#which makes a lot of sense so thats fun

[meamiki]

mira !!! :]

[wackywatchdotcom]

got reminded of it ... but i think about the symbolism of jax' model a lot bc i think its subtle!!! but its there

and i think the crux of it is that jax' model is very much a prey animal, something that contradicts his general tendency for reckless, mean bullshit. there could be something there about him having front-facing eyes too. and iirc gooseworx said the farm was a lie which i do take into account but also i think it helps w his generally very 'natural' or real-world-nature design components and ideas being evoked. he has clothes and these clothes are very minimal and hes a real animal fairly closely associated with farming or hunting and is very humanlike and his pocket just Has Mulch in it. even if the farm isnt real theres definitely something his design is evoking here

that and an idea ive thought of is that rabbits are VERY much animals that operate on instinct. they do a lot of things based on an immediate need, typically for survival, at least in the wild. and i dont know if id describe jax as fearful (some could argue he is in his own way, which i dont disagree with, but i think the implications can be a bit loaded- but theres many ways a person can be fearful) but he definitely operates on what he immediately wants. he wants to have fun. so he DOES. it doesnt matter what that entails. he wants control, so he takes it out on the others. it doesnt matter what that entails. etc etc. hes also running from something and i think the image of a rabbit fits that well

i think its deliberate that jax is the only design that actually revolves around an animal that we see. theres dobby and that worm on a string in the back but of the main cast its ALL humans or items, jax is the only one whos an animal (and probably still intended to be toy-like, but none of the others have distinct animals theyre meant to be). and it feels purposeful in a way i genuinely think about a lot. i cant place what its implying for certain because i genuinely dont think we have enough information on jax to fully understand his thought processes, but it does make him very connected to the real world, but in a distant way

[spacedlexi]

"i could keep going about wellington/alone but then its gonna start getting psychological" ooooh you want to get psychological 🌀🌀🌀 oooooh you want to share wellington/alone clem analysis 🌀🌀🌀🌀

oooohh you know i always want to get psychological anon

i feel like the wellington/alone endings are the two strongest endings for both s2 and clems character. i feel like s2 is about her learning to stand on her own. learning what she wants. learning to let go. to recognize the unstable person kenny has become (and that jane isnt so great either). bonnie tells clem to start thinking about what it is She wants, to not just follow others (who repeatedly let her down), and that maybe theres another way (ie: be the one calling the shots for once). its about clem believing in herself and her ability now that shes spent an entire season carrying the cast on her back, and fighting for respect from those same people who dont give it to her because shes still just a kid (a kid who has proven herself to be incredibly capable)

imo the kenny and jane s3 flashbacks are pretty weak and just feel like we’re dragging out their characters past their expiration dates (plus all the “youre such a good mom, clem” talk they both do really irks me 🙄 theres a difference between a character actively choosing to become a guardian and a character being told what a good guardian they are (when theyre still a child themselves with an actual adult still present). alone clem has no one to rely on but herself and she Wants to look out for aj. she needs him as much as he needs her because he gives her something to fight for. hes all she has left). kenny being so happy and talking about boats is wild to me after everything he does in s2. and so is jane killing herself before even trying to induce a miscarriage. They both still die and clem still ends up alone anyway. why not make her active in that decision? so, can she shoot or not? will she stay with someone she knows isnt completely reliable? or will she stand on her own?

honestly narratively i like the alone ending a lot for s2, because it feels like her fully realized arc for the season. being able to stand on her own, to make the hard choices. knowing what she wants for herself, or at least what she Doesnt want. wellington is just better for her and ajs wellbeing so i consider it the "good" alone ending since the actual alone ending is the hardest position clem is left in. wellington ending kenny knows hes no longer fit to take care of her, recognizing the unstable and violent person he has become, and again clem is put in the position of making the choice to stand on her own. also wellington was what her and christa were looking for since the beginning, so narratively it still feels fulfilling for a clem who couldnt pull the trigger. i think it would be really hard for her to shoot kenny, so while i like the alone ending, i also like her not being able to make the call in time, paralyzed by choice (you dont have to shoot to still get the alone ending, just choose to walk away, but if shes going to walk away id rather her do it at wellington). either way its a choice she'll have to live with, and i do like the idea of her having regrets for not being able to make a choice in the moment, and letting jane die because she just couldnt shoot kenny. and how that perceived failure impacts her decisions in the future (like with the javi david fight in s3, her actions being impacted by her choice in s2)

