#which is ridiculous like what's so bad about liking a character????

[kamechan98]

Nah, it's cool, I understand

And yeah, the Anti-Blitz party may be something of a start with some of the people there. I'm of the opinion that some people are likely there for the party itself and that Blitz can't have emotionally screwed over that many people. Like, Dennis? They met for a few hours at Bee's party months ago, how is he THAT upset about it he needs to go to an Anti-Blitz party? Even for Blitz that's a bit much. But I also agree that it may not be the best option, as a friendship/relationship that is built on hating one person is not likely to last or be very good. If all you have in common is hating one specific person, what else is there to build on? Maybe some people there have built solid relationships while meeting at those parties, there did seem to be a quite a few couples and friends there, so who knows? Maybe there is a form of community and friendship between these people, finding comfort and support from each other after their heartbreak while also learning to move on and find love and joy again.

But I agree it's not what Stolas really needs, to have all of the good things he knows and feel about Blitz being disregared and blame everything on Blitz, twisting it around to make him the bad guy in every aspect of his life when that isn't true. We've seen that Stolas is trying to reflect and see where HE made the wrong step in their relationship, what he can learn from the whole thing and how he can do better in the future, which Verosika keeps trying to shut down.

"But maybe it's all on me For missin' every sign and every glance And every turn" "Maybe there's somethin' here for us to glean For you to teach, and me to try to learn"

"What if I came on too strong? What if I read this all wrong? What if we just don't belong?"

Stolas, while a bit delulu at times, a hopeless romantic and not anywhere near as self-aware as he needs to be, does recognise on some level that the reason their relationship turned out the way it did isn't all Blitz' fault and the fact that he keeps trying to reflect and and go over what happened between them despite his hurt feelings, broken heart is a good thing- both for the sake of their relationship in the future and for his own development. Yeah he's trying to cover it up a bit, turning a bit petty and spiteful towards Blitz for even going to the party (maybe he wouldn't have gone if Blitz hadn't shown up at his place, wanting to be a little petty towards him) but as soon as he's there he recognises how petty, stupid and ridiculous the whole affair is, throwing an entire party every year just to hate on Blitz, and is even able to recognise this while drunk of his ass.

Our Owl Boy is a bit delulu, but not THAT delulu.

But it is as you say, Stolas is a People Please of the highest order and is only now starting to learn to stand up for himself and focus on his own wants and needs rather than bending over backwards to please others around him while suffering in silence. And spending too much time around people who don't encourage that kind of reflection and accountability would be a step backwards for him. It'd be enabling his worst habits and maybe make him regress in his growth, which is the last thing anyone needs.

Whether Stolas and Blitz end the season as friends who need to work on themselves before they get together or as a tentative couple who want to try again, do it right this time while also getting to know each other properly (last bit will probably happen regardless, but you know what I mean) I am under no delusion that they won't end up together at some point in the future. But I want to see Stolas find an identity outside of liking Blitz. As much as I love him, and I do, that's pretty much been his character for a while now. Yeah, he was Octavia but we haven't been allowed to see much of their relationship, which we know is going to have consequences of some kind before the season is over. I recognise that Blitz is the main character and is likely to be the most complex and developed character, but that doesn't mean others can't have more to them than basic interests, quirks and be defined by their role in Blitz' life. We've seen some of it with Moxxie and Millie, would love more of it, as well as seeing some development and growth for Loona, Millie (as her own person not her relationship to Moxxie or Blitz) and I think Stolas would need it too.

Maybe he and Asmodeus will become better friends? Fizz? M&M, Loona might be set up to become better friends with him as well? Maybe Vassago will be one of few Goetia who actually care about him and want him to be okay? I don't know, we'll have to wait and see.

Stolas has always been "Single"...

One thing I've noticed people say that genuinely disturb me is when they think Stolas should learn how to be single...

Guys, Stolas has been "single" his entire fucking life.

On paper, he may have been "married".

But Stolas was married to a partner that treated him like shit, and forced him to live a life constrained from being his gay ass self.

People are treating the relationship he had with Blitz as them being in an actual romantic relationship, but as Blitz stated...

To Blitz, he and Stolas were never in an actual romantic relationship because let's face it, it's true.

Blitz simply operated under the terms that Stolas had set for them in their full moon romps.

Remember guys....

This man is an emotionally-inept dumbass, who automatically assumes the worse. Of course, he's not going to see any of Stolas’s invites as anything other than Stolas just wanting him for his body.

Is it right? No, of course not.

But this is Blitz, and I'm not expecting a man who has been suppressing every single major emotion and traumatic event in his life for 15 years (prior to GF) to pick up any of the hints Stolas was dropping. He's a dumbass.

