#which is their whole job
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make it vicious, take a stab
#my art#jujutsu kaisen#jjk#jjk fanart#gojo satoru#jujutsu kaisen fanart#jujutsu gojo#jjk gojo#jjk satoru#blood/#jjk spoilers#jjk manga spoilers#just in case idk#i believe in night moves fv supremacy#i feel like i say this every time but im dead deceased on the floor in the ground etc etc#maximum effort fr gojo as usual sighhhhhhhhhhhh#3 days on this mf who let me draw another mirror who didnt talk me down#i got so frustrated after i finished his reflection only to realize i had a whole other half gojo to draw#do not look too closely ik its not perfectly mirrored ik ik ik i wanted to die the whole time pls b kind#especially the hair gjhdfkdgk the last mirrored char i drew was megumi and at least with him his hair is dark#with which i can Conceal my mistakes#none of tht here sighs . this freak and his florescent hair#anyway even tho i died and perished and expired etc i am . SO happy w this u have no idea#blood sweat and tears went into this one#and easter eggs! so many easter eggs#pls take it and enjoy im tired of staring at him and his god awful lipstick job . make yourself decent smh
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I’ve been losing my mind over these guys recently
#transformers#humanformers#decepticons#Starscream#skywarp#thundercracker#Soundwave#shockwave#wavewave#seekers#a lot of these are unfinished cause my iPad started overheating 😭#idk how actual pilot uniforms are supposed to look- tbh I just worked off one ref image + some from top gun#I don’t really want it the fits to look too similar to any existing uniforms cause I’m not trying to imply anything#anyway- thundercracker has honestly turned out to be my potential favorite??#I’m not sure yet cause I basically love all the main decepticons but fr it might be thundercracker#but it’s okay- I don’t HAVE to pick one fave I suppose#ughhh transformers has been such a nice change of pace from mk cause what is even going on over there??#I’m only excited for the t1000 and I’ve been DYING waiting for him to be playable#terminator 2 honestly in my top 10 movies and t1000 in top ten villains tbh#Robert Patrick did such a phenomenal job it just hasn’t been topped#but yeah wtf is even going on in mk?? like who the flying fuck asked for Conan??#but anyway I should probably actually draw either prime or tf one#I just love g1 so much plus the designs are literal squares it’s so much easier 😭#I’m also just attached to who whimsical it is? such simpler times#I think transformers tries to hard to be dark and brooding sometimes#which is my main criticism for how Optimus is in prime but that’s a whole nother conversation#I will say though prime did a good job of converting the dark bayverse designs#and making them fun an appealing to look at#doodle#my art
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The amount of dumb mistakes I'm finding this week is...mind boggling. Like, I thought the whole point was not to overwork everyone because as my boss said "holding everyone accountable by numbers (how many tasks they got done in an hour/15 mins ect) is childish" and we learned the hard way that rushing quantity over quality screwed everything over. (even though the head of the department and every boss said we weren't doing that that quality was king even though in practice it was a lie) And yet...every full time employee has left glaring errors in their stuff this week.
#mumblings about work#every day my opinion of everyone and our company drops just a little bit lower#which is hilarious because it's already been six feet under for over a year#and yet I'm constantly surprised when there's easily missed mistakes#like hello what's this document doing in this completely wrong tab?#how did both of you miss that? why me the person whose paid peanuts have to clean up your messes?#all it does is make me think people aren't doing their jobs and just reverting back to conveyor belt style#people are allowed to make mistakes#my issue is the fact that their whole job is to find and fix these mistakes and they're not doing it#and yet I'm the one having to like take everything back to them and be like “hi question for you”#I want to leave so badly one of the hundreds of places I've applied for please hire me#give me an escape route#because every time we “fix it” we revert back to the same rushed energy where they just stamp things correct and pass them to me#and they haven't been looked at#which is their whole job#should probably change this to grumbling about work#because lately it's grumbling
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Rellana, Twin Moon Knight & Rennala, Queen of the Full Moon
prints ✦ full process on patreon
#elden ring#rennala#rellana#my art#shadow of the erdtree#ngl i don't share fandom's obsession with Rellana and find her character quite lacking#I wish we knew something more about her other than “hehe messmer simp”#bc yes rennalas marriage is a big part of her story but we also know a lot about her in other contexts and before the liurnian wars#which makes her much more interesting to me#bc idk im just not a fan of when in media the whole plot arch of a woman's story resolves around her relationship with a man#and i feel like with other women characters fromsoft did a better job at showing that they are human beings with different agendas etc#so when it comes to Rellana i love the POTENTIAL of what she could be
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Home
#this one i def was challenged by#i was using a whole new angle i never really tried before . not used to doing furniture either lol#undertale#frisk#toriel#not super satisfied w this but. done not perfect……… it does the job………^^ and it made me want to learn!!! which is great#i painted some eggs. im gonna do more color studies
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TW: rape
Something I really appreciated about The Sunshine Court was its nauseatingly realistic depiction of rape culture.