which all ties in nicely to: the implications in regards to vi shooting minnie to save clem in s4. a clem who couldnt shoot and a vi who could. the fear clem would have in that situation, knowing she herself couldnt pull the trigger on someone she cared about to save someone else she also cared about. i think a clem who shot kenny would still have that fear, knowing the position vi is in at that moment, but a clem who couldnt shoot i think emotionally carries more weight. it emphasizes her uncertainty in what violet might choose (or fail to choose in time. because its not necessarily about choosing not to shoot. its will she hesitate long enough for it to not matter? just like with jane and kenny). which just makes it all the more satisfying when vi IS able to make that choice in time, and is able to save them both in the process (something clem herself only learned after s2)

[sieglinde-freud]

i love laslow and nyx’s supports and i love how they go from trauma dump central in the b support

to making fun of their angst in the a

like theyre soooo lame and it makes me emo and every time i watch this support i kick my feet and twirl my hair theyre SOOOOOOO SICKENING. WHO WROTE THIS. WHOOOOOOO

[hyylia]

A DRINK WITH DESTINY ──

botw/totk modern au | rated T major characters: zelda, link summary: for galentine's, zelda and her friends decide to check out hyrule's newest bar, the lost woods. word count: 1695 warnings: alcohol mentions/use

a/n: happy (late) loftwing letters @angelicgarnet! you said you like botw/totk zelink and modern au's so have this modern meet-cute story :) i hope you like it!

read it below the cut or on ao3 → here

It’s five o’clock. The Lost Woods has just opened, and it’s only a matter of time before a crowd makes its appearance. Link’s spent the last hour preparing for it: stocking the bar with an array of cheap liquor and top-shelf alike, cutting garnishes, filling the bin with ice. The Galentine’s event tonight had been his clever idea—a way of bringing in and establishing patrons for Hyrule’s newest bar. 

“Go ahead,” he calls out to the band in the corner, tucked away on a small wooden stage. The head of the band, a tall woman with a dark brown bob, nods her head and readies her violin. Light, traditional Hyrulean folk music fills the silence hanging in the bar, just as the crowd begins to slowly trickle inside. 

“I’ll have a Champion.” A Gerudo woman with long, red hair sits at the bar mere moments later, handing him her card between two fingers. “And a Zora’s Scale for my friend.” Her head tilts in the direction of the shorter redhead who takes up the barstool beside her. Link nods, mindlessly pulling the Champion into a tall glass, slowly falling into the motion of making drinks. “And another friend will be joining us soon. Put her on my tab when she comes in.”

“Sure,” he says easily. “What does this friend look like?”

“You can’t miss her,” the Gerudo says with a knowing smile and a wink. She takes a sip of her Champion, then nudges the Zora beside her to do the same. Link shrugs, turning away to take the order of another woman. 

Eventually, a steady stream of patrons occupy the bar, groups of young women eager to celebrate their friendships and drink on a good deal. The music becomes a background to the loud chatter taking place, and at some point, the Gerudo and Zora leave their barstools with their drinks in hand, mingling with a few others they must know. He turns his attention to his work, focusing solely on getting his drinks just right.

Some time later a voice cuts through the bar. It’s soft and sweet, clear as day to him despite the noise. His attention is shattered at the sound of it. He looks up, distracted.

“Sorry I’m late!” The voice says hurriedly to the Gerudo from earlier, holding a soft blue purse close to her body. She pulls the gold chainlink strap up onto her shoulder with one hand, then runs the same hand through her blonde hair in an attempt to smooth it down into place. From far away, Link can’t hear the rest of the exchange, but he sees the Gerudo wave the apology away. She says something to the woman, then points her towards the bar. Towards him. 

The Gerudo was right; he couldn’t miss this woman.

Link has bartended for years—mostly on the side, only recently full-time. He’s flirted, exchanged phone numbers, the whole nine yards. But she… She is like something out of a fairytale. Her golden hair lays in silky straight strands, bangs clipped out of her face with blue butterfly clips. Her eyes are big and beautiful, green like emeralds and accentuated by dark brown cat-eye liner. The pink gloss on her lips seems to glow, reflecting the dim light around them. She is the first woman to make him feel truly nervous.

