#which is it??? it cannot be both. if she's in a league of her own she'll be criticized differently

[dark-night-hero]

「We found love」 Kamisato Ayato

↳ In which as fate lead the two of you together, an unfamiliar yet strangely warm feelings starts to grew on both of you leading you two to find something that you had never felt before. But then again, what could fate possibly lead you two when you are leagues apart.

Ayato was bored, annoyed and is quietly disgusted. The smell of body odors and the strong smell of flowery fragrance that tried to hide it was unpleasant to his nose. The constant shattering around him that makes the corner of his lips thug down if it was not for his good sense of control in his facial expression. He constantly, though not in anyones watch, shift on his seat. He does not like anything here at all, if it was not such profitable deal he would not have come here at all. And now that the deal have finally been sealed, there was nothing left but to enjoy the presence of the courtesan that entered the room as soon as the deal was done.

Ayato never liked it on brothels. In the first place, he rarely went into one, and even if he did, that was because of his retainers choosing it as a meetin place, in which never happened again by the way. And some for importsnt meetings like this that he cannot refuse. Ayato never saw nor think of any reasons to go to one. Recalling the constant reminder of his late father not to be involved in such things. There is nothing good that would come into him if he were to get involved and get into brothels. A place where nothing but temporary temptation and pleasure there is to come that might drove someone into their own demise once out of control.

Ayato was just about to leave, seemed to be done for today as he stood up when he was grabbed by the wirst of his hand by his business partner. It took him all of his facial muscles to keep the smile on his face as we asked, "What's the matter?" The man just smiled at him, his free hand warping around the oiran, considered to be a high rank courtesan, and bringing her close to him. "Don't leave yet, Mr. Kamisato. The main show is just about to start." Just as Ayato was about to refuse politely, the door opened gently, and the first thing that Ayato noticed was the smell of spring filling the room. It was not that strong smell of flowers that he had smelled earlier but the smell of spring, the smell of blossoms, the sweet and air smell of perfume fills the air.

The second thing he noticed was the sparkly ornaments all over the hair and elegant kimono that they were wearing. And then the kitsune mask that they were wearing, hiding away their face from anyones sight. "Ren Sakura?!" The man beside him utter in disbelief as the figure elegantly walks in, in their hand was a string instrument. She walks in a stead phases of that of a noble, no, perhaps she walks even more of a noble than by far all the nobles Ayato have seen. Ayato watches with curiosity, eyes never once looking away now that you have caught his interest, watching you sit down gracefully and set up your instrument to your liking. "Apologies our dear guest, Hanahime, my beloved oiran could not make it tonight. In return, I hope you would not mind me filling in on her behalf."

In that split secons, Ayato felt like the two of you looked at each other. "Of-of course! Who would dare rejects to be in the presence of you, a tayu, Ren Sakura?!" A tayu? As far as Ayato could remember, oiran was considered a high courtesan, and right above that was a tayu, the highest class courtesan known to entertain only the nobility and emperial court, in short, the almighty shogun. "I'm glad that is the case." The masked tayu giggles, "Then, I shall play a familiar piece befitting for tonights gathering." Once again, Ayato felt like his eyes met those that were behind the mask.

Ayato thought it was a bad idea, after all. He does not like brothels. The place, the smell, the people in general. It would be the last place you would ever expect him to be found. And yet there he is, asking for a familiar name that seemed to be coming out of everyone's mouth but only a few get to really see. Ren Sakura, Ayato knew it was not their real name. Most of the courtesan in here has a name that they use and not their real name. And for someone who rarely went and vowed not to long ago that he would never set foot in here again, he was quite knowledgeable. Even he does not fully know why he was here, whether it was the smell, the mask, the way they played the instrument or even the way they giggle, Ayato does not know which one to choose.

But if there is one thing for sure is that you have caught his interest and nothing could stop himself from finding more about you. Though one of the main reason why he chooses to go back in here was to prove to himself that nothing good would come out of here. It was just a passing interest, it would not last long, right? Once again, the door slide open and the scent of spring enters the room. With no hint of hurry, Ayato raise his head to look at you who was quietly and gently entering the room. Once again, you were wearing a kitsune mask. "It's a pleasure to meet you again, Mister." You bow to him, raising your hands together along the process as you bow your hands. "Is there anything you would like me to do?"

