#which is what I think some movies do wrong

[snugglyporos]

// Christ I wish I could go back in time and erase concepts like 'unconscious bias' from the world of popular lingo because people apply it to things that they don't apply to. No, most people do not possess an unconscious bias that working class people are worth less than rich people, that's your classist ideology being applied to things that you shouldn't apply it to. We might call that a conscious bias.

What is actually happening is a mix of tropes being blended together and not changing over time. Namely, the idea that the more individuals there are, the weaker they are. We see this everywhere; fifty ninjas? Weak. Not a problem. One ninja? Super powerful. Legend. This exists in everything from James Bond movies to comics to Power Rangers.

The reality is that, narratively speaking, the random cannon fodder between the protagonist and the final boss do not matter. They don't! In real life they would, but if you tried to give ever goon a backstory and explain it you would have a shit story because the audience does not care about the backstory of unnamed good #23. After they take the punch from the protagonist, the audience has entirely forgotten they existed.

Which means that, narratively speaking, the killing of the main villain is more important and more impactful than the killing of some random goon. Now, if you're a good writer this shouldn't be the case. But this too, comes from the blending of genres and tropes.

In the late 1980s, fiction became more violent and more visceral. This means that a lot more violence was happening! And yet, writers still wanted to have their protagonist show that they were the protagonist, because people were all in on moral relativism. People would be like 'well, there's no difference between the hero and the villain if the hero kills the villain.'

The response was a lot of heroes started adopting a weird kind of no killing rule; Batman will break your fucking spine but kill the guy who just blew up a building? That's too far! 'I'm not like you, a guy who kills people, I just cripple them for life!'

And again, this is what happens when genre conventions (the hero should be morally superior than the villain, or at least attempt to be) mixing with trope developments (everything now needs to be brutal and violent to reflect real life).

Now, the circle has completed itself, where we're once again back to 1985, where people are like 'actually no, the hero should fucking kill that guy.' You'll probably be a big fan of the Death Wish movies and The Dark Knight Strikes Back; you know, things that lots of proto-fascists really love because they reinforce the notion that actually, heroes should wield violence against their enemies and impose their will through abject terror.

The reality is, people aren't sitting around going 'my work should reflect the idea that workers are less important than the boss' it's that narratively, the random goons exist to be smacked down to prepare the audience for the big bad, because rising action requires that there be rising challenges. This is mixing along with personal tastes in media.

Now, you could, for example, turn this new trope on its head and ask whether the Punisher murdering every jaywalker and low level drug dealer with extreme violence makes him a villain, because his ideal is that any lawbreaker should be murdered instantly no matter how low the crime. You might also argue that the trope should actually be that the grunts shouldn't be killed by the hero, but the guy who organized them should, because he's much worse than they are.

You could also argue that, the reason why the hero doesn't just kill the villain is that murder is wrong? Even if you think it's morally justified? I think people forget, when they fantasize about an ideal French Revolution, that the most common crime people were executed for was pickpocketing, and every day they would execute the guys who got caught working the crowds at the executions the day before. More poor people got killed in the French Revolution than rich people; you should probably keep that in mind!

Because the core reason you probably want your hero to not kill people in general is that you then have to ask who deserves it and your answer will inevitably include a lot of people you might actually like! You probably don't want heroes taking vague concepts like justice into their own hands because inevitably that makes them into the Death Wish protagonist, deciding that what really needs to happen is for a white guy with a gun to just start shooting up inner cities.

You don't want your hero to start killing people because this is corrosive and it will inevitably result in comparisons between people who got killed.

So no, it's not some kind of unconscious bias, it's because we've melted a worldwide demand for bloodshed and violence with established genre tropes and if you removed one or the other people would complain and be very unhappy.

Or, I guess you could go on and say that Freddy Kruger is anti-marxist because he only targets teenagers instead of people who really deserve it.

[imtryingbuck]

You’re Perfect.

~ gif not mine credit to owner ~

Pairing: Bucky Barnes x fem!Reader x Steve Rogers

Summary: Bucky feels down about his scars so Y/n and Steve cheer him up.

Word count: 642

Warnings:  sad Bucky (major warning!!) fluff. insecurities. violence to someone who deserves it. super short.

Masterlist

You both knew something was wrong the moment Bucky stepped into the apartment, at first you both thought it was because he had been on a mission but normally he would be sweeping you up in his arms the moment he laid eyes on you, taking you over to Steve to share a kiss with your boyfriend, but today he came in quietly and headed straight to the bedroom and locked the door behind him. Steve gave you a questioning look which had you shaking your head, heart aching at not knowing what was wrong with your boyfriend.

“Buck? Baby what’s wrong?” you asked leaning against the bedroom door.

“N-Nothing, I’m fine doll”

“No you’re not, Buck can you let us in please?”

“I-Is Stevie with you?”

“Of course I’m here” your boyfriend says from next to you, holding your hand.

You and Steve stood patiently waiting for Bucky to make his mind up, not long after the door locks clicked. Waiting until you heard the brunet sit back on your shared bed before opening the door. There he sat at the edge of the bed looking smaller then you had ever seen him, slowly bouncing his leg up and down, gazing down at his hand in such disgust.

