#which is why you got an answer at all

[kerra-and-company]

Weylon, how do you think Ari's been holding up since you betrayed the warband?

Oh this is MEAN! Going STRAIGHT for the jugular. Very valid of you.

Weylon fully looks like you just walked up and punched him in the face. Or stabbed him. Or both at the same time.

His jaw drops and he tries to say something, but he ends up just mouthing words unintelligibly for the first few seconds. When he does get his voice back, he manages to force out, "The fuck?! Why would you ask me?"

He takes a breath, glaring at you.

"She's--fine. Now. She has that asura, and Brook, and Ca--she has people. No thanks to me. Fuck off and find someone else to bother."

He turns away from you and storms off.

[navree]

Incorrect, the fact that Biden has dropped out and a candidate with history of supporting medicare for all and being more receptive to a ceasefire in the I/P conflict has made me go from "I cannot morally support the Democratic nominee" to "I am voting for the Democratic nominee despite the fact she isn't perfect in every respect." I'm really happy this played out. The Dems for the most part abandoned the old Obama platform and it feels like its possible an actual progressive agenda could come to pass in my lifetime.

Kamala 2024!

If you weren't going to vote Democratic in this election before Biden dropped out you're a dorkass loser who does not care about any of the issues you're yammering about here and also a fundamentally bad person, and I hope you get run over by a bus.

But you got one thing right in all of this gibberish, Kamala 2024.

[buwheal]

Hello, Spamton!

How's life? Also, do you have any opinions on the Addisons? (Pink, blue, orange, and yellow)

If so, what do you think of them?

[yardsards]

i needed to express a sentiment in the creative stylings of @dunmeshiminimumwage

[cherry-bomb1985]

I feel like The Father and Hell both understand and experience love in all the worst ways.

The Father sought to create a life form that would follow and love him unconditionally. It wasn't enough that he had a great cosmic kingdom of angels who are unquestioningly loyal, no, he needed something that knew suffering and mortality and the threat of oblivion, and would still find love at the end; love for him above all else. But after numerous implied failures at that, in his desperation, he instead created the threat of eternal damnation to force them to love him in order avert that fate. Lucifer's words must have been like a splash of cold water, but by the time he realized sheer magnitude of suffering he had unintentionally set into motion, it was too late. He could not destroy Hell; he could not stop the cycle of violence.

That guilt drove him to seek a death that, from the looks of it, eluded him in spite of the hollowness consuming him. And now he is... somewhere, helpless to stop his experiments from consuming one another and themselves in a glorious show of blood and violence.

And then there's Hell itself, who seems to recognize love as an act of violence and cruelty. It is something that derives joy only from the suffering of other living creatures. God gave it so many toys to hurt and break and reform, and Mankind gave it new ones. Why would it understand love as anything but? It gave Minos a facsimile of the son he is most ashamed of, and delighted when he cast it, once more, into a labyrinth. Gabriel flattened all the souls within it's confines beneath his heel and gave those that did bend false hopes.

Now there's V1, tearing its way through the remaining layers and creating a spectacle of violence like nothing Hell has ever witnessed before. How could it not love them all for all the entertainment they've provided?

But deep within its recesses, hidden away from the eyes of Heaven, there was a Gutterman. A machine built for war, who eventually came to love that which it gave it life at the cost of their own. Enough to give the human welded within their coffin the mercy that both Heaven and Hell had denied them; enough to write a single love letter to them, even knowing that it would never be read by its intended recipient.

So, as things turn out, you /can/ teach a machine to love. And they will understand and experience it more sincerely than God or Hell ever could.

[luck-of-the-drawings]

OH ARTHUR BENNETT.. such a gorgeous and intriguing character. terribly burdened by a GRUESOME set of crimes, his light suffocated by a HEAVY century of GUILT. so tragic, so dark and broody, and yet PAINFULLY awkward in any social setting ever

[coquelicoq]

what i love about the Famous Actor Natori Shuuichi of it all is that...it's not just that he's famous and therefore widely recognizable wherever he goes. like yes that is very funny because he was an exorcist before he became a famous actor, which means he CHOSE, on purpose, a day job that would make it harder to hide his double life/secret identity from the hordes of his adoring public, but it's more than that. it's not just that he's famous, it's that he's famous specifically for being an ACTOR, aka a person whose job it is to dissimulate, to make believe, to inhabit roles and emotions other than his own. like he decided he was going to become as visible as possible (which again was literally not necessary! he could have gone into any other career for his day job!!) but in such a way that everyone would see him but no one would see him - they would just see his various made-up personas, including the Famous Actor Natori Shuuichi persona. i can't decide if he's a genius or if he just made so many absurd decisions that they canceled each other out and circled back around to working out. he's either playing 9-dimensional chess or he's eating the pieces. too soon to say.

