#which makes me sad because I really liked this animated series

[doortotomorrow]

alexandra trese · s. one, ep. one 

[priniya]

ᯓᡣ𐭩 PUPPY LOVER GIRL! ᡣ𐭩ᯓ

summary. upon coming to the race with your little girl, oscar and you are facing a challenging situation as your daughter gets completely enamoured with every dog she sees.

notes. oscar piastri x leclerc!wife!reader. first osc fic!!! (the obsession is getting out of hand). also pls let me know if you’d like to read something else with dad!oscar. also got inspired by @eccentricwritingbaby’s series with dad!lando!!!! didn’t proofread (idc)

dressed in an orange shirt with her dad’s number on the back, little chloe was an absolute ray of sunshine, whenever you took her to the race, which, honestly, wasn’t such a common occurrence as some people expected. your little girl loved coming to the race, mostly because it was a chance for her to meet all her favorite uncles in one place, while watching the cars drive really fast, which always made her giggle a little, especially once she started to recognize oscar’s car amongst others. despite her obvious love for the event, she was still a toddler and dragging her every other week to the airport to go to another country was something you and oscar decided to push further in time.

nevertheless, you could deny your husband the happiness of his little girl’s presence at his home race. as much as you hated the thought of such a long flight with a toddler, because the nice to melbourne flight was never a short one without any layovers, and you really tried to stick to at least some of chloe’s day schedule. but in the end it was the pure happiness in your husband’s eyes, when you spent two weeks in his home country before a race.

with said mclaren shirt with piastri written on her back, chloe was happily skipping, holding oscar’s hand as she looked around her, until a small gasp slipped her lips, freezing in her tracks, causing you to stop as well, your forehead creasing with confusion until your eyes followed hers. a puppy — simba, to be precise.

at first you thought she was scared, when her eyes widened in shock and, as you wrongfully assumed, fear, but she was quick to reveal her true feelings. a shy smile crept onto her face as she looked at oscar, who crouched to be on the same level as her. “daddy. i pet puppy, please?” her baby voice often made you and oscar’s mom jokingly call her oscar whisperer, because if you weren’t there to keep him in check, baby piastri would get every single thing she looked at. “let’s ask auntie kika first, okay?” oscar’s face lit up with a warm smile as he gently fixed his daughter’s piggytails.

back in monaco, you had a few situations, where you could learn your daughter how to behave around animals and she was picking it up pretty quickly. as horribly as it sounds, leo, your brother’s dog, was… a bit of a guinea pig, but since chloe was a literal little angel, who was afraid of making anyone sad (hence you had to put a ban on buying plushies as gifts, because she wanted every single one to sleep with her to the point where there was no more room on the bed for her), so there were never any fur or tail pulling, screaming into poor dog’s ear or anything that could cause any harm to leo and in consequence, to chloe.

a happy grin was plastered on her face, when kika and pierre walked up to them first, the girl quickly started gushing about the adorableness of her favorite papaya girl. “i pet puppy, please? ‘tie kika?” the three years old asked, holding her hands behind her back. “i gentle.” she adds, pointing at herself as if kika wasn’t completely drowning in the cuteness of the situation.

“of course, pumpkin. simba really missed you.” she chuckles softly, the two of you watching as chloe starts petting the small dog with delicacy, babbling something slightly incoherent to simba, who tried licking her fingers as she giggled. “you should get her a dog.” your friend laughed softly, nudging you with her elbow.

“we’re thinking about it, but i don’t think it’s gonna happen in near future.” you replied, a small smile tugging on your lips as chloe was completely infatuated with simba. “she’s still a lot of work, and you know how it is during the season, it’d be even more exhausting than it is now.”

few minutes later, after a quick chat with kika as you were walking down the paddock, catching up with oscar, who had to take a quick call. before you know it, your daughter squeales happily as she lets go of your hand, starting to run away, before oscar scoops her up in his arms. “hey, you can’t do that, squish.” oscar said gently. “you almost gave us a heart attack. if you wanna go somewhere, you have to tell us, okay?”

“suis désolée, daddy.” chloe replied a bit sadly as she pulled out her bottom lip. “but…” she scrunched her nose, unable to form a proper sentence in one language. “c’est uncle charles.” i’m sorry/it is.

“you still gotta tell me or mommy first.” oscar reminded her firmly, her sad pout breaking his heart a little, so… to change that, he smothered her face in small, quick kisses, making the toddler squirm in his arms, giggling cutely. “okay, c’mon, let’s say hi to uncle charles.”

as soon as baby piastri’s feet touched the ground, she ran for her life towards charles, the red pins in her hair being a small symbol of support for one of her favorite uncles. she was about to take a leap and jump into the driver’s arms, when she abruptly stopped mid-way, her mouth forming into a big ‘O’, girl’s attention has shifted from one beloved uncle to another as the youngest leclerc brother appeared in the line of her vision.

“uncle a’tty!” chloe squeaked even louder than before, happiness overflowing her adorable expression. arthur chuckled, taking a few long strides towards the three years old, before picking her up and doing a small spin, his niece erupting into a fit of giggles.

“my uncle a’tty.” she beamed, her arms wrapped around his neck, nuzzling her cheek against his. you could tell that your older brother’s heart just melted upon hearing chloe’s words, while your other older brother felt like he got stabbed with a knife.

“not a hi to your other best uncle?” charles asked in almost a desperate tone to get some attention from his favorite (and only) niece. oscar, you and alex just rolled your eyes playfully at his antics. a flicker of hope spread on his face as your daughter perked up slightly and let out a gasp.

“uncle lan?”

“oh, c’mon, squish.” your brother sighed, running a hand through his hair. a silly smile appeared on chloe’s face as she made grabby hands towards charles, who got over his exasperation pretty quickly. “play with leo, please?” she asks with big eyes and before you knew it, chloe was happily babbling to the mini dachshund.

although, the biggest fun she always had was with roscoe. mostly, because whenever she was around him, he was the chillest dog on the planet earth. she loved leo and simba, but they were still puppies with lots of energy and as much it would seem like chloe would love that, but when it came to doggies, she loved to just sit next to them and pet them endlessly.

that’s what she loved, whenever oscar and you took her to a race, that sometimes, beside being a bubbly little girl, cheering for her favorite person in the world along her second favorite person in the world, she could spend the time cheering and spending time with her favorite animals, while also being blissfully unaware of the tormenting of her mom’s brother.

[bogleech]

MY DRAGON QUEST MONSTERS THREAD

Dragon Quest Monsters: The Dark Prince is the first DQM game I've ever gotten to play after admiring the series since childhood. The bad news is that it leaves out exactly the three DQ monsters I love most. The good news is that everything else about it is great. I've been taking regular screenshots as I play and I am going to start adding things about it to this post, so it is going to get long. First of all here are exactly my next three favorite monsters in the franchise, which they fortunately did include, and were all available to me by almost the first area:

"Mad Mollusk" or in other dq games "taileater" is great because it has a sad flabby slug face at one end and a fanged leech mouth at the other end. When it uses magic, it reveals giant eyeballs in its antennae somehow?! Love how big the "carnivorous" mouth gets in the attack animation. What a stretchy guy!

"Lunatick" is just called "meda" (eye) in Japanese, I'm glad they decided it was like a parasite thing in the localization.

Finally there's DROHL, a classic DQ enemy that looks like...well I'm not gonna say what it really looks like but I think it's a cool little freak unrelated to that and I think it talks exactly like Droopy dog. Oddly it's known as a "Drohl DRONE," and I believe there are other "castes" in other DQ games, but only the "drones" are in this one sadly. I've yet to find this in the wild; I got it through the breeding system!

