#which might have been based off a japanese thing

[lostmar]

Magolor tries the Grimace Shake ft. Marx

[seiwas]

₊˚⊹。look my way, you’re what i crave | gojo satoru

wc: 2.6k

summary: you and gojo made a promise to yuuji.

contains: f!reader in mind but no pronouns used, food trip/taste-testing, many food descriptions, a little bit of (playful) jealousy, pouty gojo, yuuji calls reader sensei, established relationship (but no label).

a/n: a small extra scene that takes place some time between col 2.5 and col 3! not a food expert nor am i japanese, so food descriptions are just based off first-hand experience and some research i’ve managed to do! there are some switches in povs (gojo-reader-gojo) but i tried to keep it as distinct as possible! this is also my birthday gift for you, niku @stellamancer!! thank you for sharing this idea with me and for loving the col couple as much as i do!!

collection masterlist: conversations on love 2.5. and my body keeps saying (it's yours) <- you are here -> 03. so this is what it means to be in love + (extended scene) too good to be mine

‘Losing’ isn’t a word in Gojo’s vocabulary. 

If it is, it’s usually addressed to the other party. 

He’s been a winner ever since he was born, two blue eyes and an extra four hidden, holding power that manifests itself only once every few centuries. Some argue that he was born for that reason: to win, without doubt, incontestably. 

And he supposes, most of it is true—which is why he can’t believe the loss he’s feeling right now, standing in front of the Daifuku stall across from you. 

Never in his entire life did Gojo ever anticipate himself losing to anything. But with the way you’d casually nodded off, signaled so nonchalantly that you’d follow him but clearly didn’t—it has his head turning, finding you midbite a singular, shared stick of Yakitori.

He thinks he might have just experienced his first loss. 

And the victor is none other than Itadori Yuuji. 

.

You made a promise to Yuuji. 

Back when he was still up for execution by virtue of being Sukuna’s vessel, you’d laid your confidence in Gojo. 

“Sensei, do you really think it’s possible?” he asks, voice hesitant but eyes tinged with hope. You were discussing the ways his execution could go down—if it even will go down. 

Shoko’s always pointed out that the most dangerous thing about you is hope, and how you hold onto it so deeply that you pass it onto others like a disease, spreading it to seep into skin and bones.

Gojo calls it your hidden technique, the trump card you pull out when everyone’s knocked down, spirits low. It’s what sets you apart, he thinks, how you’re able to survive in a world that serves as an antithesis to the values you hold. 

“If Satoru said to leave it up to him, he’ll find a way,” you answer immediately, like you’ve known it all this time, experienced it first-hand—a memory. Then you add, an affirmation that sounds so close to fact, it reassures him, “he always does.” 

“Let’s go to Osaka and eat all the street food when everything’s done.”  

You made a promise to Yuuji, and here you are now, with Gojo, keeping it. 

The streets of Osaka are bustling, crowded pretty much any time of the year—carts of all sorts of street food lined up with restaurants hidden in every corner. Neon banners and LED signs light up overhead, a twinkling food heaven reflected in Yuuji’s eyes. 

It must be his first time here, you surmise, because he’s looking at every food stall like he’s ready to devour. You glance at Gojo, hands tucked in his pockets with his blindfold sitting snugly on his face. His presence is bright, blending in with the light, and he turns his head to you slightly, flashing you a small smile. 

You tell yourself the warmth you feel is because of the heat radiating from all the vendors’ stoves. 

“Sensei, what do you want to try first?” Yuuji interrupts your train of thought, but you’re sure he doesn’t mean to. He’s just excited, and his energy has always been infectious, spreading to both Gojo and you. 

Gojo isn’t too big a fan of savory things, so you know you’re going to end up having to choose. You take a look around you to survey each stall, before turning back to Yuuji with a plan on how exactly you’re going to eat and conquer. 

.

Gojo watches—the way you zig-zag across the street, following Yuuji as he walks up to each vendor. It’s both amusing and endearing seeing you being just as, if not more, enthralled at all the savory options in front of you. 

Between the two of you, he’s always had the sweet tooth, so it tickles something in him that even when you don’t, your food-tasting game plan still consists of alternating savory-sweet-savory food.

Yuuji’s first pick is of course, Okonomiyaki, an iconic must-have in Osaka. He orders one piece at first, but you insist on two, knowing that the boy is more than capable of finishing a single one on his own. On the frying sheet lie columns of the pancakes–a simple mixture of flour, eggs, and cabbage–fried and coated in flavors bursting of sweet, savory, and smoky. The lady vendor is generous with the toppings and sauce she pours over it, packing the two pancakes in separate plastic containers before handing one to you and the other to Yuuji.

You turn back to find Gojo a few steps behind you, so you beckon him closer.

“Let’s share,” you whisper, once he sidles up next to you. The plastic crinkles in your hand as you try to slice a piece, Yuuji’s muffled ‘whoah’ heard from the side. 

You blow on the slice, lips shaped into a small ‘o’; he doesn’t want to stare, not with Yuuji right there and neither of you having made anything official yet—

—but this is really tempting him to kiss you. 

He doesn’t know if you can tell—any hint of his desire concealed by his blindfold, but you shove the slice right to his lips. And while it isn’t graceful at all, with the sauce probably smeared all over his mouth, it’s a good distraction from how much he wants you instead of the food right now. 

The texture of the Okonomiyaki hits right every time, the crunchy and creamy combination providing a great contrast that complements how sweet and savory it is. The bite you take after his has your expression mirroring Yuuji’s, and he takes out his phone to capture this memory.

“Gowo-shunsheh! Tek a shulfeh!” Yuuji shouts, mouth still full as he lifts his fingers up into a peace sign. You grin, ear-to-ear, evidence of your happy tummy; he wants to pinch your cheeks. 

“Okay, copy!” he raises his phone up at an angle, fingers hovering over the volume button as he grips the edges, “ready! 1…2…3… say Okonomiyaki!” 

Only Yuuji shouts it, and when Gojo reviews the photo, you’re halfway through a fallen smile—face contorting into disbelief that he said something that cringey, in typical, loud, Gojo fashion too.

“Hey!” he points out, zooming into your face in the photo, “Again! You’re not smiling!” 

You shoot him a look. 

“We can try it with a .5 this time, the kids love it these days.” he suggests, flipping the phone and gathering you and Yuuji closer. 

He takes two photos: one with flash and one without, and the moment he counts down, you mumble right by his ear to please not say ‘Okonomiyaki’ when you have to smile—he chuckles. 

And he says it again. Both times. 

You expected no less, but at least you tried. 

“You should be our human tripod next time,” you tell him, letting Yuuji go ahead. 

The photos look good, with you tiptoeing as you balance a hand on Gojo’s shoulder, Yuuji at the back with his hands raised, holding the empty plastic that used to house his Okonomiyaki.

“Knew you were just using me,” he pouts, hand reaching behind to rest at your lower back. 

It’s been the subtleties with him this trip, tonight especially. 

“Yep,” you play along, smiling oh-so-sweetly, “I knew those freakishly long arms were good for something.” 

Before he can retort with something cheesy, along the lines of: ‘to hold you’ or ‘to hug you in your sleep’, you move away, catching up to Yuuji. 

Your pick, for Gojo, is Taiyaki. It’s not his favorite thing to eat, but it’s sweet, and is still a good, nostalgic dessert, you’d like to think. Batter is poured all over the fish molds before being filled with the red bean filling. Then, after a few minutes of waiting, it pops out perfectly, ready to be eaten by the three of you. You ask for two again, only because this time, you know Gojo can finish one whole. 

But when his eyes land on the Taiyaki you’re biting from and he realizes very quickly that it isn’t his, he feels a pinch. 

It's a good thing the crunchy outside and soft, full inside of the Taiyaki is enough to make him shrug off the feeling. For now.

As the food trip goes on, you end up in many more stalls—

—a Takoyaki one, where Yuuji’s ‘ooo’s’ and ‘aaa’s’ are heard every time the balls are flipped and formed. The cooking on it is perfect, the pieces of octopus sitting just right with enough bite as flavors of soy and Worcestershire come through in its glaze. Gojo only eats one from the set of six that you ordered, and he wishes he just waited, because now Yuuji is eating half of the last one you couldn't finish. 

—a Kushikatsu one, deep fried beef and vegetables coated in crispy, crunchy breadcrumbs and dipped in Tonkatsu sauce. Yuuji ends up finishing three whole sticks, while you manage to eat one. It’s an animated conversation between the two of you that Gojo can’t seem to insert himself into. A part of him feels a little pathetic now, tailing you both like a dog, but he just wants a little bit more of your attention. 

—a Soba shop (not so much a stall) that serves amazing Cold Soba he definitely isn’t missing out on. Yuuji is practically buzzing, excited for anything noodles; it’s the main reason you’d suggested Osaka in the first place. He ducks in the shop last, Yuuji first with you in the middle, and when you settle in your seat right beside him, he snickers endearingly. Gojo can see everything, you’re reminded of that everyday and in moments like this especially. Right now, it's the way you sigh as soon as you release the top button of your pants immediately.

You pout at him as you’re served an order each, the dipping sauce in small ceramic as the noodles lie in bamboo boxes. It’s refreshing and light, just the right balance of sweet and savory; the buckwheat noodles have a lovely bite to them, not at all mushy. When he glances at you, halfway through your bowl, he can tell that you’re already full. 

But just as he offers to finish yours—

“Sensei, are you going to finish that?” 

—there’s Yuuji.

You shake your head, pushing your bowl towards him; Gojo feels that pinch returning. 

A few good minutes of walking find you on the way to another stall—

—a Yakitori one that Yuuji practically skips to, as if he didn’t just finish a bowl and a half of Cold Soba, three sticks of Kushikatsu, three and a half pieces of Takoyaki, a half of one Taiyaki, and a whole order of Okonomiyaki.

Gojo decides to sit this one out, eyeing the Daifuku stand across the street. He’s gone here plenty of times before, but never with you—and if there's anything he wants you to try out here, it's fresh, special mochi, all soft and delectable, delicate in the way its decorated.

He takes off his blindfold, ruffling his hair. With Yuuji having gone ahead, it’s just the two of you. 

“I’m going to buy Daifuku, there’s a special one I want you to taste,” he whispers excitedly, wiggling his eyebrows. 

The expression on your face is the last thing he was expecting. 

Your eyes are dazed, half-lidded, almost like you’re sleepy, and you blink at him twice before you’re able to fully process what he just said. You could be having a food coma right now, just standing. 

“Oh, okay,” you hum, nodding as you smile, dopey, “I’ll follow.” 

He considers just waiting for a bit, because he wants you to go with him. But you insist and shoo him away, telling him that the Daifuku might run out by the time Yuuji reaches the front of the Yakitori line.

