#which is one of my absolute favorite writing techniques

[queeenpersephone]

there's truly no escaping really good fanfic. like, it can be an unhinged pairing or plot or crack or whatever, a show that's been long dead or a tiny fandom, but if a fanfic is that good, it worms its way into my brain and makes me want to create. anyways someone tell me what mental illness this is

[deathbxnny]

Can i request for JJK HCs of Yuta, Yuji, and Megumi with a Huohuo (from HSR) like reader? I was inspired by Huohuo trailer where she gets possessed by Tail and exorcised a spirit with a technique that reminds me of the Domain Expansion from JJK.

Context:

So the reader accidentally became a vessel for a powerful cursed spirit (which is tail) when they were 6 years old. Immediately, they were taken in custody by the Tokyo Jujutsu High. Like Yuji and Yuta, they were at first planned to be executed but thankfully Gojo stepped in and ensure they do not receive that fate (they're a child for God sake) and put them under his care.

Now they are 13 years old and are now beginning to go to the field because of their abilities which are the same ones Huohuo has in game and also they can exorcise cursed spirits when Tail possess them (with consent) like during Huohuo's trailer

Now how do those three react to meeting the reader and realized they are a crybaby and pretty young and why the hell is a child is on the field rn??? (The elders forced it, despite Gojo doing everything he could)

How do those three react that despite being young and a scaredy cat, the reader is actually pretty strong?

How do those three react to seeing Tail being mean to the reader and it being crystal clear that he does care for them like a father?

I remembered you saying that despite not doing any HSR request, readers who are based on HSR characters for request on other fandoms were still acceptable. If i remembered wrong, sorry 😅, you can just ignore this request or put it in the pending waitlist. Hope you have a good day/night though

- Flower Anon 🌸

Hello flower Anon!! Sorry that this took so long to complete. Work has been torturing me as usual, so yeah, please forgive me. I really love this request, though, especially as it has Yuta in it, who's one of my favorites, lol.

Also, these are technically not headcanons and just small stories for the characters, but I've been desperate to write more, so I hope that's okay with you and that you'll like them!!<33

Content: Platonic relationships, preteen reader, mentions of battles, cursing, kinda unserious, sfw

Reader has no mentioned pronouns!

((Not proofread))

》YUTA OKKOTSU

Yuta was a little bewildered at first when he saw a kid shakily appear onto the battlefield, clearly scared and terrified of the curses that surrounded them. He opened his mouth to tell you to get away and hide, when suddenly a curse in the form of a tail swished into view behind you, clearly annoyed at how you were acting.

"They're not going to exorcize themselves, you know? Get it together and attack them already!" It hissed, making you whimper and quickly wave your flag in terror when a curse attempted to injure you. The tail curse then suddenly posessed you quicker than Yuta could move to save you. Its energy was so strong, however, that it made the teen freeze in surprise. One swipe of your hand essentially disintegrated the curse on the spot.

"Just... who are you?" Yuta asked carefully, arms crossed patiently for answer, when you two got out of the danger zone. You nervously fidgeted under his gaze and went to speak when Mr. Tail beat you to it quite rudely. "Why does it matter to you? The kid got enough to deal with because of you weirdos, so give them a break." He said, making the older boy raise a brow in interest. It seemed like you two had something in common, even if Rika's care for Yuta was alot... kinder, if you could say that.

On your walk back to the school, you told him all about your origins and what got you here in the first place. At the sound of the elders having a hand in this, he couldn't help but sigh. That wasn't all too surprising somehow. He was just glad that the curse you were posessed by seemed to genuinely care for you, despite his uncaring and rude attitude.

"Well... if you want, I can help train you-" "-Absolutely not!-" "-Mr. Taillll!" At your exasperated, teary eyed plea, the curse couldn't help but roll his eyes and give in anyways. "Fine... but no funny business, got it?" Yuta gave you a playful and amused smile as he raised his arms in faux defeat.

"I wouldn't dare to."

》YUJI ITADORI

Yuji tried dragging you off the battlefield before you could even show off your abilities, thinking you were simply a lost child, until Mr. Tail eventually was sick of your one-sided arguing in which you were just nervously trying to stutter out the reason for your appearance, whilst the pink haired sorcerer attempted to "scold" you for being there. "Ey you! Let the damned kid go!" He yelled out, making both of you pause.

Shivering in fear, you quickly tried to make up excuses, considering that you've heard more than enough from Yuji and the curse he was a vessel for. But Mr. Tail clearly didn't care enough. "Huh?? Woah, your tail can speak?? Wait, you have a tail-" "-I'm a curse, dumbass!" Yuji blinked before a bright grin crossed his face. "Oh wow! So we're both possessed by a rude curse? Haha, we have so much in common already!" You attempt to smile back shakily but were clearly too anxious to keep it up for long. Especially when you were still surrounded by evil curses practically waiting to attack you.

"Well, anyways, you look pretty young, so you can't be the backup Gojo talked about..." "U-uhm... actually, we are the backup..." "Oh... that's cool then! Show me what you got!" Mr. Tail deadpanned in annoyance, absolutely over this already, as he simply possessed you and took care of the enemy curses himself.

Once he was done doing so, and he finally let you return to normal, Yuji clapped his hand with a determined and proud nod. "Man, we're such a good team, you know?" Mr. Tail felt a vaij pop then as he narrowed his eyes in agitation. "You didn't even do anything!" "Yes, I did! You just weren't looking-" "Oh you little-" The rest of the walk was filled with the two bickering with a teary-eyed and trembling you stuck in the middle.

At least you gained an unlikely friend who was just like you... kind of-

》MEGUMI FUSHIGURO

Megumi already knew and heard about you long before you entered the battle zone. Gojo had been the one who told him of you, asking him to keep an eye out in case you couldn't handle it anymore due to your rather anxious nature. But what he didn't except was how young you actually were. Raising a brow and crossing his arms, he looked at your shaky form in front of him, which was clearly doing everything it could to not look him in the eyes.

"So... You're the backup?" "Uhm... yes...?" "Hm." Despite knowing that the elders forced you to come here, he still didn't feel too confident or good about this. Sending a child onto a suicide mission was on brand for them, however, so he supposed that being very surprised would be wrong too. It was unfortunately expected.

"What the hell are you looking at them like that for?" The curse that you introduced as Mr. Tail hissed out harshly, obviously very unamused by the entire situation himself. Shrugging, Megumi simply shoved his hands into his pockets before turning to enter the building your mission would take place in. "Nothing. I just don't think they should join, if they're scared." He said, referencing the tears that were about to spill from your eyes, including the clear trembling of your body in fear. You absolutely didn't want to be here. Not that he could blame you.

