#which is why I started writing in the first place

[mywritersmind]

SAVIOR - LN4

pt.2

summary : Y/n’s favorite place has quickly become her and Lando’s shared hallway. They grow closer and finally make it to the fresh air.

OG SUMMARY (When y/n’s absent neighbor shows up, causing her great annoyance with smoke and repetitive beeping, she marches over to tell the man off but is met with a handsome face and strong hands that are in distress.)

listen up : no warnings!! y/n is clueless abt f1. lando is silly. i’m craving strawberries now.

word count : 1878

⋆｡‧˚⋆

I haul my five grocery bags into the elevator, struggling to keep them all off the ground. I sigh when I finally still in the metal box, i’ve carried these at least two blocks and one had broken on the way.

The doors are about to close but a hand slides in between them, making them automatically open for him.

Hello my hot mysterious neighbor.

He looks relieved he made it, “Y/n!” He says cheerfully, like we’ve known each other for ages. It’s been a couple weeks since I slammed on his door and stomped through his kitchen.

The other side of the hallway had been quiet until last night when I heard keys rattling and the door opening. I can’t help but wonder what he does that keeps him from home so often.

“Lando, Hi!” I smile back as he slides beside me and presses our floor.

“You need help?” He eyes the bags as I bite my lip, not wanting to bother him. I don’t have the time to respond because he takes three bags out of my hands like it’s nothing.

“Thank you.” I sigh, “I’ve been struggling for like two blocks.” He laughs a bit with me as the numbers get higher and higher.

“I’m happy to help.” We finally reach our floor, Lando watches me go first and walk to my door, unlocking it and walking in.

Lando follows hesitantly, like he doesn’t know if he’s allowed.

“Thank you again! I put myself in a bit of a bind when I decided that my friends need fifteen types of salami and cheese.” I place the bags on the counter, Lando following.

I push back my hair and suddenly wish I had cleaned up a bit more. My friends are coming over tonight and I had decided to push back my cleaning. Looking around at the clothes and old popcorn bowls scattered around makes me want to slap myself.

“Really, I like to lend a hand! I never get to be neighborly.” He shrugs.

“What do you do for work? If you don’t mind me asking?” I start placing the cold items in the freezer.

He leans against the counter, his arms holding him up and looking alarmingly fit, “Uh… You ever follow Formula 1?”

I nod, “Kinda? I used to love it!” My mom and I would watch every sunday but I stopped in college so I don’t know any of the current grid, “So you work in the sport! That’s cool, pretty hands on?” I ask as he laughs a bit, looking awkward.

“Yeah, I work with the cars.” He looks around my place a bit, “So, why does one need this much food? I’m judging or anything it’s just… You don’t seem like the type to need a jumbo sized pretzel bag.”

I smile and snatch the bag from him, “I could definitely eat all of this by the way! But I'm having a bit of a party tonight. If anything’s too loud just let me know! It’s just old friends from college- actually.” I look up at him, a boost of confidence appearing in me, “You could join us. If you’re not busy.”

It suddenly sounds like a ridiculously stupid idea. I turn back to the fridge, placing a bottle of lemonade in it and cringing.

“I would love to.” I let out a sigh of relief, “But I've got plans…” I frown and turn back to him, finally putting away the last of my groceries.

“Aw.”

“It’s really nice of you to invite me.” I smile, a bit sad and confused why I'm disappointed. I mean I barely know the man. “What do you do for work?”

I lean against the counter so I'm across from him, “I’m a writer. Journalism right now but I really want to take a more bookish route…”

He genuinely looks so intrigued, more interested than anyone else who I've told I write articles about neighborhood drama.

He checks his watch, which I'm now realizing is incredibly expensive, and swears, “I gotta go. Have fun with your party tonight.”

⋆｡‧˚⋆

I definitely do have fun. My friends and I eat, drink, and play board games just like we’re back in dorms. I’m seeing my last and closest friend off when Lando comes up the hallway, As my friend's eyes go wide when she sees him, I shake my head.

“Goodbye!” I push her out of my apartment, “Love you!”

“Yeah love you too! Text me!” She walks past Lando, nodding at him before she turns behind his back and mouths ‘he’s hot’.

I roll my eyes at her, a smile still on my face as Lando looks at me. He’s in a full suit, holding his blazer in his hand.

“Fun time then?” God he’s hot!

“Absolutely!” I giggle, a bit tipsy, “How about you then?” I eye his suit.

“As good as I could make it.”

I slap my hand over my mouth, “God you aren’t coming from a funeral then, are you?”

He laughs at this, “No! No. A work banquet thing.”

I giggle a bit as he turns to his door, “Hey!” I say without thinking, “Would you want to come in? I have wine.”

He’s sitting on my couch thirty minutes later, a glass deep and talking about where he’s traveled too.

“That’s my dream!” I say, my feet tucked under myself as I tilt my head on the couch cushions, “Traveling. I mean- You’ve been everywhere!”

He shrugs, sipping his wine, his tie undone and shoes off, “It’s amazing but I'm not there for long so I don’t usually get to sightsee much. Honestly the most interesting thing that’s happened to me recently is this pretty girl came to save my baking disaster.”

I hum to his words, blushing a bit, “Sounds like a hero if i’ve ever heard one.” We both go silent, taking pieces of my leftover charcuterie board. “Should I start watching F1?”

“No!” He says it so quick that i’m taken aback.

“No?”

He laughs a bit, shaking it off, “It’s boring. I can’t have someone else in my life talk about it.”

I spin my wine around in the glass, “So I'm someone in your life now?”

He smirks, “We’re friends, aren’t we?”

I pretend to contemplate this, “I’ve never had a friend who hasn’t gone to the strawberry market with me.”

He makes an odd face, “So we must go then.”

I sigh, “If you want to be my friend…”

The corner of his mouth pulls, “Tomorrow at 9?”

⋆｡‧˚⋆

He’s at my door at 9:12. Thank god he’s late because I hop over to the door, pulling on my shoe and pulling down my jean skirt.

I open the door and stand up straight, smiling breathlessly. He, of course, looks perfect in jeans and an olive green shirt, “Morning.”

“Ready to taste the best strawberries you’ve ever had?” I grab my bag and keys.

“So ready.”

We make it to the market just on time. It’s my favorite neighborhood gem. Every Sunday people gather with strawberries. There are big and small, some covered in chocolate and some in honey.

I buy a box of chocolate ones, well Lando does. He insists that he still owes me. Handing one to Lando with an extra fork, he bites into it, his eyes roll, “Fucking hell.” I nod, excited that he likes them as much as I do.

“My favorite treat! Something you can’t burn your house down with.” I eye him and he eyes me right back. Being with Lando is like a breath of fresh air. I’ve never been so confident in my social skills.

He laughs with a shop owner as he buys his pack of plain strawberries. He's so nice and just listens politely as the woman goes on and on about her childhood on a strawberry farm.

He gives her a bigger bill than necessary and as she insists it’s too much, he just shakes his head and continues walking.

We settle at a park bench nearby, tasting all the pieces we’ve bought, “This is genuinely phenomenal.” He says while eating another, “How’d you find this place?”

“Had to write about something local and had total writers block… I was walking around one day and just sort of stumbled upon it.”

He smiles, I really like this smile. “You seem like the type to just stumble upon a strawberry market.”

I laugh, covering my mouth, “What does that even mean?”

“You’re just so…” His hands make these weird gestures, his fingers moving around as he laughs and gives up, “It just fits.”

I smile, meeting his eyes. They're so nice, a mix of blue and green. His gaze washes over me and I feel the need to smile even more.

“You’ve got nice eyes.” My stomach twists as he says it so calmly, “Real pretty.” I feel a blush on my cheeks and I turn away from him, looking at the park near us and being startled by the child looking up at us.

Lando follows my gaze, mumbling softly, “Shit.”

“Hi.” The kid says awestruck, I look to Lando who’s smiling and sitting up straighter. “Um- Are you Lando Norris?”

Lando scratches the back of his neck, “Yeah I am! What's your name?”

“W-William!” He says, swallowing and pulling a pen from behind his back, “Could you sign this?” I glance to what looks like his mother, she’s watching him with a smile.

Lando simply nods and takes the cap from his head, its bright orange. He signs his name and messes up the kid's hair, “Thanks a lot! My friends’ll never believe it!” The boy squeals and runs back to his mom who waves slightly and takes the boy's hand.

I raise a brow at Lando, still confused, “I’m sorry…” He looks embarrassed but I don’t even know what for.

“I’m going to assume you didn’t tell me the whole truth in what your job is?”

His cheeks get a bit red, “I do work with the cars… Just really close. Like I’m in them. One specifically.”

I nod, “Yours?”

“Mine.” He crosses his arms, his lips in a thin line, “I drive for McLaren.” I breathe out.

“Oh.” I can’t help but think I have a type because I grew up with Jenson Button posters on my wall.

