#which makes them more special to me ^.^

[choiraugur]

i can currently only listen to nine inch nails and kate bush which is funny and seems like a contradiction but the artistry and uniqueness and creativity both offer is so unmatched. peak to me

[notmoreflippingelves]

I keep getting so caught up in the euphoria of so many people getting to know and love Kay Faraday for the first time that for a moment I forget that I live in a fandom that will inevitably reduce her to a prop for narumitsu.

[extravagav]

AND WE JUST DONT TALK ABOUT THIS?!?!?!!????

[seaquestions]

blake lets him keep it. this is a dire lapse in judgement on his part but they're just gonna have to live with it. (ids in alts)

[t-u-i-t-c]

"You'll triumph someday, as long as you never yield. I'll take you on any time." "You never fail to piss me off, Geats."

[cluescorner]

I cannot imagine being a Damian stan right now. You've got both Zdarsky's bullshit (where he clearly doesn't give a shit about your boy) and The Boy Wonder (where Juni Ba clearly gives so many shits about your boy) coming out on the same day. The whiplash must be insane. I hope y'all get some nice warm soup for your efforts jfc

[krysmcscience]

I will be the first to admit I'm not the best at drawing animal or furry characters, but I wanted to get something scribbled down in my Non-Goof style, anyway. Plus, I've been enjoying the many reference pages folks were posting of their own designs for the Lamb and Narinder, so, uh. Here's mine, I guess! ¯\_(ツ)_/¯

do not comment on how long narinder's tail is or i swear to the lamb i will make it even longer next time >:]

[cali]

darkraiiiiii

[shokupanko]

First Fukase Friday of 2024! This one took 5hrs lol I wanna to be so extra (─‿─)

[miketownsends]

i simply do not think there is another catcher out there who is as good with their pitching staff as Cal is!

(put the full article link in the source bc Tumblr was being weird about the link)

[weirdmageddon]

sorry for liking davejade in 2023 btw its in a cool way though

[angelsdean]

tv shows NEED to have 22 episode seasons with filler eps that range from "good and fun!" to "ohhh my god ur wasting my time get back to the plot!!" and be kinda shitty and low budget but full of heart on a network hanging together by shoe-strings and duct tape, is the thing. and they need to air week-by-week over the course of like 6 months to build suspense and engaging, invested fandoms. kids these days with their netflix-8-episode-binge-in-a-day streaming shows don't Know

[qcomicsy]

One of my favorite peaces of spideypool will always be "Is Wade Wilson down bad for Spider-Man? Fuck Yeah "Can he stand him tho? Absolutely not.

[andiwriteordie]

i’m a mike defender until the very end because i love my boy so so much but nothing makes me angrier than when he calls el “eleven” 

[variousqueerthings]

VERY RAMBLY BUT I think rose and martha are like the inverse of one another in terms of narrative, in that they both meet a doctor who is deeply deeply hurt, but the doctor interacts with them about it so differently, because of where they're at with that hurt, and the doctor is like "hey, I'm suave and vulnerable beneath the surface, which is quite attractive, want to travel in space and time in my whimsical timeship?" and they both go "oh heck yes!" and then it's like splintered glass from that point on, like martha lives in a funhouse mirror of rose's story -- up until she makes it her own of course and she does call the doctor out on it relatively early on, although rose continues to have that haunting effect

so rose has this bubble created around her that is perfect and unchangeable almost, in which nothing bad can ever happen (except for all the times it does but huuush, we'll be together forever forrealsies don't look at that big ol hurricane hurtling our way), which then inevitably bursts, but is always there-as-memory, because rose becomes something of an impossible ideal to some extent

and martha isn't protected at all, and has all the badness spilling out on her because the doctor is unable to contain any of it (and maybe is relieved to finally give up on being strong), and subsequently all of the promise of wonder has an air of sourness to it, and the doctor will always feel incredibly guilty about how it all ended

but crucially there's a lot they have in common, that is quite different to, say, donna (who is woven in in her own, interesting, way) -- they both become attracted to this powerful, interesting, and suuuper traumatised being, they're both taken along on a journey of promised wonders, they're both incredibly reliable to the point that the narrative is retroactively fitted around how much the doctor's belief-systems revolve around belief in their companions, with many others from the past given their dues (starting with sarah-jane), and they both do see wonders beyond their comprehension (and so does donna, but again, there's something a bit different there to poke at in another post...),

except where for rose this wonder helps her break out of the path that was set down for her and become who she always had the potential to be in a way that is mostly framed as a positive (although with some -- I think -- under-analysed caveats...) and she will be forever thankful for the doctor arriving in her life, martha's is more like an awe that the universe is so hostile and so lonely and so heartbreaking, and so she needs to become more resilient and more ready to make choices that are terrible (from travelling the broken world for a year to the osterhagen key....), and so there's another story about someone who becomes strong and tough (just like rose) but it's because the doctor wasn't really able to be there for her, and while I don't think the show (from memory) ever has her totally regretting the doctor dropping into her life, there for sure is some solemnity to how her story ends, a bit of a dampener in comparison (even tbh in comparison to donna, who yeah, gets her memory taken, but is suggested -- now confirmed perhaps? -- to get more of her life in order/feel more self-confident, also partially because of that subliminal influence of her time with the doctor)