“Hi,” her soft voice says. She stands on her tiptoes, leaning over the dark mahogany bar to speak to him. It’s unnecessary. Even with all the noise, his attention is focused solely on her. Listening.

“What can I get for you?” He says, trying to look casual as he pours another cocktail through a strainer. He sits the glass on the bar in one quick, fluid motion towards its recipient.

“Oh. Um.” Her green eyes trail from the drink and over to settle on the framed specials sheet sitting atop the bar. They scan the sheet slowly, taking in every detail. Finally, she frowns. “I’m sorry. I don’t really drink…”

“That’s okay,” he says quickly, sounding maybe a bit overenthusiastic. “Do you want something sweet or dry?”

She chews her lip. “Maybe somewhere in the middle? Probably more sweet I think. But not too sweet.”

He nods. Normally when women don’t know what to order, he makes them a classic. A Castletonian, or a simple Zoran’s with cranberry. It’s hard to go wrong with either of those, and if they don’t like it, well… then he has a better idea of what to make for them next time. Yet, for her—for this goddess standing before him—something else comes to mind entirely. 

He takes a step away from the bar, conjuring the supplies up quickly from the shelf behind him. Her eyes follow intently all the while, taking in each and every motion he makes. For good measure (and maybe because he likes the feel of her eyes on him), he shoves the sleeves to his blue shirt up over his elbows before he continues. The Master Sword tattoo on his right forearm is fully visible now. She seems to smile at the sight of it.

“How long have you guys been open?” she asks. He’s grateful for her attempt to fill the heavy silence hanging between them.

“Just a couple of weeks.”

“Cool…” Her eyes fall away from him now, taking in the scenery around them. They focus on the plants filling every corner, fake vines crawling up the few faux stone ruins around the room. Finally, they land on the band playing in the corner. “I like it. The theme is really cool.”

“Thanks,” he says, sincerely. Then he shrugs. “I’ve been interested in Ancient Hyrulean stuff for a while. I thought it’d make a cool bar concept.”

Her eyes light up, snapping back to him. “Me too! Well, not the bar thing.” She rushes to explain. “That sounded negative. I don’t mean it like that—it’s a cool concept. I just… I’m actually an archeaology major at the university.”

“Really? I thought about going to school for history.”

She leans forward. “Why didn’t you?” 

“I’ve always been bad in school. Trouble focusing, sleeping during class, that kind of thing. I’ve never been super disciplined, I guess.”

“I get it,” she says, but he can tell from the tone of her voice that she doesn’t. No–this woman strikes him as intelligent. She’s probably never made below an A-plus in any of her courses.

He nods without thinking and, with one final motion, garnishes her drink with a simple Silent Princess. It floats lightly on top of the light blue liquid, edible gold glitter shining with every swirl of the martini glass.

“What’s it called?” She wonders aloud as she takes the glass from his hands, peering inside.

“The Princess.” 

Her eyes widen. Her mouth opens, then closes. A dark red flush crawls up her skin.

“Oh,” she says quietly. Then, as if realizing what he’s done, her eyes narrow. She eyes the glass suspiciously. “And do you make The Princess for every fair lady who enters your establishment, sir?” Her faux-royalty accent makes him smile.

“Only for you. It seems fitting.”

Despite the dim lighting, her cheeks burn fiercer. She smiles. 

“Oh. Then thank you.” 

“What’s your name?” he asks finally. It’s his turn to lean against the bar, resting his chin lazily on a hand.

“Zelda,” she says with a soft smile. He widens his eyes. 

Zelda, like the ancient princesses from thousands and thousands of years ago. Either it’s a coincidence or—

“Are you teasing me?”

“No,” she laughs, “that’s really my name. What’s yours?”

“Link.” Her mouth falls open. She laughs harder. It’s a lovely sound and makes his heartbeat quicken. 

“Like the hero?” 

“The very same, actually. My dad was really into military history. Wars and stuff.”

“Well it’s a pleasure to meet you, Hero,” she teases, holding a hand out for him to take.