He runs a hand through his curls, “I don’t usually get recognized around here- Thought we would be okay.”

“We are okay!” I reassure him, realizing he’s actually embarrassed, “That was sweet.”

He looks up hopefully, “You think? I’m sorry for lying- I just really liked that you didn’t know who I am or what I do.”

“Well, I sort of still don't. I know your full name now, that’s about it.” He smiles at this, I bite into another strawberry.

“Do you want to go out with me?”

He is yet to say something I'm not shocked at.

“Yeah.” I nod, smiling at him as he grins, “I’d really like that. Don’t you have to race soon though…? Singapore, isn’t it?”

The smirk that pulls at his lips is just plain mischievous, “I never said the date would be here.”

[heretherebeturtles-comic]

Hello! Many people have said this but ill say it too, I LOVE YOUR COMIC SO MUCH ( ´ ▽ ` ).｡ｏ♡

I really wanted to ask you about how you do the backgrounds? (Something i struggle with) whats the process? Like from start to finish, also, to do the rise backgrounds do you use reference from the show and generally real photo of ny? Or do you come up with them? And last question- The shadow and light on the background- Like HOW

i know it’s a lot of questions but i’m just so curious qwq and wanna learn to be better, thank you again in case you read this and respond, in case you don’t, i hope you have a nice day and a wonderful life uwu keep up the great work! (≧◡≦) ♡

Backgrounds are a really broad subject and I'm always a little overwhelmed when asked this question. Just like drawing the human body, backgrounds take time, repetition, and practice!

My answer got a bit long, so it's going under a read more :) but if you digest info better in video format I found this on youtube

It pretty much goes over everything I wanted to say, but in a much better way. I wish I had found it before writing all this out lol

ok, first of all, I'm not a teacher nor was I built to be one of those cool helpful art tutorial people who do a full coloured tutorial filled with illustrations. This is just going to be a messy "how I do backgrounds / environment layouts from start to finish." kinda thing.

... lets start with a sight tangent.

Sketch from Life!!!

If you want to get better at backgrounds I recommend doing some sketching out in the real world!

When I was first getting into doing backgrounds I went to cafes and parks to just sketch the buildings and objects. Sketch rocks, flowers, clumps of grass, garbage cans, bottles, tables, street signs, etc. If you are drawing a tree observe how the trunks twist, how the bark flows, or how the leaves are bunched.

If you can't leave the house the same still applies! Sketch the interiors of your house, the walls, or common objects like chairs and bookshelves. How are objects stacked? items on the floor?

If you aren't comfortable with drawing outside or in public you can take some photos to draw from! They are good for practice and you can use them again as references later. Alternatively you can find pictures online of buildings and objects to sketch as practice.

All spaces have objects in them, it becomes easier to draw those kinds of spaces when you already have spent time observing and sketching them.

ALSO! They don't have to be good sketches! It's just to build out your mental catalogue and strengthen your perception of perspective.

now the actual thing...

BACKGROUNDS

(the pictures used for this are my own. I dug them out of my 2022 folder)

Backgrounds have slightly different rules based on what you are making them for. Videogame Environment Concept Art vs Animation Layouts vs Comic Backgrounds vs Illustration backgrounds.

They all follow the same basics, which I will go over here, but the intention and function of those designs are going to be different. It's all about how you set up the scene and what it's purpose is!

Brainstorming and Thumbnailing

I like to think about a location as though it is a character. An abandoned old house with creaky sagging floorboards is very different from a futuristic space ship with sharp metal floor panels. A gas station has a very different feeling from a library.

I usually start by asking what is this location's story? Why was it built and for what purpose? What kinds of things does this room need to fulfill that purpose? You don’t need solid answers, but its good to be thinking about it while you are working.

Next, sketch some ideas for how this place is going to look. For me, this usually involves drawing the idea from multiple angles and then making lists & small sketches of the objects I think should be filling the space.

Example: The main character of my original work is a Wanderer. They collect a lot of things on their travels, but those items have to be small enough to be easily carried in a backpack. I wanted his room to be in the corner of an attic, walled off by curtains, and filled with trinkets. You can see some of my brainstorming above.

References

I only look for references after I've done some sketching and planning; this is to solidify my idea first so that I don't accidentally copy anyone else's work. I will make a moodboard with pictures of lighting, colours, items, rooms with specific ceiling beams, old chairs, etc. basically whatever I feel fits the vibe.

Honestly, I don't use references as much as I should. For ROTTMNT fanart I look at backgrounds and screenshots from the series to study the style. I also reference actual photos of NYC to get a feel for how Rise condenses the visual information.

In general, it's good to have references of real life objects/locations, because there are so many details like cracks in pavement, stickers on polls, crowning on buildings, fancy fencing, weird chair legs, etc. that you might not think of. It's the imperfect details that can make a location feel more alive.

Perspective

Once you have your chosen sketch we move to.... the infamous perspective boxes. Doing backgrounds is just learning to be comfortable drawing So Many boxes and carving items out of them.

Many better artists than myself have made videos on perspective, vanishing points, and all the technical bits. Videos like THIS ONE and THIS ONE are helpful (this post is great too!!). There are probably a lot of classes to be found on Skillshare or Schoolism. I learned a lot of this in my college art course, so I can't give you a specific video which helped me.

You can get by and be a good artist without learning this stuff. There are quite a few successful artists who have admitted they never bothered to learn perspective (one of these people even made a whole graphic novel series).

I personally avoided properly learning this stuff until I was in my 20s because I thought it would be boring and difficult to do. tbh I really wish I had learned it earlier because it's so much fun to make those silly little boxes imo. It looks scary and complicated but, just like drawing humans, it just takes time, repetition, and practice to develop the knowledge and skills.

Cleanup

You have your boxes and lines! Cool! Now to make a scene out of it. Fill in the details, get everything placed were you want it! Generally, the lines of each item will point back towards the horizon line, but they can have different perspective points.

Generally you would want to clean it up and get your room completely sketched before doing the lineart. I tend to combine the steps (not recommended)

Lineart

I've mentioned how I do this before. Closer objects have thicker lines and more detailed inside. Further objects have thinner lines and less detail. I didn't quite achieve that balance with the image below, but it's close enough.

Colours and Shading will have to be a separate post. In the meantime, I highly recommend the book "Color and Light" by James Gurney. I used to borrow it from my local library and a good chunk of my knowledge was learned from it :)

[luveline]

hey love! first of all: i have to admit i started watching criminal minds for the first time earlier this year only bc of your spencer fics! can we get more stripper!reader and spencer? love your writing!!!

thank you!! It’s a slow routine. You begin in a crouch in your underwear, just like at the club. Chest to your knees, arms twisted with the backs of your hands touching. But, unlike at the club, this underwear is comfortable. There’s nobody watching, and you won’t make any tips. You don’t have a pole nor a stage. 

You run through the routine but forgo any pole tricks. You stretch for long, slow minutes, dancing from one space to another. The music in your head isn’t anything you’d play at home, but it works to keep time. You end on your knees again. 

It’s not fun. 

You stretch toward your phone and pick it up. Spencer’s texted you twice in the ten minutes you weren’t on it. 

Hi gorgeous, the first begins, do you want to sleep over? I can make you dinner. 

The second, Sorry, I don’t think I’ve ever called you gorgeous before, is that weird? Please come over and pretend I didn’t say that if it was weird

A third pops up while you’re reading. Can I come get you? 

You text him back with pleasure. He’s the only guy in your life who talks to you just to talk, without thinking he could fuck you if he says enough right things, even though he has fucked you. Hi babe you can call me anything it’s not weird, I’ll come over! Not working this week, maybe I can stay two days(?) let me know so I can pack enough clothes 

You can stay all week, if you want to. I miss you 

You imagine him holding his phone, his cheeks pink with blush. 

I miss you too, you text back. 

Just bring what you want to and we can work it out later

Working it out later could mean anything with Spencer. He’s silly enough to try and put you in his clothes, and generous enough to take you shopping if it saves the time it takes to drive you home. 

You’ve packed a bag of clothes and shower things when your phone rings. Spencer’s contact photo covers the whole screen, the two of you together with your face cut out, his smile wide. You were both a teeny bit tipsy. 

“Hello?” you answer, bringing the phone to your ear. 

“Hi!” He sounds nervous. “I’m outside. Am I gonna get towed?” 

“Not if you stay in the car. I’m on my way down right now.” 

“Okay, see you in a second,” he says. 

He never looks comfortable behind a steering wheel. You aren’t sure why he doesn’t sell his car, maybe because it’s dirt cheap to maintain. He never seems happy to be driving is all. 

He smiles when you approach his door, which is better. He rolls down the window. 

“Are you okay?” he asks. You bend at the knees to see him better. 

“Why wouldn’t I be?” 

“I had a weird feeling about you, like you weren’t alright.” 