"But... I have to. Otherwise, the elders will..." You trailed off, head hanging low as you found yourself unable to finish that grimm sentence. Megumi paused in his step, head turning slightly to look back at your defeated form. You were strong, far stronger than most were at your age. And your predicament reminded him of a certain friend of his.

Sighing, he scratched his head in speaking up again and continuing on his way. "Fine. Come with me, but stay close and only use your cursed technique when I tell you to." You looked up in surprise and followed after him quickly, feeling somewhat grateful despite the terror that he gave you and Mr. Tail a chance after all.

[serxinns]

I HAVE AN IDEAAAAAA!!!

okay so like, what if there was a reader who was like really happy-go-lucky and kind and what-not but when it comes to battle or sparing they are a BEAST!!! i mean DISRESPECTFUL, folding people like HOT OMELETS IN A PAN! i also like to think what if this reader has a quirk thats like toph from atla and they know like reaaaally rare earth bending techniques like bone-bending and lava bending. how do you think yandere class 1a would react?

btw you dont have to write anything 4 this(though it would be a bit cool if u did, no pressure ofc!!!) i just wanted to share the thoughts in my noggin

(NOTTHEHOTOMELETOMG 😭 y'all are insane)

•You had a very powerful quirk which was earth bending you had telekinesis and were able to control earth like dirt, and sand, and mentally your quirk was considered dangerous and very powerful but despised that you were the exact opposite you were a happy full of life always smiles and your classmates and some of the teachers love about you

•Your classmates would do anything to protect that beautiful smile of yours they would even fight to the death if that was the final result to make you happy, even in the darkest times you still were always positive and made everyone's day whenever someone was down you made them happy with your silly jokes and encouragement

•you got along very well with the happy, and chaotic ones (Ochako, Kiri, Izuku, Sato, etc) izuku Was writing down everything about your amazing power he wishes to be a hero with you and to always protect you from wicked villains so he can be called your hero or how Kirishima would be your number one "Fan" whenever he always feel insecure your encouragement and compliments motivate him on making him blush making him mumble about how manly you are

•And You got along with the quiet ones as well (Shoto, Jirou, Kota, and Shoji, etc.) Jirou and you would join in and sing happy tunes and talk about your favorite genre and Shoto wanting to have his private therapy section with you because he's memorized your positive aura and words Kota loves when you hang out with his animals he almost cried tears of joy when he saw his pet rabbit resting on your lap he is just in AWE he took a lot of photos that day

•Now nobody saw you angry heck is it even possible to make you angry one time a person rudely shoved you all you did was shrugged it off and hummed your tune, If you were so close to winning a game and you lost at the last second you still would just be like "Oh well!" and just play it again, everyone was curious to see that unknown side was but didn't matter to them sicje they like seeing your smile

That's what they all thought

•One day you were fighting some villain for stealing some money when all of a sudden the villain punched you in the face you were ok and quickly recovered from it but you were PISSED because they broke your favorite hero helmet, you quickly zoomed over trying to hunt that villain down and beat the absolute SHIT out of them while saying saying words that they didn't expect for you to say such vulgar words

•Bakugo wasn't even shocked this dude was cheering for you while the rest of the squad jaws were wide open

•iida was even speechless he didn't even try to stop you just...observed you he was more worried for you then the poor dude gets beat

•Kirishima was just a mess he thinks your a absolute badass, He honestly loved this side of you

•Ochako was just eyes was just sparkling she wanted to hug you right you right then and there and asked to marry you

•While Izuku was shocked he was secretly fanboying dude was writing down this whole new side while giggling to himself he was gonna ask you a lot of questions after this

Aizawa was just shocked while the mic was paranoia mic was begging Shouta to use his bandages on you to restrain you but aizawa was just smirking telling him "Wait wait just a little more" but he had to restrain you cause he didn't want you to kill the poor dude

[gerec]

any fics which charles has the same vibe as Our House, In The Middle Of Our Street or Paper Monsters, aka fics in which Charles embarrasses himself due to the big crush he has for Erik.

Guys I have one more ask to answer after this one and then I'm officially taking a short break on answering rec posts. But I plan to pin a master post on my blog of the stuff I get asked most frequently for easy reference. Stay tuned and happy reading!!!

-------

Hi Anon, I believe the hilarious/charming fics on this list mostly fit the bill :D

best-laid plans by ikeracity

Charles decides that the best way to confess his feelings to his best friend is to surprise Erik at his apartment, naked, wearing nothing but a bow. It's perhaps one of Charles's worst ideas--or his best.

Order Up by ikeracity

Charles has a terrible habit of multitasking, and that is probably why he absentmindedly tells the pizza man that he loves him when hanging up.

Then the pizza man says it back. And Charles is pretty much smitten from there.

Favorite Mistake by endingthemes

Charles Xavier doesn’t think anything of it when he sneaks out without even saying goodbye to his latest one-night stand. What he doesn’t expect is to walk into his new position in the Xavier Industries marketing department and find that his latest hook-up is now his new boss.

erikhotfacelehnsherr by ikeracity

Charles has an embarrassing wifi password. When the subject of said embarrassing wifi password comes over, things get a little awkward.

going up? by annejumps

Charles encounters a hot man in the elevator. Charles assumes he doesn't understand English. Charles might be wrong.

Never Assume (Remix of going up?) by Fullmetalcarer

Charles fixates on a devastingly attractive lizard person who shares his turbo-lift and makes certain assumptions about their linguistic skills . . .

come as you are by scarlettblush

Hospital AU. The one where Charles unknowingly woos a coma patient with Pride and Prejudice. Years later, they meet again.

What Doesn't Kill You (Tactics and Strategy Remix) by pearl_o (don't forget to read the original!)

Charles is a graduate student with a crush on the professor he's TA-ing for and a side job at a strip club. Thankfully, his little sister is always full of helpful advice.

Smoke and Mirrors by dreamweavers

When newly paralysed Charles meets Erik in a coffee shop, a fit of nerves prompts him to project himself standing without need of his wheelchair. It all backfires when Erik asks him out on a date, forcing Charles to deepen his lies and, ultimately, face his fears.

Warning: Emergency Pull Tab by ikeracity

Knocking a guy over with an inflatable pool and nearly giving him a concussion is probably not the best flirting technique in the world, but if there's anyone who can pull it off, it's Charles.

Is it Erik with a C or a K? by ikeracity, kageillusionz

When Charles sexts his boss instead of his latest squeeze during one late night of report writing, the first thing he expects is a sexual harassment law suit and the last thing is Mr. Lehnsherr actually fucking him hard into his desk.