Sitting on either side of him once again waiting patiently for him to talk first, knowing that it was better for him and that way he wouldn’t shut down completely and act like everything was fine. “Do-do you two think its disgusting?”

“What are you talking about Buck?” Steve asks.

“My arm an-and the scars?”

“Absolutely not! Who said that about you?” you replied instantly, not once in the three years you three finally stopped tip toeing around the bush and confessed your feelings did you think that about him. Well even way before that, you always admired his arm, always thought his scars were beautiful.

“It doesn’t matter”

“Yes it does, whoever has said something Buck we need to know” the blond says before you could reply.

“Julie… you know the agent?”

“Bucky, your arm is incredible and yours scars are beautiful, no one and I mean no one is as strong as you to have gone through all that you have and still see the beauty that life has to offer.”

“B-but she said I was a monster and she’s right”

“Stop that, don’t ever think that about yourself. You’re not a monster Bucky. You’re a beautiful person, inside and out, you’ve made amends with those who were affected by him, and you’re an amazing boyfriend and friend.”

“You have the most infectious laugh out of everyone I know, you’re kind and thoughtful, you put everyone else’s needs before your own. You give and give and never asked for anything in return, Bucky Barnes you are not a monster.” You take over from Steve. Bucky sits there and nods.

“’m not a monster”

“Say it again”

“I’m not a monster”

“Now say Y/n is the best”

“Doll… don’t make him lie”

“Wow, rude.”

Bucky chuckles at your pout, pressing his lips to your forehead, looking you in the eyes as he repeats. “Y/n is the best”

“Now, here’s the plan Buck you’re going to go and shower whilst Steve cleans up and I’m going to go and get us some food from the takeaway down the street, and then we’re all going to watch movies in bed, yeah?”

“Sounds like a plan doll”

Before you went to get the food, you made a quick detour. Getting in home Bucky and Steve were cuddled up together in bed, a film already loaded up on the TV.

“I love you both so much” Bucky mumbled as his eyes started to flutter close.

Two days later Bucky saw Julie sporting a huge black eye and a busted lip. Curtsey of his loving girlfriend.

Tags: @imcinnamoons | @pigeonmama | @capsbestgirl77

[olderthannetfic]

Hi OTNF and everyone,

I am finding that it's harder and harder and harder to get into anything - book, show, movie... most things seem, you know, to just not be doing it for me, be it fanfic or original stuff.

In part, I think, it's a general restlessness and that it's become harder to give anything enough time to get into the stories, the characters, the settings, the narrative voices... I guess you can call it attention deficit on my part, just a need for stories to deliver those sweet, sweet hits quickly, but they're not.

I'm not currently ficcing but I did for years (might again in the future, who knows), and it's made reading, specifically, harder. It's like I've become more aware of what goes on behind the scene, I guess? I feel like I can see the writer giving up on a sentence, skipping a scene because fuck this, trying hard to not repeat a word although it's the only one that fits, etc.

Or maybe it's just the *everything* around us in the world that is weighing on me too much? I could say it's adult life, but then again I have more free time than most (and boy do I need hours of doing nothing to survive the other hours), and no family/partner (all that would put even more pressure on me): what is wrong, to make everything so UGHHH?

I feel like I'm stuck in a rut with a brain moaning feed me, feeeed me, and whatever I try to give it, it spits everything out. (Yes, I've tried hobbies, and nothing sticks there either. I've never really found rewards or satisfaction there, so...)

Decades ago as a kid, I was a voracious reader, although studying literature took the pleasure of it away from me. It took time and discovering fanfic that brought me back to reading, but at the time the internet was starting to be a thing, too, and it can't have helped the attention thing. AFAIK I'm not ADHD but then again, I couldn't get a proper diagnosis (the therapists I saw were either dismissive or just about The Talking, which was pointless for me).

I just wonder how it all disappeared, you know? Sometimes I find something that catches my attention for a while - a book (but I read quite quickly when motivated), a fandom... but it's been a while now, and it's just so frustrating! When is it going to come back? Will it ever? *gulp*

I know that books were escapism when I was a child, and then fandom was escapism, but at the moment I find myself grabbing at air and my empty hands are mocking me. Give me my escapism baaaaack!

So, uh. Anyone here with me?

--

Yes.

I felt like that during part of lockdown. Anhedonia is common in those kinds of circumstances.

Getting your mojo back is certainly possible, but you may need to go see a professional about depression and have some chemical assistance (yes, even if you don't feel sad per se), or you may need to change your lifestyle to one that doesn't have the thing causing you to need eleventy billion hours of downtime.

Aside from serious interventions like that, you can consider a social media detox. Remove every source of doomscrolling and time wasting of that type. When the attention span is zero and nothing brings joy, the tiny and useless hits from finishing a game of solitaire or seeing one more instagram post become very attractive. This is a trap. It will suck what little energy and joy you have and make your muscles flabby for the work of getting into an in-depth book/hobby/experience.

