as a kid, tara had a really long stetch of being non-verbal. the only thing she would say was sam? in different intonations
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Uhh post canon Barney
Man who has not had a break since the rescas and refuses to start now. Alyx and Gordon are hiding his gear as we speak while Kleiner distracts him.
I was sposed to do Alyx too but I blinked and it was 3 am so. Next time
Oh also I forgot to make a note but he does carry a sidearm
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I know bring this up like once every six months but I will never understand how "Olympic Coven" became so commonly used for the Cullens' coven in fandom when they are never called that by anyone in the books, don't call themselves that, never called that in the movies, never called that in the Guide.
The name literally only exists in the Vampire Index in the back of Breaking Dawn. This should be a strange little easter egg we all forgot about.
How did it become so widespread in fandom when it's so obscure in the actual books (and not in the movies at all)?
It seems like it was a one time idea of SM's that she abandoned, because it's not in the guide (almost all references to 'Olympic' in the guide refer to the Newtons' store and they are called the Cullen Coven in the guide) or Midnight Sun, but it lives on in fandom.
It is literally just because the wiki uses it? So anyone getting into the fandom for the first time and googling characters will see it and then uses it themselves? Does the Rule of Cool apply, because it brings up images of eternal gods and powerful athletes, even though it's really talking about a mountain range?
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And never let you go ♥
Bonus without the overspill lighting:
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calling harry a “can opener” was SUCH a good play for so many reasons i think about it every day.
in the context of his work, it makes him a tool. as many people have pointed out, including martin luiga, part of the hdb tragedy is that he simply cannot leave the force, and his superiors know that and are using it to their advantage. no matter what happens, even if harry hated every nanosecond of every bit of the work and wanted to leave, he can’t and won’t leave. they can leverage anything they want against him and then reel him back in with a facade of kindness when they “allow” him to keep his job, as long as he does what they want him to. the 41st knows he has this inexplicable talent with people and they use him for it. he’s a cop: that talent can be used in so many awful ways, to push so many different agendas. and they won’t even be his own. a can opener has no particular desire to open a can, aside from maybe the satisfaction of fulfilling a purpose. a can opener has no agency, it’s just a tool for someone else to use to get what they want. and he’s learned to be okay with being used as long as it means he gets to stay. his complacency with this system makes him guilty even if he’s also being harmed by it.
but in the context of his personal life you kind of... flip it. the people around him are going to be opened up whether they want to be or not, and it’s terrible for his relationships. it’s shown that the questions, the prying- the can-opening- it’s become inextricable from who he is as a person. it’s like he doesn’t know how else to communicate, except it’s hardly communication when you’re just ripping people open. he’s invasive as all hell, although whether he means to be is debatable. he’s the kind of person that wants to take things apart to see what makes them tick. he dissects people, but really that’s too delicate of a word for what he does; if he doesn’t get what he wants right up front, he’ll abandon all subtlety and go for brute force. if he can’t get your screws loose he’ll just smash you on the ground and pick through your pieces until he’s satisfied, and if what he did to you isn’t fixable? oh well, there are other cans to open.
and he’ll use it for personal gain: we already know he is (was?) manipulative. once he knows how you operate, he knows how to make you keep him. he can yell or he can cry; he can threaten you or he can threaten himself; he can be completely suffocating or he can withdraw completely; he can be an incorrigible liar or brutally honest; he can present himself as a threat or a joke or a talent. he’s a chimera- that’s why he’s got this inexplicable magnetism, even when people know they shouldn’t like or trust him. fidelity of character means nothing to him. he’ll be whatever he needs to be as long as it gets him what he wants. the can-opening is just his way in.
