#Most people like these pilots for good reason

[starstruckbyacomet]

A Feedback to ABC

🎄All I W❄️nt for Christm⭐️s Is L❤️U☃️

Below is a copy of my feedback to ABC. I wrote the feedback on a Microsoft Word document, because it was too long to be written on the description column of ABC's feedback page.

I'm not suggesting people to read the whole thing (it is a long-ass letter). However, there are some points in it which I think worthy to be mentioned, if anyone still want to write feedback to ABC:

1)) Criticism on the writing of Season 7 and Season 8. I made a list of '13 reasons why' 🙄 I thought the writing of Season 8 was crappy, and actually called it 'crappy' on my feedback. The list included everything which has bothered me, except 2 things: Ortiz and Eddie storylines. There is a possibility that Ortiz would come back as a stronger villain in the future, and Eddie's issue with Shannon might be resolved in Season 8B. Thus, I withheld my judgment. It's important to tell ABC how bad the writing was, because you wouldn't guess it from all the positive publications and adulation about the show out there. The higher ups on ABC might also not be aware about it.

2)) Mentioning that fans have noticed the three-baitings: the thrill-baiting, the Buddie-baiting, and the Tevan-baiting. Even if the show or ABC didn't mean to bait anyone (which honestly I doubt 🙄), at least ABC would be aware of the distrust and negative perceptions on the show, and hopefully would take actions to counter them.

3)) Reasons why we don't want to see Buck with any love interests other than Tommy.

4)) Suggestions of possible storylines for Tommy. Initially I was hesitant to write this part. I thought, these professional writers surely didn't need suggestions from someone like me. But then I remembered how they'd botched Season 8A (*shudder*), and I was afraid that they wouldn't bring Tommy back, because they didn't know what to do with him. So, fuck it! Someone, anyone, got to tell them. And if that someone had to be me, so be it.

5)) There was no mention of the online harrassment. In my criticism about Buddie-baiting, I called the Buddie fans "obsessed", instead of "toxic" or "hostile". I want my feedback to be read pass the social media team. Mentioning the online harrassment might make the social media team tossed my letter to the garbage bin, because they didn't want to be blamed on their passivity.

I'm sorry that I couldn't participate in financial donation this year. I've been out of job for quite a while, because I was bullied on my previous workplace. This is also the reason why I've been so adamant against online bullying. I hope however small what I do for this movement, it still helps somehow.

🎄..☃️..✨️..❄️..🎄..⛄️..✨️..❄️..🎄..☃️..✨️..❄️..🎄

Dear ABC,

I've been watching 9-1-1 show for years, and have been involved in its fandom for quite a while. There are growing concerns among the fandom about the show, which is the reason why I'm writing this letter:

A. THE WRITING

The writing of Season 7 was not good. Shannon's doppelganger storyline was hard to believe, and Amir storyline was rushed. Buck was the only character who got a decent story with his new relationship with Tommy. However, most of us were willing to look past those shortcomings because it was a shortened season, with only 10 episodes instead of the usual 18 episodes.

We'd expected Season 8 will be better, alas, it's been worse:

Gerard was retconned to be a bumbling old relic. It's hard to believe that he was the same menace who had ruled the 118 firehouse with iron fists in the Begins episodes of Season 2.

In episode 8x05 "Masks", Hen and Karen had a disagreement about Hen's working schedule. Why did this issue come up now, after their 7+ years of marriage? Hen never changed her job during their marriage. Karen has even been very supportive when Hen was enrolled in a medical school, while also working as a firefighter from Season 4 to Season 6. At that time, she was notably busier than she is in this season.

In episode 101 "Pilot" Abby mentioned that Tommy was her ex-boyfriend. Why did in episode 806 "Confessions" Tommy say he was Abby's ex-fiancé?

In episode 8x06 "Confessions" Maddie told Chimney, her husband, that she was pregnant. After her unexpected pregnancy back in Season 3, we expected the couple would be more careful with birth controls. Apparently they didn't. It is a running joke within fandom that birth controls don't exist in 9-1-1 universe. Also, why didn't Maddie have a discussion with her husband before she got pregnant? A pregnancy should be a couple's decision, not forced by half of the pair to the other half.

In episode 806 "Confessions", Tommy gave Buck two Lakers tickets as anniversary gift. It is implied that Tommy didn't know that Buck did not like basketball. We're not sure what the show wanted to tell with this scene. If it meant to imply that Tommy was not a good boyfriend because he didn't know that fact, it achieved the opposite effect. Buck was the one who had given the impression to Tommy that he liked basketball on episode 804 "Buck, Bothered, and Bewildered". Thus, if Tommy still didn't know that Buck disliked the sport after 6 months into their relationship, it was Buck's fault for not coming clean to Tommy.

Buck was flustered when talking with a woman on his anniversary date with Tommy in episode 806 "Confessions". Buck is 33 years old, not twelve. He's been dating a lot of people before. Buck should have known better than showing his attraction to other people while being on a date.

Still in episode 806 "Confessions", Buck asked whether Tommy was attracted to women. At the time, they've been dating for 6 months. Previously, in episode 705 "You Don't Know Me", Buck told Eddie that Tommy was gay. If Buck had known that his boyfriend was gay, why did he ask Tommy whether Tommy was attracted to women? Buck might be not the brightest bulb in the box, but we didn't think he was so stupid or ignorant that he couldn't differentiate between being gay and being bisexual.

Again, in episode 806 "Confessions" Tommy broke up with Buck because he was afraid to go further in their relationship. Tommy that we knew was mindful to other people's feelings. In episode 704 "Buck, Bothered, and Bewildered" Tommy visited Buck to clear the air after he'd sensed that he might have inadvertently created a wedge between Buck and Eddie. This mindful Tommy wouldn't date Buck in the first place, if he knew that he couldn't go to the next phase.

After Tommy broke up with Buck, Buck didn't seem to fight for their relationship. In episode 405 "Buck Begins" Athena said that being Buck meant never give up. In the past, we have seen Buck fought for things which mattered to him. He sued LAFD to get his job back. He broke the law to save Maddie when she was in danger. However, after Tommy broke up with him, Buck didn't even try to communicate with Tommy like an adult. Instead, he was... baking? This is not the Buck we have known.

In episode 807 "Hotshots" and episode 808 "Wannabes" Buck didn't even look sad when he was not baking. He did look anxious when Tommy was mentioned, but other than that, he acted normal. Tim Minear mentioned in interviews that Tommy was important for Buck, but we didn't see it on screen. Fans have been mourning the relationship harder than on-screen Buck.

After the break up, why didn't any of Buck's closest people encourage him to clear things up with Tommy? In episode 709 "Ashes, Ashes" Bobby told Buck that Tommy was good for him, and Chimney has asked Tommy to fly into a hurricane, practically made Tommy risked his own life for the 118 team. However, after Tommy broke up with Buck, none of them told either Buck or Tommy to talk with each other and clear things up.

In episode 807 "Hotshots", Chimney encouraged Buck to "jump back in the pond", and Buck answered with "I don't know which pond to jump back into." The conversation seemed like a subtext that bisexual Buck now could sleep with both men and women. As a bisexual person, I am very offended by this scene. Like other people, bisexual people cannot control to whom we fall in love to, regardless of the gender. The implication of the scene is that bi people are 'easy' or 'loose' and used to pick partners to sleep without giving much thoughts on it. It is a common prejudice which we've been fighting against for a very long time. Watching it implied on the scene is insulting, to say the least.

The prolonged screen time of Brad Torrence. Initially fans didn't hate Brad. However, we couldn't help but notice that a big portion of Season 8A was spent on Brad, while other main characters we actually cared about were put aside. Now, Brad Torrence becomes a bitter joke among fans. Most of us couldn't stand him any longer. On top of that, the scene of Brad saved a suicidal Hotshots fan in episode 806 "Wannabes" felt like an undeserved pat-on-the-back to the show, considering the crappy stories the show has been giving us since Season 7.

B. THE BAITING

B.1. THE THRILL-BAITING

Fans have noticed that 9-1-1 has been seemingly baiting new viewers to watch the show, but didn't give them what they were looking for. One example is the big disaster emergency stories at the beginnings of Season 6 and Season 7. There was no other big emergencies during the rest of the seasons and audience knew that. Long term fans like me were delighted by those stories, and ratings indicated that the big emergencies have attracted additional viewers. However, surely you've noticed that ratings were back to normal right after the big emergency stories had ended. The drops were not even gradual. It's because new viewers knew that the thrill ended after the 3rd episode of the season. And with such crappy storylines which I have explained in Part A, new viewers hardly wanted to stay.

B.2. THE BUDDIE-BAITING

Another baiting that we've noticed is the Buddie-baiting. There are fans who want to see Buck and Eddie (a.k.a. "Buddie") in a romantic relationship on screen. These fans are not subtle about what they want. Tim Minear, Kristen Reidel, Jennifer Love Hewitt, Oliver Stark, and Ryan Guzman have acknowledged the existence of the fans in various occasions. The Buddie fans have been voicing their demand since Season 2. Unlike normal fans they are very obsessed about the pairing they root for. Other 9-1-1 fans like me, who don't root for Buddie, have concerns regarding how the show has been portraying Buck and Eddie's interactions on screen. In our opinion, if the show didn't want to pair Buck with Eddie romantically, then it should stop giving nods or hints about them as if they were a couple or a couple to-be. Those nods or hints only give false expectations to the Buddie fans. For examples:

1)) In episode 7x06 "There Goes the Groom", there was a Buck & Eddie drunk karaoke scene. The scene should include Henren and Ravi, or at least Ravi in the scene, to avoid misinterpretation by Buddie fans.

2)) In episode 8x06 "Confessions", Eddie talked about beards, right after he mentioned that he was straight. Buddie fans has interpreted this scene as a clue that Eddie was hiding his sexuality. Here's the actual conversation on screen:

Father Brian: "And you, you have that... very handsome mustache." Eddie (chuckling): "Do you wanna know why I grew this?" Father Brian: "Tell me." Eddie: "Because the LAFD doesn't allow beards. Too flammable. Otherwise, I'd have gone full mountain man." Father Brian: "So, it's a disguise?" Eddie (averting his gaze): "Something like that." Father Brian: "What're you afraid of seeing when you're looking in the mirror?"

The conversation could be done without mentioning beards at all. For example:

Father Brian: "And you, you have that... very handsome mustache." Eddie (chuckling): "I'm glad someone likes it." Father Brian: "Nobody else likes it?" Eddie: "Well, sometimes my friends tease me about it. But I think they're just not used to see me with a mustache." Father Brian: "So, it's new? Is it a trend that I didn't know about?" Eddie (chuckling): "No, not a trend. I just want to see something different when I look in the mirror." Father Brian: "So, it's a disguise?" Eddie (averting his gaze): "Something like that." Father Brian: "What're you afraid of seeing when you're looking in the mirror?"

If a non-writer like me could come up with an alternative conversation with the same ending without talking about beards, so could the writers. Even if the conversation became longer, the show could cut some time off of Eddie's dancing scene at the end of the episode. Inserting beards in the conversation feels like baiting Buddie fans without actually giving them what they want.

3)) In episode 8x06 "Confessions", a pantless Eddie opened his door to Buck after Buck was dumped by Tommy, and proceeded to let Buck sat next to him. Eddie was pantless because he had been doing the Risky Business Dance. There are other iconic dances which Eddie could do without losing his pants, like Michael Jackson's Moonwalk, the Footloose Dance, John Travolta's Staying Alive Dance, etc. This sexual innuendo only gives a false message to Buddie fans.

There is a growing concern that the show has been baiting Buddie fans to keep watching without actually making Buck and Eddie a couple. This feels deceitful, exploitative, and manipulative. Fans don't need 'nods' or 'hints' or 'subtexts'. A few decades ago, when homosexuality was a taboo, giving nods and subtexts about the subject on TV shows seemed brave. It doesn't work that way in this modern era, when marriage equality has been a law for quite a while. On the contrary, it feels deceitful and cowardly. As if the show was afraid to upset its queer-averse audience, but also wanted its queer-leaning audience to keep watching.

B.3. THE TEVAN-BAITING

After 9-1-1 re-introduced Tommy back in Season 7, a lot of fans were captivated by this character and his love story with Buck. We dubbed the couple as 'Bucktommy' or 'Tevan'. In the fandom, a lot people have shared how they could relate to Tommy. I'm one of them. Like Tommy, I came out later in life, although only to selected people in my life. Like Tommy, I also have done less than honorable things to cover my sexuality, which I still regret even now. A lot of fans, including me, also relate to Tommy's longing for a family who could fully accept him. That's why we were rooting for his relationship with Buck.

We were shocked and heartbroken when the couple broke up in episode 806 "Confessions". To add salt in our wound, everyone involved acted out-of-characters like I mentioned in Part A. It makes the break up felt like a rushed afterthought, instead of a well-prepared storyline. It's very contrast with how the story of Brad Torrence and Hotshots were told. Furthermore, Tommy had been portrayed as a loving boyfriend to Buck in the previous episode (ep. 805 "Masks"). We felt that the show has played with our feelings, and for what? To make us cried our hearts out on the internet and gave the show hypes and online engagements for free? Once again, it feels like the show has deceitfully baited us. Looking back at how it has seemingly baited thrill-seekers viewers with emergency scenes only at the season openings, and how it gave 'nods' to Buddie pairing without ever make it happened, the thought doesn't seem outside the realm of possibility.