[themyscirah]

What runs/stories do you recommend for someone starting WW? Could you please be specific (/nicely)

Yeah ofc!

My Wonder Woman Starter Recs (specific style 😎)

First stops: for an initial introduction to Wonder Woman, I'd generally recommend going to at least one of three places first. These three are:

Wonder Woman: Historia: The Amazons by Kelly Sue DeConnick

Wonder Woman: Year One by Greg Rucka

Wonder Woman: the Hiketeia by Greg Rucka

Of these I generally recommend reading Historia first, as it's a retelling of the origin of the Amazons as a race and how Diana came to be (so it essentially starts from the beginning) and is also the most recent of the them (if that means anything). Something to note about Historia though is that it's a DC Black Label book, so it's events aren't strictly canon in the main DCU and there are some changes and new elements present. I don't think this is something that should discourage anyone from reading it though, it's the best WW origin story out there, and even in strict main canon over the years her origin is one that has had many fluctuations and small (& sometimes big) changes. WW:Historia is three prestige format (longer) issues.

You'll notice the third book there is WW: The Hiketeia. Hiketeia is a great book if you're looking for a view into Diana as a professional and experienced hero. It's a graphic novel so standalone and not too long, and has a great Diana and really interesting plot (Diana vows to protect a young woman and finds herself pressed against the wheels of Greek Tragedy). This is also the first work with Diana done by Greg Rucka, one of her most prolific and loved writers. A sampling of this work (and also Historia) I think gives a good guide to where to go next in terms of runs on her main title.

Wonder Woman: Year One is the second book on the list up there, but I'm mentioning it last here as it's a bit more complicated in terms of format. Unlike other year one books, WW: Year One is actually a series of issues on her main title, showcasing Diana's arrival to man's world in Rebirth (and also current p sure) continuity. The issue numbering for this one is strange (only the even issues 2-14 on WW (2016)) so I recommend looking for this in trade form if possible.

These 3 books I think give a taste of some of the best standalone stuff in the Wonder Woman mythos, and give the reader a good idea of where they may want to go next in terms of longer runs on the title. So I'll break that down here as a Step 2.

STEP 2: WHERE NEXT?

Here I break down some highly recommended runs based on what they have in common with the standalone books from step 1. As a rule, these runs are going to be much longer than the above and generally more connected to the wider DCU and other books. Look for the italics to see the introduction to each new work. Explanation paragraphs follow after each italic/bold rec.

Curious about Greek mythology in WW and the Amazons' origins after reading Historia? Liked the prescence of a supporting cast and Diana learning about Man's World from Year One? Willing to read a longer run? I recommend: Wonder Woman by George Pérez

George Pérez's time on Wonder Woman totally reinvented the character after Crisis on Infinite Earths, and is fundamental in establishing many core concepts of her lore. At 62 issues, 2 annuals, and a 4-issue crossover event at the end (War of the Gods), it's definitely a commitment to read, but it's the most enduring and well-loved run on Wonder Woman for a reason--it's just that damn good. Lots of focus on mythology (although with a lighter tone than Historia) alongside Diana learning her role in relation to Man's World & establishing herself as a hero and ambassador. Pérez's run also has almost-certainly the most expansive and developed supporting cast in WW comics, something that really drives the emotional core of the series, especially in later issues. Obligatory note that this series was written between 1987 and 1992 and contains some very occasional aspects that I thought were in some way dated/uncomfortable etc. while reading (details of Cheetah's origin, depiction of the Bana-Mighdall, Hercules) but despite that I still highly, highly recommend this run. The word fundamental cannot begin to describe it.

