#which okay opinions be opinions

[number-1-kuaidul-fanboy]

[starwarjotta]

Day 3 - cloak thankfully Obi-Wan's robe cloak is big enough to wrap around a certain Commander who might've been tossed into the freezing river during a mission oh and when there's a chance to make something even more Codywan? ofc I'll do it, here's a bonus

it was a long mission, okay

[piko-power]

"I never knew you were a hugger..."

"No body protects nature better than you, sweet Amy."

Whoa, he's bisexual! I didn't know that!

[sollucets]

If I ever said anything today that might offend you, please forgive me. I might have been delusional from the fever.

THE LOYAL PIN | EPISODE FIVE

[sskk-manifesto]

I like the emphasis this episode put on the Agency being the strongest when its members are together vs. Yosano repeatedly soloing herself out. I feel like here Yosano is actively choosing her own downfall, out of sense of guilt.

[storywestistrash]

watched mouthwashing finally. the fact that i saw people be more aggressive towards curly than jimmy is kinda strange. kinda real weird

[chumphell]

HotD S2 E3 Spoilers Ahead!!!

After all the interviews I’ve read between the actors or show runners, I genuinely think people are missing out on a lot of HotD by not interpreting Alicent and Rhaenyra, at least partially, as WLW. Sara Hess and the other producers have explicitly said that there’s a deeper love between them. Even if they “don’t have the words or ability to recognize it as romantic or sexual attraction.”

All of the actors who play Rhaenyra and Alicent (younger and grown) have said they intentionally inject homoerotic tension into their scenes. Idk idk I just don’t think we need to see them kiss on screen to know the intention behind the way they act with each other

I truly believe if you don’t clock the longing glances and lingering embraces as romantic then you’ll miss out on the ongoing characterizations of Rhaenyra/ Alicent in the show.

I see a lot of people say “Rhaenyra should have never snuck back into kings landing,” or “Alicent should have killed her in the sept” and yeah, sure, that would make sense if they didn’t have years of subtly placed romantic interactions between them. Because of their history and the love they have for one another it’s no surprise to me that Of COURSE Rhaenyra trusts that she won’t die during the mission, OF COURSE Alicent lets her go after.

Their relationship is so much more than being girls who were close friends when they were younger………….

[imerian]

My (very old) loscar brooch (?) that i just now made doodles for

More pictures under cut

[volitioncheck]

nvm this is still on my brain. kim does not like to watch harry suffer… to say that kim takes satisfaction in harry’s pain is a huge misconstruing of his character.

the “getting thrashed like a schoolboy” line comes from a board game, lol. it’s a tease, not a cruelty. there’s never any line that implies that Kim enjoys seeing Harry taking actual morale damage.

he can be amused if you fail a check, but the check is always relatively inconsequential, and again, Harry isn’t taking damage in these.

Failing to pry the trash bin open:

Failing to shatter Ruby’s lorry window:

(also in both of these examples he only responds smugly if you choose for Harry to stubbornly dig in his heels. if Harry gets huffy, Kim teases. If Harry backs down right away Kim won’t rub it in, which feels significant to me! it reminds me of that recent post goin around about Kim meeting your energy!)

and here’s some reactions to failed checks where he does take damage.

Failing the jump to get your cloak:

Failing to break down Plaisance’s door:

he’s not laughing if Harry’s taking damage because he’s not a dick lol.

aaaaand here’s some other instances of morale/health damage and kim’s reactions.

alternate dialogue for failing the harbor jump:

after the call with precinct 41:

seeing bullet holes in the wall:

most significant examples to argue this point for me come when harry has done something to jeopardize the RCM’s image. which kim goes on and on about the importance of maintaining— and yet even here, he still extends worry and assurance.

telling Billie about her husband and handling it badly:

hardie authority check failure cock carousel:

aaaaand the car. this line is one of the most mask-off kim moments we get in the game in my opinion, honestly.

tying this back to the schoolboy line— that line doesn’t show up if you have a negative reputation with Kim. if you have <1 rep, it gets replaced with him calling it “about four hours of our lives that we'll never get back,” lol.

it’s affectionate ribbing!! twisting it into anything else is bizarre 2 me lmao!

anyways. kim is a foil to every other cop we meet in the game specifically because he doesn’t view harry as a punching bag or a lost cause. gottlieb does nothing but sling jabs and glib jokes about harry’s health. torson+mclaine and the others laugh at harry’s panic attack over the radio. in response to harry’s suicide-by-car attempt(!!!!) jean yells about RCM budget. all kim’s lines in response to harry’s check failures and health-damage are consistent, explicit textual contrast against the callousness of the rest of the RCM. twisting kim’s character here requires a bad faith interpretation of the whole game.

