#which is ridiculous like what's so bad about liking a character????

[samhadjblog2]

I like how you go on about "You need things to spelled out like a child" bit. Its the same "pretentiousness" of " You need to have a high IQ to understand rick and morty". Also I said that Caitlyn and Vi had different goals in the start of the season and its only as the season went on that they gradually developed the same goal. Its also important to note that Vi and Caitlyn while wanting the same thing also clashed with one another. (Example being Caitlyn about to shoot Isha in order to get to Jinx). And that's the thing with Arcane it wasn't just "Characters joining up" and that's it. It was "Characters with varying different goals and ideals that often had them either team up push each other away".

Again with your sentiments of "needing to spell out thing" I understand foreshadowing. However as I've stated before the scene between Jayce and Silco is talks about what the city stands for "Progress". Yes they mention "The Rune wars" and how the city was built with the idea of standing against a common foe. However I keep on telling you "This is the only point of reference of "People coming together" is about just that "Coming together" not "Coming together against a common enemy". You go on "This is so obvious" and yet everything else indicates that this wasn't the case. The conflict of the first season were both sides fighting against one another and besides this "One reference to the cities founding" nothing indicates the two sides would fight a common foe. Because up to that point there was "No" common enemy and so much of the focus was the characters fighting one another all with varying different goals. To then just say "Well here's a common enemy to fight against" is very much out of place for what this story was trying to be. My argument wasn't "This had to more specific", like you keep going on about, I just said that "One scene with Jayce and Silco isn't evidence for this being the inevitable outcome of the story". Had there been more references to this then sure "that would be foreshadowing".

Honey you going on about "You don't get how stories work just demonstrates that you have no argument and relying on "Ad Hominem's". Ambessa didn't appear with as you put "a moist ache to twirl indicating evil intent". She came with a value for strength and dominance, someone not to different then Silco. Yes she had her own intentions to get Hex-tech yes however that didn't take away from the fact she was there to support Piltover, even if it was for her own selfish intentions. If we used the same logic of "Well she appeared menacing" then Silco would of been the main antagonist that everyone rallied against. Because he did equally bad stuff as Ambessa and yet he wasn't someone that was pitted against by everyone else in the end of S1 in fact as you mentioned he even struck a deal with Jayce. Ambessa's involvement is not to different then to how America would help out other countries as a means for their own gains. While its a negotiation built off of selfish goals its still a negotiation none the less.

Here's the thing about the Hexcore again you can argue was morally questionable but acting like that this would apply to "All of Hextech" is ridiculous because so much of the negative ramifications that we were exploring this season weren't the one's with "The Hexcore" and instead its "the anomaly" which was so contrived,but more on that later.

As for the "Find out" analogy let me clear things up. Jayce uses the Hexcore and VIktor something that happened "To Viktor" not something of his own accord. (Which isn't bad, just wanting to point that out because this is a problem later on). As for the whole Jayce makes weapons part fine. However I would argue after Viktor heal Huck he is sidelined really hard after this.

However "The anomaly" is pure contrivance for instance "When was it ever established that there was a second hexgate generator. Your telling that "VIktor (WhoJayce helped built the generator) someone from the Undercity" would he not consider how the generator would affect the Undercity ?" This is full on contrivance.

AlsoIts only until "now" that the anomaly starts to have an effect on the tree ? The tree seemed pretty fine before so why now ? And this isn't a sign of 'Over-usage" because the Hex gates were shut down at the time and so its affected wouldn't of been as prominent. And it seems like the show is saying "All of Hex-tech is bad".

"Tree was never re-visited when it shown to be a serious issue". On top of that besides the one glitching of Caitlyn and Vi's hex-tech weapons "The anomaly" doesn't affect anything else and is just reduced to being a "Mcguffin for Viktor". So it simply just "negative ramifications". On top of that all its just there for is to simply fling Ekko, Heimerdinger into an alternate dimension in order for Ekko to learn a "Specific lesson to help Jinx" (Not trying to trash on the episode and I honestly think its pretty great, just that a lot of its purpose is to simply get Ekko from point A to point B in a unnatural way") Same with Jayce it was simply character development in order for him to see the dark future of the Glorious evolution and sure it was kind of interesting to see Jayce's journey parallel Viktor's life however I feel like this storyline faulters a bit in the end (More on that later).

So "The anomaly" is entire existence is just solely to get the characters where they need to be. So. A contrivance.

Jinx's not blowing up the council wouldn't of had Ambessa not take over. Ambessa is a ruthless person who is able to use deception just like her daughter she would of found a way. Also there was no guarantee that Silco would of agreed to this deal, because when he learned that he would have to give up Jinx to get what he wants he was on the fence. (Sure you could say that might of gone through with it however it was still a very complicated choice and there is some hints that he might of not gone through with it). Also the council was also on the rock about giving the Under-city sovereignty. There was a lot that would've gone wrong. And all of it could of been easily exploited by Ambessa. So I wouldn't call that a consequence of Jinx's action.

The main focus of Arcane was its politics saying that "It was about its characters" is a disservice to the show. Because so much of their goals, motivations and ideals are intrinsically tied to the conflict of Piltover and Zaun

I looked over your post. And a lot of what you said are themes of class. ". People who come from the oppressed class can, in turn, oppress their own people." A theme of class.

"People can benefit from being part of the rich/oppressor class" without realizing how they benefit from the system, and even those who see it can struggle to break from their own privilege. A theme of class

"Some people are most concerned with harm reduction while others seek radical change" A theme of class

The only one that's more interpersonal is "Sometimes, the only way to move forward is in step with the person who was just holding you back. "

Class conflicts aren't "Black and white" narratives where rebel heroes fight bad oppressive people. A lot of them do explore the themes that you brought up. And people weren't upset the story wasn't some "Black and white heroes vs bad guys" In fact a lot of people would consider the ending "Black and White". Because as I said "Saving the world is a baseline goal that tells us nothing about characters motivation". Also analogy's to Nuclear ware-fare, and a bigger nation taking advantage of a small nation are another examples of "Political themes".

My point about Warwick is that "Him loosing his agency "Again" isn't tragic it just demonstrate how meaningless his character is. Because compare it to his LoL a former gangster who wanted to turn a new leaf, only to have his past catch up to him, which led to Singe capturing him and experimented on him. All with the effort revealing the true nature of who he was. And so became a dangerous wolf-creature that killed relentlessly. However as time went on he began to come to slowly regain small fragments of his past and focused on only killing criminals. However he could not escape the beast.