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jasico server was chatting about the cupid scene and jason getting nico's memories blasted straight into his brain and how jason being shot with one of cupid's arrows while with nico and this was just never brought up in canon again and now i'm thinking like...what if that's just how cupid's arrows work? not by magically manifesting love for someone out of nothing, but by giving someone the perspective that'd make them fall in love naturally? jason gets a front row seat to nico's memories and instantly understands him intimately and can trust him completely without any doubt or suspicion
so what if jason, after slowly realizing he's totally in love with nico, just thought back to the arrow incident and it made him second-guess everything? because maybe he's only feeling this way because cupid hit him with an arrow with only nico was around and it's no different than any other god messing with his love life
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I wonder if the fact that Jack is always called out for smelling funny but Dave is never despite both being undead has to do with them rotting in different ways or if it's just because Jack has dogshit hygiene and Dave doesn't.
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Omg I just realised--
1) Kim has a French accent, but as he's said, he doesn't speak even a lick of the Seolite language. He's just your average Revachol guy.
2) Multiple of Harry's colleagues at 41 also have a French accent. We can safely assume they're also from Revachol or surrounding areas, else they would probably work in other places.
-> this suggests the French accent is a common thing in the Revachol area and might even simply be the main local accent.
3) Harry intrinsically knows quite a bit of French.
4) Even with his scattered memory he claims he's probably not living far away.
5) We never hear Harry talk.
Result: what if Harry ALSO has a French accent???
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I think, after 2 years, I finally figured out how to draw his hair in a way that I like lol.
I have said this several times before but, I swear it is true this time.
This is technically for my DC/DP fic from a couple years ago. One that I recently updated b/c I realized I had picked at it enough that I had a full chapters.
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There's something in this life left to live
or, giving these two fools a soft moment because they deserve it. not gonna lie, I got a bit emotional when making this. I wrote something from Astarion's perspective to go along with it:
Once upon a time we pressed against an unyielding tree trunk, just like this. Once upon a time we hid ourselves in the obscuring night.
Now, the moonlight paints your smile bright and boundless.
We were not unwilling back then, though an ocean laid between us. I pressed my body atop yours and went somewhere else.
How could I have known that you would follow me there?
You were the one who was supposed to be under my thumb. I was the trickster moved by your silver song.
You were the cradle that held me safe when all I wanted was to fall into the abyss. You were the gentle voice that beckoned,
Open your eyes. See what could be if you loosened that white-knuckled grip you keep on your fear.
Sometimes I find myself slipping into the old movements — a flutter of lashes, a dangerous smile — and then I remember. I remember that you were with me at my darkest and ugliest and most utterly heartbroken, and still you told me,
It is an honor to witness you. It is a privilege to be by your side.
And I let that ancient rhythm fall away. I was free to walk off that tired path, and now, everything is new. How will life surprise me when I allow myself to participate?
I was struck with wonder to know that there are people in this world like you. Could you have ever guessed we would end up here, back when we were strangers on the hillside? I didn't have the strength to imagine it. Now, I find myself thinking:
Where will we end up tomorrow? What wonders will we behold? There will be such love and such joy, and such hardship to balance it. But for the first time, I feel I am courageous enough to face it, because I am not alone anymore.
I will be with you here, beneath this moonlight, beneath this canopy. And afterwards, I hope you will imagine with me all the life we have left to live.
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hear me out on this ok. ROTS AU where Anakin still turns to the dark side but that's Palpatine's problem.
So, Palpatine decides last minute that ehhhh maybe dooku could come in handy later and he doesn't encourage Anakin to kill him, and Dooku gets arrested and imprisoned in the Jedi Temple awaiting trial. (Also he didn't get his hands cut off because of uhh plot reasons?)
Fast forward.
Palpatine is encouraging Anakin towards the Dark side, tells him about Plagueis the Wise, etc. etc. But see, the thing is, Anakin is at the end of his tether, probably hasn't slept more than three hours over the past week, and has no remaining impulse control or inhibitions, and upon hearing that the Dark Side can save people from death, his first thought is, "wait a sec, we've got a Sith Lord in-house at the moment!" and he sprints out of the space opera and books it back to the temple.
