienne truly is.

She's a survivalist.

Because we don't spend as much time in the Free Marches or Orlesian circles, we don't get to experience what being a mage is in these cultures. In Ferelden and Kirkwall, a mage is a lesser being without freedom no matter what they do--but in the Free Marches and Orlais specifically, mages are commodities that are given freedom so long as they play an entertaining enough role. They can explore the world if they have a noble patron, if they catch the right person's eye. They are, in a way, two sides of the same coin--refusing mages agency and forcing them to relay on higher powers. Vivienne lucked out, as sad as it is, when Bastion fell in love with her; she found someone who was contrarian enough to recognize her as a full person and also someone with power that could help her rise through the ranks. This is not to say that Vivienne on her own wasn't an exceedingly talented and intelligent individual--by nineteen she was already the youngest full fledged mage in Circle history and she was skilled enough to make herself an enchanter. But, I can not emphasize this enough, none of that matters if she didn't also play the Game and impress enough people.

Vivienne could have been the most brilliant mage in the history of Thedas and it means nothing if she was overlooked by nobility.

So when Bastion made her his mistress, she gained not just a lover but also a means to an end. Now she can use her magic to protect herself. Now she can roam where she wants and not be question for it because she's Madame Vivienne. Now, she can walk into the Orlasian court and belong there.

And what happens? Celene notices her and makes her the Court Enchanter, a position that has always been the equivalent of a jester. Vivienne took that title, ignored that it was essentially a glorified insult to who she is, and made it a position of power. She made the Court Enchanter into an advisor, a political rank. She had done the impossible and made mages an actual political entity in the Orlasian Court, something that wasn't seen outside of Tervinter (not counting what players can do under very specific conditions if they made mages in DAO and DA2).

All that, however, only continues as long as the court recognizes her as something worth their attention. Vivienne needs to maintain her act as Madame De Fer, The Lady of Iron, the Court Enchanter, The Jewel of the High Court, because the second she just becomes Vivienne, it's over for her. The assassins coming raining in, her name gets devoured by rumors and gossip, and she'll be found dead at bottom of the stair case with a dagger in her back if she's lucky.

So of course when the Circles fall apart during the Rebellion, she clings to that Loyalist Mages to maintain that structure--of course she moves her pieces to the Inquisition, knowing that if the Circle DOES fall, she at least as another place for herself and mages latch onto--of course when she hears that Celene replaced her with a new Court Enchanter that appeared out of no where, she grows to resent Morrigan.

Like, Morrigan literally pops up out of thin air, makes herself invaluable to Celene, and then plants herself in the place Vivienne had to claw her way up to and create so she could survive. Would you not be resentful when your life's work is usurped by some random witch of the wilds because she happened to charm the Empress? Everything Vivienne strived for all whisked away because the court find a gem who glimmers ever so slightly more than Vivienne.

So yes, Vivienne fears becoming irrelevant because the world has made it so that irrelevance for an Orlesian mage means death.

[bluerosefox]

The (Not) Normal One...

So

I LOVE the stories where Danny is deaged and later found by one of the bats and taken in as a son or he's Bruce's bio son and is either Damian's twin or half brother or little/big brother BUT I don't see a lot of reborn/reincarnated Danny into the batfamily (I can think of two but one of them he is Dick's son?clone?somewhat clone? And the other is an amazing story where Danny is reborn as Jazz and Jason's kid and I love it to bits)

So let's change that a bit and have some fun.

Here's the idea

Danny, either from finally aging to his death (it was slow and long aging but he is still partly human too don't forget that) or dying at the hands of GIW (or by his parents if we go the Bad!Fentons route), is reborn into the batfamily.

He could either be Bruce and Selina's kid after they finally tie the knot, or be a one more attempt by Ra's or Talia to get the heir they want but is immediately found out when Tim notices certain labs active and they find baby Danny. OR Danny can be an oops baby to Bruce's one night stands OR one of the batboys baby. EITHER WAY, Danny is reborn into the family from the start.

And he has his memories. (He has little hints of his powers btw, they dont fully come in until his 14th bday)

And his new family all swear to give him a proper and happy childhood (as best as they can seeing how it's Gotham)

Only I want Danny milking being a baby then toddler/kid and later a teen for all its worth. He's going to enjoy this new life with everything he gots.

Like imagine the chaos and shenanigans he gets into as a toddler. He's the king of hide-and-seek. He uses his tears to get away from whoever annoys him. He's mastered the puppy dog look to get away with things (it holds no effect on Alfred though, man is immune to all tricks).