I know the feeling of being able to see how the sausage is made, but... well... first, being in a better mental state will make that matter less, and second, reading prose that is more competent will make that less of an issue. A lot of mainstream tradpub genre fiction is not, in my opinion, very well written these days. Obviously, people are still enjoying it, and that's fine, but if you're noticing writers fumbling around, it might be time to check out some literary fiction or some other category known more for prose quality than anything else.

It's also important to have some structure and some things to look forward to. Even if you feel tired, overwhelmed, and busy, sometimes, the answer is to do more... But it must be things that are distinct and significant and that get you off of the couch, like going to one museum every weekend.

I saw some advice once about this kind of thing that phrased it as "One big adventure; one small adventure."

Every week, you should have those two things to look forward to that matter. Check out a new coffee shop. That could be the small one. Go to an event: a gallery opening, a concert, whatever.

Physical exercise and doing some things that aren't as verbal and conscious thought-involving is important too. Painting is a better hobby for zoning out than writing is. Taking long walks in nature is good for most people.

--

The kind of intense, obsessive love I had for reading as a child and that I sometimes have for fandom requires a lot of attention and some time. It's escapist, but that masks how much work it actually was. It didn't feel like work only because we were in training.

If you've filled your brain and your day up with a thousand petty annoyances or minor and useless attempts to feel something, you won't have the capacity for those deeper things.

Because you are already at a point that's equivalent to a bad sprained ankle, trying to get back to running right now won't work. You have to stay off of the ankle for a bit, then build your strength and stamina back up.

[11luckyst4r]

☆3 MONTHS☆

- you decided to swear off sex for 3 months to prove your friend wrong. How hard can it be, right? You wouldn't ever dream of sleeping with your new roommate, satoru gojo, yet she thinks you can't do it.

content: dirty talk, petnames (sweets, princess etc) ,degradation (slut etc),unprotected sex ,creampie, uhhh what else, reader is kind of a slut.(real shit) smut with sprinkles of a plot. Reader is stubborn (me) idk what else

first fic kinda nervous

You wondered how you ended up in this predicament. You didn't plan on swearing off sex for 3 months. But your best friend joked you'd end up fucking your roommate Satoru Gojo. He wasn't even your type. " Gojo is a cocky know-it all and I wouldn't sleep with him" Your friend cackled " Babes i love you but you tend to think with your dick when you're horny."

You were utterly shocked at that. While 7 did tend to sleep with guys and girls often, you wouldn't sleep with your roommate. Especially Gojo of all people, his friend Geto, though was another thing.

"University is the place for fun, besides I have to have fun now. When I go to med school it's books and studying and I won't have time for fun." You said matter of factly. That's when you made the personal promise to be celibate for 3 months to prove your best friend wrong. What you didn't count on , was how pent up you'd become.

3 weeks in you felt fine, but you noticed gojo staring at your chest all too often. That was after he walked in on you in the bathroom. Without a top on. Shaving your armpits in the sink. You thought that gave him the ick.

4 weeks in you were in denial that you were fine. And you noticed Gojo brushing your arm here and there. Sometimes he'd come up behind you to help you get your favourite mug from the top shelf. You swore that you left it on the bottom shelf.

6 weeks in , your toys became your best friends. " It's just as good as the real thing" You told your best friend while she shook her head. You aslo noticed Gojo walking around shirtless more often too. He was the definition of a sleeper build. And sometimes you'd have to stop yourself staring.

Week 8 you lost feeling in your 4th eye, you couldn't taste in your ear anymore and your eyed could feel colour's.

You lost count around week 9. Now you were beginning to lose it. You couldn't focus in class anymore, your mind would go to the most dirty scenarios regarding some of your fine professors. You also became noticeably irritable.

"fuck" You muttered to yourself, you gave yourself another miserable orgasm. Which was weird since normally you were quite good at it. You left your room to go make yourself some tea. "stupid celibacy pledge." You grumbled to yourself while making tea. Gojo sat on the couch watching some stupid movie with a stupid plot. "You okay, you seem irritated lately?" He asked.

" I'm fine" , you sighed " just stressed out with schoolwork"

"Oh?" You could feel him staring into your back so you turned to face him. His eyes immediately went down.

" You know Gojo this staring at my boobs thing is getting really old"

"I'm not staring" he said while not breaking boob eye contact.

You scoffed and turned your focus back on your tea. You heard his foot steps come up behind you. " You know if you're stressed with schoolwork I could uh... help you with that." You turned to face him. Except you had to look up at him.

" Stop being coy"

He leaned down to whisper in your ear and placed his hand on your waist. You swore your pussy started throbbing." You're looking at me like you're begging me to bend you over the kitchen counter and I'm the only one being coy?"

