#which still look pretty good at the time

[thenotoriousscuttlecliff]

What can be do to utterly destroy the idea that any episode of Doctor Who that looks good and is well made is inherently bad?

[egophiliac]

was this anyone else's first thought, or

[lunarcrown]

OLLD drawing I can share now of Timmy after recovery and care from staying on double life and being looked after by the box boys~

He’s healthier, happier, his hair and wings have grown back out and have a pretty blue-black sheen to them (that he never knew he had bc in hels his diet and environment only let them be dull) and he just heard the sound of a portal opening for someone to come visit~!

[bacchuschucklefuck]

and! barbarian!fig! its her

[unfinishedslurs]

The boy stops in his tracks. “I know you,” he says, tilting his head curiously. He’s not tall, but he’s regal nonetheless, dressed all in white. Something about him makes Leia’s hair stand on end, and although she hides it she feels a stirring in her own chest. I know you like I know my own soul, she thinks wildly, and wonders where it came from. Has she gone insane?

“That’s nice,” she says, and shoots him anyway.

He deflects it in a flash of light, a glowing blue laser sword appearing in his hand like magic. She’s only seen one of those before, and it’s Vader’s. If this boy is anything like Vader, she realizes, she’s in deep shit.

She’s smart enough to know when she’s outmatched. Leia makes the tactical decision to run for her life.

Later, as she’s getting the hell out of there, she wonders why he didn’t try to stop her.

She remembers being young and tugging on her mothers skirts, demanding to know why their guest was so sad. “Does he not like it here?” She’d asked, and then, trembling, because Kenobi always seemed saddest around her. “Is it…because of me?”

“Oh, Leia,” her mother sighed, lifting her into her arms. “It’s not that, I promise.”

“Then what is it?”

“Master Kenobi lost a child under his care, years ago.” Breha’s eyes grew deeper, darker. “It was not his fault, but he blames himself. You remind him of that child, that’s all.”

Leia had quieted at that, contemplative.

The next time she’d seen Master Kenobi, she had given him a hug. He didn’t seem to know what to do with that, so she resolved to give him more of them. “He’s lonely,” she’d told her mother. “No one should be lonely.”

Looking at Obi-Wan Kenobi now, the memory seemed so far away. He’d aged thirty years in the ten it had been.

He looks, Leia thinks with a small twinge of regret, very lonely.

“Leia,” he greets. “It’s been a long time.”

Out of the corner of her eye, Leia sees a glint of white.

Kenobi freezes in his tracks. “Luke?” He whispers, and through the distance Leia can hear it as if he’d been speaking directly into her ear.

Master Kenobi lost a child under his care, her mother whispers in her head. He blames himself.

In an instant, Leia understands everything.

Kenobi is still staring at the boy he’d lost so long ago when Vader cuts him down.

Later, as she’s pacing around on the Falcon to Han muttering darkly about Princesses and supernatural abilities, she rememberers the way the boy collapsed, as if all his strings had been cut. Vader was too occupied with him to even look at her as she shot at him desperately.

Luke. She hates him more than she hates herself.

“They know where you are,” he hisses frantically. “They’re coming for you. You have to run.”

“Wait!” Leia quickly pulls up their sonar. Nothing yet, but it would explain the distant queasiness she’d felt since they’d landed. She tended to trust her gut. “How do you know? How much time do we have?”

“Not important, and not enough,” he says. “I have to go, and so do you. You need to leave yesterday.”

“How do I know I can trust you? I don’t even know who you are.”

He pauses. “Call me Skywalker.”

“That’s not an answer, Skywalker.”

“Yes it is.”

She opens her mouth to argue, but there are faint voices on the other end, drawing nearer.

“Shit,” Skywalker mutters. “I have to go. I’ll be in contact, okay? Don’t ever tell me where you are, or where you’re heading. Vader and Palpatine aren’t shy about reading minds. Just leave as soon as you can, and figure out the rest.”