Jean’s (repeated, violent) sexual assault isn’t treated as something horrific; in the toxic environment of The Nest, it’s normalized. The real story — Riko ordering 5 male players to rape Jean as a sadistic way to ‘break him in’ — is quickly twisted by his abusers; Jean is seen as a calculating vixen who slept his way to the top, for a Perfect Court number:
They continuously mock and taunt Jean with senseless jokes about it. There is an element of jealousy at play; Jean is a prodigy player, and, as he says himself at some point in the book, his older teammates didn’t enjoy being shown up by a child. They certainly enjoyed knocking him down a peg, though, by humiliating him and creating an illusion that he only got his spot on the team for sleeping around, not his talent:
Even one of his rapists, Grayson, continues this false narrative despite knowing the truth (or maybe he even convinced himself this narrative is the truth; that Jean ‘seduced’ him for a spot on the starting lineup):
Other ravens who don’t know the truth seem to quickly believe the narrative that a 16 yo chose to sleep with a bunch of his superiors for a personal gain; that is certainly easier than entertaining the thought that your teammates (friends?) are capable of something this horrific. Or maybe they simply don’t question it too hard; after all, Jean can’t tell his side of the story.
The rumors eventually spread outside the Nest. Jean’s reputation is tarnished to the point that this is one of the first things strangers on the internet learn about him:
The most heartbreaking detail about it all is Jean’s age. He was a 16 boy on the college team, the youngest player on the lineup; a foreigner who couldn’t even speak English when he arrived; an outsider. Despite the fact that his young age is something that even the ravens find particularly scandalous about the whole situation, Jean’s agency is never questioned. He’s not seen as a minor who was taken advantage of by older, superior men — and most of them are quite significantly older, having already graduated by the time Jean’s 19; Grayson seems to be the youngest of them and he’s at least three years older than Jean.
As many victims of SA, Jean had no choice but to continue living with his abusers side by side, pretending like nothing happened. Knowing there’s absolutely nothing he can do.
The first time someone voices concern over the questionable circumstances surrounding the whole situation happens in this conversation with Jeremy (to be fair, it seems like Jean's age isn't public knowledge but the ravens obviously know):
And as many victims, Jean internalized his experience as something he deserved on some level:
TLDR: Sexual assault is, unfortunately, a very big part of our culture; it’s not just something that happens in the dark alleys; rapists aren't just scary strangers. They're also your friends, peers, teammates. The way the Nest (and the general public as a whole) turns a blind eye at best and mocks and humiliates the victim at worst is a microcosm of how SA is largely treated in real life. It was genuinely fascinating to see it depicted so realistically, even though it made for a heavy read at several points. I hope Nora keeps up the good work, and we'll see further exploration of the topic and Jean dealing with his trauma in the next book.
#there’s also the queerness of it all#and the ways in which jean’s queerness is used as a tool to punish him#but that’s for a different post#anyway#thank you nora for doing a great job depicting this#i know many people compare it to a little life#which i did too lol but!#tsc was actually so much better in how it portrays SA and the ways in which it affects people#despite being way campier on the whole (a little life is dead serious)#aftg#all for the game#tsc#the sunshine court#the foxhole court#tfc#jean moreau#grayson johnson#lucas johnson#kevin day#thea muldani#jeremy knox#riko moriyama
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(Only at the early episodes of season 2, no spoilers) but I have a vision and it is one where Jinwoo surrounds himself with a party of high-rank but fucking-useless hunters who he treats as absolute Pillow Princesses while using them as cover for himself.
Like it's established that your rank is a natural and immutable feature of yourself, but that says nothing for your mental state or physical health, right? Like they call out that Joohee is a B-rank technically, but she only does low-level raids because her nerves are fried.
So like. There's GOTTA be a wealth of A-rank--MAYBE even some S-rank--people who are absolute basket cases, or couch potatoes, or do nooooootttt fucking care.
Jinwoo should just assemble them, be like "you get a 7% cut for showing up", enter the gate, park them there with like a whole campsite of care items from his hammer-space bullshit, while he just goes to take care of the dungeon himself.
Like the whole raid team walks out and the Hunters Guild is like, "Ah, once again this up-and-coming A-rank-stacked team has defeated a dungeon, with their token E-rank mascot still not dead. How nice of them."