Liked the experienced Diana of the Hiketeia? Interested to see her attempt to balance the high stakes responsibilities of an ambassador and superhero? Looking for some really badass moments and fights? Haven't read enough terrible tragedy? I suggest: Wonder Woman by Greg Rucka 2003 EDITION.

Some of Diana's coolest moments of all time are collected here. Also one of her most controversial. The 1st Rucka run is very much the story for anyone who liked the Diana of the Hiketeia and the tragedy of that and Historia. 2003 Rucka Diana is a Diana tested, forced to make decisions that are anything but easy, and live with the consequences. She's extraordinarily capable, but her enemies know that and are prepared to that end. This run, along with the Pérez run, rank among my favorite Wondy comics of all time (those and Historia are my top 3). This run is such peak Diana, especially in terms of sheer badassery. Her final confrontation with Medusa is in my opinion perhaps the greatest Wonder Woman fight scene of all time. Her encounter with Athena in the second-to-last issue breaks me every time. Cannot recommend this book more.

*a note abt this run is that it is more context-dependent than the other ones listed here, as it's the run that finishes out the Wonder Woman vol. 2 book and so has some guest appearances from characters introduced in other prior runs (Artemis of Bana-Mighdall, Cassie Sandsmark, and Vanessa Kapatelis, to name a few). I read this run before knowing much (if anything) about any of them, and still enjoyed it a lot, so I wouldn't be worried about this really but just thought I'd mention it.

Rucka's 2003 run is published from Wonder Woman (1987) #195-226. You can also find it in trade and I believe(?) omnibus. Sometimes the Hiketeia is included in collections of this series, as the 03 run is thematically similar in many places, just with a much deeper look at Diana and the world & with higher stakes.

Liked the specific characters and plot threads of Wonder Woman: Year One? Want to see what happens with Diana's exile, or learn more about Barbara Ann? Want a Diana in between the extremes of young and highly experienced? Wonder Woman by Greg Rucka 2016 EDITION may be for you.

...yes I'm putting ANOTHER Rucka book on here. He writes a great Diana, what can I say. This run is the same one that Year One came out of, just the follow ups to that story and versions of the characters. I have this run listed as separate from Year One though, as there's some really big time skips since the events of that first volume. A lot of time has passed since then, and there's more history between the characters, not all of it without drama. This run continues to be weird with the numbering, as well as some artist changes, so I definitely recommend looking into reading this in trade format (physical or digital) if at all possible. My recommended reading order is WW 2016 by Rucka vol. 2 "The Lies" (Wonder Woman: Rebirth Special #1, followed by 2016 main title odd numbered issues 1-11), then Rucka 16 vol. 3 "The Truth" (odds 13-23) then Godwatch (evens 16 through 24) followed by 25? But The Truth and Godwatch combine near the end so that doesn't really work either. This run is so good but recommending it is such a pain because the numbering is so all over the place. On God I never know which order to read this in. Going to revoke my previous statement and say read it as Rebirth Special 1, then only odds 1 through 11, then from 13 through 25 normally. That may lead to some weirdness as you read because the two stories take place at different times and have different art styles, but they come together at the end pretty dramatically so I think it's less confusing to read it this way? Maybe? So strange bc this is one of the go to good starter runs and yet it's set up so unintuitively. If someone has a better way to read this then let me know and ill edit, ik this explanation is super confusing bc neither way to read it is totally ideal imo and I feel I definitely read it in a weird order.

Going to call that a good rundown of some of my greatest recommendations in terms of Wonder Woman comics. If anything wasn't fully clear here or anyone (not just anon) has questions or wants to talk abt WW comics/my choices feel free to send as many asks or dms as you want. Have a good day everybody, & as Diana says, may the glory of Gaea be with you <3

[polysyndetonaddictsupportgroup]

Just want to say: a, I admire very much that you've figured out a healthy way to work on your fics that allows you to have fun with it. And also b, am very excited to hear that you are getting there with pez! It has fully given me brain rot ever since I read it last year, there is just such a lack of content for the highly specific trope of using time travel as a device to explore extremely unhealthy levels of self loathing.