Infamous Ink by ConsultingWriter 

Charles has an embarrassing tattoo and a date with the no-nonsense, always professional, and terribly handsome Erik Lehnsherr.

The Wurst Case Scenario by sareyen

If anyone asked why Charles, come rain, wind or shine, made the significant trek during his dismal lunch hour to dine at "Edie's Kosher Delicatessen", he would stubbornly say that it was because their pastrami on rye and potato knishes were absolutely to die for. He wasn't completely lying, because the deli's namesake, Edie Lehnsherr, made the best matzah ball soup Charles has ever had in his life. Still, Charles would rather shave his full head of hair off than admit that the real reason he would willingly walk through hail and fire to get to the corner deli was because of Erik, the insanely attractive man working the counter.

[emeritus-fuckers]

HI I LOVE Y'ALL'S BLOG SO MUCH!!! AAAA

Okay, I'll calm down now. I was wondering if you'd be interested by the idea of a newly summoned ghoul reader struggling to get to grips with their instrument and panicking about not being good enough for tour yet and being comforted by one of the ghouls?

I'm currently struggling to learn bass to get good enough for a band I have a chance to be in and it's really wreaking havoc on my mental health being so confused and getting it wrong over and over and y'all's writing in comfort scenarios always makes me feel better... So I thought I'd shoot my shot!

I hope you're having an amazing day, this blog brightens up my day every time! <3

Water ghouls helping a newly summoned ghoul learn their instrument

Chain (it/ghoul)

Chain is a fucking goofball.

Don't let its big, intimidating form fool you, Chain is a goofy dumbass who can barely keep up a "mysterious" act.

So when you come to ghoul and ask to learn how to play bass, it's delighted to help, all giggly and shit.

Ghoul's not the best teacher, he gets too excited and ahead of ghoulself, teaching you the "cool" riffs becore the easy ones.

It does get bonus points for being patient and hyping you up, though.

And the reward kisses. The reward kisses are nice.

Lake (he/him)

He comes accross very serious and when you ask him and you are pretty nervous.

He nods and gestures for you to follow him. He finds a cozy practice room well out of the way.

Despite his scary front he takes teaching you very seriously and is very supportive.

He's actually a really good teacher and takes time to show you good technique and teach you the songs you need to learn.

He rarely gives out compliments but when he does you know he completely means it.

Also when you get him to smile, either by a joke or playing well or just by being yourself.

You end up getting very close.

River (they/them)

They are a slut about it. A complete whore.

Every single dirty joke they can make while teaching you is made. Everything from fingering it correctly to thrusting with their own bass.

Shockingly, they are still a very good teacher. Only making the dirty jokes as you get closer to mastering each skill.

River definitely sits behind you to guide your hands on new notes and skills, hands on teacher when it’s needed. Only with consent of course.

Will absolutely bring you out for food after practice. They’re a slut but a classy slut. They buy you dinner before trying to get in your pants.

Cowbell (they/it)

It's a bit surprised to be your choice for bass lessons. After all, their only real performance was what landed them a name. And it was just trying to prank Papa.

But, the name stuck and it just couldn't go out of its way to change it, especially when you started to use "Cowie" as a cute little nickname that they just needed to hear every single day of its life.

But, fortunately for you, they just so happen to play bass as well, just like most water ghouls. They were just beginner level, but still.

You two practice together, figuring the instrument out.

It's a lot of fun, both you and Cowbell enjoy it a lot, even if it's a bit frustrating sometimes. At least you get frustrated together, right?

You end up better than it. Somehow, you end up tutoring them, instead of the other way around.

Mist (he/she)

He's thrilled to help out with that. Mist really likes alone time together, especially if you two just chill, enjoying a common hobby.

So she's happy to teach you guitar. Might offer playing Guitar Hero first so you can train your fingers a bit.

The first song you learn how to play is Gorillaz's Feel Good Inc., which is her favorite non-Ghost song. And the bass is very pleasant in the song.

He casually rests against your back, just listening to you play and giving small comments on what you can do better whenever you mess up.

There's this weird feeling of comfort during your practice sessions.

She starts a tickle fight the moment you put the guitar down.

Never let them know your next move type of shit.

Rain (he/she/ve)

He's a bit surprised when you ask, but doesn't see a reason to refuse.

But hey, ve's a good teacher! Really good, actually.

Rain sometimes even organizes classes for ghouls and Siblings who want to play bass.

She first gets you your own bass and lets you customize it with stickers. Not many people know this, but Sodo got the "YouSuck" sticker from her.

He's very patient with you, starting with basic notes and riffs before slowly moving to more complicated stuff.

Somehow, no matter who ve's teaching, her work is always excellent when it comes to teaching.

And he's very sweet with his rewards, if you catch my drift.

Storm (they/he)

They're chill with the idea. I mean, if you wanna learn, then who is he to deny you the fun that is playing bass?

Also, he doesn't say bass like the instrument, he says it like the fish, which is sorta funny during the lessons.

No, they will not be corrected on how to say it.

He's gonna sit you in his lap and show you everything, step by step.

They also let you experiment and play around, offering tips whenever you ask.

A decent teacher, not too great but not too bad, either.

~

Chain, Cowbell, Mist, Rain and Storm written by Nosferatu.

Lake written by Nyx.

River written by Death.

[wufflesvetinari]

hi!! okay so i really loved that one fanfic you wrote (3:16) way back when, it's honestly one of my favorite fanfics ever but I have a question for you!! I've honestly adored your writing style and techniques and I was wondering: what is your writing process? Not just plot wise (although yes that!) but also prose-wise? because honestly, the first thing that drew me into your fic was how FUCKING good your prose was and I was just in absolute awe reading what you had written, and it sort of started me on a journey to improve my own prose and make it sound nice.

so uh yeah!! what is your writing process and if you have any advice for how you write so beautifully (Not just prose wise!! plot and character wise too haha) or just like. writing advice in general, i am ALL ears <3

oh this is so incredibly sweet, thank you!!!

i've tried to marshal some thoughts...tbh i am always envious of effective writing that is UNLIKE mine, so there are lots of ways to go about this. (and also i am just Some Guy.)

i'll focus on prose things i think about during writing/revision b/c otherwise we will be here all night...but imo some of this overlaps with effective pacing, character, etc.