Kamisato Ayato was honestly the last man you would expect to be your client for the night. But then again given his status in life, it would not hurt his pocket to afford you for the night. Still, glancing at him underneath your mask, his beauty was just like what you have heard from your fellow courtesan. He looks a lot like a gentleman, his aura radiating of that of a highest noble but his fake smile tells something else. Just what does this guy want from you? You doubt he was the kind of person who actually comes into a brothel for pleasure, in the first place, you bet many female nobles would actually wanted to be- to die just to be in the arms of his man right in front of you. "Do you know how to play shogi?" He asked and you halted for a moment. "Yes I do, I shall go and set up for us."

"I... lost." Ayato utter in disbelief, back straightening as he looks at the board pieces with wide eyes before looking at you. You who was smiling underneath your mask after managing to finally defeat him after five close matches of shogi between the two of you. "If you have not make a mistake during the first five move then perhaps I wouldn't have beaten you Mister." You chuckle, once again setting uo the pieces back in their starting place, once again serving the commissioner another cup of tea in which he gladly took a sip. "You gave yourself a little credit. Not to brag but no one has ever come close into defeating me and you actually did that five times and really did beat me one match." This time it was his turn to chuckle.

When the Kamisato Ayato left that day, you never thought to see him again. But you did, once in a while, you did. And you are not sure fi you are glad he did. Maybe it was the sense of boredom that you are feeling due to the lack of customers that were actually availing you for their entertainment, then again, you could only have your price to blame for being so expensive that it might even cause them half of their yearly income for you to be on their presence.

Kamisato Ayato, or Ayato like he told you to call him when the two of you were in each other presence was quite an unpredictable young man. There were times were we would came in the brothel only for you to watch him sleep, playing the flute for him as a lullaby. In most of the cases, he would be in here to ppay shogi with you, bringing over some unique beverage and foods that is tasting weird most of time. But there would also be one of those rare days where he would just bring his leftover paperworks to the brothel and do it there, leaving you to fill up the tea cup that he has just consume and sometimes, he would let you handle some of his paperworks, entertaining the basic questions of the papers that he had assigned to you. Nevertheless, for someone whom rarely set foot out the brothel, you only have to thank him for the things that he would often get to you. If there is one thing that remains the same though would be the fact that Ayato has never seen you without your kitsune mask.

"Will there ever be a day where I get to see your face?" Ayato asked out of the blue as he lay his head on your lap as you hummed a lovely tune underneath your mask. And then by his question, you stop. "Did the madam not tell you?" You asked him. "If you're willing to pay the price, that is." You chuckle when you felt his finger traces all the way from the back of your ears down into your chin. You halted for a moment, before you relax. The feeling of your beating heart in yor chest was getting harder and harder to ignore the more time you spent with him. It was actually dangerous.

You always warn yourself not to get too attach with your clients. In the first place there is any room for attachment because you knew they only want something from you. The way they would look at you with such lustful eyes always leave a bittersweet feeling on your tongue, so you only have yourself to thank that you manage to price yourself up as a tayu. Whom unlike oiran is not for the work of pleasure. You are mostly for entertainment. Then again, due to your high price, only those with the highest class individuals get to afford you to be in their presence. And even if they did, you were only to attend gathering to perform. Unlike Ayato who seemingly spent his free time with you and you do not know how to make something out of it. You felt like there is something going on between the two of you but you yourself was quite afraid to accept it. Because somewhere deep in your heart you alreay know that you had fallen for him. But you also know that nothing good will come out of it.

Ayato on the other hand has his mind in the midst of chaos. Ayato was in love with you. That was truth. It's been over a year ever since he irst met you. And he could still remember the day he realised he was in love with you. You see, Ayato was a meticulous, cunning and a mysterious person. A man who would do anything to achieve his goals and eliminate anything that were to stand in the way of his family. The same man who once in a while would felt a huge amount of fatigue. Maybe it was all due to his paperworks or maybe because of during those times the conflict of opinions between his retainers just would not subdued. Or maybe the fact that his parents death anniversary was approaching. He just felt tired and exhausted.