“But—“

It’s too late. The comm has disconnected.

She stares down at it, disbelieving. How would the Empire know they’re here? Why should she trust a stranger who somehow got her personal comm code?

Gut feeling or not, on paper this was a perfect location. Supplied, armored, and most importantly, extremely well hidden. There was no real reason to think it would possibly be found out.

It’s probably a trap. Almost definitely a trap.

Han sticks his head in the door, a sour look on his face. “Hey Princess, can you tell these idiots—“

She makes a decision then and there.

“We’re leaving.”

“What?”

“We’re evacuating, effective immediately.” She pushes past him, and he follows so close he’s nearly stepping on her heel.

“Why? I think it’s pretty cozy here. Actual sunlight doesn’t hurt, either.”

“Apparently too cozy.” She grabs the first person she sees, a pilot who stares at her with wide eyes. “Emergency evacuation. Spread the word to pack everything you can and leave, I’ll let you know where we’re headed when we’re in orbit.”

He salutes and scurries off.

“Woah, hey now.” Han snatches at her elbow until she turns around to face him. “What’s going on?”

“There’s a new informant. He told me the Empire knows we’re here. They’re coming for us.”

“And you trust this person because…”

“I don’t have a choice,” she snaps. Someone runs past them, holding three packs filled to the brim with rations. “It’s either he’s lying and we’re not in danger, or he’s telling the truth and we’re going to die if we don’t listen. It’s not exactly hard math.”

It could be a trap of course, but he hadn’t suggested any sort of direction or destination to follow, and Leia wasn’t inclined to share. Especially not after his tidbit about Vader and Palpatine reading minds.

He squints at her. “That’s not it.”

“What?”

“I don’t believe you,” he insists. He’s so infuriating. Leia doesn’t know why she hasn’t kicked him out yet.

“I don’t know what you’re talking about.”

“Yes you do, and you’re either gonna tell me why, or find a different transport when we head out of here.”

“Who said I was riding on your hunk of junk?” She demands. She actually was planning on going with them, since the Falcon has more than enough room for all the supplies that can’t fit in the other ships and none of the trustworthiness of the other pilots, but Han doesn’t need to know that.

“Well?”

Damn him. Damn him for knowing how to read her. She doesn’t know when she let that happen.

“I feel it,” she admits, defeated. “Something tells me he’s trustworthy. We’ll wait and see if it’s right.”

He studies her. She holds her head high, but inside she’s jittery at the scrutiny. They don’t have time for this.

“Yeah, all right,” Han finally says.

“Really?”

“Yes, really.” He rolls his eyes, like she’s not acting absolutely insane by putting all her trust in a random man she’s never even met. “Now come on, Princess, weren’t you the one who said we had to hurry?”

What is it about this man that makes it impossible to tell whether she wants to punch him or drag him into the nearest supply closet? They don’t have time to find out.

“So there’s good news and bad news.”

“Bad news first,” she demands.

“They know there’s a mole.”

“Shit.” Of course they know, how could they not? She should have been more careful, less obvious about the correlation of their movements with the Empire’s plans. “The good news?”

“They’ve tasked me with hunting down this ‘pathetic rebel spy,’” Skywalker says, humor in his voice. “That should buy me some time.”

Leia can’t quite stop the snort she lets out. “Seriously?”

“Yep. You’re speaking to a professional mole-hunter, here.”

“Well congratulations on the promotion, Skywalker.”

“Thank you,” he says grandly. Then, quieter, “It won’t last, Princess. They’ll find out eventually.”

“I know. Just hang in there, it will be over soon.”

“Will it?” He asks, suddenly sounding very young. She realizes that she has no idea how old he is. She doesn’t know anything about the man who has saved them more times than she cared to admit, and the idea rattles her until they sign off.

Later, she looks up the name Skywalker in their archives. There are a few results, but only one sticks out.