Prose is character – some writing is “voicier” than other writing is, living closer in a character’s POV.  but in most cases, if you are in any way in a character’s head, your prose is part of their characterization. dick grayson will use different words and notice different details than damian will. being intentional about a character’s voice has the nice iterative effect of strengthening their characterization, which then makes your prose more confident as you understand their voice, and on and on it goes

Allow “workmanlike” phrases – sometimes cliché exists for a reason; you don’t actually need every sentence to be a poem. in fact, you NEED simple writing to string together your powerhouse lines without turning it all into purple prose/losing the reader/ruining the pacing.

Examine “workmanlike” phrases – that being said, another failure mode is RELYING on these phrases instead of digging for something more interesting now and then. i might write the phrase “a chill went down her spine” – ok this is fine, but I’ve read this sentence 15,000 times in my life and seeing it in my own document should be a trigger to slow down and decide if there’s a more specific or vivid description that conveys character or mood or theme better. or is just prettier lmao. i think to myself: how does it feel to be scared? what is a physical reaction that’s REAL that i have experienced, and am not just taking from a list in my head called “Descriptions Of Being Scared That Writers Use”?

The fucking thesaurus lmao – do not find/replace willy-nilly obviously BUT if the only word you can think of is Not Exactly The Right Word Dammit then the fucking thesaurus is a perfectly valid brainstorming tool to get closer to what you are trying to say. even if u don’t find the right word, it’s often a jumping-off point to a better way to approach the sentence

Note your “is”es – ok this is the annoying one. imo this really strengthened my writing but i hated it so so much. when revising, find any instance of “is/was/seems.” (ex: “He seems impatient, and there’s a pile of paperwork sitting in front of him.”) There’s nothing WRONG with that sentence, but it’s worth checking to see if it’s an opportunity for a more active one that gives more character detail (“He taps impatiently on a pile of paperwork.” there. done.)

Condense – ok look at that example again. i phrased things more actively but i ALSO condensed two concepts (He seems impatient + there is paperwork) into a sharper sentence that ALSO tells us a bit about how this character acts when stressed. imo you can accidentally find really interesting prose this way, in addition to improving pacing.

Vary sentence structure – that being said, sometimes the way to go is a beautiful run-on, so long as that sentence has intention packed into it! if you are writing long lovely flowing sentences, it’s going to hit hard if you drop the emotional reveal in a short, choppy, standalone one. or if your sentences shorten as the mood of the scene changes, or or or.

Use detail to let a scene breathe – personally, i never want to write the phrase “there was a pregnant pause” or “there was a brief silence” if i can help it. this is personal preference, but i think the principle stands: you can instead control your reader’s sense of timing, create an implied pause, by giving detail in the right place. the reverse is why it bothers me when a conversation is interspersed with paragraphs of introspection lmao: in my head i’m wondering why pov is taking so long to respond

Use repetition – oh my god this is my cheat code. if you are really proud of a beautiful, distinctive phrase you wrote? use it again!!! make it a callback at an important moment!!! make it thematic!! do it on purpose. trust me it’s cool

Get out of their head – ok here’s an experiment. take a concept (“Dick is scared”) and tell yourself that you have to express this, but you CAN’T describe anything about Dick himself in order to do it. you can use the way the crumbling buildings of gotham loom above him, or the weather, or the way people react to him—but you cannot say a word about his actions or thoughts or feelings. chances are, you’ve now created some interesting prose getting at the concept abstractly. cool! use that, and also go and add the direct feelings back in if it makes sense to do so

"Unconscious" writing - uhh ok this one is weird, but sometimes for a VERY early draft—like, when I am staring down the blank page—I will stop…trying to write a story? I will instead begin to write, uh…poetry about what is happening in the story? Just, impressions, details, stream-of-consciousness…this will all have to be cleaned up and made linear later. but for now, go nuts. and usually it gives me a) some workable, pretty prose and b) an entry point into what i am trying to say so i can go back and write the “real version”

Dissect!! Good!!! Writing!!! - i'm sorry, this one is so boring. but if there's a writer who really WORKS for you, read very slowly and break down what's so effective about it on a prose level. i do this with ursula le guin. also, do this with poetry!!! which poems slam you to the ground and take your lunch money? how?

i know you also asked abt plot and character but i've already written so much lmao plz forgive me. i am not a big craft book person but i did enjoy refuse to be done and a swim in a pond in the rain. i also try to collect tips i find in this tag!

[comicaurora]

Lighting critique of a recent panel ! Dark ambient lighting is a favorite art subject of mine, so i figured this would be a good time to give some input ! ii say as if we havent been in the undergroound chapter for like a month in which it didnt occur to me to pay attention to lighting Oh well loool here it is nowwwwwwww hope you dont mind the input

Huh.

Okay, so first off, thanks - this is cool and your lighting looks very nice. I look forward to seeing what you make!

Second - I really hope sending this kind of ask isn't a habit of yours, because unsolicited artistic criticism comes across as remarkably rude.

Art criticism for the purposes of improvement is a social contract entered between two artists, typically in a scholastic environment. An artist presents their work to other artists whose opinions they trust and value, and those artists weigh in with their thoughts. Critical to the process is that the presenting artist is showing their art for the purpose of improvement, and they're prepared to receive that input because they're actively asking for it.

In contrast, I make this comic so people can read it, and while I certainly don't mind if they take it apart to analyze it or find ways the writing and art could be improved, I, the creator, am not asking for that and - more importantly - will not really benefit from it.

For instance, in this case, my style of background lighting and shading is optimized most specifically to accommodate for the fact that I need to make a lot of these pages quickly, and correspondingly cannot give everything 110%. Any individual panel could absolutely be more polished, but I often shade these backgrounds in batches of ten pages or more, each page with an average of six panels that need individual shading. So that's sixty individual backgrounds I need to shade in one go. It doesn't make your advice wrong, or even unhelpful for an artist setting out to learn this kind of technique - but it does make it unhelpful for me. This is something you realistically had no way of knowing, and I don't hold it against you! But this is why I have a short list of artists and writers whose input I actually ask for sometimes, and that list is composed of people who know me, my creative priorities, and how my process works. Because they know what I'm working with, their advice stands a much better chance of being actually helpful to me.

Criticism, like all art, has an audience it is designed for. In art school environments or artistic coworker situations, the audience for the criticism is the artist being critiqued and the other artists who are learning from the communal experience they are all agreeing to share. This is the exception and not the rule, however. Outside of this space, the audience for criticism of a work of art is typically the subset of the audience for that work of art that are trying to learn something from the experience or understand what did and didn't work for them. This group can discuss what they did and didn't like, what they would have changed, what parts worked for them that may not have worked for other members of the audience, etc. This space of critical analysis forms the backbone of most fandoms and can be incredibly interesting and rewarding to play around in.