You lean down further. “I’m okay.” 

He grins. You’re waiting for a kiss he doesn’t give, finding yourself a subject for his staring, completely still as his gaze follows around your face. He makes no move to kiss you, and for a moment insecurity blossoms. 

“Well, you look okay. Are you getting in? It’s cold,” he says, nodding toward the passenger side.

“No help with my bags?” you ask, closing the door when he tries to open it. “Kidding.” 

You round the hood and climb inside. Then Spencer kisses you, polite but emphatic, one on your lips and another just under your jaw as he squeezes your shoulder. You feed into them lovingly.

“Maybe you can stay at my place forever? That way I can stop missing you all the time,” he says, pulling away slowly. 

“And when the mystery is gone?” you ask. 

“I don’t want mystery with you.” 

Spencer takes your bag from your lap and shoves it into the back seat. You drop the smaller one on your shoes. 

“Do you wanna get pizza or something?” he asks. 

You hold your jaw where he’d kissed you. “Sure,” you say, tingles of his kiss lingering under your hand. 

“Or Chinese? What do you want?” 

You want more kisses, but you love that he always gives you options. “Pizza for sure. Curly fries, too. Hold my hand?” 

Spencer takes it with gusto over the gearstick, and whatever felt like it was missing earlier fills itself in. “Wait,” you say softly, before he can take the car out of park, “just…” You grab his side and drag him toward you for a hug. Holding hands wasn’t gonna be enough —Spencer doesn’t know it yet, but you love him, love how safe he makes you feel, love how fun he makes your life. You can be yourself with him, no matter who that really is.

Spencer holds you, his hand across your shoulder blade rubbing soft lines. 

[4dbarbie-archive]

4dbarbie remix: Give up and Be Free

Hello! It's been a while since my last remix. I felt spontaneously inspired to make this based on my most favourite 4dbarbie asks. This one's a bit different as this time I got help from AI so they did a lot of the legwork and I made edits as I saw fit, it definitely cut down on the amount of time it takes to make a remix! I asked them to write it in a conversational tone like a friendly guru talking to me so some of the wording has been changed (which can sometimes be helpful in understanding the message in a new way) so it's not entirely 4dbarbie's words verbatim but the message remains the same (feel free to check out the source texts if you wish!). Hope you enjoy!

My highlight colour key: key concepts are in pink, action points in purple, really important points in red

Source texts: 1, 2, 3, 4 Recommended reading: 1, 2, 3, 4

Welcome, my friend. Let me guide you through something deeply transformative, yet so simple it might surprise you. First and foremost, you need to get to a place within where the person you’re identified with no longer bothers you. As long as you fight it and try so hard & incessantly to change it, you're only giving it further reality. It’s not about force or willpower—it’s more of a surrender, or as I prefer to call it, a giving up. Yes, giving up. Because even if you're not happy about what you see, there is no way around it besides accepting it. Even if this feels like misery at first, accept it. Just sit with it. Only when you no longer fear things staying the same, when you cease caring, does true change begin.

You see, I didn’t fake being unaffected. I simply allowed things to happen to “me”. Painful, pleasant, it didn’t matter. I didn’t try to change anything. I let go of the exhausting loop of desire and fear, like finally putting down a heavy load. The emotions still came, but I didn’t involve myself with them. They didn’t interest me anymore, I became indifferent and neutral to whatever was happening. If I got what I wanted, fine. If I didn’t, fine again. Events passed by like clouds—leaving no imprint, no reverberation. In time, it was like they never existed at all.

And here’s the beautiful part—you’ll begin to toy with this idea: “What if none of this ever really existed in the way I thought?” It’s playful and not serious because you've stopped caring. You’ve stopped chasing “realization”, stopped chasing anything. There's no more trying, no more effort. You no longer want or need anything. And in place of needing nothing, you find something you never expected: power. Not power over things, but power in yourself, in your complete detachment from the world. When you reach this point, everything else becomes secondary.

So how do you walk this path? Start by giving up. Give up the idea that you can control anything. You can do nothing about life but cease caring and let it happen. Do not try to understand anymore; simply be. Let everything be as it is. Let life happen. After all, we all die one day, and it’ll all be over anyway. Why exhaust yourself worrying, fearing, striving or desiring? It’s like fighting an ocean tide—you’re just tiring yourself out. No matter what, you can't force life to give you what you want. Allow everything its being and leave it alone. Instead, step back and let the waves wash over you, let life happen as it happens. Life will flow as it will, and you no longer push or pull at it.

Expect nothing. Not from your body, not from your mind, not from the world. Let them be as they will. If life wants to beat you, just let it beat you. It’s like facing a bully—when you stop reacting, when you stop caring, they lose interest. Sure, maybe they’ll hit harder for a while, but you’ve already surrendered. What more can they do? The same goes for life—stop caring what happens and you’ll find it starts losing its power over you.

Now that you’ve freed yourself from expectations, give yourself everything. Live completely in the moment, forget about a past, don't think about a future. Be here, fully, now. All the good things you used to think about others, think about yourself. In each moment, ask yourself “What if there’s nothing outside of me? What would I think and feel right now?”. Let go of caring what life does with it, just do it. You’re not doing it for some future result; you’re doing it because it feels true to you; to be free and be exactly what you want to be in the moment. Whether tomorrow repeats itself or brings something new, so what? You no longer depend on anything external to feel fulfilled. You keep to yourself and continue thinking what you want, continue being who you want to be. If life follows along, let it. If it doesn’t, let it not. Hold steady to what feels right within you, and allow your thoughts to shape what's real to you.

Finally, remember to forget. The past? Gone. What you see before you? Just a shadow of what was. Now, here’s the key: Want nothing. Do nothing. Don’t chase, don’t seek—just let yourself be. This doesn’t mean you stop living or acting; it simply means you stop the endless striving, the relentless push to try make life bend to your will. Instead, just watch what happens. And most importantly, don’t attach any meaning to it. Be a witness, a quiet observer of the flow of life. Whatever happens, good or bad, is just passing through—you have nothing to do with it. It’s not permanent, nothing is. So why believe in it as though it were immovable? Cease caring and be free!

Let the world dance as it may, but you—remain still within. Watch as the transient nature of everything becomes clearer. You’ll see that the world outside is nothing more than a reflection of the thoughts you no longer hold, and that what you once took to be reality soon ceases to be when you take away your identification.

[mythalism]

what if solas was a spirit of faith?

ok hear me out. i dont 100% prescribe to this theory. most of the evidence we have is in favor of solas being a wisdom spirit, however when i was writing this post i came across something that made me go hm.

now, not everything david gaider says is automatically canon. in fact, david gaider regularly and loudly says a lot of racist, misogynistic, and generally awful things about his own games and characters, so i actually do not respect his opinion at all.

however he was indeed the lead writer for dragon age: inquisition and had input into solas's writing, so i think for him to say this means it was at least something the developers talked about and agreed upon at that time.

the wiki's citation leads to a forum post by gaider from july 2013:

"the corruption of faith is pride".

hm.

also notable is that david gaider is the writer of cassandra, and i bring this up because solas's banters with cassandra are basically the foundation of this, and why i started thinking about it in the first place.

solas is a lot of things. definitely a pride demon. an judgemental jerk, a lot of the time. a "mirror", as his writer puts it. a staunch atheist as well. extremely critical of anyone who claims godhood. and......... strangely respectful of *checks notes* THE MAKER???????

for someone who spends so much time decrying the corruption of false gods, many people have found solas's banter with cassandra to be out of character. and it is pretty jarring when placed in context with the rest of his statements.

remember that spirits embody a particular single virtue, and will do whatever they can to bring it forth in others:

“Spirits are not complex in the sense that they seize upon a single facet of human experience, and this one idea becomes their identity.[3] They are formed as a reflection of the real world and its passions.[10] A spirit embodies and latches onto a specific purpose and will do all in its power to fulfill that purpose. For instance, a hunger demon will attempt to feed on anything it crosses,[4] and a spirit of justice will stop at nothing to uphold its name”

solas, strangely, speaks of cassandra's faith with great respect and even reverence. he mentions her faith several times in their banter, and rather than criticize it as foolish as you might assume from someone who embodies pride, led a rebellion against false gods, and does not hesitate to hold back his judgement when he disapproves of something, solas actively encourages cassandra's continued faith in both the maker and herself.

he tells her that her position, of a seeker of truth (an arm of the templars which he despises?) and right hand of the divine, is "an honorable one and well-earned" and that her presence is a comfort, because there is no lie in what she is:

he outright mentions spirit of faith as gentle spirits that cannot afford to be lost to corruption:

he tells cassandra he is impressed by her faith, after the revelations about the truth of the seekers:

he praises her templar abilities and the maker?????

and, most notably....

when cassandra learns the truth about the seeker vigil and her abilities being borne of a ritual involving a spirit of faith, he tells her...