So he goes, and maybe it’s a little petty, and immature, and stupid-silly, but he hates how this entire food trip has felt like a battle for your attention between him and Yuuji. 

Even though he’s probably the only one who feels it.

So it’s one-sided. Definitely. 

And he’s losing. Terribly. 

Each individual piece of Daifuku looks majestic, pink mochi with red bean filling, sliced in the middle to leave room for a whole syrup-glazed strawberry. He orders two boxes to bring back home and an extra two pieces, one for the two of you to share and the other for Yuuji. 

Gojo’s mouth is watering and he really wants to take a bite already, but you aren’t anywhere near him. So when he turns around and spots you, mid-chew on the last few bites your stomach can take from that shared Yakitori stick—he feels that pinch again. Because throughout this trip, all you’d done was split savory food with Yuuji, and all he wanted was a bit more attention, sharing half-bites with you. 

When you finally meet his eyes across the street, signature blue amidst bright reds and neon greens, he’s pouting, and he hopes he’s making it very obvious that he wants (needs) you to go to him. 

Your eyes widen before crossing the street, Yuuji right on your heel. 

“Whoah, Gojo Sensei! That looks good!” Yuuji’s voice booms, earning a few looks.

Gojo holds one Daifuku on each hand, the other two boxes tucked in a plastic bag hanging by his elbow. 

“It’s their special one!” He smiles at Yuuji, handing it over. 

You look at him curiously, head tilted to the side as you watch him closely—how his smile doesn’t really reach his eyes. 

Once Yuuji moves out of earshot, his series of ‘mmm’s’ blending in with the bustle of market chatter, you face Gojo and open your mouth wide, “Aaaah,” 

Gojo doesn’t move for the first few seconds, but you meet in the middle eventually, his hand inching towards feeding you while you move your head closer. He keeps his palm open under your chin, cupping it to serve as a catch tray for any filling that might spill out. 

There’s something about the look of you, half-sleepy and asking to be fed, that makes him feel warm and fuzzy—like that pinching feeling earlier never existed. Like he’d gladly do this everyday if you asked for it. 

The soft, plush exterior of the mochi touches your lips, and you bite, the filling oozing out just enough for you to get a good portion of it. Flavors of red bean and strawberry hit your palate, and the filling doesn’t leak, but the syrup coating the strawberry catches onto your nose when you move away. 

At the tip of your nose is a shiny red spot, glistening under the busy lights. The expression on your face is pleased, content—your head doing that side-to-side sway whenever you like the taste of something. 

“Mmm,” you smile at him, “it’s yummy.” 

And he doesn’t know what it is, if it’s the look you’re giving him, or if it's something in the air tonight, but he feels warm and full and still very much like he wants to kiss you. 

So he decides, damn all the passersby.

He does one quick scan around him, making sure that Yuuji, at the very least, is away from the immediate vicinity. And when it’s all clear, he leans in. 

Gojo kisses you on the nose in the middle of a busy street food road, and his lips are soft, almost feather-light, swooping in quickly before anyone can notice. You’re stunned into silence, but the moment you come to, he’s already swiped the strawberry syrup off you. 

His cheeks are starting to turn pink, the sides of his neck already as red as the signs on the food stalls. And he can tell you feel it too, with the way your sleepiness seems to have faded into what now looks like surprise.

Still cute though.

(Always will be, in his eyes). 

So, ‘losing’ isn’t really a word in Gojo’s vocabulary. 

But if it is, he thinks he’d gladly lose to you. 

(Still not to Yuuji though. He maybe still has to keep an eye out for that one).

thank you notes: to niku for being there always!! from answering my questions, brainstorming together, and just all-around everything!! col wouldn't be what it is now without you!! i love u, i hope i gave your love for food justice, niku!

comments, tags, and reblogs are greatly appreciated ♡

[originalaccountname]

I made some funny comics a little while ago about the potential effects of Fukuzawa's ability on Chuuya's, and how it perhaps could make it revert to a pre-Arahabaki state.

I realized later that some of you lack the context for where that came from, and that I might be creating confusion, so this is a (hopefully) comprehensive walkthrough of things we learned in Storm Bringer that lead to this conclusion.

tldr; The lab created "Arahabaki" by manipulating an ability into a destructive force. That ability existed before the lab, and the nature of that ability is heavily implied to be the power to enhance other abilities through touch.

Explanation and sources below (so you can judge yourself) ⬇

- spoiler warning for Storm Bringer, hopefully written in a way that you'd understand even if you haven't read it yet -

In Storm Bringer, Chuuya meets the scientist that was responsible for Project Arahabaki, Professor N.

Project Arahabaki, N explains, was the Japanese government's secret project to create an ability singularity they could have control over and freely use as a weapon.

What are singularities? Singularities are what happens when abilities clash in specific ways and create a new, unforeseen reaction. The easiest way to create a singularity is to pit two contradictory abilities against each other to create a paradox; examples included the ability to always deceive and the ability to always perceive the truth, and to have two ability users who can see into the future (*coughs* Oda and Gide) try to one-up each other. The result is usually much more powerful than the original abilities on their own.

Some singularities are said to have been explained as god-like interventions, because of their often destructive nature. This is what inspired the name "Arahabaki", after the mythical being (here's a post of the subject and I'll it link at the end too) These events are described as very rare.

Like mentioned in that passage, there is another way to create a singularity: to have a single ability user use their ability in a way that contradicts itself. This is what the lab was trying to do.

For that explanation, Professor N gives an example. He first shows a video of a child, whose face is hidden from the camera, holding a coin (described as having a certain melancoly to it), with a moon and a fox engraved on it. The video is from one of the lab's tests. The child is made to recite some activation lines, which are directly taken from one of Nakahara Chuuya's poems, Upon the Tainted Sorrow (which does mentions a fox, as a fun fact).

The coin then starts glowing, the glow turns into a black mass, and from there the experimentation goes bad: the coin starts attracting things and absorbing them, the space gets distorted, the child's vitals flatline, panic spreads and someone calls for an emergency stop, we hear a scream. The video ends.

N explains that the child in the video had the ability to enhance the ability of others. That child then used that ability on themselves, effectively enhancing the enhancement which enhanced the enhancing, in an infinite loop. That loop created a lot of energy; the surplus of energy was so intense its mass deformed space (physics!) and it created a black hole.

Here's where it gets tricky: N claims that child died during that accident, that the child was absorbed by the black hole created by their ability. We never actually learn their identity.

But N is a lying liar who lies; he said about one and a half truths the entire book. The only reason he was telling them any of this was that he thought he'd get rid of all of them within the next few minutes. His objective was always to regain control over Chuuya, his pet project.

Plus, during the epilogue, we learn that Chuuya was assumed to have died during the war. That's what his parents think. That's what is officially recorded.

Furthermore.

Project Arahabaki was based off French research papers; someone else had done this kind of experimentation before, and their result was Verlaine.

-

Verlaine's gravity-manipulation is a singularity. Better yet: Verlaine also has a Corruption state, named Brutalization. Their abilities are the same, because the lab copied the techniques that were used to create Verlaine when they worked on Chuuya.

Here's a passage of Dazai nullifying Corruption, at the very end of SB:

"The self-contradicting skill, which was supporting the energy of a singularity". This passage confirms that the source of Chuuya's ability is, in fact, like the child's and Verlaine's, if any doubts remained. "[...] weakening the singularity's output. It wasn't long before it returned to its normal state, and the Gate closed." The Gate refers to releasing Arahabaki, it's basically a limiter, just like the passage above when talking about Brutalization. When Dazai nullifies Corruption, he gives that limiter the opportunity to come back and seal Chuuya's power away again, but does not stop the singularity, only allows it to go back to its stable state.

From all that, we can say that Chuuya's ability wasn't always gravity manipulation, but that it was another, unconfirmed ability that was exploited in such a way that it became a permanent, stable singularity that allowed him to have control over gravity.

-

Bullet point recap:

Chuuya's gravity manipulation comes from a singularity, like Verlaine, like that child;

You need a self-referencing/self-contradicting ability to create that singularity;

Such an event is rare;

There is a substantial amount of time spent describing a "random" child that was experimented on during the war;

That child created a black hole through their singularity;

That singularity was activated using a passage from Nakahara Chuuya's poems, while holding a coin that references it;

That child supposedly died;

Chuuya's parents think he died during the war;

N is a pathological liar with an agenda.

So no, there is no "confirmation" that Chuuya's ability was ability enhancement before the lab took him. But an author writes a story with an intent, so I am asking what Asagiri's intent was when writing all this, and if perhaps we weren't indirectly given the answer already.

-

What is Arahabaki (Fifteen and Storm Bringer lore, with too many citations)

My own perceived timeline of the true events behind Storm Bringer (was originally gonna be part of this part, also with too many citations)

[rassicas]

Frye is not a Vampire Squid.

It's one thing to headcanon something, but it's another to pass it around a fact, which is why i have to say: Frye is not canonically a vampire squid. This idea originated from a popular twitter thread made at the time of Splatoon 3's direct, and the evidence it's based on is...weak. And yet I still see this info passed around... Yeah I think Frye is just supposed to be a regular Inkling.

the splatoon team has shown us that inklings, like humans, can have a lot of diversity. while our player character models are limited, in-universe its a different story. these are all considered regular inklings. look at the varied eye masks, faces,...they can even have blue skin! So i think that frye is just the splatoon team showing us how more diverse inklings can be.

I made a google drive folder of Inkling hairstyles with a lot of concept art, you can see many diverse examples. To address the other specific points of evidence used:

Long fangs: All Inklings have sharp "teeth"/ beaks. Inkling beak shapes can vary. the last one appears to have a snaggletooth.

Long ears: Ear shapes can vary as well. compare ears of the squid sisters with the player character. Pearl has short ears. hell even the player inkling ears between s2 and s3 are different.

purple fingertips: prior to S3, fingertip coloration was something only seen on octolings, not on inklings. with how her and Shiver can freely change finger tip colors according to their ink, it seems like just a thing inklings and octolings can Do and we just haven't seen much of until now, like how we didn't see much varied hairstyles until s2. Perhaps with how integrated octarian culture is in the splatlands, inklings have caught onto this style as well? Her earrings, the sharp pointy bits in her design: Yes this was used as evidence for the vampire squid thing. That's all eel motifs.

Now the biggest reason she cannot be a vampire squid... vampire squids are NOT squids! They're more closely related to octopuses, but really, they're their own thing (also they're called 'bat octopuses' in japanese... the language the splatoon developers speak. nothing to do with vampires or squids)

With how splatoon's designs have been so far, other species of cephalopods are not guaranteed to look like inklings, especially if not closely related to ink-producing squids and octopuses (and vampire squids are not) Here we have a dumbo octopus (not octoling). also nautiluses. In the case of a species that would be more closely related to the playable species, what seems to be an octoling based on a blue ringed octopus.