The audience for that kind of criticism is not the creator of the art. In the same way a creator can never be fully immersed in their own fandom audience, this form of communal critique from the audience side of things does not work when directed at the creator. In the context of this work of art, we exist in very different spaces and operate under different parameters. If there's one thing I learned from back when I used to check in on the fan discord community, it's that most conversation in this space operates under the assumption that the creator will not see it or take it personally. I cannot be in the audience of my own audience.

All that to say, thanks for the thought, but please be careful doing this in the future - tumblr is the land of kneejerk hostility and poor reading comprehension, and I don't want to see you getting shredded for a kind intention. And I hope some people find this impromptu tutorial helpful!

[waitingonher]

hi there!! congrats on 100 followers,, could you do prompt 17 for leo valdez? i love ur writing so so much you write characters just how i imagined them

EMMY'S 100 EVENT CELEBRATION

leo valdez + this reminded me of you.

content warning: nothing

authors note: HI THANK YOU SO SOSOSOSO MUCH!!! that really means a lot to me <33 thank youuu

your only regret about joining camp-half blood—besides the lethal quests issued every once in a while—are the monthly cabin check-ups. why chiron had to implement this incredibly useful, yet incredibly stupid system? you wish you knew. well, you do suppose it’s come in handy against your siblings who’d prefer to live in a complete pigsty. but other than that, it’s proven to become everyone’s least favorite day. a day full of cleaning, very irritable campers, and the overpowering scent of every detergent on the market isn’t exactly what someone would want to wake up to.

but here you are, unfortunately put on laundry duty. damn your terribly cruel siblings. they get assigned the fun things like sweeping, and dusting! well actually, those still aren’t very fun but it’s way, way better than doing laundry. the process of separating, washing, drying, and then folding isn’t your ideal way of spending your afternoon. but, the only benefit of laundry duty is that you’re basically completely alone, which also means no one’s there to pester you about your quality of work. yay to no one screaming in your ear about better sweeping techniques!

that’s why you find yourself half-assing the color sorting. you absentmindedly toss somebody’s light pink hoodie into the colored laundry basket. light pink and black? basically the same thing. but your focus comes back as you realize that you’re onto the last basket that requires sorting. you really have to fight yourself from doing a victory dance. 

while your focus does come back, it doesn’t necessarily go back to the clothes though as you hear the door of the laundry room slam open. a sweaty, disheveled-looking boy enters, a grin plastered on his face that makes it seem as if he’s relieved to have found you. and he just so happens to be your boyfriend, “babe, i’m here to rescue you from laundry duty.” 

“thank the gods,” you toss the sock in your hand into a random basket and make your way to leo. he chuckles at your carelessness before pulling you in for a kiss. you really needed that, “now tell me, how do you plan to rescue me from laundry duty?” 

leo makes a face that tells you he hasn’t really thought that far, “um. well, i brought you temporary relief,” he responds, fishing something out of his jean pocket. and out comes a tiny red satin pouch. 

“oh?” your head tilts out of curiosity, “did you find and steal something while cleaning?” the thought of leo doing something like that wasn’t totally out of the question. so that’s why you’re a little more confused when he simply shakes his head and offers you the bag in silence. 

with the pouch in your hand, your boyfriend makes a motion for you to open it, “okay, i might’ve hyped it up a little too much,” leo gives you a sheepish smile as you pull out two absolutely adorable matching cat keychains, “but they reminded me of you, so i bought them. plus, i also thought they’d make a good gift of encouragement for today.” 

“oh leo, these are so cute!” you put the cats side by side and you almost scream, once connected, they form a heart! all of a sudden your hatred for laundry duty and everything else bad in the world washes away. who knew two little cat keychains could have this effect on you? apparently leo did, “thank you so, so much babe,” you kiss him on the cheek, “i swear, as soon as i’m done here,” a smooch on the other cheek, “i’m putting my half on my bag,” finally, one for his lips. 

leo’s features form a lopsided, lovesick smile, “wow. if i knew two little keychains would earn me this many kisses, then i would’ve just bought you two real cats,” he says, a teasing tone laced within his words. 

you laugh at the idea of leo walking into the laundry room carrying two random cats. as much as you’d love to see that come to fruition, cat hair and clothes do not mix well. you pocket your keychain and hand the other to leo, “you should probably go, chiron would lose his shit if he saw you here with me.” 

“wait, more kisses, then i’ll leave,” your boyfriend’s lips begin to turn comically downwards as his brows raise, and you realize what he’s doing: his stupid puppy dog eyes, “you can’t resist this can you?” 

you quirk your brow, “oh, i can,” but the way he looks so incredibly dumb and desperate makes you give in, “fine. let’s make it quick.”

[txttletale]

I just wanted to let you know that I just found your tumblr within the past week and you have immediately become my 2nd favorite tumblr, being only behind Blogatog. Love your ttrpg takes.

Anywho, you said to ask about flags, so what is your biggest/are your biggest red flags when it comes to ttrpg design?

thank you! i'm glad you enjoy my silly little posts. anyways i think my biggest red flag is unintentionality--the feeling that the writer of a TTRPG has done something by 'default', the inability to put myself in their shoes and understand (or even better, be told by the text itself) the reason why a particular decision has been made.

one of the biggest places this rears its head is in terms of tone and voice. let me quote jay dragon's really good the storyteller technique:

Another advantage of getting to know the narrator of your RPG is that it helps mitigate unconscious bias in your design. Dungeons & Dragons has a notably anthropological narrative voice, explaining other cultures and creatures like a scientist in the field. The language of D&D mimics the writing style of mid-century scientists traveling to “exotic” locations and cataloging non-Western experiences as part of a documentation of the Other. It’s easy for newer designers to want to “write a game like D&D” without regard for how even the narrative voice of Dungeons & Dragons carries unintended political baggage. Is a bird’s-eye and judgemental perspective really the energy you want to bring to your whimsical fantasy world? Or is there another perspective within your world that can be more useful, and allow you to find new perspectives on the world you’ve created.

narrative tone is a choice--the attempt to use a 'neutral' tone for rules text and description is also a choice, how formal and how informal you get with it is a choice, and when i read a text that seems to have made that choice thoughtlessly it imo bodes very poorly for the rest of the game.

other examples of this kind of unintentionality are games that have a comabt system despite not being about combat in any way--games with equipment rules despite them not setting out to tell the sort of story where which sword or gun a character has matters--games that measure themselves in exact distances without actually using a battlemap--&c.

while most of this unintentionality takes the form of 'falling back onto what DND does' because DND is the market leader and many people's first TTRPG, so imitating it without purpose is something that both cynical market-share chasers & unexperienced designers without a wide range of expereicne can do--it's absolutely not unique to it. one form of unintentionality i see a lot in indie TTRPG circles is creating far more Moves for your PBtA game than necessary--clearly more out of a sense that 'AW/MotW/Masks has a Move for this' than any specific understanding of what that move will do in your game

in game design--as in any art--there is no such thing as a 'neutral' choice or a non-choice. there are only choices, and how much someone's thought about these choices is important!