A lot of fans have noticed a trend of ship-baiting in TV shows. Unlike queer-baiting, these TV shows have included openly queer characters from the start, so people don't accuse them of queer-baiting. However, there's usually only one queer couple who has a long-term relationship which lasts until the end of the show. Other queer characters either end up single or appear single (e.g. Guilermo de la Cruz of What We Do in the Shadows), have elusive romantic partners who appear very rarely on screen (e.g. Paul Strickland of 9-1-1: Lone Star), or have a string of failed romantic relationships until the shows ended (e.g. Travis Montgomery of Station 19). The story of Travis Montgomery of Station 19 is very telling. He was the only main character who didn't get a 'soulmate' at the end of the show. He was dragged from one failed relationship to another during the whole 7 seasons. This was a notably different treatment compared to other main characters in the show. It has made fans wondered whether the fact that Travis was gay had something to do with it. There had been one queer couple, Maya Bishop & Carina DeLuca (a.k.a. "Marina") who was prominently on display and got a happy ending in Station 19. Why didn't Travis get a lasting relationship like other main characters, instead of being paired with a brand new partner in the end? As if there was a diversity quota, where only one queer couple per TV show was allowed to be prominently on display and got a happy ending.

C. WHAT NEXT FOR BUCK

Reflecting from what happened with Travis Montgomery of Station 19, some fans have predicted that 9-1-1 planned to drag Buck to a string of failed relationships before pairing him with a woman at the end of the show. There's also a speculation that Buck would be paired with Tommy or even Eddie right before the show ended, because by then the show would not have to portray his queer relationship on screen further. Until then, the audience might have to watch Buck jumps from relationship to relationship again.

There are several issues with this scenario:

1)) Buck has gone through FIVE failed relationships since the beginning of the show (with Abby, Ali, Taylor, Natalia, and Tommy). It would be NINE if we include hook-ups and kisses (the unnamed firetruck hookup, the snake-keeping lady, his ex-therapist, and Lucy Donato). Giving Buck another failed relationship is beyond repetitive. It screams "we run out of ideas what to do with this character." A lot of us simply don't want to watch that repetition.

2)) It would be hard for any other partners to measure up to Tommy. Tommy shared a unique connection with Buck: Buck was Tommy's replacement in 118 firehouse and they shared a same ex, Abby. Tommy also had a good relationship with Bobby, Chimney, Hen, and Eddie, and has been portrayed as a good boyfriend for Buck. If an ideal partner like Tommy was thrown out of the window, why should we care about Buck's next love interest(s)?

3)) Tommy's unique connection with Buck and how Tommy has been portrayed on the show have given a lot of potential stories for Buck and Tommy together. For examples:

Tommy has done terrible things in the past, probably while he was in the military. This would give Buck a dilemma: would he leave Tommy, or would he love and trust someone with a checkered past although that person has repented.

Tommy could have a trauma or PTSD from his time in the military, probably related to DADT. This would give Buck a new role as a caregiver to who tried to help his partner struggles with a serious issue. It would be more serious than accompanying Taylor Kelly to meet her estranged father.

Tommy might apologize to Abby. Not only Buck and Abby deserve a closure, Tommy and Abby do too. Buck might even facilitate this.

Those examples have never been shown before. Any of them would feel fresh and better than having Buck goes through several romantic relationships again.

4)) As I mentioned before, a lot of us feel that the show has been baiting us, the queer-leaning viewers, to watch the show without giving us the queer relationship that we want. Our experiences with TV shows like Supernatural, Station 19, and the latest one, What We Do in the Shadows, have taught us to recognize the baiting signs. A lot of us refuse to be exploited again. Several fans have quit watching the show after episode 806 "Confessions", others were waiting until the half season hiatus to see whether Tommy was coming back or not, before quit watching it for good. We plan to watch the show again only if Tommy and Buck get back together.

This is not the first time I was disappointed by a TV show. Several years ago, I quit watching Grey's Anatomy because it messed up Jackson and April (a.k.a. "Japril")'s relationship with a love triangle story for too long. Although disappointed, at the time I didn't care enough to express my concern to ABC. I simply quit watching the show, because it didn't give me joy anymore. However, I care more about Tommy and his relationship with Buck, hence this letter. I hope the show will bring Tommy back and restore his relationship with Buck once more in Season 8B. I know a lot of fans have a similar hope.

#All I Want for Christmas Is Lou

Best regards,

[My name]

[nyancreeperpony]

This might just be me, but I am starting to notice a serious trend of independent animation being critisized simply for being self indulgent.

It happened with Hazbin Hotel in 2019 and it's currently happening to The Amazing Digital Circus now, which is which very sad to see. It's not enough to be pattern but it's definetly enough to be noticeable.

A lot of people who don't delve to much into creative mediums seem to forget that art: ALL ART, is a self indulgent medium. The target audience, when creating a project, is yourself. If other people like it and want to see more, than cool. But at the end of the day, you (or in this case, Gooseworx and Vivziepop) are the target auidence for their/your projects.

"All the characters in Hazbin Hotel reek of Tumblr and teenage edge" Vivzie designed all the characters when she was in Highschool and wanted to reuse them for her series. Of course they have 2010s Deviantart vibes, she grew up a 2010s deviantart kid and wanted to keep that vibe.

"Jax is total Tumblr Sexyman Bait and everything is too colorful and bouncy and annoying!" Gooseworx said themself that they like Jax's character archetype which is why they wanted to include him. Also have you SEEN Goose's other work? Bouncy and colorful are their thing.

There are plenty of things to critisize about HH (And it's spinoff HB) and TADC. Even as a fan of these works, I have my issues with them, some even as a result of this self indulgence, but disliking them so vehemently simply BECAUSE they are self indulgent really discourages people from making art, especially in fields such as animation.

TLDR: If you want to see more independent animation and art being made, you have to let people get a little self indulgent. You might not like it, but at the end of the day, it isn't made for you. And that's ok.

[moonshynecybin]

benjamin tallmadge is such a genuinely neurotic control freak it’s awesome

[compacflt]

Okay. Need to know after seeing your graph breakdown. Who told Bush and/or Obama about icemav???????? Please I need answers

i mean all they’d have to do is just look at them.

[dizzybevvie]

forever fighting the people who watched wkm for the first time, identified that Damien looked a lot like Dark, and instantly concluded he was "pretending to be good"

[ordinaryschmuck]

With Gooseworx all but confirming that the Jax being an AI thing is bullshit, I personally want to talk about an interesting part about Jax that a lot of theorists used as "evidence" that validates the theory:

Jax's fourth wall breaks are a common topic brought up amongst the "Jax is an NPC" theory. After all, Caine broke the fourth wall in the pilot, knowing full well that the world of The Amazing Digital Circus isn't real and is talking to some unseen viewer as he introduces the Circus Crew.

There's also this bit of official art surrounding Jax's pin:

Where everyone else is inside their room, Jax is outside as pieces of the circus fall apart around him and all of reality to crash. Certainly lends itself to this idea that Jax knows he's not a real person and that his presence could cause great disruption to this world. And he doesn't care because none of it is real. Might as well have fun and cause chaos in a world that doesn't exist.

And I'll admit, all of this seems like valid claims for how the theory could be true. I saw it all and thought that it surely COULD be possible...but there are some things that stop me from being convinced.

Firstly, Caine breaking the fourth wall in the pilot doesn't really seem like an AI talking to the audience. It looks more like an AI programmed to talk to a player as a game boots up. What we saw in the opening could be more like a morning routine that he has to do at least once a day. Plus, we've yet to see any other NPC talk to the audience like Jax has. He explicitly called out the viewers in episode three, knowing full well he's being watched by SOMEONE. Or, at the very least, acting like he is. What do I mean by that? Well, to explain, I'd like to use one of my favorite fourth wall breakers as an example:

Deadpool, in most adaptations, knows fully well that he's a fictional character. He'll talk to the readers/viewers, move the camera around, and constantly talk shit to the writers/studio for occasionally screwing him over. It's all in good (Sometimes bloody) fun...but there's a canonical reason for this. It's not like She-Hulk where the fourth wall breaks are a way to tell HER stories HER way. You see, Deadpool...is just fucking insane.

No, really, that's the reason. Due to the trauma of gaining his powers, Deadpool's mind breaks and he's led to believe that he MUST be a fictional character. In comics, he actually gets voices in his head that makes him think he must be some comic book superhero, and the movies implied that something similar happened given how he never broke the fourth wall ONCE before getting his powers. This means him breaking the fourth wall could be seen as a coping mechanism. After all, it's better to believe you're a fictional character designed to entertain some invisible audience than believe that all of the shitty things that happened to you and people close to you is just a cruel joke from the universe.

Sound familiar?

Going back to the pilot, remember how Pomni's first instinct was to say that the Circus was all just a dream? To her, it's better to live in a lie that everything around her isn't real than to accept the reality that she's stuck in digital purgatory. Jax very well could be going through something similar, but unlike Pomni who seemed to just accept her reality, Jax never did. The trauma of being stuck in the Circus had led to his mind breaking just like Pomni's, Kinger's, and anyone else's. It's just that, for him, he thinks he's coping with it better because he discovered the secret that no one else did: None of this is real.

They're not actually people trapped in some hellscape while an AI unintentionally tortures them. They're all just fictional characters whose tragedies and silly antics are used to entertain viewers. I mean, it's either that or they're real people forever trapped in the circus with the closest thing to death being a full, psychotic break as they give up their sanity because they no longer want to exist in this hell anymore...But that possibly can't be true. Because if that IS true, then Jax has to face that he's a real person stuck in a real, awful situation that he can't joke his way out of. So, it's best to think nothing is real and nothing they do matter. So, might as well have fun with it.

Going back to the pin...

I don't think this is damning evidence about Jax being an NPC. Actually, it perfectly captures who he is as a character. He knows the circus isn't real. He even thinks HE isn't real. So instead of grappling with that, Jax lets himself believe that if nothing is real than nothing he does matters. He can break things, ruin lives, and assist in torturing the others in the circus. It's what he thinks will make the show more entertaining, even though all he's really entertaining is himself so his mind doesn't break more than it does.

Now, could the same apply if he's an NPC? Well...maybe. Gumigoo definitely proves how far someone could fall when they're told their world is fake. He was about ready to give up on life because he didn't think he had one. If Jax was an NPC, I could see him having a similar break, but going in the far opposite direction where, instead of giving up on life, he chooses to live the way HE wants it. Instead of being some one-off NPC for a lame adventure, he could go off on adventures of his own and ruin the lives of others now that his is thoroughly ruined.

However, Gooseworx makes a good point: "...a lot of people come up with theories based on how unexpected they'd be, and not because they make sense or align with the show's themes."

If Jax is an NPC, it would harm the overall message of the show. That there's meaning to be found in a stagnant life, and you find that meaning with people close to you who make that life worth living. Jax represents a sort of foil to that idea, with his way of coping with the madness being pure chaos and breaking others. It's his coping mechanism, and it works because it shows how human Jax really is. They're ALL human and they have human desires and wants, with the Circus pretty much stripping that away and leaving them...as they are now. They're emotionally broken, their sanity is decreasing, and some of them are losing all sense of self. By making Jax an NPC, it would definitely be surprising, but it would take away from that idea. It no longer makes him a human facing his own tragedy but instead an AI that's just as broken as Gummigoo. More than that, it gives the others an easy out. All the crew has to do is tell Caine that Jax is an NPC and POOF! No more annoyance. So making him someone who HAS to stay with the others and they're forever forced to deal with him also adds more to THEIR tragedy and torture.

Jax being an NPC is an interesting theory, but I don't think it's one that SHOULD be true. To me, it's more fascinating watching Jax treat the world around him as meaningless knowing he's a human instead of a rogue NPC breaking everything. And Gooseworx made it clear how they feel about it. Now, could it potentially be a mislead to get fans off the trail? Genuinely...I don't think so. That sounded very "I don't like this idea so it's not gonna happen" type of response. Still, we won't know until the show wraps up. Anything can happen, but don't get your hopes up if a character who does bad things to people that don't deserve it is more human than you think.

[finelinefae]

the aviator [pilot!harry x teacher!yn]

synopsis: It’s the 1950s. Harry is the best pilot on the Air Force base and y/n is a teacher at a nursery.

word count: 8.5k

contains: fluff, flirting, opposites attract, bad boy/good girl dynamic, Harry has a southern accent, alcohol, smoking, allusions to childhood trauma

This is part 1 of a new series that will probably have 3-ish parts !!

. . .

Offutt Air Force Base, situated in Omaha, Nebraska, housed thousands of civilians working in or connected to the military.  People living in the nearby town would often hear the loud plane engines as they take off and land on the runway. They’d look out the windows of their home and see spitfires piloted by men undergoing training, executing missions, or just having a good time, even when they technically weren’t given permission. 

“Wah Hooo!” The spitfire trembled as it finally landed on solid ground. Harry braced himself for the landing, pushing himself back against his seat to stop himself from jolting around. He did his best to hide his smile and remain nonchalant as he heard the familiar voices yelp in excitement as he landed the aircraft. 

He removed his helmet and pushed the canopy of the cockpit open, leaping down and getting familiar with feeling the solid ground beneath his feet after being in the air. Two figures ran up to him, flailing their arms and screeching in excitement, “Tha’s what I’m talking about!” Harry opened his arms, unable to stop himself from laughing the two men almost knocked him over as they joined in a group hug. 

“You flew her like a champ, H. Never seen anything like that in my life.” Harry looked into two sets of eyes an identical colour to his own. 

Standing in front of him were his two brothers, Sonny and George. All three of them were pilots in the military and had been since they left school to sign up after the War. There wasn’t too much age difference between them which was probably one of the reasons the brothers were so close.  Harry was the oldest, just over a year senior to George, who happened to be taller despite being the middle child, and Sonny was the youngest.

“Yeah well, she still needs some work. One of her engine cylinders is faulty.” The three of them walked side by side towards the maintenance shed. Despite their differences in height, anyone would assume the three brothers were triplets from how similar they looked. Most people on base knew them for their signature sea-glass green eyes and their brown hair. 

“Oh I’ll go and tell Ruddy, he might still be here.” Sonny ran ahead 

“Oh and Sonny,” Harry called for his younger brother, “Good job.” Harry winked at his younger brother, referring to his work on the plane he had just flown. In response, Sonny straightened his shoulders and smiled feeling proud after receiving a compliment from his older brother. 