So yes, Stolas has never been in an actual relationship, and I don't think he needs to learn how to be "single" when he's been single his entire fucking life.

The man doesn't need to learn to be happy alone when he's always been alone!

"You wanna know what I want? I want to know what it's like, to not be alone. I want to be someone's someone. I want to feel wanted. But like, in a romantic way, like I'm standing out in the rain at a train station and someone is shouting: “Harriet! Don’t get on that train, it’s going to London and I cannot be without you!”"

"I just... want someone to care if I stay or go. I want someone to want... me! To want to see me. To hold me. To look at me and think "You're the only one I want!" [sheds tears] "I desire to hold you and talk to you, and never let you feel so...""

So yeah, I really don't think Stolas needs to learn to be happy alone. He knows what it's like to be alone, he's always been alone.

~~~~~~~~~~

And you know what I want?

Maybe I just want, this sad gay 🦉 to give this equally as sad and lonely pan 🦎 another chance...

Because, you know, even though he's an emotionally-inept dumbass and a motherfucker...

He's charismatic and charming...

He's good at fighting...

He's protective...

He knows how to have fun...

He's got the most beautiful smile...

He's hot as fuck...

And I also heard...

He's got a pretty cool family.

[dissapointu]

heyy!! can you do how arcane characters would react to a reader with bpd? I have it and its really hard to deal with

I personally don't have Bpd so I hope I was able to write for it- lmk if I got it completely wrong.

Jinx

Arguments with Jinx are a whole event. She’s already impulsive and emotional, so when you’re spiraling, it’s like pouring gas on a fire. She’ll yell, throw something (not at you, but still—chaotic), and storm off dramatically. But the second she sees you starting to crumble, her face softens, and she’s all, “Hey, hey, don’t cry, okay? I’m the crazy one, remember?”

She’ll make up for it with grand, ridiculous gestures—like painting a giant heart on the wall with “SORRY” inside it or showing up with an armful of random things she thinks you’ll like (a half-broken music box, a live rat, some Piltie trinket she swiped). Daily life with her is unpredictable. She’ll match your mood swings and throw in some of her own, but she’s always there to hold you through the aftermath, whispering, “It’s us against the world, baby.”

Vi

Vi has this big sister energy, so she tries to stay calm during arguments, but let’s be real—she’s not a saint. If you start pushing buttons, she’ll fire back, arms crossed, scowling like, “Oh, so this is my fault now?” But the second she sees that shift in your expression, that look like you’re about to spiral, she’ll stop mid-sentence and sigh.

“Come here,” she says, pulling you into a hug even if you’re still mad. “I didn’t mean it. You know I’m an idiot sometimes.”

She’s great at grounding you during bad days—holding your hand, distracting you with dumb stories about Powder or her childhood. Daily life with Vi is full of banter and teasing, but she’s also super protective, always making sure you know you’re safe with her.

Sevika

Arguments with Sevika are INTENSE. She’s not great with emotions, so when you’re on edge, she’s either trying to fix it logically (spoiler: it doesn’t work) or getting frustrated. “What do you want me to do? Tell me, and I’ll do it!” she’ll snap, her mechanical arm whirring in frustration.

But once she realizes she’s made it worse, she’ll sit beside you in silence, waiting for you to calm down. Then she’ll quietly say, “I don’t get it, but I’m trying. For you.”

Daily life with Sevika is steady—she likes routine, which can be comforting when you’re feeling unstable. She’ll bring you food when you’re too drained to eat and let you vent while she works. If you get clingy, she’s the type to roll her eyes but secretly loves it when you hold onto her like a lifeline.

Silco

Silco approaches everything with the cold, calculating precision of a chess player, including your BPD. During arguments, he’s quiet but firm, and sometimes his calm demeanor makes you feel worse, like he doesn’t care. But the moment he sees tears in your eyes, his voice softens.

“Enough,” he says gently, stepping closer. “I’m not leaving. Stop telling yourself that.”

He’ll sit with you until the storm passes, stroking your hair and murmuring reassurances in that low, gravelly voice of his. Daily life with Silco is structured—he thrives on stability and will gently encourage you to find your own, whether that’s a routine or a grounding technique. He’s not the best at expressing love, but his actions—bringing you tea, remembering the little things—say everything.

Vander

Arguments with Vander are rare, but when they happen, it breaks both of your hearts. He hates seeing you upset, especially when you’re directing all that anger at yourself. “Hey, don’t do that,” he says, his voice full of worry. “You’re not a bad person.”

He’ll pull you into a hug, even if you’re still yelling, and just hold you until you calm down. “I’m not going anywhere,” he whispers. “We’ll figure it out.”

Daily life with Vander is comforting—he’s patient and steady, always making sure you feel loved. He’ll cook for you, listen to your rambles, and let you cry into his chest when it all feels like too much. He’s your rock, and you know he’ll never let you fall too far.

Ekko

Ekko’s a sweetheart, but arguments can get heated because he cares so much. “Why do you always think I’m gonna leave?” he’ll ask, frustration lacing his voice. But then he sees you breaking down and immediately softens.