[aimfor-theheart]

If you have the time, I would like to hear your thoughts on the parallels between itadori and suguru pretty pls😌🎤

omg i would love to. it’s honestly one of my fav parallels in jjk. i think it sometimes gets overlooked bc itadori is more jovial/fun/light color schemed like gojo and fushiguro is more serious/dark color schemed like getou BUT. just listen!!

to begin this parallel, we can start with the most obvious one in my mind. and that’s the fact that itadori and getou both ingest curses. they quite literally eat them. they’ve both talked about their taste—how gross they are. getou remarks that no one knows the taste of a curse. but now itadori does.

my next parallel between them is more in terms of their story arc. both of them have very strong morals; morals which their counterparts (gojo and fushigro) sort of scoff at in the beginning. itadori and getou both believe that people need to be protected. and those who are stronger, should work to protect them. NOW….getou’s do change. but let’s look at the moment that forever changes him; it’s strikingly similar to a moment itadori has, too.

the moment riko dies for getou is incredibly similar to how junpei dies for itadori; in the sense that, here was this person they had worked to protect and save, here was this friend who they wanted in their life, and all their ideals they had placed in them, being torn very gruesomely away. this is also a pivotal moment for every wide-eyed sorcerer. they must deal with death. and the death of those closest to them.

morally, this is where their paths diverge. but we certainly see itadori begin to spiral the way getou also had to spiral when faced with the constant death and loss of other sorcerers. specifically i’ll show these next two panels to depict that;

same position. same idea is being conveyed for both. lost, traumatized, uncertain of the morals they once held; where did it get them? where did it get others? for both, many ended up dead.

now the other parallels i’ll draw…one of which is almost an exact replica of the other, is the way in which their bodies are not fully their own anymore. kenjaku inhabits getou completely and uses his body to do things he would not have done. similarly, sukuna does the same to itadori. and there are moments where getou and itadori have tried to fight back against the one controlling them;

that parallel is the one that really did it for me. oh it’s so poetic in the most wretched way. i love it.

beyond that, both itadori and getou are not from prominent families in the sorcerer world. there is little expectation placed upon them in this regard. also, they both get entangled in the politics of the higher ups and both are ordered to be hunted and executed at a point in their story.

now i could also bring in gojo and fushiguro, too, which would also highlight the parallels between them. both are from prominent sorcerer families and have a lot of expectations placed upon an extremely powerful inherited cursed technique. both grew up in the sorcerer world. getou and itadori juxtapose them in which they have to learn how brutal this world is. in fact, they serve to remind gojo and fushiguro that the world doesn’t have to be the way it’s always been.

now, of course, morally, itadori is not like getou. and their parallels are not exact nor should they be!

itadori (and fushiguro) serve to try and end the cycles that getou (and gojo) were trapped in.

in my mind, the parallel here was always one of hope; itadori is supposed to do what getou failed to do. narratively, he has been set up to end the cycle.

at least, he had been. i’ll stop here before i start cursing out akutami and his absolute assassination of itadori’s character in more recent arcs and chapters. but really truly the getou/itadori parallel is a favorite of mine, much like the gojo/fushiguro parallel. i think this is where jjk’s writing is at some of its strongest.

thank you for asking!! i hope you enjoyed my lil analysis/presentation!

[cripplecharacters]

hi! i saw you brought this subject up briefly in a recent post and was wondering if youd have more advice on describing deaf accents when one has a deaf character who can speak. should one describe the way they speak in detail and give specifics as to how the character sounds/pronounces words? would it be appropriate to just say "(the character) has a deaf accent" and not go into more detail? would there be other good ways of communicating this to the reader?

i would assume that things to absolutely avoid would be stuff like writing out the accent phonetically (since doing this with other accents is already often racist or xenophobic), and i would also want to avoid using any judgmental words like saying the characters speaks "weirdly" or anything like that, but aside from this im not sure how to best convey that the character has an accent to the reader.

thank you for the time and effort you put into this blog and the advice you provide!

Hi!

You can just mention they have a deaf accent. Writing accents is hard to follow and usually doesn't add to the experience.

Most d/Deaf people with a deaf accent will be aware that they have an accent (because people comment on our voices all the time, which is super rude, don't do it). However, they won't really know what the "deaf accent" sounds like and how that's different from not having one, since where deaf accent comes from is producing approximations of sounds from what they can hear and what they've learned through speech therapy/oralism techniques (copying mouth shapes, feeling vocal cords, etc.)

If they pronounce a word wrong that they've never heard before, someone will likely correct them. Or, if they don't know how to pronounce a word, they might spell it or write it down.

About comments on d/Deaf voices, some comments I've heard are people calling it "cute" or "weird", people asking "do they have something in their mouth?" (some deaf accents can sound to hearing people like they're chewing on something while talking), people saying "you sound good for a deaf person" or being surprised they can talk. As a general courtesy, don't comment on d/Deaf people's voices.

If you want some examples of referring to deaf accents well in books, I like "The Words In My Hands" and (my favorite, you'll hear me mention this book a lot) "True Biz". "True Biz" I want to point to a specific moment I like--one of the characters is born 3rd or 4th generation Deaf and has had some speech therapy although he never really learned, at one point he speaks something to a hearing friend of one of his deaf raised oral friends (named Charlie), and the hearing friend doesn't react to his deaf accent; he then thinks that Charlie must have a strong deaf accent if the hearing friend isn't surprised by his voice.

Mod Rock

[writingquestionsanswered]

Scared to Commit to Dream Project

xuliaxuxu asked: I'm an aspiring author who has been writing for a long time but never actually committed to my dream project because it scares me. I've read a lot about structure, good character development and arcs, and how it all works, but I'm still scared of not being able to write a story I'm proud of. Do you have any tips on how to get through the outlining process and first draft without feeling so much pressure on your shoulders? And are the first steps in writing a novel where you have so many ideas but don’t know how to organise them? It’s been a lonely process since I have no writer friends to talk about these specific struggles. Thank you for your lovely work here on tumblr it has been inspiring me a whole lot!