Going off this, if the splatoon team were to make a vampire squid character, it most likely wouldn't be a subtle 'inkling/octoling but 2 inches to the left,' For such a unique species, I think they would be pretty explicit about it in the design itself. And considering that they are deepsea creatures that do not produce normal ink, a vampire squid in splatoon might look pretty odd! In conclusion...please stop claiming frye is "supposed to be" or "canonically" a vampire squid, it's a flimsy headcanon based on superficial traits at best and there is zero evidence that was the developer's intent.

(And while I'm here, Pearl is not confirmed a pygmy squid, marie is not confirmed to be a firefly squid, marina is not a webfoot octopus etc. That's fanon based on their japanese names, not canon. As far as we know, the player inklings and inkling idols are all just one species of inkling. inklings and octolings seem to take inspiration from multiple species, but it's not confirmed if they are those species.)

[blood-and-pizza]

Notable Details from the original "Into The Pit" story (PART 1)

Upon the mill's closure, Oswald's dad works part-time at the deli counter in a store called the Snack Space (a 7-11 equivalent, basically), which requires a red vest as their uniform. Oswald is embarrassed by the fact his dad is wearing the vest as he drops him off at school. Just a neat bit of world-building.

Oswald has a best friend named Ben who moved into the next town over.

Oswald's bullies, including Dylan Cooper, call him "Oswald the Ocelot" after a cartoon character they saw as pre-schoolers, a big pink ocelot named Oswald. Again, more world-building.

Oswald is described as having freckles and a cowlick in the original story.

Oswald has no modern electronics in his home, save for one laptop he shares with his family. His phone is an outdated model he's embarrassed by.

Oswald's teacher, Mrs. Meecham, puts on a movie for her class on the last day of school, which is described as "about a farm with talking animals", "too babyish for a roomful of fifth graders". I'm guessing they might have been watching the animated adaptation of Charlotte's Web... or it could be wishful thinking on my part, since I love that movie.

Oswald has been drawing mechanical animals ("bears, bunnies, and birds") for reasons even he doesn't know, other than lack of anything better to do when he's bored.

Oswald's mom works at the hospital from 12PM to 12AM... yikes.

Oswald's dad can't cook to save his life. If it can't be boiled in water or heated in a microwave, he has to buy his meals... how relatable.

Blue-box macaroni and cheese exists in FNAF, meaning Kraft and its products likely exist, too. Just thought that was funny for some reason.

Oswald's dad squirts ketchup into his mac and cheese. I just think knowing he's the kind of dad who does that is really funny... kinda reminds me of my stepdad's love of ketchup, to be honest.

Other pizzerias that once existed in Oswald's town were Gino's Pizza and Marco's Pizza, both of which closed not long after the mill closed. Both Gino's and Marco's are described as good restaurants, while the food at Jeff's Pizza is described as "decent".

Oswald is into B-grade Japanese horror films, including kaiju movies like Zendrelix vs. Mechazendrelix. Zendrelix is apparently FNAF's answer to Godzilla, making Mechazendrelix an equivalent to Mechagodzilla. They're described like this: "... Zendrelix just looked like a giant dragon thing, but Mechazendrelix reminded him [Oswald] of the mechanical animals he drew when he stripped them of their fur." Zendrelix is also described as being portrayed by "a guy in a rubber suit", solidifying the connection between him and Godzilla.

Oswald and his dad both really love bacon. I just thought that was cute.

When Oswald visits the library, a place he finds "actually kinda fun", he shows interest in a science fiction book from a series, as well as a manga he liked. Based, IMHO.

The library Oswald visits frequently allows homeless people to use their computers and other resources. WE NEED LIBRARIES AND THIS IS EXACTLY ONE REASON WHY!

Oswald's mom, being a nurse, is a bit of a germaphobe and won't let Oswald play in places she considers dirty. A ball pit would be considered one such place.

The pizza Jeff serves comes in huge slices too big for the paper plates they're served on, and very greasy. As someone who was born in NYC and used to eat greasy New York pizza... I think I would have liked eating at Jeff's. Maybe.

Oswald reads a library book while visiting Jeff's Pizza, about "a world where kids with secret powers went to a special school to learn how to fight evil". I wonder how many books that describes...

Oswald plays an online fantasy game at the library that's free to play, but Oswald gets to a point where he can't progress without money. I wonder what game it could have been...

Oswald's dad and mom used to date in high school, often frequenting a roller rink, and are great skaters as a result. Oswald himself can't skate and needs his parents to hold him up.

Oswald's dad only ever buys vanilla ice cream.

There's a video rental service Oswald's family uses called Red Box, but I don't know if it's meant to be the same as the actual existing Redbox. Maybe it is?

Oswald's mom is very good at playing Clue... oh, and Clue exists in the FNAF universe.

Oswald's dad prefers practical effects over CGI in movies. Oswald is the exact opposite.

Oswald's dad is a fan of country music. Oswald... is not.

[writingwithcolor]

Running Commentary: What is “ok to do” in Mixed-Culture Supernatural Fiction?

Dear readers: 

Today we are trying something new. To give you some insight into our process in the Japanese moderator section, we are presenting our response in the form of running commentary to show you how we dissect and answer long asks. We hope this makes clear what points are useful and not useful when sending us a query. As always, this is for learning purposes, not callouts. Be prepared: this is a long one. 

To summarize: the asker is looking to create a comic drawn in Japanese manga style, and has provided a long summary of the story and worldbuilding which involves a mix of “reimagined” Japanese yokai mythos and cultural symbols from many other sources. They have questions with respect to cultural appropriation, coding etiquette, and “what is and isn’t ok.” 

Opening Comments

I know a common advice when it comes to the thing I am about to ask is to talk to people involved in __, but I struggle with opening up to strangers for reasons I'm uncomfortable explaining. 

Marika (M): This is already a red flag. If you want to engage with another culture without talking to people from that culture, then research is going to be very challenging. You won’t have members of that culture to guide you towards sources and perspectives they feel most accurately represents public opinion. If I were in your shoes, I might start with tackling my discomfort when engaging with other people, if only to improve my work. If you aren’t ready to engage with a culture and its people directly, then I think you should wait until you are. 

I should note, reaching out to the Japanese mod team at WWC does count as engagement, but WWC should not and cannot be the only point of contact because there is no single, legitimate cultural perspective. 

Rina (R): Also, you don’t need to “open up” to strangers or talk to them in person to get perspectives. Asking specific research questions anonymously to a forum or on social media requires very little vulnerability. You managed to do it here on WWC. So give it a try! 

Anyway, my question basically amounts to the what is and isn't ok [sic] in terms of depicting fantasy creatures and concepts outside of their respective culture.

R: So, the reason why we turn away rubber stamp questions by that ask “is XYZ okay?” is because “okay” & “not okay” 1) is vague and 2) creates a dichotomy where there isn’t one. 

When we say something is “not okay,” do we mean:

It’s offensive to the general majority of XYZ group? 

It’s contentious among people who ID in the group? 

It has a potential to be interpreted in a certain negative way, but may not be a red flag to everyone?

Insetad try asking:

What are the reasons this subject is offensive? 

What makes cultural appropriation bad? 

When might it be “okay” to intentionally discuss a difficult or controversial topic?

What is your reason for including something that may be interpreted as offensive and can it be sufficiently justified? 

What stereotypes or tropes might it be consistently identified as or associated with, and why? 

When might it be justified to bring up these tropes?

With That In Mind...

Let’s get into the rest of the ask below. 

…a story I've been working on in recent times is largely inspired off the Japanese yokai, and the setting is basically Earth in the far future, as far as when the next supercontinent may form. These yokai, although portrayed differently here, do retain their main characteristics [...] Included in this world are two goddesses of my own creation, primarily representing the sun and the moon. [...] There will be thirteen nations, named and based after the Chinese Zodiac, and the life force found in the living things in this world, called qi, comes in two forms that are always opposing each other but can never fully overpower the other, this being based off yin and yang. They're even directly named this; yin qi and yang qi.

M: This reads more like using Japanese and Chinese culture for the “aesthetics”, not the cultures themselves, which I personally feel falls under cultural appropriation. From a world-building/ coding standpoint, the actual use of concepts is workable, and, dare I say, typical, given how Chinese cosmology influences Japanese culture. However, naming a concept “yin qi” or “yang qi” is the equivalent of naming something “- charge” or “+ charge”, respectively. That you don’t seem aware of this tells me you are pretty early in your research phase. In that vein, we’ve covered translating terms and names from foreign languages in fantasy before. See the following article linked here for our recommendation against using RL terms outright but instead encouraging people to create their own conlangs. 

R: Worldbuilding-wise, I think you would have to figure out the chicken-or-egg of the zodiac nations. Did the nations come first, and the zodiac later as an origin folk story (which you would have to rewrite to serve the nation-building narrative)? Did the zodiac come first, and the nations named (most likely re-named) by a political entity? What is the justification? Otherwise, again, it’s a shoehorning of aesthetics. 

There is also a third, lesser known god based off of fox spirits and trickery and I imagined he's the patron deity of a family that honors and worships him, but his influence on them has transformed them into Kitsune-tsuki, which I depict as fox-like anthros. 

M: Not related to this ask directly, but I have jokingly ranted about how often non-Japanese people prefer using imagery related to kitsune-tsuki in Japanese coded world-building (link). This makes me feel the same level of petty irritation. See my troll answer below for a similar experience.

R: Same. It’s boring tbh. 

M: Troll Answer: I get that kitsune-tsuki are very sexy furries, but Japanese folklore has other sexy furries too! These underrepresented demographics also deserve recognition and appreciation!!

The plot of the story is this; modernization has left the goddesses neglected of their worship and forgotten, something that is necessary in this world to stop them from fighting each other. The Moon Goddess awakens first, punishing the humans by unleashing the yokai. Then the Sun Goddess wakes up to fight in humanity's defense…

M: This could feel rather like Shinto-like coding (Ex. the myth of Amaterasu and the Cave, or Tsukuyomi slaying Ukemochi), but something about this scenario feels a bit too binary in terms of themes of good v. evil, light v. dark to be Shinto. The plot also feels more Gaelic/ Nordic in influence for me as a person raised in a Japanese Buddhist and Hindu household. I imagine this dissonance could have been fixed with better guided research. 

…but their fighting has caused a perma-eclipse and this world is in danger of ending. The yokai have run rampant; some are loyal to the Moon Goddess, and some aren't, and it lies to the main characters to bring balance back to Midgard. Yeah... the name of this future Earth is Midgard. I debate changing it since it and some other things I will mention sorta feel out of place.