That night, all those months ago. Ayato find himself on his way on the familiar path to the brothel, just like usual, wearing his robe that hide away most of his figures underneath, in the night of his parents date of passing. That night, Kamisayo Ayato find himself seeking to be in your arms. You have quite the wit, and your intelligence was second to none. Ayato have never seen your face, but to be honest that is something he cared about. That night, Ayato just remained in silence as he listen to you playing the string instrument. He just sat there staring at you in silence that is when you sense that something was wrong. "Is there something bothering you?" You asked, setting the instrument down as you stood up and approached him. "It's okay, you don't have to talk about it if you do not want to talk about it." You utter as you sat down beside him.

That night, the two of you just sit there on silence, your hand above his as he lean in head on your shoulder. It was nothing but an act of comfort, yet that simple act seemingly touched the depths of his heart as he cane to realize one thing before he fell asleep in your arms that night. "Take a rest hmmm Ayato." As fatigue slowly takes over him, he felt himself being gently laid in the mattress and in those split moment, his lavender iris met with a pair of (eye color) ones before everything went black. In the following morning, Ayato find himself all alone in the room, feeling new as ever. Still he felt like something was missing, so he woke up and was about to leave when something caught his eyes. It was a letter saying. "I have told the others to prepare you a breakfast before you leave, but feel free to leave if you're in a hurry." Then he laugh, he laughs then fold the paper and kept in the pocket right within this chest, close to his heart. Right, the moment when he felt like you were his one and only solace, he knew he was in love with you. He knew you were the one for him.

And yet he was contemplating which is only natural. He was a man with noble bloodline, he is the current head of the Kamisato clan, and the current commissioner of the Yashiro commission. He was one of the faces of Inuzama. A well known bachelor and is expected to be wed with a fellow noble blood, one of the prettiest and elegant among the rest. What would his retainers- the citizens say if he were to be fall for someone like you. Although you were the highest along the courtesan, in most cases Nobles only see courtesan as their pass time and play thing. Ayato knew you were different, you are not just a courtesan in his eyes, you are more than a play thing to him. Ayato wanted you, he was in love with you after all. But if the price of his love would cause such scandal, such ruin in his- their image. Would his love remains the same?

Ayato find himself visiting the brothel less and less, telling you advance he would be busy and would not be able to visit for a while. You would reply at him with a laugh, joking letting him now you would not be having someone too entertain you for a while. Ayato knew you were rarely seek out due to your high price. Maybe that was the reason why he was so relaxed. He knew that no matter what, you would be in there, waiting. Be waiting for him to come. Even if you do not love him, he might be a friend at least to you, right?

Weekly visits turn into trice a month, then turn into monthly visit. This visit started going less and less until he visits you twice in every three months. Ayato thought that that would lessen the feelngs he felt for you. But no, in fact, it grew stronger. His longing for you intensified and yet you remained the same, giving him the same enthusiasm and welcome wheneverhe come back. He does not know it he should be hurt of revealed.

And then one night, you started being affectionate than you usually do. Dropping hints here and there. Being all over touchy. And man, he was barely hanging on a thread. And so he pulls away, grabbing your hand that was inside his shirt. "Wai-" "Do you not want this?" You asked, masked still in face. "I-" Holding your hand, he realised that you were trembling, your hands were trembling. Suddenly he became aware of one fact, you were holding back too. And is ready to withdraw with one single word from him. With a moment of silence he opened his mouth, "Do you, want this?" He asked, letting go of your hand as both hands fell to his side. And when he say you nod. His hands unconsciously went towards your mask. You did not move, you just let him pull the string that is holding your mask before it falls off the ground.

There his eyes widen as he got to take a look at your face for the first time. Your (eye color) eyes looks more mesmerising than he imagined it to be, those lips, those lips that were curled up into a beautiful smile. Without thinking much about. Ayato grabbed you on the nape of your neck and pull you into a deep and hungry kiss. It was as if he was starving, starving for a very long time in which he did. He might not have admit it but he was waiting, fantasising for this night to come. It was night full of unsaid words and feelings and yet the way the two of you hold each other says it all. "Stay for the night?" "I will."

Ayato was the one who left first when the morning come. To him, that night was not a mistake, at the same time. It was a night that is to be buried on the back of his mind. It was the same night he, the two of you realised that the two of you were leagues apart. A love that could only be kept in the dark, away from the world to see. In a coincidence, Ayato was not able to visit the brothel in the following days and weeks due to the following festival to come at the time. Thus it is only natural that he was unaware of the things that were happening within the brothel.