[Ask edited for length]

If it's any reassurance, the fact that you've been teaching yourself about structure and character development puts you ahead of a lot of writers when they first start out. But it's also a bit of a double-edged sword, because that knowledge raises the bar for what you expect to be able to accomplish. And unfortunately, having the knowledge doesn't mean you can instantly apply it perfectly. You still need to practice applying that knowledge before you can get really good at it. It's sort of like this: if you wanted to get really good at hand lettering, you could watch hours and hours of videos about how to do it... you could learn about the different techniques and the lingo, etc., but that doesn't mean you'll be able to do flawless hand lettering the first time you pick up a brush marker. You'll still have to actually practice those techniques for a while to get really good at it. Writing is the exact same way. And that can be frustrating because you know what you want to accomplish, and you have the knowledge to get yourself there, you just don't have the actual skills to actually get there yet.

So, here's what I recommend... keep the dream project on the back-burner for now. You can still work on the pre-planning (because even that qualifies as practice), but in the meantime work on other projects to get the practice in. There's a little bit of sacrifice here because you should find ideas you're excited about, but you have to write them knowing they're not going to be your best work. And that's fine, because writing them doesn't mean you have to share them or publish them. You can write them and keep them on the shelf as a reminder of the work you've done along the way. You can also revisit favorite projects later to revamp them with a more practiced skill set.

Working on something you're excited about and love--but which has the leeway to be not your best work--is the absolute best way to take the pressure off yourself when outlining and getting through the first draft. Once you've done this a few times and you know you're getting the hang of it, you can revisit your dream project, and just the fact that you know what you're doing will take a ton of that pressure off. Another thing that will help once you get to that point is remembering that your outline and first draft don't have to be perfect--and they won't be. Part of the writing process is having the flexibility to change things as you go, to tweak and improve, even into the later drafts. Developmental editing wouldn't exist if your outline and first draft had to be structurally perfect. :)

As far as organizing a lot of ideas, you might find it helpful to find a story planner of some kind. These exist as web sites (Novlr), apps (Fabula), programs (Scrivener), workbooks (Outlining Your Novel Workbook by K.M. Weiland), and you can even find time for download on Etsy. You can probably also find free ones to download if you can't spend any money. If nothing else, get yourself a multi-subject notebook and divide it into sections like plot, characters, world, brainstorm and get all those ideas out into their individual sections. Even that can make a big difference.

Happy writing!

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

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[rageprufrock]

You are the only author in which I’m like - oh look, Pru wrote for a new c-drama. And then I seriously contemplate watching the 40 eps just so I can get the ~full reading experience~ of the fic. What desperation is this??????? T_T

A) Thank you for your kind words! I'm so flattered you like my writing, and it's always humbling to realize that the silly stories I put out on the internet have made an impact on folks.

B) Seriously though you should watch Mysterious Lotus Casebook. It's probably one of my favorite things I've watched in the last few years, and has bewitched me in a way that is difficult to quantify. Most modern Chinese historicals tend toward (badly rendered) romance or are actually more fantasy than wuxia, but Mysterious Lotus Casebook bucks that trend and is funny, well-acted, beautifully costumed and the fight scenes whip ass. It also has an absolutely unhinged female character who decides to take two of the three male leads as her unwilling queen and consort--a decision that the fandom collectively recognizes is her due, as we all support Jiao-jie's rights but more importantly her (objectively deranged) wrongs.

I am also absolutely balls deep in brain rot about this fandom. As I've said before: I refuse to get trenchfoot alone. All of you guys get down here with me and write about Li Lianhua abusing his Yangzhouman technique to go seven rounds and break Fang Duobing's ass but good.

[retrosofa]

The biggest influences on No More Mermaids in no particular order.

MW: This was probably the first gay comic I ever read. I discovered it while I was in college, dealing with internalized homophobia, being a virgin and slowly figuring things out. As terrible as they are, I really did adore Garai and Michio. They're absolutely horrible people but wow, are they entertaining characters. I especially loved how Tezuka depicted sex scenes, which was the biggest influence on No More Mermaids.

Mahou no Mako-chan: What can I say? I'm a sucker for the old school melodramatic shoujo narrative. It was one of Toei's earlier full color series and you can tell they were having a ball with it. There's a lot of beautiful imagery and interesting animation techniques used throughout that definitely influenced my paneling. Go Nagai's Devilman was a big influence on me of course, but I think I wrote chapters more-so like an episode of Mako-chan. I guess because I always felt like my life was a melodrama.

The Works of Yoshihiro Tatsumi: Namely the three books that Vertical put out. I read these in high school and I was absolutely blown away. I remember reading these and thinking "this is what I've wanted in a comic." I like that Tatsumi didn't use a lot of screen tones. His writing was gritty and extremely raw, which really captivated my interest. I think my favorite comics were Occupied, Make-up, and Woman in the Mirror. The way he depicted queer characters fascinated me because they weren't the butt of jokes or stereotypical. Definitely check his work out.

Fun Home: I didn't read this until after I started No More Mermaids. A friend recommended it to me but I was afraid it was going to influence me a little too much. I think I read it after I completed the fourth or fifth chapter. Reading this made me feel like I could be more open with my writing. I need to get around to reading the follow up.

[aifanfictions]

Write a fanfic about (y/n) trying to cook jambalaya for Alastor from Hazbin Hotel for the first time, but the cooking goes wrong and (y/n) then feels bad, so Alastor comforts her and shows her how to cook jambalaya properly so they end up cooking together.

A Spicy Love

(Y/N) had decided to surprise Alastor with a special homemade dinner. She'd heard that jambalaya was one of his favorite dishes, and she was determined to make it for him. With a cookbook in hand and an apron donned, she embarked on her culinary adventure.

As she chopped vegetables, (Y/N) couldn't help but feel a little nervous. Cooking for someone as charming and sophisticated as Alastor was intimidating. She followed the recipe meticulously, adding the spices, rice, and a medley of meats and vegetables to the pot. The aroma that filled the kitchen was heavenly, and (Y/N) was sure she was on the right track.

However, when she took her first bite, a look of utter disappointment crossed her face. The jambalaya was far too spicy, almost inedible. She had overdone the hot sauce, turning the dish into a fiery inferno.

Alastor, attracted by the aroma and curious about what (Y/N) had been cooking, entered the kitchen. He took one look at her expression and then at the smoking pot of jambalaya.

"My, my, (Y/N). What do we have here?" he chimed in his typical sing-song voice.