Now, Dooku has been calmly waiting in Temple custody, confident that Darth Sidious will arrange his escape. But THEN Anakin barges into the cell like OMG THE CHANCELLOR TOLD ME THE SITH KNOW HOW TO KEEP PEOPLE FROM DYING AND I'M HAVING DREAMS ABOUT SOMEONE DYING AND I NEED YOUR HELP TO SAVE THEM
At which point, Dooku realizes Palpatine's plan. He's going to tempt Skywalker to the Dark side and REPLACE DOOKU. this is totally uncool.
So he's like "...who are you dreaming about, exactly?"
Anakin freezes. He can't admit it's Padme because their relationship is top-secret and he can't admit how important she is to him so he tries to think of a good fib and goes "uhhhh OBI-WAN! Obi-Wan, it's Obi-Wan, I'm dreaming about Obi-Wan dying-" and he just throws himself into the drama because now he IS imagining obi-wan dying because Obi-Wan is fighting grievous at the moment and he MIGHT ACTUALLY DIE and that's in addition to Padme dying and he's totally spiraling at this point- "pleasepleaseplease you gotta help me he's like the only father i've ever known I don't know what i'll do without obi-wan I have to save him YOU GOTTA TELL ME WHAT TO DO I'LL DO ANYTHING--"
Dooku begins to smile.
(Would stealing Skywalker out from under his Master's nose be petty? Oh, yeah.)
(But it would also be very, very satisfying.)
---
Obi-Wan calls in to a council meeting to report his defeat of Grievous, but before he can say so, Mace announces that Dooku has escaped and the Sith Master has been killed.
Silence falls between the eleven councilmembers (eleven, not twelve, because their newest one is conspicuously absent. Obi-Wan wonders just what Anakin's up to now. Honestly, that boy will be the death of him.)
Obi-Wan clears his throat.
"...indeed," he says, trying to handle the shocking news with composure. "Well... at least we're down to one Sith, now."
Another awkward pause.
"Yeah, about that--" Mace begins.
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Armand doing anything in s3 other than guarding Louis from the vampires who will attack him would be EXTREMELY out of character and I will die on that hill.
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good-ending!kakashi and itachi need to have a little former traumatized geniuses cooking club where they get comfortable with making little "mistakes" and putting imperfect dishes on the table and improvising without needing to explain themselves like it's life or death
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you know what, I actually will talk about this because it's bothering me. The issue with focussing so heavily on syd and carmy's potential for a romantic relationship isn't that there's something inherently unintellectual about romance or whatever, it's that a lot of people seem incapable of doing that without immediately flattening the story and ignoring or intentionally misreading any and all nuance for the sake of that romance. Every scene suddenly becomes about how it impacts their relationship, every analysis is done through a romantic lens, every frame or line of dialogue becomes about finding some easter egg or hint that "proves" these people should start dating. Their dynamic is absolutely a fundamental part of this show, but if you can only see it as a will-they-won't-they, you miss so much of what the story is actually trying to say with these two.
There are good versions of this story where their relationship is romantic and there are good versions of this story where it isn't, but as soon as you decide them being together is "the point," you lose the ability to actually judge the story for what it is, not what you want it to be.
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genuinely can't get over the way the end of under the red hood parallels death in the family, with the only difference being that the parts they play in their own destruction are so much more explicit.
ditf has jason being deeply wounded and then dying in an explosion that consequently signs the unfulfilled death warrants of bruce and the joker.
this exact thing happens in utrh, but this time bruce is the one that wounds jason, and it's jason that plants the bomb that literally kills him, bruce and the joker.
it's all just about two people who are so very different from who they used to be, who cannot move past who they used to be. it's about two partners who have learned new tricks but cannot rid themselves of their reflexes. it's about a father and a son who try to reach for the other only to find their hands forming fists. they know each other too well. they do not know each other at all.
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