....Which is by far the most addicting thing about this game. The actual gameplay is good solid turn based RPG stuff, if a bit basic, but every monster can be bred with another monster to unlock a slew of other species. This is one of the first games in which they actually call it a "fusion" system now, I guess dropping the word "breed" from the English localization, but all other in-game dialog still calls these the 'parents' and 'offspring' and even makes jokes that they're getting married, so yeah, it's still breeding. What happens when you breed a slime with someone's dead grandpa??

.....There are multiple monsters you can get from that, but one of them, and the one that makes the most sense, is Slimeshroom! This is a new DQ slime that's some fungus! What's also fun is that every monster has up to three skills, and each skill actually unlocks a ton of spells, attacks, boosts and effects as you spend skill points on them. Then when you breed two monsters, you can give the baby any three skills from the parents. Any at all! I used this to make my Slimeshroom both a healer and a fire mage in the early game. This catches you up with the same progress I talked about when I first got the game almost two months ago so here's some things that have happened since:

I bred a flying cat and a vampire chinchilla to get a.....sexy bat??

I helped a fat rat - that's the name of his species - rescue his son

I bred a people ghost with a lamp ghost to get a bag of dirt!

I fought this bastard giraffe man who called an elderly wizard a "naughty boy" and put him in candy jail.

"Duffer" from the Giraffe quest is also best friends with Eileen the eye demon, and when you rescue him, they become your loyal subjects! BAD NEWS: this entire game is actually a prequel to Dragon Quest 4, and the player character of this game is the villain of Dragon Quest 4. Duffer and Eileen are also in Dragon Quest 4. They die :( .......Maybe this game gives you a chance to fix that future??? I don't know.

[nyancreeperpony]

This might just be me, but I am starting to notice a serious trend of independent animation being critisized simply for being self indulgent.

It happened with Hazbin Hotel in 2019 and it's currently happening to The Amazing Digital Circus now, which is which very sad to see. It's not enough to be pattern but it's definetly enough to be noticeable.

A lot of people who don't delve to much into creative mediums seem to forget that art: ALL ART, is a self indulgent medium. The target audience, when creating a project, is yourself. If other people like it and want to see more, than cool. But at the end of the day, you (or in this case, Gooseworx and Vivziepop) are the target auidence for their/your projects.

"All the characters in Hazbin Hotel reek of Tumblr and teenage edge" Vivzie designed all the characters when she was in Highschool and wanted to reuse them for her series. Of course they have 2010s Deviantart vibes, she grew up a 2010s deviantart kid and wanted to keep that vibe.

"Jax is total Tumblr Sexyman Bait and everything is too colorful and bouncy and annoying!" Gooseworx said themself that they like Jax's character archetype which is why they wanted to include him. Also have you SEEN Goose's other work? Bouncy and colorful are their thing.

There are plenty of things to critisize about HH (And it's spinoff HB) and TADC. Even as a fan of these works, I have my issues with them, some even as a result of this self indulgence, but disliking them so vehemently simply BECAUSE they are self indulgent really discourages people from making art, especially in fields such as animation.

TLDR: If you want to see more independent animation and art being made, you have to let people get a little self indulgent. You might not like it, but at the end of the day, it isn't made for you. And that's ok.

[maychorian]

Found Family Anime Recs

I recently reblogged a list of found family anime recs and was a bit surprised by how many reblogs and likes it got. I had really reblogged it just so I can find it later to watch the shows I hadn't already seen on the list, but apparently I have a lot of followers who are interested in this topic! Well, I've watched a lot of anime, so here are ten found family anime shows that I absolutely love. These are in no particular order.

Buddy Daddies

This show is similar enough to Spy X Family that you might be tempted to call it a rip-off. It's really quite different though. There's a lot less comedy (though there's still SOME comedy) and a lot more healing from past trauma. The animation is gorgeous, and the relationships really tug at my heart. It's more realistic than Spy X Family, in some ways, though it's still pretty ridiculous. The melodrama in the last couple of episodes did annoy me a bit, but it's still a very satisfying show. It's like a fanfiction I would write, which is really the highest recommendation I can give, haha, because that means it's exactly the kind of story I would like. 

2. Samurai Champloo

This show was made by much of the same team that created Cowboy Bebop, but for some reason it never got the same cult status, which is really too bad. I love Cowboy Bebop, but I love Samurai Champloo more. It's about two ronin and a teenage girl traveling through Edo-era Japan to find someone the girl is looking for. Throughout the series, the three form a very strong bond, despite all of their communication difficulties and past traumas. I've rewatched this show probably more than any other anime. It's brutal at times, but so very satisfying.

3. Natsume Yuujin-cho

Natsume lost his parents as a young child and was passed around from relative to relative, most of whom couldn't deal with him because his ability to see yokai (Japanese folk spirits) made him a freak in their eyes. As the series starts, he's finally taken in by an older couple in a rural village who actually want him, and he's finally able to start forming connections with other people and find a support system with his new caretakers, his peers, and the yokai he tries to help. It's a very sweet, sad series, much more sentimental than the first two entries on this list, but a very soothing and lovely watch when you are in need of some relaxation. Warning, though, the flashbacks to Natsume's past families can be truly gutwrenching. He was not treated well for a very long time, and it's hard to stomach.

4. Barakamon

Handa is a calligrapher who gets essentially exiled to a remote island after causing problems on purpose. He has a hard time connecting with people and is struggling with his art. Over the course of the story, he forms relationships with his neighbors, especially an adorable child with possibly the best child voice-acting I've ever heard, and slowly rediscovers his joy in creation again. It's cute and funny and beautiful, and it makes me want to live on a remote Japanese island.

5. My Roommate Is a Cat

Subaru is a young novelist who recently lost his parents, who were pretty much his only connection to humanity. While trying to recover from this massive loss, he adopts a stray cat who quickly becomes the most important creature in his life. Through the cat, he begins to form relationships with other people, as well. The show is unique in that the first half of each episode is from the human's POV and the second half is from the cat's POV. It's a very lovely and soothing show. Pets are family, too!

6. Haikyuu

Haikyuu was the show that opened my eyes to the aspect of found family in sports anime. I know a lot of tumblr enjoys Haikyuu for the shipping, but to me it's more satisfying to view it through the lens of found family. Each team is essentially their own found family, in their own unique way, and the relationships are particularly realistic and well-depicted by this mangaka. I love Tanaka being a big brother to the first years, Kuroo and Kenma's mutual protectiveness and support, all of it. 

7. Kuroko no Basuke

This is the silly basketball show, and in my opinion it's not as good as Haikyuu, but I love the relationships here as well. Especially between Kuroko and Kagami, of course. Their mutual protectiveness is just chef's kiss. But the whole Seirin team is really great. I love them so much. The teamy goodness is what makes the silliness watchable for me.

8. One Piece

What is there to say about One Piece? This is, like, the ultimate found family show. All of the pirate crews with any kind of goodness at their core are found families, but especially the Strawhats. Luffy is just going around looking at people and declaring, "Okay, you're in my family (on my crew) now." If you've never watched One Piece before, I'm going to make an unorthodox recommendation and suggest you watch the live action Netflix adaption first. It does a really good job of capturing the feel and aesthetic and just pure loveliness of this story in a much more compact and approachable way than the anime. However, if you like it, I do recommend that you watch the anime from the beginning, because there is a lot of expansion on the themes there, and the characterization is slightly different. Usopp in particular kinda got shorted in the live action, so you'll understand him a lot more if you watch his introduction arc in the anime. But honestly both versions are great. I'm on my third rewatch of the live action version already, and I will watch and rewatch the anime until I die, probably. One of my favorite stories of all time.