R: Marika, looks like you were right on the Gaelic/Nordic influence /j 

Also, worldbuilding question: if the Earth is in the far geologic future, how long has it been since modernization (19th-20th century)? Centuries? Millennia? How long has this fighting gone on for? What triggered the perma-eclipse, and why now? Why is this time depth necessary? 

One of the main characters in question is a humanoid woman with wolf features named Ling, and she is a descendant of the dynasty that had first ruled the one of the nations, particularly the one based off the dragon zodiac. She accidentally summons the other main character to this world as she's praying at a shrine, a humanoid with dragon features--I call them drakon--named Angelynn.

[on the names of characters] is it appropriating by not having the world entirely based on [Chinese, Japanese, and Indian] influence? it's a little weird to me how worldwide the creatures are referred to as yokai, implying a strong Japanese influence not unlike how it is today with Western culture being so dominant, yet there are still names like Keith and Kiara.

M: I will give you credit for recognizing you have unconsciously veered towards white-washing/ race-bending: either presenting European cultural influences (drakons, Angelynn, Keith, Kiara, Midgard) as default or utilizing general E. Asian cultural influences and aesthetics for a Western-style story (Ling, qi, Chinese zodiac, yokai). I agree with you that this creates a sense of cultural dissonance. At this point, I’d say you have a clear choice: write a Western-style high fantasy using a background with which you have more familiarity, or get some better guidance on research with East Asian cultures so you can code the story more effectively. 

The focus of this story is centered around meeting all these yokai and showing that there's more nuance to them than Ling believes, all while saving the world. But I worry if I'm appropriating these concepts and creatures by 1, drawing from more than one culture--I initially imagined that there would be a mix of Chinese, Japanese and Indian influence because according to a website I am getting the info on yokai from, the yokai in question already draw inspiration from or have been based on something in Chinese mythology or Hinduism [...]

R: Sure, some yokai have Chinese or Hindu parallels as that tends to happen with folk tales. But not all–some are unique to Japan, and some are more modern. Sometimes it’s very political–some people consider the Ainu Korpokkur as being a “Yokai of Japan” despite it belonging to the indigenous culture. It’s up to you to research, untangle, and understand these influences. 

The fact that you bring up that the Asian continent has seen a lot of cultural exchange is not a sufficient reason to randomly combine influences for the sake of visual appeal or “coolness.” That is appropriation. These influences must be understood in their historical context so that you know how/why certain things combined or morphed into another, and what makes sense to combine/morph. 

M: This also indicates that the character views the yokai as evil/inherently bad, which I would argue is not a typical stance for much Japanese folklore. Again, this shows a deficit in research. 

2, reimagining these yokai in a new context even though I have done the research on them, because one thing I kept seeing in regards to cultural appropriation is that it's bad to do that […]

R: Refer above to my note on “okay” and “not okay.” The thing with folklore and fairy tales is that every–and I mean every–folk tale is reinterpreted with every new iteration of it. Reimagining in a new context is what people do every time they pass on a story or tell a story with the same plot or characters. Do not think of folklore as an “original” that is altered and rebooted, but rather a living document that gets added to. Reimagining is not the inherent issue. HOW you reimagine something matters. 

So I suppose my question is...if someone were to do research upon the creature they want to use, given they are allowed to use it, and gained an understanding of what the creature or concept stood for, are they allowed to pick it apart and reimagine it? Alternatively, is it ok if it's explicitly pointed out that it is derivative of the original?

It has actually become my biggest fear that I may have internalized something that could both continue to do harm long after the fact and attract the wrong people to me work. I don't wanna let people down!

M: As Rina has noted several times, I think the problem is in trying to ID a set of specific variables and circumstances that make a thing “okay” or “not okay.” I want to recommend that you read my joking response about writing in secret rooms while wearing a disguise (Linked here). Who can you hurt if no one knows what you are doing? There’s a difference between creating for oneself and creating to share. 

You have internalized a message incorrectly, but not the one you cite. The goal of many recommendations against cultural appropriation is to avoid causing direct harm to people who have seen their cultures demeaned, discredited and devalued, especially in shared spaces. Assessing cultural engagement, whether we are talking about appropriation, appreciation or exchange is not a measure of personal virtue or a collection of commandment style do’s and don’t’s. Rather, I believe engaging with other cultures is the state of mind of acknowledging that when using these cultures’ in one’s own work, there is value in consulting members of that culture and giving credit where credit is due. This will be challenging if you are only comfortable engaging with all of these cultures in a distanced, minimal capacity. 

FWIW, I’ve written stories that probably will offend people from other cultures and backgrounds, but I don’t show them off. I don’t think writing these makes me a bad person, but I also don’t see the need to give unnecessary offense, so those stories are just for me, to be written and read in my own secret room. However, I’m not ashamed of having written them, and I’m also comfortable to “let people down” provided that my own shared work reflects my personal principles of what I consider to be sufficient research and engagement with other cultures,  As a creator, my work wouldn’t be mine if I didn’t first please myself. I think the trick to the creator role is deciding what to keep private, what to share and what constitutes sufficient engagement. 

P.S. 

We’ve referenced the need for research multiple times in this ask, and in some of the other asks that have gone up this week, so we thought this would be a good place to plug a beginner’s guide to academic research created by the mod team.. Look for it soon under WWC’s pinned posts!

[gallusrostromegalus]

I love Kenpachi "Raised By Eagles" Zaraki, and learning how this affects his behavior and worldview but how does this change Yachiru?

Kenpachi might be human-shaped but he's a bird to the core. How bird like is Yachiru as a consequence? Is her first language Eagle as well? Has she met her extended family (grandmother, aunts, perhaps cousins too) and had flying lessons?

I just love the image of Yachiru being a Chaotic Fledgling, and behind her is a grinning Kenpachi that is just as much a Buck Wild Bird, he's just better at playing at being human.

(if kenpachi is a prince, is yachiru thus a princess?)

One Small Correction: Kenpachi is a Sword Guy at his deepest core, but he still considers himself Culturally Eagle, but also that's only one of like 147 Identities he uses. Man collects personas and cultures and memes and jobs and identities like lint, but don't worry- that's just how Things Like Him live.

Kenpachi is also, technically, a Prince, and if he wasn't allergic to honorifics, he would be well within his rights to tell the Kuchiki clan to call him "Kotaishi-Denka", but he doesn't like being called a title he didn't earn. Moreover, he can only tell the nobles that little fun fact *once*, so he's keeping it in his back pocket for the most opportune moment.

Don't Worry about it :)

As for Yachiru:

It's a tough call which is her first language because Kenpachi was speaking to her in Japanese and Eagle and the language of the Northern Tribes he spent a lot of his adolescence with, and the common language of the small spirits like Kodama and Koropokkur when she was an infant and learned them all simultaneously.

Japanese is actually Zaraki's fifth language, and he's been learning how to talk shit in Spanish recently.

Eagle is definitely Yachiru's favorite language to swear in though. Nothing quite as cathartic as a good screech that blasphemes six different gods and curses the object of offense for seven generations in both directions.

Yachiru's gestures and posture are... odd. Some are distinctly Eagle, but she's a constant finger-drummer and hummer, lies and sleeps on her stomach as a matter of preference, walks as easily on her hands as her feet, and writes as easily with her toes as her fingers.

Some of that is learned Directly from her father, but a lot of it seems to be her own peculiarities that all children develop but most have harassed out of them by their parents. Kenpachi had little regard for "proper" behavior out of a child, beyond not endangering herself or getting him in undue trouble. He also has a lot of strange ways of moving that his Mother never tried to correct out of him, so they're both odd birds in that both of them are about five steps to the left of any ind of typical and don't mask a goddamn thing.

As for Yachiru's Extended Family, she occupies a unique position in the family of She Who Rules The Sky.

Yachiru is Her first grandchild.

Oh, certainly, She has laid and raised many, many generations of Eagle, but per tradition and common sense, they move far, far away from Her before having their own offspring to avoid competing with Her, and their children do the same. But Kenpachi comes to visit his Mother and sisters- a strange thing, but he's not eating the same food or trying to build a nest in the same place, so it works.

She Who Rules The Sky is DELIGHTED by Her Granddaughter, and spoils Yachiru rotten with attention and fresh kills and embarrassing stories about her father when he was young.

At least some of the way Yachiru hangs off Kenpachi's back is based on how he learned how to hang onto his Mother during Flying lessons, and how her grandmother taught her to do the same, but hanging onto Her neck, on account of how small Yachiru is.

She Who Rules The Sky and both Yachiru's Aunts are all very concerned about how small she is. Her appetite is certainly healthy enough, but she grows so slowly. Zaraki's assurances that there are Human Women he works with that are full-grown adults scarcely half again Yachiru's size does nothing to avail their fears, and makes Rukia sneeze.

Zaraki's sisters have not taken Names either, but for the sake of convenience, they allow Yachiru to call them Ane-Oba and Imuto-Oba, as Kenpachi is the middle sibling, according to order of appearance in the nest.

Eagle kinship terminology is different than human in that only the siblings from the same clutch are your brothers or sisters, and who is the older or younger is determined by the hatching order rather than laying order. Your mother's previous clutches are your aunts and uncles, and your mother's clutch-mates are also your aunts and uncles, but with a higher level of grammatical deference. "Grandparent" is an entirely novel concept to Eagles, who almost never meet theirs, and hearing how active grandmothers are in the raising of their grandchildren fascinates She Who Rules The Sky.

Consequently, Kenpachi isn't a Prince because he's an Eagle.

He's a Prince because She Who Rules The Sky is a straight-up Kami, and a big damn deal, because She has jurisdiction over EVERYTHING in the sky- Other birds, Weather, Shinigami if they go higher than the roof of the tallest building in a square mile, the fucking moon (technically), Bats (but only when they come out at night. What they do in caves is none of Her business and also She doesn't want to think about it.), and anything some idiot might try shooting at Her.

"Prince" isn't quite accurate- it's not an inherited title, but She Who Rules The Sky told Kenpachi after he became a captain to Officially Manage whatever Humans and Shinigami were doing in the sky for Her, on account of being closer and having at least one eye to keep on them.

So technically he's a Nepo Unpaid Intern, but a Nepo Unpaid Intern that could smote anybody right out of the air, so most birds and lesser Kami use the more respectful title of "Prince" instead.

He does not use this ability often, because he'd rather try to get someone to fight him, but he does not hold back with it where mosquitoes are concerned.

It's cromulent to Eagles that he should inherit the responsibility though, because it's usually the youngest clutch that inherit a nest site or hunting territory upon the demise of a parent, and while She shows no signs of dying any time soon, it's the way of Kami to train and hand off lesser responsibilities to their children as their domains expand.