Meanwhile, anyone paying close attention on the news is watching while a camera crew interviews some A-rank stay-at-home mom who clearly does NOT know how to hold that knife she's holding, describing a dungeon boss who is almost definitely King Kong.
While E-rank Jinwoo just like, renders in the background
And the next interview is with the S-rank NEET who has not left his room in 12 years except, right now, to go kill this dungeon boss I guess. Which he also cannot describe.
While E-rank Jinwoo continues to. like. render.
And the online boards are like "wasn't that the E-rank who was one of the sole survivors of that catastrophe dungeon incident?" "You're totally right but also I was thinking of a DIFFERENT catastrophe dungeon. Did that happen twice?" "What do you mean it happened 3 times?"
One of these interviews Jinwoo is in the background doing perfect shadow-boxing using some knife that is resonating an aura so potent it's mucking up the camera equipment, while the A-rank on camera describes the plot of Godzilla.
#solo leveling#chrissy watches solo leveling#tag edit: my friend says something like this DID happen in s1 with E-ranks (my memory is fuzzy since I watch s1 last year)#in which case: consider that a spring-board for my vision of doing this but it's a Dedicated guild of A-ranks#full-time guild members whose whole job is to continue scanning as A-ranks and then do fuck-all and narc to no one
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the book ice court heist has big group project involving people who don’t like each other vibes but the tv version is just going to be forced couples counseling via trying not to die together
#obviously some of the crows in the books have plenty of history#but the show version will be like. kanej who managed to break up without every dating#wesper who will have progressed past the honeymoon stage into some possible distrust due to the van eck thing#and helnik being helnik which is a Whole Issue on its own#shadow and bone#six of crows#kanej#wesper#helnik#i reeeally want to know how wylan concealing his past will affect things with jesper#and kaz and inej on a job together after she left…oh boyyyy#fingers crossed we get that renewal and spin off
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This might be a strange question, but do you think it would be cathartic for Machete to have a tamagotchi in the modern AU? One of those things where it heals his inner child but he isn't sure why?
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#I do like the idea of him getting to be responsible for the wellbeing of a living thing in the modern au#like a pet or that one single cactus he cherishes#and being Very Worried about the whole thing#but ultimately doing really good job#answered#anonymous#modern au#in the original setting he exists in a bubble that is rather sterile and devoid of things that grow#apart from his lemon tree which refuses to bear fruit#I think it would be a bittersweet healing moment for him to realize that he's capable of cultivating life and goodness
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patience being tested. being forced by a bizarre unfortunate situation to adhere to university requirement technicality by taking this simple basic elementary "introduction to environmental history" class.
this class is from facilitators/program which do, like, "history of the American frontier" or "history of fishing and hunting" and still basically subscribe to that old-school twentieth-century idealization and celebration of characters like Teddy Roosevelt and reverence for a mythical arc-of-history-bent-towards-justice narrative of the often-clumsy but ultimately-benevolent US federal government and its mission to "save nature" through the miracle of "sustained yield," while heroic federal land management agencies and "heritage" institutions lead to way, staffed by exceptional individuals (appeals to nostalgia for the frontier and an imagined landscape of the American West; ego-stroking appeals to flattering self-image that center the environmentalist or academic). where they invoke, y'know, ideas like "ecology is important because don't you enjoy cross-country skiing in The Woods with your niece and nephew? don't you like hunting and fishing?" which makes it feel like a time capsule of appeals and discourses from the 1970s. and it invokes concept of "untouched wilderness" (while eliding scale of historical Indigenous environmental relationships and current ongoing colonial violence/extractivism). but just ever-so-slightly updated with a little bit of chic twenty-first-century flair like a superficial land acknowledgement or a reference to "labor histories" or "history from below," which is extra aggravating when the old ideologies/institutions are still in power but they're muddying the water and diluting the language/frameworks (it's been strange, watching words like "multispecies" and "Anthropocene" over the years slowly but surely show-up on the posters, fliers, course descriptions, by now even appearing adjacent to the agri-business and resource extraction feeder programs, like a recuperation or appropriation.) even from a humanities angle, it's still, they're talking at me like "You probably didn't know this, but environmental history is actually pretty entangled with political and social events. In fact, we can synthesize sources and glean environmental info from wacky places like workers' rolls in factories, ship's logs, and poetry from the era." and i'm nodding like YEP.
the first homework assignment is respond to this: "Define and describe 'the Anthropocene'. Do you think 'the Anthropocene' is a useful concept? Why or why not?" Respond in 300 words.
so for fun, right now in class, going to see how fast i can pull up discussion of Anthropocene-as-concept solely from my old posts on this microblogging site.