and this isn't to say that it's all-bad for martha! her working for UNIT and Torchwood has a lot of very interesting facets to it, and she is fulfilling her potential to be this impressive, capable person, but the ways all of this was built up to is so heartrending

rose coming in and "saving" the doctor, except it was a bit of a lie, because the second she wasn't there they crashed even harder than before, and martha coming in with the idea that she could save the doctor and walking away when realising what it was doing to her life, and both rose and martha irrevocably changed to the point that the person pre-doctor is barely recognisable in them anymore, both take on the doctor's self-sacrificial traits...

and also the idea that rose gets the fantasy, but it's the fantasy a-bit-to-the-left (funhouse again) because there's always something a bit disconcerting about the lengths the doctor goes to to maintain the bubble, to the point of offering up the alternate-him/tentoo so that she can still have it, even though the actual physical doctor that shared it with her isn't actually there! and martha gets the glimpse of the fantasy, and then has to come to terms with the fact that she's not the person it's "for" and reassess her relationship to the idea of a fantasy in the first place (it helps that martha is an incredibly practical, pragmatic person, but it's still so... ouch)

I don't think it was intentional, but this also fascinating from the perspective of rose as a white woman and martha as a black woman -- who is the fantasy for, to the extent that strange and universe-breaking events go into maintaining it, and who has to be practical and pragmatic and self-reliant?

and also, it's got more tragedy in both cases -- rose as a spectre/haunter of the narrative is always a little bit intangible when she's looked back on (even though in the story she's in she's incredibly real and well-rounded, every time I go back to s1 I am struck by how grounded she is in reality), and I think that's something interesting in terms of her mother's warning in s2, how if she travels with the doctor "forever" she'll become something else, something not her

and martha's mother warns her as well, although she's not completely sure of what, and in contrast to rose this warning comes into very painful fruition, harming her entire family (except, maybe her brother? I wonder if there's anything written about that), but where rose is so omnipresent, martha tries several times to take herself out

(also something about both of their mothers being their anchor-points)

there's something there that's at the centre of both rose's and martha's arcs:

is the change they're going through because of the doctor... good? good for them? good for their families? good as in they're becoming better people than before? good for the world they inhabit? is it good for the person they used to be? did they become better than that person? can they ever truly deal with or even begin to comprehend how these events made them who they are? can they even connect who they are now to who they were then? was this good?

they both become these larger-than-life people, somewhat without noticing on both parts (but the narrative does notice), one of them a ghost, and the other a soldier -- one of them an increasingly intangible, ever-present idea, and the other someone who has to fight every step of the way

it's just a bunch of things I've had going through my head that I can't quite formulate in coherent essay-like sentences, but for sure it's there

opposite sides of the coin, rose tyler and martha jones

I do wish they'd had space in the story for them to talk

[toxooz]

I know the answer might be no but still!

Are you ever going to make or add your characters into character ai?

I think it'll be really cool to be able to talk to Ollie, or just talk to the whole gang!!

Also lots of love to your art and comic, I found this comic when I was at my lowest and it really helped me out when I was really sad in depressed! Thank you for making this comic and for doing all of this amazing work that you have put in to your characters and storyline!!!

look 🙏 i do see the possible appeal in that i aint gunna lie one bit and as the creator of these characters the idea of being able to seemingly talk to them sounds pretty cool! BUT i simply cant jump on the AI train to Any extent it just wouldn't sit right with me. I feel like it would unnerve me after a while plus the idea of my OCs being 'off' or having out of character dialogue that's out of my control kinda gives me the willies. It seems like one of those things that are simply too good to be true in a practical sense so any possibility of it happening just goes into uncanny valley like do i wish i could take my ocs out of my brain and talk to them HELL yes ( if i dont get killed first) but that should be an impossible thing to do unless im dreaming or hallucinating or some shit. It's like the AI images ie. i Could just type in a bunch of prompts and shit out like 30000 images of my ocs so that i could look at them but where would the yearning be after that??? The loving sculpting of them in my brain while im trying to capture their essence with my hands into a drawing??? One of the main reasons for my ocs to exist is so that its something for my brain to toy around with and wallow in like a cat in catnip, so the idea of being able to just 'lay everything out' so easily just ruins the whole ' i have mysterious little dudes in my head that i mold around everyday to try and figure them out' aspect if that makes any sense??? PLUS im pretty sure the chat ai basically takes paragraphs from writers so for me to be so abhorrently against ai images yet being on board with chat ai when its ~surprise~ stealing from real writers feels like the most hypocritical ass shit i could do sO long old head 'robots evil' rant short: its a no from me dawg

BUT THAT ASIDE im glad to hear u like wheel bitten!! That means so much to hear and may your life continue to improve and thrive!✨🌟