[dariusaurs]

i think dinostar is such an interesting ship right now even if i've kind of turned away from it after this season. the problem is that it's complicated, and fandoms historically don't like nuanced situations or takes. i don't think it's fair to say darius is putting brooklynn on a pedestal, since from his perspective, she hasn't done anything wrong, and kenji has been framed as this unfair partner to her. it does feel like his feelings are very immature and more of an infatuation right now ("if he loved you half as much.."/"unless?"), especially when you compare them to kenji's own feelings for brooklynn - his girlfriend who he's loved for 6 years - but that isn't a horrible thing, it's just different. i do completely understand if people dislike the ship right now, and even criticize darius' way of handling the accidental confession, but i just think people have been way too harsh on all three of them without being willing to see that all of their perspectives are different

[hajihiko]

Are trans women real women?

As opposed to what. Fictional? A mannequin? Unreal in the sense that it's unreal how bomb she is?

(tags V relevant)

[that-was-anticlimactic]

i will never understand how or why the httyd movies did the books such an injustice.

the movies aren't even an adaptation - they stole the name of the series, the name of some of the characters and places, and the general idea that there are dragons. honestly, i would be fine with the movies and maybe even like them if they didn't capitalize off of cressida cowell's incredible books that never get any credit.

the books are an amazing story about the cycle of violence and how vengeance and revenge is dangerous. hiccup says that the past is a ghost story, one we need to learn from to better ourselves. the books are about how everyone deserves freedom, how every creature, every being on the earth deserves to be free. we see that in the slavemark, with the dragons.

and like... hiccup is so different. they did him a severe injustice. he's scrawny and intelligent and learned to talk to dragons simply by observing them! he chooses kindness first above all else; instead of yelling at toothless to train him, he is kind. and in the end, that kindness is why toothless chose to save him. bc even toothless himself says that dragons are inherently selfish creatures who care only for their survival. hiccup is brave - his beliefs differ drastically from both the vikings and the world.

hiccup is a child who chose to do the right thing even at the expense of himself. he agreed to free the slaves on nobert's ship, and in return, they gave him the slavemark which is easy to give but cannot be removed. he was like twelve. and having the slavemark means he cannot be with his tribe or his family, it means he isn't considered a human being anymore. and he keeps it a secret for awhile until it's revealed and when it is everyone turns their backs on hiccup. his family, his tribe, his mentor, people he TRUSTED. everyone except fishlegs, and, once she got over the shock, camicazi. he was thirteen. and even when he lost his memories and was really injured, he persisted. he was told to go to tomorrow and to save the dragons and he did bc in his heart he knew it was right even though he didn't know who he was or how he got there.

and fishlegs,,, oh my god FISHLEGS!!! the did him SO DIRTY!!! fishlegs is hiccup's best friend, one of the main motivators for hiccup. he steals norbert's potato for the sake of fishlegs, he gives fishlegs his dragon and goes to retrieve another, he takes the blame for fishlegs. and fishlegs does the same for him. he takes the slavemark with pride. he refuses to turn. he gives hiccup his lobster claw necklace which is his most prized possession. he is brave for hiccup, he believes hiccup is alive. he fights for hiccup harder than anyone else ever has. he does not turn. his is loyal, has allergies, has asthma, has a squint and a limp, has glasses bc he's blind without them... and he's still a hero despite being a runt, despite everyone even the adults telling him he's hopeless, telling hiccup to leave him behind.