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I think that the danger in any universal narrative or epoch or principle is exactly that it can itself become a colonizing force. [...] I’m suspicious of the Anthropocene as concept for the very reason that it subsumes so many peoples, nations, histories, geographies, political orders. For that reason, I think ideas like the Anthropocene can be a useful short-hand for a cluster of tangible things going on with the Earth at the moment, but we have to be very careful about how fluid and dynamic ideas become concretized into hegemonic principles in the hands of researchers, policymakers, and politicians. There’s so much diversity in histories and experiences and environmental realities even between relatively linked geographies here in Canada [...]. Imagine what happens when we try to do that on a global scale - and a lot of euro-western Anthropocene, climate change and resilience research risks doing that - eliding local specificities and appropriating knowledge to serve a broader euro-western narrative without attending to the inherent colonial and imperial realities of science and policy processes, or even attending to the ways that colonial capitalist expansion has created these environmental crises to begin with. While we, as a collective humanity, are struggling with the realities of the Anthropocene, it is dangerous to erase the specific histories, power-relations, political orders that created the crisis to begin with. So, I’m glad that a robust critique of the Anthropocene as a concept is emerging.
Text by: Words of Zoe Todd, as interviewed and transcribed by Caroline Picard. “The Future is Elastic (But it Depends): An Interview with Zoe Todd.” 23 August 2016.
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The Great Acceleration is the latest in a series of human-driven planetary changes that constitute what a rising chorus of scientists, social scientists, and humanists have labeled the Anthropocene - a new Age of Humans. [...] But what the Anthropocene label masks, and what the litany of graphs documenting the Great Acceleration hide, is a history of racial oppression and violence, along with wealth inequality, that has built and sustained engines of economic growth and consumption over the last four centuries. [...] The plantation, Sidney Mintz long ago observed, was a “synthesis of field and factory,” an agro-industrial system of enterprise [...]. Plantation legacies, along with accompanying strategies of survival and resistance, dwell in the racialized geographies of the United States’ and Brazil’s prison systems. They surface in the inequitable toxic burdens experienced by impoverished communities of color in places like Cancer Alley, an industrial corridor of petrochemical plants running along the Mississippi River from New Orleans to Baton Rouge, where cotton was once king. And they appear in patterns of foreign direct investment and debt servitude that structure many land deals in the Caribbean, Brazil, and sub-Saharan Africa [...]. [C]limatologists and global change scientists from the University of London, propose instead 1610 as a date for the golden spike of the Anthropocene. The date marked a detectable global dip in carbon dioxide concentrations, precipitated, they argue, by the death of nearly 50 million indigenous human inhabitants [...]. The degradation of soils in the tobacco and cotton-growing regions in the American South, or in the sugarcane growing fields of many Caribbean islands, for example, was a consequence of an economic and social system that inflicted violence upon the land and the people enslaved to work it. Such violent histories are not so readily evident in genealogies that date the Anthropocene’s emergence to the Neolithic Revolution 12,000 years ago, the onset of Europe’s industrial revolution circa 1800, or the Trinity nuclear test of 1945. Sugarcane plantations were already prevalent throughout the Mediterranean basin during the late middle ages. But it was during the early modern era, and specifically in the Caribbean, where the intersection of emerging proto-capitalist economic models based on migratory forced labor (first indentured servitude, and later slavery), intensive land usage, globalized commerce, and colonial regimes sustained on the basis of relentless racialized violence, gave rise to the transformative models of plantations that reshaped the lives and livelihoods of human and non-human beings on a planetary scale. [...] We might, following the lead of science studies scholar Donna Haraway and anthropologist Anna Tsing, more aptly designate this era the Plantationocene. [...] It is also an invitation to see, in the words of geographer Laura Pulido, “the Anthropocene as a racial process,” one that has and will continue to produce “racially uneven vulnerability and death." [...] And how have such material transformations sustained global flows of knowledge and capital that continue to reproduce the plantation in enduring ways?
Text by: Sophie Sapp Moore, Monique Allewaert, Pablo F. Gomez, and Gregg Mitman. "Plantation Legacies." Edge Effects. 22 January 2019. Updated 15 May 2021. [Bold emphasis added by me.]
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Geologists and other scientists will fight over [the definition of the beginning start-date of the Anthropocene] in scientific language, seeking traces of carbon dioxide that index the worst offenses of European empire which rent and violated the flesh, bodies, and governance structures of Indigenous and other sovereign peoples in the name of gold, lumber, trade, land, and power. [...] The stories we tell about the origins of the Anthropocene implicate how we understand the relations we have with our surrounds. In other words, the naming of the Anthropocene epoch and its start date have implications not just for how we understand the world, but this understanding will have material consequences, consequences that affect body and land.