I just adore everything you're doing in it. Neither midoriya is anywhere approaching okay for any portion of the fic and I love rereading and mining into all the subtle characterization pointing to that. It's a bit like nhtycth in that some really goofy funny stuff is often hiding some really fucking worrying things, but the fact that characters DO do that stuff—that todoroki uses his teaspoon's worth of extremely stunted social skills to bludgeon his friend's door open and help him, that a rpf shipping war is an actual source of drama despite how goofy the sentiment seems on the surface, that about half of what jon says is deeply worrying and the other half is extremely funny and there's a lot of overlap between the two—really lifts the tension and brightens the universe. It's sort of similar to what you did with gerry, in that endless misery isn't nearly as painful as the ups and downs of a life that, when you step back and zoom out, has something deeply and horribly wrong with it.

(jon sort of reminds me of spider-man in that he uses human to deal with trauma and stress, except I don't think he at any point realizes how fucking funny he is. He's just there, in a home depot, gnashing his teeth because he's got so many bodies to dispose of and this cashier sure is taking her time.)

I really, really, really have had trouble finding fics that take everything midoriya has dealt with to task. It's a hell of a thing to live 14 years as a disabled minority, have it heavily shape your existence, and then one day you wake up and you realize you're...not that, or at least, nobody will ever acknowledge you as that again. You've lost all claim to it. Those experiences that shaped who you are? Dust in the wind. 14 years of pain and life might as well be buried in the ground for all the good they do you. Nobody's going to cut you any slack or quarter, you've gotta simply work harder, be better. And now when you do that you get the results you wanted, so that's fine, then. That's good. There was something wrong with the you before, and there's something right with the you now, and if the transition is a little rough, well that doesn't matter, you're the same as everyone else now, so it's your own job to fill in whatever gaps you need to.

I really can't get over how mentally fucked it must be for midoriya to run into quirkless people, run across quirkless issues, and be silently caught between, incapable of speaking his mind and too scared to do so anyway around those he can trust.

Also I should mention, I'm just very excited for bakugou to get back from the gym. He's been there like a year I hope he's getting a good workout in.

Me realizing that it’s been a year since pez dispenser debris:

I feel like there’s just this very specific type of grief that Izuku has to grapple with in the span of pez dispenser debris that I’m just obsessed with. He’s sort of silently mourning who he could have been, when 1) he has to present like there’s nothing lost to maintain his secret and 2) the entire world is constantly inundating him with the message that there was nothing lost.

Like. I don’t want to get too deep into it because it risks spoiling things and I do have major plans to continue it (I’ve loved this story for so many years before I ever even hit publish), but the emotion that Izuku’s feeling right now is so much more complex than “I hate who I used to be and want him to stop existing” or “I just want to keep my secrets.” And I think the way he interacts with Mirio is the biggest evidence of that.

Izuku’s placed himself at the very center of the Quirklessness debate with his support of Mirio. He fights for Quirkless heroes, very publicly, to the point where he’s not even graduated yet but considered to be one of the most prominent voices on the matter. If you took a poll of Quirkless people as to which hero would be most supportive of them pursing their own career in heroics, Izuku would be right at the top of the list. When it comes to Quirklessness itself, he’s nothing but supportive.

But he didn’t tell Mirio the truth of his own Quirklessness.

Out of everyone, Mirio’s the one everyone expects to know, despite him being a relatively newer relationship compared to someone like Iida or Uraraka or Todoroki. And I tried to imply that he’s sort of the one who knows the most about Izuku out of everyone save All Might.

Like, we’ll get into how much exactly Mirio knows soon, so I won’t divulge what, if anything, Izuku has told him. But we know that Mirio knows, weirdly enough, that Izuku is deeply fucking haunted. He knows that boy has many violent ghosts in his bones. He finds it hilarious and will tell their realtor about it. Izuku told him about the discontent spirits who died in a violent passion and live on inside of him before he told him about his Quirklessness.

And I just feel like one of those things is a little bit easier to discuss than the other.

Izuku has decided to keep his own Quirklessness quiet in a way that surpasses secrecy about One for All. If it was just about OfA, he could tell people he didn’t get his quirk until the entrance exam, and it wouldn’t even be a lie. He’s purposefully obscuring his own past as Quirkless even as he takes a forefront of the Quirkless hero debate with his open support of Mirio.