Meanwhile in Arcane half of this is true he is revived he go's on a rampage (with a lot of cuts in-between fights). And as he see's Vi he immediately regains all semblance of his humanity and is able to hug it out. And then he is taken to Viktor to be fully healed and regains all of his humanity. And then when Jayce shot Viktor that is how he "Loose control", not because he's too much of a beast but because of magical circumstances. And then his memories just immediately stripped away again. Making him into a generic blank-slate. And that isn't interesting that just makes him a plot-device. A cheap excuse for the Sister to reconcile without having to truly explore their internal issues. On top of just having things happen to him instead of making meaningful choices of his own accord. His tragedy isn't because of his own choice rather its because things happen to him.

Intersting standpoint about Mel and Ambessa's confrontation.

My argument for Ekko's acceleration rune is that People say that future Viktor went back in time multiple times in order to create the right outcome for Jayce to go and save him. A lot of people point out that all of this led to Ekko using the acceleration Rune in order to get to this moment. Which again makes no sense because "The Bleak future that future Viktor came from has all of the same elements as the timeline where Ekko builds the Z-drive, because if not why are things like the broken clock tower (Something that wouldn't of happen had Ekko made the Z-drive) appear in the same dark bleak future. So I wouldn't make sense for there to have been a loop if the events of the dark future were one and the same. And so Jayce was responsible for Viktor's dark turn. I.E a self fulfilling prophecy

I'm not saying that the show "had to end with a civil-war" rather that just that it should end with the focus put squarely on the conflict between Piltover and Zaun. However if it were to go in that direction your forget that the undercity also has Shimmer and those chemtanks which would still pose a threat. Also the black rose also could've supported Zaun's independence. Which would led to a more interesting Cold-war analogy. Heck I suggested and ending where its Vi and Jayce trying to stop the war from breaking out and trying to negotiate peace talks once again.

There are many ways the show could of ended, I just think that the ending shouldn't of ended with a "Let's team up to fight a singular bad guy" trope because it lacks any real interesting meaning. I also think its important to note that a lot of people though that the show would end on a note that would have the characters end up in a similar situation that there LoL counterparts ended. Jinx continues to be a terrorist, Vi and Caitlyn continue to be enforcers, Jayce continue to make Hex-tech tools, Viktor seeks to accomplish his "Glorious evolution". Ekko uses his Z-drive to fight against both Chem-baron's and Piltover with some tension with Vi. Warwick becomes a vigilante who fights criminals in Zaun. And that there wouldn't be a "Nice happy ending."

And as I said before the story of Arcane 'is" about class conflict. As the themes you've listed indicate this to be the case. And back to my point about episode 5 onward. A lot of issues start to rear there head around here. For starters we have VI's pit fighter story be glossed over through a music-video, when it feels like this should of been an arc in of itself (It especially felt annoying since Act 1 felt like a season if of itself ). On top that the episode doesn't really delve into much of the sisters internals issues and just have them make peace. Also I'm not really a fan of Vander and Silco knowing who Felecia kind of muddles thing such as "Why didn't Vi or Silco remember each other ?". It also seems odd to have Silco at the violent attack on the bridge when it seemed like what happened between him and Vander happened before the events on the bridge. Episode 6 was alright baring the dumb Jayce shooting Viktor bit.

As I said before I enjoyed episode 7 a lot. And I enjoyed Ekko learning to not give up on a better tomorrow.

As for Jayce not shooitng Viktor my point is that "He Just met his future self" Why not go up to Viktor and try to tell him this information. Also as I said "The events in the finale lines up with the dark future Jayce just came back from". The Noxian ships, The broken clock tower, A mannequin that looks like Caitly ,as well as his future self being in the same pose as he was in the finale were in the dark future. So him shooting Viktor was a Self-fulfilling prophecy. Also Viktor wouldn't of been able to accomplish the "Glorious evolution" Singe pointed out that his powers were weakening. Also just "Having Jayce be crazy" be why he shoots Viktor is just a dumb. Its not a meaningful turn of events its just the story forcing itself into a specific direction.

Also no the "question of Zaun joining the help" kind of doesn't happen. A lot of the people from Zaun joined the fight. Because as I said "When faced with the end of the world of coarse people would say yes". A we see that Zaun already joined the fight even before Jinx brought reinforcement (Many of the people being her followers). And also this conflict isn't "The consequences of their actions" Its the consequences of Jayce being dumb and shooting Viktor instead of talking things out. And his glorious evolution has very little to do with "Piltover and Zaun". Its too much of an overbearing Ontological threat then one built from the class issues of Piltover and Zaun.

And as I said it doesn't feel like the show ended on the note of "The two cities reluctantly working together however there is still tension. Because as I said Viktor's glorious of Evolution had very little to do with the conflict between Piltover and Zaun. And so because of this when they easily united they in the fight it feels less like an awkward first step towards peace and more like just quick way to resolve everything. (Again this didn't have to conclude with a civil war, rather an ending that placed more emphasis on Piltover and Zaun and less on Viktor's glorrious evolution.)

And as I stated before I believe if they wanted to convey the idea of "Sevika being placed" as an awkward first step. I think a better of achieving this would be a scene similar to Silco and Jayce making a deal. With focus on Sevika's confliction as well as a scene similar to Jayce telling the Council about this negotiation. That would feel more engaging. Because that is what makes for meaningful political drama, and that's a Arcane is a show about class.

Yes this is a show about characters however the character's motivations were tied to class conflict of Piltover and Zaun. And so simply having the characters break away from the cycle without examining the issues that forced them into this situation. And its not like these issues should of been resolved in a year just that ending should feel more attached to these issues.

Back to my main point. Things like Heimedinger's memories whiel alluding to the dangers of the Hexcore a lot of the more negative ramifications towards hex-tech. Its not a sign that the show would end on a "Save the world narrative". Rather its meant to indicate that Viktor was going down a dark path and that he is messing with something he doesn't fully understand.

And as I've said about Silco and jayce's conversation. Its a reference of how the city should "Come together" not "Come together against a common enemy". Because if you want to argue that the show was always hinting at the two cities coming together fine I can see that. However to say its to come together to stop a world ending threat far from the case. And as I said Ambessa getting involved isn't foreshadowing that "She is the endgame villain" She was here to help Piltover as means for her own gains. Because by your own Logic Silco would be the main antagonist because he too comes off as equally menacing.