9. The Weakest Tamer Began a Journey to Pick Up Trash

I found this one slightly annoying in how it was obviously carefully designed to tug at my heartstrings, but it's working, so I don't have much right to complain. It's about a little kid driven out of her home who gradually gathers a found family of both monsters she tames and adult adventurers and guardsmen who take one look at this lonely child and go, "Well, guess I have a baby now." The isekai element is very lowkey, in that she basically just has a voice in her head giving her advice, and I like that it's about fighting local corruption instead of a demon army or what have you. I want more shows like this and less shows like every other generic isekai, haha.

10. Dungeon Meshi

This show is blowing up tumblr right now, so you've probably already seen it a billion times, but I'm going to make one more appeal for you to watch/read this story. It is so, so so good. And in my opinion, it is much MUCH more about family, both born and found, than it is about shipping. I could write a whole essay about Marcille and Falin's relationship that has nothing to do with romance, as I could for any other two (or three or four) characters in the main party, plus those outside. There is a LOT going on. I've been playing RPGs and LARPs for twenty years, and one reason I love the hobby so much is for the joy of creating found families with my best friends in new and different worlds, over and over again. This is the first piece of fiction I've found that really captures that particular aspect of party-based fantasy stories, the relationships that form and grow, the tight-knit bonds that keep everyone moving forward despite the monsters you must face (and consume). 

[weirdmarioenemies]

Name: Buhu

Debut: Yo-Kai Watch

It is a Fine Fall Funky Friday! Buhu is a creature I feel is impressively autumnal-feeling, despite not quite having any of the conventional seasonal features. Everything about Buhu feels ALMOST Halloweeny, but that bit of distance makes it really unique! Even the name feels like that. You hear "bu" and think "EEK! Did someone say 'boo'? What a fright!", but then you hear "hu" and realize this is not a scary animal. This is a sad animal. Much like the legendary Squonk.

The first thing that comes to mind with Buhu is a gooseneck gourd! These feel like the main influence of the design. Maybe one person had the usual thought of "it looks like a funny bird", and another thought "we could make it like a jack-o'-lantern". Then those two people kissed, and decided to do both! Buhu's bird head is interestingly not goose-like, and you would expect it to be crow-based if anything, but the beak is pretty nondescript to me, possibly chicken-like.

And those eyes! Always seen in a sad crescent shape, which wouldn't be the right shape if her head was held high, but she NEVER holds it high. She's not proud of anything. That's who she is! A miserable and wretched creature who spreads nothing but frustration wherever she goes. Wow. Does she suck? Is she terrible? No! Be nice.

See? She's capable of delight. Love, even! This is her swooning after a wild goose winked at her. Here we can see that her spooky face body's eyes change based on her emotions, so it is indeed an entire functional face, as we were all hoping! A monster design should always make any "false" faces actually real to some extent, because it is always awesome. That's the difference between wearing a T-shirt with a face depicted on it, and being able to see out of your nipples and eat through your belly button. It's just more intriguing creature design!

Nearly three years ago when I posted about fellow beloved Yo-Kai Cadin, I alluded to the first Yo-Kai that confronts you in the game, and I'm sure a whole Zero of you have been waiting excitedly to find out who that Yo-Kai was. I certainly wasn't. I forget I even write a lot of my posts! But indeed, implied in that post all along was Buhu, and it's really so fitting, I think. Such an unlucky creature, not even getting mentioned by name in that post, and, in fact, entirely covered up by UI elements in the screenshot on that post. Without even trying, I ended up reinforcing the very nature of Buhu, at her expense. Sad! Or scary? Maybe Yo-Kai are real after all... and they want revenge for their game series being usurped by non-whimsical nonsense!

Or maybe I simply did not feel the need to go into detail about a creature who was not the focus of the post. But which do YOU really think is more realistic?

[skruttet]

What are your thoughts on s4? Personally I was actually kind of disappointed, a lot of the characters felt... off?? Not like themselves. Snufkin really didn't appear much and the Comet Episode was confusing and wasn't really all that Book-Accurate... And Snufkin got the 90s Movie treatment :(

Like there were definitely scenes and a few episodes I liked, but overall I feel weird about the season. And I'm curious what your thoughts are.

I will say that overall, I was disappointed.

To be fair to the series though, it arguably largely stems from my personal expectations and hopes? The two biggest disappointments for me were Joxter and Snufkin not meeting, and snufmin's relationship.

The Joxter stuff on the whole I adored, and really could never have dreamed of happening. Just seeing him - or any of the Oshun Oxtra crew, really! - interacting with the characters in "modern day" is great. And then he reunited with Mymble and it was so exciting, and then Little My started wondering about him and Snufkin, and then-! ...They didn't meet. Honestly baffles me why they'd give us so much fanservice but not include probably the main thing most fans would want to see with Joxter. Also interesting that they're afraid to even touch Snufkin's issues with family but they KEEP bringing up Little My's.

The snufmin thing surprised me because my expectations were LOW; during the wait I kept telling people not to get their hopes up, that snufmin would never be explicitly "canon", etc. And I still say they would never do anything explicit with them, however, I was expecting at least for the relationship to be on the same level as it was in season 3, but it seemed to take a step down unfortunately. I wanted more romantic subtext, more hints that something was up between them, and for about the first 4 episodes I thought Moomintroll and Snorkmaiden were finally just interacting as friends and I was hopeful, but unfortunately it was soon clear that they were still supposed to be romantically linked. To their credit, Moomintroll and Snufkin's relationship does maintain some of the development it grew throughout the series, and it funnily ends up presenting it almost as one-sided on Snufkin's side; he's now so much more openly affectionate and patient with Moomintroll, and their communication is a whole lot better, but the latter continues to pursue Snorkmaiden instead. I think Snufkin himself feels so mellowed out in this season, like he's no longer fighting against his own feelings or pulling away from others as much, which is nice to see (though I can see others complaining he's too out-of-character compared to his original counterpart, which is understandable, but I'm personally fine with the characters being "different versions" of themselves in adaptations).

Another disappointment for me was, like you mentioned, the Comet finale... it just wasn't as epic as I thought it'd be, and the stakes weren't high from the start, and after the journey was over the rest of the episode taking place in the valley was a bit dull and directionless. And inaccuracies from the book I expect by this point, but I'm personally not a fan of the ending change with them all just waiting outside to die but the Groke sacrificing herself but actually this is a family show so she's actually alive yaay 😂 Just a bit strange and not the send-off I was quite hoping for.

On the positive side, I LOVED Mamma and Pappa this season. Moominpappa kinda stole the show, and whilst the creators clearly favoured him in past seasons, in this one he finally lost that meanness he sometimes had in s1-3, so he was just a delight to watch.

The guest stars and characters were fabulous, which is a bittersweet thing as it makes it all the more sad that this is the final season and it's all we'll see of them.

The animation and music and sound and acting were all as wonderful as they always are. The crew did such a great job and it's a shame the story decisions dampened the experience for me.

[h-worksrambles]

Sonic X Shadow Generations fascinates me. Because it feels like something I shouldn’t be excited for. And yet I absolutely am.

Don’t get me wrong. I love Sonic Generations. It’s my third favourite game in the series and my favourite 3D Sonic game (with Sonic Adventure 2 in a close second). I’m very happy to see it getting a re release to expose it to new audiences, and playing it in 4K60fps on my PS5 is a very enticing. Likewise, I really like Shadow as a character and I’m excited to play as him again.

And yet, his new bonus campaign promises to basically be a bunch of nostalgic pandering for Shadow the Hedgehog, a game which I consider to be, simply put, crap. It was boring, dull, colourless and embarrassing trend chasing. And pretty much everything I hated about it is on display in this trailer.