Harry and George both lit a cigarette each, pausing outside the door to the warehouse to smoke together. “I opened up a letter this morning from Ma.” George exhaled, smoke escaping past his lips. 

Harry tried not to show his annoyance, “Wha’d she say?” He grumbled.

“She misses us… All of us and she wants us to stop by, come visit for dinner one day maybe.” George explained.

“Is she still with that old bastard?” Harry looked up at his younger brother.

George nodded, “Last time I heard.”

“Then we’re not going, none of us are.” Harry thought back to the last time he had allowed himself and his siblings to visit his mother. It was going well in the beginning, she’d cooked them up a roast pork and engaged in conversation, until their Father came home. It wasn’t long into their visit before they left the house and Sonny had gone home with a black eye whilst Harry had to get his hand stitched up at a hospital on the journey back.

Harry had grown up in Dallas, Texas, in a tacky old house that barely stood upright just on the outside of town. Whilst his Father was out working on a ranch somewhere and getting pissed up every night, Harry would spend most of his days keeping the house together whilst tending to his younger siblings. His mother was often somewhere in the house - nobody knew exactly what she was doing, since she wasn’t exactly all there half the time - but she was there.

Every visit they made back home was a reminder as to why they had entered the military in the first place. Whenever their mother would send them a letter, it was either because she wanted something or wanted them to come home so she could ask for that same something in person. The last time Harry had bought his siblings home was the first time in years. He thought his mother would be different yet he had no idea why - she was still letting that old man walk around as if he was the one who kept the house from falling. 

“Sonny and I agreed you’re picking up Elise from nursery by the way,” George smirked, chucking his cigarette on the ground and putting it out with his foot. 

“You and Sonny agreed that?” Harry frowned, receiving a nod from his brother, “I’ve been flying all day and y’ still want me to go pick up the baby?”

George clapped his older brother on the shoulder, “We’ve both got to help out in the warehouse this evening and besides, you’re Offutt's best pilot, I think you can handle picking up a two-year-old on the way home.” 

Harry didn’t have time to argue with his brother as he stepped into the warehouse. He let out a deep sigh and took one puff of his cigarette before throwing it to the ground. He put his flight cap on his head to cover his messy hair and straightened his aviator jacket, walking towards the nursery. 

. . .

“How have you found your first day Y/N?” Midge, one of the other nursery workers asked as they stood at the sink together to wash up some of the paint pots a few of the kids had been playing with in the afternoon. 

“It’s been wonderful, Midge.” Y/N grinned. Although she was tired, she also felt ecstatic to finally be working again after months of searching for a new job.  She had always been good with children thanks to her older sister having a kid of her own for her to babysit now and then. So when the opportunity arose to work a well-paying job at a nursery on the military base, she couldn’t pass it up. They’d even offer her free accommodation and discounted food for groceries which was perfect considering she didn’t have much of any of those things when she was living alone.

“I expect most of the kids will be getting picked up soon,” Midge glanced at the clock, “Everyone will be returning from work.”

Y/N hadn’t expected pick up time at the nursery to be so busy but fathers and mothers bustled in to pick up their children to take them home all at once. Once the majority of the kids had been picked up, Y/N glanced around to see the mess that had been left from the day that she’d have to clean up by herself. Her shoulders dropped as she landed on a small figure, realising she wasn’t completely alone yet. 

“Elise, what are you doing?” Y/N smiled at the tiny girl playing in the corner, she was picking up picture books and flicking through them as if she were actually reading them. Y/N crouched down in front of the small toddler, “Are you enjoying those?” 

Elise just grinned, picking something up with her small fingers and trying to put it in her mouth. Her brown, curly ringlets were no longer in uneven bunches like they had been this morning and her overalls were covered in food and paint stains. Y/N picked up the two-year-old to place in her lap, “Shall we read something before your dad comes to get you?” Elise babbled a reply. 

Halfway through their fifth book, Elise was near enough asleep on Y/N’s lap. It had already been an hour since all of the other children went home and it wouldn’t be long before the sun would set. Y/N carefully picked Elise up so her head was on her shoulder and it was comfy enough to sleep as she stepped towards the telephone to see if Elise’s father was coming to pick her up. 

As her hand went to pick up the telephone, a voice stopped her, “Hello?” It was deep and southern and husky like he had just smoked a cigarette or two, “I’m here to pick up Elise.” 

Y/N turned around, and her breath caught in her throat as she spotted a tall figure leaning casually against the door frame. He wore a brown leather aviator jacket and grey trousers, with his flight cap tucked under his arm. His piercing green eyes, similar to Elise's, met hers, framed by brown curly hair. An unlit cigarette dangled from his lips. 

Y/N had never seen anyone like him in her entire life. 

“Y-yes,” She cleared her throat and forced her eyes to look away from his intense gaze. She stood and walked over to where he stood by the door with Elise in his arms, “You must be Elise’s father.” 

“M her brother,” He corrected. 

“Excuse me?” Y/N wasn’t sure if she heard him correctly, too busy gawking at him to actually pay attention. 

“M Elise’s brother, one out of three of her brothers to be exact.” He repeated, his eyes glancing at the sleeping girl Y/N was holding. 

“O-oh,” She blushed, “My bad, you look so similar I thought you were her father.”

“Easy mistake,” Harry smirked, “Would you like me to take her from you?” 

“Yes, of course,” Y/N gently removed Elise from her and passed her to Harry.

“There we go,” He cooed as Elise whimpered at the sudden movement, “There’s m’ little Elise.” 

Y/N thought her ovaries might explode as she watched the pilot interact with the small girl in his arms, making sure she was comfortable enough so she could remain asleep. “Are you new here ma’am?” Harry spoke his focus now back on Y/N.

“Yes actually, today’s my first day here,” She explained. 

“No wonder, I ain’t ever seen y’ around the place. How’re you liking it so far?” 

“I’ve only been here a couple of days but it’s been nice. Working here at the nursery has been lovely too,” 

“Yeah?” Harry’s lips curled, “I hope this one hasn’t been giving y’ much trouble. She can be a little devil with my younger brothers.” 

Y/N immediately shook her head, “No, she’s been lovely honestly. Think I spent most of the day with Elise out of all the other children.” 

Y/N noticed how Harry focused on her face as she spoke to him, every now and then his eyes would dart to her lips and then back up to meet her eyes, “Y got any friends here?” 

She paused, “Any friends?” 

“Yeah, you know,” He half smiled, it felt almost flirty but maybe Y/N was just imagining it, “People y’ like to hang out with.”

“Uh yeah, I share a house with a few of the girls who work in various places around the base. I get along with most of them and the ladies who work here at the nursery too.” Y/N explained, cringing at how awkward she was and how she’d probably be replaying this conversation back later only to die of embarrassment of all the things she said. 

“Y’ know there’s a dance down at the community centre this Friday, y’ should come, oh and invite some of those friends of yours too.” 

“Oh I don’t know, I think I’m working this Friday and-” 

“A lot of my buddies who I fly with go there sometimes - a good time they said. It might be a good chance to meet some of the people here,” He shrugged, “Could offer y’ a dance or two if you’d like.” 

Y/N wondered if all this was really happening right now or if she was just so tired that she was hallucinating, “O-okay,”

Harry grinned, a dimple carving into his cheek, “Well alright then,”

“Alright then,” Y/N tried to keep her smile at bay as she took it as his queue to leave. She kept the door open so he could easily step out as he walked backwards with Elise in his arms and his eyes still on Y/N even as he said nothing. 

“So I’ll see y’ at the dance?” 

“Maybe,” Y/N shrugged, even though she had already decided she was most definitely going to the dance. 

“Alright, maybe I’ll see y’ at the dance then,” Harry responded with a light, amused chuckle. 

Y/N watched as he turned his back and began to walk down the dirt road until he stopped briefly and spun around, “I didn’t catch y’name by the way,” He called out to her.

Y/N cupped her mouth, “It’s Y/N,”

“Y/N,” He said the name like he was testing how it sounded, “M Harry. Hey, I better see y’ at that dance Y/N, I don’t handle rejection all that well.” Y/N couldn’t help but giggle.

“I can believe that,” She yelled back.

“I’d say goodbye but I wanna see y’ at that dance so I’ll say goodnight instead.” Harry said with a casual salute before turning and continuing down the road.

Y/N shut the door and leaned against it, clutching her hands over her chest in complete disbelief. Her sister had warned her the pilots on the base would be young men near enough her own age and that she ought to be careful hanging around them. However, her sister hadn’t warned her that a man like Harry would stumble over to her workplace to pick up his sister and invite her to a dance on Friday night.

Y/N quickly cleaned up the nursery, shoving things into boxes and wiping down the tables, before grabbing her coat and running down the road to her house.

On every street on the housing estate, there was a row of houses that all looked the same but were owned by different types of people. Some had big families all living under one roof, others were men who lived alone. Y/N’s house was the first house on the street. It was a traditionally designed home with a pitched roof, a small front porch and symmetrical windows. She shared it with three other girls who all worked different jobs across the Air Force base. 

The sun had already set by the time she entered the house. All the lights were turned on and the gentle music of Buddy Holly sounded from the living room. Y/N kicked off her heels and hung up her coat, walking to the living room where Patsy and Molly were lounging on the couch. Molly had Patsy’s foot in her lap as she painted her toenails a wine red. 

Y/N collapsed on the couch next to Molly, “What’s wrong? Work not go so well?” Molly inquired.

“No,” Y/N huffed, resting her head on Molly’s shoulder, “It was wonderful.”

“Well, what’s got you so blue Peggy Sue,” Patsy questioned, her tone playful. She was reading a magazine and smoking a cigarette. 

“A man came into work after everybody left to pick up one of the girls, Elise.” Y/N clarified. 

“You mean Elise Styles?” Molly asked. 

Y/N sat up, “Yes, you know her?” 

“Just about every woman on this base knows her. She’s the Styles’ little sister.” Molly explained, “We’ve all had to babysit her at least once for those brothers.” 

“Yeah and neither of us will be doing it again,” Patsy piped up, as if reminding Molly. 

“Oh, you must know Harry then,” Molly paused, shoving Patsy’s foot off of her lap and turning to face Y/N.

“Is he the man you’re sighing over?” Patsy’s magazine fell to the floor as she too stopped to listen. 

Y/N furrowed her brows, confused by their reaction, “Y-yes, what about him?”

“What about him?” Molly stood, grabbing a cigarette from the packet on the coffee table and lighting it up, “Y/N you oughta be careful around all three of those brothers but especially Harry.”

“What do you mean?” Y/N glanced at Patsy who nodded in agreement with Molly. 

“That boy is not good news. He’s Offutt’s best pilot and he thinks that gives him the right to go around sniffing out every woman that steps foot onto this base.” Y/N frowns, watching as Molly begins to pace back and forth, “He didn’t ask you to go out with him did he?”

“Well he asked me to the dance on Friday. The one at the community centre.” 

“Oh, I bet he did!’ Molly exclaimed, “Listen Y/N, I’m telling you this because I don’t want any trouble for you. That boy is no good, he’s slept with half the ladies residing here and even the wives too I bet! He asked Patsy to go out to dinner with him one night and stood her up to go see another woman.”

Y/N glanced at Patsy, “He was flirting with two different women inbetween the moment he asked and our date a week later.” She added. 

“That’s right. Y/N darlin’, we shoulda warned y’ before y’ stepped foot out of this house this morning. Those Styles brothers will mess you around and leave y’ lonely for sport. You’re too nice to deserve all of that.” 

Y/N's shoulders slumped, “But he seemed so… nice.” Y/N pictured Harry with Elise and how gentle he was with her. 

“He’s not a bad person Y/N but when it comes to women, there’s no guessing what that man turns into.”

“Everyone’s heard plenty of things about why they came here too. If you ask me, his home wasn’t exactly a perfect example to him.” Patsy said.

“Well, whatever reason, best stay away from him.” Molly finished. 

Y/N heaved a sigh, “So I shouldn’t go to the dance on Friday?”

“Oh no, we’ll go to the dance. Harry’s not the only fine, young pilot on base I’ll tell you that.” Molly smirked and Patsy cheered with excitement at the thought of going out Friday night. 

Y/N attempted to smile, but she couldn't shake off the sadness upon realising that the man she had met earlier in the evening wasn't as kind as she had initially believed. Molly fell back onto the couch next to her and put an arm around her shoulders, “Cheer up sweet cheeks. I’m sure plenty of men will want to take you out after this dance.” 

Y/N managed a weak smile, grateful for Molly's comforting presence. "Thanks, Molly," she murmured, leaning into her friend's embrace.

"Yeah, plenty of fish in the sea, darlin'. You'll find one that's worth your time." Patsy chimed in.

Feeling a bit more reassured by her friends' words, Y/N nodded. "You're right. I can’t let one bad apple ruin my night."

Molly squeezed her shoulder affectionately. "That's the spirit! Now let's focus on having a great time at the dance. We can tell you about some of the other fellas who live here too."

With her friends' support, Y/N felt an inkling of hope return. She might have been disappointed by one man, but she wasn't about to let it dampen her spirits for the rest of the evening. She was glad she told her friends about her interaction with Harry and now she was left with one rule stitched into the back of her mind.

Keep away from Harry Styles. 

. . .

The night sky was clear enough to see the stars glittering against the pitch-black backdrop. A soft, gentle breeze flowed through the air as Harry lay back on the swinging chair on the front porch of the house he shared with his three brothers. 

This was his favourite time of day when it was completely silent and the air was cool and crisp. He didn’t like the nights so much when he was living with his parents. After midnight, or sometimes just before, his father would come in through the backdoor stinking the place up with alcohol and waking everyone up with his nightly rampages. 

Nowadays, the nighttime was the most relaxing part of the day and Harry savoured every second of it. He often finds himself sat out on the porch after putting Elise to bed. He’d smoke a cigarette or two, and maybe play his guitar a little bit. 

Tonight felt a little different though. Whilst his brothers were upstairs trying to put a fussy Elise to bed after she’d napped when he brought her home from nursery, he came outside and could think of nothing but the woman he found holding his little sister in her arms. 