And no if there was a civil war it would be Piltover and Zaun. Because those are the two cities that have the most focus and where what the main conflict started as in the first season. And having the focus be directed towards a newly introduced threat would be cheap not matter if it were Ambessa or Viktor. Because it makes the story Black and white and not morally grey. And like I said Heimerdinger while have legit concerns for Viktor's Hexcore it still not a sign that the show would end on this note rather that he was going down a dark path.

“What happened to rebel Vi? Season 2 destroyed her character!”

“What happened to rebel Vi” is that Vander took her to the bridge where her parents died in his revolution and asked her what she was willing to lose. Then she meets Cait who is gentle and kind while still being tough and it makes her rethink how she sees topside. When Jinx tells her she changed too, that’s what she’s talking about.

I’m sorry if you thought Vi was going to be a topside-hating revolutionary in Season 2, but that’s clearly not where her character arc was going. Remember how she forced her way between Ekko and Cait? It seemed very straightforward that was the role her character was taking on.

I feel similar about people who act like the show was betraying its premise because it ended with reconciliation/Zaun and Piltover working together. Again, the fact that two of the most important relationships were between characters from both sides and that they made a point of talking about Zaun and Piltover first coming together against a common enemy was a pretty clear indicator that was the plan.

Now, I get being annoyed that that was what they chose to do. You don’t have to love the creative decisions of media, just like media doesn’t have to compromise its creative direction to satisfy you. But not liking that they went that direction is not the same as the show having bad writing or engaging in character assassination.

Everything Vi did in season 2 was very much in character with how she changed and who she became throughout Season 1. Hell, she used enforcers and Hextech to raid Shimmer facilities before Commander Kiramman ever threw on a beret. So, yes, actually wearing the uniform was a huge and complicated decision that she was definitely not happy about, but it also fell in line with what she had been doing.

There’s meat for another post at some point about the three different Zaun/enforcer partnerships we see in the show: Vander/Greyson, Silco/Marcus, and Cait/Vi; but I’m not going to go into that now.

TLDR: “Rebel Vi” who wants to fight all of topside hasn’t existed since the end of the second episode of the show.

Editing to add that Vi doesn’t see attacking Chem Barons as attacking Zaun; she’s taking down the people who are destroying Zaun.

[pomefioredove]

I kinda wanted to be a little different with this one—

May I request a sugar cookie #5 with dried fruit and chestnuts please? Thank you very much!

this is the most ridiculous thing I've ever written /positive I hope you guys enjoy

order #5, sugar with dry fruit, chestnuts

*ੈ✩‧₊˚ sickness and kisses

summary: kalim wants to be a part of everything- including your cold. what better way to share germs than getting close? tropes: sick fic, first kiss characters: kalim additional info: romantic, gender neutral reader, reader is yuu, a little gross

"It should have been me!"

Jamil winces and takes a step away from the bed. You hold out a hand to him, as if to say "take me with you."

"Kalim, they're not dying. It's nothing but a cold,"

The boy peels himself off bed at your feet, which he's been attached to all afternoon.

"You don't get it, Jamil! They're going to miss my birthday party- the desserts, the music, the games! Who knows if the Prefect will be here for my birthday next year!"

"Kalim," you pat his head to comfort him, though, if anyone needs comfort, it's you. "I'll be fine. We can have another party when I'm better."

He sighs, leaning into your touch. "It's not the same..."

Jamil looks more sick than you now.

"Ahem. I've brought soup and tea, and there are extra blankets in the foyer. Kalim, we should be going,"

Kalim pouts and clings to your blankets. "Just a moment..."

"I'll be waiting outside,"

Jamil doesn't need to be excused twice, leaving the room and closing the door on his way out.

Kalim sighs. "I just hate when my friends are sick... I wish there was a way I could share some of your pain,"

"That's nice, but you don't have to- ack," you cough into your fist.

Kalim's sympathetic pat would be comforting, if not for that look. You can tell he's thinking something.

He waits for you to finish hacking and coughing, at least. Then:

"I have an idea," he says. "You can get me sick. That way, we can still spend my birthday together, and you won't be alone!"

Thinking something, alright. You're surprised Jamil couldn't feel that on his "Kalim's bad ideas" radar and come running before anything more happened.

"I appreciate that, Kalim, but this kinda sucks," you smile. "I wouldn't wish this upon my worst enemy."

He smiles back and sits beside you on the bed, closer now.

"But you and Jamil said it's just a cold! I've been poisoned, you know- I think I could handle it!"

You blink. "Well... yeah, but it's still sucky,"

"But we'll be together!" he insists. "Now, how should we do this? I've never gotten sick on purpose before, so I don't- oh, I know!"

"Huh?"

He comes a little closer, leaning over you. "I'll kiss you!"

Your eyes widen, and again, you're surprised Jamil didn't feel that and burst through the door like the room was on fire.

"Like... seriously?"

"Why not? It's the fastest way. But I could figure something else out if you don't want to," he eyes your hands. "Maybe you could-"

"Alright! I concede! Just... one kiss,"

Kalim beams. "One is all I need!"

With no further warning, questioning, or thought, he dips in and presses a sweet, chaste kiss to your lips. It doesn't last for more than a second, but it still leaves you a little flustered.

He hums, licks his lips, and then hops off the bed. "Thanks, Prefect! I'll be back in no time, don't worry!"

He leaves the door open behind him. You're honestly the last person he should worry about, now.

You wonder, for a moment, what he was thinking- Kalim is ditzy, not dense. He had to have known what he was...

Your eyes widen as you remember something else. Oh, crap.

If this works, Jamil is going to kill you.

[harmony867]

Not many people discuss Harry character development when it comes to his and Hermione relationship. What I mean is how he treats her when Ron and Hermione are arguing.

In the third book, there is the infamous firebolt incident. This is where people claim that ‘Harry ignored Hermione for months.’ The scene in question.

“There’s nothing wrong with it!” said Harry, his voice shaking slightly. “Honestly, Professor —”

“You can’t know that, Potter,” said Professor McGonagall, quite kindly, “not until you’ve flown it, at any rate, and I’m afraid that is out of the question until we are certain that it has not been tampered with. I shall keep you informed.”

Professor McGonagall turned on her heel and carried the Firebolt out of the portrait hole, which closed behind her. Harry stood staring after her, the tin of High-Finish Polish still clutched in his hands. Ron, however, rounded on Hermione.

“What did you go running to McGonagall for?”