“Same for you, Princess.” Feeling bold, he pulls her hand closer. His mouth lightly brushes the back of her hand. It hovers. At the very last second, before he pulls away, his blue eyes flick up to meet hers. She dares to hold his gaze. 

They break away only for her to take a sip. 

“Mmm! It’s perfect!” 

“Good.” He gives a lopsided grin, releasing her hand. “I’ll make as many as you wish, Princess. On one condition.”

“And what might that be?”

He points his finger up in the air, towards the rickety wooden sign hanging above the bar. Drink Responsibly. Don’t Get Lost, it says, scrawled in someone’s poor attempt at mimicking Ancient Hyrulean script.

She laughs. “Clever.”

“Thanks.”

“Zelda!” The Gerudo’s voice cuts through the bar. “Come here!” 

“Sorry,” she apologizes, wincing. She hesitates to move away from him. “Thanks again.”

And like that, she’s gone.

—

He’s closing up the bar when something catches his attention. A specials sheet, removed from its frame and torn in half, sits between half-full glasses on the bar. When he peers closer, there’s text.

Thanks for everything. You were really nice tonight. I’d love to get to know you more.  -Zelda

Below the text, a set of numbers is scrawled in pretty handwriting. Her phone number. Link grabs the paper quickly and wastes no time in sending her a text.

—

Her phone buzzes, just as she enters the shared apartment with Urbosa and Mipha. Warm and fuzzy, stumbling slightly from the alcohol, Zelda struggles only momentarily to pull her Slate from the pocket of her jacket. It lights up when she finally does, the notification quickly expanding on her screen.

Hey, it’s Link, the bartender. Thanks for giving me your number, I’d love to hang out some time. :)

Zelda blinks once. Twice. 

“How’d he get my number?” She asks no one in particular. Had she given it to him? Did she forget? It’s possible, she muses. The Princess had been stronger than it’d tasted.

“Sorry, Zel.” Mipha is the first to crack, her voice soft and nervous. “But you should have seen the way you two looked at each other.”

“And, Princess,” Urbosa gently mocks, a wide, mischievous smile spreading across her face. “He’s handsome.”

Zelda can’t say she’s angry.

[venomgender]

required reading .

[connormoving]

like i wouldnt mind like. Not having new linear games post 5 its judt that sims 4 wasnt even supposed to Be The Sims 4 it was a last minute pivot and the base code is so outdated and was broken On launch so like. i just wish we could have the final actual sims game be like. one that was always intented to be a major sims release AND be intended to be so long term . yk

[skitskatdacat63]

Maybe in another life :)

AU in which Eclipse still isn't the heir, that's never gonna be a possibility ever, but her mother realizes she can still politik her marriage regardless. Makes this crazy play at Noir, from the other hugely influential family on the planet(whose family does not engage in politicking in this particular way at all.) But Noir is like, why not! Wife acquired! And then they kill her mom or something idk–

[hsslilly-blog]

i love claire's wardrobe because her clothes are super nice but she IS dressing like it's still 2009 in 2014. this is because those are the only clothes in her wardrobe lmao

[man-destroyer]

tell us about ancient spanish?

Yeah!

so. In the beginning of my comic (I'm assuming you havent read it, if you have I'm sorry) the main character is getting established as sort of a "master bullshitter" and very lucky. He's not stupid, the reason he's alive is because he reads situations quickly and lies very well... and at this point my editor had been repeatedly treating him with this sort of bumbling idiot trope, so I was already a bit frustrated.

He's caught as a stowaway on a pirate ship, and is bullshitting a treasure hunt so the pirates keep him alive long enough that he could escape. So, he makes a fake treasure map in Spanish, hoping that the pirates won't know any... because if they can just kill him and take the map, they will. And one of them knows Spanish!

So, the joke I put in to resolve the situation (which I kept) was "but can you READ Spanish?" where he's banking on the pirate's illiteracy, and he lucks out because she can't read.

but my editor wanted him to say "but do you know... ancient spanish?" which makes no sense and isnt funny LMAO to me.

There were a lot of instances like this, but this is the one I remember the most because my editor like. argued with me on putting ancient spanish in there... It was a back and forth for a good bit.