“Hey, no, I didn’t mean it like that,” he says, pulling you close. “You’re stuck with me, okay? Forever.”

Daily life with Ekko is fun and supportive. He’ll crack jokes to make you laugh on bad days and bring you little gifts—flowers he found, gadgets he fixed—just to see you smile. He’s great at reminding you of your worth when you can’t see it yourself.

Jayce

Jayce doesn’t get BPD at first, but he’s trying, okay? Arguments can get messy because he’s such a fixer. “What do you mean you don’t want advice? I’m trying to help!” he’ll say, running his hands through his hair.

But after a while, he learns to just listen. He’ll apologize quickly, his voice soft and full of regret: “I didn’t mean to make it worse. I just want to be here for you.”

Daily life with Jayce is full of love and enthusiasm. He’s always hyping you up, reminding you how amazing you are. If you’re having a bad day, he’ll drop everything to take you out for a walk or snuggle up with you on the couch.

Viktor

Viktor is SO patient. Arguments don’t happen often because he’s great at de-escalating situations. “I understand,” he says softly when you’re upset, his voice calm and measured. “I know it feels like that right now, but it’s not true.”

He’s the king of quiet, steady love. Daily life with Viktor is peaceful—he lets you sit with him while he works, always making sure you’re comfortable. On bad days, he’ll bring you tea and remind you, “You’re not a burden. Never.”

Caitlyn

Caitlyn is a problem-solver, so arguments can get frustrating because she wants to fix everything, even when you just want her to listen. “I’m sorry,” she says eventually, taking your hands in hers. “I’ll try to do better. Just…tell me what you need.”

Daily life with Caitlyn is filled with small acts of love—she’ll leave you little notes, bring you flowers, and make sure you feel secure. She’s incredibly understanding, always willing to talk things through when you’re ready.

Mel Medarda

Mel is the definition of grace under pressure. During arguments, she stays calm, even when you’re spiraling. “I know you don’t mean that,” she says firmly, but her eyes are full of understanding.

She’s amazing at making you feel grounded—pulling you into her lap, stroking your hair, and whispering, “It’s okay. We’re okay.” Daily life with Mel is luxurious—she spoils you with gifts and quality time, always making sure you feel loved and valued.

Ambessa Medarda

Ambessa is a bit of a bulldozer during arguments, but not out of malice—she’s just used to being in control. “You’re stronger than this,” she’ll say, her tone sharp. But the moment she sees your tears, she softens.

“I didn’t mean to push,” she says, placing a steady hand on your shoulder. “You don’t have to fight this alone.”

Daily life with Ambessa is protective—she’s always making sure you’re cared for, whether that’s bringing you food, making sure you rest, or just standing by your side like an unshakable force.

TL;DR: Everyone loves you in their own messy, flawed way because you’re worth every bit of the work. <3

[olderthannetfic]

https://www.tumblr.com/olderthannetfic/766688842914938880/wait-soif-the-only-things-making-companies-censor?source=share

So I've been keeping half an eye on the NSFW AI chatbot and image generation scene (because it's funny watching how fast they flare up and burn out), and the app store and payment processor thing is really evident here

Horny AI image generators can't go in app stores. Full stop. It generates pornography, there's no really getting around the artistic merit stuff, and anything that generates believable photographic styles can actually spit out literally illegal images (digital content which is indistinguishable from a real life photograph recording of a living child) if it's good enough. Users only have minimal control over if what they generate will comply with the ToS; if you ask a bot to give you an image of a "cute boy" it might give you a heartthrob pop star, a generic smiling toddler, or a shota with a huge dick. If the shota is against the ToS, you are now breaking a rule that you have no control over.

And becaues it's AI, it can't actually be filtered. The robot doesn't know what it's looking at, it can't generate an image and then make a judgement call about how that image applies with the ToS because it doesn't know what a ToS is and all it knows is that the image it generated from the "cute boy" prompt is the kind of image that is associated with the caption "cute boy".

App stores and the big payment processors don't want to deal with that mess, so these platforms will have apps that can be downloaded from their website or from discord, and weird sketchy ways to pay, like crypto or some small payment processor that you've never heard of and that sounds like a phishing scam.

Horny image gen platforms tend to be very short lived, and either rebrand as SFW platforms or completely shutter after only a few months. It's funny, but the tragedy is that this happens because of poorly moderated NSFW images, not because the images it generates suck.

****

Text does a little better, since it's copyright laws, not "we can't let people pass off recordings of child abuse as digitally generated art" laws that AI text tends to violate, and "horny is bad" as a social more is applied more strongly to visual material than to plaintext.