Text by: Heather Davis and Zoe Todd. On the Importance of a Date, or Decolonizing the Anthropocene. ACME An International Journal for Critical Geographies. December 2017. [Bold emphasis added by me.]
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From Aime and Suzanne Cesaire, C. L. R. James, Claudia Jones, Eduoard Glissant, through Sylvia Wynter, Christina Sharpe, and so many others, critical anticolonial and race theory has been written from the specific histories that marked the Black Atlantic. [...] Glissant also reminds us, secondly, of how cunning the absorptive powers of [...] liberal capitalism are - how quickly specific relations are remade as relations-erasing universal abstractions. [...] This absorptive, relations-erasing universalism is especially apparent in some contemporary discourses of […] liberalism and climate collapse - what some call the Anthropocene - especially those that anchor the crisis in a general Human calamity which, as Sylvia Wynter has noted, is merely the name of an overdetermined and specific [White] European man. […] [T]he condition of creating this new common European world was the destruction of a multitude of existing black and brown worlds. The tsunami of colonialism was not seen as affecting humanity, but [...] these specific people. They were specific - what happened to them may have been necessary, regrettable, intentional, accidental - but it is always them. It is only when these ancestral histories became present for some, for those who had long benefitted from the dispossession [...], that suddenly the problem is all of us, as human catastrophe.
Text by: Elizabeth Povinelli. “The Ancestral Present of Oceanic Illusions: Connected and Differentiated in Late Toxic Liberalism.” e-flux Journal Issue #112. October 2020.
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The narrative arc [of White "liberal humanism"] [...] is often told as a kind of European coming-of-age story. […] The Anthropocene discourse follows the same coming-of-age [...] script, searching for a material origin story that would explain the newly identified trajectory of the Anthropos […]. Sylvia Wynter, W.E.B. DuBois, and Achille Mbembe all showed how that genealogy of [White subjecthood] was [...] articulated through sixteenth- through nineteenth-century [historiographies and discourses] in the context of colonialism, [...] as well as forming the material praxis of their rearrangement (through mining, ecological rearrangements and extractions, and forms of geologic displacements such as plantations, dams, fertilizers, crops, and introduction of “alien” animals). […] As Wynter (2000) commented, “The degradation of concrete humans, that was/is the price of empire, of the kind of [Eurocentric epistemology] that underlies it” (154).
Text by: Kathryn Yusoff. “The Inhumanities.” Annals of the American Association of Geographers, Volume 11, Issue 3. November 2020.
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As Yarimar Bonilla suggests in regard to post-Irma-and-Maria Puerto Rico, “vulnerability is not simply a product of natural conditions; it is a political state and a colonial condition.” Many in the Caribbean therefore speak about the coloniality of disaster, and the unnaturalness of these “natural” disasters [...]. Others describe this temporality by shifting [...] toward an idea of the Plantationocene [...]. As Moore and her colleagues write, “Plantation worlds, both past and present, offer a powerful reminder that environmental problems cannot be decoupled from histories of colonialism, capitalism, and racism that have made some human beings more vulnerable [...].” [W]e see that contemporary uneven socioecologies associated with the rise of the industrial world ["the Anthropocene"] are based [...] also on the racialized denial and foreshortening of life for the sacrificial majority of black, brown, and Indigenous people and their relegation to the “sacrifice zones” of extractive industry. [...] [A]ny appropriate response to the contemporary climate emergency must first appreciate its foundations in the past history of the violent, coercive, transatlantic system of plantation slavery; in the present global uneven development, antiblackness, and border regimes that shape human vulnerability [...] that continues to influence who has access to resources, safety, and preferable ecologies [...] and who will be relegated to the “plantation archipelagoes” (as Sylvia Wynter called them) [...].
Text by: Mimi Sheller. “Thinking Beyond Coloniality: Toward Radical Caribbean Futures.” Small Axe (2021), 25 (2 (65)), pages 169-170. Published 1 July 2021. [Bold emphasis added by me.]