[leori-the-unlearned]

rereading IDW sonic is giving me a better picture of just how skewed tangle’s recent characterization is :(

i know continuity marches on and all but man. tangle is the only one getting THIS bent out of shape all the time and it sucks. she’s the everyman (she really shouldn’t be) and keeps getting mistaken for a different character trope by each new arc’s writers

[wackywatchdotcom]

Rewatching episode one, I noticed that when Ragatha and Jax are talking to each other about Jax having a key, Pomni flinches away from, and lifts her arms to protect her face and head, when Jax toys with the key and catches it near her.

I wonder if she is that jumpy around others normally or if it's just when she's in a stressful situation (like suddenly being trapped in the circus) what do you think?

OK. ok. you mention this. and ive never said anything about it but i have genuinely noticed this almost every time ive seen that scene. i think about it a LOT but i havent been able to figure out my thoughts on it. but i think about it genuinely a LOT...

(i went on a huge tangent abt her thats like. only sporadically related to this specific moment SORRY. it was hard to address this moment without discussing a LOT about her i feel)

for the sake of clarity in the event someone reading this is unfamiliar, what this ask is referring to is this:

with the way that she so quickly dissociates and HARD (not that most people Never experience dissociation or smth, but its the intensity of it and how quick into this situation she starts dissociating is like. it makes it seem like its smth her body and mind are Used To Doing) she REALLY gives off the feeling that she had pre-existing mental health problems (i struggle to place anything TOO specific with the limited information we have but i feel like theres definitely a few things she has going on) before she even got to the circus, and like she COULD just be a naturally jumpy person, but with the dissociation thing and general distrust towards others, it feels like her jumpiness is also related to these issues

while her being naturally nervous is sort of implied and clear (though i think the extent of it is exaggerated by the circumstances of the pilot in particular) there ARE a few other examples that stand out to me

i THINK this can largely be passed off as her just being on edge from the horror adventure, but i this is IS notable that she reacts genuinely pretty strongly to what is a relatively minor 'jumpscare.' it happens later too w kinger pressing the tape recorder

in general she seems VERY easily startled by people, and frankly it reads a lot like it stems more from people being near her than just things happening abruptly. she notably doesnt jump hard when the angel arrives- she DOES get scared, but she isnt necessarily startled. she DOES react very strongly to ghostly, but i think its notable that she seems to find his visual appearance frightening and debatably not necessarily startling, but thats not really 100%. the times she reacts the strongest have to do with people, which imo ties HARD into her not trusting people

episode 2 breaks down her distrust of people well, and i dont think its a self consciousness thing. it seems more that she just doesnt tend to find people trustworthy- if something bad was happening to her, she would sooner assume theyd let it happen rather than help her. it could be argued that its partially a guilt or projection thing with ragatha, but im not actually so sure. pomni seems to be ashamed of leaving her behind, but particularly through ep 2 she doesnt seemed Plagued With Guilt by the way she acts towards ragatha, which implies that the dream didnt have to do with her projecting that shame in a way shed assume ragatha would turn back on her, too

it instead seems to be that she doesnt trust ragatha just... in general. the 'im not a child' thing, while a legitimate problem for pomni to have with ragatha (i love ragatha, and from my place in the audience i know her concern is genuine, and that she truly wants to encourage pomni, and is trying, but from the perspective of people around ragatha, its not an unreasonable assumption that shes JUST being infantilizing and belittling), does illuminate how pomni is seeing ragathas attempts at cheering her up- that it comes from a place of seeing pomni as immature or generally unstable. that pomni is incapable of managing herself and needs to be coaxed. it implies pomni doesnt see ragathas attempts at help as genuine. combined with her dream, that ragatha would allow the worst to happen to her even when she was asking for help, makes it very clear that, even with the 'nicest' person in the circus, pomni just... doesnt really trust her

