#which was fucking fantastic

[b0tsbby]

It only concerns me a little bit I haven’t really seen a written introspection on Stampede Knives’ character, specifically him. 98 is 98 and Maximum Knives has enough elitists on his case to cover him, definitely not a fan favourite but people have broken him down.

I’m aware of how disliked he is, Stampede that is, but it really is something. Could I write it, and could I kill an analysis of him? Most likely. I’ve been injecting the character into my veins, breathing him in and out for a year, every incarnation of him.

But I’m so curious to see someone else do it. Curious to see if someone else will do it…Maybe to convince myself I’m not a complete fool, or stuck in delusion. Maybe to find someone else that got it.

Hate and disdain, is something I’ll never protect him from. He’s an asshole. But man, even he doesn’t deserve the shallow reading of him that’s too widely accepted I think.

But who am I to say what is and isn’t…

[littlemizzlinguistics]

Studying linguistics is actually so wonderful because when you explain youth slang to older professors, instead of complaining about how "your generation can't speak right/ you're butchering the language" they light up and go “really? That’s so wonderful! What an innovative construction! Isn't language wonderful?"

[fanvoidkeith]

sometimes family is a regular man, his surprisingly smart (and capricious) cat, his phoenix husband, the antichrist, an amorphous slime boy, a nature sprite, a gnome, a wyvern, a shapeshifter, a yeti, a much older and more powerful nature sprite, and her girlfriend the mayor

[antigonesghosts]

What I loved about Cinderella's Castle is it is so entirely about Ella. We know starkid can handle a show with tons and tons of characters but I found it quite refreshing for it to be so wholly her story? I think it was a lovely choice for this show and man Bryce did such a perfect job of it, she is truly such a star

[frontierpsychopomp]

some birds

[eldritch-elrics]

thinking about rosencrantz & guildenstern are dead again. i think one thing about it is that it's such an excellent example of the sort of thing you can do in a fanfiction/transformative work that you can't really do in an original work? there is no R&G without the greater context of hamlet: hamlet both as a play and a wider cultural phenomenon. we know how these characters' stories will end, not just because we've read the title of the play, but because their ending has been etched into the literary consciousness. the tragedy extends beyond the bounds of either play and seems simultaneously more massive and more absurd because of it

[bixels]

I feel like I've seen most of what interests me in FiMFiction for the time being, so I read through some good ol' reliable Stardew Valley fanfics last night, only to realize.

Haley x Female Farmer is basically Rarijack. Rarijack adjacent.

[gingermintpepper]

Sometimes I am so overwhelmed by my fondness for Phoebus Apollo.

Re-reading the Iliad is always such a treat for me because I just love seeing Apollo's arc parallel Achilles' so entirely. There are a ton of examples I can pull from but I'm mostly thinking of that very first argument between Achilles and Agamemnon about returning Chryseis and how Achilles accosting Agamemnon quickly gets derailed when Agamemnon threatens to take Achilles' own prize from him (which prompts Achilles to say that his hard work isn't being respected, that he's earned this, that the men themselves agreed to let him have Briseis and Agamemnon doesn't have the right to overturn their communal decision, that he'll take his men and leave if Agamemnon refuses to respect him and the men out there dying on Menelaus' behalf of a plague propagated by his unworthy brother of all people) and how that comes around in Book 21 when Poseidon levies a challenge at Apollo's feet for more or less the same reasons but Apollo flat out refuses to lose sight of his purpose in the war. Even after Artemis herself calls Apollo's pride into question and tells him that if he chickens out of the duel, he better never boast again, Apollo refuses to fight against Poseidon, very staunchly citing that, to the gods, to him, the war is a job, that it is mortals who are emotionally invested in the outcome of this battle and that their squabble is not worth disrespecting his uncle over.

And I love that so much because if any of the gods had a reason to be as petty as possible about this war, it was Apollo. Disregarding how much he adored the royal family, disregarding how much he adored Hector specifically, two of his beloved sons were brutalised by Achilles, the premiere Greek fighter, his temples had been sacked and defiled, his image was being completely disrespected and yet, despite everything, the one line he refused to cross was taking out any of the frustration he was feeling on his family - even if it was the uncle that was openly and frequently disparaging him and antagonising him.

And I just think that's so so neat.

[nachosncheezies]

In defense of late-canon x files (including the revivals)

I was thinking about this poll after I commented on it, and I kinda want to be brave and say more.

Short answer to the poll's question before I go any further: If you're a new fan and a sensitive sort who thinks you'll struggle with your blorbos Really Going Through It and you really need a happy ending, I suggest you stop at the end of season 8. Do not pass go, do not look at spoilers. Disregard this post entirely, close the internet, and go look at something that makes you happy. (Also fuck every part of society that characterizes sensitivity as inherently weak and bad and some kind of personal failing, you are valid.)