Hermione threw her book aside. She was still pink in the face, but stood up and faced Ron defiantly.

Ron's reaction was a lot stronger than Harry's and obviously colored the whole thing. Harry would probably be angry without Ron there but there’s a contrast between their reactions.

(PoA12): Harry knew that Hermione had meant well, but that didn’t stop him from being angry with her. He had been the owner of the best broom in the world for a few short hours, and now, because of her interference, he didn’t know whether he would ever see it again. [...] Ron was furious with Hermione too. As far as he was concerned, the stripping-down of a brand-new Firebolt was nothing less than criminal damage.

This reaction is literally the first thing we’re told about Harry’s feelings regarding the incident. Harry is obviously disappointed and annoyed by Hermione’s “interference,” but also immediately acknowledges Hermione “meant well.” (I think we have to pause and realize that this is a rather measured reaction from a 13-year-old boy who had just received the most amazing gift and had it taken away from him.) In contrast, Ron was "furious" and viewed Hermione’s intervention as tantamount to encouraging a criminal act.

And at least at the beginning, it is Hermione who places distance between her and the boys:

‘Hermione, who remained convinced that she had acted for the best, started avoiding the common room. Harry and Ron supposed she had taken refuge in the library and didn’t try to persuade her to come back.’

This is what they “supposed.” They didn’t even know where she went. So, initially, we can at best fault Harry for not deliberately seeking out a girl who was actively avoiding them. (Though, the phrasing "taken refuge" suggests that had she stayed, something bad would have occurred. As the only person we see attacking her during this entire time is Ron—never Harry—we have to assume that's what she's avoiding.)

Meanwhile, we see Ron and Hermione get into arguments when they do encounter each other (e.g., over Lupin). And we see Hermione clearly feeling uncomfortable and “rushing past with her face averted” when Harry tries to bring up the broom with McGonagall. Again, we never see Harry show anger or annoyance toward Hermione. We never have Harry actively feeling like he should avoid her or ignore her or show her the silent treatment or ANYTHING. It's never stated, unlike many other times in the books when it's explicitly stated that Harry avoids someone.

And Harry becomes exceptionally busy at this time. Quidditch practice now happens five days per week, and he has anti-dementor classes with Lupin, so Harry notes that during this period he had ‘only one night per week’ to do his homework. It's not like it seems he had a lot of time to even casually encounter Hermione, who was also so wrapped up in her own schedule of taking a ridiculous number of classes.

(Note that the only scene where we see Harry having a reaction about Hermione during this time is when he's distracted writing an essay on his one night he has to do homework and can't really focus on why Hermione's schedule might be weird when Ron mentions it. He doesn't express anger or annoyance at talking about her or tell Ron, he doesn't care; he just is distracted by other things and is unable to think further about her schedule at that moment.)

After the Firebolt was returned on February 3rd, Harry immediately tells Ron that they should go make up with Hermione. It's almost like he had been feeling bad about it, but wasn't going to go against Ron (who, as we saw, was much less understanding about it). Look at literally the first thing out of Harry’s mouth:

[Ron said,] “She gave it to you? Excellent! Listen, can I still have a go on it? Tomorrow?”

“Yeah... anything... ,” said Harry, his heart lighter than it had been in a month. “You know what—we should make up with Hermione… She was only trying to help...”

Harry just got his prized possession back, and Ron's reaction is about whether he can ride it. But Harry doesn't seem to care about that now: note the ellipses, as if he's distracted and not really thinking about what Ron's saying. Instead, we know his "heart" has become "lighter than it had been in a month." Why his heart? Because he's been estranged from Hermione, and the very first thing he wants to do is make up with her.

He appears to miss her, and there's no hint that he's still angry with her. That contrasts with other places in the books where we know Harry holds a grudge for some time and will have little bursts of anger periodically well up inside him, as when he's estranged from Ron in GoF (he literally wanted Ron to throw a punch so he could fight him) and again in DH; none of that is described here toward Hermione after the initial reaction when McGonagall confiscates the Firebolt.

And Harry's immediately noticing how tired she looks, suggesting that she might ease up on her workload a bit. Overall, his attitude is far from someone who wants to “ignore” her—he seems legitimately concerned about her:

“How are you getting through all this stuff?” Harry asked her.

“Oh, well — you know — working hard,” said Hermione. Close-up, Harry saw that she looked almost as tired as Lupin.

“Why don’t you just drop a couple of subjects?” Harry asked, watching her lifting books as she searched for her rune dictionary.

“I couldn’t do that!” said Hermione, looking scandalized.

During the period of their estrangement, on that one night when Ron brings up Hermione's schedule, we also see noted in the passage that Hermione's been stressed out and isolating herself surrounded by books. Although the text doesn't explicitly say that Harry noticed this, it's explicitly framed around him: he's struggling to complete his homework in one night per week, but "Even so, he wasn't showing the strain nearly as much as Hermione." The circumstantial evidence thus suggests he was noticing and at least somewhat worrying about her (or at least thinking about her), which gets confirmed in the way he approaches her here and offers some advice.

Unfortunately, as Harry and Hermione are just beginning to have a nice conversation about Hermione’s interest in Arithmancy, Ron bursts in and claims Crookshanks had eaten Scabbers. Ron then goes into full-blown ostracization mode with Hermione again, but Harry keeps trying to keep the communication going with her (PoA13):

Personally, Harry was sure that Crookshanks had eaten Scabbers, and when he tried to point out to Hermione that the evidence all pointed that way, she lost her temper with Harry too.

“Okay, side with Ron, I knew you would!” she said shrilly. “First the Firebolt, now Scabbers, everything’s my fault, isn’t it! Just leave me alone, Harry, I’ve got a lot of work to do!”

Harry’s clearly trying. He repeatedly approaches her and keeps attempting to bring her back into his circle. After the next Quidditch match, he breaks away in the middle of his own celebration party to check in with her:

“Did you even come to the match?” he asked her.

“Of course I did,” said Hermione in a strangely high-pitched voice, not looking up. “And I’m very glad we won, and I think you did really well, but I need to read this by Monday.”

“Come on, Hermione, come and have some food,” Harry said, looking over at Ron and wondering whether he was in a good enough mood to bury the hatchet.

“I can’t, Harry. I’ve still got four hundred and twenty-two pages to read!” said Hermione, now sounding slightly hysterical. “Anyway...” She glanced over at Ron too. “He doesn’t want me to join in.”