"Have you heard? A high ranking courtesan has been bought from the Hōkōtei?" Ayato did not mean to eavesdrop, but was not that the name of the brothel you work ay? "Huh?" "Yeah it's true, they have been bought a month ago but the news were just spreading because an official tried to spend a night with them recently but it turns out they were long gone from the list of courtesan from the brothel." "That sounds impossible, just how rarely were they were-" "It's Ren Sakura! Of course only a few coould afford Ren Sakura! Do you know that the cost of spending a match of shogi with themm would cost a yeat of our earnings? What more was a night with them?! Argh! Just how much were they b-" "What did you say?" "Huh- oh! Yashiro Com-" "What did you say?" "Hu-uh?" "Tell me everything. Now."

Ayato never run. He was a man with elegance, you would never see him run in which dishevelled manner. And yet here he was, sweat rolling down his chin, clothes dishevelled, hair in a mess as he pant heavily in front of the familiar brothel, people who seemed to recognise him started whispering with each other and yet he did not give a damn about every single thing instead, stromed inside the brothel, to be specific, into the room of the owner, the madam. "Where were they?" He asked as soon as he saw the familiar madam who was casually smoking with a pipe in hand and then his lavender ones met with a pair of violet ones. "I'm afraid I cannot disclose the location of my client, Yashiro Commissioner." She laughed as if mocking him. "Where-" "They waited for you for years, at being said, I suppose its natural that if you won't make a move, someone else would. Do you think that they would just sit still and wait for you every single time?" His lavander iris tremble upon the madam statement. "In the first place, you were never interest in buying them. Why are you getting so worked up like they were stolen from you?" "You never plan to take responsibility for my child because you two were leagues apart, they were just a courtesan and you're a noble. The two of you were never meant to, isn't that right?" Every words that left her- the madam's mouth felt like a dagger stabbing his heart. Because it was true.

"Get out of my pavilon and never set foot in here every again." "Mada-" "Do I have to drag you out myself? Kamisato Ayato?" Her piercing violey eyes bore before him. "You brought this upon yourself, stop looking like you just lost the love of your life when they surely meant nothing to you and oh- here. Wear this and this." He felt numb, whether it was his heart of his body. He felt numb. So following the madam words, he left upon wearing the robe that was given to him. He felt like his body was moving on its own, his mind was foggy, he wanted to cry at the same time he could not. "My lord- are you alright?" "I'll be in my room, Thoma. Thank you."

Inside his room, Ayato sat in front of his shogi board and started playing alone, moving the pieces by himself doing the moves you would often does. In the end, he find himseld loosing in his own game. And so he laugh, he laughed as tears roll down his cheecks. Teeth grinning as he felt mad, mad to himself for lying, lying to himself. For being selfless, for losing the love of his life so easily. He angrily throw away the shogi board to the side, scattering its pieces all over this room as he stood up. He then proceed to remove his robe that was given by the madam back in the brothel. He was about to trow it too when his hands was pierced by something. On the robes pocket was a hair piece ornaments. But then again, he mad. About to throw the piece of ornaments into the ground with his bloody hand until he realised how familiar looking it was and his eyes widen. It was your hair ornament. The one he have seen you often wear. "This.." Then he found a letter.

It was not that long until silence once again field the room followed by sobs. "I'm sorry." He cried. "I was a fool, I'm sorry." The letter was slowly crumbling on the palm of his hand as he pull it closer to his chet as well as the piece of ornament. As if doing such thing would bring you close to him. "I love you." He utter in helplessness. "I love you..." He cried. But it was already too late, for you have already went away. Far within his sight to see, far within his arms to reach.

My Ayato,

Funny how you're "my" Ayato when you're not.

I thought we found love.

But perhaps that was just me, for the moment when I woke up in the morning, you were no where in sight. It was such a shame. I thought we had something. Turns out I was just being delusional. After all, how could a noble like you fall for a mere courtesan like me.

Still, I am grateful for the times we have spend together. I will treasure those moments deep within my heart.

I am glad that my first time was with you, my one and only love.