You so badly wanted him to continue speaking to you like that, but you were stubborn. So you turned your back to him, brushing your ass against his dick unnecessarily. That just egged him on, and he continued whispering downright dirty things in your ear. "See, now I have an idea of what you're like," he whispered while tracing circles on your waist. You tried to distract yourself by stiring your tea. "Oh? You think about me im so touched. " " Touched is what you'll be if you keep grinding your ass on my dick sweets"

You stopped, and his hands dropped lower to your hips. You hadn't even realised what you were doing. You felt yourself getting hotter and wetter. " Anyways, princess there are a long list of things I'd like to do to you". You were getting weak , you were only a girl and you had needs.

"Like what" You replied breathlessly

" You pressed up against the wall, leg on my shoulder and thighs squeezing my head."

He kept his one hand on your hip keeping you steady while the other trailed up to your boob. He began playing with your nipple and you thanked God you didn't wear a bra that day.

You couldn't keep your head on straight anymore and you moaned softly.

"You like that you slut" You could feel him smiling against your neck and you could only moan in response. Gojo began kissing your neck softly while you started grinding against his hardening dick.

"Gojo" You moaned softly

"No, use my name, else I won't touch you," He said playfully. However, you were too horny to be defiant, so you used his name.

"That's my girl"

His hand moved down to your shorts, went under and he started playing with your pussy over your underwear. The sensations were too much, but not enough at the same. You needed proper stimulation. You were getting so wet yet were so deprived.

"Satoru, please touch me properly"

"Where? Be specific, princess. "

You were desperate at this point, and the games weren't fun anymore. "Oh my God, you're not stupid. Put your long ass fingers to good use and finger me."

" Well, if you speak to me like that, you can finger yourself then." That's when you grabbed his hand and shoved it in your underwear. Satoru was shocked he didn't think you'd take control even if it was a tiny bit , but he liked it. His fingers were long, and he knew how to use them. He curled them in all the right spots. "Fuckk," you moaned. " You're a loud one, I wonder what sounds will come out of you when my dicks inside you" You could only grind against his fingers in response. His free hand roamed over your body. He played with your boob and squeezed your thighs all the while he nibbled your neck. You could feel how hard he was against your ass . You took his hand out of your shorts and turned around, pushing him towards the couch. Satoru only smirked in response. " Wowww you like taking control, huh? " He laid back against the couch. " Well, yeah, since you seem to be going to slow. Take off your pants." You first removed your shorts, shirt and then climbed into his lap after he took off his sweats. "Seriously blue, the same colour as your eyes?" You muttered while climbing into his lap. You didn't give him a chance to respond because he started kissing him and grinding on him. This time, you made him moan. You placed his hands on your hips and then held his face. "You know Satoru you're gonna need to be more dominant if i decide to fuck you again" You whispered into his ear. You heard him mutter shut up before grabbing your face to make out with you. You didn't expect him to be such a sloppy kisser. But he was. You tangled your hands in his hair while moaning into the kiss. You felt his hand squeeze your ass then move to your hips. You silently thanked God once again that you wore your cute lacy thong instead of grandma panties. Then you silently cursed when you felt him rip them off. " You ass those were my favourites." You wanted me to be more dominant." he smiled while moving you under him. He took off his own underwear and stroked himself. You looked at his dick. He was long like his fingers.

You wished that you were about to have your world rocked, and boy, that wish come true. Judging a book by its cover you assumed Satoru Gojo didn't know how to fuck. You thought he'd be a lot like those guys who said they knew how to please a woman but learned everything they knew from porn stars and their clueless guy friends. You were wrong. Satoru gojo knew how to fuck.

He had your legs over his hips and pinned your hands above your head. He left bruising kisses all over your chest and neck. He paid careful attention to your boobs, sucking each nipple with care. And his thrust? His stamina was insane for such a skinny guy. You were sure the neighbours would know his name from how loud you were moaning his name. "Ahhh, right there, yes there." You moaned. " Fuck you feel so fucking good." " Fuckk I swear this pussy was made for me you're such a good slut" He babbled on and on. You felt that familiar feeling building up inside. And he felt it too with how your walls began to clench him. " Cum for me , cum on my dick like a good slut" he moaned. He left more bruising kisses on your tits before shoving his tongue in your mouth once more. His hand trailed down to your clit where he rubbed circles on them. That sent you over the edge. You felt your walls clench down and moaned so loudly it was closer to a scream. Satoru began thrusting faster, chasing his own high. "Where must I cum?" He asked " Inside" and that made him finish. He kissed you once again. "Well, we'll have to do that again" he said while moving to sit up on the couch. " So much for 3 months of celibacy ." you said aloud. He looked at you utterly confused. You sat up quickly. " You know, gojo, I thought I gave you the ick when you walked in on me shaving my armpit hair." He cocked his head and looked at you, "why the fuck would i be paying attention to your hair armpits when your boobs were right there" You laughed and swatted at him. Maybe living with him wouldn't be so bad.

a/n That took so fucking long. Endings kinda rushed. I'm sorry. I'm so tired. Idk how to end these appropriately anyways FIRST FIC DONE WOOHOO 🎉🎊 uhm please don't steal or copy thanks MWAH MWAH HOPE YOU ENJOYED MY SNOOKUMS.