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Indigenous genocide and removal from land and enslavement are prerequisites for power becoming operationalized in premodernity [...]; it was/is a means to operationalize extraction (therefore race should be considered as foundational rather than as periphery to the production of those structures and of global space). [...] Wynter suggests that we […] consider 1452 as the beginning of the New World, as African slaves are put to work on the first plantations on the Portuguese island of Madeira, initiating the “sugar-slave” complex - a massive replantation of ecologies and forced relocation of people […]. Wynter argues that the invention of the figure of Man in 1492 as the Portuguese [and Spanish] travel to the Americas instigates at the same time “a refiguring of humanness” in the idea of race. [...] The natal moment of the 1800 Industrial Revolution, […] [apparently] locates Anthropocene origination in […] the "new" metabolisms of technology and matter enabled by the combination of fossil fuels, new engines, and the world as market. […] The racialization of epistemologies of life and nonlife is important to note here […]. While [this industrialization in the nineteenth century] […] undoubtedly transformed the atmosphere with […] coal, the creation of another kind of weather had already established its salient forms in the mine and on the plantation. Paying attention to the prehistory of capital and its bodily labor, both within coal cultures and on plantations that literally put “sugar in the bowl” (as Nina Simone sings) […]. The new modes of material accumulation and production in the Industrial Revolution are relational to and dependent on their preproductive forms in slavery […]. In 1833, Parliament finally abolished slavery in the British Caribbean, and the taxpayer payout of £20 million in “compensation” [paid by the government to slave owners for their lost "property"] built the material, geophysical (railways, mines, factories), and imperial infrastructures of Britain and its colonial enterprises and empire. [...] A significant proportion of funds were invested in the railway system connecting London and Birmingham (home of cotton production and […] manufacturing for plantations), Cambridge and Oxford, and Wales and the Midlands (for coal). Insurance companies flourished [...]. The slave-sugar-coal nexus both substantially enriched Britain and made it possible for it to transition into a colonial industrialized power […]. The slave trade […] fashioned the economic conditions (and institutions, such as the insurance and finance industries) for industrialization.
Text by: Kathryn Yusoff. "White Utopia/Black Inferno: Life on a Geologic Spike". e-flux Journal Issue #97. February 2019. [Bold emphasis added by me.]
#sorry for being mean#instructor makes podcasts about cowboys HELP ME#and he recently won a New Business award for his startup magazine covering Democrat party politics in local area HELP#so hes constantly performing this like dance between new hip beerfest winebar coolness and oldfashioned masculinity#but hes in charge of the certificate program so i have to just shut up and keep my head down for approximately one year#his email address is almost identical to mine and invokes enviro history terms but i made mine long before when i was ten years old#so i could log in to fieldherpforum dot com to talk about enviro history of distribution range changes in local reptiles and amphibians#sir if you read my blog then i apologize ive had a long year#and i cant do anything to escape i am disabled i am constantly sick im working fulltime i have NO family i have NO resources#i took all of this schools graduate level enviro history courses and seminars years ago and ran the geography and enviro hist club#but then left in final semester because sudden hospitalization and crippled and disabled which led to homelessness#which means that as far as any profession or school is concerned im nobody im a retail employee#i was doing conference paper revisions while sleeping on concrete vomiting walking around on my cane to find outdoor wifi#and im not kidding the MONTH i got back into a house and was like ok going back to finish the semester the school had#put my whole degree program and department in moratorium from lack of funding#and so required starting some stuff from scratch and now feel like a hostage with debt or worsening health that could pounce any moment#to even get back in current program i was working sixteen hours a day to pay old library fines and had to delicately back out of workplace#where manager was straight up violently physically abusive to her vulnerable employees and threatened retaliation#like an emotional torturer the likes of which i thought existed only in cartoons#and the week i filed for student aid a massive storm had knocked out electricity for days and i was clearing fallen tree debris#and then sitting in the dark in my room between job shifts no music no phone no food with my fingers crossed and i consider it a miracle#sorry dont mean to dramatize or draw attention to myself#so actually im happy you and i are alive
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Nico and Percy's dynamic through the series is eternally funny to me, because it's just. like.
Percy's having a constant mental struggle between his fatal flaw of loyalty with a promise he made to Bianca to protect Nico, versus his Big 3 kid desire to maim other Big 3 kids / Poseidon descendant urge to totally maim Nico specifically. He hates Nico so so much. He thinks Nico's annoying and weird at best, and creepy/sketchy when he's older. The only positive thoughts Percy has towards Nico are "He's Bianca's brother and Bianca was my friend and I owe her/He's Hazel's brother and Hazel is my friend and would kill me if I was mean to him," "He's a powerful asset and useful ally (if questionable)," and "He's kinda pathetic and I feel maybe a little bad about it." Percy has multiple occasions throughout the series where he strongly considers - and on one occasionally actually goes through with - throttling Nico.