Harry knew everyone on base the same way they knew him. He recognised faces easily and had at least one brief encounter with everyone he met in passing. However, the face he had met for the first time this evening was unfamiliar and new. 

Her features were delicate and angelic, with large doe eyes that held a hint of shyness to them. A soft, rosy blush adorned her cheeks and her lips were full and plush that he couldn’t seem to take his eyes off of them. Her movements were gentle and her voice was airy and sweet, Harry thought of her stuttering and the way she’d blush whenever she spoke. He hadn’t seen anything like her in his life - he wasn’t a religious or spiritual person but, at that moment, he was pretty sure an angel had landed right in front of his very eyes. 

Even her name sounded as though it came from some kind of mythical text - one full of beauty and purity, love and light. 

Harry wasn’t the purist of men, far from it. He had slept in the beds of women he couldn’t remember the name of and indulged in his fair share of reckless behaviour. But in the presence of Y/N, he felt an unfamiliar stirring within him, a sense of longing tugging at his heartstrings. He didn’t know what it was and he wasn’t so sure he was ready to find out yet. 

He lit a cigarette with a matchstick and exhaled into the air, tendrils of smoke dancing above him. The sound of footsteps thudding inside of the house as someone walked downstairs, broke the silence he had been basking in. 

The door swung open and George stepped out, “Finally managed to get Elise to settle down though it took a whole round of nursery rhymes. Sonny’s still up there now, he’s afraid she’ll wake up again if he stops singing.” George took a cigarette from the pack Harry had in his pocket, “I thought you told those ladies at the nursery not to let her nap before she comes home.” 

“I did,” Harry spoke, his voice husky. 

“What? They didn’t listen to y’?” George chuckled. 

“There’s a new worker. I’ll let her know next time I see her.” Harry hadn’t wanted to tell Y/N that Elise wasn’t allowed to sleep so late in the afternoon because it was harder to get her to go to bed at night. He didn’t seem to have the heart to as he watched her hold the small girl in her arms. 

George scoffed, “A new worker? Is she a knockout at least?” 

Harry didn’t reply, instead asking,  “What do y’ think about the three of us going to the dance at the Community Centre on Friday?” 

George laughed until he realised his brother wasn’t laughing with him, “You’re serious?” 

The door swung open again and out stepped Sonny, “I swear if that baby wakes up, you two can sit in there and dance circles around her singing Miss Muffet for all I care. I ain’t doing that again.” He wiped his brow with the back of his hand, “Can y’ pass me a cigarette, George?” 

George handed the cigarette to Sonny, “Hey Sonny, Harry wants to know if we’ll go to the dance at the Community Centre this Friday.”

Sonny chuckled but that quickly went away, “Oh shit really?”

“Yeah tha’s what I thought,” George said.

“You got your eye on someone Harry?” Sonny spoke, “Is it that girl from the med centre? She sure is something.”

Harry sat up and turned to face his two brothers, “No, it’s not that,” He lied, “Jus’ thought we could go do something other than sit around and drink at the bar.” 

“But the dance?” Sonny quirked a brow, “You hate dances.”

“I never said that,” Harry said, even though he always made it known how much he hated the dances they held every Friday night. 

“No, I definitely think I remember y’ saying dances were for people who wanted to get laid but couldn’t,” George spoke, backing up his younger brother who nodded in agreement. 

“Alright,” Harry held his hands up, “Alright maybe I did say that. C’mon, what are you, Gunther and Francis? Sit down the pair of you.” They followed their older brother's orders, sitting on the seats opposite him. “Maybe there is a girl.” He sighed.

“Oh yeah?” Sonny smirked.

“Yeah, little shit,” Harry chuckled, “So if you could both do me a favour and get yourselves cleaned up Friday night because we’re going to a shitty dance and I won’t be having either of y’ covered in grease and soot.”

“Okay, alright, H.” George took a puff of his cigarette, “But you’re paying for drinks after.”  Harry shook his head, unable to suppress a chuckle.

. . .

Y/N stood in front of her bedroom mirror when Friday night rolled around. She had left the nursery in a hurry, needing as much time as possible to get ready for the dance at the Community Centre. She had been wracked with nerves all week, knowing there was a high chance she would see Harry there and she’d have to do her best to ignore him like Molly had told her to. 

She had picked out her outfit the night before. It was one of her best dresses- a lovely duck egg blue, satin fabric with a fitted bodice and a sweetheart neckline that showed off her decolletage. From the waist, the skirt flowed down in a full, flared A-line silhouette, gently swaying with every step. She wore white low heels on her feet and decided to carry a small purse with her too. 

Most of her time in the evening was spent on her hair and makeup. Y/N had almost used an entire can of hairspray to ensure her hair would stay intact the whole night. Molly had even given her a French manicure the night before and she spent the whole day at the nursery trying her best not to ruin her perfectly shaped nails. 

It had been a long time since she had put this much effort into going somewhere and it was all for a measly dance. There would be many other pretty girls who had spent more or less time on dressing up who probably had a better chance of catching the eye of a man than Y/N did. Yet she wasn’t hoping for the attention of just any man. 

Even though Molly and Patsy had warned her of Harry’s nature, she couldn’t stop thinking about Harry. The way his eyes sparkled when he smiled and the sound of his voice as he spoke in that deep, southern drawl. Every time she thought of going to the dance, he would appear in her mind. Maybe she didn’t necessarily want anything from him but she wanted to at least catch his eye enough to make a lasting impression on him. 

Y/N applied a little more powder to her nose and did one final check in the mirror. She straightened her shoulders, “This will have to do,” She muttered, grabbing her purse. 

Patsy and Molly were already downstairs drinking margaritas and listening to Frank Sinatra on the record player. “Oh and another one comes to join us,” Molly grinned, wearing a navy, spotty dress with a red belt wrapped around her small waist. 

“What took you so long?” Patsy grinned, pouring a drink in a martini glass and handing it to Y/N.

“O-oh no thank you, I don’t drink.” Y/N shook her head and forced a smile out of politeness.

“What? You don’t?” Patsy replied like she couldn’t believe what she was hearing. 

“Oh c’mon! Just one little sip - liquid courage and all that.” Molly took the glass from Patsy to give to Y/N who forced herself to take it from her. She held the glass to her lips, taking one small sip and feeling a tiny burn from the alcohol. 

“Good right?” Molly smirked, lighting a cigarette and holding the packet open to Y/N. 

“No thank you, I don’t smoke either.” Y/N laughs nervously. 

“Fair enough,” Molly shrugs, passing the pack over to Patsy who happily takes one for herself. 

Y/N places her drink on the table, knowing she won’t be touching it again. “We’ll be heading out in a moment, we’re just waiting on one more.” As if she could hear them talking about her, footsteps thumped down the stairs and into the living room.

Y/N’s eyes widened when her eyes landed on the tall, blonde standing in the doorway. She was wearing a black dress with a neckline that showed off her bust and a tight waistline that accentuated her curves. The strands of her golden, blonde hair were tied back into a high ponytail with her fringe perfectly curled. She wore red lipstick on her plump lips which made the blue in her eyes even brighter than they already were. 

“You’ve been in your room for hours, Nancy,” Patsy whined. 

“Yes well, I don’t just plan on getting wasted tonight Patsy.” Nancy retorted. 

Nancy was Y/N's other housemate, but Y/N didn't know her as well as she knew Patsy and Molly. Even though they lived together, Nancy seemed a bit distant compared to the latter two, who were friendly and nice. Nancy would smile politely, but she didn't say much else. Oftentimes, Y/N would get a strange feeling about Nancy like how she would make little comments that seemed to be jabs masked by forced politeness or how sometimes it felt like Nancy enjoyed pointing out Y/N's mistakes, like how she did her laundry or what groceries she bought. She wasn’t sure what she had done to upset Nancy but Y/N hoped it was just her over-thinking that made her believe she was this way and that tonight would allow them to get to know each other a little better. 

Nancy’s eyes fell on Y/N and looked her up and down, “Nice dress,” She said, her voice dripping with saccharine sweetness.

“Thank you,” Y/N offered her a smile but received nothing in return. 

“Alright ladies,” Molly stubbed her cigarette in the ashtray, “Let’s go catch us a few good men.”

“A few?” Patsy giggled.

“You’re right, I think a few is a little too much for this place.” Molly huffed and led the way out of the house and towards the community centre. 

Y/N could hear the live music coming from the centre as they walked down the street. Patsy and Molly were stumbling ahead, arms linked together as they laughed side by side. Y/N tried not to laugh at her friends as she walked alongside Nancy. 

“You planning on hooking up with anybody tonight?” Nancy’s voice broke the silence between them. 

“No I don’t think so,” Y/N replies. 

Nancy scoffs, “These dances are mostly for that you know, better prepare yourself when a fella tries to talk to you.”

“You think they’ll want to?” Y/N asked, hopeful.

Nancy glanced at her, “I’m sure they’ll snatch you right up those pilot boys.”

Y/N blushes, “Is there anyone you’ve got your eyes on tonight Nancy?” She liked this, conversing with Nancy. She hoped this would be the start of breaking the ice between them and maybe they could become friends eventually, or at least build acquaintances. 

Nancy smirks, “Only one.” She said nothing after that. 

The girls walked into the community centre which was already full of people from all over the airbase. A live band was playing Elvis Presley songs, the music blaring into Y/N’s ears once they stepped inside. “Any of you girls want a drink-”

“Molly is that Everett?” Patsy pointed to a man in the corner, talking to a woman. 

Molly’s face scrunched up, “I guess he’s back from Italy.”

Nancy interrupted the conversation, her eyes darting across the room like she was searching for somebody, “You girls grab something to drink, I’m just going to use the bathroom.”

“Who’s Everett?” Y/N asked Patsy as they walked towards the drinks table. 

“A guy Molly had a thing with last year,” Patsy explained.

“Yeah until he told me he was going to Italy for a year and wanted to break things off so he could get laid by an Italian woman.” Molly ranted, leading the girls to the drinks table. 

A bowl of punch resided in the centre of the table, Molly grabbed the ladle and poured them all a drink. Y/N took a sip and allowed her eyes to scan the room. Couples were dancing in the centre whilst others spoke in groups off to the side.  

Eventually, her eyes caught sight of a group of men walking through the door. Each one of them was dressed in a similar uniform, a navy blue tailored jacket and matching, fitted trousers. She watched as an entire group of them continued to flood in through the doors until the last man stepped through. 

He was wearing the same uniform as the others and his hair was gelled back with one curl falling in front of his forehead, unlike the messy curls she had seen when they first met. Y/N couldn’t help but stare as he weaved through the crowd and interacted with people as he walked past them. Everyone seemed to know him from the looks of it. He exuded confidence and bravado, people’s faces lighting up whenever he stopped to talk to them.

“Patsy?” One of the boys spoke. 

“Here we go,” Molly muttered, forcing a smile. 

A man with features that looked similar to the man Y/N had been eyeing, walked up to them with a taller man following him. “Hi Sonny,” Patsy greeted. 

“Y’ sure know how to make yourself look good when you want to,” He winked, eyeing her up and down.

“What’s that supposed to mean?” Patsy put both her hands on her waist. 

“You know what I mean,” Sonny argued, realising he might have said something to offend her even though he had no idea what that might be. 

“Hi,” The taller man behind him spoke. Y/N looked up and was met with familiar green eyes except they were a little bit lighter than the ones she had seen. 

“Hi,” Y/N blushed.

“I’m George. Are you new here? I don’t think I’ve ever seen you around.” He wondered, pointing his thumb over his shoulder to the crowd as he spoke. 

“Y-Yes, I arrived recently actually. I just started working at the nursery.” She clarified. 

“Oh, the nursery! You must know my little sister Elise.”  Y/N’s lips turned upwards thinking of the little girl she had been spending so much time with over the last few days. Since her first day, Elise had constantly been wanting her attention whether it was to nap or play with things or read books. “You must have met my older brother then.”

“Older brother?” Y/N didn’t have enough time to register as George glanced around the room and called out his brother’s name. 

“Harry, c’mere!” He called. 

Harry’s head turned towards them in the middle of his conversation. His eyes landed on his brother until they found hers. He offered a small smile and began to walk towards them with a drink already in his hand, “This is one of the new workers at Elise’s nursery.” George introduced even though he didn’t really need to. 

“Yes, we’ve already met,” Harry said and Y/N thought she might melt into a puddle on the floor at the sound of his voice. “Hi there,”

“Hello,” Y/N smiled, shyly.

“So you came?” He teased. 

“I did.” She laughed, lightly. 

“And these are y’ friends?” He looked to Patsy and Molly who were bickering with Sonny who seemed to have said something else to offend them, George now joining in on the argument as he let Harry and Y/N talk. 

“Yeah, they’re my friends,” Y/N said, feeling nervous under his gaze. But despite her nerves, she couldn't deny the thrill of being the focus of his attention.

“Good to know,” He murmured, “Y come here with anyone else?” 

"Um, no, just the girls from my house," Y/N stuttered, feeling a rush of nerves as Harry's gaze lingered on her. "I don't know that many people. Other than the girls I live with and the ones from the nursery, who are all lovely, by the way," she added, her words tumbling out in a nervous ramble.

Harry grinned, his eyes twinkling with amusement at her flustered state. "You know me too," he stated, his tone playful as he leaned in closer. 

Y/N gulped the air she breathed just as the lights in the centre dimmed. The fast-paced music began to slow down and couples gathered to the dance floor to slow dance together. “Y wanna dance with me Y/N?” Harry asked. 

“I-I’m not very good at it,” Y/N smiled sheepishly, her cheeks tinged with a delicate blush. It was impossible to resist the charm that radiated from him.

He held out the palm of his hand and Y/N’s lips parted as she glanced down at it, “S just swaying tha’s all. Think y’ can do that?” 