Hermione would never miss one of Harry’s Quidditch matches, of course. But she’s feeling uncomfortable and continuing to distance herself, even though she knows this is about Ron now, not Harry. But Harry takes the initiative and tries to break down the barriers, yet again.

And when Ron repeatedly upsets her, Harry clearly wants to do something to help her, but isn't quite sure what—and also doesn't want to cross Ron. But Ron can't stand to see Harry and Hermione be friendly: he chooses this moment to speak up about Scabbers again, resulting in Hermione fleeing.

Hermione burst into tears. Before Harry could say or do anything, she tucked the enormous book under her arm, and, still sobbing, ran toward the staircase to the girls’ dormitories and out of sight.

“Can’t you give her a break?” Harry asked Ron quietly.

Ron keeps this up apparently for a couple months after the Firebolt is returned. We see Harry repeatedly approaching her with olive branches, but she's upset with Ron, and Harry seems kind of stuck. At this sort of age, it's natural to continue to segregate friendships by sex, so even though he wants to make up with Hermione, while Ron is ostracizing her, Harry doesn't do more. They both finally realize how poorly they’ve acted when Hagrid has a conversation with him, and ultimately they make up around Easter (which fell on April 3rd, so after about two months).

And when Hagrid does bring it up—well, let’s look at the contrasting reactions between the two boys (PoA14):

“She’s in a righ’ state, that’s what. She’s bin comin’ down ter visit me a lot since Chris’mas. Bin feelin’ lonely. Firs’ yeh weren’ talking to her because o’ the Firebolt, now yer not talkin’ to her because her cat —”

“— ate Scabbers!” Ron interjected angrily.

“Because her cat acted like all cats do,” Hagrid continued doggedly. “She’s cried a fair few times, yeh know. Goin’ through a rough time at the moment. Bitten off more’n she can chew, if yeh ask me, all the work she’s tryin’ ter do. Still found time ter help me with Buckbeak’s case, mind. . . . She’s found some really good stuff fer me . . . reckon he’ll stand a good chance now. . . .”

“Hagrid, we should’ve helped as well — sorry —” Harry began awkwardly.

“I’m not blamin’ yeh!” said Hagrid, waving Harry’s apology aside. “Gawd knows yeh’ve had enough ter be gettin’ on with. I’ve seen yeh practicin’ Quidditch ev’ry hour o’ the day an’ night — but I gotta tell yeh, I thought you two’d value yer friend more’n broomsticks or rats. Tha’s all.”

Harry and Ron exchanged uncomfortable looks.

“Really upset, she was, when Black nearly stabbed yeh, Ron. She’s got her heart in the right place, Hermione has, an’ you two not talkin’ to her —”

“If she’d just get rid of that cat, I’d speak to her again!” Ron said angrily. “But she’s still sticking up for it! It’s a maniac, and she won’t hear a word against it!”

Look closely at what’s going on here. Hagrid’s framing this as how both boys supposedly aren’t talking to her, but it’s clear that only one of them (Ron) is angry, while the other (Harry) is apologetic. And when Harry does try to apologize, Hagrid waves it away, excusing Harry with his Quidditch practices. I think Hagrid’s probably also sensitive to what’s really going on here: it’s not Harry who is ostracizing Hermione—it’s Ron, specifically. Hagrid may even have seen Harry trying to be conciliatory with Hermione, or perhaps she even told him. Regardless, Hagrid’s focus here is clear, and it’s not about Harry. While Harry could have done more, Hagrid’s trying to mend stuff with Ron and Hermione, as he likely sees that both of them are distancing from each other (and Hermione’s driving Harry out in the middle).

Note that the real cause of this all is established yet again when they do make up. Ron offers to help with Buckbeak’s appeal, Hermione apologizes about Scabbers, and then all is well again. If any of this were about Harry’s anger anymore, there would need to be a reconciliation with Hermione too, but this was clearly never much about Harry. They had made up months before, even if Hermione kept pushing him away (out of her anger with Ron and her anger at Harry for “siding” with him).

The distance appears mostly created by her and Ron. So we might (and should) fault Harry for not being more proactive in making up with her earlier, but there’s not really any evidence Harry is “ignoring” or actively shunning her, even in PoA. He and Hermione are both incredibly busy during this time too, and the moment the Firebolt is returned, he immediately queries Ron about making up with her.

Given gender dynamics in friendships at this age, it’s very understandable for a temporary break like this to happen, particularly given Hermione and Ron’s strong personalities.

We can compare this to Harry reacts when he’s older after the events of GoF and OOTP and has clearly matured more. When Ron and Hermione start fighting against in HBP. To jog your memory, Ron finds out that two years ago that Hermione allegedly kissed viktor krum from Ginny and starts giving Hermione the silent treatment. He starts dating lavender in retaliation for Hermione kissing a boy that asked her out two years ago while she was single.

HBP14: Harry catches a glimpse of Hermione (as Ron is snogging Lavender for the first time) and immediately goes after her to check on her abandoning quidditch celebrations.

Harry turned away from Ron, who did not look like surfacing soon, just in time to see the portrait hole closing. With a sinking feeling he thought he saw a mane of bushy brown hair whipping out of sight.

He darted forwards, sidestepped Romilda Vane again, and pushed open the portrait of the Fat Lady. The corridor outside seemed to be deserted.

‘Hermione?’

He found her in the first unlocked classroom he tried. She was sitting on the teacher’s desk, alone except for a small ring of twittering yellow birds circling her head, which she had clearly just conjured out of midair. Harry could not help admiring her spellwork at a time like this.

HBP15: Unlike in PoA when Ron and Hermione are fighting, in HBP Harry gets away from Ron while Ron is “busy” to regularly spend time with Hermione. (Also it shows that the people who say that Harry doesn’t like spending time with Hermione is false, he chooses to spend time with her as he does multiple times across the books)

Hermione’s timetable was so full that Harry could only talk to her properly in the evenings, when Ron was in any case so tightly wrapped around Lavender that he did not notice what Harry was doing. Hermione refused to sit in the common room while Ron was there, so Harry generally joined her in the library, which meant that their conversations were held in whispers.

HBP15: Harry runs after Hermione and tries to help when she’s crying after Ron does a cruel impression of her in class

Hermione laughed unkindly at Ron’s disastrous first attempt, during which he somehow managed to give himself a spectacular handlebar moustache; Ron retaliated by doing a cruel but accurate impression of Hermione jumping up and down in her seat every time Professor McGonagall asked a question, which Lavender and Parvati found deeply amusing and which reduced Hermione to the verge of tears again. She raced out of the classroom on the bell, leaving half her things behind; Harry, deciding that her need was greater than Ron’s , scooped up her remaining possessions and followed her.