and they cut camicazi! i'm sorry, but astr*d is nothing compared to camicazi. camicazi is a tiny, feral child who can easily best hiccup, fishlegs, and pretty much anyone in a sword fight. she can bring a grown man to tears with her rudery and smack talk. she is recklessly brave and craves adventure and follows hiccup blindly bc she trusts him that much. she isn't in love with hiccup - in fact she doesn't care about romance and love. she gives up everything to help hiccup bc she has a strong sense of justice. she is the motivator, the cheerleader, she finds a positive in everything. she never gives up. literally never gives up. and that's one of the most inspiring things about her: she always has hope.

and toothless! god!!! toothless is *thought to be* a common or garden dragon. he is horrifically tiny, he is literally toothless, and is the biggest brat in the world. he will cause problems on purpose. he has a stutter, he's the most selfless selfish dragon around. he and hiccup can talk to each other. he masks his fear with singing and being annoying. his growth is remarkable. he starts off refusing to obey hiccup, doing the opposite of what he says, making life harder for literally everyone around him, and he's still somewhat like that. but he's also braver, more caring, more willing to make sacrifices for the sake of others. he's clever, which he needs to be to make up for his size and aggression. he protects hiccup with everything he has, therefore, he protects what hiccup cares about just as hard. he was the only dragon that didn't abandon the vikings in the first book bc he cared about hiccup.

and snotlout,,, god,,, i will never forgive the movies for butchering snotlout. hiccup's cousin, the bully character, the one who is horrifically jealous that hiccup's dad was born before his. the one who desperately wants to prove himself, to be worthy, to make people proud. and you hate him, you despise him. he betrays everyone many times bc of the nothing promised to him by alvin and his mom. he loses himself, turns his back on himself, all bc he wants to prove himself. all bc he wants to be better than hiccup. and hiccup still forgives him and gives him chances, sometimes out of pity, but also bc snotlout is his cousin. he can't just turn his back on him no matter how miserable snotlout made his life. and in the end, snotlout sacrifices himself for hiccup. he gives up his life for hiccup in one last attempt to set things right. his death and the events preceding it are one of my absolute favorite moments in the book. gives me chills. makes me cry.

that's the thing with the books - they're so realistic. there is no inherently happy ending where everything works out. the first book begins with "there were dragons when i was a boy", implying that they're gone now. the books show there are consequences to our actions. they enslaved the dragons, they fought against them during the dragon rebellion all bc alvin and his mom said to, and now they're gone bc a simple apology doesn't fix hundreds of years of enslavement. and the only way for the world to move forward was for the dragons to leave and heal on their own. and now they have to learn to live without them. and yeah i've heard the third movie ends like that but. it doesn't have the build up. it doesn't have "there were dragons when i was a boy". it doesn't have eleven books of development to back it up, to make it feel meaningful.

i know that the movies are really special to a lot of people. i know that, on their own, they're genuinely good movies. i can acknowledge that the soundtrack is amazing and the animation is beautiful. i just can't see past the way they butchered the world that i love, the world that i grew up with. i can't see past the way people yelled at me for saying i liked the books better, the way that people gave me weird looks when i showed them a picture of the original toothless, when i tell them that nightfuries aren't even a type of dragon. cressida cowell created hundreds of different dragons, and the movies couldn't even pick from that. i can't forgive the way that barely anyone knows there are books bc the movie barely gives credit to them. i cannot forgive the way they capitalized off the books and then shoved them aside. i know cressida thinks they're good movies and i know a lot of httyd book fans also like them. but i just... i cannot get over how much they changed and how they missed so much and ignored the books. also they got rid of camicazi so hiccup could have a love interest and that is unforgivable to me.

if you disagree, that is a-okay. we're all entitled to our own opinions. i just ask that you, perhaps, try the books out. give them a chance. bc they're amazing works of art and also just like. don't yell at people who don't like the movies? whether it's bc they prefer the books or just aren't into that kind of movie. and just remember that dreamworks didn't come up with the story; cressida cowell did.

[hacked-by-jake]

I'm sitting outside. It's slightly windy. Not much. Perfect amount for me. And it gives fresh and clear air. I have music. And my thoughts are circling about moonvale of course. So I just want to leave a couple of spontaneous words. Just letting out what I think and feel at the moment.