Y/N hesitantly nodded, her pulse quickening as Harry's long fingers gently wrapped around her wrist. A tingling sensation danced across her skin, sending shivers down her spine and causing goosebumps to rise in response to his touch. He led her to the centre of the dancefloor and turned around so they were face to face. Harry took both of Y/N's hands in his own, his touch sending electric currents coursing through her veins. With a tender yet confident touch, he trailed his fingers down her arms, causing her breath to hitch in her throat. As his hands settled at her waist, Y/N's breath turned shallow, her heart racing as the music floated through the air. 

She was stiff at first, unable to relax until he leant forward and whispered, “Relax birdy,” She felt his breath against her neck as he spoke. He squeezed her waist a little and she dropped her shoulders, trying her best to loosen up under the circumstances. 

“Birdy?” Y/N spoke, questioning the new nickname.

“I spotted y’ as soon as I stepped through the door. Your dress is blue ‘n it reminded me of the bluebirds I used to see back home whenever I’d go up in the mountains with my grandpa.” He explained. 

“I didn’t know you’d seen me.”

“I searched for y’ as soon as I walked in. I only came because of you, if I couldn’t find y’ I’d probably just turn back and go to a bar or something.” He chuckled and Y/N laughed with him.

“No Elise?” She questioned, unable to stop herself from asking about the little girl she had become fond of. 

“Elise is staying with the family next door. Little rascal tried to get ketchup on my uniform,” He rolled his eyes, “I got a free house if that’s what you’re implying though.”

Y/N’s face turned beat red, “N-No that’s not what I’m implying at all.”

“M just messin’” Harry grinned, cheekily.

Y/N relaxed, composing herself and trying to pull herself together, “I’ve heard things about you, you know.”

“Oh yeah?” Harry smirked, “What things?”

“Just things.” Y/N felt his fingertips press her skin for a moment.

“And do you believe these things?” Harry murmured, leaning in a little closer.

Y/N looked him in the eye, trying to see if she could read him without having to ask him a thousand questions, “I don’t know yet.” 

Harry opened his mouth to reply but was stopped by the sudden change in music and the lights turning on above them. People cheered as they gathered back into big groups and began dancing again. Harry bit back a grin, shaking his head, “Y wanna come outside with me?” He asked, shouting over the loud music. Y/N bit her lip and nodded, taking his outstretched hand and allowing him to pull her through the crowd of people. 

The air was cold once they stepped outside. Harry led her over to a small bench nearby where fewer people were gathered. He pulled out a cigarette and offered her the pack, “Oh no thank you, I don’t smoke.” She declined, politely. 

Harry smiled around his cigarette, his gaze lingering on Y/N for a beat or two as he casually slipped the pack into the pocket of his trousers. The air between them was filled with a comfortable silence, broken only by the soft sound of music drifting from inside the centre. Sensing Y/N's slight shiver, Harry swiftly removed his jacket and draped it over her shoulders without saying a word.

"But you'll get cold," Y/N protested, her eyes widening in surprise.

"Don't y’ worry about me. I don't get cold," Harry quipped, a mischievous twinkle in his eye as he shrugged off her concern. His white t-shirt revealed toned arms adorned with a few tattoos littering his tanned skin. 

As Harry tilted his head back to blow smoke into the night air, Y/N couldn't help but admire the way he carried himself with effortless confidence. Gathering her courage, she decided to strike up a conversation.

"Were those your brothers back there?" she asked, trying to keep her voice steady.

"Yeah, Sonny and George," Harry confirmed with a hint of pride in his voice.

"They look so much like you," Y/N remarked, her curiosity piqued.

"Strong genes, I suppose," Harry shrugged, his tone becoming more serious as he opened up about his family background. 

"What about you? Do you have any siblings?" He inquired.

"Just an older sister and my little niece, Rosie Jean," Y/N replied, a fond smile tugging at her lips as she thought of her family.

"And your parents?" Harry pressed, his gaze intense as he studied her reaction.

"My parents are doctors, they work at a surgery in town," Y/N explained, feeling a pang of homesickness as she reminisced about her upbringing.

"And yours?" She prompted, turning the conversation back to Harry.

"M parents are nobodies," Harry's voice took on a sombre tone, clearly his family life was a sensitive topic. Sensing his discomfort, Y/N chose her next words carefully.

"What about Elise?" she asked, hoping to lighten the mood with talk of his sister.

"Elise is better off being raised by us three than being left alone in a house with batshit crazy," Harry scoffed, his protective instincts kicking in.

Feeling the weight of their conversation, Y/N searched for a way to lift Harry's spirits. "What made you want to be a pilot?" she asked, genuinely interested.

“Sonny came home wanting to sign up for cadet training after they visited his school. He came home running through the doors with a flyer in his hand and told everybody he was going into the army. I told him ‘No brother of mine is going anywhere that requires trench foot and guns.’ He didn’t talk to me for a week after that. It wasn’t until I found an advertisement where y’ could train to fly planes when I decided I was gonna make a better life for myself and my siblings. It just so happened Sonny and George wouldn’t let me go at it alone.” He inhaled his cigarette before tossing it to the ground. 

As Harry shared the story of how he and his brothers found their way to Offutt, Y/N couldn't help but admire his determination. She found herself drawn to him even more, captivated by his strength and the way he always included his brother’s in everything he spoke about. 

A comfortable silence settled between them. Y/N's heart skipped a beat as Harry smoothly slid his hand next to hers, their fingers intertwining effortlessly. His touch sent a jolt of electricity through her. 

"Have I told y’ how beautiful y’look tonight?" Harry's voice was soft, his gaze locking with hers in a way that made her heart race.

Y/N blushed at his compliment, unable to tear her eyes away from his. "You're lying," she protested, feeling a surge of warmth spread through her cheeks.

"I swear it," Harry insisted, his hand reaching up to tuck a stray strand of hair behind her ear. "Swear on m’ life, birdy."

Y/N's heart fluttered at the nickname, a secret thrill running through her as she turned to face him. His eyes held a tenderness that melted her defences, and she found herself smiling back at him.

"Hi, birdy," Harry murmured, a dimple appearing on his cheek as he leaned in closer.

"Hi, Harry," Y/N whispered, her voice barely above a breath as she savoured the moment.

Harry's shoulders dropped and a soft smile tugged at the corners of his lips, though he seemed to be fighting to contain it. “I can’t lie to y’ birdy, I can’t stop thinking about kissing you,” Y/N's breath caught in her throat, her heart racing at his words. “I was gonna lie and tell y’ I’d been thinking about it since I saw you tonight but… quite honestly, I think I've been dreaming of y’ since I met y’ the other day.” 

Y/N didn’t know what to say, she felt as though someone had put a zipper straight across her mouth and she couldn’t get it to open. All she could feel was every muscle in her body beating against her skin as though they were trying to force her to surge forward and kiss him herself. “Y-You can if you want,” She stuttered, cheeks pink.

Harry laughed, “What about if you want? Can’t go kissin’ y’ if y’ don’t want it birdy.” 

“I do want it,” Y/N nodded. 

“Yeah?” He spoke but it came out more like a whisper. 

“Yeah.” Y/N gulped, feeling nervous. 

Harry didn’t hesitate once the word had left her mouth. He leaned forward, closing the distance between them. Their lips met in a gentle, tentative kiss, soft and exploratory. Y/N's heart fluttered as she melted into the warmth of Harry's embrace, her senses flooded with the taste of his lips and the scent of his cedarwood cologne.

Time seemed to stand still as they lost themselves in the sweetness of the moment, their kisses deepening with each passing second. Harry's arms wrapped around Y/N, pulling her as close to him as possible. 

In that instant, everything else faded away—the noise of the party, the chill of the night air—leaving only the two of them, lost in the heat of their first kiss. 

They were both breathless as they pulled apart. Y/N’s eyes fluttered open to find Harry already looking at her, his eyes filled with emotion and intense desire. She noticed his tongue poke out to lick his bottom lip and she couldn’t help but giggle when she noticed the red lipstick stain she had left on his mouth from her kiss. 

“Where abouts do you live?” Harry murmured.

“Clemon Street,” Y/N spoke, her voice coming out a whisper. 

“Yeah? That’s on my way home,” He grinned. 

“Oh really?” Y/N bit back a laugh, “I thought y’ lived on Newark Street - it said so in Elise’s file.” 

Harry shrugged, “I like to go the long way round.” Y/N didn’t bother pulling him up on the fact that the two streets were on opposite ends of the housing estate. 

“Can I walk y’ home?” He asked, his fingers fiddling with the fabric of her dress. 

Y/N nodded, biting her bottom lip, “Yeah I’d like that.” 

Harry grinned, “Well alright then.”

They stood up, Y/N keeping his jacket around her shoulders since it was still cold out, “I’ve just got to go to the bathroom,” She motioned towards the community centre. 

“I’ll wait for y’ at the door,” He said, following her as they walked to the community centre side by side. Y/N walked up to the steps and opened the door, she looked over her shoulder to make sure Harry was still there- that he was real and not just someone she dreamt up.

Harry caught her eye, “M not going anywhere birdy,” he winked, “hurry up so I can walk y’ home and kiss y’ again.” 

Y/N laughed and hurried straight to the bathroom. Once inside, she closed the cubicle door behind her and sank down onto the lid of the toilet seat, a wide grin spreading across her face. Unable to contain her excitement, she let out a delighted squeal, her mind buzzing with thoughts of the moment she had just shared. 

She pulled out the pocket mirror from her bag and quickly reapplied the lipstick that had been smeared off. She fluffed up her hair with her hands and rubbed her aching cheeks from where had been smiling so much. She stood up and held Harry’s coat in her arms.  As Y/N stepped outside the community centre, she scanned the area in search of Harry, hoping to catch a glimpse of him waiting for her. Her anticipation turned to disappointment when she couldn't spot him anywhere, and her shoulders slumped slightly in resignation. Just as she was about to turn away, a figure caught her eye—a silhouette that had a striking resemblance to Harry—standing in a shadowy corner illuminated by the lights from the community centre.

Heart fluttering with excitement, Y/N smiled and took a step forward, eager to walk home with him. However, her joy quickly turned to dismay when she realised he wasn't alone.

A sudden giggle pierced the air, causing Y/N's heart to sink. Molly's warning appeared typed out in big letters at the forefront of her mind, filling her with regret and dread as she hesitated, frozen in place. With each step she took closer, the scene before her unfolded—it was Nancy, her housemate, clinging to the man she had just kissed.

I imagine George to be Callum Turner and Sonny to be Timothee Chalamet specifically from ms stevens but you can imagine whoever you’d like ! <;33

[wandering-pirate]

Mouthwashing Characters Headcanons

The Crew's Love Language ft. You

Captain Curly

Words of Affirmation

The captain is well-known for having his vocabulary overflowing with encouraging and uplifting words, a stellar reputation for giving good pep talks

Deep inside, he always loved hearing words of praise from the people he cared about the most. He always valued the affirmations from them, a foolproof method to make him smile and feel loved

For him, words are like fire, and people can either use them to warm someone up or burn a whole damn city

He never raises his voice at you when it comes to negative emotions, never when he's angry, frustrated, or panicked

He, however, is so enthusiastic when congratulating you or when he's excited about the topic you're both talking about

Your heart (and belly) can't help but feel very warm with the way he uses his words with his deep tone. If a kid asked you how a space superhero would sound, you'd bring Curly forward

With his effort to stay optimistic, you always make sure to tell him an encouraging word or sweet strands of praise whenever you see him and after he does something

"Captain, remember to stay hydrated, you're doing great, sir."

"You always know how to put the crew at ease, Cap. Appreciate it"

"You're so reliable, gosh, thank you!"

Every praise and affirmation you throw his way makes him blush and stutter, a polar opposite to his status

You make it a duty to compliment him sincerely. The hunk of a man ends up having a red face every time he receives your sweet words to the point that the crew teases him for it

"Cap, what's red and stutters?"

"I swear, Jimm--"

"Oh, oh! I know!"

"Come on, Daisuke, not you to--"

"You, after talkin' to Y/N."

The captain, co-pilot, and intern stared at Swansea’s retreating back after he butted into a conversation that the mechanic would find ridiculous even being a part of

You also made sure to never—I MEAN NEVER—use words against him, especially with secrets or information that he exclusively told you about (probably the reason why you and Jimmy ended the Captain's birthday party with knives at each other's throats)

Mechanic Swansea

Acts of Service

The old man was raised in a household where serving your family is the ultimate display of love

His father scoffed after reaching the last part of young Swansea's greeting in the Christmas card he gave him:

"I love you? Boy, you can't even make a decent cut on that firewood from a while ago"

"I love you's" are just empty words for him. When you really want to reach into his head and hammer some sense of what you feel about him, you gotta show it

However, unlike his father, he doesn't need a grand display of actions to know and notice. He actually prefers the little things you do:

Remembering his coffee preference and making it every morning

Giving him a massage in the area his hands seem to knead frequently

Putting his socks on before work

Giving him a pedicure (after leveraging that he'd eat you in bed for the whole night)

He also holds himself up to the same standard, always doing chores around the house whenever you're busy:

No stocks of pads and tampons? He'll make sure he gets the right brand you always get

Your favorite furniture that you inherited needs varnishin'? He's on it.

Your daughter's birthday is coming up, but you're too ill to make the cake? He ain't a baker, but he'd be damned if he won't at least try

"Daddd, is this... is this meat... on my birthday cake?"

"S'called 'cake of love' for a reason, darlin'. You don't question its ingredients. It's made of love"

What makes your heart flutter is not having to tell him all the things that need to be done. He knows what's lacking and what you need

When there are times you have to vocalize your concerns, he'll simply nod, and after a moment, it's done

Co-pilot Jimmy

Physical Touch

*Sighs* Need I say more?