Come to think of it, I never told you my name, no? Then again, what would be the use when we sould never see each other again? But still, I still want you to know it.

My name is (First name). I doubt you'll remember it though.

Then, I apologise that I have to leave without saying anything I am afraid even if I did, nothing would change. If it wasn't the case, you have long take me away from this place. But you never did.

Your Lovely courtesan, Ren Sakura.

[ⓒdark-night-hero] 2024°

: late na ko fuck, bye.

[livwritesstuff]

i hit 100 followers while i was asleep (absolutely bananas imo but i’m so thrilled y’all are enjoying my steddie dads verse bc i’ve literally never had so much fun writing before) so here's a sneak peek of a wip featuring the Harrington fam

Eddie does not understand sports. 

He may be approaching fifty years old and way past his old ways of rejecting every notion that doesn’t perfectly align with his own interests, but even after all these years, the wires in his brain simply cannot wrap themselves around sports no matter how hard he tries.

And he does try because, naturally, he has three daughters, Moe, Robbie, and Hazel, all of whom play sports.

To be clear – his kids can do literally anything they want, bar none.

He’s still in goddamn awe with the whole arrangement that is the life he lives every day – kids and a house and a job he loves and all that with Steve Harrington of all people. There’s no way Eddie would start fucking all that up by projecting his own weird quirks onto his children. He refuses to be the kind of parent that prevents their kids from doing anything just because they don't get it. If the girls want to play sports, they’re gonna play sports. Nothing wrong with that.

Still, sports are one of those things he takes the back seat and lets Steve hold the reins for, especially now that thirteen-year-old Moe is pretty deep into the whole basketball thing. 

Steve understands the politics of the game, both on the court — like knowing which refs are gonna be biased towards which team and noting Moe’s play-time each game — and off. He schmoozes the coach, he’s friends with all the parents, all the things Moe, at thirteen, doesn’t even notice and Eddie, while aware of it, doesn’t understand. He still can barely follow the games themselves (and he goes to as many as he can, though he and Steve are outnumbered by one and with the prospect of the girls carting themselves around still a distant fantasy their schedule is insane so he can’t make them all). He does his best to follow his husband’s lead but Steve doesn’t always react to things the way Eddie thinks he will. He doesn’t bat an eye when a kid gets smacked in the face with a ball, nor at the impossibly loud thud when someone hits the deck (look — he gets the floor is hollow, but it is loud). He’s completely unbothered by the fit Moe throws every game whenever she’s inevitably benched for having an attitude with her opponents or her teammates or the coach or the ref or just about anybody who tries to get in her way.

As is what happened at Moe’s game yesterday.

Eddie hadn’t seen it — well, he’d seen it, but seeing something and understanding what he’s actually looking at are two totally different things. From what he gathers, Moe had missed an easy shot and gotten pissed off in her own little way about it, so she’d launched herself at whoever on the opposing team had gotten their hands on the ball after it ricocheted off the backboard. Unfortunately for Moe, the team they were playing had a reputation for being a little too aggressive for a middle school league, so when she’d hit the ground, she hit it hard. Moe had been pulled off the court by her coach (carded, maybe? Eddie still isn’t sure how that works in basketball) and scowled on the bench for the rest of the game.

Steve had tried to reason with her on the drive home (an interesting choice, in Eddie’s opinion).

“Darling,” he’d said, “I totally understand being upset about missing a layup, but I don’t know how to get it through your head that intentionally fouling someone isn’t the way to go about resolving that emotion. I love you and I support you, but I’m getting tired of watching you play for three minutes and then sit on the bench for the rest of the game.”

“Talk to the coach then,” Moe had grumbled.

“About what?” Steve exclaimed, “Moe — you do it on purpose!”

The conversation had ended not long later because Moe decided to give them both the silent treatment (a clear sign that she knew she was in the wrong even if she didn’t want to admit it) and Eddie thought that was the end of it (for that game, at least). Then, Moe threw them a curveball by spending most of that evening in the bathroom throwing up, at which point she admitted that her head had caught more of that fall during her basketball game than she’d originally let on.

Steve doesn’t mess around with head injuries (for obvious reasons), so the next morning he calls Moe out of school and brings her to their pediatrician to get checked out.