We see here that Harry prioritises Hermione, deciding that ‘her needs were greater than Ron.’ He spends time with her and comforts her.

Harry, again more assertively than in PoA, actively calls out Ron for being unkind to Hermione and immediately goes to comfort her.

A long way along the table, Hermione was sitting alone, playing with her stew. Harry noticed Ron looking at her furtively.

‘You could say sorry,’ suggested Harry bluntly.

‘What, and get attacked by another flock of canaries?’ muttered Ron.

‘What did you have to imitate her for?’

‘She laughed at my moustache!’

‘So did I, it was the stupidest thing I’ve ever seen.’

We see that now Harry is way more defensive in defiending Hermione, providing way more support while in PoA he was more passive, being apologetic and reprimanding Ron but not as aggressively while now he defends Hermione for laughing ‘unkindly’ at Ron’s stupid moustache. This shows his character development, from passively defending Hermione to actively defending her, growing past the maturity he had as a thirteen year old boy.

[chaifootsteps]

i agree with the statement of, "we shouldn't judge creative leads who are later revealed to be bad people based on their work because its unproductive and there usually is no secret messages that reveal they were terrible the whole time and everyone was too stupid to see it except for the Smartest Bestest critical analysis enjoyers who don't trust any piece of media ever if it has even slightly problematic elements, regardless of the execution or the fact that fiction is a playground meant to explore interesting and darker topics in any way you want,"

but i feel guilty becaus i also genuinely believe there's exceptions for this rule. the guy who made the room is the first one that comes to mind, but only because his depiction of women has been compared to stella in helluva boss, which leads me to the other exception in my eyes; vivziepop.

am i crazy for thinking that though? i just feel like part of why i can never take any charitable analyzing of either series seriously is because they're unaware of what kind of person she is and even if they can still come to a conclusion of, "viv has a problem writing women, abuse, coherent plotlines, foreshadowing and rape," they never seem to wonder WHY that is. it makes me feel like an insane conspiracy theorist when the way i sincerely feel is that viv just writes whatever she wants with no care of how the trials of time will age with it and no care besides indulgence and projecting whatever message she needs viewers to think about her characters so she can sell the most merch of them, thus leading to demons in hell never being allowed to be bad people or being the worst people ever thatre also loved by the writers to a ridiculous degree, without a speck of nuance or maturity in the narrative unless you squint hard with your rose tinted headcanon glasses and copium huffings that inspires statements of, "well, she'll probably address these things and make them better in the next season!"

do you get what i mean? or am i going too far down this rabbit hole? i just want people to open their eyes to this stuff when they notice these patterns, but i feel like it'll never happen until these shows end and NDAs expire so people behind the scenes making her half baked vision a reality with their actual talent go, "yeah she was bullshitting everything on the spot and just wanted to pretend she had broadway besties so that's why these shows suck lol" but i dunno if that'll even happen either. (and im not just talking jane, i mean people like sam and skye and brandon or even the expensive VAs themselves, although the last ones last likely since they gain nothing and arguably lose more by speaking out since they have successful actually professional careers they've worked their asses off for,)

Oh no, shitty people seeding their foulness throughout their works is definitely a thing. It's just when people go retroactively and say "It's obvious they were bad all along because they wrote X, Y, and Z." Because it's perfectly possible to write X, Y, and Z and be lovely in real life.

In Viv's case, she's not a bad person because she writes certain things...she's just a bad person in general and it comes through in the way she writes.

[wonderfulworldofmichaelford]

Psycho Analysis: Gerald Robotnik

(WARNING! This analysis contains SPOILERS!)

You may not know this, but Jim Carrey is actually really good at playing villains. Like, it’s a pretty obscure fact about his career. So obscure that despite him playing at least three of the funniest villains I’d ever seen growing up, I completely forgot about them when I did the Psycho Analysis for Ivo Robotnik back when the original Sonic film dropped.

But now I know better. The Grinch, Count Olaf, the Riddler… Carrey is a master of playing cartoonish creeps. And Ivo Robotnik has proved to be the best and most fun of all his villainous roles, evolving beyond the simple yet fun egomaniac scientist of the first film into something that hews far closer to what Sonic fans might expect from the world’s sexiest fat man AKA Dr. Eggman. In fact, Robotnik might be my favorite villain role of his, and one of my favorite villains of all time.

Now what if we doubled that?

Sonic the Hedgehog 3 went bigger and better than its predecessors, and considering it was introducing the most popular character in the Sonic franchise who isn’t the Blue Blur himself—Shadow—it kind of had to. And that meant giving us not one, but two Jim Carrey performances. In this movie, the typically posthumous Gerald Robotnik is alive and well and out to enact some revenge. It’s a pretty bold and different approach to the beloved story of this Sonic adventure… so how does it work out?

Motivation/Goals: Gerald Robotnik is motivated by revenge, much like in the games, though this time he’s around to pursue it himself. After what G.U.N. did to Maria, he wanted to completely dismantle and destroy them. But the thing is, his decades of stewing in his hate and rage made him a little cuckoo, and now his hate extends to not just G.U.N., but the entirety of the human race… as well as himself.

Performance: Jim Carrey had already perfected Ivo over two films, but I think there may have been a little worry he’d make Gerald too similar and ignore what made fans love him in the game. Of course, we needn’t have worried; not only is Gerald a distinct character from his grandson, he still manages to be a truly despicable human being, perhaps more vile than he’s ever been before. He’s still as wacky and ridiculous as Ivo, but unlike with Eggman he manages to drop the silly at just the right moments to make Gerald a genuinely threatening monster.

Final Fate: No firing squad for Gerald this time; no, his ending here is much more undignified, but also incredibly well-deserved and satisfying. After callously trying to send his grandson into the vacuum of space, Ivo surprises the old man with a super-charged Sonic quill into his ass which sends him flying through the air into the chaos energy. He then proceeds to be disintegrate with a little pop like a bug in a zapper.

Now, this may seem incredibly cartoonish and even ridiculous as a way to defeat such a villain… But read the rest of this analysis to see just how disturbingly vile Gerald ends up being. I think this truly absurd and cartoonish death is exactly what the movie needed to do to rerail things and keep it from going way too dark. And, if you think about it, his death is still colossally fucked up, particularly because Tails seems a little too chipper about committing murder.