Hence, Yachiru is not a Princess in the sense that she has a title to inherit, but she is one in that Kenpachi trusts everything she tells him and defers to her on things like "math" and "where the fuck are we going?" because she's better at those than he is, and in that sense, she is his Princess.

[starrysharks]

these questions are pretty similar so i'll answer both at once.

to buy from a chinese indie brand, you need two things: the brand's taobao link and a proxy site account. taobao is a chinese storefront (?) that most of these stores are hosted on. there are plenty of western stores online that also carry taobao brand clothing - like arcana archive, glitch cupids, and pixie rebels - but i would recommend just getting your stuff from a proxy as those stores often up the prices of the clothes.

note that it can be a bit of a struggle to get the taobao link of a store, especially if you don't have an account (which is notoriously difficult to get these days), but i did find some link lists! (mostly lolita stuff as that's what taobao is most popular for among alt fashionistas ^_^)

some other brands that i recommend -

eyeelike - y2k inspired, though their stock is usually very limited. sizes up to UK 10-12 (L) i believe

link (lemme know if it's broken):

frufru - bright, colorful, sorta harajuku-esque! i heavily recommend their star messenger bags, been wanting to get one of my own for a while ^_^

link

and hbreaker - a more visual kei sort of thing! more edgy than the other two stores, but i'm yet to check it out properly

link

so, now that you have the link, you need a proxy site. this is so that you can send the clothes over from china to your own country. in the past, i would've recommended pandabuy, but it died a few months ago due to illegal replica selling. for that, i'd recommend avoiding proxies that allow replicas, because they might go under while you're trying to get clothes shipped. (that happened to me T_T)

some that are reliable are:

sugargoo

superbuy

spreenow

now all you do is use the search bar (make sure it's on the "shop" mode rather than "product"), and plug in the link to the shop you want to buy from, and it should be the first result. get all your clothes, and now all you have to do is have them shipped out! shipping usually costs a lot (£20+ from my experience) and if you're buying a haul, it can be over £200 for just 4-6 items, so i'd recommend only buying stuff you KNOW you're going to wear often and enjoy. shipping should only take 2-3 weeks (at least in my experience - i live in the UK, it might take more time in the US.) and boom! now you can dress like those cool girls on xiaohongshu!

there are also two western stores i'd like to go over that have similar clothes - sixth dimension and minga london.

sixth dimension has many good qualities - they have more inclusive sizing (up to UK XL), reasonable prices based on their quality, and they restock and do sales often. i heavily recommend them if you can't afford the high shipping prices or if the sizing is too limited for you!

unfortunately, i have less nice things to say about minga london. they're highly extortionate in terms of pricing - i've seen shein quality cardigans sold for upwards of £70, for example. they do drops often, and have been accused of fast fashion but i'm not sure if that's legit or not. they've also stolen designs in the past. however, they do have inclusive sizing, up to XXXL. i'd recommend only buying from them if they're doing a sale, or if you literally have no other choice.

now regarding fruits mag - unfortunately, you can't buy from them. fruits mag is a japanese magazine that went over a variety of different street styles, so if you want to buy from fruits, you'd have to buy from the brands that the people in the magazines are wearing. as fruits was most popular in the 2000s, most of those brands are defunct...however, i do have some recommendations for japanese alternative brands!

alice and the pirates - popular lolita fashion. pretty good sizing i think, and they do worldwide shipping too iirc.

baby the stars shine bright - same as aatp, but more "cutesy".

acdc rag - yami kawaii type clothes with inclusive sizing.

dearmylove - jirai kei/dark girly clothing and beautiful shoes. inclusive sizing, i'm pretty sure they have a full plus size range! also collabed with needy streamer overdose lol

liz lisa - lolita/mori kei/girly styles and pretty coats. quite expensive tho...

moi-meme-moitie - the brand of malice mizer's guitarist mana-sama! gothic lolita. i'm not sure about sizing or prices.

6%dokidoki - yume kawaii and decora style. very colorful! i'm not sure about sizing.

angel blue - japanese kids clothing, usually worn in general kawaii and jojifuku styles. as it's for kids, the sizing is NOT inclusive at all, UK size S-M at the most from what i've seen. usually you can only find resellers on depop, but the pricing usually isn't horrible.

other than brands, i'd recommend looking for clothes thrifting on and offline (hit big city thrift stores for better chances of alt clothing), buying accessories from verified etsy sellers, and just looking around the house for anything you can turn into an accessory or part of an outfit! i hope this post helps you though!

[sh0tanzz]

RIIZE ENERGY CHECK ~ based on tarot

reminder this is based off of my interpretations of the energy and cards I receive and is not exact fact unless said so by the members themselves; energy is subject to change or manifest differently so my reading may differ from others

Note: Are they allowing me to do this reading ? (Temperance) that is a confirmed yes. The only member who was more private and didn’t share specific details was Seunghan, which is understandable !

Shotaro: alrrrrr it seems like as of late Shotaro has been putting more effort into taking care of himself and his wellbeing (KoP, QoC, The Empress) he may have recently recognize that he falls into intermediate work cycles that aren’t balanced (The Devil, 2oP Rx) of him working himself thin and pretty hard and then having a rest period but not really fully rejuvenating himself during the resting periods. (8oP, 4oS, QoP Rx, Temperance) also recently social life wise he may have a mature individual that he holds respect for and wants to better solidify their dynamic or add them into his social life (could be an earth sign) (4oW, KnoP, Strength) [channeled song Self Care Mac Miller]

Eunseok: hm so the energy is pretty chill here. Eunseok recently is still more comfortable and optimistic about his future with being in the kpop industry than he was during December. (3oW, 9oC, AoP) but he lowkey feels like other aspects of his life especially his social life is being lowkey hindered by it (3oC Rx, The Hermit.) he also might feel like he’s not pushing himself to his full potential (The Magician Rx) so recently he might be exploring or learning other talents and skills so he can be more satisfied with his abilities (7oC, PoS) the phrase “I’m good but I can always be better” is coming up, the energy doesn’t seem like he’s degrading himself so there’s no need to worry.

Sungchan: SO ! in my last energy check sungchan was excited for an upcoming project or event of sorts that was exciting for the members and briize this was before their recent promotions and after boomboombass promotions so maybe it was referring to their japanese release lucky ? for the recent reading he doesn’t have much to share (energy seems hectic or busy) . I do however think he’s planning or has a specific goal of sorts that he wants to execute after all of their traveling is over (The World Rx, 2oW, 7oP). He also might be feeling nostalgic lately or comparing how different his earlier days within the industry were vs how things are currently; it’s a more positive comparative energy however (6oC, 2oP, The Lovers) he also might be trying to befriend, hang out or collab with his seniors currently (KnoC, The Emperor, 3oP)

Wonbin: This reading’s energy was a bit strange because the energy doesn’t seem super fresh and might be more of an older thought or situation. There was a mental conflict he’s had (AoS Rx, 5oW, 2oS) he has a very particular opinion about how briize views his interactions with them, and he’s for some reason very concerned about whether or not he appears genuine or sincere it seems like he’s worried about being seen as fake or being misjudged (Judgment, 7oS Rx, KnoC Rx) However I do think he’s aware that this is essentially in his head and doesn’t reflect his actual connection with fans (The Moon, 2oC) It’s lowkey ironic that this theme came up around the time they do fancalls and the fancalls being reposted, maybe he’s focusing how he’s perceived .

Seunghan: This reading will be short and sweet because only 4 cards came out (Death, 8oP, 4oC, The High Priestess) hes in a state of contemplation and transition. He’s realizing that he needs to have better discernment and needs to build his prospects from the ground up, the phrase “if you keep carrying the same bricks you’ll build the same house again.” is coming up. With this realization and acceptance he can finally have an easier transition to the next phase he’s trying to reach, he may have a specific plan he’s following. He also could be being lead by a person (or multiple) who has the knowledge and discernment to guide him to a new prospect for his own benefit.

Sohee: He’s opened up recently and is giving more of his internal self to others (4oP Rx, 6oP, 8oS Rx, PoW, PoS, PoC) SOO MANY PAGE CARDS 😭. an event possibly around the winter time made him feel a need to wall himself up or to be more careful with how close he gets to people or how much of himself he should share (5oW, 5oP, 9oW) he isn’t secretive in a sneaky sense he just wanted to be more intuitive and selective of who he got close to. He also has a desire to be able to separate and divide between coworkers that he just works with and genuine friends and peers (The Lovers Rx, 7oW, 6oW) he possibly has realized that due to being an idol in itself can be a tumultuous journey he doesn’t have to endure it without support from outside the group (8oC Rx, 2oC)

Anton: He currently feels like he’s getting the full scope of benefits and struggles that comes with being an idol, he’s always essentially knew or had an understanding but now he’s beginning to fully see the dichotomies within the industry (The Sun, The Devil). hes very aware of how he’s being viewed in the media/online, the phrases “if you think I know, I most likely do” and “gotta be in the know to know.” he for sure has a general idea of how he’s perceived (KoS, PoS, 7oP, The Heirophant) However it doesn’t seem to be shaking the confidence he’s recently gained and some of it may even be adding to it (The Emperor, KoW). He might have a personal project or something that he’s working on solo that he may have to show or get reviewed by a higher up or someone with more experience (KnoP, KoP)

[hallows-evening]

hehe I love them, this idea has been on my mind for DAYS and now I am finally sharing it

Fic based off the image below the cut! ^^ Here is part two!

NSFW/ FETISH/ PROSHIP DNI

🍂 Ler!Poob (they/them), Lee!Pest (he/they) 🧡

(no japanese and no poob tq because I'm writing this on mobile and I might break something lol)

Pest grumbled softly to themself, staring at the door with a disgrunted look, waiting for the elevator to drop them off. The last rando finally stopped off at a floor called Splitsville and never returned, and Gnarpy, who, the moment the elevator stopped at a convienence store, left instantly in search for catnip. Which left Pest with.... them.

The "them" in question was no other than Party Noob, nicknamed by many others as simply "Poob". Pest was aware of Poob snatching quick glances at them, just waiting to start an annoying conversation on the only thing they ever talk about: parties. They particulary hated them because of their extroverted personality, clashing with Pest's more anti-social one. They wanted to be left alone, Poob would not let that slide.

They continued glaring at the elevator door, watching the numbers go by and the doors opening to every other place BUT the one they wanted to go. Pest, zoned out, did not notice Poob getting ever so closer to him until they were almost touching, and Poob decided to blow their party horn right next to Pest's ear, causing them to jump and let out an angry snarl.

"POOB."

"....Yes? Hi!" Poob waved their hand. "Welcome back! You are zonin' out and I wanted to-" Pest slapped their hand away, glaring at them. Poob shut up instantly, still smiling despite Pest's tall and (frankly) scary demeanor he suddenly put on.