Meanwhile, Nico is following around Percy like a lost puppy. He explicitly can never bring himself to even dislike anything about Percy no matter how hard he tries. He has a whole bit in BoO where he's mentally going "UGH he's so stupid BUT IT'S ENDEARING HOW DARE HE." He's totally smitten. He's making deals with his dad for Percy. He's making convoluted plans to help Percy stand a chance against Kronos. During the entirety of BoTL it's like he's playing tsundere - "I'm helping NOT PERCY SPECIFICALLY with this quest! Me helping Percy would be SILLY because I DEFINITELY HATE HIM." Then he proceeds to show up to Percy's birthday party to basically ask him on a weird date and spend the entire next book scrambling around trying to help him or protect him or impress him. And Percy could not give less of a shit.
Just. That dynamic is so funny to me. Percy is the founder of the Nico Protection Club in that he's the one they're all protecting Nico from and meanwhile Nico is throwing himself at Percy to the point where the literal god of gay love calls him out on it.
#pjo#percy jackson#nico di angelo#Percy shows up at CJ and squints at Nico like ''hm. why do i feel like i hate you? like i just wanna punch you in the face?''#and Nico just immediately goes ''huh no idea anyways i have to go-'' and jumps into Tartarus#but not before he gives Hazel essentially a detailed explanation of ''this is Percy i cant say much but please dont let him die <3''#and Nico's whole Tartarus trip was basically a whole ''im doing this so no one else has to''#only for Percy and Annabeth to fall in like one book later and Nico proceeds to spend the next book internally screaming about it#and then Cupid calls him out on it and the next book#Nico's just like ''at this point im hoping i keel over within the next week just so i can force this dumb crush to chill the fuck out''#Nico staring pointedly at Will: ''For my own sake i need to form another crush RIGHT NOW so i can finally get over Percy.''#''this has been so bad for my health''#Nico's crush on Percy is just too funny to me. horrible pick my guy. terrible job. love that for you. he could not be less interested.#Percy LITERALLY TRIES TO KILL NICO and ditch him in the underworld and Nico is somehow STILL like ''but i love him''#Percy basically chokes him. beats up his dad. tells him ''go get smited by your dad for me.'' and ditches him.#and Nico's opinions/crush on him DO NOT CHANGE#though also Nico's reaction to Percy beating up his dad + skeletons is SO funny. his jaw is on the floor. he's flustered about it.#he just witnessed Percy be incredibly hot and proceeded to go ''yea i'll do anything for this man. collect reinforcements of 3 gods? sure''#nico you absolute DISASTER with HORRIBLE TASTE. you can do better. raise your standards.#which tbh is funnier when you factor in sun and the star. Nico just wont stop crushing on guys who dislike him and everything he stands for
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Idk who needs to hear this but time and time again isn't over!!!
Webtoon removed the "time and time again will return!!!" Banner and I don't know why, but it's not over!!! There's still another 1/3 of the comic to go! There's a lot more stuff that I'm working on and it'll be coming back soon!
Please be patient with me, I know it's been a long time... But the stuff I'm making is really good and there's a lot of reasons it's taken this long. I promise I want it back more than anyone.
I'm trying to come back around the end of October. I'm doing my best to get everything ready in time, so no promises, but I'm on track to do so! I'm just one person writing and drawing everything, and my editor was fired so I'm not even getting any notes anymore. It's literally just me. I'm doing my best I promise!
#im so frustrated that banner has been gone#and people think the comic is over because of that#which is reasonable to think#but it... idk#its already an uphill battle to try snd retain audience after a hiatus this long#let alone when webtoon is actively building thr expectation that theres no need to come back...#im so frustrated#every day there is something new with them its so exhausting#this isnt even the thing I've been majorly stressed about this is a fresh new frustration#i feel like they're not just being unhelpful#at this point i feel like theyre actively sabotaging my career.#im not allowed to promote my books#i can't make my links too big so no one can find me#people dont even know i have a patreon#i can't make any announcements on the comic#and now people think th whole thing is over and it isnt!#im so ;_;#im so frustrated and demoralized#and people complete reasonably are losing patience and interest#and. ah... it's fine. like genuinely it is fine.#it will come back soon and i am doing a good job#and everyone who sees it's back will be happy with what ive done#cause it's good. its really good...#but. yeah. idk. webtoon has been actively keeping me down since the beginning and im so over them#I've been so mistreated aysudjejjdjdjdj#i just want to finish the series and go ;_;#taking all my power to not **** ******#just gotta power through and get the fuck out#text post#update
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Tumblr keeps popping up to sell me ad free dashboard. But what it doesn't understand is that me and the ads have a sort of symbiosis at this point.