The bigger text platforms, like Google's Bard, have filters in place that will refuse to show NSFW text, and they're more or less accurate. The smaller platforms, which most of the "talk with your anime waifu" chat platforms are, have stupid insane garbage filters on what text users can enter, but not on what the chatbot generates. So you can prompt "describe her sexy vagina" and get "I'm sorry, I want to keep people safe so I can't talk about that", but if you type "describe her petals" you get a graphic description of a vagina from a bot that obviously has a mountain of het erotica in its database.

There are some text-only NSFW chatbot platforms that seem to be chugging along just fine with paypal, but they have strict rules about what images can be uploaded as avatars. Some will allow users to make sexually explicit loli bots, but won't allow any images of young characters, sexual or otherwise, anywhere on the site. Many text-only platforms don't seem to be in app stores, though. Paypal is fine with them but Apple isn't.

It's a weird, weird, little microcosm of the internet, and an interesting insight into what's going on with payment processors and app stores in re the pressures placed on websites.

****

The takeaway from all this (aside from the fact AI is amusingly ridiculous) is that text-only sites like AO3 and or Literotica are probably just fine, while sites that host images, like Tumblr, are under more scrutiny.

--

[rookinthecrownest]

Discussion about romances + expectations under the cut (I'd put it as like..mildly critical, but also coming from a place of understanding?). As usual, will tag as such so you don't have to engage/read on if you don't wish to. I always invite open discussion, just keep it respectful (as I will endeavour to do so myself).

This is going to be a bit of a ramble, so I apologize if my thoughts are not clearly laid out like they should be.

I think I've found the reason why I (and maybe others), feel that the romances in Veilguard feel a bit... idk, hollow, at times (not BAD!!! just feeling like there could be MORE). And that's because of the trap of expectations. I may also be speaking completely for myself here.

Anyway, let's rewind to 2014.

Be me, 10 years ago. You're not really a gamer, but indulge in action RPG's casually.

See a commercial for this hot new game coming out called Dragon Age: Inquisition. Be intrigued by the character designs, but know nothing about the world. Come to find out it's part of a trilogy. So naturally, you buy the first two games and play through them before playing the third.

Be amazed, and completely hooked on the characters, the lore, the world, the darker elements and themes. It becomes your favourite game series of all time.

But you had no idea that you could romance any of the companions going into the experience. And man, does it fundamentally rewire your brain chemistry to fall in love with cRPG and get ridiculously attached to your Warden/Hawke/Inquisitor.

So, you romance Alistair first because he's funny as hell, and has a really interesting story/character arc. Then you romance Zevran, and love that too - he's charming and suave and awkward and funny. Then you go onto DA2 and romance Fenris and Anders, and each of those romances pack their own emotional gut punches. Then it's finally time for DAI, and predictably, you go for Solas (a veritable slow burn that spans TWO games), Cullen, and partially (I never finished those playthroughs lol) Blackwall and Dorian.

I had no idea you could romance companions going into these games. It was a pleasant surprise! It always felt like an important part of the story, while not overshadowing the main plot. There was enough material in the codexes, the cutscenes, and party banter to make each romance feel complete and whole and awesome and nuanced.

And then, like some of you I suspect, I read an article that touted Veilguard as "The Most Romantic Bioware Game Yet", and I thought - "Wow, if they're saying this then the romances must be something else", given the quality of the previous romances you've experienced in these games!

But you get to the game - and while you're having fun, it definitely leans more into the ARPG style where romances feel a bit more pushed to the side in order to tell a certain story than the traditional Bioware/Larian RPG experience you've come to love.

Which is fine! Again, once I stopped thinking of Veilguard as a classic Bioware CRPG, and more like GOW/The Witcher, I found I was able to appreciate it a lot more for what it is. Things have to Happen A Certain Way for the narrative to work, and that's not a bad thing. DA2 was similar - it was a harrowing, personal tragedy about the Hawke family and their struggle to survive in Kirkwall.

Just like DA2, there are aspects of Veilguard that make me glad things happened the way they did. I'm not mad that Rook has so much dialogue without a ton of player input and you can't 'be evil' - because the game doesn't make sense if you can. At its core, Veilguard's narrative is centered around Regret, after all - you can't have an evil protagonist running around because Solas' Regret prison would never work (evil people don't generally tend to regret their actions...)!

Now, if you're expecting a long-winded, fully researched academic breakdown of every romance I'm sorry but that ain't happening tonight lol. This is not based in any fact, this is all opinion.

I can't quite put my finger on it, but sometimes it feels like the romances in this game (and I say this with the biggest grain of salt as I've only done Emmrich and Lucanis' - and am going through Neve's now), are just missing....something, to take them from good to great.