(it is worth noting that pomni DOES seem to genuinely want to help ragatha in the pilot. she DID try to find caine. but she bolts at the first opportunity. she does care about people, but when stressed, she operates on keeping herself safe first and foremost, that she needs to do anything to get out of a bad situation even if that means leaving someone behind- and with her dream, it does seem that she generally assumes other people operate similarly, or otherwise in their own best interest)

this does, of course, improve by the end of eps 2 and 3. the funeral, and ragatha offering to include her, and how the others talk about abstracted players (combined with her conversation with gummigoo, someone who she has to assure has genuine friendships with those around him despite the lack of a true reality for them to be based upon), are able to convey that oh, these people do actually care about the people around them. theyre being genuine. they arent just looking out for themselves and thats it- they care when bad things happen to each other. and theres no true reason for me to be an exception. which is ALSO why i dont think its a self consciousness thing, she seems able to reason that shes not an exception to the intents of others, so much that when she cant assure herself that others' intents hold her safety as any sort of priority as well, any trust goes out the window. she WANTS to help if she can, but esp in the pilot, as far as shes concerned, its everyone for themself when shit gets bad, including herself

ep 3, she seems more trusting of ragatha- she has neutral and positive interactions w her, rather than assuming a lack of sincerity in it. but its not just ragatha, actually, because even before her talk with him, you can see it in how she interacts with kinger as well

she initially tries to help him run, which isnt too out there- with how she genuinely DID initially try to help ragatha, it doesnt require her to go out of her way to grab him and RUN. she can run AND take him with her. she can help without putting herself in extra danger. but then she DOES go back, which is one of my favorite and imo underrated pomni moments. because THIS is what i think actually highlights an improvement in how she sees the others before her apologizing to ragatha or taking kingers hand. because she puts herself BACK into (percieved, since its not actual sure WHAT the angels intentions were her) danger in order to get kinger away too

(theres probably a case to be made that ragatha didnt seem to be in immediate danger- she was in pain, that much was clear, but kaufmo had ran away by then. but even still, pomni couldnt have known kaufmo would shift gears and start chasing her instead of ragatha that first time. and i dont know if she actually knew death wasnt possible here yet. which isnt very flattering for pomni but also people do not act in flattering ways under extreme stress, esp given a predisposition to not trusting others, which ill elaborate more on in a second here- not that pomnis abandonment was ok OR that it was like evil of her or smth. shes just a person. there is no way she was prepared to know how to act correctly in this situation, and she didnt)

theres also this

which is SUBTLE but highlights a genuine increase in trust even before their heart to heart. now that she knows the cast (save for jax, who she seems to react to the harshest, which is worth noting imo) are not acting solely in their own best interest, that they WILL consider the wellbeing of those around them including her, that their concern for one another is genuine (which is concerning that she even assumes that to begin with, which ill circle back to momentarily), she very clearly has way more faith in them and the idea that she should stick around the others for safety

and of course, ive said it before, but her taking kingers hand has little to do with her enjoying holding hands. its her knowing that, if kingers wrong, this is going to end very, very badly. if holding their breath isnt the solution theyre BOTH going to get possessed, and who knows how theyd get out of that situation. but she decides in that moment that her trust in the others isnt ONLY about looking out for them and believing that theyre sincere in their concern for her. but that she is willing to let the others put her at a potential massive risk. getting possessed was a blatantly immediately traumatic experience- and she lets kinger put her at risk of it happening again. THATS why she holds his hand, at least symbolically. she doesnt like contact. but she can brave something that she doesnt like, she can let him lead her into and through something potentially horrific, because shes deciding to trust him and the others, that theyre not just people she can interact with without fear of ill intentions, but that theyre people who she is going to coexist with. the best thing she can do for herself and the others is trust them and work with them actively

anyway that got off-track, the point being that her having to have these ideas instilled in her at all through shared experiences and trauma implies that, while these issues with distrust may have been exacerbated by the stress of everything, they didnt come from nowhere. these are problems she likely already had to some degree. its great that theres been improvement but that improvement directly implies thesse were improvements that needed to be made to begin with. and the fact that the person she gets repeatedly most startled by is jax. who, even with episode 2, she explicitly doesnt trust. in the pilot, at least, her distrust is more vague (i think the dream sequence in ep 2 IS what highlights it best) so her flinching from jax can be passed off as related to a general lack of adjustment to the new environment and situation shes in. but it happens again with jax in episode 3 (and, notably, she pauses afterwards but it takes a moment for her to relax even knowing its just jax), after shes adjusted somewhat, and after shes gained some trust with everyone except for jax (given his absence from the scene at the end of ep 2). it also happens when barons voice plays abruptly next to her