We’ve got gritty, grey cityscapes, we’ve got the rather blah alien villain, Black Doom returning, we’ve got the looming return of the series’…bafflingly executed lore. In a word, Shadow was a pretty much everything I didn’t want Sonic to be shoved into a blender. I’ve given my thoughts on revisiting past excesses and failures for the sake of nostalgia. I wrote a whole thing about Final Fantasy VII Rebirth and my fears that it would go overboard pandering to the 2000s spin offs (which I dislike a for lot of the same reasons as a lot of Sonic stuff from the mid 2000s). A faux attempt at maturity that sacrifices Sonic’s camp and colour, and lacks the writing competency to make its tone shift work is pretty much my worst case scenario for the series. And now we’re invoking that for nostalgia? Again, I should hate this.

So if I dislike Shadow the Hedgehog so much. If it really is so emblematic of Sonic’s worst excesses that I want it to leave behind in the 2000s…then why am I so damn hyped for this? Why am I not feeling the same dread as whenever VII Remake implicitly threatens to bring back Genesis?

I think it’s because of the specific relationship Sonic has had with its past for the last decade. So much of the stuff from that time period is material that Sega has seemed actively scared to touch again. Sometimes with good reason. But I think that’s why some material from that time has gained such a strong nostalgic cult following, and why they’re held up as such bastions of missed potential. There’s never been anything quite like Shadow or 06 since they came out with how safe Sega has subsequently played things. And in many respects, that’s a good thing. But I can see how it build a sense of mystique around them. It was kind of sad to see 2010s Sonic so…scared of itself. Terrified to invoke its own history but not really committed to a new direction either. And this is pretty much the exact opposite of that hesitancy.

Basically, the reason I react to seeing Westopolis or Black Doom with ‘holy shit let’s go!!!’ rather than ‘why, god, why?’ is because I genuinely never thought I would see them again after this long. It’s just exciting to see Sonic Team throw caution to the wind and embrace all the parts of their franchise. Even the parts I personally dislike. Plus, Sonic Generations is kind of the perfect game in which to reimagine that stuff and make it..actually good this time. This was the game that made Crisis City of all things into a banger level. The game that took Silver, one of the most notorious boss fights in the series, and gave him a kickass encounter.

If they can fix that, they can do anything.

Plus, the fact that the trailers already show all these trippy stage effects and anime af boss fights and set pieces tells me we’re not just gonna be running through the same drab washed out burning cities that made Shadow 2005 so boring. Again, there’s evidently an effort being made to rehabilitate and reimagine this stuff, not just repeat all the same mistakes. And that’s exciting.

So yeah, Sonic X Shadow Generations has somehow managed to get me genuinely excited for all the parts of the series I typically balk at. And that’s pretty impressive.

That said, if I see Mephiles again, I’m leaving.

[tomahachi12]

OHHH I GOT HERE JUST IN TIME. i literally JUST came to check if youd posted anything new!

do you mind if i yoink the robo-miscarriage idea from you. with credit of course if i ever post anything public with it!! its just such a.... funs not the right word but interesting take on it that khan and nori may have had issues because the solver fucked with her so bad and her brain got scrambled.

ouchie wowchie, also. youve always been so so good at potraying emotions. i'm genuinely so over the moon you're making MD art. poor nori :( thank you so much for the khori food, there's so little content of them which makes me so sad!!!

I’m very sporadic with posting, and I think I remember you from my spinel-times, so I really appreciate you sticking around 💜

Just knowing that some people actually look forward to seeing my art, and my weird humor, helps with motivation and makes me want to keep creating more.

It’s a feeling I haven’t had in a while, ever since I stopped doing the spinel things.

Thank you for that 💜

—

I don’t mind at all if you use the idea

It adds more to the world-building, which is one of my favorite things to do.

I feel like it can happen with any of the drones when they try to activate a baby. It’s rare, but there’s still that chance. Nori (and Yeva) would be more susceptible to a failure because of their messed up code.

Another concept I was gonna explore, was the idea of twins.

How would twins work out in this universe?

We’ll just have to wait and see 👀

—

Fun fact (or maybe future AU idea hmmmmmmm?)

IF Nori and Khan were actually successful with their first few attempts, Uzi would of had an older brother and two older (twin) sisters.

Doll was Yeva’s first, but they couldn’t get any more to activate after. Doll would of had a (much) younger brother.

—

Thank you~

Emotions are a very important, yet extremely difficult thing to portray, especially in art.

I use an old animator’s trick of straight up making the face that I’m trying to draw.

I make a lot of funny faces while drawing lol

—

I do wish we coulda seen more of Nori and Yeva in the show, but I understand the direction with a limited series.

GUESS IM JUST GONNA HAVE TO MAKE IT MYSELF

[originalwinnercheesecake]

Guess's on How Sasappis died.

Sasappis is the last ghost for us to learn his death. Sass is very private (undead) person, and we have been given no real/clear hints to his death. His ghost power (To enter into the dreams of the livings) could easily correlate to him being a story teller, and not necisarly "He died in his sleep, after catching a sever fever, that also caused him to have very strange dreams. Note I do not believe that Sass died of a fever. They would have incorporated some sign of it into his character. He would be more tired, feel more cold, possibly have a "unexplainable sweating problem". He also does not have any vibsiable gaping wounds, like Pete, Flower, or Stephanie, so that rules out death by attacker. So the question is how did Sass die

Now he could have died of some kind of sickness, but I do not think it is very likely. For one thing he is implied to have had a sudden death, just days before an important tribal ceremony he was planning/supposed to take part in. Correct me if I am wrong, but wouldn't most sickness take a period of weeks, months, years to do him in. A second thing again he isn't really sickly in the the show. All the cholera ghosts are flushed and still hacking. Issac will sneeze and mention stomach pains. But Sass seems fine, so if he has any kind of sickness then he has been masking it for 500 years. That is really sad.

He also could have could died if he went walk in the woods one night and fell from a cliff or out of a tree... but if that happened well that is kinda anti-climactic for how long we had to wait. I would rate that on the same scale as Thorfinn dying because he went walking with his helmet, through a storm and was struck by lightening. It is just a case of him not being as careful as he should have been. Not nearly an impressive follow up to Alberta or Hetty's more recently revealed deaths.... But you could make it more sad. Sass and his crush Shiki are implied to have died in the same year. Sass says that when they were alive, he was ghosted by Shiki after gifting a freshly killed deer to her family, as a jester of love. What if that was because Shiki actually went missing (i.e. died) shortly after, and Sass went out to search for her?

Another death I have considered was a food related one. A detail of Sass's character is is the most in love with food smells (the closest they can come to eating) of all the ghosts. He hangs out in the kitchen whenever Jay is cooking, consistently begs Sam and Jay to cook more of his favorite smelling food: pepperoni pizza, and I am honestly half expecting him to move into the barn once Jay's restaurant opens... What if Sass's love of food is actually a hint at his death? Maybe he had an allergy and accidentally ate something he was not supposed to? Or, maybe he had diabetes or some other dietary need, a crop or the meat from a particular animal, and Sass died when it was wiped out or disappeared. With so many people in the U.S. having dietary issues, and the countries known love of food, I could see the show choosing to write an episode on dietary importance, and the need for people from all walks of life to have access to healthy food.