I loved Emmrich's romance. I thought it was very well done. I think a lot of people would agree it's one of the stronger ones in the game - doubly so if you play as a Mourn Watch Rook (you get a TON of MW specific lines going this route, it's great). His side romance with Strife if you don't get together is very cute, I enjoyed it. But as superbly well done as it was, somehow, I wouldn't even put it in my top 4 Bioware romances.

With Lucanis' romance - whatever my hangups may be about how it was handled, certain parts of his romance were done excellently (even better than some of the previous Bioware romances, I'd say). You can read more about my thoughts on his romance here which is why I'm not going into detail about it. Unlike Emmrich's, I would put it in my top 4 because I fell in love with the character that much (both in the game but really, I've loved him since Tevinter Nights), and I've grown very attached to my first Rook and him as a pairing. I've seen others share a similar sentiment on here (and I hate to say it but I agree) - sometimes it feels like I fell in love with Rookanis despite the way it was handled, not because of it. I can't say that for many other romances. While it's been fun to think up a lot of HC/write fics/make art about those abandoned concept sketches and parts where I felt the game could have showed us more of their dynamic, I can't help but feel like his (and other) romances would have immensely benefited from even 1 or 2 extra small scenes to flesh it out a bit more if they weren't going to let us freely talk to our companions.

The issue with the romances might also have something to do with the pacing of the game itself. I think Act 2 is where the pacing goes a bit awry, before picking back up in Act 3 (which is great, I love it).

Sometimes I also felt that there was a little too much reliance on codex entries and party banter to tell the story of the romance rather than showing it explicitly through cutscenes. I think that's what makes the romances feel a bit truncated at times, compared to the previous entries? Some of the romance-specific party banter was so good, it probably deserved its own cutscene. But it's also highly dependent on the party you have, and it's easy to miss/not trigger. I remember absolutely living for the cutscenes in the first three entries and I can't explain why I feel like, subjectively speaking, Veilguard just has less romance content (this may not be objective reality - I haven't compared the amount of romance specific content head to head with other games).

I also couldn't tell you why I feel DA2 doesn't suffer the same problems as DATV in terms of romance interaction - because you can't freely talk to your companions in that game either. Yet somehow, it always felt like I was getting enough of them to not notice that. I do miss being able to chat my LI's ear off and ask them questions about their life/their views/etc. like I could in DAO and DAI. I think it's a shame we can't because the companions in DATV are SO interesting. I want to ask them all a billion questions about their lives/stories/etc even if they're not my love interest. The party banter in this game is immaculate but being able to talk to them individually about this stuff would've been SO nice. I feel that I've missed out on SO MUCH of these characters just because I didn't have two of them in my party at the same time!

Anyway, I need to wrap this up.

In closing, perhaps, if I hadn't read that article about how it was going to be Bioware's most romantic game ... maybe I wouldn't feel this way? I think it sent my expectations through the stratosphere, and that's no one's fault but my own. Not Bioware, not EA, mine.

I know that this game's development cycle was a unique sort of hell that the other games didn't suffer. To go from Joplin -> Morrison -> Veilguard. To have so many of the original staff leave the team when Joplin got scrapped. To have to pivot from Live Service and then back to single person RPG. More lay-offs. It's a miracle this game got made. I'm happy I can sit around thinking about it. And I hope its successful enough that we get DA5 so we can all sit around dissecting that in 5-10 yrs time.

Don't get me wrong - I enjoy the Veilguard romances for what they are. I'm enjoying them more I play and discover additional banter/codex/etc that I missed the first time around. Like any Bioware romance, there are spots where they hit their stride, and spots where they falter a bit. When they hit their stride they knock it out of the fucking park. But when they falter, you can really feel it. Romance is hard to write! And you'll never fully please everyone.

But a small part of me wishes I'd gone in blind, and checked my own expectations a bit.

Maybe you agree, maybe you don't. Tell me about it. What was your experience with the romances? Did you also read that article and get your expectations up?

I hope this makes sense.

Kind regards good fandom folks,

Keep the discussion respectful. And please don't use this post as an excuse to just blatantly hate on the game.

-Rookie

[oddlydrawnfriend]

Considering how 911 has forgiven every terrible parent of the main characters, not forgiving Eddie who has devoted his entire life to Christopher since he was born would be absolutely ridiculous. Like Buck's whole speech to Chris on why to forgive Eddie is him forgiving his own parents who drove him to self-harm to gain attention? Which is way worse than what Eddie did. We've been told time and time again how much Eddie's parents messed him up in canon, and now suddenly they are the more 'stable' choice to parent a kid?

