#which is not at all concerning

[interestinglittlerelationship]

100 Things to Love About the OC

1. Ryan Atwood

2. Taylor Townsend

3. Summer Roberts

4. Seth Cohen

5. Sandy Cohen

6. Kirsten Cohen

7. Little Kaitlin Cooper

8. Teenage Kaitlin Cooper

9. The Summer Breeze

10. Seth’s Tahiti dream and “Yeah, she has no idea, I’ve never spoken to her before.”

11. Captain Oats

12. Princess Sparkle

13. The “I Wish I Was a Mermaid” Poem

14. 🎶California Here I Come🎶

15. Seth & Summer’s upside down kiss in the rain

16. Bagels 🥯

17. The bagel slicer

18. Sandy’s smear

19. The Pool House

20. Pad Thai

21. Callbacks and circular story telling

22. Marissa: “Who are you?”

Ryan: Whoever you want me to be.”

23. “You know what I like about rich kids?” BAM “Nothing.”

24. Ryan saying “Hey, my dad is right here,” to Sandy with the little shoulder bump

25. 🎶The Bluest Line🎶

26. 🎶Mmm, Whatcha Say🎶

27. 🎶Hallelujah🎶

28. Summer’s “Ew”

29. Bunnies🐰(Pancakes and Flapjacks)

30. Summer and Ryan’s we got into college spinning hug

31. The Model Home

32. The rare moments in which the core four were all happy

33. The “new & improved” core four, now with Taylor Townsend

34. Sophie Cohen

35. “You’re a Cohen now, welcome to a life of insecurity and paralyzing self-doubt.”

36. Ryan and Seth little secret handshake thing

37. Sarcasm

38. Seth standing on things to declare his love

39. Summer standing on things to declare her love

40. Sandy giving Ryan his Berkley sweatshirt

41. Kirsten crying when Ryan left to go back to Chino

42. Peach Tort

43. Sandy was in a gang and, “We robbed from the poor and gave to the poor.”

44. Sandy punching Frank

45. Ryan’s sad little everyone leaves me wave

46. Ryan and Sandy’s bus stop hug

47. Ryan and Kirsten’s goodbye hug

48. Kirsten hugging Ryan and Seth at the same time

49. Seth and Ryan’s aborted handshake hug

50. Ryan and Seth’s whole friendship/brotherhood

51. Marissa and Summer’s whole friendship

52. Summer and Marissa being step sisters for a hot second

53. Summer and Taylor’s whole friendship

54. Ryan and Summer’s whole friendship

55. The gang adopting former bully Luke Ward for a hot second

56. Seth running away to live with former bully Luke Ward

57. Luke Ward

58. Alex Kelly

59. Alex and Marissa for the three episodes they were allowed to be happy

60. Marissa coming out to Summer

61. Chrismukkah

62. Chrismukkah stockings all in a row

63. Seth’s Christmukkah song

64. Summer saving Christmakkah

65. Seth’s color coded holiday alert system

66. “Taylor thinks Ryan is funny.”

67. And similarly:

Taylor: “Ryan, you told a real joke!”

Ryan: “Not a very good one, but yes I told

a real joke. Thank you, don’t tell anyone.”

68. Taylor’s red dress

69. Ryan: “How do you keep doing that?”

Taylor: “Doing what?”

Ryan: “Saying what I think before I feel it.”

Taylor: “Because I think about you.”

70. Ryan telling Taylor that he loves her

71. The whole flash forward ending montage

72. But most especially the boy on the stone wall and “Hey, kid, you need some help?”

73. Summer sticking her tongue out walking down the aisle at her wedding

74. Seth’s bar mitzvah friendship dance

75. Atomic County

76. The fact that Cosmo Girl (Marissa) gets her powers from a magic flask

77. The comic book Seth makes Ryan to convince him to come home

78. Ryan’s speech about social security running out and “Where I come having a dream doesn’t make you smart. Knowing it won’t come true? That does.”