My finale theory is one I have actually gotten off Tumblr, from the people who are fans of both the CBS and BBC series. Some people are suggesting Sass got bit by a poison snake or something and died from the poison venom. The puncture marks are small enough for Sass to be able to conceal with his clothing. Apparently something of the similar nature happened to BBC's Kitty? And I actually know a really good way to blend that into Sass's personality and a possible reason for why he became a ghost. Sass as mentioned loves stories and is a gifted story teller. But also as mentioned he is very private person who gets nervous about speaking in front of crowds. A week before the tribes festival Sass's father gave him an eagle's feather, which was believed to help bring confidence and courage. But what if Sass was still nervous/afraid afterwards. What as the days got closer got more more nervous/afraid, until he decided to do something reckless and stupid, to prove to himself that he could be brave. Something like walking through a more dangerous (poison animal infested) part of valley, telling himself "If I can brave this I will have no reason to be afraid of anything anymore". While that would not be the most exciting death, it would be very tragic, and it could set up "Overcoming the fears he had as a living", all of them, as Sass's unfinished business. Essentially, he would need to become a more rounded and confident person. Note that seems to also be Pete's unfinished business. Sass and Pete are roommates, and we have had at least a few really nice episodes exploring their relationship. It would be really cool if that continued to him and Pete having to teach themselves the same thing, but in different ways.

[athenasilver7]

Hello, can you do a ohshc head cannon where y/n has superpower (preferably fire powers) and gets caught using them in private by them?❤️‍🔥❤️

Ohh! Of course! (^◡^ ) Note: Because I’m extra, I’m doing this from the perspective that Y/N’s parents are wealthy scientists or something and experimented on Y/N growing up, which inevitably lead to Y/N getting fire powers ❤️‍🔥

Note 2: I’m back after finishing this, and realized this fic got pretty off track from the original request. I’m so sorry, anon omg🥲

OHSHC (separately) x GN Reader [w/ fire powers]

💙 Hikaru 💙

When you eventually reveal your secret powers and your past to Hikaru… he doesn’t believe you.

Even as you’re literally producing a flame out of thin air in the palm of your hand, he still doesn’t believe you.

He honestly assumes you’re just pranking him, or that Kaoru put you up to it.

Hikaru scoffs. “Please. It’s obviously some up the sleeve trick, or one of those mechanisms they use on movie and TV.” He insist, crossing his arms and looking away from you.

“…Hikaru. I am literally opening up a out how my parents used me as a science experiment, and how it resulted in me having these abnormal powers. Please stop being a brat and LOOK.” You produce a larger flame in the palms of your hands.

It takes a lot of convincing, but he eventually believes you and feels bad for accusing you of lying to him.

He “makes it up to you” by calling you nicknames such as ‘hot stuff’ and whatnot.

🤍 Tamaki 🤍

You explain your situation to him. He listens intently, not completely understanding, but he’s trying to be supportive.

Then you show him by producing a small flame in your hand and he freezes… then he freaks out.

“Y/N! Watch out!” He launches at you and tackles you to the floor, covering you with his body to try and protect you from that sudden burst of fire.

“Wha?! N-No, Tamaki, look!” You dissipate the flame and then create a very, very tiny flame in your palm. “It’s coming from me. Don’t worry… I know how to control the intensity of it.” You whisper.

He gazes down at you in awe, the flicker of light illuminating both your facial features.

His breathing is slow and he hesitantly reaches towards your hand, his lanky fingers hovering over your extremely small fire. “…It doesn’t hurt you, does it?” He whispers back.

You find yourself smiling at his concern. “No, no. It doesn’t hurt, at all.”

“…You’re certain?” Tamaki cups your face in his hands as he gazes at you with a frown, heavily concerned. He leans in closer, his nose brushing against yours.

You flush, “T-Tamaki, I’m fine! Really!”

Yeah, definitely expect him to dote on you… more than usual, I mean.

❤️ Haruhi ❤️

You explain your past to her and… she doesn’t exactly understand.

It’s not that she doesn’t believe you. I mean, Honey-Senpai is legally considered a war weapon, so why wouldn’t she believe you about this?

It’s just… it’s abnormal for her, you know? Your situation sounds like something you would only hear of in movies or animes.

Then you go and present your powers to her.

Admittedly she startles at first. Once she’s able to wrap her head around everything though, she obviously doesn’t think any differently of you.

If anything, she just feels sad for you. Your parents experimented on you!

She gets the strong urge to tell your parents off, but she knows it’s not necessarily her place to say anything since she doesn’t know all the details. Although, she may lecture them about it when she gets the chance to meet them.

Haruhi assures you she’s always there for you whenever you need to talk about your situation.

💗 Honey 💗

He bawls, full on ugly cries, as you explain your situation to him.

You try to assure him it’s “not as bad as it sounds”, but he merely frowns at your words, definitely believing you’re underplaying what you’ve been through.

It’s… a complicated series of emotions. So, to change the subject, you show off your powers to Honey.

You mess around with a few different flames sizes, and present some small fire tricks to him.

Surprisingly, he doesn’t seem to react right away. It’s like he knows you’re just trying to distract him from the initial subject. Honey then smiles at you, “You’re amazing, Y/N.” His expression is so tender and genuine, it makes you flush.

In your flustered state you accidentally ignite a very large flame. You and Honey both jolt and you hastily put it out.

“…….Ehehe… sorry about that.” You chuckle awkwardly, your face flushed red.

“…..” Honey simply laughs and presses a kiss to your temple. “You’re too cute, Y/N-chan!”

🧡 Kaoru 🧡

He holds your hand as you open up about your past and how your parents would experiment on you.

Kaoru about damn near cries. You were literally born just to be a test subject.

“Y/N…” Kaoru whispers with a frown, giving your hand a gentle squeeze.

Before you can fluster too much at Kaoru’s unfiltered concern for your well-being, you hastily show off a tiny flame to him with your free hand.

His breath hitches at the sight, a smile slowly stretching across his face. It’s a small smile, but it’s still a smile nonetheless.

“…Are you okay?” He gives your hand another gentle squeeze.

Blushing, you shyly avert your gaze and dissipate the flame. “I’m fine. The fire doesn’t hurt.”

Kaoru shakes his head. “No. I meant are you okay? Emotionally? You were experimented on from a young age and for so many years…” Kaoru trails off, averting his own gaze with a heavy frown.

…You… You break down, to be honest. Kaoru is quick to hold you, comforting you. This man speaks the sweetest words of reassurance, and reminds you that you can always confide in him.

💜 Kyoya 💜

Well, when you explain your past to him, he isn’t too surprised.

Kyoya obviously already knows about your parents’ occupations and a large sum of their history, but… he’ll admit he had no idea just how messed up they are.

Don’t get it mixed up, he obviously knows your parents are pretty messed in the head, however the way you explain what you’ve been through… it’s pretty damn twisted.

Cupping your hands together, you present a small flicker of flame to Kyoya, silently showing him your… ‘powers’. The effects of your parents experiments.

Kyoya appears genuinely interested. Well, who wouldn’t? He cups his chin beneath his finger and leans forward to observe the flame that you just… summoned from thin air.

“I see… I must say, Y/N, you’re a very strong individual. I can’t even begin to imagine what you felt like going through all of that alone.” Kyoya says in his usual ‘I’m calm and collected’ voice, though you can sense the genuineness in his tone.

Over the coming weeks, expect him to observe you and your abilities often, and occasionally discreetly asking you questions related to your abilities. Sue him, he has to take notes on this phenomenon.

🖤 Mori 🖤

He holds you in his lap and pets your head when you eventually open up about your past to him.

“I’m sorry, Takashi. This must be a lot for you to take in.” I murmur weakly against his chest, clutching at the front of his shirt line a lifeline as you sniffle and tear up.

Mori hums, carefully combing his lanky fingers through your hair. “Sounds like it was a lot for you to deal with.” His eyes briefly flutter shut and he presses a kiss to your temple.

You sniffle and nod. “Yeah… Yeah, it was.” You sigh heavily, “But at least I can do this..?” You show off a tiny flame in your hands, trying to look on the bright side of thing. Pun not intended.