she should be proud

part of the reason these banters are so confusing and seemingly out of character of solas is due to his comments on the nature of gods, organized religion, and belief at other points throughout the game.

but i believe there is a common thread to them, and that it is not faith that he criticizes, but those who take advantage of it.

some of the best examples of his disgust for one who uses someones faith in them to accrue power are with a low-approval inquisitor. what he hates are those who manipulate faith in others.

solas hates to see faith corrupted by falsity.

but why would he hate such a thing so much? why does he actively encourage cassandra's faith in the maker, while criticizing an inquisitor who used the people's faith in andraste to amass power? well, because it reminds him of the evanuris, of course. but i think there could be more to it than just that.

whatever kind of spirit solas was, we (pretty much) know that he came into being at the behest of mythal according to cole:

we also know that solas was deeply devoted to mythal in the time of elvhenan, and even thousands of years later, he staunchly defends her as someone worthy of his faith, admiration and respect.

he approves of completing her rituals in the temple of mythal:

and greatly disapproves if you do not:

he cannot stand to let morrigan misrepresent her in dialogue (lol):

he even actually refers to her as a goddess at one point, despite often asserting that the ancient elvhen gods were not gods:

and, of course, the way he speaks of her in trespasser is quite literally reverent, as he reveals her murder was the catalyst for his entire rebellion:

could solas have been borne of mythal's faith? of the people's faith in her? of her faith in her people? of her faith in herself? of the People's faith in each other? how does he still have such faith in her after all of these years?

keeping in mind the way a spirit becomes corrupted,

combined with solas's answer to cassandra's question about what he truly believes, to which he answers that he believes in people:

and of course this new mural:

could solas have originally been a spirit of faith, corrupted into pride by the evanuris's abuse of the virtue he embodied? a spirit of faith, borne of mythal's faith in her people, and turned into pride when her people, her own family, betrayed her? when their gods proved false and the only thing left to have faith in was themselves?

as much as i love this and think it fits, it cant be ignored that there is equal, if not more, that suggests he was a spirit of wisdom first. however this is so clearly intentional and satisfying that i dont think it's a coincidence - they're definitely doing something with this. whether or not solas was always Pride and thus he is just drawn towards the two other sides of his coin, wisdom and faith, or if he was one and corrupted into pride, i dont know, but i think faith and the manipulation of it to evil ends will continue to be integral to his story.

[conchcronch]

How and When They Say ‘I Love You’ for The First Time - Sanji

A/N: this is my first attempt at writing a headcanon, which I realize has turned a bit into a fic but here we are! I hope you all enjoy, I have a few more brewing!

WC: 627

Warnings: A bit of angst but that’s all

-He’s always been loud about his love, saying it at every chance he gets no matter who’s around or what the circumstances are.

-In those public moments however, you rarely say it back. Thinking his proclamations are merely his flirtatious self rather then actual confessions of love.

-It isn’t until you sit with him in the aquarium bar long after the crew has gone to bed on one of the rare nights Sanji is up late scribbling down his newest recipe in his personal cookbook that you know his confessionals are sincere.

-You had brought down a book with the intention of keeping yourself busy while he worked, but there was something about how level of focus that was fascinating to you. The way he held his bangs back so he could see clearly, how he would run his long, slender finger along his words so he could make sure they made sense before continuing. He hadn’t noticed the way you rested your cheek on your hand, eyes glued to him, a small smile on your lips.

-When he finally felt your eyes on him as he was reading over the recipe, he looking up and met your gaze.

-At first he was confused, why had you been staring at him. But all he could do was stare back, his gaze held by your stunning eyes.

-“God, I love you.” It’s not his first time saying it, but it’s the first time you really believed him. Not to say you didn’t believe him all the other times, but something about this time just felt so real.

-If you say it back, his entire face lights up. He shuts his tattered recipe book, capping his pen and pats the booth next to you “come here mon chou.” You slide your way around the velvet booth into his open arm. In the hundreds of times you had kissed Sanji, whether they were in your most intimate of moments or upon reuniting after an intense battle where you were just happy to see one another still standing, this kiss was by far the most passionate. His hands hold your face in place, as though he thought you might try to pull away before he had his fill. “Out of all the things I’m grateful for, meeting you is at the top of my list.”

-If you aren’t ready to say it back, he tries to mask his hurt. He knows how you feel for him, he can see it in your actions. But he can’t deny the stab in his chest at your inability to say it back when it’s just the two of you.

-You see the hurt in his eyes, the way he averts his gaze from you to avoid you seeing the way tears well along his waterline. He goes back his recipe book, acting like he’s writing something new, when in reality he’s going over words that were already there.

-He tries to shake it off, tries to start a new conversation but it falls flat.

-You try to apologize, explaining that you just need some time before you’re ready to say it. Whether it’s past relationships that have soured your meaning of the words, or there’s something holding you back from giving yourself fully over to this relationship it doesn’t ultimately matter.

-You excuse yourself from the table, pressing a long kiss to his forehead as you stand next to him and in that moment he can tell how you feel, that you do love him. The realization staves off his tears for the rest of the evening, but nothing can cure the pit in his stomach as he sits in the booth smoking a cigarette, and waiting until you’ve fallen asleep to come up to your shared cabin.

-As much as he knows it will hurt every time, he vows to keep telling you how he feels in those quiet moments until you’re ready to say it back to him.

[not-too-many-eyes]

A Study on Mesmer Jr.

(Also Known As: Nott is obsessed with the bigot autistic girl from the time travel gacha game and its her birthday tommorow so lets talk about her.)

(CWs: Ableism, racism, child abuse) I Love Mesmer Jr. Which isn't a secret to any of my friends who have had to listen to me talk about her at length. I cannot get her out of my head. I think she's fantastically written, fun to read about, and just an all around interesting character.

As such, I want to take a moment to pull apart Mesmer Jr, and consider her place in this story. To contemplate why she acts the way she does, and to connect to the themes relating to her character. I hope you enjoy reading this.

A Curious Impression

Mesmer Jr makes an interesting impression when you first meet her. For one, she immediately causes alarm bells to rings when she talks to Sonneto, one of her earliest conversations, who she says she enjoys talking to because of their "shared values" she feels the need to say that she would have liked talking to her more if she were a "full-blooded human."

Which is something that you see a lot whenever she's complimenting an arcanist, or considering arcanists in any positive light. Even if it's inappropriate in the context, she feels the need to assert her beliefs, to say that:

Mesmer Jr, Praise: As an arcanist, your performance really amazes me. Wish you were a pure-blood human.

Of course, as we know, Mesmer Jr is an arcanist. She's a full-blooded arcanist. Being noted to be from a very Important family, and even being implied to be more talented than most of her family in their line of work: (The Fallacy of Idealism)

Nobody is more talented in this than Mesmer Jr. Her bloodline gives her outstanding ability and keen senses, which makes everything clear and intelligible to her.

She's also startlingly obedient. She has no noticeable outward negativity towards what Constantine has ordered her to do to Vertin, despite it seeming to cause pain or stress. Insisting that this is the normal treatment given to patients despite Madam Z's opinion, and we learn Much Later that her boss had an ulterior motive to all this.

She's even noted before we meet her to seem like a:

(Open Sandwich)

???: It is the other one- the one with indifferent outlines that makes her look like a refined machine.

Evoking images of perfectly programmed robots and droids that do what they are ordered to perfectly without question.

Of course, in the same part this line is from, the game is already nudging us to be open-minded when it comes to interacting with her. As the first thing we learn about her isn't her personality, isn't her appearance, isn't even her Voice.

It's her abuse.

Dirtied Hands

Open Sandwich is one of my favorite bits of writing in this game. It creates this incredible tension where you just waiting for the bad thing to happen, the line about how the child labor laws were turned into paper to wrap the sandwich is wonderful, and I love it.

But it's also the first time we ever actually hear about her. It depicts her having a Sensory Meltdown. Caused by her family's uh- blatant disregard for children's rights, and exposing her to a patient at age 12 because her skill was useful for the treatment. The trauma of the event marking the start of her "nightmare."

Of course this isn't the Only Thing she has gone through at the age of 12. The entire events of Nouvelles et Textes pour Rien happened during when she was 12. She might of had even more traumatic experience before that, considering she went to SPDM, a school that we know Very Well for their child abuse, and she Certainly had traumatic experiences afterwards.

She Is a 16 year old therapist taking care of The Foundation's most "unstable" patients, after all:

Mesmer Jr, Suitcase Climate: Those insane people screamed and rushed out of the guardroom. They kept meaninglessly and repeatedly roaring. Then, their blood shed on the snowy ground. I've seen that a lot.

The Rights of Children Don't Matter when there is Scarcity. Her needs are secondary to The Company's. Her welfare simply isn't important for the Foundation's Beautiful Future. Only the skills and infromation she can provide.