Jimmy is the type who’s not comfortable with PDA, but he can't seem to keep his hands off of you when he feels threatened, (especially when Curly is having a casual conversation with you)

You can't blame the guy; he doesn't even understand how you fell for him somehow, but he's not complaining, and he most definitely will not let you go (possessive boi is a touchy boi)

His touches are not always sensual, and it actually surprises you how gentle he is when holding you

Whenever you're busy, he'd pass by to squeeze your waist or brush a touch on your lower back

When you're both around each other but are doing different tasks, he'd make sure to have a part of you touching him:

A hand on the thigh

A leg over your thighs

His head on your chest or shoulder or thighs (the boy's got magnets on your thighs, what can I say?)

And his personal favorite: having you sit between his legs with your back pressed against his chest.

One time, a frustrated Curly called you. It's been a week since Jimmy left for his job-training, and you weren't aware that someone was also getting through a torturous week like you and Jimmy

The captain was at the other end of his friend's damp mood

"I don't know what you do to him, Y/N. He's a completely different person when he's with you"

"Hmm, how bout massaging his hand, cap. It improves his mood, and it always works"

"..."

"Hello? Curly?"

"...Y/N, are you trying to get me killed? It works because you're the one doing it!"

Intern Daisuke

Quality Time and Giving Gifts

The boy loves spending time with you. He doesn't need to plan for what to do during those times you'd be together because he always finds ways to make you enjoy it so much that you have to keep a wristwatch to check how much time has passed

He's known to be a yapper but not the type of yapper that tires you

The man has a lot of questions for you to the point that you're concerned that he knows more information about yourself than you

Pointing out things he notices you do, like looking slightly at the right when you're lying or knowing how many moles are in your face and neck

It doesn't creep you out though, you picked up that he's very observant when he's interested and that flatters you that he take mental notes of these small things just by being around him

Whenever he knows that you won't be seeing him for a while, he makes sure that you know what he'll be doing and where he'll go

Basically the main reason when the crew - especially Swansea - would look for him, they'll go straight to you

"Hey kid, where's that boy again?"

"Toilet, Swansea. He said it's a raging diarr--"

"Yeah yeah, toilet's fine. geez."

Daisuke also buys you trinkets he finds that remind him of you—from crocheted baby mushrooms to obscure plastic eyeball keychains

"I understood the frog keychain last week, but... a turd plushie?"

"Cause I feel shitty when we're apart"

"Valid"

His gifts are very specific and you even cried one time in a store trying to outgift him, spoiler, you can't. He never makes you feel bad about it, he always claimed that he takes pride at being the Leslie Knope of the real world (iykyk)

Nurse Anya

Quality Time

She strongly believes that spending time with someone is the core of a relationship

She definitely isn’t the person to be clingy - nope, she's a queen with self-worth. If you don't want to spend time with her, don't expect her to chase you

The more you spend time with her, though, the more she opens up. For her, trust is something earned over time, and you made the effort to build that trust brick by brick

After falling for her harder, your trips to the medbay became more frequent with "accidental injuries"

"Hey, miss Anya."

"Hey y/n, kindly be careful. Don’t want you to have your 4th visit this week."

"Heh, what can I say? I hate breaking the streak. Gotta keep you on your toes."

"Y/N, it’s still Wednesday."

"Good time to give you your once-a-week training, right?"

Once she’s comfortable with you, her affection shows in the little things:

Putting your vitamins and supplements on accessible places because she knows you forget taking them

Giving you random psychology tests after finding our that you loved them

Or being comfortable enough to nap on your shoulders (you earned that trust on the hundred and tenth day)

You don't even have to talk while being together; as long as both of you are around each other, her shoulders relax, and her face is at peace

[mostlysignssomeportents]

Conspiratorialism as a material phenomenon

I'll be in TUCSON, AZ from November 8-10: I'm the GUEST OF HONOR at the TUSCON SCIENCE FICTION CONVENTION.

I think it behooves us to be a little skeptical of stories about AI driving people to believe wrong things and commit ugly actions. Not that I like the AI slop that is filling up our social media, but when we look at the ways that AI is harming us, slop is pretty low on the list.

The real AI harms come from the actual things that AI companies sell AI to do. There's the AI gun-detector gadgets that the credulous Mayor Eric Adams put in NYC subways, which led to 2,749 invasive searches and turned up zero guns:

https://www.cbsnews.com/newyork/news/nycs-subway-weapons-detector-pilot-program-ends/

Any time AI is used to predict crime – predictive policing, bail determinations, Child Protective Services red flags – they magnify the biases already present in these systems, and, even worse, they give this bias the veneer of scientific neutrality. This process is called "empiricism-washing," and you know you're experiencing it when you hear some variation on "it's just math, math can't be racist":

https://pluralistic.net/2020/06/23/cryptocidal-maniacs/#phrenology

When AI is used to replace customer service representatives, it systematically defrauds customers, while providing an "accountability sink" that allows the company to disclaim responsibility for the thefts:

https://pluralistic.net/2024/04/23/maximal-plausibility/#reverse-centaurs

When AI is used to perform high-velocity "decision support" that is supposed to inform a "human in the loop," it quickly overwhelms its human overseer, who takes on the role of "moral crumple zone," pressing the "OK" button as fast as they can. This is bad enough when the sacrificial victim is a human overseeing, say, proctoring software that accuses remote students of cheating on their tests:

https://pluralistic.net/2022/02/16/unauthorized-paper/#cheating-anticheat

But it's potentially lethal when the AI is a transcription engine that doctors have to use to feed notes to a data-hungry electronic health record system that is optimized to commit health insurance fraud by seeking out pretenses to "upcode" a patient's treatment. Those AIs are prone to inventing things the doctor never said, inserting them into the record that the doctor is supposed to review, but remember, the only reason the AI is there at all is that the doctor is being asked to do so much paperwork that they don't have time to treat their patients:

https://apnews.com/article/ai-artificial-intelligence-health-business-90020cdf5fa16c79ca2e5b6c4c9bbb14

My point is that "worrying about AI" is a zero-sum game. When we train our fire on the stuff that isn't important to the AI stock swindlers' business-plans (like creating AI slop), we should remember that the AI companies could halt all of that activity and not lose a dime in revenue. By contrast, when we focus on AI applications that do the most direct harm – policing, health, security, customer service – we also focus on the AI applications that make the most money and drive the most investment.

AI hasn't attracted hundreds of billions in investment capital because investors love AI slop. All the money pouring into the system – from investors, from customers, from easily gulled big-city mayors – is chasing things that AI is objectively very bad at and those things also cause much more harm than AI slop. If you want to be a good AI critic, you should devote the majority of your focus to these applications. Sure, they're not as visually arresting, but discrediting them is financially arresting, and that's what really matters.

All that said: AI slop is real, there is a lot of it, and just because it doesn't warrant priority over the stuff AI companies actually sell, it still has cultural significance and is worth considering.

AI slop has turned Facebook into an anaerobic lagoon of botshit, just the laziest, grossest engagement bait, much of it the product of rise-and-grind spammers who avidly consume get rich quick "courses" and then churn out a torrent of "shrimp Jesus" and fake chainsaw sculptures:

https://www.404media.co/email/1cdf7620-2e2f-4450-9cd9-e041f4f0c27f/

For poor engagement farmers in the global south chasing the fractional pennies that Facebook shells out for successful clickbait, the actual content of the slop is beside the point. These spammers aren't necessarily tuned into the psyche of the wealthy-world Facebook users who represent Meta's top monetization subjects. They're just trying everything and doubling down on anything that moves the needle, A/B splitting their way into weird, hyper-optimized, grotesque crap:

https://www.404media.co/facebook-is-being-overrun-with-stolen-ai-generated-images-that-people-think-are-real/

In other words, Facebook's AI spammers are laying out a banquet of arbitrary possibilities, like the letters on a Ouija board, and the Facebook users' clicks and engagement are a collective ideomotor response, moving the algorithm's planchette to the options that tug hardest at our collective delights (or, more often, disgusts).

So, rather than thinking of AI spammers as creating the ideological and aesthetic trends that drive millions of confused Facebook users into condemning, praising, and arguing about surreal botshit, it's more true to say that spammers are discovering these trends within their subjects' collective yearnings and terrors, and then refining them by exploring endlessly ramified variations in search of unsuspected niches.

(If you know anything about AI, this may remind you of something: a Generative Adversarial Network, in which one bot creates variations on a theme, and another bot ranks how closely the variations approach some ideal. In this case, the spammers are the generators and the Facebook users they evince reactions from are the discriminators)

https://en.wikipedia.org/wiki/Generative_adversarial_network

I got to thinking about this today while reading User Mag, Taylor Lorenz's superb newsletter, and her reporting on a new AI slop trend, "My neighbor’s ridiculous reason for egging my car":

https://www.usermag.co/p/my-neighbors-ridiculous-reason-for

The "egging my car" slop consists of endless variations on a story in which the poster (generally a figure of sympathy, canonically a single mother of newborn twins) complains that her awful neighbor threw dozens of eggs at her car to punish her for parking in a way that blocked his elaborate Hallowe'en display. The text is accompanied by an AI-generated image showing a modest family car that has been absolutely plastered with broken eggs, dozens upon dozens of them.

According to Lorenz, variations on this slop are topping very large Facebook discussion forums totalling millions of users, like "Movie Character…,USA Story, Volleyball Women, Top Trends, Love Style, and God Bless." These posts link to SEO sites laden with programmatic advertising.

The funnel goes:

i. Create outrage and hence broad reach;

ii, A small percentage of those who see the post will click through to the SEO site;

iii. A small fraction of those users will click a low-quality ad;

iv. The ad will pay homeopathic sub-pennies to the spammer.

The revenue per user on this kind of scam is next to nothing, so it only works if it can get very broad reach, which is why the spam is so designed for engagement maximization. The more discussion a post generates, the more users Facebook recommends it to.

These are very effective engagement bait. Almost all AI slop gets some free engagement in the form of arguments between users who don't know they're commenting an AI scam and people hectoring them for falling for the scam. This is like the free square in the middle of a bingo card.

Beyond that, there's multivalent outrage: some users are furious about food wastage; others about the poor, victimized "mother" (some users are furious about both). Not only do users get to voice their fury at both of these imaginary sins, they can also argue with one another about whether, say, food wastage even matters when compared to the petty-minded aggression of the "perpetrator." These discussions also offer lots of opportunity for violent fantasies about the bad guy getting a comeuppance, offers to travel to the imaginary AI-generated suburb to dole out a beating, etc. All in all, the spammers behind this tedious fiction have really figured out how to rope in all kinds of users' attention.

Of course, the spammers don't get much from this. There isn't such a thing as an "attention economy." You can't use attention as a unit of account, a medium of exchange or a store of value. Attention – like everything else that you can't build an economy upon, such as cryptocurrency – must be converted to money before it has economic significance. Hence that tooth-achingly trite high-tech neologism, "monetization."

The monetization of attention is very poor, but AI is heavily subsidized or even free (for now), so the largest venture capital and private equity funds in the world are spending billions in public pension money and rich peoples' savings into CO2 plumes, GPUs, and botshit so that a bunch of hustle-culture weirdos in the Pacific Rim can make a few dollars by tricking people into clicking through engagement bait slop – twice.

The slop isn't the point of this, but the slop does have the useful function of making the collective ideomotor response visible and thus providing a peek into our hopes and fears. What does the "egging my car" slop say about the things that we're thinking about?

Lorenz cites Jamie Cohen, a media scholar at CUNY Queens, who points out that subtext of this slop is "fear and distrust in people about their neighbors." Cohen predicts that "the next trend, is going to be stranger and more violent.”

This feels right to me. The corollary of mistrusting your neighbors, of course, is trusting only yourself and your family. Or, as Margaret Thatcher liked to say, "There is no such thing as society. There are individual men and women and there are families."

We are living in the tail end of a 40 year experiment in structuring our world as though "there is no such thing as society." We've gutted our welfare net, shut down or privatized public services, all but abolished solidaristic institutions like unions.

This isn't mere aesthetics: an atomized society is far more hospitable to extreme wealth inequality than one in which we are all in it together. When your power comes from being a "wise consumer" who "votes with your wallet," then all you can do about the climate emergency is buy a different kind of car – you can't build the public transit system that will make cars obsolete.

When you "vote with your wallet" all you can do about animal cruelty and habitat loss is eat less meat. When you "vote with your wallet" all you can do about high drug prices is "shop around for a bargain." When you vote with your wallet, all you can do when your bank forecloses on your home is "choose your next lender more carefully."

Most importantly, when you vote with your wallet, you cast a ballot in an election that the people with the thickest wallets always win. No wonder those people have spent so long teaching us that we can't trust our neighbors, that there is no such thing as society, that we can't have nice things. That there is no alternative.

The commercial surveillance industry really wants you to believe that they're good at convincing people of things, because that's a good way to sell advertising. But claims of mind-control are pretty goddamned improbable – everyone who ever claimed to have managed the trick was lying, from Rasputin to MK-ULTRA:

https://pluralistic.net/HowToDestroySurveillanceCapitalism

Rather than seeing these platforms as convincing people of things, we should understand them as discovering and reinforcing the ideology that people have been driven to by material conditions. Platforms like Facebook show us to one another, let us form groups that can imperfectly fill in for the solidarity we're desperate for after 40 years of "no such thing as society."

The most interesting thing about "egging my car" slop is that it reveals that so many of us are convinced of two contradictory things: first, that everyone else is a monster who will turn on you for the pettiest of reasons; and second, that we're all the kind of people who would stick up for the victims of those monsters.

Tor Books as just published two new, free LITTLE BROTHER stories: VIGILANT, about creepy surveillance in distance education; and SPILL, about oil pipelines and indigenous landback.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/10/29/hobbesian-slop/#cui-bono

Image: Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg

CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en

[star-trek-dumb-comics]

I guess I forgot to post this but - last year I made a bunch of star trek OCs ! They're a group of friends who all serve abord the USS T'Sera during the late TNG era. I just really wanted to design a friend group made up of the four original federation founding members lol

They're on my ArtFight if anyone here participates

Here's some info about them :

Khov is a xenobiologist. Quite the Andorian history nerd, he won't shut up about the Ch'eraotherh Dynasty (his Roman Empire).