A couple hours after Robbie and Hazel boarded the school bus bound for their elementary school, Steve and Moe return home.

“So what's the verdict?” Ed asks as they enter the kitchen.

“She's concussed,” Steve announces.

“Like father, like daughter.”

“No sports, no bright lights, no reading, no school, no phone,” Steve says pointedly, and Moe only scowls harder. She’d been using the incident as a leveraging tactic in her crusade to get a phone. Not being able to play sports was a no-brainer; they’d all seen that one coming, so even as recently as this morning, she’d been claiming that she’ll “die of boredom without a phone,” while she recovers.

Even as recently as this morning, she’d been largely unsuccessful.

“Thirteen-year-old children do not need phones,” Steve had told her, “If someone wants to talk to you, they can call the house, and if it's urgent enough that it needs to be right now, you can get walkie talkies.”

“No one uses walkie talkies.”

“Your dad and I used walkie talkies all the time.”

“Uh, pretty sure it was just the one time, Steve,” Eddie pointed out.

“Yeah! And it worked out great!”

CONTINUE ON AO3

[manicpixieyandere]

The League of Villains

Society and Quirks

So we just finished binging all of MHA and read the remaining chapters of the manga. And damn we did not expect the League of Villains to be some of our favorite characters to ever grace this Earth! But it's kinda unfortunate the franchise the ended up in. Let's talk about that!

First let's start by talking about the LoV and what quirks represented for them. In MHA it's quite common for quirks to be used as allegories for different kinds of marginalization.

Heteromorphs like Spinner are a representation of racism.

Toga's quirk is a representation of how she loves someone and how society deems that love "wrong". Toga is shown to love both boys and girls. People beg her to "just be normal". She is obviously queer.

Dabi's body was not made to deal with his own quirk. This reads as being born disabled. He also has the common disabled experience of being told to forget his dreams and aspirations.

Twice's double quirk and the trauma that came from it lead to him developing dissociative identity disorder.

Some in the LoV were also marginalized / had a rough start without anything to do with their quirks.

Magne is a trans woman.

Mr. Compress comes from a family lineage of criminals.

Shigaraki is a League of Legends player.

(No but seriously this poor kid was abused and manipulated his whole life).

Speaking of which a lot of the LoV were abused and / or neglected as children. Most of the shit Shigaraki went through was due to All For One, but it's not like his bio dad was stellar either. We all know Endeavor gets the worst dad of the year award for how he raised Toya, but Dabi also got the AFO manipulation to a degree as well. Toga's parents were neglectful and verbally abusive.

All of this is to say; The LoV members clearly had a rough life. But they found a family in each other! They all cared for each other in their own way! Twice and Toga were very close and would take care of each other. Dabi burns down Toga's childhood home. Spinner and Shigaraki bond over video games and were genuine friends. Compress takes care of everyone and saves them. Everyone is sad when Magne and Twice die.

All of this leads to this beautiful line from Shigaraki:

He wanted to be their hero. He wanted to destroy the world not just for his own urges, but to make the world a better place for his friends, for the LoV. But did he succeed, even a little bit?

Wellll... The hero society that doomed them all is still going well and thriving. The most change to come out of their mission was a bigger focus on quirk counseling. This is definitely important but it is not the only thing that needed to change. And it only changed because of ONE PERSON. The ONE person who showed empathy for Toga. Ochaco is the one to implement this change, but she is only one person. She cannot change the entire world on her own.

This is where we just can't get past the clear biases in the writing of MHA. The villains are not treated fairly. For example the heroes get off scott free with practically EVERYTHING. Bakugo dies? Just kidding! Oh the condition for him coming back to life was now Edgeshot has to die? Nah he's fine too. Deku had an entire arc about wanting to save Shigaraki when no one else agreed, only for him to kill him in the end. And after killing him it's not like he implemented changes to help prevent whoever the next Shigaraki is gonna be. The cycle will continue until changes are made.

So as you can see there is clear favoritism in the writing. And that is something that tends to be an issue whenever you have a plot device such as quirks that represent marginalization and you have villains who are trying to fight their oppressors. Let's look at a few examples!