[sonseulsoleil]

not responding to this post directly bc I’m not looking for a fight or anything. but did we watch the same movie. what is this guy talking about. sure, at that point Galinda and Elphaba are friends, but also the only interactions we’ve seen with Galinda and Dillamond have been Galinda doing microaggressions against him. she is very obviously not an ally to the animals. and she cares so much about her image, which would be tarnished if this went wrong. Elphaba therefore has no reason to think that Galinda will help her with something illegal and risky, when the chips are down. (and she’s ultimately proven right, when Glinda chooses to stay in the Emerald City during Defying Gravity.)

but Fiyero? Elphaba met Fiyero while he was riding a Horse, who she witnesses him speak to with respect. Fiyero even says “we didn’t see you there” which I love. as much as I miss “maybe he saw green and thought it meant go” I do love how they set Fiyero up right away as being an animal sympathizer. and she knows he doesn’t care much for rules or legality, either. it makes complete sense to choose Fiyero in that situation over Galinda.

but I hear you say, Elphaba doesn’t consciously choose him. that’s why she doesn’t answer when he asks “why was I the only one you didn’t do it to?” she doesn’t have any answer. it was a subconscious manifestation of her feelings for him. why couldn’t it have been that about Galinda, regardless if she was the logical choice? shouldn’t Elphie’s emotional attachment to Galinda be stronger?

and I mean. she’s been friends with them both for the same amount of time. she knows them both and cares about them both. and she knows that she can trust him, that he’ll help her, without hesitation. just as she knows that Galinda would hesitate, even if deep down she wanted to help.

and I think part of it is that on some level Fiyero chooses not to fall asleep. everyone else in Oz, including Galinda, is content in their complacency, but Fiyero is not. that’s the point of Elphaba saying he’s not as shallow as he pretends to be, or else he wouldn’t be so unhappy. Fiyero is dancing through life, hollow and lonely, pretending not to care, just waiting for someone like Elphaba to come around and, well. wake him up.

Galinda isn’t there yet. Glinda doesn’t get there until the end of the musical, when she’s lost the two people she loves because of her choices. That’s when she finally wakes up to the emptiness of her life.

and, ultimately, the lion cub scene is build up to Glinda choosing to stay in the Emerald City because she can’t give up her proximity to power, and Fiyero giving it all up and choosing Elphaba. Fiyero makes choices and sacrifices that Glinda never could, he stays awake while she falls asleep. he ends up with Elphaba, and Glinda ends up alone. they’re narrative foils. that’s the point.

[quibbs126]

So because I saw someone like my initial post with Overdrive, for whatever reason he stayed in my brain and I was like “okay fine, I’ll attempt to design him again”

To be honest, I think generally he came out a lot better than last time, at least in the face. I’m not so sure on the rest, or more accurately, the arms

Drawing this I was like “oh dear god the TFO style is a pain”. Honestly I think my main issues are that these designs are some of the most 3D reliant with how boxy they are (like they’re some of the most toy-looking Transformers designs to me), and I’m not very experienced in that, and also I have this need to make the designs as simple as possible, even if the design ends up looking kind of plain, as seen here

Like I know generally how the TF One characters are built. They have a basic body of components and gears and stuff that’s all black, alongside a silver head piece (I don’t think there’s any outside of Shockwave or people with masks that have a non-silver face, but correct me if I’m wrong). Then on top of that they have pieces meant to cover that black skeleton, giving their body protection and making them individual. Like they’re thinner pieces of metal meant to go over their basic bodies. I don’t know how fully to describe it but I know how they work

I just don’t know how to draw that well. G1 is blocky but they’re made up of solid blocks, not pieces on top of a basic framework, and I struggle to figure out how it works

What was I saying? I think I got carried away there, sorry. Point is I’m bad at drawing Overdrive in this style and I kind of don’t like drawing it. It’s probably just an issue of me not being able to leave my comfort zone and being spoiled with TFA style yesterday

Unfortunately, Overdrive has to stay in this style because he’s specific to this universe

Anyways, moving on for real this time

So his design is now pretty heavily inspired by some Jetfire toys I found when looking for references to use (but mostly this first one)

It’s also the main basis for his color scheme this time around. Admittedly I do still think the red and white makes him look oddly similar to Ratchet, but oh well. Admittedly his design is allowed to at least have some blue paint, maybe I should give him some

But also one of the main bases of his head design here was another design I was making on the original, when I planned to expand the canvas and draw more. Unfortunately I got frustrated with posing blocks so I never did more, but I do have that one new addition now

His cockpit is yellow here because while I was testing out blue, I thought that with all the basis on Jetfire, he didn’t look enough like Starscream, so I gave him Starscream’s yellow. I ended up using the blue I was initially using on his eyes, which are the main reason they’re blue now

Not a lot of experimenting with the colors this time around, mostly since I didn’t want to lose the colors I was already using

Maybe I could have made his wing stripes black though? I’m realizing now that outside of his framework and vents, his design’s pretty much all reds and whites

I think his arms could probably do with more detail and refining as well. I just didn’t know how else to draw them

Now, as for other character things, I’ve settled on a few?