But then of course there's the... odd things that happen around him. Sometimes they catch him talking to no one. Sometimes they spot a ball or a toy rolling to Danny despite him not touching it. Sometimes they think they see or hear someone in the room with Danny only to go busting in to find nothing. (One time someone busted his nursery door down they heard on his baby/toddler monitor the distorted voice of a woman singing him a lullaby (it was Martha who was soothing him to sleep after a tiny nightmare, boy was Bruce not ready for one of his kids to hum the tune in the morning)).

Danny asking for an extra drink and the newspaper after Bruce is done before he runs off to one of the many sitting rooms the manor has. There he leaves the drink and the newspaper near a chair, hops into another chair nearby and chats to someone (they all think its his imaginary friend but that honestly doesn't explain why the drink seems to slowly disappear without anyone touching it. (btw its Thomas, Danny is talking to they like chatting in the morning)

OR when Danny gives hints to cases his family is working on, how he knows? No one knows. Sometimes they chalk it up to a kid randomly saying stuff or seeing it from a different simple outlook but sometimes it seems a little too on the nose and they think Danny might know about their night jobs... (He does know, but he gets some info from Lady Gotham who visits him and gives him little hints to pass onto her fav Knights)

Basically what I want is a reborn Danny trying to get a decent childhood/teenage years before his powers kick in full swing, his family trying the same but they got no idea about the powers (maybe), and ghosts like to visit Danny. The shenanigans that follow will be amazing.

[astralleywright]

the thing about humanizing the Gods, showing all their virtues and faults and loves and failures, is that it renders the amount of power they hold over the average mortal-over mortals as a whole-horrifying. even in their own approximation of mortality, they obliterate the city that posed by far the biggest threat to their existence in a single night. in the hospital Father Milo plays with the doctor's body like a toy, casually puppeting her and breaking her wrists while discussing family matters with Ayden. Ayden casts a spell to free her from his grasp, and then disregards her gratefulness to continue arguing with Father Milo.

it's relatable, of course, to protect your family no matter what. but: "it's a war to us. to them, it's a squabble." the Gods are not responsible only to themselves. are mortals not their family? not their children? with families of their own they're desperate to protect? Aeor is a passive threat, an unfulfilled promise, but the betrayers are very much not. they are actively attempting to annihilate all mortals. they're very clear about this. they've already killed most of them, and even in the truce their goal is to kill more. and the primes fought against this, until the mortals retaliated. the mortals are their children, yes, never allowed to grow up, to reach, to even protect themselves from their parents. at best, the primes are too emotionally compromised to wield the power they have. at worst, that power also makes them a threat to the people of Exandria.

this is all, of course, the reasoning for the divine gate. but this does not reshape the relationship between Gods and mortals positively, instead witholding the incredible blessings they have from the people that could truly benefit from them. it's as much a punishment for mortals as it is for the Gods. this doesn't mean we need to let Predathos eat them up or hand it to Ludinus (who represents this same cruel stratifcation as seen among mortals), but isn't there any other way that their gift can be distributed instead of hoarded? diffuse it among the people of Exandria, let everyone access a Healing Word or two. surely they can figure something like that out. they are Gods, after all.

[turtleblogatlast]

[ cw: violence mention / death mention / ]

Will never stop thinking about how Leo, all alone in an endless void and being beaten again and again and again by the only other living thing around, still finds comfort in that space. The situation he was in was completely hopeless, and in any other circumstances he would not have escaped, at least not fast enough to save him from permanent (or even fatal) damage, be it physical or mental.

And yet, despite the bleakness of his situation, despite the agony and helplessness, all he needs is one glance at a crumbled photograph, one glance to remember his family, and that’s enough of a reason for him to smile.

Maybe that’s why his powers center around manipulating space - because no matter how much space is between them, no matter how dire his own situation may be, just the thought of his family, alive and okay, is enough to give Leo hope.

[dykedvonte]

Honestly I see Jimmy's refusal to put Curly out of his misery less about his weird feelings of envy or his delusions but the fact Curly is all but stated to be a shield to Jimmy from his actions and people seeing the worst in him.

The only characters that Jimmy really interacts with one on one before the crash are Curly and Anya, two individuals he has wildly different relationships with. It's likely that Curly really did most of the talking between them as the pilots and the rest of the crew as staff. They didn't know of Jimmy's more reprehensible behaviors cause they never really had the chance to and Jimmy is subconsciously aware. If they had disliked him more than Anya would have told Swansea earlier or even Daisuke when things got really bad.