"Do not do that again or I will throw you OUT at the next floor that shows up." They growled, not noticing the sudden holes appearing on the ceiling. Poob, having lost interest in what they told them, noticed the holes and jumped at Pest right before a spike shot out right where they were just standing.

Both were thrown to the ground, slightly against the wall, and Pest looked up at Poob in surprise and a little bit of anger that they had pushed them that hard.

"AH SORRY!!! I didn't want that spike to hit you!!!!" Poob exclaimed nervously, struggling to get up and out of Pest's grip, squeezing their side accidentally. Pest let out a small gasp, quickly and nervously pushing at Poob and struggling to get up themselves. Poob stopped for a second, wondering why they let out that small sound, staring at him. There was a small hint of a blush on Pest's cheeks. Then it dawned on them.

"Awwwhh Pesty I didn't know you were ticklish!" Pest's blush deepened at the observation, and then he instantly tried to scramble away from Poob, to no avail. Oh god no.

"NO I AM NOT." They growled, a hint of a shake in their voice. "No? Then why'd you make that noise? Can you do it again? Or am I gonna have to get it out of ya?" Poob smiled, a mischevious one.

Pest started fighting off Poob's hands advancing towards him. "DO- DO NO-OHOT!!" They yelped, losing their grip on one of their hands and it instantly going to his side. Poob giggled at them. "Ya know you've been reeeeally grumpy lately! You keep stealing from people, too. I think you need a little cheer up, and a little bit of punishment!" They watched as Pest struggled against them, squirming and flailing his arms, trying so hard not to let out all the laughter bubbling inside of them.

Pest used one hand to cover up his face as a grin managed to creep it's way onto their face. They tried to grab Poob's hand, but Poob just grabbed their arm and pushed it against the elevator wall. "Nuh uh." They scratched and scribbled their fingers underneath Pest's arm, making them throw their head back and kick their legs. They released their arm, using that hand to tickle Pest's other side.

Pest squirmed and flailed and kicked their legs, a tear forming at the edge of their eye. God this can not be happening! He was started to lose his breath from how long they've been trying to keep their laughter in, refusing to let Poob win. Poob, on the other hand, decided to switch one hand to his neck and that broke them.

"POHOHOHOOB NOOHOHOHO pFTTAHAHAAAAHHAHA-" Pest laughed hysterically, scrunching up their neck from Poob's prying fingers. Poob looked at them in surprise, not expecting this much of a reaction, but smiled and used the hand that was under Pest's arm to tickle his neck with the other hand. "Looks like I've found your weaaak spoott!" They sang the last words, enjoying the sight before him. Big scary guy that looks like he could rip you in half being tickled to bits? Absolutely adorable to them.

Pest continued to laugh, twisting and turning his body sporadically, trying to buck Poob off of him but with no luck. Poob took mental note of how they haven't told them to stop yet, and by the way his tail's wagging, they assumed they were enjoying this. They looked at Pest absolutely melted against the wall, halfway on the floor now, their hat slightly off their head and hair all messed up; Poob could be here for hours. They adored the way Pest was smiling and laughing, they hadn't ever seen him this.. happy. Poob was resisting the urge to snuggle up against him. They know if he did Pest would give him a few scars to take to his next party.

Poob was so focused on Pest's face that they didn't notice them getting weaker, until Pest clawed gently at their hoodie and they were brought back to attention. Poob stopped, moving their hands away from their neck and scooting away from them nervously. Pest, still giggling, rubbed at their face with a small growl, bringing their now-free legs up to his chest. They refused to acknowledge the feelings that moment left him, of Poob staring at him with a happy and caring look, making them melt into laughter that felt so unlike him.

They opened one eye, staring straight at Poob in the corner of the elevator with an unreadable expression. Right as they did that, a ding played and the door opened to the subway, their stop. Pest quickly got up, slipping a little on the floor, ignoring Poob's offer at help, and bolted straight out the door, not looking back. Poob watched them go, a little disappointed, but not like that was out of character for Pest to do... however, Poob didn't miss the blush still on their face as they ran out of the elevator.

[glyhpsrfvckincol]

Random owlhouse hc idea fo you

Reader barely gets called their actual name and is called a nickname to the point no one really know their name til someone asks if their name is actually the nickname and reader is like “ ha no”

My main thing is their nickname is a animal Mabye because their palismen is it

Nicknames || The Owl House

Synopsis - Various TOH characters asking if your nickname, which corresponds to your Palismen, is your real name.

Warnings - Many references.

Okay, side note.

My Palismen, he’s a frog with axolotl gills. 100% contemplating if I should add a shark fin. I don’t know what to colour him yet:(

Anyway-

A/n - If you want a part with the adults, let me know :D

Requests are opened; headcanons only

A list of nicknames corresponding to certain animals:

↳ Ferrets = Ferry (pronounced - fairy), kit

↳ Frogs = Froggy, Froppy, Mcfly, Kermit, Amphibia, Sprigs

↳ Birds = Chickie, Chica, Beaks, Fumikage, Ellie (I dunno know, your palismen might be an eagle), karasu (crow in japanese, according to google), Hedwig

↳ Duck = Ducky, Duckus, Qaucker, Waddles, Snickers

↳ Pig = Mabel, Waddles

↳ Cat = Garfield, Sphynx, Ghoul (corresponds to amity’s Palismen), kitkat, whiskers

↳ Deer = Antler, Specks (some deer have white dots on there fur, and it’s super pretty!), velvet (for when their antlers regrow), Bambi

↳ Spider = Webbs, Charlotte, Fang, Silky

Amity Blight

↳ You got your palismen when you were relatively young. Like 5 or sum-

↳ And your parents had given you a nickname based of your palismen. Cause the both of you are absolutely adorable.

↳ So, basically the only time they used your real name is used when you were in trouble. (Good luck, lol)

↳ Anyway, Amity has known you as N/n for years at this point. You introduced yourself to her as N/n, everyone has always called you N/n, and you even write N/n as your name on tests.

↳ So she had no reason to suspect your name was infact different from what she and everyone else knew it as.

↳ Until you had been called in as a suspect of being involved with the human girl by Belos, where he had written your birth name on the letter you’d been sent.

↳ Amity was shocked. And very confused.

↳ Amity when she read your name on the letter:

↳ So she questioned you.

↳ “N/n, has one of Belos coven scouts messed up who the letter was for?”

↳ You: ”???🤨 no?”

↳ ???

↳ “But, N/n, I’m almost certain your name isn’t Y/n, or did they just mix your name up?”

↳ And now we’ve found the problem.

↳ Amity doesn’t know your real name!!

↳ “Amity, I’ve just realised I’ve never told you my legal name is Y/n.”

↳ “But, you write N/n on where you sign your name, even school work.”

↳ “Oh, right, when my parents put me in Hexside, they were given an option on the paperwork that I would be able to have a preferred name, and they put N/n as the optional option.”

↳ “Oh.”

↳ Amity questions everything now. Mainly things to do with you and Luz.

Edric Blight

↳ He dumb, but it’s okay cause so am I. ✊😔

↳ He thought your Palismen was based off of your name so…

↳ Emira slapped him upside the head.

↳ He felt bad, cause he thought he was the only one who called you that.

↳ “I’m really sorry if you felt offended by me calling you P/n, I just thought they were based off of you.”

↳ :(

↳ Our poor boy 😭😭

↳ “Edric, it’s okay! I kind of told you it was my nickname, so I can’t blame you.”

↳ It’s best to tell him you prefer being called N/n, seeing as he will continue to feel like shit if you don’t.

↳ Now, he will either call you Y/n or N/n, just depends what comes to mind when he is either addressing you or talking to you.

↳ It confuses a lot of people, human and witches alike.

Emira Blight

↳ Asked you after a few days of being your friend.

↳ “So your Palismen, you have a nickname that matches it?”

↳ “Yeah.”

↳ “Cool.”

↳ Will tease you about it though, telling you it’s the cutest thing she’s EVER seen.<3

↳ Fastest to figure it out, everyone else took at least a few weeks.

Gus Porter

↳ Depending on the timeline, and wether you’re a witch, human or some other specie, also impacts how you got your nickname.

↳ Gus learns your name when you and him get put in detention.

↳ Principal Bump has caught you, Luz and Gus sneaking around Hexside, and throws you 3 + Matt into detention.

↳ Detention shrieks your names, before attempting to catch you and lock you in its pods.

↳ Gus is to terrified to question it about right then and there, but he does after Luz is accepted into Hexside.

↳ “Detention called you Y/N. How come?”

↳ “It’s my name??”

↳ *insert little dorky smirk*

↳ Gus just nods, also smiling.

↳ “Both your name and nickname are cool.”

↳ He gives you a fist bump, partly cause your names are awesome, mostly cause surviving detention is not only difficult but equally terrifying and it’s respectable you got out with him and Luz.

↳ Rip Matt.

Hooty

↳ He gives you a nickname within a nickname.

↳ And then forgets your nickname.

↳ But it’s okay cause we love him all the same!

↳ Hooty is always shocked when Luz or Eda call you by your nickname, cause that’s not your name!

↳ Was even more shocked when he learned your name was actually Y/n.

↳ “But I call you H/n (Hooty’s Nickname), and everyone else calls you N/n! How are neither your real name!?”

↳ Ensues him beating the coven scouts harder the next time they try to arrest Eda.

↳ Hooty forgets your name again btw.

↳ Just let him think H/n is your name to avoid maximum chaos.

Hunter Noceda

↳ He meets you during the hunting Palismen episode. You and Luz had been sitting in the little house the bat queen had for the babies so she could have a Palismen.

↳ You had gotten your Palismen the day before along with the rest of your class and Luz gave you several nicknames, trying to figure out which ones would suit you and your baby best.

↳ It took her 20 minutes I shall add.

↳ Anyway- when Hunter came to take the Palismen back to Belos, he heard Luz use your nickname, and just assumed it was your real name.

↳ This dork however, didn’t bother using your ‘name’ and instead called you ‘wild witch’. Any witch associated with the human is known as a wild witch.

↳ Basically up until you’re all in the human realm, Hunter only knows you as N/n, and doesn’t really question you about whatsoever.

↳ Then Luz introduces all of you to Vee and Camila, where she uses your real name.

↳ “And this is Y/n, but we all call them N/n cause it matches their Palismen.”

↳ Hunter just stands there, processing the information.

↳This boy is so clueless, that he asks you about, wanting you to confirm it.

↳ “N/n isn’t your real name like Luz said, right?”

↳ “Yeah, it’s actually Y/n, Luz is the one who gave me the nickname.”

↳ “Oh.”

↳ And then he continues on with his day.

↳ Will use either your nickname or real name, it’s just whatever comes to mind when he talks to you.