Another point if we continue with Eddie losing Chris is it would reinforce the very harmful lie that Eddie thinks: he cannot have joy, forgiveness, and identity outside of his son.

The blowout with Kim only happens once Eddie tries to find closure with Shannon in a very messed up form on non-consensual therapy. Eddie recognized what he was doing wrong and tried putting a stop to it. He was not going to go to Kim again after telling her about Shannon. But once he finds some sort of closure, he is punished harshly by his son walking in and then walking out of his life, making his worst nightmare come true.

He finds forgiveness with the help of the priest and joy in a very very long time? The newest clip seems to punish him immediately with now Chris might not even come back.

CHRIS'S POV

Even from Chris's POV, it doesn't make sense that somehow both the Diaz grandparents suddenly gained emotional intelligence and maturity to raise Chris in a healthy environment to get over his trauma when they couldn't do that for more than 30 years?! Chris is avoiding, I doubt he is getting therapy there to deal with it. It was traumatic and he is valid for being mad but staying mad is hurting him. Eddie's whole arc and issue stem from the toxic masculinity that he needed to unlearn which makes him the king of repression. You know who caused a silly goofy man (Eddie at his core is very silly and is forced to be serious) to repress? His parents who are now somehow better options to deal with Chris's complicated emotions?

They think Chris loves the water, but they don't know the enormous work Eddie did to help Chris get over the tsunami. Chris breaks down during COVID because he misses Carla and his friends which dredges up his abandonment issues? They don't know that it was Buck who supported him through it and how Eddie adjusted his relationship with Ana to make him more comfortable. They don't know that Eddie quit the job he loved so Chris wouldn't be scared of losing him. They don't know how scared Chris was when Eddie got shot. We often focus on how Buck broke down and how Chris hugs him but Chris is breaking down with him together.

THE WILL (DISREGARDING ROMANCE)

Eddie's not stupid. He didn't put Buck instead of his parents in his will out of spite. Because really when it comes down to it, Buck was the best option for the will in canon. In the very beginning, we were told Tia Pepa and Abuela can't take care of Chris full time (thus, Carla). But Carla is paid for her job, she won't be on the will. Eddie has no other family in LA and we don't know how his situation is with his sisters. However, considering canon implies then to be younger (thus his parentification), Eddie would consider them too young (subjective) to raise his son. None of the 118 is as involved with Chris as Buck is. In fact, a big reason is the fact that is that Buck allows the Diaz boys a safe space which Eddie was not allowed to have growing up.

Buck has respected Chris's autonomy (admires it even- canon from s2), supports and listens to him without making him feel bad, expresses his emotions and finds ways to support him (like finding equine therapy, accessible skateboard) and respects his decision even if he doesn't like it (going to Texas). And I'm not saying because of Buddie or anything. Even if they remain platonic co-parents (co-parenting as described by Oliver Stark and Ryan Guzman), they serve as parallels to things Eddie wouldn't have gotten from his parents if he was in Chris's position.

Eddie was forced to manage his mother's emotions while his father was absent. Chris has a dead/absent mother but never has he had to manage Eddie's emotions. When Eddie has a mental breakdown, he calls Buck and is told to focus on his own healing (equine therapy). Time and time again, Eddie has said that his problems are not on Chris to help.

When Chris wakes up crying from a nightmare about the tsunami, Eddie gets him help and never criticizes him. What do you think happened when Eddie would wake up from his own nightmares after being discharged from the army? He was living with his parents, Shanon and baby Chris, there's no way his parents didn't know about it. We have proof in canon that Eddie never received any help and Shannon was at the end of her rope until she abandoned him. All his parents did was fight him for custody and applaud him for almost dying (aka silver star).

POSSIBLE FIX

One way to maybe fix this is by working with the theme of Eddie reclaiming his agency. If he goes to Texas to fight for his son, to have that communication, group therapy even, letting Chris know he is working on making himself better and that Chris needs to confront his issues and how running away and not feeling with grief is how the Kim situation happened in the first place.

Or, I understand that Gavin McHugh might want to take a break and return to the show except a few scenes. We can give him the Denny or May Grant treatment, where they are there but we don't see them anymore, just referenced. Like have a video call saying he wants to come back, show Eddie ecstatic and ready to hug someone at the airport, fade to black, and next time we can have Eddie on cloud nine but also scared of losing Chris again.