That said, "quality" as a concept is entirely subjective, and the question of whether or not there's a decline in quality for any story is wholly subjective, too. In the case of x files? I'm not convinced there is a decline. I am going to be upfront that I haven't yet watched past season 8, though I am almost completely spoiled on events after that - and the reason I haven't watched yet is not because of how I know events are going to unfold, but simply because I don't want it to end!!! Ohh, the tension between "I CAN'T WAIT!!!" and "Nooo don't be over D:"

When I first came to txf fandom on tumblr and gradually became spoiled about what happens in late canon though, I was often left uncomfortable and tbh kinda queasy about it. As I said in my comment on the poll, the hate for especially the revival and IWTB, or to a lesser extent even seasons 8 & 9, is very well documented. But! There are other takes to be found here on tumblr if you figure out where to look, and my feelings have changed!

The thing is, I have yet to find myself in any fandom where there isn't a vocal subset of fans who dislike the story after a certain point. I am not joking when I say that no one hates the things they love as passionately as sci-fi and fantasy fans. In my experience, it often hinges on the extent to which a viewer has strong notions on where they would like the characters to end up. In particular with series where shipping is a dominant component for the bulk of a fandom, I have almost universally found that there comes some turning point in the story where "let them be happy you cowards" is the dominant view, and things that compromise the attainment of a degree of romantic stability and/or domesticity are, to many fans, annoying at best and despicable at worst. But! As one tagset on the linked poll said:

and I think for any fandom, that last tag especially is so so so important. (I think that's harder for people watching a weekly series live, bc you have so much time to analyze and speculate and dream before the next breadcrumb drops, but I digress.)

So why am I saying this and how do I apply it to x files? Well, I eventually found that there are also a subset of fans who find redeeming things right up to the very end and actually quite like the whole thing! The things that I had seen people rage and ventpost so much about honestly never quite sounded to me as "out of character" or "untrue to the story" etc as those same ventposts made them sound. And I've discovered I'm not the only one who felt that way. Do I love that the spooky squad had to go through all of those things? No, those poor guys D: Life is hard and they have been through so much trauma. But do those events and their choices make sense to me in light of everything that came before? Yes! And I honestly can't wait to see them fight to overcome those things, breaking, healing, always learning, always growing, always getting better.

So if you're wondering "where does it go wrong"... well, I'm a completionist, as many people who've answered that post are, but also my personal opinion is that I don't think it does go wrong. If you're new and interested in exploring why I've gone from "vaguely queasy" to "excited" about the whole thing, or want to maybe balance out the impressions you're getting about the later seasons before deciding whether or not you want to see the whole thing, I'll put a few blog names in the comments.

Final admission: even once I started feeling a little more confident in the possibility that "actually ok maybe I'm not crazy, maybe this all kind of is in character and does make sense", there was one big plot point that I was NOT looking forward to and I thought I would never be comfortable about. In hindsight, I think my discomfort came from the negative responses being SO seemingly universal that I hadn't stopped to let myself truly consider other possible interpretations on that point. (I mean my initial instinct when I first read about it was, why are we mad about this?? CSM is literally the most unreliable narrator in history???? it's obviously fake news?????? this must be either a fever dream someone's having or it's a misdirection ploy against whatever shadowy forces might still be lurking?????????????? but for whatever reason I guess I had halfway written that off.) Happily, just last month there's a new post-s11 novel out, and although reviews for the book as a whole are mixed, it seems to have laid the groundwork for resolving that plot issue in a way I think most fans would be broadly happy with. If you're interested in being spoiled about that and seeing how, I recommend searching #perihelion on @agent-troi who liveblogged reading it with receipts, scroll back chronological-style to the first post on the subject and see how it unfolded. (And never forget that Dana Katherine Scully is the queen of denial as a coping mechanism lol)

Everyone's mileage will vary. Each person can feel however they want! But for anyone new, I wanted you to know that the very many ventposts you might be seeing are not all there is to this show or its fandom. Some of us love it despite - or even because of - all the things that went "wrong". I think we just don't talk about it as much.

[trainingdummyrabbit]

what im saying is

[blaithnne]

I think this is the most effective way to show Heron’s vibe before she loses her arm. Sweet little lollipop lady who craves death and destruction

[isa-ah]

im watching a retrospective about Majora's Masks dungeon progression and realizing a little more every time he says "this game took a lot of very brave steps out to not be ocarina of time" that my disappointment with totk isn't out of place. I've been told "it's breath of the wild 2, why did you expect it to be different?" but like.. it's it's own game. why is it the exact same but with an arguably worse iteration of the story?