79. The model home

80. The fact that Seth loves The Vegas

81. The fact that Seth has more friends at The Nana’s retirement home than at school

82. Ryan punching people who really deserve it

83. Seth making a list of people Ryan has punched while Ryan’s bleeding on the side of the road

84. Drunk Seth

85. The beach

86. Seth’s skateboard & Ryan’s bike

87. Seth’s Paris mural he painted for Marissa

88. Seth & Marissa’s whole friendship

89. Taylor stalking Ryan and their, “And then I can stock you.” “And then I can stock you,” scene

90. Newpsies

91. The Newport Group

92. Ryan the original arsonist and Seth the encore

93. The fact that Kirsten can’t cook

94. Everyone’s genuine terror when Kirsten tries to cook

95. The fact that Seth and Summer are the epitome of he fell first, she fell harder.

96. Seth: “At least I leave you funnier than when

I found you.”

Ryan: “I’m a lot better off than when you

found me.”

Seth: “Me too.”

97. Summer being a super cool environmental activist

98. Ryan finding his true family

99. Taylor finding her true family

100. The way Ryan looks at Taylor

[im-totally-not-an-alien-2]

Danny did his best to ignore the person trying to wake him, but they were annoyingly persistent. After a wave of "Hey"s, "Get up"s, "You can't be here"s and one muttered, "How did you get in here?" Danny finally opened his eyes to see a boy about the same age as him staring while holding up the lid to Danny's casket.

He had thought he was done being woken up after he successfully escaped his superhero responsibilities by running away from Amity, "Am I just not allowed to rest in peace?"

"Not when it's in our attic."

The ghost boy scoffed, "Shouldn't have a casket in here if you didn't want to risk something crawling in."

The guy stared at him for a long moment before Danny decided he had enough and yanked the casket closed again, this time making sure to seal it shut with ice on the inside.

"Hey!"

The ghost rolled over with a huff, determined to ignore him.

Unfortunately, he underestimated how nosey this family could be...

[starry-bi-sky]

FUNNIEST fucking shit that comes with making Danny eleven years old when he had his accident in "late at night, when the nightingale sings" is the implication following, that everything that happened in the show did too. And I fully intend on (mostly) keeping it like that. There'll be some changes (of which I need to figure out) but for the most part??? Yeah relatively the same.

Like I FULLY intend on keeping Dark Danny occurring 6 months post accident. Do you know how fucking HILARIOUS that is??? That Dan got his ass kicked by a goddamn FIFTH-SIXTH GRADER?? I'd never show my face ever again. Homeboy spent the last ten years being a one-man mass extinction event, only to get his ass beat by a kid who hasn't even lost his last baby tooth. That's hysterical. I'm losing my mind just thinking about it.

AND PARIAH DARK TOO. Imagine being an eons old tyrant capable of dragging whole towns down into your dimension, and you get singehandedly shoved back into your coffin in less than 48 hours by a kid whose bedtime is still 8:30. You didn't even have the time to expand your army! You were still trying to take over the city the kid came from!

And he just!!! Shoves you back in!! Insane! This kid hasn't even been dead for a full year yet! He's still growing in his ghost fangs! And he just knocked you flat on your ass in an oversized mech suit. What the fuck! It's like looking down and seeing a four week old kitten meowing very indignantly at you and trying to bite your feet, except that kitten is also actually a black-footed cat and they have a 60% kill success rate, and oops! Now you're dead. You took too long laughing at the kitten trying to attack you that it clawed up your pant leg and ripped out your throat.

COULD I, realistically, span these episodes out over the course of 2.5 years prior to Danny's family dying?? Yes I could! Do I think it's hilarious (and horribly traumatizing, which makes it twice as fun) to shove all of this into the span of (roughly) a year instead?? Yes. Because the show has such a skewed timeline that I've always just assumed that at the end of the show, Danny was starting his sophomore year in high school. So fuck it, lets go for it!