King

↳ Met you through Luz, as one of her first friends:D

↳ He just called you a puny mortal. At first at least.

↳ He slowly shifted into calling you N/n, as he got closer to you.

↳ King knew that your name was odd, but he didn’t question it. Mainly cause last time he questioned something, Tinella Nosa appeared.

↳ And with Eda giving you nicknames, as well as Luz, it just confuses him a tad bit more.

↳ King wants to ask you, just to stop being confused.

↳ But he’s shy, and ask Luz for help.

↳ “Conejito, what was the inspiration behind N/n?”

↳ king is just sitting on her shoulder.

↳ “P/n. When I first got them, my dad just started calling me N/n. I guess everyone caught on cause no one calls me Y/n anymore.”

↳ King: 😲

↳ King just stares into your soul. He didn’t actually think N/n wasn’t you’re real name, just thought it was an odd name.

↳ For a little after this, he’ll switch between your names, sounding very unsure whenever he says it, u til it just becomes natural again.

Luz Noceda

↳ Eda definitely gave you the nickname.

↳ Eda’s probs given you near to a few 100 by now.

↳ So Luz knew you as N/n.

↳ Because that’s how Eda introduced you to Luz.

↳ Luz found out what your real name was when Gus used it to greet you back in “I Was a Teenage Abomination.”

↳ “Wait, is N/n just another one of Eda’s nicknames?!? 😱

↳ You: 😊

↳ You just smile innocently at her, like Dustin Henderson when he was 12-

↳ Luz just questions life. Forever. Will give you her own nickname.

Matt Tholomule

↳ He got so annoyed when he found out. Like how dare you >:(

↳ Only he was supposed to lie about his name.

↳ “Neither of us lied though? You have everyone call you by your full name and I just had a nickname related to my Palismen.”

↳ But he don’t listen to reason. He a petty bitch-

↳ Matt found out via Steve.

↳ Let’s set the scene.

↳ You and Matt, hanging out, and it just so happens to be Steve’s off day.

↳ He walks past Matt’s room as the two of you are arguing over what a humans favourite food is.

↳ He thinks it’s normal for humans to eat actual eggs. As in the shells.

↳ You’re probably friends with Luz, which means it’s more than likely come up in conversation when you’ve offered her food.

↳ “Ohhhh, you’re Shiba’s nibling, Y/n, right?”

↳ “Huh? That’s not her name Dumbass! Now get out!”

↳ “I’m not in your room though, I’m standing outside it.” 😌😌

↳ Which lead to a conversation about you lying to him.

↳ As if HE didn’t lie either.

↳ “Matt, shut up, and stop telling people your first name is Mattholomule, you sound dumb.”

↳ “Hypocrite.”



The Collector

↳ He never asked your name. Just called you play date, or best friend.

↳ Doesn’t even fathom the idea of you having your own name besides the one he gave you.

↳ Until King accidentally used your birth name.

↳ King knew you from adventures he had with Luz, seeing as you were his friend too.

↳ You just got unlucky, and got very stuck in the demon realm.

↳ Yes, you’re forced to call her ‘mom Odalia’-

↳ And when Collector found out, he was so confused.

↳ Like ??? What do you mean the name I gave you isn’t your real name?? You’re so mean! :(

↳ How dare you! >:(

Vee Noceda

↳ She figured it out on her own. (Cause she smart🤓)

↳ When she first met you, she also met your Palismen.

↳ “You and your Palismen match really well!”

↳ Yes, that is how she starts the conversation, give out baby a break >:(

↳ Vee is smiling at you, rubbing her hands and is swinging back and forth on her feet.

↳ “Uh, yeah! P/n really cool! They can do this thing! It’s-“

↳ And your dorkly explain every cool thing your Palismen can do!

↳ “That’s epic! It’s also really cool you’re nickname matches them!”

↳ God bless you a-dork-able nerds!

Willow Park

↳ Willow suspected NOTHIN’.

↳ Just thought it was a coincidence or that your Palismen was passed down to you! This depends on the timeline.

↳ For a very long time, she knew you as N/n.

↳ But when you, her, Gus and Luz get called to principal Bumps office, that changed quickly.

↳ “Y/N, I taught your parents, I know they wouldn’t approve of this behaviour.”

↳ You may or may not have set fire to one of the school rooms…

↳ Y/n?? Huh?

↳ Since the 4 of you were being lectured, Willow made sure to ask you later.

↳ “Uh N/n, do you have another name? Cause I’m principal Bumps office he called you… something else.”

↳ She forget what Principal Bump addressed you as, but that was fine!

↳ “Oh! Yeah, my legal name is Y/n. Boscha started calling me N/n in a teasing way but others thought it was meant to be affectionately and also started calling me that. It’s a cute nickname so I don’t mind.”

↳ “Oh… are you comfortable with me calling you N/n?”

↳ My sweet baby!

↳

[hostilemuppet]

my attempt at redesigning satin & chenille! now, i dont think their original designs were as bad as CREEKS, they just... werent particularly fashionable, is the main thing, which is awful bc their whole thing is fashion! this could have been solved just by giving them new outfits but... wheres the fun in that? more in depth rambling under the cut (it gets long, be warned)

when redesigning the twins, i actually went largely off of this concept art i showed before

i loved how much better it conveyed them being into fashion by giving them a tonne of accessories, and i think them being japanese instead of swedish makes more a lot sense thematically; when thinking about fashion, you tend to picture harajuku before you picture sweden. um. sorry, swedes. im sure youre very snappy dressers!

i kept something similar to their final colour scheme, since pink and blue has a better contrast than magenta and red. while keeping the rainbow accessories might have looked nice, i do like how final s&c have a very neat palette of pink/blue/purple + yellow accents. nice and clean and simple and effective. theyre very colour coordinated. i swapped the skin and hair shades, honestly it was mostly because i knew i wanted their little cheek stamps (which replaced their glitter freckles, so that could be a trait specific to poppy and creek) to be yellow/gold and it looked a lot better on the deeper colours than the pastel. and im glad i did, bc now their hair looks like marshmallow twists! so cute

for their clothes, i kept chenille wearing a kimono (although obviously a much different one, opting for pastel pink and lace instead of highlighter yellow and thin ribbons) and gave her satins leg warmers , while satin has chenilles anklets. for satin, i knew her not wearing a skirt or dress was mandatory; she just looks way better in shorts and trousers while chenille wears skirts. her exact style was VERY SLIGHTLY based on fairy kei, but with how simplified it had to be to fit on a chibi troll body, that isnt particularly obvious. still, i think its sufficiently cutesy enough to contrast chenilles more put together style, which fits since how satin... isnt the brightest, and chenille doesnt tolerate any nonsense (unless it is her own nonsense, of course)

this is unrelated to the design itself, but since they are no longer swedes and are now japanese, for obvious reasons they would not be voiced by icona pop. im not into the jpop scene but im sure theres a popular jpop girl duo out there! or maybe two specific members of a larger group. you 🫵 the audience can decide!

[hello-vampire-kitty]

Servamp online kuji: how to get the merchandise

There are new Servamp merchandise that can be obtained through online kuji (lottery)

(h)ttps://kujibikido.com/lp/servamp/?utm_source=twitter&utm_medium=social&utm_campaign=twi

Tumblr has a problem with links, remove the () from the adress to go on the kuji website.

I'll try to provide some help if you would like to obtain them, based on my experience ordering stuff from Japan.

To start off, the kuji will start on December 1st and will last until December 29th (Japan time).

One draw costs 770 yen.

Estimated shipping time: Ships around early March to early April 2024

Alright, so how kuji works is that you have categories, this one having from A-D and another one called S. Each category has different merchandise and you cannot choose the item you want, so if you wanted an item with a specific character within the category and you don't get it on the first draw, you'll have to try again until you get it.

From what I have seen on the official website, if you only get the S category, you can select between these two framed artworks.

Category A- Acrylic stands

Category B- Half tapestries

Category C- Acrylic charms

Category D- Can badges

Okay, so like I mentioned, it's been a while since I bought things from Japan and only once did I get stuff from kuji.

If you never bought from Japan before, you're gonna have to look into a proxy or forwarding service. They're middlemen basically that will ship items where you live because most shops in Japan do not have international shipping.

A proxy service is where you will have everything handled by the service, from buying until shipping your items.

This method is for those who are not confident to handle part of the processes themselves because they don't understand Japanese.

Proxy might also be the only option if for some reason, you want to order stuff within Japan to be delivered to the middleman's warehouse, however your debit/credits cards might be rejected. (not many online stores offer Paypal or Google Pay. Animate Japan has Paypal, I got Servamp merchandise from there).

So if you try various cards and none of them will work, then you have to use proxy service because some shops might reject foreign cards.

If there are stuff that you want from online stores that sell second-hand items (such as Mercari) or you want something from auctions, you have to use proxy because you need someone in Japan to discuss with the sellers.

You need to look into services and see which ones will be best for you, based on their handling fees and what things they can do on your behalf, like the stuff like I mentioned above.

So, I summarized the proxy service and there's another one called forwarding service that I mainly used in order to reduce costs, because shipping isn't cheap...

The main difference about forwarding service is that you handle the buying part. You make the necessary accounts on the websites where the merchandise is sold, maybe even have to reply to messages...

If choose this option, when you create accounts on websites, you have to use the shipping adress provided by the forwarding service.

Once you set up the accounts and succeed in making purchases, the items will be delivered to the warehouse in Japan, to the middle-man.

So, this is the option if you want to save a bit of money. You can't do auctions or buy from second-hand shops because they are bit more complicated and you would need the help of someone living in Japan.

I hope this helps! You gotta look into these services and see their offers. Wish you good luck if you will try getting the merchandise!

[the-unaligned]

Bravern episode 8 spoilers

EP 8 Analysis

This is going to be super incoherent and is mostly just going to be me rambling but idc, I need to post this somewhere so it’s not ruminating in my head until I assault some random human with word vomit

So this is mostly going to be focus on episode 8 but I will touch back on previous episodes for references.

Anyways Episode 8 basically just confirmed the “Bravern is Smith” theory and I am so hype

What is the “Bravern is Smith” theory?

So the Bravern is Smith theory is a theory that.. well.. Bravern and Lewis Smith are the same person.

I’m not sure who started it but (I think) it started when the opening showed for the first time and we got to the scene of Smith’s arm becoming Bravern’s. From there it spiraled, more and more evidence pointing towards it, such as: Bravern knowing A LOT about Smith, Bravern making a lot of human pop culture references and speaking English interchangeably with Japanese (Smith does this too), Bravern being a super robot (Smith is a massive Super robot nerd) and a ton of other things

Episode 8:

Now we get into why I’m finally making a post about this, I’ve been following along with this theory since episode 2 and have been taking my notes on it but I never bothered posting about it anywhere

Why now?