Anakin Skywalker, Jedi Knight and hero of the Clone Wars. Killed at the hands of Darth Vader. There are gossip articles too, speculations on his relationship with the pregnant Senator Padmé Amidala, who died around the same time Skywalker did. The baby, it seems, died with her.

Unless he didn’t.

It’s ridiculous. It’s impossible. The idea is so ludicrous that Leia almost rejects it entirely.

But it makes sense. By the Maker, it makes sense.

The child of Anakin Skywalker, it seems, would be a powerful Force user indeed. Powerful enough for Kenobi to take the baby and run. Powerful enough for the Emperor to want him for his own gain. Powerful enough to send Vader after Kenobi and take the boy himself.

Maybe even powerful enough to shield his mind from Vader and Palpatine’s intrusions.

Powerful enough to hide the fact that he’s a spy.

Leia sinks into her chair, covering her face as she laughs.

Maybe Luke isn’t so bad after all.

“No, no, no,” she mutters, digging through the smoking wreckage of the TIE fighter. “Don’t be dead, please don’t be dead.”

“Princess…” Han lays a hand on her shoulder that she immediately shrugs off.

“No, he’s not dead. He’s not. Luke!”

A faint cough answers her, and she’s so relieved to hear it she could cry. Behind her, Han starts bellowing for a medic and, “Some damn help here, do you expect us to move all this ourselves?”

“Luke, it’s me,” she sobs. “It’s Leia. You’re at the Rebel Base. You’re safe.”

More coughing, and there’s a worrying rasp to his voice when he says, “You know…my name?”

“I figured it out.”

“Smart.” This time, the coughing is so bad Leia and Han both wince.

“Shit, kid,” Han says, moving another piece of rubble. “Don’t talk. We’re gonna get you out of here, all right?”

“Stand back,” Luke chokes out.

“What?”

“Stand back. Please.”

Han protests, but something in Leia knows they should listen to him. She drags him back, and motions everyone else to fall back with them. They do, albeit reluctantly.

“Clear,” she calls, hoping Luke can hear her.

The TIE explodes.

“Fuck!” Han goes back in, Leia on his heels with the terrifying feeling that she’d just allowed Luke to die, before they both stop in their tracks. Around them, the broken pieces of the TIE are floating.

And curled up in the middle is a man dressed all in white.

“Luke!” She pushes past Han to start dragging him out, and after another moment of staring around them, he helps her.

As soon as they get clear, the pieces fall to the ground with a clatter. Luke falls limp with them.

Han is still looking at the TIE. “Can you do that?” He asks quietly.

Leia pauses her examination of the unconscious man in front of her to glare at him. “Is that what you’re most concerned with right now? Really?”

“Excuse me for asking, Princess!”

“It’s white,” Luke grumbles, pulling at his hospital gown bitterly. “I hate wearing white.”

“Should I be offended?”

He rolls his eyes. “Don’t even. You look great and you know it. I just feel like I never left.”

“Well,” she says gingerly. “I guess it’s a good thing you got sick of it. If we went around in matching outfits all the time, people might think we’re twins.”

He snorts. “Yeah, right.”

[cerise-on-top]

hi! how would Valeria and Kate react if their wife’s got hurt because of their work, both of them working highly jobs and it ended up catching up to their s/o. hoe you are doing well and drink plenty of water! thank you!

-🍒

Hello! Both of them would be absolutely distraught, but would go about it in different ways!