And the fact that he’s at the forefront of this debate in and of itself requires a difficult dichotomy. He is the world’s most vocal proponent for the first Quirkless hero. He is a known figure in the Quirkless community now.

He isn’t considered one of them anymore. He’s an outsider coming in.

It must be such a strange, odd sort of grief to come to the people you were home amongst for most of your life and be greeted as a stranger. To return home, and to be welcomed in for the first time, and to not even be able to tell people that you’ve lived here all your life and don’t need a tour.

It’s a sort of death of self, I think. And I think Izuku never expected to have to grapple with his own ghost.

[moiraimyths]

Before we call anon rude because let’s see it from their perspective, imagine getting an entire feast to eat. That can be pretty hard to start with so much that’s going on, but if they start with one thing they know they’ll like (aka one character they like) that can be the start for them leaping to other characters to finish the story and the bigger story. I struggle the same way to start book series if I don’t have at least one character that drives me to read it, it’s all about what can be the hook to push them through. Sounds like the anon is neurodivergent (just a guess) so they might genuinely not see it as rude and see it as a solution to even play the game to start with.

Btw absolutely adore the game, the complex and rich characters making them all so unique is amazing. The art is so pleasing to the eyes I love it!! I’m waiting for it all to get out at once so I don’t get too impatient. Shae however interests me the most, which routes will have the most lore for them? Will there be routes that give more lore in general based on decisions you make or do they all share the same amount? (I mean general lore not just Shae lore)

Apologies; we are not trying to accuse any asker of being rude! We are simply explaining our perspective as the developers / are trying to broadly encourage folks to dip their toes into other areas of the story outside of the main route(s) they're interested in, especially considering some routes will be made available sooner than others, and these other routes will likely contain additional scenes/lore of everyone's fave(s) regardless! We want to give each main cast member an equal amount of love (and lore) regardless of their overall popularity, so our goal is not to tut-tut anyone for having strong preferences for one character over the others, but rather to explain that you may be surprised by how much *more* you learn about your preferred characters in the other routes. That's all!

For Shae... Well, they were a foot soldier for one of the worst periods of the War. Lore wise, any other story that touches on the War will likely have content relevant to them and their experiences. ^^

[oceandiagonale]

Actually, Guzman is his spanish name.

OH YEAH some other folks pointed that out too, makes sense since it's an irl Spanish name (probably why I see it around a lot!) 😳

(normally it's a surname, I've only seen it used as a first name once in a blue moon -- but also in the pokemon world it's pretty clear that naming conventions aren't the same lol)

[localguy2]

Zane... Ooooooooh boy...

I really really like the Wyldfyre shorts, they're a great way to explore Wyldfyre's grief without having to dedicate screentime from the main show.

At the same time, excuse me Wyldfyre, what did you just say he told you?

I am annoyed more so at the writers and not the character, tho his character is a close second.

The ONLY good thing about his character from Crystalized just got thrown out and into the garbage for... No reason?

And this isn't like, Wyldfyre being an unreliable narrator, because she's literally quoting him, even if it's in condensding manner, and you can't tell me Zane doesn't know the difference between Humans and Nindroids... Like- ugh...

I'm just upset, S1 of DR had his character pretty well I'd say, but S2 has just NOT BEEN IT in the slightest, they seen to be doubling down repeatedly on his robot self and not his human self, and I'm sorry but there's not even any comparison between the two when it comes to which one I like more...

Zane's whole thing was that he was a very very VERY human machine, a person even, and it seemed like he could function as a machine while still maintaining his humanity and personality.

Now, with what we've had since SotFS and now this line, it feels like that balance has completely gone out of whack, it feels like he's favouring his robot self over his human one, and there's nothing inherently wrong that.

Unless... You repeatedly literally don't do anything with his character and just keep building up on the fact that he's "Silly nice robot man :p", and especially when you use his 'Cardboard Cutout' character during the Wildbrain Era as a sort of justification for his current character state.

Mind you, that Cardboard Cutout didn't go through a single character arc up until Crystalized to justify making him feel so much more robotic, and it's hella infuriating when you remember they TRIED to give him an arc after SotFS (Tommy said that they previously wanted to have a Zane PTSD/Depression arc for Prime Empire that was scrapped).

If you can't tell, I'm not happy with his current currently in the slightest...