Constantine even manipulated Mesmer Jr into telling her the plan. Purposefully traumatizing her so that she would become scared and anxious. She Asked her to help them, trusting that Constantine, an adult she trusted, would be able to help. Constantine just lied, and made her continue to treat these people even when the experience mind numbingly traumatic for even fully-grown adults.

As a result, Mesmer Jr has developed multiple mental illnesses. Most notable OCD, but she seems to hallucinate in her Monologue.

She's not exactly a healthy person, which really compounds how much you Don't want her to be a therapist.

Of course, it's not like she would ever seek actual proper treatment for it.

For many reasons.

For one, Reverse 1999 is not exactly a kind world to the mentally ill, and she herself is a good example as to why.

Proper Treatment

Let's go back to the first thing I mentioned about Mesmer Jr. She's a bigot, she's a certified racist to every arcanist she ever talks to. She thinks humans are the superior race that will overtake arcanists.

She's also ableist. Just horrible ableist. These two bigotries are intertwined in Very important ways. Her hatred of arcanists is informed by her hatred of the mentally ill, and is further informed by what she has been taught about arcanists.

Reverse has established that the way arcanists and humans are generally viewed is that arcanists are the more emotional, unstable, immature ones and humans are the more logical, stable, and mature ones.

Now, this is a stereotype, one that has been proven wrong time and time again. There is nothing logical, stable, or mature about being so upset at a 12 year old you think killing her friends is a good idea.

And similarly, there is nothing actually inherently wrong about being a weirdo, or mentally ill. For one, uh, everyone is a bit of a freak sometimes, and two, Mesmer Jr treats it as if for the world to get better arcanists need to fully disappear and be replaced with human rationality, but Madam Hoffman says it best:

(Chapter 6 Part 15: With Hope Rekindled)

Hofmann: We have all heard it, humans are more rational and arcanists are more emotional. Hofmann: Their sensitive to the darkness of the world, so they can easily become absorbed in their own emotions and ignore reality Hofmann: But, if we put a human child in the position of an arcanist, who always takes on the world because of his uniqueness, who is never understood for his talents... Hoffmann: Maybe he too will become impulsive, sensitive immature and unstable Hoffmann: And that's why it sometimes dawns on me that if we put an arcanist child in the position of a human being who receives enough love, education, and positive feedback... Hoffmann: These 'instabilities' might be controllable. At least enough to keep them from hurting themselves or others.

But Mesmer Jr really does believe wholeheartedly that being a "freak" is bad, and that being an arcanist is to blame for why she is one.

Mesmer Jr, Hat and Hair: Thanks to it, we are all freaks now. Haven't you ever blamed your brain? Haven't you for once vomited due to the sound or whisper in your brain? How naive and ignorant.

That being an arcanist is something inherently wrong, and as a result of that inherent wrongness, that inherent "insanity," they need to be controlled by humanity.

Mesmer Jr, Chitchat II: I can only stand those arcanists from the Foundation and the Laplace. After all, their insanity is contained by humans.

She believes that humans are destined to overtake arcanists like it's natural selection. That it's only inevitable that arcanists will be overtaken by a species that in her eyes, is logical and understandable.

Mesmer Jr, To the Future: Just like Homo sapiens wiped out Neanderthals, arcanists will be eliminated as well. This is not a prediction, but a predestined fate.

This is, of course, due to the systemic part of Reverse's world constantly pushing this idea that arcanists are Inherently more immature and chaotic.

Constantine and her family deeply traumatized Mesmer Jr and then told her it wasn't actually their fault but this Other Group that She is also apart of but Don't Worry it can Be Controlled.

Mesmer Jr: It's not just about age. It was never going to be suitable for me. Mesmer Jr: Unless one day all the arcanists are gone. Pandora Wilson: Then you and I will be gone, too. Mesmer Jr: Exactly, along with the source of my pain

However, Mesmer Jr's own mental illnesses and susceptibility towards being overwhelmed by others emotions does really mean that she finds being around highly emotional people Taxing. She also finds that the unpredictable of life and other people Tiresome.

She was friends with Vertin in the rest when she was younger sure, but even then she did find arcanists overwhelming and "scary," even when she wasn't in the full thick of it, she saw them being treated and found it unpleasant and painful.

(Nouvelles et Textes pour Rien)

Mesmer Jr: But I'm not interested in arcanists. They are all mad people, and we had to treat them after all...They looked scary.

Now, usually, you grow out of this. She's not Born To Be Racist Forever.

In a better world she very much could have, I dunno-

Be able to actually internalize that arcanists aren't actually inherently a harmful thing, but that her needs sometimes conflict with the needs of others and grew up with the tools necessary to understand that this is a fixable problem that doesn't actually need a whole group of people including herself to die to be solved.

Or, something like that.

However, this isn't that world, this world thinks Mesmer Jr is a good therapist, and that her treatment is humane.

So she's seeks to create stability in the world as a result of that lack of support.

Mesmer Jr, Hobby: What you see is the alignment and tidiness. What I adore is this orderly state.

As much as she understands that it's a sign of her own "franticness" that she does this, it gives her comfort knowing that she has things that she Can Control. That her life isn't actually dictated fully by things out of her understanding. That she has the ability to direct her life in a small, maybe even insignificant way.

Cause, she really just doesn't have much control over her life.

Press the Button

Mesmer Jr, Clothing and Torso: ...Achieve the function.

A lot of Mesmer Jr's idolization of humanity comes from this idea of efficiency and simplicity. She talks so much about rationality and "tidiness," but as I've already established Reverse is full of so many instances of "human insanity" so it's plain ignorant to ascribe this trait to humans.

Which, well one she is ignorant, and also racism isn't rational and Mesmer Jr was taught human supremacy of course it's not going to be aligned with actual reality.

Which is true.

However, I do think it's interesting these traits that she idolizes are not from humans but from:

Mesmer Jr, Clothing and Torso: Humans are like machinery, simple and efficient. Arcanists are quite the opposite.

That's who she's actually idolizing here, isn't it? She's not really idolizing humans, that's just the framework she was given. She's idolizing machines and going "Wow humans are so cool."

Her Udimo is a machine.

Not just any machine, but a machine invented in part By Her Workplace, and even when she was 12 the narrator describes her as a "refined machine." Indifferent and rigid.

This is the beautiful controlled being that she is seeking! The beautiful tidy, orderly, calm being that just proceeds with whatever order is given to it. One that has...completely no control over it's life, and what to do with it.

Because, traditionally speaking, Machines do not have the ability to self-determine. They don't exist as people with conscious thought and emotion, but as Things and Tools that can Achieve Functions.

I noted way back in the start that Mesmer Jr is startlingly obedient. She does what she is told, and encourages others to do the same.

She's glad that Vertin:

Mesmer Jr, 100% Bond Conversation: ...Anyway, I'm glad you gave up on those insane plans.

Before saying that she doesn't want to be forced to Lobotomize Her, and that she doesn't actually want anyone to end up in Artificial Somnambulism.

But she doesn't say she won't do it. Just that she's happy Vertin did "give up" because it means that she probably won't have to. This seems to be her general approach. Even if she's not happy, she'll do it, her wants don't matter.

She assumes that she has no other option and that her only path forward is following orders from her boss. That the only path forward is the one set for her. There's no point in fighting it so she's just gonna continue on that path, and others should do the same or else they'll get Hurt. Learned Helplessness.

Sonetto is similar to her in this sense (Mesmer Jr says so herself,) and Sonetto is shown to hold quite a lot of repressed emotions, and to deviate from the rules or what is logical when she feels something is at stake.

After all: (Is ABA Really “Dog Training for Children”? A Professional Dog Trainer Weighs In.)

We all know that we can feel angry without expressing anger. That we can smile when inside we are crying. You can stop someone from expressing an emotion, but that doesn’t make the emotion go away. A dog who has been trained not to growl is considered by trainers to be a “time bomb dog.” When you read about a dog attack that came “out of nowhere” and “without warning,” it is because this sort of method was used to handle “problem behaviours.” Studies show that dogs trained with these sorts of methods actually have an increased rate of aggression, because punishing aggressive behaviour doesn’t deal with the underlying fear and anxiety that caused the aggression in the first place.

But Mesmer Jr, in contrast to Sonetto, who has an interest in poetry and curiosity in the outside world and has the aforementioned repressed emotions. Has no real distinct personal identity. She does not own anything that shows her interests, unlike her other coworkers who usually have at least Something on them. All of her items are stuff made by Laplace and exist unaltered. Even her cute little headband is a EM amplifier is part of the uniform.

She holds no control, no identity, no agency. She exists as a machine that someone can press the buttons of and achieve whatever function she needs to achieve at the given moment.

This is her current state of existence, and it's not something that's exactly sustainable. The cracks in this machine-living have been showing since she was 12. How many more do you think have been created now that she's 16?