(Y/N) sighed, poking at the jambalaya with her fork. "I wanted to make you something special, Alastor, but I think I've ruined it. It's too spicy."

Alastor chuckled and approached her, wrapping his arms around her waist. "My dear, you have nothing to fret about. Cooking mishaps happen to the best of us."

"But I wanted it to be perfect for you," she lamented.

Alastor tilted her chin up and looked into her eyes with a warm smile. "Perfection isn't what makes a meal memorable, my dear. It's the effort, the intention, and the company. Now, why don't we try to salvage this dish together?"

With a renewed sense of determination, they set to work. Alastor showed (Y/N) how to balance the spiciness with other ingredients, adding more rice, vegetables, and broth to mellow out the fiery flavor. As they cooked together, they laughed and chatted, their banter filling the kitchen with a sense of warmth and camaraderie.

Alastor's skills in the kitchen were impressive, and (Y/N) couldn't help but be amazed by his culinary knowledge. He seemed to know the perfect ingredients and techniques to make the dish just right, and she was a willing and attentive student.

As the jambalaya simmered on the stove, Alastor stepped closer to (Y/N), their bodies brushing against each other. He looked deep into her eyes and said, "You know, my dear, the way you handle a kitchen mishap speaks volumes about your character."

(Y/N) raised an eyebrow, curious about what he meant.

Alastor continued, "It shows your resilience, your ability to adapt and learn from your mistakes, and your willingness to put in the effort for someone you care about. These are qualities I find quite charming."

A faint blush spread across (Y/N)'s cheeks. "You really think so?"

Alastor nodded with a mischievous grin. "Absolutely. I find your determination and passion rather... spicy."

Their playful banter continued, and as they finally sat down to eat, the jambalaya was perfect. The spiciness had been tamed, and the flavors were well-balanced. They enjoyed their meal, sharing stories and anecdotes, their connection growing stronger with every bite.

When they had finished eating, Alastor pushed back his chair and stood. He held out his hand to (Y/N), a silent invitation for a dance in the moonlit kitchen.

The soft melody of a jazz record filled the room as they swayed together, moving in rhythm to the music. Alastor's voice, which was usually boisterous and full of energy, had taken on a gentle tone as he sang along with the song. (Y/N) rested her head on his shoulder, feeling the warmth of his embrace.

As the evening came to a close, Alastor leaned in, placing a soft kiss on (Y/N)'s cheek. "This jambalaya may have started as a kitchen disaster, but it turned into a beautiful memory, my dear. Thank you for the effort, and for sharing this wonderful evening with me."

(Y/N) smiled, feeling content and loved. "Thank you for teaching me, Alastor, and for being so understanding."

Their evening of culinary adventure had turned into a beautiful and heartwarming experience, reinforcing the bond between (Y/N) and Alastor. It was a reminder that it was the moments they shared and the love they felt for each other that truly mattered.

Days turned into weeks, and Alastor and (Y/N) continued to share their lives. They cooked together often, experimenting with various recipes and creating new, delightful dishes. Their connection grew stronger, and they cherished the special moments they spent in the kitchen.

In their relationship, they discovered that it was not just the grand gestures or the perfectly executed plans that made their love special; it was the little mishaps, the laughter, and the shared experiences that made their bond unique.

Their love story was a delightful blend of sweetness and spice, a recipe for a love that was both unforgettable and enduring. In the heart of Hell, amidst chaos and mayhem, Alastor and (Y/N) found a love that was as unpredictable and magical as any of Alastor's own tricks.

Their love was a symphony of laughter, spice, and affection, a testament to the fact that the most wonderful memories could arise from the simplest and sometimes, even the spiciest, of moments. As they danced in the moonlight, they knew that their love would continue to be the spice that added flavor to their lives, making every day together a delightful and unforgettable experience.

NOTE! This story was generated by OpenAI

[sanderssidesthehouse]

Remus is my favorite side and I am collecting people's opinions about him. For the bingo?

-Birch

Hiya, Birch! Consider my opinion collected!

Circle size represents how much I resonate with or feel confidently about an answer.

Going to address the not liking him as a person (vs adoring him as a character) before I go any further. Just like, if I knew a person who acted like him irl (which would probably be a neglected 13 y/o) I wouldn't really like them. Wouldn't necessarily hold it against them, but understanding someone and/or wanting to help someone is not the same as liking them. Sides aren't exactly comparable to people, though.

I think about Remus so frequently. My absolute favorite we've seen of him was WTIT. It definitely gave us more to work with, particularly with how much he hates being ignored. Bc like, yeah he's a side and he needs to be able to do his function, but his function and subsequently himself have been repressed which has warped everything and tbh I'd act like that too.

I NEED him and Roman to work together bc wtf. I need them both to be mad bc like we're going to have to address at some point why there are two sides that manage Creativity? Um? But skipping past that bc we are where we are, they should be able to work together. Also going to link a post I made about creativitwins bc it's too long to quote here which has more of my thoughts about Remus's job as part of Creativity.

Remus is literally an alarm. He shows up when things are bad... And makes them worse, but!!!!! He's a clue to get to the root problem. Also, as someone who suffers from disturbing and upsetting intrusive thoughts, I'd love to see dealing with Remus through creation, bc honestly him having a hold of Creativity is perfect. One way to get through intrusive thoughts is the mindful meditation technique, another is by ejecting them via art/writing. I think that would be fun.

Some people think Remus is annoying. And? As is his right? No, but seriously, he's been neglected up until we see him appear, suppressed except for where his influence slips out, honestly, he could be MORE annoying if he wanted. Get their asses.

One characterization I see people give him is that he doesn't care, but if nothing else, there is one thing he absolutely has to care about: c!Thomas. I mentioned this in my unreliable narrator post in relation to Janus, but it stands for all of them: “Sides of Thomas will always seek to perform their duties to help Thomas.” I don't believe the sides can purposely seek to hurt c!Thomas. They're not people, they're part of a person.

Speaking of that post, I'm just going to copy paste my Remus paragraph bc I can:

And last we have Remus. This guy. Beautiful boy. All about being brutally honest except he’s just not lying. Except for when he is. I swear he just says stuff recreationally and like, me too, but at least I admit it. He’s got that Brennan Lee Mulligan 'I will die on any hill’ vibe methinks. The problem is that he says the actual profound truths in the same tone he does the shitposts so no one takes it seriously. And I swear to you this is on purpose, I can’t prove it, but tell me honestly you don’t think that’s something he’d do. Rat bastard.

Idk if I've said everything I wanted to. I've probably said enough for this post, though. As always, feel free to tag on or ask questions or whatever else!