[charlescoded]

Begging you for vampy max and omega charles being all gaga over their chubby blonde blue eyed dimpled baby 🙈🙇‍♀️

vampy max would worship the ground charles walks on if so asked. he doesn't because charles is just as enamoured, but he will ask for more chubby babies <3

-

Sharp fangs graze against his skin as Max leaves sloppy kisses along the expense of his neck. Charles closes his eyes, allowing himself to enjoy the sensation for a moment. Max’s arm has creeped around his waist, keeping him in place. It’s a familiar position that Charles has come to love, but right now they don’t have time for this.

“Cheri,” He murmurs pointedly, and behind him Max groans loudly.

Max rests his forehead against his shoulder. “Just five minutes?” He whines.

He huffs. “Five minutes turns into ten, ten turns into sex, and sex turns into never leaving at all.”

“I don’t see a problem with that.” Charles can feel his smile press against his neck.

“And if she starts to cry and it ruins the mood—your mood?”

Max hesitates for a split second. “I can deal with that.”

Charles rolls his eyes and turns around in his hold. “No you can’t, you’ll be so distracted wanting to check on her and leave me needing you." He presses his lips against Max’s chin.

He cups Max’s jaw and kisses the pout away. “…It only happened once.”

“Twice,” Charles corrects. “I’m counting Jimmy getting stuck in the chandelier.”

Max makes a face. “You can’t blame that on me, what bat doesn’t know how to fly.”

It’s a rhetorical question, Charles answers it anyway. “You.”

“Ha ha, you’re hilarious.”

“I know,” Charles grins, and when Max’s face tightens, his eyes light up. “Is she crying?”

Max presses his lips into a thin line. “…She might be.”

Charles shuffles out of his arms and gives him a coy look. “Well? Bring me my baby, Maxy.”

There’s a loud sigh, but Max pecks his cheek and disappears to leave Charles alone in their bed. He sits up and stretches his arms above him, a pleasant ache still pulsing through his body. He waits patiently—Max has the speed to return within seconds, but if he calms her down first, it might take a few minutes—, brushing his fingers against the bite marks left all over his body.

A big smile forms on his face when Max returns, their daughter curled up against his chest. He holds his arms out and Max hands her over as joins him back in bed. “Hey pretty baby,” Charles whispers, shifting so he can settle down against Max’s chest.

“Lisette calmed down as soon as I entered her room.” He can hear the silent typical being added, but Max doesn’t sound too upset about it.

Charles brushes her hair out of her face. “Did you just want attention from daddy, Lili?” Her little hand clasps around his finger. “Yeah? I like his attention as well.”

Max snorts softly. “Needy omega.” He teases.

“Hey,” He lightly knocks his head against Max’s shoulder. “Don’t be rude to your ‘needy omega’, he worked very hard to give you a carbon copy of yourself.”

“The first part wasn’t so hard,” He lets out a soft yelp when Charles pinches him. “…Besides, I think she’ll look like you when she grows up.”

He looks at the chubby cheeks of his daughter, at her golden hair, the startling blue eyes, even the sharper teeth poking out when she opens her mouth to babble and shakes his head. “No, she’s definitely daddy’s girl. Maybe our second will look more like me.”

“Second?” Max asks quietly, and Charles holds his breath. “You want me fill you up with another baby, Charlie?”

His cheeks flush bright red. “I..,” He clears his throat. “Only if you want to.”

Max kisses the back of his neck. “Of course I want to,” His hands rub over Charles’ sides. “I’ll give you anything you want.”

“Hm. And what if I want breakfast in bed right now?”

“Yeah?” Max’s hands slide down to Charles’ thighs. His voice is slightly muffled where he presses his teeth against an old bite mark, “You’re my breakfast, baby.”

Charles inhales sharply. “Oh my god, cheri,” The hands disappear from his skin. “You don’t have to put a baby in me the first chance you get!”

Max’s laughter echoes through the house as he disappears in the blink of an eye. Charles shakes his head and tries to hide his smile as he looks down at Lisette, his daughter busy playing with the faintly glowing jewels attached to his bracelet. He leans down and kisses her forehead. Maybe they’ll have another baby, but for now, this is enough.