For animation fans an example that leaves a bitter taste in our mouth is The Dragon Prince's dark magic. Dark magic is something that is seen as corrupt but also explained to be a way for humans to have magic to fight their oppressors as they were seen as less than since they had no magic. But dark magic is also used as an allegory for drugs and addiction, so it gets messy.

For the superhero fans let's look at The Boys. Supes are a complete mess. You have them representing conservatives and cops in an "all supes are bastards way" while also having them as a marginalized race in danger of being genocided. You can't have both.

Both of these examples show messy allegories in fantasy where rising against your oppressors is painted as wrong and the marginalized are also seen in a negative light due to some other component of their fantasy (drugs and cops respectively). MHA falls into the same trap with its villains. They're fighting their oppressors. They are oppressed due to their quirks just being who they are, but those quirks also lead to violent murderous urges (decay and transform most of all). It ends up creating a scenario where you teach the audience that it's bad to rise against your oppressors, it's bad to want change.

So what could they have done differently? Without completely redoing the quirk fantasy, the simplest answer would be to REDO THE SYSTEM! They hinted many times in the series it needed to change somehow and just never did. Normal civilians even wanted it changed, not just the villains! But it just doesn't change. They needed to put more focus on that push not just from the villains but from the innocent civilians as well to prove it's something that needed to change. But it never will. It's fiction and the book is closed.

But just because it's fictional doesn't mean it doesn't represent real world events. The story teaches negative things about marginalization and how we should never make a stand. It's like telling all the women right now in America to not be angry their anatomy and rights are being taken away from them. It's telling those women to love the man who is doing this to them. It's telling queer people to just accept they can't get married or transition anymore. It's telling us there is nothing to be done. But remember that isn't true! If you keep fighting things could change. It unfortunately may not be in your lifetime, but at least we can try to make things better for the future generations so no one has to hurt like the LoV did, like real people do today.

[ohnoitstbskyen]

The weirdest thing to me about League is that for some reason in a pool of amazing characters my brain latched into Lux of all people. Why? Who knows but I want her to leave Demacia and hunt down Nocturne and meet people who grew up with magic and accept her as she is and she learns through these experiences that she has to return home and really take a stand.

Why Lux. Why did it have to be Lux and not... idk Veigar or smth

Lux has a compelling story - not an especially original one, but a compelling one, built on compelling tropes.

She's this sheltered girl raised in privilege, who should have every reason in the world to simply embrace her fortune, go with the flow and live as her family wants her to. The Crownguards are more than capable of protecting her from the persecution that Demacia heaps on every other mage and magical creature, and more than happy to, so long as Lux lives up to the family name.

And yet... she can't do it. First of all, as she grows up, she becomes ever more sickly aware in her soul how inhuman the treatment of mages is under Demacian law, the brutality and oppression that is leveraged against them, all to prop up the legitimacy of the government. Second... she doesn't want to repress her magic. She has a light inside of her which is intrinsic to her being, a true and natural extension of who she is, how she exists in the world, and pushing it down and denying it is painful. She is full of curiosity about it, and eager to see what she can do with it, but she cannot be both a free mage and a Crownguard.

Lux is, in other words, a queer trans nonbinary lesbian genderqueer aroace gay gay gay homosexual gay. Or, to be less flippant, in her story magic is an extremely apt metaphor for queerness and how to navigate being queer in a bigoted environment.

It also works for other things, of course, there are other reasons to feel stifled and trapped by the rules and restrictions of society or by the demands of your family. Lux could also be a secret socialist, and the oppression of mages could reflect the way the bodies of the proletariat are abused to build capitalist state power - or you could read it as a theme of neurodivergency in a world that is still run on a lot of eugenicist logic. Although to be perfectly frank with you, if Lux is cishet, then I am a honey badger, her magic power is literally rainbow lasers.

So there are themes there, there are things to relate to, to hold on to, to be carried away by. There's a lot of great characters in League of Legends, all of which deserve better than to be owned by Riot Games, and Lux is one of them.

Also, her best friend is a building-sized himbo dragon statue which comes to life when she uses her magic around him and gives her friendly life advice while musing about how much he wants to punch kaiju in the face, which, like, I don't know how to NOT be charmed by that.

[shamelessexplosions]

What I've learnt about the Batfamily from Tumblr

I know nothing about Batman - I have never read a comic, I have never watched a Batman series or cartoon or movie with him in it (except from that one scene at the end of wonder woman). This is what I have learnt about the members of the Batfamily entirely from tumblr and other social media.