The Foundation

Now, this is really depressing, but that's because Mesmer Jr is just a bit of a depressing character. She can't really get away from her job. For one, her parents are horrible, two The Storm means that the world is always on the verge of ending. Where else will she go?

But, as said previously:

A dog who has been trained not to growl is considered by trainers to be a “time bomb dog.”

Similarly, a girl trained to not develop any sort of identity will crack Someday.

I have no knowledge of what could happen next in her story, nor am I interested in theorizing about it. But I do find it interesting to think about.

[vickyvicarious]

Today's entry is full of Lucy/Jonathan parallels. It's so many throughout... I can't possibly quote every single one, but here are a few big things.

I write this and leave it to be seen, so that no one may by any chance get into trouble through me. This is an exact record of what took place to-night. I feel I am dying of weakness, and have barely strength to write, but it must be done if I die in the doing.

vs

If this book should ever reach Mina before I do, let it bring my good-bye. (5 May)

+

These may be the last words I ever write in this diary. I slept till just before the dawn, and when I woke threw myself on my knees, for I determined that if Death came he should find me ready. (30 July)

Lucy is writing with the specific intent of keeping anyone else from getting into trouble through her - in other words, so none of the maids or her doctors or whoever will be blamed for her murder if she dies before the night is through. The first quote from Jonathan is not really a direct match to this sentiment, of course. But while I couldn't remember a perfect quote to compare, we see hints throughout his journal that Jonathan is writing in the hopes that someone else might someday see it. Perhaps Mina, perhaps some other guest to the castle... he hopes that the explanation of what happened to him, and detailing of what Dracula is, will prove useful. Perhaps it will help someone else protect themself - just like Lucy hopes here. (This is of course not his only reason for writing. Another major reason why is how it helps to keep him sane and helps him plan escapes. Still, it is one of his reasons.) And certainly, the sentiment that the record is important to keep even at risk to oneself, is a shared link between them. Both of them also show a determination to face their death directly.

This line is also an echo of the various times Jonathan (and, more recently, Jack) experienced something seemingly impossibly horrific, and made a big point that they were writing things down exactly as they happened.

The time did not seem long, but very, very awful, till I recovered consciousness again. Somewhere near, a passing bell was tolling; the dogs all round the neighbourhood were howling; and in our shrubbery, seemingly just outside, a nightingale was singing.

vs

Something made me start up, a low, piteous howling of dogs somewhere far below in the valley, which was hidden from my sight. Louder it seemed to ring in my ears, and the floating motes of dust to take new shapes to the sound as they danced in the moonlight. I felt myself struggling to awake to some call of my instincts; nay, my very soul was struggling, and my half-remembered sensibilities were striving to answer the call. I was becoming hypnotised! (24 June)

Lucy awakens after the first attack of the night to the sound of dogs howling (amongst other things). Jonathan too has been saved from a trance by this noise, though in his case it was a close call. Dracula certainly seems to have successfully hypnotized her and most likely did drink from her between his arrival in the room (the dust swirling in) and the maids'.

What am I to do? what am I to do? I am back in the room with mother. I cannot leave her, and I am alone, save for the sleeping servants, whom some one has drugged. Alone with the dead! I dare not go out, for I can hear the low howl of the wolf through the broken window.

vs

I fear I am myself the only living soul within the place. (8 May)

+

What shall I do? what can I do? How can I escape from this dreadful thing of night and gloom and fear? (24 June)

+

Suddenly it struck me that this might be the moment and means of my doom; I was to be given to the wolves, and at my own instigation. There was a diabolical wickedness in the idea great enough for the Count, and as a last chance I cried out:— "Shut the door; I shall wait till morning!" and covered my face with my hands to hide my tears of bitter disappointment. (29 June)

These are only a few of the lines that Lucy's quote reminds me of. This is the big one, there's so much to connect in it.

Like Jonathan, Lucy is alone with the dead. Dracula has sabotaged her only chance of reaching out to other people for aid (drugged maids = workers in the yard, people who saw Dracula dressed as Jonathan). She also feels duty-bound to stay by her mother's side, in a way which reminds me of Jonathan's feeling of obligation towards Mr. Hawkins (all the more as Mina's letter today emphasizes how familial their relationship has become). Like Jonathan, Lucy cannot see any options to escape from the living nightmare she is experiencing.

Like Jonathan, Lucy cannot leave because if she does, she fears a wolf will get her. (Much like Jonathan, she is earlier in her memorandum able to distinguish a wolf howl from a dog's, despite never hearing one before.) Even though she does not really expect to live through the night, she cannot make the choice to go out and face almost certain death. She's even recently seen the wolf kill a mother, to really drive the comparison with Jonathan's experiences home. (A contrast between the two is, of course, the mother he saw die was trying to rescue/avenge her dead child, but was too late. Mrs. Westenra seeks comfort from her daughter tonight, and as she dies unwittingly steals away Lucy's protection (garlic), thus holding true to her role of accidentally endangering her further.)

The air seems full of specks, floating and circling in the draught from the window, and the lights burn blue and dim. What am I to do? God shield me from harm this night! I shall hide this paper in my breast, where they shall find it when they come to lay me out. My dear mother gone! It is time that I go too. Good-bye, dear Arthur, if I should not survive this night. God keep you, dear, and God help me!

vs

Then I began to notice that there were some quaint little specks floating in the rays of the moonlight. They were like the tiniest grains of dust, and they whirled round and gathered in clusters in a nebulous sort of way. (24 June)

+

God help me in my task! Good-bye, Mina, if I fail; good-bye, my faithful friend and second father; good-bye, all, and last of all Mina! (25 June)

(I've run out of new colors and am recycling. These aren't meant to match to the above instances of these colors.)

Like Jonathan described his experience being hypnotized by the vampire ladies, Lucy too sees Dracula's form as circling specks (twice, in fact, the other quote being above). The lights going blue and dim are also reminiscent of the various times Jonathan describes moonlight at the Castle. I especially think of just before he meets the vampire women, when he muses about the powers that modernity cannot defeat, and his modern lighting is contrasted to the moonlit room. Here, Lucy's modern lighting is going out as the supernatural invades her bedroom.

Lucy bids her final farewells to her mother and her fiance. In the quote I gave, Jonathan does the same for his father figure and his fiancee. Both of them invoke God for help. Both of them end their entries with this thinking of the one they love most. Jonathan of course does this multiple times, but I'm only quoting this one instance as it feels like the closest match overall.

And once again, we also see multiple comparisons beyond what I directly quoted. Lucy reiterates her expectation of death as in the quote at the top, and even chooses to hide her memorandum in her clothes, much as Jonathan hid his diary on his person at all times. (The difference being, he wanted to hide it from Dracula; she wants to ensure hers is seen by someone.)

[agyraty]

Ohh can you do Javier x reader angst?? Where in the last fight where the reader chose Arthurs side instead of his and they like reunite somewhere in the future where the reader has a kid now but is taken a back when she meets Javier again because they both still really much love each other but never really said anything just one finale goodbye

I love this!! I’m definitely thinking on adding on to this and making a part two because I love the concept.

(Btw I need more requests 😔 I have no ideas on what to write at the moment and need help)

—

Old goodbyes, New beginnings

Wc: 1.6k

—

You never thought that you would see the day the Van Der Linde gang had its fallout. But here you are, pistol in hand, Arthur and a wounded John standing by your side. Dutch, Micah and his friends stood just a few feet away from you, their guns pointed and ready to fire. But your eyes were on Javier.. it hurt seeing him in the opposing side, although you should have known this would happen by how he’s been acting.

You joined the when you were just 19 back in 1994, and you were there when Javier first joined in 1995. you two were practically inseparable from the moment you met. He was a very skilled and charming man, not to mention he was extremely handsome. And over the 4 years of knowing him, you fell in love. And so did he.

A relationship blossomed between the two of you two years ago from now, and at first, it was amazing. He was such a loving man, and he cared deeply for you. Just as you did for him. Each time he’d go on a mission, or vise versa, you’d both be thinking about each other the whole time, and how much you missed one another. He’d even put his life on the line if it meant you were safe. He loved you, and you loved him.

But recently, as everything began to fall apart, Dutch, the gang, everyone began to turn in each other and the pinkertons were close to capturing you all, you had noticed him becoming.. distant, easily irritated. At first you thought maybe he was just stressed or worried about what would happen, but now you are begging to think that he’s choosing Dutch. That he’d rather be on his side than be with you since you disagreed either Dutch. Overall he had completely changed from the man you once knew..

Your glossy eyes scanned his figure as he stood across from you, his pistol pointed upwards at the air, unsure of what to do.

Your lip quivered slightly as you spoke. “C’mon Javier.. don’t be dumb. Please, Just listen to me.” You pleaded, not even bothering to hide the desperation in your voice. You loved him for Christs sake, even if he had changed, you couldn’t just stand around and watch him make a mistake.