TLDR; It's unfair to punish Eddie when every main character's terrible parent has been forgiven and reinforces the idea that he isn't allowed to have joy, forgiveness and identity outside of Chris. Keeping Chris with his parents implies they are a better choice when they're the reason Eddie has these issues. There are better ways to handle the situation while minimizing Gavin's screen time.

[irritablepoe]

You know what's fucking stupid? The little mean voice inside my head that tells me being in a fandom is childish and "aren't you too old for that" and "aren't you feeling ridiculous caring (and projecting) so much for/onto fictional characters" bc literally no MUM, I'm in fact just doing what I love and it's cruel that I feel ridiculous to this day that I'm building up my personality through fictional characters bc I never knew who I really was and fandoms are giving me the opportunity to explore that. Yes ofc that's not "normal" or whatever but is it really that bad? Like I'm feeling better through that, it's giving me motivation to do things. So yeah... Thanks.. another reason I have to unlearn shame I suppose.

[eerna]

me explaining why Will/Elizabeth/Jack love triangle was a perfect little one-movie arc that wasn't present in the final movie because it was never about choosing and instead just about dynamics and character development so they all outgrew it by then

[bitchfitch]

I've started playing Potion Permit, and so far it's one of my favorite games I've messed around with, but the most big brained move the devs made was giving you a dog on day 1, and then making that dog able to track NPCs and lead you directly to them no matter where they are in the town.

[tiffanybluesclues]

Every week someone makes a post about how annoying it is that Dick Grayson fans don't acknowledge his flaws, and every week someone replies with an explanation that the flaws OP listed are entirely fanon and inconsistent with canon as it actually happened and at this point I have to assume that none of those explanations are ever going to stick because clearly some people just want the fanon to be true.

Anyway, I'm just putting this here for me to edit and add relevant-to-the-topic links later so I'll have them nicely at hand to read and sooth my frustrations when it gets real bad out there. (Echo chambers are good when we use them to drown out character mischaracterizing fanon.)

[zeb-z]

Bad has so many reasons to be cautious, even paranoid, as anyone else on the island. From Federation nonsense to Dapper being kidnapped to the whole purgatory nonsense to whatever fuckass suit of armor “old friend” was setting up cameras in his house. But it compounds on his regular overly aware paranoid self to this state of hyper-paranoia. And as a demon who can and usually will lie, cheat, steal, and use sneaky underhanded tactics, he expects the craziest extent because he thinks of it, realizes it’s possible, and would use it himself. We saw this very obviously in purgatory - when he thought greens desperate last ditch effort to balance the scale was a super planned out tactic to tip the scale, so he did it first, all the hardcore base hunting, the spawn killing, there’s a reason every other tactic he used usually followed a main channel qsmp post with updated rules - all usually things he was surprised no one else thought of. But then this also piles onto the fact that he has to have things go his way, all the time, and that he’s argumentative as all get out, which led to the debate between him and Bagi yknow. Especially because he’s not just doing it for the sake of being right, he doesn’t think he’s paranoid, but that he’s exercising the right amount of caution.

So like. Listen dude. Yeah he’s got reasons to be paranoid. But his thought process around building vaults for separate cookie caches like they locked up the risus pills, only to scrap it because it’s not perfectly impenetrable, is extreme. His character has hardly been a leading example in someone who has reasonable reactions to things. And even when there isn’t his own children’s livelihoods potentially on the line, he has a need for control, and the most control he has is if he keeps the cookies in his inventory at all times. If he makes himself the sole point in which the others can get ones in a case of emergency, then he can control the variables. The problem is he’s unreliable about himself when he’s at his most rational and healthiest, and he’s far worse with the current memory and health issues he’s been mostly unaware of.

I dunno it’s like. There is never going to be a purely impenetrable base. And it’s not just a case of “Bagi just hasn’t lived through __ yet!”. Bad’s own logic about keeping the cookies on him at all times is flawed under his own logic, because Bagi is right - if someone has enough drive to break into separate secured cookie caches purely for the downfall of eggs, they more than certainly have enough drive to find a way to kill Bad and just take them from his inventory, or to just kill the eggs themselves. All it truly does is give Bad a sense of control, and soothe his paranoia.

[dolokhoded]

PROCRASTINATING ON MY EXAMS 🔥🔥🔥💪💪🎉 I CAN LITERALLY DO ANYTHING BUT STUDY I'VE BEEN DOODLING THEM ALL DAY 💪🎉🎉💥💥🔥🔥🔥

[astros-arts-inthestars]

I've worked on this for literal hours instead of my graduation cards because I would do anything for Aubrey Omori. Anyways

HAPPY BIRTHDAY AUBREY OMORI!!!

I spent WAY too much time on this which. Ya know. Tracks when it comes to me because... well. Yeah.

Anyways I adore her so so much. She's amazing. She is literally amazing I would say so much more if I wasn't trying to be nORMAL

[feymarche]