[grison-in-space]

found this really cool article this morning about the history of the use of dogs to oppress BIPOC and particularly the use of the breed referred to variously as slave hounds and Cuban bloodhounds at the time, which was deliberately selected and trained as a weapon of terror. it's a horrifying history, but I think it's worth reading especially for American dog people as we face down a summer of police brutality that will come with the inevitable use of police dogs to perform the same terrorizing function—albeit with more in the way of fine grained, if often theoretical, control over the dog.

I still need to dig out sources to document the relationship between the Cuban Bloodhound and today's Fila Brasilero, because they are strong influences indeed. I am always thinking: what is the ethical underpinning of making the choice to preserve these dogs for the present day? Would it be better or worse to acknowledge their well documented history of colonial violence? We often keep dogs to preserve the parts of our culture and history we want to remember: what role does that play in the case of such a blood soaked, painful history of colonial terror?

Is the rebrand enough to justify keeping the dogs? How about breeds with Cuban bloodhound influence without being the modern form of the strain, such as Rhodesian Ridgebacks? How do the stories we tell about how dogs came to be help us form narratives about our own history?

[vaguely-concerned]

the strength it must have taken for illario to not immediately go full 'lmao since when have you even had a kiss hello lucanis' sibling violence mode during the café talk. inspirational. rook and lucanis really were doing all that right in front of his salad huh

[random-cockroach]

[starssoblue]

“things were so hard with dad in recent years...how did he go from paparapluie to père? i wish i could face him and understand, but while he was still here i didn't dare try to tell him [any of my feelings] and now...it's too late.” * paparapluie is a pun on the words papa and parapluie (umbrella) since the plush is a frog. père is the french word for 'father.'

[lass-us-slay]

So I read a prompt about how Wonder Woman found Danny in a trash can (don’t remember which one) and I was bored.

So I took that lil info and made it into an AU.

So basically, Danny get yeeted into this unknown universe and has no where to live. And no where to live means no money. No money means no food. No food means Danny can’t keep his human half sustained.

So what does he do?

Decides to not change into a human and live in a trash can.

Yes you heard that right, live in a trash can.

Because he’s a ghost, he doesn’t have to worry about the germs and stuff. But that doesn’t mean he lives in just any trash can! He lives in a clean one ☝️

AND he also decorated it with his name so other people know it’s his!

And so Danny has been here for a while now and realizes

Holy shit there’s hero’s here- you know what, why doesn’t he have hero’s back home?!

And being minorly annoyed jealous (but he’s never admitting that)he thought:

Well since there’s hero’s here already, guess I’m not needed.

.

.

.

Good. I’m tired af

And so Danny caries on his life, being content with his trash can and scaring whoever comes into his alley. It’s fun. Sure he sometimes needs to ugh overshadow people to feed his human side, but other than that.

It’s going great.

But Danny doesn’t realize that with Amity gone (or smth, you choose) which was his haunt, he slowly makes the trash can into his new haunt.

And slowly but surely, Danny’s beloved haunt trash can starts to become other worldly kinda.

Yk because of the ectoplasm.

So now Danny’s lovely trash can haunt has more space inside and- Hey Danny can actually sleep in it better!! And he got some company too!

In the form of blob ghosts.

Two actually.

They keep his trash can clean and help purifying some corrupted ectoplasm that he finds. Because for some reason this universe’s ectoplasm seems half way artificial and tastes a bit weird. Which is where the blob ghosts help out in.

Everything was great.

Danny was loving the trash can life style.

He has two blob ghosts friends. Which he named Sam and Tucker, and yea they couldn’t talk but that was fine.

He wasn’t lonely, he wasn’t. He had two very much talking friends like Sam and Tucker.

However one day two weirdly dressed people- oh they were hero’s.

Well anyway they found him, one woman stripper and one furry guy.

But it was on accident! He was just peaking out of his beloved haunt trash can, and they spotted him.