Mori’s brows raise and he carefully grips both of your wrists, and brings them up close to his face to observe them.

You dissipate the flame and he blinks. Mori takes a moment longer to examine your hands, his thumb gently caressing your palm that held the flame.

He then presses his lips to your palm, planting a firm kiss there. “…It’s warm.” Mori states, gazing at you through his lashes. Your face then begins to feel warm as well, but not due to your fire abilities.

OHSHC Masterlist

[wings-of-fire-confessions]

I honestly wish that the fandom talked more about the fact that Moonwatcher was PHYSICALLY NEGLECTED throughout her childhood.

Her mother, Secretkeeper, didn’t and/or wasn’t able to provide Moon with the proper amount of supervision and maybe even food Moon, while her daughter was living a potentially dangerous environment.

Secretkeeper left her daughter in alone in the rainforest for DAYS on end at a time since the night Moon HATCHED, with the only time she was able to be with Moon was for a few HOURS on the days she was able to be with her. That means that Moon, since the day she was literally BORN, was left for literal DAYS on end without the physical supervision of her own mother.

She was left alone for so long, in fact, that she literally had to LEARN how to HUNT for her own food HERSELF as a young dragonet, to the point that she became very good at it. Moonwatcher is 4 when she mentions this to Qibli, so there’s a good possible chance that due to her living situation, she had to hunt her own food when she was around ONE-THREE years old, around the same age that Anemone, or even MINK and DUSKY are right now!!!

And what really bothers me about this is the fact that Moonwatcher had to hunt for food and was left alone for the majority of her within the Rainforest - which is a potentially DANGEROUS environment to live in.

Like…think about it. The rainforest that the Rainwings live in is filled with POISONOUS frogs, that can make dragon unconscious, have hallucinations, and possibly even KILL you. There’s that also lots of hungry predators that could harm or even kill Moon, like Jaguars and Anacondas. And the rainforest also has dangerous parts within its environment, like quicksands, which are portrayed to be VERY dangerous in movie and/or book media, so I wouldn’t be surprised if they’re dangerous in wings of fire too, at least for a young dragonet who isn’t even a teenager yet. The rainforest has so very hazards, in fact, that there’s canonically a literal SCROLL written about the dangers of the rainforest within this series.

So imagine, a young 1-3 year old dragonet, being in risk of DYING from touching a poisonous frog or being eaten be a Anaconda while hunting for an animal or gathering fruit within the trees. Or Moon attempting to hunt her prey on the ground, in risk of her getting SCARRED or even EATEN by a Jaguar.

Moon has been left within the rainforest for so long to point that she had to search for food in a risky or even dangerous environment when she was the age of a literal CHILD.

So the fact that people don’t talk about, mention, or even possibly know about how bad Moon’s childhood probably was within the rainforest it is…quite sad and even a bit upsetting, honestly.

Of course, I do know that Secretkeeper didn’t have much of a choice of doing this to Moon, or at least knew it would be MUCH better if Moon lived in the rainforest alone, than living within the literal volcano instead.

Especially since leaving Moon to live within the rainforest is a much, MUCH better option than her living in a literal VOLCANO, an insufferable place where dragons gained severe asthma from, being forced to only eat only ONCE per week, with the only available food to eat being ROTTING prey that was alone for DAYS on end, and within the environment that is much more negative and controlling that living alone in the rainforest.

There’s also a good percentage of her that Secretkeeper did NOT even know about the dangers of the rainforest, due to the fact the Nightwing volcano is probably the ONLY place she ever lived or even knew about.

I’m also aware that Secretkeeper also didn’t visit Moon as much as she should within the rainforest because if she did so, there’s a good chance that Moon would be found and be FORCED to live within the volcano, and suffer living within the volcano along with the rest of the Nightwings.

HOWEVER, while this is true, it does NOT stop the fact that while Moon’s living situation within the rainforest is much better than what all the Nightwings had, it does NOT make her living situation - being physically NEGLECTED in a DANGEROUS environment - be ANY LESS bad as it is for Moon to go through.

It does NOT stop the fact that living within the rainforest ALONE for her ENTIRE LIFE until book 6 NEGATIVELY AFFECTED Moon, and that she was, indeed, was PHYSICALLY NEGLECTED since the day she was literally BORN, regardless of the context or reason to why this neglect happened and/or occurred. AND that fact that child neglect is a literally known to be a form of CHILD ABUSE, regardless if Moon’s mother wasn’t able to properly be there for Moon, or even possibly not having a choice on whether or not to NOT neglect Moon in this way.

And the saddest thing about this, is that there’s a possible chance that Tui did NOT fully realize that Moon, her very own character, living situation was as bad it was, since she didn’t explore Moon’s childhood trauma of living alone in the rainforest and how it currently affected her as much as other character’s - like Winter, Peril, Qibli, etc.,

Or at least not as much as how Secretkeeper telling and/or even possibly pressuring Moon to hide her powers or else other dragons would hate her for them, and Secretkeeper caring more about what dragons think about Moon without even considering or thinking about what Moon thinks about the other dragons she’s around.

I’m sorry that this confession is very, VERY long. I’m also very sorry if I had overreacted, overanalyzed, or overthought about any information within this confession.

I pretty much made this because I feel like people don’t at least mention that Moon’s childhood within the rainforest isn’t as great as some people might think, and/or not at least mentioned that Moon was unfortunately physically neglected - and maybe even mention that she was neglected within a potentially dangerous environment - regardless on whether or not Secretkeeper had a choice on doing so, or even if it possibly doesn’t count on whether or not Secretkeeper is actually a good mother to Moon or not, so I decided to make a this rant.

Thank you for everyone who went out of their day or night to read this confession and/or rant, and I hope you have a good day today :)

Anon asked me to include some images. They also noted that they have not read A Guide to the Dragon World yet.

Evidence of neglect

Evidence of the rainforest being dangerous

[trungles]

Processing Process, and More Processing

I made this post free and publicly readable on Patreon, but I'm reposting the whole thing right here too because, well, it's a free post, and I don't want to make you click away from your dashboard if you don't need to. But also if you want to support my work, here's the link to the post.

It's a little bit about cartooning, a little bit about drawing, and then it turns into a eulogy for a chicken.

I wrote “process” more than once, and now the word looks funny and is beginning to lose its meaning to me.

This post is about a few things, and it’s a little bit on the sad end of things. Nothing dire! No worries. There’s just a little mention of death, just as a heads up.

Before we get to that, though, I’ve been doing some work and had some thoughts.

I’m often asked about how I draw the noodle hair on my characters, and the answer is typically that I draw each and every line with my hand. But there are considerations of movement and volume that go into it beyond its texturally decorative purposes. I love being able to convey shape and motion with it. It’s less evident, I think, in my illustration work, but I think it’s much more obvious when I do sequential work. In the above image, you can see me working out a sequence of Angelica having a series of thoughts. Her head sort of moves, and her eyes follow. You can see I’d planned out the general shape of the hair and how I’d like it to move.

I wound up moving the drawings a little bit so that the readers eyes will actually follow the character’s eyes as it moves gently rightward on the page. The hair is there to accentuate the movement, like so:

It’s a consideration I employ in all my drawings, but especially when I’m drawing hair and fabric. I don’t use a lot of action lines, so this becomes an important way to give the reader the information that someone is moving through a space. Resistance, gravity, and motion are all things I have to keep in the back of my head when I’m doing these little drawings. I think the planning actually takes more time than the inking, which can happen pretty quickly once I map it all out.

In other news, I’m starting to take my extracurricular artistic development a little more seriously in the silliest way possible.