Valeria’s and Laswell’s Wife Gets Hurt Because of their Job

Valeria: Whoever hurt you will wind up tortured and eventually, once she thinks they’ve had enough of their miserable life, will wind up dead. Naturally, the first thing she does is check up on you, see if you’re alright and well, that’s her priority. You’re the love of her life, there’s no one else in this world she wants to see do well. You’ll be admitted to the best hospital nearby and will only get the finest treatment. Once you’re stabilized, that’s when the hunt begins. Whoever hurt you won’t get too far since that bastard’s life will be on the line. Regardless of where they might be hiding, Valeria will find them and show them that death is actually a kind of mercy. She has pretty much everything at her disposal, everything money can buy, this sucker won’t know what hit them. If it’s revenge they want, then revenge they’ll get. Valeria promises you that their head will be on a silver plate. She’s not very good with words when it comes to comforting someone, but she will have that person killed in the most cruel ways she can imagine. In fact, she’ll take the pleasure of torturing them upon herself. Once she’s done, she’ll take some days off, which is surprising since she usually can’t afford that at all. You’ll be under her direct care for those days. Anything you want you’ll get. Afterwards there will be a slight shift in her demeanor, Valeria becomes more protective over you. Sometimes she might even assign some trusted people of hers to watch over you since she can’t afford something like that happening again. While she can’t always take some days off, she’ll try to be closer to you anyway. Always texting you, finding excuses to come home for a day maybe. She just really needs to make sure you’re okay, she wouldn’t know what to do with herself if you died.

Laswell: Laswell will try to be a bit more diplomatic about it at first, trying to coax whoever hurt you out of hiding. This person will be held accountable for their crimes against her world. Naturally, she rescues you first, gets you to the nearest hospital and won’t leave your side until you’re stable again. If it takes you a while to wake up again, she’ll leave to find the fucker and make sure they swim with the fishes. She has a pretty large, efficient network and will find out who it was fairly easily. Once she knows who they are, she won’t hesitate to find out all their past crimes as well, if they hurt you then they must have done some other awful things as well. Once that phase is over, she’ll go to their home herself and have them arrested, put in the worst prison imaginable where the inmates are treated especially badly. She won’t kill them, but she wouldn’t be surprised if they wind up dead anyway. Laswell usually isn’t an evil person, but she does hope that person dies during their time. Their sentence will be as long as possible so there’s no chance of them ever seeing the sunlight again either. Once all of this is over, she, too, would take some days off to spend with you. You’re a priority above all else, so Laswell will want to be there for you, no matter the cost. While she usually isn’t, depending on how severely you got hurt she might become a bit overbearing, a bit overprotective. That overprotectiveness will last for a few months, afterwards she’ll try to give you some space again. However, she’ll always be keeping a closer eye on you, always texting or calling you every once in a while to make sure you’re okay. If she needs to, she’ll put you under her protection officially, but the situation needs to be dire for that to happen. Either way, she’ll be keeping you safe.

[tyttetardis]

Macbeth Q&A 18th Jan 2024 Part 1

Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️

The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.

The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.

Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if you haven't seen it yet but are going to!

To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).

David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".

First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!

Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.

David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.

He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.

Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.

When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!

Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.

Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.

Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".

It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.

David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.

He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.

Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.

David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.

Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.

David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".

Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.

The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.

Part 2

[fromtheseventhhell]

I also find it funny that fandom will only accept Lyanna being her non-conforming, wild self in the context of saying that Arya isn't meant to be pretty; Any other day we get back-to-back posts about how Lyanna is actually super traditionally feminine cause she sniffled at a song once, so she's actually more like Sansa. Instead of constantly speaking on Arya and Lyanna, how about you guys reflect on why your standards of beauty for women are attached to how well they perform feminity within the patriarchy?

[rawpastamoth]

Oh! You just rolled up some weird running thing! Wait… It’s second cousin Homestar. Oh, stop getting in the way!

[anewp0tat0]

I was inspired by something again

[qcomicsy]

Marvel writer: Then Wade get involved with monsters! And–

Me:

[ninjasmudge]

Quick question: what is steeplechase?

basics out of the way first: steeplechase is the latest campaign in the adventure zone, a comedy/adventure tabletop rpg podcast by the McElroy brothers and their dad. griffin, travis and justin are the same ones who do 'my brother, my brother and me' if youve heard any of the clips from that floating around.

its a really fun campaign bc its set in a futuristic theme park that got so huge its basically its own city, with a large criminal underground. the game itself is centred around building rep in the underground and pulling heists in various themed sections of the park (one of them is themed on nostalgia, one of them is themed on detective noirs, one is a love island style dating show).