The guys from the fake gameplay trailers for a predatory mobile app are my blorbos
#the kings return to do WHAT?#oh my god they put him in a situation#last year he was solving fake puzzles and this year he is shooting hordes of zombies while trying to chokse#which gate that looks like all the other gates in all the other shooting hordes of zombies games#ooh whats my little phoenix wright up to?#begging to be drooled on by a giant cyclops with gianter boobs?#hell yeah you go little pheonix knight#endure or divorce! what will she pick! blond bimbo and boo monstersinc freeze to death in the cold water#my heart will go on#after their nasty dad ate all the food! the tragedy#oh heres another trailer with that same nasty dad! hes snorkling? where is my daccoon eyed woman WHAT THE FUC#SOMEONE POURED (POOP?) INTO HIS SNORKLE THATS SO TERRIBLE#theyre running away wherre is the bimbo oh its all frozen#everythign froze so fast and now nasty dad is in a winter coat and also changed his entire physique#now hes gathering logs now hes buikding a settlement#damn guess we know what happened after the divorce!#and thats how you know the winter log game is by the same company as (one of many) repair the house game#thry got nasty dad model#and he is GOING places#if yiu ever hear 'i finally found a game that is exactly what they show in the ads!' no you didnt#i would love to play the fat guy fighting a horse for the last drop of water#hes like me fr#but hes too busy building underground rooms with the hot chick who may or may not die#SPEAKING OF HOT CHICKS i love that game where you romance a level 10 babe#not a crook or informant thats her whole job description#level 10 babe#she cqn be romanced by picking her off the ground or by showing her money (which you dont have)#but the other guy does!#i wonder what halpens to her#oh good shes upgraded to mafia wife! good for her and she has some buns in the oven too she must be so happOH NO
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winter assassin outfit
#zeno's art#ocs#reassassination#octavia krankenstein#oh i got a LOT to say about this one#in the comic octavia starts wearing this outfit after a certain event i think n its very symbolic#it represents mainly how her personality has changed as well as her relationship with kranken and humanity as a whole#lets do it top to bottom. FIRSTLY the mask that replaces her goggles that she wore in the “summer” outfit#the mask represents several things. firstly that octavia's relationship with kranken improved#i think the mask itself is probably kranken's and octavia uses it. showing that they've become closer#and ALSO even using a mask to hide her identity while working is in line with kranken's ideas of clothing being practical rather than flashy#(see her first outfit was originally really frumpy and practical before she DIY'd it into the minidress type thing)#anyway. the hoodie is supposed to harken more to an executioner showing octavia is more used to her job#the hoodie has eyelets which are circles. the fact that there are way more circles in the design shows that she becomes less cold#and more assimilated into human society#the gloves however are a sign of her persistent rebellion as they're fingerless and impractical lol#the pants are based off of tripp nyc's design. which was popular with mallgoths in the 90s/00s#it shows octavia's own personality and interests and of course has two hidden sets of 6's through the eyelets#lastly her shoes resemble skulls. that one's just for fun#while her first outfit completely represented rebellion i like to think this one bridges the gap between rebellion and octavia settling down#and becoming more familiar with those around her#this is only the first pass so i'll prob incorporate more red into the outfit before it's finalised#octavia isn't the only one who changes either! i want like ~3 changes for almost everyone
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it is no good, bearing false witness
#happy perverts release week to all who celebrate!!!#john irving#cornelius hickey#the terror#this is sloppy and i wasnt wearing my glasses when i ripped the clips so i didnt notice that they r shit quality. but we ball!#the hymn sampled (nearer my god to thee) was written in 1841 about jacob (of ladder fame)#which is the same story that franklin writes into graham gore's eulogy :)#my edit#jirv#im a simple man ethel cain releases an album and i clock in to my third job (jirvposting)#would looove to have done something with the whole song but alas it is 12 minutes long#so#heres the intro
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I think something that gets lost in the discourse of whether Beren and Luthien were wrong for not giving the Silmaril to the Fëanorians is that Luthien was kidnapped and held captive by Celegorm and Curufin, whose end goal was forcing her to marry - and with how Tolkien's elf marriage=sex that would require sexual assault or coercion in the very least - and then tried to murder her fiancé. And to her knowledge, C+C were never reprimanded for it by the other brothers. The only public consequence they got from their own family was in the form of Celebrimbor leaving. I love the Fëanorians, I really do, but if I were in Luthien's shoes, I would tell the entire family (minus Celebrimbor) to get fucked. I would not be taking the moral high ground and handing over the Silmaril to the guys who imprisoned me and tried to kill my loved one for sake of property rights and family heirlooms. The expectation that she should is wild.
#the silmarillion#luthien#the silm#silmarillion#i hate this discourse so much honestly its the most holy thing in existence so nobody should have sole ownership of it#hence why earendil is given the job (which he doesn't want) of sharing it with the whole world#you can't apply property laws to an endangered resource!!
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