It's why he takes the immediate opportunity to blame Curly; He's the shield. He's saved Jimmy's ass more times than he can count and more times than Jimmy would ever admit. Even when he can't really do it anymore, he mentally shields himself from his own faults by putting Curly between them. Letting Curly die puts too much on him because he doesn't know how to function without a safety net.

In the end Curly only lives because Jimmy needs the idea that Curly will inevitably make things better to stay alive, meaning Curly has to live, no matter how much it pains him to do so.

[da-janela-lateral]

And You and I

[kimasousparky]

it'll never stop being funny to me how 6 years old me was so on spot when she imagined mario as "an average, kind-hearted guy who was really good at jumping, really loved his timid brother luigi and liked the princess he romantically" while playing SMW over and over again before she was exposed to media that portrayed mario with a personality

[mango-sideburns]

My fav thing about TAZ is that any aspect out of context sounds fucking bonkers.

Like, in the balance finale there's a scene in which Garfield (who is very specifically never described visually bc most people imagine him as like. The Lasagna Cat. Who in this universe is the most powerful warlock in the realm and also has a hobby of cloning people, which is great for the one character that got forced into haunting a mannequin) is summoned by an alien spaceship that runs on the power of friendship so he could beat up some flashing balls. In D&D.

And that was just. Such a normal scene in the narrative. No one blinked an eye. I would like to bow down to Griffins clear unmatched talent for making me feel such big emotions over ridiculous shit like a goddamned umbrella or a regular ass pair of jeans or the idea of a taco recipe.

[empyreansentinel]

if angel was raised on pandora it means that she and jack lived as residential settlers during dahls occupation. grogmouth likely worked for the flynts who, being a high status family at the time, in turn worked for dahl. baron flynt was the warden of thor, a dahl mining rig that doubled as a prison. the companys sole interest in pandora to begin with was to extract eridium and find alien relics, so a siren would be a priceless bargaining chip for their efforts. all of this to say its very possible that the flynts were the ones who sent out the order for angel to be kidnapped.

[biblically-accurate-dca]

KILL!!!!!!!!!

[commanderfreddy]

people are discoursing about the laios and shiro fight bc that was always going to happen but i do hope that wave crests quickly and we can all come to see it as what it is: literally one of the best written fights between two people who are both entirely justified in their actions and acting without any malice or cruelty of all time

[moeblob]

I vote for Argenti! I hope you feel better soon!

Thank you ! I do feel much better (though I admit I hurt a little for very much my fault reasons but it's mostly manageable through light pain meds).

Take an Argenti o7 I got lazy and didn't draw the roses I was gonna draw to the left so there is now a wide open blank spot.

[spotaus]

If I have energy I want to draw out some designs for an au I'm spontaneously writing.

(Medieval times, there's a Prophecy. Nightmare rules over this kingdom and is supposed to complete this prophecy, he refuses to because it would harm the people. Dream was sent away and banished by Night because he was dis-illusioned into thinking the prophecy was a Good Thing abd what he was raised to complete. Night collected his Knights (Killer, Dust, Horror, and Cross most recently) and trains them and tells them the truth of the prophecy. They're loyal to him. One day the magic of the prophesy (Apple Magic) leaves Nightmare unexpectedly, returning him to the state he was in before he accepted the mantle. This puts a target on his back and gives Dream a huge advantage in maybe making a comeback. The Knight's decide that their King (newly a young lad and variably scared and frightened) must be protected and they run the kingdom as he normally would, while also ensuring he survives and that the prophecy can't be completed.)

[wonder-worker]

"[Elizabeth Woodville] was the only member of [Crown Prince Edward of Westminster's] original 1471 council not already on the king’s council and her name headed the list of those appointed as administrators in Wales during Edward’s minority. [She remained on the council after it was expanded in 1473 and granted significant new governing and judicial powers]."

"In 1478 Prince Richard [of Shrewsbury] married the Mowbray heiress. Like his elder brother he had a chancellor, seal, household and council to manage his estates. His council, like that of Prince Edward, comprised the queen [Elizabeth Woodville] and a group of magnates and bishops, few of whom were Woodville supporters [...] It was Elizabeth who mattered, for Richard resided with her and Rivers treated his affairs as their own."

-J.L. Laynesmith, The Last Medieval Queens: English Queenship 1445-1503 / Michael Hicks, Richard III and his Rivals: Magnates and their Motives in the Wars of the Roses