Like I think I’m gonna have him working on ground bridge technology. He does still work on going as fast as possible, but it’s more a personal thing. The things on his back are also experimental engines he made to go faster

He’s probably also banned from racing due to his technically illegal self-upgrades, which are at the very least illegal in the sport

But yeah, he’s on the bridge technology team, though admittedly he’s used more for his speed and general size. After the movie when their project can resume production again, he’s mostly used as the guy to scavenge parts and scout out good locations on the surface. Never mind the fact that he’s never really been on the surface before this, but he at least can make a quick getaway if need be

This is probably how he ends up encountering the Decepticons, or most importantly Starscream. They find him doing experiment stuff in the surface. My idea is that his team is trying to build a bridge portal up on the surface, given they know the technology works now. But also they’re kind of doing it in secret and possibly didn’t tell Optimus about it. But they’ve been causing stuff to happen with one of the Energon rivers up there for their portal (like redirecting it or making a dam or something, idk), which caused the Decepticons to take notice

Still not entirely sure on his personality, but I do know he takes great pride in his speed and no one being able to out-fly him. He also takes pride in his work as a scientist, both personal and professional. He may be a little too ambitious and intense on his plans for bridge technology, wanting to one day remote portal to distant galaxies, when they haven’t even tested if it can go to another receptor up on the surface yet. But he’s at least happy rambling about his projects

Honestly I think he currently reads as too Starscream, especially when Starscream has never been in his life, I feel like I need to add a bit more Skyfire in there. Just not sure how

But yeah, I think that’s about it on Overdrive for now. When will I continue? Who knows

[docagonthoughts]

MY PROBLEMS WITH THE LEGEND OF ZELDA MOVIE

Okay, hi.

I have a LOT of reasons this movie should never in a million years happen, but my family is getting sick of hearing them, so I'm here to share them with you because I'm very frustrated with some school things right now and I need to channel my anger into something that matters.

First is that it's going to be live-action.

This was a terrible choice on their part because no matter who they cast as Link and Zelda, they aren't going to be good enough for the role. And no, I don't mean as in acting skill, I mean in terms of appearance. They're just not going to be able to capture it.

Second of all, casting.

Casting for this movie will be tricky for multiple reasons. Like I said previously, whoever they choose to cast won't be able to capture the physical essence of the characters. Not only that, but they can't cast a super famous guy (ESPECIALLY not Tom Holland) because Link is always supposed to be a little nobody twink who shows up with a 'i have no idea what I'm doing but I'm doing it anyway' mentality, not some hotshot guy everyone knows.

Third, twink-y-ness.

As we all know, Link is twinkier than a Twinkie, and if they fail to capture that, what is even the point. We need to see Link in at least one slutty outfit with a stupid hairstyle or else that isn't Link, that's just Chad.

Fourth, the target audience.

The target audience is probably my main concern with this movie, if I'm honest. Based on recent media, I've seen many things get taken over by 10 year old humor, Jack Black (no hate on him, but I think ykwim), and bad graphics. That's where I get concerned.

A good majority of the people who love the Legend of Zelda like I do are older than the age of 10 and don't want this movie to be overly goofy or 'watered down'. Like I said before, the Legend of Zelda games are whimsical, but also very dark at times. That's what makes them perfect; there's a balance.

Fifth, Link himself.

If you didn't know, Link doesn't usually talk or have a super distinguishable personality because the creators designed him with the audience in mind. You're supposed to be able to imagine Link in any way, even as yourself.

Now, that's not to say he can't have a personality. I'm just saying that whatever personality they give him will not work.

Not only that, but I just know they're going to make him talk. I know it. Now, i know some people are probably like 'wEll, DrAgON, How aRe theY suPPOsEd to MaKe him INterEstIng If HE doEsN'T TAlK?', to which I pat them on the head and remind them of the incredibly successful movie 'The Quiet Place' where all of the characters were silent and used sign language. In this movie's case, ONLY LINK would be silent, making it even EASIER for them.

Sixth, is Hyrule.

Now, I don't have too many concerns about Hyrule itself since it's pretty easy to make a movie pretty in terms of the landscape, but if it looks anything remotely similar to the Minecraft movie trailer, I will not watch it.

Seventh is the Villain.

My main concern with whichever villain they choose (most likely Ganon, but I think it'd be interesting to use a different villain like Vaati or the Demise), only because I don't want them to act like Bowser did in the Mario movie. Don't get me wrong, I think that worked for Bowser. But for Ganon? No. And I swear to you, if the villain or ANYONE is played by Jack Black, I will have an actual meltdown. (Love you Jack Black, but please no)

Eighth is the music.

As we all know (or at least you should), the Legend of Zelda has some of the most beautiful music ever. The Song of Storms, Zelda's Lullaby, Ballad of the Wind Fish, these are all great songs. If they screw this up, I will hate it.

And finally, number Nine: the essence and vibe of the movie.

This is my other main concern. Can I explain to you why I love the Legend of Zelda so Much? No, I can't. All I can tell you is that the 'feel' of it is what I love. If they fail to capture the whimsy and the wholesomeness but also the underlayer of darkness that the games possess, this movie will bomb.