His deep brown eyes stared at you, lips parting, not exactly sure on what to say. You could see he was trying to figure it out, to make a decision.

You tuned out Micah and Arthur’s back and forth banter, all your focus directed to the man you loved, standing a few feet in front of you. You could feel your heart splitting. Why was it so hard for him to make a decision? surely he hadn’t lost his way completely..

Surely he still loved you..

He shook his head, the muscles in his jaw tightening as he clenched his teeth. “No.. no you’re the one being stupid.” He gestured at you with his gun that now aimed at you. “Dutch fed us, clothed us, gave us a place to stay and you’re turning on him?”

Your shaky hands tightened around your gun, eyes narrowing. “No Javier.. he betrayed me, betrayed us, when he started listening to that rat.” You gestured to the blonde standing beside Javier.

“Please.. just come with me, don’t do this.” You pleaded desperately, eyes glossy with tears, the pain you felt growing as you saw him look at you with a cold look in his eye. There was no love in his expression. He was betraying you just as Dutch had.. why?

“Javi..”

He looked away as soon as you spoke his name which you called him often. He used to love it when you did.

“Don’t,” he started, but before he could speak another word, a large group came rushing into camp, interrupting the stand off. It was none other than the Pinkertons, lawmen who had been chasing after the gang for months. They found you.

“Damnit, Go!” You, Arthur, and John went one way, while the others went the opposite. You looked behind you, eyes catching Javier’s figure, who was behind the others, firing some shots at the men on their horses.

You didn’t know at the time that it would be the last time you saw Javier, for many years.

—

“Norman, stop Messing around, you’re gonna bump into someone.” You sighed, attention loosely on the young boy that ran around the streets of black water. You shook your head as he continued to chase around the golden dog that yelled and panted, it’s tail wagging vigorously behind him.

“Alright, anything else I could get you, Ma’am?” Asks the store clerk as he steps over to you, placing the peach you had asked for in your hand carefully. You shook your head, a small polite smile gracing your features. “No, this’ll be all.”

You dug into the pocket of your weathered pants, pulling out a few cents and handing it to the man. You turned your attention to your horse, stepping carefully over and dropping the plump peach into the saddle bag. A huff escaped your parted lips, you just wanted to go home and rest. These past few days had been even more eventful then normal, You were exhausted.

Cecil barked, his paws pattering against the dusty stone floor as Norman chased behind him, giggling loudly. But suddenly, you heard the boy let out a grunt, and a loud thud, along with a soft curse, a voice that sounded so familiar.

You quickly turned away from the horse, eyes searching for your son, who was now sitting in the floor covered in dust, along with a man in front of him who you didn’t quite get a good look at. Hurrying over, you reached down, grabbing Norman just below the arms, helping him up to his feet.

“I am so sorry, I told him to watch out—“ you stood up, eyes turning to the man, and paused, breath hitching in your throat upon seeing who stood before you.

“Y/n..?” He uttered quietly, in clear disbelief, just as you were.

You studied his face, noticing the smile lines and soft crows feet he had beside his eyes, along with how his frame filled out more. You couldn’t be seeing things, could you? At first you doubted it was him until you called his name. “Javier?”

If it was him, He sure didn’t age much.

Javier’s wide eyes traced the soft features of your face, the bags beneath your eyes, and the hint of smile lines that began to form. He noticed your hair had grown longer, and grew slightly lighter from days in the sun. Although it’s been 12 years, you were still just as beautiful in his eyes.

“What are you doing here?” You stood up straighter, not seeming to be able to take your eyes off of him. You could feel your heart thudding against your chest, as swirl of emotions happening within you. You missed him, god you missed him so much. Seeing him here.. it brings back old feelings you tried so hard to push down. But you’re still angry, angry at the fact he chose Dutch over you all those Years before.

“I’m looking for a place to stay.. figured I’d look here. I always liked Black water.” His voice still carried the same thick accent, not wavering a bit.

You nodded and hummed a sound of understanding, looking down at the stone road. There was so much you wanted to say, but you couldn’t find the right words. You wanted to jump into his arms, but you also wanted to scream, tell him how badly he hurt you.

“So uh.. is this your boy?” He asked, eyes casting down to Norman, who stood a bit behind you, patting your golden retriever.

“Yeah.. this is Norman, I had him 5 years back.” You glanced behind you, before meeting Javier’s eyes once again. You felt your heart jump, just as it did all those years back.

“Oh, his father must be a lucky man, Having you at home,” He said softly, a hint of something in his voice you couldn’t quiet pin. “And knowing he has such a handsome son.”

You shook your head, fidgeting with the hem of your shirt. “No uh.. his father isn’t here anymore. He left when he was born.” Back then, you had met a guy named victor. He was very handsome, and he was good for you. And you tried to love him like you did with Javier and push your memories behind, but you couldn’t. And then he got you pregnant.

And once he did, he switched completely from a charming man, to a rude asshole. And he left after you gave birth, leaving you alone to take care and sustain for your child, and let’s just say it has not been easy.

“Oh,” Javier didn’t exactly know what to say, a bit shocked at your words. “I uh, I’m sorry.” His dark eyes traced your face, watching as you shook your head.

“No, it’s okay.” You pursed your lips together, taking in a deep breath. “So.. how have you been?”

The Spaniard scratched his chin, shrugging a bit. “I’ve been doing okay. I went to Mexico after what had happened. Let’s just say I got into some trouble. Which is why I’m here. Lookin’ for a new start.”

You nodded and listened to his words intently, humming. “This is a Great place. Maybe I could help you, Y’know, find a place.” A small smile graced you features as your gentle eyes met his once more.

“Yeah, that’d be great.” His lips curved into a smile just as yours did. For a moment you two stood there, looking at each other, your cheeks burning with a soft blush, stomach doing flips. You missed him so much over these past years, you don’t even care how angry you were, you’re just glad to see him again.

“Why don’t you come over? I’m making Peach Cobbler.” The words just fell from your mouth, but you didn’t care. All the exhaustion you felt before disappeared, the only thing fueling you was the hope that he would say yes so you could spend more time with him. Get to know what he’s done in 12 years. And maybe even become friends or, hopefully something more with time.

He nodded, smile growing. “I’d love too.”

—

[radioactivepeasant]

Snippets: Free Day Thursday

As per the poll results, we are giving Damas stress via Just Plain Silliness. It builds character. Not that I needed an excuse to Inconvenience Characters in the first place 😆 it's become my favorite way of writing anything. Not Angst or Adventure, but Aggravation of Character in ridiculous ways 😂

This falls into the Trespasser au (last "episode" of that found HERE) a bit before the second Arena fight in the game.

The king of Spargus, Jak decided, was a killjoy.

For a city where strength and survival were supposed to be the most important traits, he sure didn't like any of Jak's demonstrations of strength or survival.

"You can't race Leapers in the middle of the market."

"Don't swim over the reef."

"Stop antagonizing the monks."

"You can't race Leapers on neighborhood roofs, either."

"If I told you not to swim over the reef, why would you assume I'd be okay with you feeding the sea monster?!'

It was like he was vehemently opposed to the mere concept of fun.

Jak folded his arms and tried not to roll his eyes while Kleiver complained about the scuffed up suspension and undercarriage on the Dune Hopper. Sure, he'd cut it a little close on the broken bridge, but he'd gotten away with the artifacts and left the Marauders in a two car pile up, so who was the winner, here?

Not Jak, apparently.

Damas listened to Kleiver yell about how he'd have to redo the entire suspension -- a gross exaggeration -- and how there was half a metalhead stuck in the undercarriage. Now that, Jak hadn't known about. When had he run over a metalhead?

"Hey! We didn't do that!" Daxter protested, "How do we know you didn't put that there last time you drove?!"

"Because I don't take the Hopper if I plan to do a run down Turquoise Canyon!" Kleiver snapped.

Damas steepled his fingers in front of his mouth and examined the damaged vehicle.

"One of these days, kid, I swear to Volcan-"

"What?! I got the job done, didn't I?" Jak protested indignantly. "Did you want the Marauders to get their hands on a functioning power cell?"

Damas’s jaw tightened so much that his mouth appeared to be folding inward. He inhaled slowly, and let it out again, ears twitching while he was very obviously counting to ten.

"There are no jumps in the canyon," he said slowly, "So how did you manage this?"

Jak shrugged nonchalantly. "The 'rauders chased us out to the ruins," he explained, "Ran out of turbo, so I had to get creative with the jump."

Kleiver started swearing very creatively under his breath. Damas turned an interesting shade of red.

"That does it."

The king grabbed Jak by the channeling ring and near dragged him out of the garage before Kleiver could clobber someone with a wrench.

"One more stunt like that out of you," Damas threatened, "and I'm entering you into an apprenticeship. Let's see you foment chaos with an actual structure in your day."

"You're not gonna do that," Jak scoffed.