I'm sorry, Everbyte. I'm sorry for all the hate. And I'm sorry for the amount of people being disappointed in your work. Because, well, there's still this little sprikle of hope in me. Of hope and disbelief. I'm thinking about Duskwood and what you created with it. I'm thinking about all the love we felt through Duskwood. You could see the effort you put into it. We saw the improvements and amazing ideas. Good plots over and over again. New ideas every single time. The quality was already amazing, in my eyes. Sure, some little bugs here and there, but nothing huge. Nothing bothering.

But all this. All things we saw in Duskwood. It made us believe you care about the fans. It made us feel like you hear us, as you said once. It made us feel so happy because it looked as if you're really doing this game for us.

And this.. My brain refuses to believe you really just want our money. My brain refuses to believe that you did, what you did in Moonvale, on purpose. My brain wants to believe that you never meant to make us feel this way.

My brain wants to believe that it all made sense to you, and that there was nothing wrong with it, that it was harmless in your eyes. In your world.

And because my head wants to believe in the good, my heart hurts to see how much negativity you get. My heart hurts to see the hate. And the critism.

But sadly, even if it hurts, sadly it's necessary at the moment to share constructive feedback about it.

But even that must be incredibly stressful, because there are thousands, tens of thousands of people who are currently pointing their fingers at you. And that must be hard. Even horrible. Awful.

As I said, my brain refuses to believe all this only happened because you didn't care about your community and you only cared about and wanted our money. I still have hopes.

And I want to belive you had the same love for Moonvale as you had for Duskwood. If I imagine.. You let your new baby out into the world with the hope of making people happy... And as answers there's nothing but negativity in any way. I have no idea how this must be. And I'm incredibly sorry for it.

And even if I'm completely wrong. Even if you really just wanted money, even then I still feel bad for you about the amount of people looking at you. Even then, although you would deserve it in this case, even then I would still feel bad for you. Empathy is an interesting thing. And parasocial "relationships" as well.

We see what we want to see. But I'm sure, in Duskwood, during Duskwood, we saw who you really are. Because there was no hint of what we saw in Moonvale. How could you fake what we saw in Duskwood?

I wish it wouldn't be the case. But you deserve critism for it. Normal criticism, of course. No hate or insultings. But feedback is needed. In our eyes.

And I just hope that there will be a solution. I hope the situation will improve. I hope so, so much.

Duskwood saved me in so many ways. And it's the truth. Not just a saying or anything. It did. And it gave me so much.

Maybe we completely got everything wrong. Maybe we understood some things wrong.

I just hope that a lot of criticism will be noticed and reflected and that you will find a solution. Because I simply think.. I'm sure we all want to play Moonvale. We all want another amazing game from you. Because Duskwood was an incredible game. A game we loved. And we also want to love Moonvale.

In my eyes, there's so much potential. And I really hope in the next episodes we will see more of it. And less worrying about money.

Of course it's your game. Do whatever you want. And if that's the path you want to take, go for it.

But I really want to say, you have an amazing Community behind you. And if there will be improvements and some changes, I'm sure we all will still be by your side. And we all will support you. This time, gladly. And not because we had to in order to play.

I'm sad. I'm desperate. I'm confused and overwhelmed. And..

I'm sorry.

For everyone. For Everbyte. And for all of us.

I'm sorry about this situation...

[imeriayapping]

He doesn't know when it starts or even how.

Well if Logan tried to go back to see all the steps that lead him here he should probably start around 2021 when he first opened MotoGP race when there was nothing else to watch.

He was always hungry for more, watching as much different racing as he could, it's just motorcycles are a bit out of his comfort zone so he never gravitated towards opening a stream somewhere to watch.

Of course logan knew about it, about people in it and thought about Rossi the same way he did about Gordon and Hamilton if not for his own experience of watching than at least for how much lando was talking about him. As the Greatest of all.

It takes him a bit to learn all teams, how everything works and some major events but he gets there, fully emerged at that point.

Logan still doesn't watch all that much content of riders bc he's not interested in their personalities besides what they say about bikes but he catches glimpse of how insane it all is anyway and it fascinates him when he compares it to formula scenery where it's so political and everyone is second away from clawing at your throat.