Let me give you a few examples of other medias that failed to capture their source material:

Star Wars (The Force Awakens, The Last Jedi, The Rise of Skywalker). All three of those movies sucked imo because they didn't feel like a Star Wars movie, they felt like a Star Wars fanfiction. This isn't any of the cast's fault, either. They did good for what they were given. But the movie itself (expecially the character changes in Luke) lacked that feeling the other Star Wars movies hold.

Star Trek Discovery and Picard. Both of these shows are objectively the worst Star Trek series. And, it's for the same exact reasons as those Star Wars movies. THE PEOPLE MAKING THEM AREN'T FANS OF THE FRANCHISE!!! They don't understand them, they don't understand why people LIKE them. But if you look at their newest show, Strange New Worlds, it's doing spectacularly. Why? BECAUSE THE NEW WRITERS ARE FANS OF THE SHOW. THEY GET IT.

If you couldn't tell, I'm very passionate about this one.

In conclusion, you can tell that my hopes for this movie are incredibly, painfully low. Can you blame me, though? This is my favorite thing in the world, an I'd love to have a movie about it. But in recent times, movies and shows based off of already beloved things have not been doing well because they don't capture the feeling of them. The people put in charge of these movies most likely haven't played a single Legend of Zelda game in their lives, so they don't get it and they aren't going to be able to capture our souls like the games do.

Thank you for listening to my messy rant.

[acuteobserv4tion]

Building on this, which has spoilers in it. This one does, too.

I figured out what I didn't like about the death scene.

Don't you judge me!

I'll admit, I got lost in the edgelord sauce.

I wanted them to shoot Maria. *gasp* I know.

I really thought that they were gonna do it when they gave Shadow the gun in the trailer. Plus, it's not the first time someone would be shot in a family/kids movie.

I guess there's a moral quandary when it comes to shooting a child in a movie, but not an adult. I don't know why, tho. Maybe it's some psychological thing that I'm not getting for when you're a filmmaker. (It's scarier. It's aimed for younger audiences, I know I know. Edgelord sauce)

I was really waiting, dreading the inevitable. But then Walters shows up. I get more anxiety with the gun being waved around. Then they hit the chaos canisters....

They try to make it seem like he's not a bad guy, maybe even that we should have liked him. Which I can appreciate. But then I think about what he's done and how he's acted.

It would just make more sense for Shadow to hate Walter's specifically if he was responsible for something. We shouldn't want to feel any empathy for Walters. It just felt off to me, like they tried to make me feel like he's a good dude after 2 movies of him being such a flippant jerk.

It just felt so impersonal when you suddenly drag our attention to this dead guy that no one likes. Showing this jerk trying to prevent a murder when his own death was nothing but a footnote.

Why does Shadow know him? Why does Shadow hate him? Why does Shadow know his face?

Did Walters personally put Shadow in stasis 50 years ago? Was I just too overwhelmed to see his young face in the room that day?

After having the movie slosh around in my noggin for a while longer, I realized that it wasn't Maria's execution death that I had a problem with

It was Walters. I just refuse to look at him differently.

That scene was fantastic.

But Walters...

We got beef.

On that note,

How did Gerald survive?

Like, dont get me wrong, I love it. I really think it would be better if they show Gerald, Maria, and Robotnik running away for just a little bit longer. Show them trying to hide as they escape.

Then we see Walters try to hold back the military's fire. The gun goes off. Maria is closer to the chaos canisters, thus the explosion. Shadow and Gerald are knocked back. A corner of the area is on fire.

Shadow gets ahold of his senses. We see his silhouette approaches Maria. We see the devastation on Gerald's face. He's old and can barely move as he tries to crawl to Maria.

Then we get that zooming in of Shadow's face with agents in the back as Gerald is crying on the ground, trying to reach out to his granddaughter. We feel the overwhelming emotion build-up to a chaos blast. Killing the people in the base.

Then that incredible transition to the tragic beauty of Shadow using his grief to envoke annihilation, the Eclipse Cannon.

Just a small thing that I think would have added to the movie.

[adragonsfriend]

To expand on a particular point, but slightly to the left, I sometimes see the argument made that “Jedi are partly inspired by Buddhist beliefs, so to criticise Jedi is to critics Buddhism, so critisizing the Jedi is inherently prejudice, so stfu.” None of those things necessarily follow from one another.

(Please note: there are many, many words for how much I love the Jedi and believe they are right about how their world works and how to be good in that world, because I have written both essays and fics about it)

First, the world building of the Jedi involving significant inspiration does not in any way make them representative of Buddhism in the real world. A couple of movies could never contain the depth and breadth of any religion—at most SW attempts to communicate a few principles, with varying success. (Besides which, argument that Buddhism is the sole religious inspiration for SW and the Jedi when everyone or almost everyone involved it their creation grew up in a Christian culture, the main writer explicitly says their thematic opposition is “like the Devil,” and lots of the people involved probably have totally other religions in their lives as well, is frankly foolish)

Second, while a fan-base similarly steeped in a wider Christian and Western culture is certainly likely to be less knowledgable about and quite possibly prejudiced against other understandings of the world, people are allowed to criticise real religions. It should be done with the weight and understanding of what that means—telling millions or sometimes billions of people they are living they lives wrong in some way, and either tacitly or explicitly asking them to change it—but it is not inherently prejudiced to do so. Buddhism, like any other religion, is not some magical mystery thing which is above becoming part of societal or personal strife.