point being that imo, she IS naturally jumpy. she says herself that she doesnt handle jumpscares well, which somewhat implies this even outside of the circumstances of the circus. but with how she reacts to things, it feels like her general jumpiness is far, far worse when it comes to people she doesnt trust (be it because jax is Like That, or because shes not familiar with baron). the way i see it, then, her distrust extends to perceiving physical threats easily around people she hasnt ensured are safe to be around. she IS able to gain this trust in people, but she seems to automatically place the intents of others as being Potentially Unsafe from the jump, especially under stress. she can jump back from it fairly quickly for what its worth, but to be honest, it seems more like she operates on some general, everpresent level of hypervigilance thats just sometimes worse based on the situation

and frankly i dont think we know enough about her as of ep 4 to fully determine if there IS a reason for this. because someone can have a reason to be this jumpy around others, or they can just... be nervous and dislike people moving suddenly near them. combined with the dissociation thing, though, im inclined to think the circus did not cause this, just made it more extreme with more unpleasant stakes. there is hardly any time between her entering the circus and this happening. she hadnt even seen kaufmo yet in that very first example, but she was already on alert for a physical threat, and i just. i think about it all the time...

i think the main takeaway from all of this is that i think she isnt necessarily jumpy like that all the time, but i think trust is not a given with pomni, and her jumpiness massively depends on how much she trusts people near her and the situation shes in to not be a physical threat to her. its definitely worse in the circus, but i think it was probably still something present in a different context in the real world, too

[sieglinde-freud]

asugis honestly such a cool character locked behind 1) the most horrible plot device in any game ive ever seen in my life and 2) looking too much like a guy from the last game and it SUCKS because he was basically already given a great character concept with all the saizo stuff but then intsys was like “wait but what if was also gaius?!” which killed the appeal for most people. which i get, but hes also just… like he has some similar speech patterns but they were both brought up so differently and in wildly different contexts its like… hes really… not gaius… the most hes got is like the sweets thing but even then they both go about the candy thing pretty differently so? its just the fucking hair. which, by the way, asugi doesn’t even look good with gaius orange. like omg… idk man i think asugis a really fun guy with good supports all around and it just sucks hes brought down by the worst gimmicks of all time

[seaofreverie]

Day 1! (short and going on about just one thing because I'm tired)

Wow, flying!! I'm still impressed that this stuff actually works, like this huge machine just flies super fast and then it stays in the air and then it lands..... crazy.... I mean yeah, the effect of newness is so strong here in my case because in a way you hear about it so often, but to actually see it for yourself!! Because wow I'm really miles over the earth right now what the hell.... but also yes, my anxious ass got convinced right away that something must be going wrong and all sorts of weird fucked up scenarios materialized in my mind, which is a classic but I'm sure many others know that feeling. I guess that's a fair price to pay though for the ability to see this sort of perhaps rather mundane thing in a fun exciting and fresh way. Anyway, I liked the plane, I feel like your first flight ever may just be this sort of iconic formative experience in a way... Already feels very memorable.

Behold, the most inspired and original type of photo! View from the plane window! But I put a fun little guy in it too so that makes it unique obviously.

I know i wallowed earlier about the fact that I might either not have a seat by the window OR it will be too dark to see anything at this hour anyway but wow, even in the late afternoon it was still relatively bright actually! At this height! Wow nature, it never ceases to amaze me, truly. The beauty of the illuminated city as we were landing was such an amazing moment. Wow I love the world sometimes it can be so beautiful.

But ok all this stuff is cool and awesome but the REAL biggest advantage of being in the UK is that now I can finally play the TMBG heardle without being met with the "oh no! this track is not available in your country!" like 95% of the time

And one more very good piece of news: I'm probably going to meet up with my TMBG pal for the show on Sunday :) Yay! It's all coming together!!!!!!

[skitskatdacat63]

super obsessed with your art, seb looks soooooooooooo stunning!!! I am now very curious however, only if you feel like going into it, as to which other historical figures you align with which drivers?👀👀

AAAAAA tysm Grace!!!! Though I am so so so sorry for how rambly and long this post is gonna be, but you just asked me abt one of my brainrots!! I will answer your question but also talk about my history alignments and AUs in general LOL

But if I'm making comparisons of F1 drivers and historical figures, my brain kinda forces me to make it an AU because I'm like "this needs to make absolute sense historically and contextually.)