[bagheerita]

So I read A Stitch in Time and one result of that which I was certainly not expecting was that I feel so much sympathy for Enabran Tain. Garak's life is a tragedy, but Tain's is a fucking black comedy.

I mean, he's a terrible person and an absolute shitbag, but can you imagine? You have this kid. You go to all the trouble of arranging for him to be raised in a family situation where he won't be rejected from society for being your bastard. You get him into the nicest indoctrination school where he can hobnob with plenty of uppercrust kids. You get him a job in your Order and all the proper training. And he's actually, like, really good at it. But he has this fatal flaw of being completely incapable of not making stupid, short-sighted, emotional decisions.

A scene I imagine has to have happened just prior to Garak and Tain's confrontation at the end of part II:

Like goddamn. When Tain asked "what's your plan for getting rid of her husband?" and Garak's just like "plan what plan." Dude. I'M disappointed, I can only imagine the guy who's job it is to know and plan for everything isn't at least as disappointed.

I know he didn't actually, but do you think there was ever a time when Tain wanted to be like, You know what. Just go back to Tolan and become a gardener. Join that illegal hippie cult. It's fine.

[dykedvonte]

I dislike takes that Danse would be just as conservative in modernized aus when it's clearly shown his staunch views of things come from his time in the Brotherhood and his deep-rooted desire to belong to something with a greater purpose.

Not to mention lines that show much more open-mindedness that get overlooked for his harsher sentiments when you first meet him. Like the oppurtunity to be a part of something is why Danse fell so far into Brotherhood dogma and it doesn't negate the offense things he does but I feel like it's just lazy to be like "hmmm he'd def be racist" just so it aligns to his BoS beliefs.

[thedreadvampy]

my friend invited me to go with them to a show tonight

and the thing is it was not good. it was a cabaret with some amazing circus acts but each of them got like. 5-10 minute slots. and were interspersed with 20+ minutes EVERY TIME of some of the most tedious standup work I have ever seen from the MC and the same 5 physical comedy bits repeated ad nauseum. this guy literally did a Borat bit. in the year of our lord 2024. he sang 2 entire rounds of the Family Guy theme.

and it just KEPT GOING. it was meant to be a 90 minute show, which imo is already a slog for a show starting at 11:30PM but within the bounds of reasonable. it finished. at fucking 1:50 AM. ALMOST TWO AND A HALF HOURS OF THIS SHIT. and it did not help that the 5 bits were all of the 'OH NO SOMETHING HAS DISRUPTED THE SHOW' variety which is funny for a bit, less funny when you're literally 45 minutes past the end of your scheduled finish and still fucking going.

HOWEVER. what I did not realise was that this was in fact. my friend's favourite comedian. and if I had known this I might not have gathered up my stuff and walked out during the curtain call and probably would not have announced on the way out, 'that was the most tedious fucking thing I have ever endured.' and I almost certainly, when someone overheard me complaining about the length and tedium and said 'yeah it ran a bit long huh,' have replied, at the actual near-shouting top of my voice, "I AM GOING TO KILL MYSELF."

I feel. bad for spoiling the show for them.

in my defence I have been very tired this week, I got home at 2:30 AM, and raked seating really hurts my hips so I was in agony by the end of the first hour. but mostly I'm just a bitch who loves to hate tbh.

[greenerteacups]

One of the biggest book crimes is Harry naming his son "Albus Severus". I feel like the Marauders were done so dirty and it makes no sense to me. I hope you right this wrong in Lionheart!

I've never seen any fandom come together so unanimously to reject a writing decision with the same vehemence that they have Albus Severus (save, like, the ending of Game of Thrones). Everyone looked at it and went "weird, no thank you." Beautiful moment of unity for the fandom.

It might be realistic for the first generation after a major war, but naming all the kids after their grandparents seemed cliché to me. Rose and Hugo and Scorpius were much better, and seemed more like real names that you might pick out because you liked them. Harry doing that to honor his parents specifically because they never got to have normal and long lives is a nice gesture, but it's then weird to use the name "Albus," who lived a very long and successful life, tragic as it was. (I've sometimes tossed around the idea that Harry gives Albus II that name because he wants one of his kids to have a proper "wizarding" name, i.e. something that ties them unimpeachably to the wizarding world, rather than the muggle names given to James II and Lily II — almost an effort to cement his family as being Magic.)

But I was never going to be the right audience for the Potterlets, anyway. I'm not a fan of timeskip epilogues — they work when it's a short jump, but years (or decades) stretches it too far. Either the characters feel like strangers, or they feel the same, which is almost weirder. Which is why I've been on EWE copium since I read the books.