Damas’s eyes narrowed. "Try me."

Jak did not take this nearly as seriously as he ought to have. In fact, he seemed to regard the threat as more instances of Damas "worrying too much". Damas did not worry too much! If anything, he wasn't worried enough about the insanity this young unknown relative had brought into his city! More than one advisor or guildmaster had been privy to the king muttering darkly, "I'm either going to kill him, or start training him myself. I'll let you know when I've figured out which."

And of course, Jak kept being Jak. Climbing the Arena walls because he saw a Precursor orb someone had dropped. Messing around with some kind of evil alien satellite on the beach. Inciting other inhabitants of the youth barracks to join foot races in the barrack halls in the dead hours of night. And he seemed to regard all of this as perfectly normal behavior. It was like all the impulses he'd had to shove down in Haven, all the ways he'd had to be perfect to fit under the yoke of that terrible word, hero, everything came crashing down in Spargus. He had almost no limits here, and that kind of freedom seemed to awaken a wildness that was above the paygrade of the dorm supervisor.

It came to the point where Damas was actually allowing the kid to go out into a sandstorm, just to get some of that boundless energy out! It wouldn't have been his first choice. Or even his tenth. But the storm rolling in was much larger than anything else they'd seen that summer. And for all his recklessness, Jak was their fastest driver.

"Four scouts have not reported in," the king told Jak and Daxter. His face was grim. "Two just set off their emergency beacons. At the rate this storm is going-"

He shook his head, cutting off his sentence.

Daxter had worried that Spargus would be another Krew situation at first. But here was the king of the cranky lizard-riders, flipping out because a handful of scouts -- one of the lowest ranks in the city -- weren't accounted for before a deadly storm.

In Haven, their absence wouldn't have even been noticed until roll call.

The old timers in the market were right, weren't they? "King's eyes see all." This guy watched everyone like a hawk, didn't he? Daxter wasn't sure if that bothered him, or if it just reminded him of Jak.

He supposed that was fitting, considering the two were probably related, no matter how in denial Jak seemed to be about being an Heir of Mar.

"Where's the Crawler right now?" Jak asked.

The mobile sandstorm shelter wasn't invincible, but it could take a lot. That would be the scouts' best bet.

Damas looked out the windows, glaring at the dark clouds as though he could hold the storm back by sheer force of will. It took a moment to hear his voice over the water.

"The Crawler is in the steppes at the moment. She's not a fast vehicle, Jak. I need you to get those scouts to either the Crawler or the city."

"I will."

Damas turned a stern look on them both.

"No stunts. These are people's lives we're talking about."

"I know!" Jak sputtered, a little offended. "And I won't bust the car up this time, so Kleiver can give it a rest."

"No. I'm serious, boy," Damas warned, "If it comes down to abandoning the car for shelter or trying to drive in the storm, you leave the car. Do you understand?"

Jak huffed. Damas had seen him outrun sandstorms before! What was so bad about a slightly bigger one?

"I got it, I got it," he grumbled.

Damas glared.

"No. Stunts. You get back here in one piece."

"Okay, I got it already!" Jak groaned.

"Jak-!"

"I know, Dad!" Jak complained.

An instant later his eyes widened.

The water suddenly seemed much louder than usual.

Daxter wasn't even sure any of them were breathing.

Three pairs of dramatically widened eyes darted back and forth between them as silence built up like steam under pressure. It was going to erupt sooner or later, the question was how.

Damas made a very small, strangled noise in the back of his throat.

Jak snapped out of his moment of horrified realization.

"Uh. I'll let you know when everyone is accounted for!"

He pivoted and bolted for the elevator before Damas could see his entire face burn crimson.

A guard at the back of the chamber opened his mouth to comment and in one rushed tangle of syllables Jak hissed,

"Youdidn'thearanything!"

Damas didn't blink for a good two minutes after Jak had left.

He didn't move for a good two minutes.

He stood exactly where he'd been, staring blankly at the empty elevator shaft.

The captain of the tower guard, an older man named Cephus, left his place by the windows to lean into Damas’s peripheral vision. He waved slightly, and the king finally blinked.

"Are you alright, sire?" Cephus asked.

Damas made a curious wheeze before speaking through a groaning inhalation.

"Oh no."

"Hm!" Cephus stroked his long beard. "Guess the wild one imprinted on you! Do I offer congratulations or condolences?"

Damas nodded slowly and stiffly.

"....help."

There could not possibly have been a worse time for the monks to finally send him the results of the blood test.

[imustbenuts]

nuts reading trigun 4 - i sniffed out the spirit of leiji matsumoto and his galaxy express 999

so this is. a bit of a doozy and a little detour i took...

first off, i thought it was really interesting that chapter 4 is titled Bang!Bang! in EN but ポポ popo in jp. popo is basically pop pop, but also if pitched down, would sound more like 'poooh poooh'. very similar to what sound a steam locomotive makes,

but not quite. the 'correct' one would be ボbo, not ポ po.

like the sound effect here:

sfx: BOOOOOOOOOOOOOH

there's no good way to translate this, to be clear. nightow seems to really like pulling off these weird little japanese wordplay here and there. theres one instance with the escorts trying to sleep with vash, but thats a lot of effort to explain a pun and its not very interesting so. uh. sorry. (these posts take very long to write bc im poopoo)

so. its CH 4: PoPo. 4 =Death? this feels deliberate.

the next chapter is CH 5: 強襲 / Assault. EN title is very accurate here so yippee. but wait.

that. dark contrast and a presence of a vaguely steam locomotive. the framing of the train itself being this romantic machine that was built to send people on their journeys to parts unknown. the presence of 4 = Death.

theres something about the following panel. and i know exactly what it is despite having never read or watched it bc of just how influential this particular work is.

so i went sniffing.

Galaxy Express 999.

and. uhm. i found a thread and a rabbit hole that links back to TriStamp again.

Galaxy Express 999 first ran as a manga in 1977- 1981. Made by the late Leiji Matsumoto (25th Jan 1938 - 2023) who passed away last year.

the gist of this story. we follow a boy named Tetsuro in the super far off future, who wants to obtain a mechanical body so he never again feels the inconvenience of a flesh one. and to also fulfill his promise to his mother who was hunted down in front of him and turned into a trophy by mechanized hunters. he meets a mysterious blonde woman named Maetel who gives him a pass to ride on the Galaxy Express 999, promising him one at the end of the journey, but there seems to be a catch.

the same themes of a train in the darkness, its window the main lightsource, but in GE999 theres the added planets and stars. GE999 is full of promotional material and artwork like this, its iconic

the story is very philosophical and full of questions about death, living, and the worth of a human life. theres a constant theming of the train bringing its passengers to a place unknown, and how its a departure from the base in which they start the further they go. like a wanderer. (something something blank ticket wink wink.)

but anyway. Chapter 2: The Red Wind Of Mars is the interesting one.

i strongly recommend reading this chapter at least, but ill summarize the interesting bits.

the cast arrives on Mars, a Red Planet thats constantly being buffeted by a Sandstorm. its said that the planet is pretty much in a state of poverty and is barren due to people turning themselves into machine bodies and having no need to care for the environment and nurture it.

also an american saloon on this red desert planet wowee--

testurou later gets jumped by a couple who basically wants to steal his pass to the GE999, but once they realize the boy has not been mechanized at all, the couple lets tetsurou kill them. they are then left in the desert to be eventually covered up by the red sand. and then, the final page has this fucking thing:

"They say that the sound of Mars' red wind comes from the wailing of people resting under its sand. This vermilion wind will continue to lament for the fate of those who couldn't make their dreams come true... That's why they say this planet will stay red forever..."

....studio orange. listen.

STUDIO ORANGE. PLEASE

ON WHAT LEVEL ARE YOU GUYS EVEN COOKING. stop sending me on these rabbit hole runs i swear to god ill never finish trigunbookclub at this rate GGGGGGGGGAAAAAH

anyway the sandsteamer arc in the original trigun seems to be a homage to Galaxy Express 999 in a way, and Studio Orange understood the assignment.

[imwritesometimes]

not reading fic not writing fic but a secret third thing (blorbo despairing)

[chloecherrysip]

We're going to save your brother.

[anneapocalypse]

"Write for yourself" and "Comments are good" are not mutually exclusive ideas.

"Comments are good" is true! They are good! We like them! It's nice to leave them and it's nice to read them.

"Write for yourself" is how you get through the draft knowing that feedback is not (and it never is) guaranteed.

[merlins-strawberriesandroses]

Freylin lovers… all four of you out there…. please talk to me abt them. I will love u forever

[ichthyorelationships]

an idea i invite anyone else to write about / run with lol....

the premise that The Change gets all messed up for alberto, say it's something that can happen from stress, &/or happens rarely and you just have to wait for it to resolve itself....used as some parallel to struggling through some emotional turbulence / upheaval / questioning / Realizing Things, etc etc