You wouldn’t know it, but I studied painting college—a medium I switched to after the printmaking professor and head of the Art Department at the time told me I probably shouldn’t be an artist (he gave me a hard candy for my trouble). I recently bought a bunch of little dolls, dressed them up, and am returning to my painting roots. It feels really nice to work in big blobs of color instead of lines. It’s an exercise I came up with in response to a common lament from art students.

One of the more aggravating generational tensions described to me by art school students is when professors describe a student’s portfolio as “too anime” without much explanation. I know what the professor means. They’re trying to get at how referencing your favorite anime or cartoons means that your style becomes a simulacrum, an imperfect copy of a copy, and you never learn to develop your own sense of judgment about where a line or a shape needs to go. And we can tell. It’s a way of working that is perfectly fine for cartooning because cartooning is closer to hand-writing than it is to drawing. I always turn to Charles Schulz’s work for an example. Those figures aren’t literally depicting children—with their little chessboard-pawn proportions and bread-loaf feet—but we read them as endearing children because we’ve come to a consensus between us, the readers, and Charles Schulz, the author, that those shapes mean those things. There are no whiskers or paws in the shape of the word “CAT” but you look at those three letters together, and you know the thing to which it refers. That’s an aspect of cartooning, too. Of course, what elevates it from mere writing is, in part, due to the fact that those little figures do not lose their meaning the more you depict them.

To really draw well, though, you have to do those fundamentals. You have to draw from life. There’s no way around it. It helps you develop a stronger sense of where you like to lay down your lines and shapes, no matter how stylized you like to work. It grows your judgment, and every artist’s best tool is their own well-honed sense of artistic discernment about their own work.

But that doesn’t mean you have to surrender the stuff you like or the things that inspire you to make art! I tell students that if they want to hold fast to their anime style AND hone their fundamentals to develop their eye as an artist, they should buy little figurines and toys of their favorite characters, prop those up against a light source, and draw them as still life objects. Like, yes, do the vases and the figure drawings and all those, I still think those are important. But if this is what you need to keep you interested in drawing from life, having some toys around is a great way to do it! Also, bless those sculptors and toy designers. They’re the best.

I think there’s something to be said about remembering to imagine the physicality of the things we draw, in all its dimensions and in the way it catches the light or casts a shadow. It helps sentimentalize things, too. Makes them feel more real, even emotionally.

Edwina died on Tuesday night, after a few final snuggles, surrounded by her favorite treats. She was about five years old, which is old for a chicken, and she had a very comfortable life. We buried her this morning. She was a good hen, J’s personal favorite.

It really feels like the end of an era. She was the last surviving member of our very first flock. After the other hens died, she really seemed to prefer the company of people over other hens. She is survived by Snooki and Nelly, our two other young birds who get along quite well together, actually.

A baby chick costs between three and five American dollars, typically. An egg-laying hen could be between twenty and fifty bucks, depending on the breed. There are roughly 26 billion chickens living in the world today, about 518 million of them here in the United States. They come pretty cheap. And a part of me was moved to cynicism, entertaining the thought that it might be strange to feel sadly over a little animal that, at most, might be roughly equivalent to the price of a fancy lunch and a coffee.

I watched the 1974 musical version of The Little Prince recently, and I remember it mostly because Bob Fosse was in it and scared the crap out of me as a kid—he played the snake that would take the Little Prince back into the sky when his body gets too heavy to take with him. Gene Wilder plays the Fox whom the Little Prince befriends and tames among a garden of roses. The Fox explains that he is like any other fox in the world, but he is changed—made special and particular to the Little Prince—with time, effort, and patience. So, too, is the Prince’s little flower special to him. Out of all the flowers in the universe, she was the one he watered and protected under a little glass jar. And that’s enough.

I knew my little hen would not live that long. It could be very easy to take a broad view of the life expectancy of a hen and distance myself from it by virtue of its mortality and its commonness. People who raise livestock do it all the time. But I also think it’s wonderful that we should all be capable of loving very small, very brief little things. Edwina is not, to my mind, the rough equivalent of a fancy lunch and a coffee. She was our little hen. For her whole life, she was ours. And I’m so happy she was here.

[the-chessboard-is-personal]

ii s3 liveblog

I'm a bit sad rn so sorry if my reactions are bad this time

1 - I'm not supposed to relate to Balloon am I. y'know. the guy that did something bad in the recent past and now everyone hates them even though they're trying to change.. sigh. wHAT? h. how is he here?? HOW IS SHE HERE??? ...does MePhone look different from how he was in the first half of s2? it's been a bit since I watched that but I swear there's something different about him. oh, new intrthe island is alive. warp pipe.

2 - yup sure :) 👍 right okay BOW is glitching now. something to do with chairs and maybe she lost her memories? she was obsessed with chairs before she died, so..oh fuck I'm taking as many notes as Cabby huh

3 - oh I thought I had something to say about this one. sorry

4 - if the floor gets eliminated, how will that work? .yo WHAT is going on with candleMUMBO JUMBO CATCHPHRASE ... I. I don't think that's what polishing a screen does.?

5 - what if Box wins lol ..oh. wait there was no formal elimination, I guess that got replaced with Box being pulled this episode

6 - them ,,,,,they,both of them,, the cool(s) -> ☯

7 - well call me a camera because [screenshots the auras file]. . . . . . . . . . a. ..nobody knows about this joke yet but if I had a- uh. nickel. for every time a series I know about had a character named Bow with trigger words, I would have two nickels. which isn't a lot, but it's weird that it happened twice what is going on with Bow and chairs. HEY MARSHMALLOW TOO?? yes I will keep doing this strikethrough bit

8 - oh fuck I just realized. "iii" as in Inanimate Insanity Invitational but also as in 3 (roman numeral) because it's season 3. also just based on the title I have a bad feeling about this episode (<-half-right??) wait WHAT. MePhone what the fuck does that rnean. whhaaAAAA- oh. agdjhk s ghdclod damn it the commercial is pLOT RELEVANT. hhhhey quick question. how uh. how do we know that everyone's back in the right body..? like. there were some characters who weren't onscreen after they all died again. uhh

9 - th. this episode is probably not like. actually worse than the other ones or anything. but, with the bias I had already formed because I distrust people with the name of the one this episode is a collab with, some stress I was already feeling today before even starting this liveblog, something Balloon said at around 9:14, said pre-liveblog stress making me associate the whole "animation machine" thing (which is seen as bad) with something I like but everyone else hates, I personally have nothing good to say about it.

10 - why is Cabby gold. oh it's whoever has the Immunity Cookie. wait did Cabby forget about TBD because her file was burned??

11 - bat? pokemon. the game you're thinking of is pokemon. wait did he say backstab HOW DOES HE KNOW CANDLE SAW BETRAYAL?? ..yeah I was wondering how that would work

12 - I knew it. I knew Cabby would forget stuff that isn't in a file! urghhh can they Please vote out silver spoon already. he's not gonna WIN, right?? sorry. but I don't like him.

13 - oh the intro reflected Bot's change in appearance. neat! nononoononoNONOONNO GAUhokay. listen I know it's probably not going to happen but I really want YinYang to win. and holy shit that "for the rest of your life" was foreshadowing.