Evilness: For most of the movie, he seems like he’ll end up being like… a 6 or 7/10, like clearly a bad guy but one with an understandable motive that you can root for. G.U.N. do not come out of this film smelling like roses, and when you see the full extent of what they did to Shadow it’s hard not to root against them.

But then comes the third act. He reveals he wants to kill everyone and himself, he reveals he doesn’t give a shit what Maria would want because he’s so utterly consumed with misanthropy, and he drops the coldest line ever to reject his grandson… Yeah this guy is a 10/10. Maybe even a 10.5/10. He is genuinely fucking callous and vile and monstrous.

Best Scene: Without a doubt it’s the scene where he and Ivo dance through the lasers.

This scene is great for multiple reasons. The most obvious reason is that t’s an amazing example of the movies effects and how well it showcases the dual Jim Carrey performance. Like, this must’ve been a bitch and a half to make look convincing, especially with Ivo picking Gerald up and swinging him around. It’s amazingly well done, the choreography is great, and “Galvanize” by the Chemical Brothers kicks ass.

But it also works as a further highlighting of the character of Ivo, how he’s still desperately cramming in family fun now that he feels he has someone who cares about him… and it also makes the later reveal about Gerald sting all the more.

Best Quote: Remember that line in Frozen where Hans coldly reveals he’s a villain to Anna? Remember how it’s a stupid twist that doesn’t make sense, yet the line is one of the rawest in all of Disney’s canon? Imagine that except the twist actually works and is effective. That’s what Gerald gets:

“Oh, Ivo… You’re no Maria.”

This single line completely recontextualizes everything Gerald has done up until this point. Every single bit of fun and goofiness now comes off as deliberate manipulation of Ivo to help in his schemes. It also highlights just how single-minded and insane he’s become in his pursuit of revenge; here he has a living member of his family, someone who could fill the void Maria left, but he coldly rebuffs them because he is too consumed by his own hate and rage.

Final Thoughts & Score: I fucking love Gerald.

Jim Carrey really went above and beyond here (and considering they sent him the script in gold and let him play with himself on camera, why wouldn’t he?). He manages to make Gerald hilarious and goofy but also perfectly captures his grief, rage, and hatred when the third act hits. And that third act is genuinely impressive even when he gets into a scientifically-enhanced slap fight with his renegade grandson; just his eerily calm statement of his desire to commit murder-suicide with the entirety of the Earth, his callous brushing off of both his grandson and Maria’s desires, his flippant shrugging off of the worth of Shadow’s life when the hedgehog betrays him… It’s honestly shocking just how nasty Jim Carrey manages to be without completely dropping the inherent goofiness he brings to his roles. In fact, his goofiness just makes it more chilling when he drops the act and gets going.

Frankly it’s surprising just how much nuance there is in such a goofy role, how much can be read in to his actions. Like they really didn’t have to put so much work into the silly villain in the second sequel of a video game movie franchise, they could have easily half-assed Gerald or even just had him be posthumous to save themselves a lot of work. But they didn’t do that, they brought him in, managed to flesh him out and give him depth while still keeping him true to the core of the character, and they knocked him out of the park. Of course, Carrey’s amazing dual performance where he goes out of the way to interact with himself is a big plus too. The sheer spectacle is at least 50% of what makes Gerald so fun to watch.

All in all, Gerald is one of the greatest live-action family film antagonists ever seen, and he’s a big part as to why Sonic the Hedgehog 3 is so great. And best of all he continues to show that the human characters related to Eggman are the best in the franchise. Easily a 9.5/10 for me, with the .5 less than his grandson only because we get far less time with him since, you know, he fucking dies at the ends of this one and isn’t going to develop more. But the fact they manage to make him so well-rounded in just a single movie is worth a lot.

[irritablepoe]

You know what's fucking stupid? The little mean voice inside my head that tells me being in a fandom is childish and "aren't you too old for that" and "aren't you feeling ridiculous caring (and projecting) so much for/onto fictional characters" bc literally no MUM, I'm in fact just doing what I love and it's cruel that I feel ridiculous to this day that I'm building up my personality through fictional characters bc I never knew who I really was and fandoms are giving me the opportunity to explore that. Yes ofc that's not "normal" or whatever but is it really that bad? Like I'm feeling better through that, it's giving me motivation to do things. So yeah... Thanks.. another reason I have to unlearn shame I suppose.

[bitchfitch]

I've started playing Potion Permit, and so far it's one of my favorite games I've messed around with, but the most big brained move the devs made was giving you a dog on day 1, and then making that dog able to track NPCs and lead you directly to them no matter where they are in the town.

[tiffanybluesclues]

Every week someone makes a post about how annoying it is that Dick Grayson fans don't acknowledge his flaws, and every week someone replies with an explanation that the flaws OP listed are entirely fanon and inconsistent with canon as it actually happened and at this point I have to assume that none of those explanations are ever going to stick because clearly some people just want the fanon to be true.

Anyway, I'm just putting this here for me to edit and add relevant-to-the-topic links later so I'll have them nicely at hand to read and sooth my frustrations when it gets real bad out there. (Echo chambers are good when we use them to drown out character mischaracterizing fanon.)

[zeb-z]

Bad has so many reasons to be cautious, even paranoid, as anyone else on the island. From Federation nonsense to Dapper being kidnapped to the whole purgatory nonsense to whatever fuckass suit of armor “old friend” was setting up cameras in his house. But it compounds on his regular overly aware paranoid self to this state of hyper-paranoia. And as a demon who can and usually will lie, cheat, steal, and use sneaky underhanded tactics, he expects the craziest extent because he thinks of it, realizes it’s possible, and would use it himself. We saw this very obviously in purgatory - when he thought greens desperate last ditch effort to balance the scale was a super planned out tactic to tip the scale, so he did it first, all the hardcore base hunting, the spawn killing, there’s a reason every other tactic he used usually followed a main channel qsmp post with updated rules - all usually things he was surprised no one else thought of. But then this also piles onto the fact that he has to have things go his way, all the time, and that he’s argumentative as all get out, which led to the debate between him and Bagi yknow. Especially because he’s not just doing it for the sake of being right, he doesn’t think he’s paranoid, but that he’s exercising the right amount of caution.