gotta get all my LINCOLN thoughts DOWN while im relistening to this godforsaken podcast. here's just some stupid observations that i wrote a whole thesis about for no reason

here's two things we know:

- lincoln was raised to always be honest about his feelings

-- despite this, we consistently see lincoln distracting himself whenever big, hard feelings come up

after the grant sauce scene outside the classroom in episode 7, lincoln doesn't take the time to process anything that his father has said to him. he asks normal if HES doing okay after the conversation with Sparrow, and then immediately changes the subject and tells everyone that they should ditch school and go to Sonics so that he wouldn't have to think about it.

and hey, that's all fair; that was some heavy shit to lay on a teenager, and he'd need a lot of time to process it, but we see Linc consistently choosing not to process it.

later, during the grant arc on earth, linc chooses to drive specifically because it's easier not to think when he's driving. when he leaves a voicemail to Marco telling him that he might never talk to him again, a really hard conversation for linc to have, linc ends the phonecall saying, 'no, this was a bad idea, everything's fine-- prank!'

(and it's not fair to say that linc telling scary that they should look for her stepdad first is also evidence that linc does this when part of it was a structural thing to mimic season 1's anchor order, but it IS consistent with linc avoiding hard emotions)

and all of this isn't even inconsistent with him being raised to always be honest! linc never had to deal with big, hard emotions like this, he's only ever been super sheltered and homeschooled and safe. if linc ever felt lonely or bad, his dads would find a way to accommodate him through some form of enrichment, and if the enrichment didn't help, matts made it clear that lincoln's favorite time of the day is when he can just be alone in his room in the space under his bed where it's calm and peaceful and he doesn't have to think about anything. linc is honest about his feelings up until they become so complicated or painful that he doesn't know how to be honest about them. linc is extremely blunt up until he doesn't know how to think about his feelings without getting hurt

grant talks about how he worries linc's relationship with soccer is an emotional distraction. he worries that linc is using soccer the way grant used violence to shut down his thoughts. and sure, linc genuinely loves soccer, it's a harmless interest to have (especially when you don't have the opportunity to have many other hobbies), but Grant recognizes that linc is using it as an emotional crutch-- or at the very least worries that that's what he's doing.

and thats the one thing that grant cant really explain to linc as a parent! if grant stops him from playing soccer JUST because he's worried, he'd have to explain WHY he's worried, and grant cant really do that. he can't talk about how much he likes killing people around his son if he isnt sauced.

and with the main big, scary emotion that lincoln faced in his backstory being mr. kicks, i'd bet lincoln dealt with that feeling by doing a lot of the same. distracting himself with soccer or zoning out entirely. i'd bet grant watched linc avoid any and all discussion about mr. kicks and instead focus on getting better at soccer. there's no way to prove that, but it's consistent with matt's character choices.

so here linc is, going through puberty, spiraling into apathy and avoidance and being like WHATEVER and WHO CARES to everything. this most recent episode was the biggest change in his character yet; he gave up soccer, said it was a waste of time, and broke that goddamn pick.

he doesn't really NEED soccer anymore now that he's learned that he doesn't need an excuse to be dismissive or avoidant anymore; he can just do it. he can just say whatever now. he can just brush people off. he can be abrasive and distant, just like scary.

and it's sad because man, he did really love soccer, even when he was using it for the wrong reasons. he really did love his family and friends. he had the strongest values and the strongest moral compass and he really, really believed in being a good person. but now he's having to deal with big, scary emotions for the first time, and he has no way to know how to deal with them, even with all the therapy his dads gave him. agughghhghghg lincoln li wilson

[hubbaslubba]

don't care that the cgi was bad in wild blue yonder because my prevailing thought was like if they are willing to do weirdo freak shit with it im happy. also they cooked up a gayboy doctor so im blissed out

[poppyseed799]

I think one of the weirdest signs that I was trans was that I was fine with being called a woman but NOT a cis woman. I felt awful cuz I was like “do I have a problem with people calling me cis even tho I am???” cuz I am NOT someone who minds being called accurate descriptors such as cis. I felt like I just wanted to be special or something even tho that wasn’t it and felt so bad. Something just felt really wrong about being called a CIS woman. Definitely one of the more thought provoking signs I was trans lol

[musical-chick-13]

Most of the time I am SO LOUDLY ENTHUSIASTIC about being bisexual (at least, like--in my brain or the places where it’s actually safe to be Out™), but occasionally, very occasionally, like once every other year, the Internalized Biphobia™ just decides to show up and then I feel guilty for being Attracted to a Man, when I am. Literally. Bisexual. With a history. Of being attracted to. People of. All genders.