14 - okay off to a start that makes me want to punch something. okay. okay. it's not a real ad. good. HUH HE GLITCHED holy shit, damn uzumaki lookin rooms what is this /positive(?) ☯ 👈 GRIAN INSTINCT (which. to be fair, mood). p u r p l e . PURPLE ACKNOWLEDGED. WHAT WAS THAT! ohhh what the hell. you fuck off this INSTANT you silver shitface. ohh I hate him. I hate him more than I hate Cobs. ..does Cabby not have parents? SPLRINGY IS FAKE. SPRINGY IS A ROBOT OR SOMETHING MADE BY COBS I'M CALLING IT NOW. please please please kill the spoon kill the spoon plEASE- ARRGHHH

15 - seeing as the next episode has Blueberry in the thumbnail and is called The Great Bluish Bake Off, I have a slight prediction on who will win the rejoin. wait what. yeah I'm gonna be honest I don't think it was murder. NO NONONOONO DON'T NOOOOOOOOOOOOOOOOO WAUGHHH,,,,,

16 - why....why am I finding Nickel so relatable. w h a t . now I've never had oatmeal raisin cookies, but I don't think they're the Number One Cause of global warming. I know it's a cartoon and awHAT THE HELL HE JUST DIED

(between 16 and 17) m. MePhone knows. MePhone knows what's going to happen when the season ends, doesn't he? that's why he doesn't want it to. that's why he's desperate. but the question remains, what does he know that the viewers don't?

17 - wait this episode is from 10 months ago. is- is the series not over? damn it! I prefer to binge watch stuff so I don't forget while waiting for new episodes. oh don't even fucking go there. 14:01 FUCK OFF.

(between 17 and 18) y'know I was trying to watch this to ESCAPE all the drama and discourse everyone hates me for. this just feels personal at this point. but hey, who cares about me, right? onto the next damn episode!

18 - there's another 4 under that 4. are they all 4s. ohhh noooo, what an inteeense moooooment. wow it's really fucking difficult to care right now.

19 - again final episode so I'll break this into sections. kinda

..,.Cabby..I think I understand a bit more about my own..situation because of Cabby. wait wait. "built" to? BUILT to?? HMMMMMM 4S is still here?? what ??? ? well at least the one that YinYang wanted to win won..!

and that's season 3 huh.

well. that was kinda filler? tbh?

and the message in episode 17 sucked- ..eh. hold on. I'm getting too angry over some discourse. I need a break from typing this.

okay after like half an hour I realized something. they were trying to win an award. I like AI art, but I don't think it should ever win any awards in competition with human art. the two are fundamentally different. I don't think there should be any competitions that have both, especially high prestige ones. that line at 14:0whatever was too far though.

my opinion is that human art and AI art are both art. but they're VERY different forms of art, and should probably be kept that way.

overall I liked the season. sure, YinYang didn't win and episodes 9 and 17 are...like that. but it's not that bad tbh.

probably gonna watch the rest of s2 tomorrow, but for now I just want to play minecraft.

[shiro-s2e2-erukinzu]

Anime only watchers and people who aren't caught up with the Manga, BEWARE... Cuz I'm about to discuss Spy X Family Short Mission 11... You have been warned...! 👌

[SPOILERS AHEAD FROM THIS POINT ON]

Today's chapter may have been a Short Mission + a Special Illustration, but it may have given us some interesting tidbits to think on...! 🤔 So let's talk about it, shall we?

First up, let's discuss the Special Illustration:

🥲 Why, Endo...? WHY ARE YOU HURTING ME LIKE THIS...!?!? 💔😭💔

The Special Illustration is of Anya looking at the front door of the orphanage that she was left at and it really has this very melancholic feel to it... 😞 In fact...

This may be the saddest Special Illustration we've ever had in the series thus far... 😢

It makes me wonder if we're going to be getting more information on Anya's past soon...? 🤔

Now let's talk about the Short Mission...!! 👍

It starts by letting us know that it takes place when Anya was first going into Eden Academy...! 👀 This is somewhat of a first because the Short Missions usually don't state when they take place, but, there are some that can you clearly tell where they are supposed to be placed in the story...! 😁

Then, we learn that this how and when Anya gets her name plate for her bedroom door...!!

It makes sense that Anya would want a door plate because she saw it in a cartoon!! 😄

And when she gets it, this is how she carves her into it:

Which is not only how it was written in the early chapters...: (As seen here in Mission 10:)

But... It's also how Anya's name was originally spelled in the first translation of the manga...! 😲

Some time after, Twilight brings up the misspelling of her name:

AND THIS IS HER REACTION:

Then, we see that the name plate was changed to "Anya"...:

And finally, we end this Short Mission in Anya's room laying on her bed like this...:

WHY DOES THE END OF THIS SHORT MISSION FEEL REALLY SAD TO ME...!?!? 💔😭💔

Is "Anya" not her really name...? What does all of this mean...!? 😫

And that was Short Mission 11... Usually, Short Missions are just fun mini adventures, but this one (and it's Special Illustration) have a very melancholic feel to me... 😓 And like I said earlier, this could potentially have something to do with Anya's past, maybe in the near future...? 👀

Anyway, this was a very interesting Short Mission that I'm curious to see if it'll play a part into the overall story at all...!! 😄 So until the next Mission... Take care, be safe out there, be kind to one another...!! Later!! 🤗

P.S.: I didn't get around to doing a review for episode 33 of the anime because I was extremely tired yesterday... 😩 Hopefully, I'll get around to writing it today...!! 😊

[ifuckinglovedinosaurssomuchjesus]

On the subject of Dinosaur Documentaries...

So Life On Our Planet dropped a few days ago, another installment of this seeming boom of these kind of shows since Prehistoric Planet last year, and it got me thinking about this whole little niche genre.

The very first "Paleodoc" was released in 1922, made by the Carnegie Museum of Natural History to educate museum goers on how the fossils they saw were collected and prepared. This began the format I like to call the "Talking Heads" Paleodoc which is mainly in the form of interviews or narration over actual footage of Paleontologists at work with the occasional "Live" Dinosaur for visual aid. These are by far the most common form of dinosaur documentary you'll find, even today, mainly because they're cheap to produce and fit in the general style of most science documentaries.

For many decades throughout the 20th century, Paleodocs were pretty rare. They would pop up time to time, and with the sudden influx of attention they got after Jurassic Park, we got some really good ones. Yet they were all the same Talking Head types. What really changed the game was the good ol Magnum Opus of the field: Walking With Dinosaurs.

WWD pioneered the second type of Paleodoc I believe to exist, which are the "In Their World" Paleodocs. These are different in the fact they focus almost entirely on the live visual aids, with the human presence being limited to narration or brief pauses for context. They're meant to simulate the modern nature documentary, like Planet Earth, that focus more on showcasing animal behavior with state of the art filming techniques than being a source of in-depth science.

The success of WWD cannot be overstated, and I have to say I do find the In Their World format a lot more engaging and easier to connect with. They portray the wonder of prehistory spectacularly, letting audiences get emotionally connected in the animal characters the story creates, even if this has lead to criticisms of anthropomorphism. These programs also almost always use real footage of modern day earth for their prehistoric creatures to roam on, which I'm sure is very sad for the people who want to see their favorite dead plants on screen.

The Walking With... series would expand into sequels and spin-offs and Nigel Marven, and other companies like Discovery would jump on the bandwagon and release their own takes on the concept, but by the mid 2010s the format had basically died out. We'd get one or In Their World style doc every few years until we just didn't get anything. Outside of the occasional TV special that reused When Dinosaurs Roamed America footage, it was empty.

It took until Disney's Live Action remake of The Lion King of all things for that pendulum to start swinging again. Seeing those expressionless CGI cats got Jon Favreau thinking about how he could use this technology and the talented people behind it to make something really cool, and we got Prehistoric Planet.

And, in a repeat of Walking With Dinosaurs, we're seeing more of these In Their World type shows. The original guys behind WWD are even making a comeback with their own series, Surviving Earth. Plus even more little hints and rumors of massive incoming projects from overexcited paleontologists trying not to break their embargo.

It looks like the 2020s will be another resurgence in these types of spectacle Paleodocs, and while a good ol Talking Head will always be there, I can't help but get excited for these animated spectacles and all the weird and wonderful ways they flash those visual aids across our TV screens.