His naturally emotional disposition as an Andorian especially expresses itself when he's nervous or under some pressure, making him seem jumpy or easily panicked. But he's as capable of doing his job and performing under pressure as any other Starfleet officer -  externalizing his emotions is just the way he regulates and keeps a cool head.

He's usually well spoken and witty (you need to when you're friends with Rog and Ketis) but when it comes to romantic encounters he easily gets flustered. He has a (not-so) secret crush on the chief of security of the T'Sera, which he is very embarrassed about

Nadia is a relief helmsman. She's very eager and optimistic, and motivated to move up in the ranks. She loves piloting and daydreams about saving the whole ship with her prowess at the helm (and maybe even have a maneuver named after her, why not !)

She's a space native, her parents worked on a deep-space cargo freighter.

She often appears chill and the "reasonable middle ground" in her friend's heated debates (which they call "human mediator syndrome").

She also loves discussing couple gossip and gives a lot of romantic advice despite never having been in a romantic relationship herself (she's probably aroace but hasn't really thought about it)

Rog is a security officer. He first met Ketis on his arrival day during his medical checkup - during which he got into one of the most fun arguments in his life, and they've been best friends since then.

He values honesty and despises bootlickers and people pleasers. In that he counts those who try to start an argument with him as a pleasing tactic - he wants his debates to be genuine, thank you very much !

He's also a bit of an order and cleanliness freak.

His job at security made him very observant and perceptive . He's also capable of functioning on very little sleep.

Ketis a medical technician. He genuinely enjoys his friend group of varied emotional species, he finds it stimulating and an intellectual challenge (as well as a test of his emotional repression). He also finds their reasoning and points of view interesting and is always taking them into consideration. All this makes him pretty critical of some vulcans' arrogance and sense of superiority over other species, which he considers an to be an emotional response.

He particularly likes debating and can hold a friendly argument tirelessly, which is always good when being friends with a Tellarite.

He suffers from motion/space sickness, which is rare for a vulcan - and especially for a vulcan in starfleet. He sort of became infamous for it on the ship after an incident where he threw up on the Captain (who he was taking care of in sickbay during a red alert). Good thing he's purely logical because that'd be really embarrassing !

[rex101111]

Things that happen within the first few hours of AC6:

1. You get shot with a huge-ass laser mid-atmosphere entry. You barely survive this, landing several miles away from your intended landing zone.  Welcome to Rubicon 3.

2. You have a mech built with bargain bin parts, barely held together with hope and spite. It has a energy sword though, so that’s nice.

3. Not even two seconds after your, very rough, landing, you get a call from your “Handler”. He is ostensibly in charge of your well-being. This begins and ends with him sending you off on missions he’s fairly certain you’ll survive and charges you for the damage you get to your mech, the bullets you use, and he’s also cut out a piece of your brain to put in augmentations that will make you a slightly better mech pilot. In the top Most Horrible People On This Planet contest, he wouldn’t make it to the top 10.

4. You make your way through a derelict hunk of junk that’s threatening to collapse on top of you. Not even two minutes into this journey, you’re getting shot at with missiles. 

5. You finally reach your intended destination, a burning husk of a city filled with scavengers and low lives who will shoot you on sight. You are here to grave rob.

6. The reason you are grave robbing is connected to the fact you got shot in orbit, you are here illegally, and you need to find a license from any fresh corpse so you can steal the identity on it and be able to do mercenary work.

7. You go through four corpses before you find one with a license that can pass muster.

8. Mid corpse robbing a gunship sent by The Space Police spots you and you have to shot it down so it can’t kill you or, even worse, stop you from stealing the identity you just found. 

9. As soon as you get registered in the Mercenary Rolodex, which takes less then a second of an A.I taking a look and saying “alright checks out”, you have two missions. One of them has you killing a bunch of resistance fighters from the planet’s native population on behalf of a weapons company that really wants to do business here. 10. The next mission has you going to a base owned by that very same company and blowing up everything you can find there. This does not anger that company one bit, if anything it just convinces them you are a very thorough worker. 11. Very shortly after that, you are tasked with destroying a prototype mech by another company before it can get into mass production. That mech is being piloted by what can only be described as an Anime Protag who is in the worst possible franchise for his type of character. You can murder him in less then two minutes if you know what you’re doing. You can hear him desperately fight for his life the entire time. 12. After that, before you even get to clean the blood and oil and broken dreams off your robot, you get a call from a merc group leader saying that he’s seen you murder that guy real good, a guy who was auditioning to join his group, and likes the cut of your jib. He gives you the callsign he was gonna give Anime Protag before you blew him the fuck up. He laughs and tells you to be careful since it’s an unlucky number. This is the least morally repugnant thing you’ll do all game.   

13. A while after that, you go into a power plant and destroy the generator, it promptly blasts you in the face with the red radioactive Super Fuel that toasted this planet a few years back.

14. You survive, somehow, and you get a disembodied voice of some girl in your ear. You tell your handler about this and he just shrugs it off with “oh yeah that’s probably a symptom of the lobotomy, don’t worry about it”. The voice is probably the most moral person on this fire blasted hell scape of a planet.

[psychotrenny]

It's funny to me how Armoured Core 6 spawned like an entire sub-section of Mecha fiction that isn't even based around the game's actual overall content but rather an exaggerated form of some very specific dynamics and ideas that crop up. And like the extent to which this sub-section "really" exists is kinda debatable, being something you only see in like short-form erotic fiction posted on Social Media and Fan-Fiction websites. But it's "real" enough to spawn a whole backlash to it which is also funny because of the stubborn refusal to recognise this fiction as like its own thing

And I'm not saying that this whole sub-section is "good" or that you have to respect it or that it's a thoughtful and compelling reflection of broader Mecha fiction. It's certainly reasonable to dislike this style of Mecha fiction. But you have to at least realise that this sort of thing is it's own style and stop criticising it as just a failed attempt of something more mainstream. Like I'll often see indignant cries of "Do these people even watch Robot shows? How can they call themselves Mecha fans?" and like yeah I'm sure a lot of people who enjoy this form of Erotic Mecha fiction only engage in that specific form of Mecha; which may make them fans of something you don't like but it's stupid to call them "fake fans". And there's also people who do very much engage with and enjoy other works of Mecha fiction but are obviously going to take a very different tone when talking about such erotic Mecha fiction in contrast to Gundam or something. They are very different takes on the same broad idea; interest in one doesn't automatically include interest in the other but that doesn't make them mutually exclusive either

I think an obvious illustrations of this is the whole "Imagine if a Mech Pilot was just a normal guy" post that was going around. To fans of the broader Mecha genre, both Super and Real robot, this comes off as a pretty inane thing to say. It's a common enough idea even among the most well known and successful properties; hardly something you have to "imagine" because most genre fans would have outright seen it. Not to mention the fact that most "proper" mech pilots are just ordinary human soldiers who have been trained for a special job. Like it's not a novel idea in the slightest. But within the specific context of (loosely) Armoured Core 6 inspired erotic Mecha fiction it takes on a whole new meaning. In such fiction your average pilot is some sort of lobotomised cyborg puppygirl, with the simultaneous transhuman and subhuman status of the pilot being a consistently major thematic aspect of the sub-genre. In that context, it would be pretty weird and fucked up for an ordinary guy to be caught in the middle of all that

Which isn't something you need to find interesting or compelling as a Mecha fan. It's perfectly understandable to reject this sub-genre and its ideas as stupid or obnoxious or whatever. But that rejection has to be a conscious act, not a reflexive outburst about how it's different from your preferred form of Mecha fiction. If you're going to criticise this sub-genre of Mecha then the criticisms need to be on its own terms; around what it's actually trying to achieve. You're missing the point entirely if you main criticism of horny mech posts is their failure to understand the themes of Mobile Suit Gundam.

[liulith]

We as a fandom need to open our hearts to the insane comedic potential of Sir Pentious being included as a background character in stories taking place in the "old days" before Vox and Alastor's falling out. AND the comedic potential of one-sided Sir Pentious -> Vox.

Why?

Canon!Sir Pentious is attached to his era's aesthetics but he also wants to be "hip and cool" (see pilot episode; Sir Pentious as the how do you do fellow kids meme) and join the "Almighty Vees". When did he start wanting that? He's not a media demon trying to keep up with his audience and be a likeable public figure. He's a mechanic trying to conquer Hell by force thanks to his machines and obviously relishes in acting like a villain (fear me! I'm so evil! I'm the architect of destruction! etc. etc).

This is very different from the Vees' approach - maintaining a perfect public image, insidious manipulation tactics... Vox threatens Alastor in the show, but the Vees clearly haven't built their power through turf wars, which is and has always been Pentious' one and only strategy. All the machines we've seen him make are war weapons (+ the Egg Boyz who do his bidding, and help him operate those very weapons). Voxtek probably sells weaponry too but that is more Camilla's domain, so it would be more logical for Pentious to try and join her.

Pentious' and the Vees agenda and interests aren't aligned, so why is Pentious so desperate to join the Vees?

there are many reasons why Pentious could want to be part of the Vees besides the one I'm gonna talk about but you know what MY agenda is:

Vox is Pentious' idol. Pentious is an inventor, an innovator. He would have loved waking up in Hell with a mechanical body he can upgrade however he wants and finds the whole concept fascinating.

He's not against new technology, as his creations clearly go beyond what people could have had invented in his time despite their "steampunk" aesthetic (see: the effing death ray). So I think his current "limitations" are more a matter of him having to stick with what he knows best because it's hard to keep up with the constant stream of new tech. This is why he's more than impressed with Vox's extraordinary ability to adapt to change and master new technologies again and again. He's a fellow innovator! That's one reason for Pentious to be obsessed with the guy.

And if you think obsessed isn't the right word, think about this: Sir Pentious repeatedly challenges Alastor to fights even though he's clearly outmatched and it's an incredible risk to take considering what Alastor does. Pentious is OLDER than Alastor, he was there when he broadcast the most powerful Overlords' scream all over Hell. Plus, losing always leaves him in a very vulnerable position (without his best weapons). Is it madness? Hubris? An obsession for Alastor? No!

Sir Pentious to Alastor: Silence! Now Cower! For when I've slain you, the Almighty Vees will finally acknowledge me!

Sir Pentious thinks defeating Alastor is the only way the Vees will finally acknowledge him. No matter how dangerous it is, he has to try, for the Vees (Vox). Just like he took the risk of angering the Princess of Hell to get in Vox's good graces. This says a lot, for someone as paranoid as him, who doesn't trust anyone who is "too nice" to him.

If Hazbin had more episodes there should have been one about Pentious struggling with the fact he disappointed his idol and told to KHS 👀

(btw this is old news but we know that one of the Hazbin episodes that Viv originally pitched was about a science contest organized by Voxtek in which Pentious and Baxter competed against each other! Pentious could have done that after ep2!)

Anyway, back to the comedic potential of it all & Vox's arrival in Hell. Can you imagine his reaction as a newly fallen Sinner, when he's hanging out with Alastor (aka following him like a lost puppy?) and he meets Sir Pentious for the first time? Like sure, Hell is full of insane people but Alastor obviously has a Reputation and no one ever challenges him. And suddenly... Hm... Alastor?? There's an airship with a giant cannon pointed right as us?? Firing a DEATH RAY?!

It's also so funny to imagine Sir Pentious being obsessed with Alastor and considering him his archnemesis back in the day, only to slowly become obsessed with Vox instead and only caring about defeating Alastor because he thinks Vox will like it. It starts with Sir Pentious trying to "gather intel" on Alastor's new "ally", spying on them or sending his Egg Boyz to do so (and we already know great he is at spying so you can guess how that goes lol), and the rest is history.

Alastor loves attention so he probably let Pentious spy on him behind bushes from time to time if only because it's very entertaining to watch him try to be discrete and make his shadow tap on his shoulder. How hilarious would it be if Alastor noticed Sir Pentious' growing crush on Vox but not Vox's crush on him? Also, Vox misunderstanding Pentious and Alastor's relationship and thinking Pentious is a weird obsessive ex... The world is a stage and the stage is a world of entertainment!

[to-the-stars8]

The Waynes' Nanny

Notes: So, this is my oopsy of adding another story to my roster, but oh well. Here's my other note: Just a little side note. To make this story work, I had to de-age the majority of the characters. So, Dick is 15, Cass 10, Jason 9, Tim 7, Duke 6, and Damian 4. Just FYI. Obvi The Nanny Inspired

Bruce Wayne x Reader, Batfamily, platonically, x reader

Summary: One day, after getting fired from your job by your ex, you somehow ended up in Wayne Manor as the family's new nanny. Working with six kids is tough enough, but the handsome, rich, and emotionally confused father, billionaire Bruce Wayne, who is just too charming makes it a bit more difficult as your feelings for him confuse you. Nonetheless, you love the job and the kids, but soon enough you realize that maybe you're falling in love with the boss, too.

Pilot Pt. 1

“You have to be kidding me, fired?” You said shocked, leaning over the counter.

Your boyfriend then quickly added, “And, I’m breaking up with you.” 

The words could not come off your lips. Instead, you babbled for a good thirty seconds before just turning on your heel to leave. You stopped a couple of times to say something, but the shock was still settling in. It wasn’t until you were outside, watching people on the street that your senses came back. Turning around, you sucked in a breath and threw open the store door.

You pointed at your ex and loudly announced, “You have a small dick, and I’m collecting unemployment! So, hah!” 

Not feeling the victory, but glad that there were more than a dozen people to continue the rumor of your boyfriend’s supposedly small penis, you left.

Luckily, you were quick to find another gig thanks to a family friend. Granted, you hated going door to door trying to sell insurance in Gotham, but it paid you just enough not to be out on the street. This week, however, you were assigned to the other end of the city—The rich part. And, it certainly did live up to your expectations. These people had yards and gardens, and the air even smelled better. If you could only find a rich man, you think you’d be very happy in such a place. 