i think its nearing the end of the run now, most of the eps are out already and ive really enjoyed it! the setting is fantastic, the player characters are some of my faves and the npcs are all memorable. id actually recommend it to anyone who enjoys that sort of genre

[spaghett-onaplate]

depression is really weird actually wdym i spent 2.5 years of my life in bed

[llitchilitchi]

I get hating certain political systems and trying to abolish totalitarian regimes but at the same time many of them are so interwoven with our history and society they have become tropes and when I consume media with a setting where the monarchy is absolute and revered then I am playing my part and sucking that princeling off

[cozylittleartblog]

∠( ᐛ 」∠)＿ya boi made washi tapes, please consider Purchasing them. at cozylittleartshoppe on etsy. good print, good sticc, i am obsessed

[cerise-on-top]

hi<3 if you can, can you do valeria and laswell with a gothic s/o? like someone who likes darker/morbid things and things like that! love your blog by the way! it’s definitely my favorite blog to come look at after a long ass day <333

Hey there! Sorry, but I couldn't really find too much on what counts as dark and morbid in the goth scene, so I wrote more general HCs, I hope that's alright still ^^;

Valeria and Laswell with a Gothic!S/O

Valeria: She’d most definitely be intrigued, but not too much. In all honesty, she doesn’t know too much about the subculture, she’s never really met a goth who was clearly one. However, if it makes you happy, that’s all that matters to her. While she won’t really know too many bands, or any at all, she’d be more than happy to listen to a few if you want her to. Yes, she won’t always have the time, but when she isn’t too busy she could put on some songs by Joy Division or The Cure, she really doesn’t mind. She can vibe to that sort of music, even if it isn’t her favorite. You’re more than welcome to discuss the literature with her, though. She’s probably never read a single gothic literature book, but she can buy you some. Anything from poetry to a regular novel, it’s quite alright. While she won’t be the best person to go to when it comes to discussing those, she’ll support you either way. However, something she could definitely enjoy would be going clothes shopping with you. The fashion is kind of nice, she has to admit, so she’d be more than happy to buy you whatever garments you desire. Will go out of her way to find something you might like as well. I can’t see her being too much into the history of goth culture, though. It’s nice that you are a goth, if you want to tell her about it, then you can and she’ll listen to you, but she likely doesn’t have the time to research everything by herself. Tell her about its roots and she can definitely appreciate you going against what’s mainstream and how it all came to be. She’s a very defiant and rebellious woman herself, so she definitely gets it.

Laswell: She knows so many people, I wouldn’t be surprised if she has worked with goths before. And even if she hasn’t directly, she’s likely seen quite a few walking around the city. She usually grows worried for them in summer since their attire is black, which makes it quite hot. However, she’d be very intrigued by you and your subculture. It’s something very near and dear to you, so she would put in the effort to learn about your history. Will give some classic bands a listen as well. She just really wants to have something to talk about with you. Besides, she gets to learn more about you. While she may not be the biggest fan of your interest in death, considering she’s surrounded by it more often than not, she’d be more than happy to indulge anything else it has to offer. Laswell spent a good chunk of life left alone with her thoughts, so she definitely knows a thing or two about melancholy, the state of the world and introspection. Maybe not in the same way you do, but she can definitely keep up in a conversation. She’s likely also unintentionally read some of the more popular gothic novels out there and liked them, so she’d make for a good discussion partner as well. While she doesn’t particularly understand the need to make your face completely white, she doesn’t mind. In fact, she thinks it looks quite cool, even if it’s not for her. However, the fashion in and of itself looks really good to her. Again, she wouldn’t want to wear it, but something about Victorian and Edwardian fashion has a certain something to it that she can’t quite place. Like Valeria, she’ll definitely buy you things she thinks you might like. Anything from a suit or a corset to a book about poetry. Beware, though, she will read the books before you can.