He stared, they stared back.

Then the woman stripper asked him questions, even when he said:

“Don’t mind me, have a nice day!”

But they just kept bother him and giving him weird looks and glances.

Which- rude.

Didn’t they see his mark on his haunt trash can? Obviously it means it’s his home, so they shouldn’t be bothering him still. He’s safe as can be.

Plus.

It’s not like he’s looking at them in suspicion and weirdness, I mean look at them! What kinda cheep knock off vampire fury mix and American stripper style clothing are those!

They should mind their own business!

———

Just a silly lil drawing of this lmao, don’t mind me.

[rooniearts]

Sooo besides espilver (and I'm assuming sonucks), what sonic ships do you like?

I'm not that big of a shipper, tbh! But you're right, I find sonknux very fun in a "theyre both so stupid" kinda way. I have some doodles about them loaded up in my drafts, so you'll be seein' that sometime soon!

Other than that, I've been REALLY loving sonighty lately. Something about the childhood friends that reconnect years later trope ruins be every time i see it. They have such an underrated dynamic imo :')

[unicornpopcorn14]

Chuuya's reaction to Dazai getting hurt during the Lovecraft fight has always been so interesting to me...

Because it's the kind of worry you'd never expect from a character as gruff as Chuuya, who had displayed nothing but hostility towards Dazai so far. Usually, characters that are labelled as "angry" or "anger issues" (which Chuuya is much more complex than that but you get my point) act more as a tsundere type of way when the one they "don't care about" gets hurt. And show their care in very, very subtle ways (ex. their eyes widen, their mouth parts and closes again, etc) before putting up their front once more.

Chuuya, however, is open, and vocal about it. His worry is clear not only to us, but to Dazai himself, the one he shouldn't be displaying the concern to (as per the cliche). Shouldn't it be some sort of secret that Chuuya does care? Isn't that what skk's dynamic has been shaping up to be until now?

I'm telling you- the way my mind blanked when Chuuya just casually.... showed concern not once, but twice, was a sight to see.

Besides, the context makes it much more confusing, because Dazai isn't some rookie, and Chuuya knows that more than anybody. He was the youngest executive in Port Mafia's history, of course he can handle a hit or two. Of course he'd seen him handle a hit or two, sometimes without batting an eye.

Heck, Chuuya himself was hurling Dazai like a ragdoll in their reunion, which was their last meeting. And you could argue that he was going easy on him, but Dazai has mostly withstood the same damage (as far as I could see), and Chuuya was as bitter as ever.

So that kind of contradicts both what we knew of Chuuya so far, and how their dynamic was shaped to be. I mean, that just makes Chuuya a hypocrite, yeah? What makes him care now, all of a sudden? What makes him care at all?

Well, to me, this backasswards reaction implies one (or more) of the following:

- Dazai rarely got physically hurt during their partnership and thus this is an unexpected thing for him to see (during a mission).

- The four years of separation made Chuuya unsure of how much Dazai can withstand physically now. Also the fact that he isn't in the mafia anymore, aka fighting enemy organizations on the weekly, would naturally make Dazai lose his touch in a way, what prompts Chuuya's reaction.

- Dazai getting taken off guard took him off guard which led to panic. Especially since the situation was (momentarily) out of their depth. Seriously wtf even was Lovecraft?

- During the dungeon scene Dazai was an enemy, while in the Lovecraft fight he was as an ally. The difference might be significant to Chuuya.

- This has always been Chuuya's reaction to Dazai getting hurt regardless of the situation.

- "Only I can hurt him like that" ahh logic

- Asagiri was still experimenting with their dynamic and thus there are some inconsistencies.

This scenario didn't play out again (after their reunion) for me to exactly determine which one is more plausible, but it is 100% canon for Chuuya to shamelessly show his concern and run to Dazai to check on him before properly dealing with their opponent, which I find to be such an appealing layer to their dynamic, and a good spin on the type of character he gets stereotyped as.