You looked down at the list of addresses your boss had given you before looking back up at the impressive sight of the house. With a sigh, you pressed the buzzer on the gate and went over your script. 

“Hello, my name is…” 

Before you could finish a British accent came through the buzzer. “Are you here for the nanny position?”

Looking around, you didn’t see a reason as to why you shouldn’t say yes. Absent-mindedly, you said, “I could be.”

“I’m sorry?”

“Oh, um, yes! Yes, I am.” It couldn’t hurt 

Suddenly, another buzz and the sound was clicking of the gate unlocking. Cautiously, you pushed your way through and you headed up the path to the front door. It was a near quarter mile to get to the house and up a hill. By the time you got up to the front of the house, you were winded and slightly sweaty. At the top of the stairs stood an old man in a suit, looking down at you with indifference. Slowly, you climbed the stairs to him. 

“You really gotta warn a girl if she’s gonna take a hike,” You huffed. 

“Most people drive,” The old man said, and you recognized the accent from the buzzer. 

You snickered at the old man, following him in, and you were amazed by just how wonderful the place was. As you entered, you did a turn, and you were amazed by just how big the house—No, mansion—was. 

“Would you like me to present your resume to Mr. Wayne?” Asked the man. 

Luckily, you were quick on your feet, “No, I’ll do it myself. Thank you.”

The man relented, giving you a disbelieving look, and went away. You sat down in one of the chairs in the foyer, quickly pulling out some papers to write some type of passable resume. As you were going for a pen, you realized quickly that you didn’t have one. Panicked, you looked around for one. 

“Ugh,” A voice said, and a boy no older than seven or eight stumbled from a doorway. On him, fake blood and a knife. He cried, “I’m dying!” before collapsing onto the floor. 

“You wouldn’t happen to have a pen, would you?” You asked, but the boy didn’t respond. Defeated, you decided quickly what you said as you saw the old man and a younger, much more handsome return. 

“Tim,” The younger man said. “We’ve talked about this. You can’t scare the guests.”

The boy opened his eyes, “I'm studying people's reactions to gore and pain.”

The man rolled his eyes before turning his attention back to you. He held out his hand toward you to shake, you took it and instantly liked the way his grip was strong. “I’m Bruce Wayne—”

“Oh, yeah! I’ve seen you on TV,” You said excitedly. “I loved the black suit you wore for that ceremony in the park last month.”

Mr. Wayne seemed taken aback by the compliment, but thank you anyway. “Just follow me into the kitchen. We can talk more there.” As he started to lead you away, he turned to the boy still lying on the floor. “Tim, go clean up, please.”

“I will, but only because you said please!” The boy cried out. 

Mr. Wayne shook his head and asked you not to mind him for now. Smiling, you replied that it was no big deal, kids were going to be kids either way. He seemed to agree with you on that and asked you more about yourself. You told him as much as you could think of, not willing or wanting to hold anything back. 

When you finally sat at the kitchen table did you stop talking to let Mr. Wayne talk, but he seemed more pleased to listen. Though, you knew better than to rattle on more than necessary. Maybe, you thought, this was why so many women thought him to be such a charming guy. 

“Can I see your resume, then?” He asked. 

Laughing nervously, you said, “Oh, uh, well, you see, I lost it on my way over here.”

“Is that right?” Mr. Wayne said, sounding like he didn’t entirely believe you. 

“Yes! Yes, it’s the damnedest thing,” You said. “I always seem to have these bouts of terrible luck.”

“Uh-huh,” He said. 

You were going to answer when a voice called out, “Dad!” 

Just then, two boys, one about fifteen and the other around ten, walked in. They seemed surprised to see you when they entered, glancing at their father before telling you hello. You got up, walking over to the boys and cupping their cheeks. 

“My, look how handsome!” You looked over your shoulder at Mr. Wayne. “And those pretty blue eyes! They must get them from you.”

“We’re adopted,” The younger one said. “And I’m Jason.”

You grinned and bent over to look at the boy. “It’s nice to meet you, I’m…”

“You’re the new nanny?” The older boy said. 

You started to answer, but Mr. Wayne cut you off. He told the boy, named Richard, that he could be nicer to you. Richard, or Dick as he called himself unfortunately, protested that Bruce was shuffling his responsibilities on some random lady from the inner city. Bruce was quick to dismiss him to his room, stating that they would speak later, and immediately apologized to you. 

“A kid makes a smart-ass comment, what’re you gonna do?” You smiled. 

“Right,” Bruce cleared his throat, not paying attention to what you were saying. “Well, those two were the oldest boys, I have one girl between them. Then, it’s Tim, Duke, and Damian. My youngest is four.”

“Trying to build a basketball team, Mr. Wayne?” You couldn’t help, but laugh at your joke. He didn’t seem as amused by it, so you quickly went quiet. 

“Yes, well, thank you for coming, but I don’t think I’m in the mood to hire sales girls from off the street.”

You rolled your eyes, mumbling that you could do it and that you had plenty of experience in taking care of children as you babysat a lot when you were a teenager. Mr. Wayne didn’t seem to hear anything you said, though, nor the phone ringing off the hook. 

“Alfred! Will you get that,” He called, seeming a bit stressed. 

“Oh, you cannot be that rich not to answer your phone,” You said, getting up and picking up the phone from the receiver. Putting it to your ear, you answered, “Wayne residence.”

“Give me that,” Mr. Wayne said and snatched the phone from your hand. “Hello?”

He went back and forth with the person on the other line, talking about how he needed a nanny. Yet, he seemed to be getting nowhere. The entire time, you laid yourself in front of him as he tried to talk to the person on the other end to get him a nanny. After a minute or two, he put the receiver down and looked at you. 

You grinned, knowing that you got the job. “You’re hired—On a trial basis!”

“Oh, thank you, Mr. Wayne!” You threw yourself at him, squeezing him tight. “You won’t regret it.”

“Right,” Bruce cleared his throat. “Well, I’ll have Alfred show you to your room—”

“I get to live here?” You asked excitedly. 

Bruce almost smiled, but held it back. “Yes. If you like.”

“If I like,” You laughed like he was joking. “Of course. Oh, it’s going to be great.”

Mr. Wayne nodded, acting like he believed you, but didn’t know for sure. He wondered if he made the right choice not only for his children but for himself as well. Since he only knew you for half an hour, he found himself being intrigued by you.

Despite this, how he felt didn’t matter. All that did matter was if the children liked you and if you were competent enough to look after them. After all, it wasn’t like he was going to fall in love with you. 

[rwby-encrusted-blog]

There are two types of Mech, the Analog, and the Linked.

Analog mechs are the far, far cheaper of the two. Much less specialized, and infinitely more common, able to be found not just in military use, but in Agricultural and Industrial use as well.

To pilot one, all you need it four limbs (Including prosthetics) and good senses, and to score well in the Simulators to get your license.

Analog is a bit of a misnomer, a holdover word from yesteryear, simply meaning "Less sophisticated."

Analog Mechs work by scanning the Brain Activity of the pilot, comparing it to the physical input of the controls, and deciding what to do from there. They're considered old fashioned and less reliable than Linked Mechs, but they're reliable enough for the work they do. They are more easily replaced and retrofitted for different tasks.

They have simpler AI, and to exit one, you simply take the helmet off and open the hatch.

Linked Mechs are a whole other can of worms.

Each and every Linked Mech is custom built and fitted to their pilot, from the heaviest weapon, to the smallest nut, no one is the same as the other.

Linked Mech are Physically plugged into their pilot's nervous system, and they act as one. It can take hours of Decompression and Disconnection to remove a Linked Pilot.

Linked Mechs are truly nothing without their pilots.

Linked Pilots are the most terrifying people you may ever meet.

Their skin is mottled from the Oxygenator-Coolant that runs in their veins, the plugs and ports too deeply entwined in their flesh and body to be removed without serious disruption to their faculties, hairless and sterile from their conditioning and actions when inside their vessel, and that's only the physical differences.

Depending on how long they've been a Linked Pilot, their mental capabilities are affected in different ways.

'Young' pilots are simply too wary - able to pick up on the most minute details, in all five senses.

Their Mechs are still machine.

'Moderate' pilots have some neurological and mental degradation in addition to what they had before. often confused or forgetful outside of their mech, but still very aware of their surroundings, if not their place in time.

Their Mechs act protective of them, like a dog to it's beloved owner.

'Old' Pilots have all the earlier issues, compounded and worsened, and sometimes confusing themself for their mech, even going so far as to entering refill and Refueling areas of the hangars.

Their Mechs act the same, often trying to reach their pilot's quarters and the Cafeteria.

They may refuse to separate at time, feeling more comfortable together than apart.

and then there are the 'Fused' the oldest and rarest caste of Linked Pilot and Mech.

The Pilot and The Mech fused absolutely, inseparable for Neurological, Psychological, and physical reasons.

They are the same. They are one. A perfect fusion of the Biological and Mechanical, Electrochemical Intelligence and the Fissile-Logic Personality, Mirroring each other with every breath and ventilation protocol.

And they are still people.

The Fused still need social interaction and entertainment. They still need variety and novelty, comfort. All the things anyone else would.

Fused are the least common, but are the least likely to die. Too perfectly combined, Too well accompanied.

The Three times a 'Fused' has been separated, The pilot Died, the Mech 'Bricked' itself, like a Jail-broke phone, no matter how it was done.

Fused are the most loyal, true, and caring of all pilots.

Few ever meet the 'Pilot,' the meat within the metal, but the few that do are those most trusted by the Fused person, as the Fused is showing you their beating heart.

If you earn one's trust, and are given this deep, grand honor, I only have one piece of advice.

Do. Not. Break. That. Trust.

[buckevantommy]

i'm sure i've mentioned this before, but the 1st thing buck tells maddie about why he likes tommy is: he's so CONFIDENT.

it's not anything to do with tommy's looks. instead, buck focuses on tommy's confidence - which is everything from the way he handles himself in his job and in a crisis to the way he holds himself in conversation and the company of strangers to the way he interacts with buck specifically and just his general personality. it's the way tommy is settled in his own skin and how he moves through the world with confidence; he knows who he is, he's at ease. buck has a track record of partners with a strong sense of self - they know who they are and what they want, or they're at least unyeilding in going after what they want (i would say abby is the exception, but once she was free to live her own life and find herself she left and didn't look back). i think the reason buck likes tommy's confidence is twofold:

1] buck admires him for it, bc buck grew up unseen unless he was hurt and surrounded by secrecy and he spent most of his life trying to figure out who he was and what he wanted to do with his life and he finally found his calling in firefighting and gained a family along with it, but he's never really been able to separate himself from his job or his relationships and just be a whole person in his own right without needing to be something for someone else (as much as he loves his job and the people in his life, as much as they assure him he's worthwhile no matter what, he still struggled with self worth and moreover being at ease with himself).

2] with that in mind, i think buck is comforted by it - having a partner who is so sure of themselves bc in contrast he never was bc he never really knew his whole self. but now with tommy buck's finally figured out that last piece of the puzzle of who he is, and he has a partner who's willing and able to meet him halfway and be there for him and not be scared off, someone stable (who is familiar with the journey) who isn't going to leave to find himself or his place in the world; tommy knows who he is and is at ease with himself and his confidence feels like reassurance, like buck can trust who he is and who he is to buck.

the 2nd second thing buck mentions about tommy is: he's so INTERESTING.

buck likes who tommy is as a person. again, he could've mentioned 'the hot pilot' of it all, but instead he focused on an aspect about him that caught buck's eye even before he knew he was attracted to tommy/men; buck wanted to get to know tommy - that's why he asked for the harbor tour! and why he crashed the basketball game! (partially; the other reason being jealousy) bc he liked tommy as a person, he thought he was cool, he found spending time with him enjoyable and he saw the potential for a new friend (he understood what eddie meant about 'clicking' with someone right away).

and tommy is interesting, is the thing: again, before buck knew he was attracted to tommy he was hearing all about him from his best friend: tommy knows his way around engines and has a car lift, he knows muay thai and has a home setup, he has cool friends and flies new friends to vegas for fights, he does karaoke trivia, he's good at basketball; he has a rich social life; he's a pilot and a firefighter and he's stupid brave; he has a dry sense of humour. buck got a taste of tommy's character during the rescue, got a taste of his company in a non-rescue capacity during the tour, and he wanted more time with tommy and none of it had anything to do with kissing him or getting him into bed, he just wanted to hang out with this cool guy in a casual setting - away from work - and get to know him better.

all this to say: in relationships, buck values who a person is more than what they look like. s1!buck starts out as a fuckboy brat who begins a relationship with someone's voice on the phone; he didn't want to spoil it with sex (at first) bc he valued what they had, it was special and his first real taste of falling in love (that we know of) without knowing or caring what they look like. buck's other relationships started in various ways, but i think it's interesting how much young buck discovering love has in common with 30-something buck discovering a new love with his bisexuality/a man.

one of tommy's physical attributes - he has a CLEFT - is the 3rd/last thing buck mentions.

no doubt buck is attracted to tommy, but he focused on non-physical attributes first which highlights how much he likes tommy and how much he wants to make this thing work with him bc tommy means more to him than just a hookup (or a trial run).

and we've talked about how a cleft is more of a male attribute (stubble/scruff accentuates it) and how buck could've mentioned tommy's muscles or strength or size, but the thing he's stuck on is a feature of tommy's face, not his body, and i think that's rather telling. buck already admitted to checking out guys' asses so he could've easily objectified tommy's (and it is, as we all know, a damn fine peach) but he mentions a feature of his face and that lack of objectification just hammers home how much buck likes this guy. he likes his face. it's giving 'i could stare at his face all day' vibes and if you go back and watch the harbor tour scene you can see how buck's eyes are more often on tommy's face than their surroundings.

tldr; buck's not interested in tommy bc he's 'the hot pilot'. the writers make a point of saying buck likes tommy for who he is plus also the fact that he's a guy, and i love that.