[sneez]

more of my oc tervis (any pronouns), the creepiest most miserable little weirdo in town. which is saying something [id under cut]

/ ID: four digital drawings.

The first image is a series of drawings of Tervis on a paper-textured background. A heading at the top reads 'Tervis (Humble)'. One is a coloured headshot of Tervis looking to the left; they have a gaunt face, short receding hair, a scar bisecting their lip and right eyebrow, greyish skin, and are wearing a red shawl around their neck. An arrow pointing at their right eye reads 'one blue eye (mostly blind)'; another arrow pointing at their left eye reads 'one brown eye'. They have a serious, hostile expression. The second drawing is an uncoloured full-body sketch of Tervis. Next to this is the same drawing but coloured and with more polished lineart. Tervis is a thin, hunched figure wearing a long, dark brown robe, a greyish bag on their back, and a red shawl around their head and neck. They are barefoot, and are leaning on a walking staff with both hands. An arrow pointing to the walking staff reads 'needed for walking, useful for hitting'. Tied to the belt around their waist are several long scrolls of paper with writing on them. An arrow pointing to the scrolls reads ''blessings' they paste on infected houses'. Tervis is looking warily out at the viewer from beneath their eyebrows. An arrow pointing to their head reads 'scar from getting hit in the face with a brick (also knocked out a tooth)'. Alongside these drawings are a series of bullet points giving information about Tervis. These read:

   indeterminate age, indeterminate gender

   religious fanatic (unclear which religion)

   lives alone somewhere in the steppe

   dislikes everyone but is nicer to children than anyone else

   has every disease

The second image is a fake screenshot from the video game Pathologic. Tervis is looking out at the viewer; the background shows scenery from the steppe. The text on screen reads:

CHANGELING: I still don’t see what you could have done that would make you personally responsible for this plague. TERVIS: Responsible… no, not merely responsible! This is my plague, cast upon my head alone. I am the originator; my sin is at the root of all. I have ventured into the town. I have seen the canker there. No matter how many houses I bless, my sickness sinks deeper. The rotted limb is the death of the body… Surely you understand me. You are a healer, are you not? CHANGELING: What is it that you are asking me to do? TERVIS: Let me be the lamb, worker of miracles! My blood shall wet the earth, and bright flowers shall grow… My putrefaction will provide the soil within which new life will burgeon, pure and free of sin and decay. Let it be done. I am ready. My failing flesh is but little sacrifice; in death my weakness will be my strength. Soon these torments will be at an end.

Below are two dialogue options:

You’re insane!

What makes you so sure your death would solve anything?

The third image is a fake screenshot from the video game Pathologic 2. Tervis is looking out at the viewer, and has been painted in semi-realistic style. The text on screen reads:

Tervis: Why do you force me to live? Damn you! Your cure is poison to me. Now I shall never be blessed. You should have left me to bleed.

Below are three dialogue options:

Don’t be absurd. I wasn’t going to watch you die.

What makes you think you deserve suffering?

I wish I had.

At the bottom of the image is a line of dialogue which Tervis has just spoken:

The air is foul. There is rot in this place. The stench of corruption shall be – what was it? What was it? The stench of corruption shall be… swept aside…

The fourth image is a coloured scene depicting Tervis and Clara. They are central in the composition; around them is the steppe, which has been rendered in a loose, painterly style. Tervis is kneeling, their walking staff cast aside, and are reaching out their hands to Clara in a desperate, pleading gesture. They are crying, their face contorted in an expression of agonised ecstasy. Clara stands beside them, one hand reaching out, the other held above Tervis’s head as though about to touch their brow. She has a solemn, pained expression. Behind her head, a break in the dark clouds gives the impression that she is haloed by sunlight; rays of the same light fall onto Tervis, illuminating their face and red robe. End ID. /

[megumi-fm]

.

[toddtakefive]

btw todd’s reluctance to join the dps because he doesn’t want to read (which is then accommodated for) and is scared to put himself out there (which is also worked through) being read as todd not wanting to go AT ALL, and thus neil making the proper accommodations (“todd anderson, who prefers not to read, will keep the minutes of the meetings”) and encouraging him to step out of the box that stifles him being seen as ‘forceful’ or like he can’t take no for an answer makes me insane with rage