Guys there are wild and don't have pr crafted personalities that they need just to survive. Next season starts, he gets into f2 and watching gets a bit more challenging on some weekends but manageable on most. And nothing would change if not for one bike that his eyes keep going back to and the guy on it that Logan starts watching press conferences forBc firstly bez is amazing and it's interesting to watch him on track. And secondly he's just so..... different, so open and always smiley.

It's fascinating to Logan because it's almost diametrally different from what he himself is. He loves a good hug don't get him wrong but living mostly alone on another continent from your family and all friends doesn't make for a lot of opportunities to express emotions through touches. Sometimes it feels like he can go weeks without meaningful contact. Also Logan can only watch how outgoing and extrovert marco is never even being close to that, sticking with few people that he knew the best.

It somehow transformed into following him on multiple platforms and watching whatever content motogp or his team would put out. It became kinda embarrassing at the point where he could understand a few Italian words from sheer amount of them that he heard before. It was a bit annoying not being able to understand a lot of stuff but he wouldn't prove "dumb American" stereotype by wishing for guy to speak only in English. Plus the way his voice sounded when he actually did talk in English was very cute, so nothing to be sad about.

Logan started wondering if this what admiration for drivers felt like because he never experienced it before always only motivated by his own desire to win not by those he saw on screens. It was pretty tough to rationalize by himself so he went to the most rational person he could think of (and totally not because it was his only friend on the grid,no) - oscar.

It was usual hangout for them only stained by somewhat awkward logan who didn't know how to approach subject until oscar points out his weird behaviour and makes him talk it all out while listening intently. In the end oscar just answered with short but straightforward "sounds more like you catching an internet crush that anything else" which made Logan spat out million protesters a second only stopped by solid hand on his forearm

"Look you should think it all over and if you still not sure I'll go to MotoGP race next month for promo so you can tag along and actually speak to the guy to see how you feel"It took him a while to evaluate everything and actually come to some form of conclusion but looking back oscar wasn't wrong, it's just Logan never catched feelings in similar way so it was confusing. But looking at it now it wasn't even surprising with how mesmerising marco was, resembling the sun whenever he went with his blinding smile and warm attitude. And Logan wanted to reach out to that shine too

But even ignoring all that he asepted Oscar's offer mostly to watch race itself because in person it would be way cooler than through small screen in shitty hotel room. Logan didn't plan on even going close to bez there because mortifying ordeal of confronting a crush that doesn't know you exist is a bit too much for him but it's not like anything ever goes according to his plan.

So this time what gone wrong was bez himself that catched a cute blonde guy laughing with sun rays in corners of his eyes while talking to someone but standing completely on his own otherwise looking a bit uncomfortable in unfamiliar space. And of course marco went to introduce himself because why waste such chance? Especially when his outstretched hand ready for handshake is met with blush and shuttering before he even managed to say anything besides "hi, I'm bez"

[moeblob]

son boy raccoon trash can man suffering in a dnd au as a cleric bc his warlock will not stop committing murders and he has to keep coming up with reasons murder is valid to convince the gm its fine and under control

[quatregats]

Something I've been thinking about is how Patrick O'Brian manages so skillfully to write characters whose actions contradict their beliefs, which I think is honestly a big part of why his characters feel so real. Mostly with Stephen and Jack—e.g., and perhaps most notably, Stephen has notably leftist sympathies (honestly I have no idea how to characterize his politics in period terms) who nonetheless becomes very comfortable with his rise to the landed gentry, while Jack is a card-carrying Tory who much of the time sympathizes far more with working class sailors and farmers than with the upper classes—but I'm sure he does it to a lesser degree with some of his minor characters (James Dillon, while perhaps not precisely minor, comes to mind), and I love that he's able to do that, especially the way in which he embeds it in the narrative. We see how they're all unreliable narrators of themselves; we understand how they want to be seen and how that does and doesn't coincide with the reality, but most importantly, this isn't presented as something reprehensible, just as a part of their own humanity. They are not their expectations for themselves, but they don't need to be those expectations to be beloved.