So, tbh of the four historical AUs that float around my brain, only two of them are really specifically about certain historical figures. The four are: Nandopoleon(About how Fernando reminds me of Napoleon), War of Spanish Succession(mostly about that era, but Seb and Nando are supposed to be paralleling Charles VI and Philip V), Napoleonic Hussars(which is about how , in general, Hussars = F1 drivers), and Rennaissance Muse(this just happens to take place in a different era.)

Explaining my AUs and the historical contexts(proceed with caution, its a lot)

Nandopoleon:

Okay so I'm really really am so deranged about Napoleon = Fernando, but I’ve not posted about it too much because I wanna make a well thought out post about it. But basically I think they’re similar people with similar characteristics and motivations. There was this period of time over the summer where I was only brain rotting about how well any of Napoleon’s quotes fit Fernando(with my fellow nandopoleon confidant @/sweatyflytrap haha.) Here’s some quotes as example: 

“Victory belongs to the most persevering.”

“It is not necessary to bury the truth. It is sufficient merely to delay it until no one cares.”(Piasco era lol)

“Victory is not always winning the battle…but rising every time you fall.”

“From triumph to failure is only one step.”

"A soldier will fight long and hard for a bit of colored ribbon."(trophies y'know)

"Always carry champagne! In victory you deserve it, and in defeat you need it!"

Tell me Fernando wouldn't use these as instagram captions! TELL ME!!! But the other thing that was driving me crazy is how well excerpts from the personality/image section of Napoleone's wiki line up with testimonials from Fernando's doc. Examples:

"He cheated at cards, but repaid the losses; he had to win at everything he attempted."(Napoleon) "Whatever activity I take part in, I have this compulsion to find the compeititon in it."(Fernando)

"He could rapidly dictate a series of complex commands to his subordinates, keeping in mind where major units were expected to be at each future point, and like a chess master, 'seeing' the best plays moves ahead"(Napoleon) "When you talk to him, his mental capacity is so strong. He's talking to you, but his brain is thinking ahead"(Fernando)

Like c'mon tell me they aren't at least a bit similar??? There's a lot else I find similar about them but I cannot list my whole manifesto here skdjlsd

Anyways this AU would be Fernando as Napoleon and would be Webbonso -> Strollonso. Basically, Napoleon had two wives: his first wife, who was older than him and who he was super in love with, but had to divorce because they couldn't have kids, but he still loved her deeply. And then his second wife , who was much younger thanhim and from the Austrian royal family, and this was a politically motivated marriage but they still got on pretty well!!(also it's funny, before she married him she didn't want to be with him because the public perception of him made him out to be not the best guy, but then she wrote to her father about how loving and kind he was. very Strollonso, no?)

War of Spanish Succession:

Mostly explained it here and here. I'm not too interested in either Philip V nor Charles VI themselevs as individuals, but rather the roles they fufill in the "story." Though I will say, I got hit with a brick while reading Charles VI's wiki when finding out that he apparently had several male lovers! So I guess my AU having an arranged m/m marriage isn't even that far off the mark hahaha. Why did they have a 13 year war, they should have just arranged a marriage between the two canidates sigh sigh. But yeah, mostly Austria vs. Spain, I think it fits well with the Vettonso rivalry!! They would end up being: Fernando I King of Spain and Sebastian I Holy Roman Emperor hehe. Also I sketched some more:

Napoleonic Hussars:

Explained here as well as with art, and more art here. I'm really still proud of the points I made, I just feel very ardently about it!!! Not about any specific figure, but rather a historical group that I think lines up extremely well with F1 drivers. But this one is fun cause I can kinda insert any driver into it and they'll work pretty well. It's fun to figure out what kingdom what driver would be, either based off their nationality or the nationality of their team. I remember vividly staring at a map from this era trying to figure out where Maranello would be....But like Renault = Kingdom of France and RBR = Kingdom of Austria, and stuff like that

Rennaisance Muse:

Mostly just this post, I've not thought about this one incredibly deeply. Mostly just brainrot about how I think Seb looks like The David with his curly hair

[foxmulderautism]

i am being silly.......cause why am i getting visions for lover boy chapters being "colour coded"