The difference comes in, like OP says, with how well you understand what you are arguing about. For me, criticising my parents Christianity is fairly easy to do with nuance: I used to believe, I went to the services, I read the book, I experienced having a church as a center of community, I’ve seen some good and some bad come of it. I could not say the same if I was critique any other religion, so if I wanted to, I would have to take far more care and do far more research.

There are many arguments about what went on in the SW universe, some of which come down to the ambiguity on interpreting fiction, and some of which come back to real world issues. Some of those arguments are fun, some of them are ones you and I have opinions on, and some of them are dumb; “Jedi are partly inspired by Buddhist beliefs, so to criticise Jedi is to critics Buddhism, so critisizing the Jedi is inherently prejudice, so stfu,” is one of that last group.

There are far more interesting rephrasings of it to explore, including but not limited to:

“I think your view of Star Wars is being limited by growing up in a Christian/other non Buddhist culture.”

“Well if you go and read this text, you’ll see that Buddhism actually says something similar to what Jedi say, but the text has a little more context…”

Or even, “clearly we both know fuck all about Buddhism, so let’s try talking about SW and the Jedi in their own rite, without drawing on real religions to make quippy one liners about how right we are.”

And remember, both-sidesism is always a lie—not just in that two or more “sides” are very rarely equally good—but in the very assumption that any issue of real importance has any inherent “sides” to it at all.

I don't and never will mind posts that criticize the Jedi, their beliefs, etc etc. I myself have pointed out the fact that many other people in the Pro Jedi community do not acknowledge or "allow" others to point out that, yes, the Jedi did have flaws as an organization, and they definitely had some very flawed members. What I do mind is when those posts (and their points) are made with a complete lack of understanding of the material being talked about. You are not building a good argument on the Jedi being wrong about attachments if you do not understand that attachment and love are not the same thing. You can be attached/develop attachment to something you fucking hate. Even then, attachment in the Star Wars universe, as in Buddhism, is defined by feelings of clinging or an inability to let things go/allow change.

You are not building a good argument on the Jedi having a slave army if you are not willing to bring up how they were put into that position, how they themselves dealt with that situation, and make an argument for what they could have done differently that takes the complexities of the entire situation into account. You are not making a good argument about the Jedi being wrong to hold Anakin's fear against him if you cannot and/or will not acknowledge that Star Wars' entire power/magic system is based upon negative emotions and our reactions to them. I could go on and on and on, but I would be beating a dead tauntaun at that point. My point is, approach the media and your arguments in good faith, with clear knowledge on what it is you are talking about, and you'll find people more receptive to hearing you out. That goes for both "sides." Just be good to each other, always.

[thatofabeavers]

Just watched Twisters-

and you instantly know who the love interest is when they look like Dean and survive a near miss with the protagonist xd

[rotisseries]

rick riordan dickriders on here will be like "why are you complaining about the pjo tv show, go watch the movies and see what a bad adaptation really looks like" ok well listen to the musical watch it on youtube and see what a good adaptation looks like bitch. it can be done. as a fucking stage musical. what did that 15 million per episode do for disney that chris mccarell couldn't

[cryptvokeeper]

I dare not speak it in the tag because I value my energy but no one has the correct opinions about nosferatu 2024 except for me

[shirogane-oushirou]

no promises anymoooooreeeee i'll appear online when i appear online 😭 every time i say "ooh i think life is almost done being overwhelming!" it. becomes even more overwhelming in the dumbest ways. all i can manage rn when i'm not stressing myself into a shut-down state is staring at the wall while listening to youtube essays + mindlessly crocheting.

i might queue up ppls art and fics w/o commentary in the tags... i want other ppl to see what all of my cool friends have made, but i genuinely can't think right now with this monstrous brain fog. i'm really sorry, just. yeah. maybe i'll think of some way to make it up later!!! once the dust has settled!!!! but until then i wuv u and miss u. smiles.

[venting in tags including familial manipulation and ableism. i. didn't mean to write all of that, thiss was originally going to be a main blog post but. aaaaaAAAAAA!!!!!

also no need for replies or anything, i'd turn them off for just the one post if i could kjsndkn, i just needed to get things out and go eep jsjndsfdn ok bye bye bye bye!!!!]

[termagax]

u know at the beginning i kind of thought kfp4 was gonna do something with shifus whole. deal. but they didnt like at all which is a shame

[louismygf]

just recently watched this is us with my college friends

[thats-my-passion-right-there]

I finally saw the mean girls musical (the movie one) I have so many fucking thoughts oh my god