Because episode 8 might’ve just confirmed it.

Let’s start with the opening:

So this right here is the catalyst that started this all, Smith’s arm turning into Bravern’s. Now, we knew all that, but the one thing we never knew until now was “who tf is glowy bitch”

Well,

I think is Knuth

“But why her? She looks nothing like the silhouette”

Look here, she has plates of armor that highly resemble two pairs of wings. Who else has two pairs of wings? The silhouette. Same placement and everything. I think the silhouette is meant to be vague, as to not tip the viewer off right away that the silhouette is a deathdrive.

We’ll come back to this later, I need to talk about Bravern’s lines during this episode.

I’m not entirely sure how to explain it but this line will be important later, for now it’s just more Super Robot inspirational speech

Right here is the important line, the title of the episode (which is what tipped me and a lot of other people off to Smith dying) and the last thing Bravern says to him. Now normally when entering a battlefield, you’d tell your comrade “Good luck”, “Until we meet again” makes it seem like someone will die, this is a line usually used when you’re not sure when you’ll see someone again. Bravern used this because he knew what was going to happen to Smith, and either he can’t stop it, or he doesn’t want to.

Bravern knows because he has gone through this before, as Smith.

That is likely why he told Smith to “save as many people as he can”, likely because when he went through this, a lot of people died

(This ties into my own branch of the theory where Bravern has already gone through all of this before and went back in time to change the outcome)

Now during the fight, Bravern isn’t really focused, he’s taking hits he’d normally be able to dodge and isn’t really rushing like he usually does. I think it’s because he’s trying to stall, trying to keep Isami away from Knuth and Smith so their fight can happen, either that or he’s distracted due to knowing what’s happening not that far away (or it could be both)

Before we get to this next part I wanna point out a quote I noticed during the episode from Knuth. I can’t find it just by scrolling and I’d rewatch the full episode to find it but Tumblr is lagging like hell and burning through my battery so I can’t

At one point Knuth mentioned something about fusing with Smith, this might mean that Knuth’s body ends up being the base for Bravern, but im still not 100% sure about that, just thought I’d add that. If she is the base and Bravern did in fact go back in time, this would make sense as Knuth had mentioned that she had gone back in time a few times

Now we get to focus on the important part of the episode, Smith’s death. Let’s just start listing off things to pay attention to.

(I reached the photo limit oops)

- Smith is humming his own theme song as he charges Knuth, Bravern sings his own theme song and blasts it whenever he fights

- He straight up says “Brave Slash” as he strikes Knuth

-Smith talks DIRECTLY INTO ISAMI’S MIND and says the following quote: “Isami. Isami. Brave. Brave… Bang.” And we all know why that’s important, the title of the show is literally “Bang Brave Bang Bravern”

There are still some questions, like “how was Smith able to use telepathy?” “How exactly is Bravern created?” “Is Bravern truly a fusion between Smith and Knuth?”

I know this probably makes zero sense but I need to get this out somewhere

Thanks for coming to my TedTalk (holy shit it’s so laggy)

Edit: I forgot to mention it but the foreshadowing for Smith’s death was so obvious, legit in his introduction Isami legit goes “You’re dead, the dead don’t talk” so uhh called it lmao

[yuurei20]

Hiii!

I was wondering how the rooms were distributed in each dorm. I know that the housewardens have their individual room but i believe that in Hearstabyul Ace and Deuce share their room with other 2 students and in Octaville Jade and Floyd share a room, so i guess it's different in every dorm and i wondered how It was in other dorms and if there was any information abt the roomates.

I rlly like your posts, it's rlly cool learning more abt TW lore and characters.

Hello hello!! Thank you so much, you are too kind! ♡ And also thank you for this ask, it was so interesting to look into!

Some room situations have been confirmed via dialogue while others have not, there are various theories based upon the cross-referencing of dialogue, graphics and the novel, and something curious might be going on with EN-server's Octavinelle:

First-year living situations are referred to at least twice as being four-man rooms. As this information comes from Ace and Deuce it seems not uncommon for people to assume that this must be Heartslabyul's particular setup, but neither character ever specifies that this situation is unique to Heartslabyul: they say it is specific to first-year students.

And the rooming situation at NRC is described explicitly in the second novel:

"In each dorm 1st-year students are four to a room with 2nd-year students two to a room and, as a 3rd-year student, you finally get a room to yourself.

Housewardens are the one exception, with their own room regardless of year."

So it is possible that roommate arrangements are the same across all seven dorms. But! Many things have been changed in the novels from the original game (Leona's introduction, the prefect going to Pomefiore alone, etc), so it might be better to not use the novels as a reference for what is or isn't game-canon. This neither proves nor disproves the possibility of the game following the same roommate system, but it does give us something to go off of :>

Ace and Deuce were hinted at having the same bedroom in a vignette, and this was confirmed during Spectral Soiree when Ace says he can hear Deuce grinding his teeth in his sleep.

Comparing their bedrooms themselves, objects from Ace's bookshelf can be seen in Deuce's room.

Unlike the overlapping objects in the Ace/Deuce shared bedroom, there is no proof of Cater, Trey or Riddle sharing a room with anyone, which may support the "third years and housewardens have private rooms" theory.

Further support comes from Cater's comment that he and Trey only shared a room for their first two years at the school.

This might point to them sharing a room with two others in their first year, having a room alone together their second year, and now they are in private rooms.

There is an interesting situation at Savanaclaw where they have empty rooms in the dorm, but students are still rooming together rather than cleaning out a room to use for themselves.

It is possible that "first-years are four-to-a-room, second-years are two-to-a-room" is a rule at the school. Only some first- or second- years getting private rooms or fewer roommates wouldn't be fair to the others, so they have to share rooms even though there is space available.

Leona has a line about Ruggie sharing a room with at least one other person during Spectral Soiree, so Ruggie having a roommate is also confirmed.

(The Japanese language doesn't really have "the" or "a," and EN chose to write this line as "a guy in his room," as though there are multiple people besides Ruggie. It could technically be interpreted either way.)

Much like Ace and Deuce, illustrations show proof of other people living in Jack and Ruggie's rooms, while there is no such proof in Leona's.

There is also no visual proof of Azul sharing a room with anyone, while there is proof in Jade and Floyd's.

Based on visuals alone it seems there might be an argument for the twins sharing rooms with other people: the positioning of the chairs and a stack of books in Floyd's room do not seem to correlate with Jade's room. A stack of objects in Ace's room can clearly be seen in Deuce's room, so it seems like such details would be carried over if that's what we're supposed to think is going on.

But, unlike most other characters, it has been confirmed in dialogue that Floyd and Jade share a room on JP!

The Japanese language doesn't really use possessive pronouns in the same way that English does, as things like that are generally communicated via context.

Since English forces you to specify such information (which Aniplex USA might not actually know), they added "Jade's room" to Floyd's dialogue in his birthday vignette, despite how Floyd did not specify Jade having a separate room at all: he just says that Jade is always keeping an unspecified room clean. While he could technically be talking about Jade's room, he could also be talking about their shared room.

This is a kind of vague example and may not be particularly convincing either way, but there have been at least two more references in-game:

In Floyd's original, in-game dialogue, he says that he doesn't want to go back his room because he wants to be alone, but Jade will be coming home soon. The word "room" was changed on EN to "dorm," not once, but twice:

In another vignette he says that Jade smells so earthy all the time that it brings his mood down just to be in the dorm room. So I think I can understand someone playing EN and thinking that the twins might be in separate rooms with different roommates, but that does not seem to be the case!

Much like Riddle, Leona and Azul, there is no proof of roommates in the bedroom illustration for Kalim, but another student's rug, bookshelf and desk can be seen to the side of Jamil's despite how he is a vice-houswarden. This may be in support of the "two students per 2nd year bedroom, housewardens are the only exception" theory.

Neither Rook nor Vil have any proof of roommates in their bedroom designs, while what may be another student's closet can be seen to the side of Epel's.

There is no proof of a human roommate in Idia's bedroom (the blue stand off to the right is heavily hinted in Book 7 as being for Ortho), and he has a voice line about being miserable sharing a dorm room until becoming Housewarden.

Despite being counted as a first-year student (while he has technically been at the school as long as Idia), post-Book-6 Ortho's room also does not seem to have any proof of being a shared space, but it was confirmed in New Years 2024 that Ortho does have multiple roommates.

There is proof of roommates in both Sebek and Silver's room illustrations, with what are presumably other students' desks seen in both of them.

There is no proof of roommates in Lilia or Malleus' bedrooms, and we learn in Spectral Soiree that their two rooms are located next to one another:

[daeva-agas]

Casually lurking in Sailor Moon fandom and when I see posts mentioning the Shitennou's knightly titles, I think the translation are off. I don't know if those are just fansubs being wonky, or if even the official ones are not entirely correct...

I've also seen some posts say that "I don't understand what these means". The knightly titles are based on the image and properties associated with each gemstone in Japanese (so, if it has different meanings internationally, it's quite beside the point).

Jadeite: Knight of Resilience 忍耐 and Harmony 調和

忍耐 is often translated as "Patience" in fanworks. 忍耐 is better translated as "resilience", "perseverance", or "endurance". Even when colloquially used to say "be patient", the connotation of it is more along the lines of "endure this". The Harmony one is correct.

"Resilience" is because jadeite jade is the harder jade. "Harmony" because of its traditional usage in spiritual matters, so jade in general has the image of "peacefulness".

Nephrite: Knight of Wisdom 知恵 and Peace 安らぎ

This one makes me kind of laugh because of what Nephrite is like as a character/person. I almost always see 知恵 translated as "Intelligence". It's not wrong per se, but this term here refers to something deeper than just brain smarts, thus "wisdom". Things like wisdom that come from age, or innate perceptiveness, and so on.

安らぎ is peace, as in "inner peace". Basically, "serenity", though it's probably not a good idea to use this word in Sailor Moon for obvious reasons.

Nephrite being the native jade of China, it has been given very sagely meaning to it that persist even in Japanese symbolism. That's why it's like this, for somewhat similar reasons to jadeite's "harmony".

Kunzite: Knight of Virtue 純潔 and Benevolence 慈愛

純潔 can also mean Purity or Chastity. 慈愛 is sometimes translated as Affection, which is also not entirely wrong. It's just that the standard meaning is benevolence or mercy. "Affection" tends to be used in the context of parents and children. In this context probably not the best meaning to use.

This gemstone is associated with the Holy Mother Mary, of all things, that's why it's got very saintly imagery associated with it.

Zoisite: Knight of Purification 浄化 and Healing 癒し

The most straightforward one so I've never seen any wonky translation with this one. Those who are into healing crystals might already know this, but this title is based on the healing and purification qualities that a blue zoisite/tanzanite supposedly have.