Bonus: Dazai also becomes a softy when Chuuya's hurt, especially post corruption. Dead Apple alone displays that multiple times.

All in all, Skk are doing a terrible job at maintaining their 'hostile' and 'antagonistic' relationship post their reunion. Freaks.

[stars-obsession-pit]

Jack and Maddie have learned about Danny being Phantom, and they’re extremely supportive!

Yeah of course they’d always cared about supporting their kids’ interests, but they feel motivated to go the extra mile now. They want to make up for their past attempts at hunting him and show that they’re cool with his ghostly traits.

So when they learn about graves being important to ghosts, they of course immediately start planning to make one for him!

Danny’s genuinely touched by the gesture when bring it up to him.

…of course, seeing a family make a grave for their son who is very much still around is a bit of a suspicious look to everyone else not in the know.

[moeblob]

Connor. Please. You can't say that in a police station.

[dclovesdanny]

Version two

Jazz Smith has made Lex Luther cry on three separate occasions, though she will remain adamant that the first and third time weren’t her fault. The first time, he cried because she thought he was an old man who was lost and he had to explain in detail who he was. The third time was firmly on Bruce Wayne’s shoulders. He was the one who had bumped into him, spilling his drink on his suit. Jazz was just trying to clean up the mess. How was she supposed to react when she saw the bomb strapped to his chest? Panic?

No, she simply made a fuss and used her minor tech abilities to make it look like the juice had turned off the bomb, leading to her loudly wondering why he was stupid enough to strap a fragile bomb to his chest. She just wanted to shake him, not make him cry.

(After that day, Oliver Queen hired her to work for him. Dinah quickly adopts Jazz emotionally, with Roy acting as a big brother. Lian adores her auntie Jazz)

Samantha Drake was a problem child, according to almost everyone who met her. She was a goth child who hated acting prim and proper like their parents wanted. Tim was the only one who understood her, supporting her veganism and later helping her prank Batman. (She and Bruce were rough and angry with each other in the beginning, but they still stayed in contact. Bruce grew to admire her stubbornness and conviction, while Sam could begrudgingly admit Bruce was a good man when he wanted to be.)

(She and Bruce never spoke about the night where they sat side by side on the clock tower. It was Jason’s death date, the first one since she and Tim had debuted as Robin and Crow. They never talked about how Sam admitted she knew grief, and she let herself tell Bruce a little about Danny. Only Alfred knew that the two spent the night reminiscing, sharing stories and anecdotes, until they arrived in the cave. None of them talked about the brief hug, the first hug Bruce had ever given her. They never acknowledged that night again.)

Tucker Thomas never left the Narrows, forging a birth certificate that labeled him as 19, even though he was barely 15. Duke didn’t call him on it. He visited often though, always keeping a suspicious eye on Bruce. He didn’t trust the man.

(Damian was the only one who bluntly asked him why he glared at Bruce. Tucker couldn’t figure out how to explain it at first, so he channeled his inner Danny. “He gives off fruitloop vibes. Gotta make sure he doesn’t start going all crazy with things like cloning or becoming obsessed with green goo.” Tucker immediately noticed how much Damian stiffened at that, but he didn’t say anything.)

Dante Constantine was only a child in demon years, though he looked like he was a teenager. He was doing home schooling for the time being as John worked with the bats to get papers made. He was a social and happy kid, smiling and chaotic but nothing cruel or barbed.

(John noticed how his son stared at the stars with a longing nothing seemed to satisfy. He noticed how warily Dante stared at the toaster, and how the terrible nightmares that caused his son to sob for hours often involved names like “Jazz” “Sam” “Tucker”. Most of all, he never forgot how his ex mentioned that Dante’s soul had been older, much older than it should be. John saw it too. He was more concerned in the slowly healing cracks in his son’s soul.)

Tonight, all four of them would be attending a party thrown by an old friend of Constantine’s.