So like. Listen dude. Yeah he’s got reasons to be paranoid. But his thought process around building vaults for separate cookie caches like they locked up the risus pills, only to scrap it because it’s not perfectly impenetrable, is extreme. His character has hardly been a leading example in someone who has reasonable reactions to things. And even when there isn’t his own children’s livelihoods potentially on the line, he has a need for control, and the most control he has is if he keeps the cookies in his inventory at all times. If he makes himself the sole point in which the others can get ones in a case of emergency, then he can control the variables. The problem is he’s unreliable about himself when he’s at his most rational and healthiest, and he’s far worse with the current memory and health issues he’s been mostly unaware of.

I dunno it’s like. There is never going to be a purely impenetrable base. And it’s not just a case of “Bagi just hasn’t lived through __ yet!”. Bad’s own logic about keeping the cookies on him at all times is flawed under his own logic, because Bagi is right - if someone has enough drive to break into separate secured cookie caches purely for the downfall of eggs, they more than certainly have enough drive to find a way to kill Bad and just take them from his inventory, or to just kill the eggs themselves. All it truly does is give Bad a sense of control, and soothe his paranoia.

[dolokhoded]

PROCRASTINATING ON MY EXAMS 🔥🔥🔥💪💪🎉 I CAN LITERALLY DO ANYTHING BUT STUDY I'VE BEEN DOODLING THEM ALL DAY 💪🎉🎉💥💥🔥🔥🔥

[astros-arts-inthestars]

I've worked on this for literal hours instead of my graduation cards because I would do anything for Aubrey Omori. Anyways

HAPPY BIRTHDAY AUBREY OMORI!!!

I spent WAY too much time on this which. Ya know. Tracks when it comes to me because... well. Yeah.

Anyways I adore her so so much. She's amazing. She is literally amazing I would say so much more if I wasn't trying to be nORMAL

[skrunksthatwunk]

just finished s2 of kaiji and it was good i really liked it but i hope i never see that fuckass pachinko machine again!!!

[feymarche]

gotta get all my LINCOLN thoughts DOWN while im relistening to this godforsaken podcast. here's just some stupid observations that i wrote a whole thesis about for no reason

here's two things we know:

- lincoln was raised to always be honest about his feelings

-- despite this, we consistently see lincoln distracting himself whenever big, hard feelings come up

after the grant sauce scene outside the classroom in episode 7, lincoln doesn't take the time to process anything that his father has said to him. he asks normal if HES doing okay after the conversation with Sparrow, and then immediately changes the subject and tells everyone that they should ditch school and go to Sonics so that he wouldn't have to think about it.

and hey, that's all fair; that was some heavy shit to lay on a teenager, and he'd need a lot of time to process it, but we see Linc consistently choosing not to process it.

later, during the grant arc on earth, linc chooses to drive specifically because it's easier not to think when he's driving. when he leaves a voicemail to Marco telling him that he might never talk to him again, a really hard conversation for linc to have, linc ends the phonecall saying, 'no, this was a bad idea, everything's fine-- prank!'

(and it's not fair to say that linc telling scary that they should look for her stepdad first is also evidence that linc does this when part of it was a structural thing to mimic season 1's anchor order, but it IS consistent with linc avoiding hard emotions)

and all of this isn't even inconsistent with him being raised to always be honest! linc never had to deal with big, hard emotions like this, he's only ever been super sheltered and homeschooled and safe. if linc ever felt lonely or bad, his dads would find a way to accommodate him through some form of enrichment, and if the enrichment didn't help, matts made it clear that lincoln's favorite time of the day is when he can just be alone in his room in the space under his bed where it's calm and peaceful and he doesn't have to think about anything. linc is honest about his feelings up until they become so complicated or painful that he doesn't know how to be honest about them. linc is extremely blunt up until he doesn't know how to think about his feelings without getting hurt

grant talks about how he worries linc's relationship with soccer is an emotional distraction. he worries that linc is using soccer the way grant used violence to shut down his thoughts. and sure, linc genuinely loves soccer, it's a harmless interest to have (especially when you don't have the opportunity to have many other hobbies), but Grant recognizes that linc is using it as an emotional crutch-- or at the very least worries that that's what he's doing.

and thats the one thing that grant cant really explain to linc as a parent! if grant stops him from playing soccer JUST because he's worried, he'd have to explain WHY he's worried, and grant cant really do that. he can't talk about how much he likes killing people around his son if he isnt sauced.

and with the main big, scary emotion that lincoln faced in his backstory being mr. kicks, i'd bet lincoln dealt with that feeling by doing a lot of the same. distracting himself with soccer or zoning out entirely. i'd bet grant watched linc avoid any and all discussion about mr. kicks and instead focus on getting better at soccer. there's no way to prove that, but it's consistent with matt's character choices.

so here linc is, going through puberty, spiraling into apathy and avoidance and being like WHATEVER and WHO CARES to everything. this most recent episode was the biggest change in his character yet; he gave up soccer, said it was a waste of time, and broke that goddamn pick.

he doesn't really NEED soccer anymore now that he's learned that he doesn't need an excuse to be dismissive or avoidant anymore; he can just do it. he can just say whatever now. he can just brush people off. he can be abrasive and distant, just like scary.

and it's sad because man, he did really love soccer, even when he was using it for the wrong reasons. he really did love his family and friends. he had the strongest values and the strongest moral compass and he really, really believed in being a good person. but now he's having to deal with big, scary emotions for the first time, and he has no way to know how to deal with them, even with all the therapy his dads gave him. agughghhghghg lincoln li wilson

[hubbaslubba]

don't care that the cgi was bad in wild blue yonder because my prevailing thought was like if they are willing to do weirdo freak shit with it im happy. also they cooked up a gayboy doctor so im blissed out

[poppyseed799]

I think one of the weirdest signs that I was trans was that I was fine with being called a woman but NOT a cis woman. I felt awful cuz I was like “do I have a problem with people calling me cis even tho I am???” cuz I am NOT someone who minds being called accurate descriptors such as cis. I felt like I just wanted to be special or something even tho that wasn’t it and felt so bad. Something just felt really wrong about being called a CIS woman. Definitely one of the more thought provoking signs I was trans lol

[musical-chick-13]

Most of the time I am SO LOUDLY ENTHUSIASTIC about being bisexual (at least, like--in my brain or the places where it’s actually safe to be Out™), but occasionally, very occasionally, like once every other year, the Internalized Biphobia™ just decides to show up and then I feel guilty for being Attracted to a Man, when I am. Literally. Bisexual. With a history. Of being attracted to. People of. All genders.