Let the fun begin….

[poorly-drawn-mdzs]

All cards on the table.

[First] Prev <–-> Next

[satoblue]

satoru takes it to heart when you tell him you hate him — even if it slips from your lips in a moment of playful annoyance along with an eye roll and a light shove when he’s being too handsy in front of others.

it lands differently for him.

he freezes. withdraws. goes quiet in a way that feels wrong on him — bc it hurts. and it’s not something that just happens often.

gojo satoru, the strongest, is immune to insults. he’s had a lifetime of them thrown his way, and he’s learned to let them bounce off him like they are nothing.

but you? your words don’t bounce. they sink. they stay. like every single part of you etches onto him permanently. bc you’re not supposed to hate him — not even as a joke. the very suggestion tugs at his heart — leaving it aching in his chest.

his grin falters, the light in his eyes dim, and he becomes a quieter version of himself — almost unrecognizable. it doesn’t matter if you didn’t mean it that way. you’re the one person whose voice matters to him — the only one that can penetrate through his infinity and straight to his heart.

bc in his world, everyone else can hate him. that’s fine. that’s expected. but not you. never you. you’re his person. and he is yours. always.

it will only ever be the two of you in the end.

it will only ever be you and him against the world.

[vaguely-concerned]

I really really like that lucanis reaches the 'there must be some way through this' realization 'off camera', so to speak, while presumably looking at rook explaining the situation to spite. it just. hits right. he gets that moment to himself after 'this place is a nightmare, why would I want to stay here' to come back into focus, to gather himself and think it through in peace, outside of the demands of anyone’s gaze (including the player’s!), while rook takes care of spite’s confusion and urgency and distress as he can’t himself in this shattered state. they're inside his soul, but he still gets that moment of privacy, with rook and spite there and supporting but not intruding. idk there's just something so good and right-feeling about it. rook's presence in lucanis' mind at its most vulnerable and frozen could have felt SO invasive if the quest wasn't written as skillfully as it is, and I get skeeved out by that kind of thing incredibly easily so it's a testament to how well it's done that it always feels safe and supportive. lucanis has had both his bodily and psychological (slash spiritual/existential) integrity and autonomy violated so brutally and repeatedly, and having even the way the camera perceives him here grant him the dignity and respect and privacy of soul he hasn’t experienced in a long time… it’s a whole thing huh. No wonder it’s taken me a while to put it into words lol 

(also what a contrast to what solas and rook have got going on, and what a sly way to slide the point of comparison in there to build to the thematic whole. the solas version of this IS of course wildly invasive and skeeves me out but in the intended delighted horror movie way. solas, too, was let into someone’s soul through the cracks in the wake of a traumatic event, and he IMMEDIATELY sought to turn it to his own benefit and use that trauma as a weapon against them fhdsja I’m sorry but it’s just such a character-revealing instinct for him to act on without hesitation and I love how terrible he is, it’s all so unforgivably premeditated and consistent.

rook acting out of the desire to make sure lucanis is ok vs. solas going ‘well. When life gives you oops killed my friend, make dead friend poisoned lemonade and make his loved ones drink it. this sunk cost fallacy isn’t going to perpetuate itself’ is such a neat contrast and it’s not in your face about it but it’s still there, deep and solid down in the thematic narrative. rook doesn’t do anything to or in lucanis’ mind, really — they negotiate their way through the layers of defense and are let through, and they help him make the whole thing more explicable, but they never exert any force or go rooting around for anything that doesn’t present itself to them first. solas goes about gathering ammo for when he's going to nothing personel kid this person from like the first moment fhdskh doesn't waste a second before he's on that gaslight gatekeep girlboss grind. the fact that the game goes out of its way to show there IS a respectful, non-selfish and kind version of this process makes what solas is doing even more deliciously awful (glee) and rook and lucanis’ relationship (platonic, romantic, whatever it might be in any given playthrough) all the more moving to me)