1. Bruce Wayne

Bruce Wayne is Batman, and his superpower is being richer than God.

He lives in a mansion in Gotham, which is basically a city entirely made up of psychos

He cannot stop adopting children

Like I'm pretty sure he sees a child on their own with a vaguely traumatic backstory and has to adopt them.

Probably carries adoption papers in his utility belt for that very purpose

I'm not entirely sure how many children he has but that's okay because I don't think he knows either.

When he's in the mask his voice is really deep and he keeps saying "I'm Batman"

When he's not he acts like a complete idiot but probably tips a waitress by paying for their collage tuition

His parents are dead and this is very important - in a world of orphans, he is THE orphan

2. Dick Grayson

Bruce Wayne's oldest adopted son

He was in the circus as an acrobat until his parents died in front of him

I think they were murdered

He was the original Robin

Then he got bored or something and moved to somewhere called bludhaven which honestly sounds Norwegian, and renamed himself Nightwing.

Has extreme big brother energy

3. Jason Todd

Robin #2 because apparently there's a second one

I think he met Bruce after stealing the tires off Batman's car (the batmobile?) and then hitting him with a tire iron which is such a power move, especially for some random kid

He died but it's ok because he fell in a pit and got better

He renamed himself red hood and became a mass murderer for a bit

I think it was just a phase?

He was trained in the way of murder by someone called Talia. He either slept with her or was adopted by her.

I hope it's the second one because I know Bruce slept with her

Likes guns

4. Tim Drake

I think he stalked batman until he found out he was Bruce Wayne

In other words this random kid did what no megalomaniac with a grudge against the furry that routinely beats them up could

But then I think he was Bruce's neighbour pre-adoption so maybe he just noticed batman flying out from under the mansion each night, which says something problematic about his secret identity

He became robin too like how many robins does one city need?

Jason refers to him as 'replacement' which seems cold given 1. He himself was a replacement and 2. tim got replaced as well

I think he's Red Robin now, so clearly not too interested in change.

5. Damien Wayne

Bruce's biological son with the aforementioned assassin/murder trainer Talia.

Was in something called the League of Assassins but left to find his father, which given the name is the League of Assassins sounds like a smart life choice

Talia may have sent Damien to Bruce so she didn't have to deal with a teenager, but it also sounds like he left after an argument with his grandfather and League head-honcho Ra's so not sure whats going on there

Also Robin but I think at this point someone is taking the piss - possibly Batman

Feral Child(tm)

Likes swords

6. Cassandra (Cassie/Cass) Cain?

Maybe her surname is cain? Or maybe it's not?

I'm really confused because I'm pretty sure there is both a Cass and a Cassie in the Child-soldier Justice League and I think one of them is a bat-family member and one of them has something to do with Wonder Woman and they may or may not be the same person

Was an assassin involved in the same organisation as Jason and Damien

Is this where Bruce Wayne is finding his kids?

Was a Robin too (yay for feminism, boo for originality? Get some other names for your feral murder children Bruce)

Now called Spoiler and likes purple

May have at one point been batgirl?

7. Duke ???

Honestly I have no idea, I've just seen his name a couple of times

He was probably Robin at some point - they all appear to have been Robin at some point

I think he likes the colour yellow

8. Stephanie Brown

Another person that I have only vaguely seen the name of

She might have dated one of the batkids, Tim maybe?

May or may not be a batkid herself

May be batgirl, or maybe that was Cassandra, or maybe both. There have been so many robins nothing would surprise me

9. Barbara (Babs) Gordon

Daughter of a police commissioner

hacker

Her father may or may not be aware of her extracurriculars, but Commissioner Gordon has a massive flashlight for summoning batman when he needs help with a case so I don't think he has any room to talk

Goes by Oracle

Not a proper batkid but I doubt that stops her being on the family Christmas card

May have at one point been a Batgirl?

But at this point I'm just guessing everyone was batgirl

Maybe Duke was batgirl!

May use a wheelchair but I'm not certain

10. Alfred Pennyworth

Indeterminate age, may be immortal

Bruce's bulter

Raised Bruce Wayne, but still calls him 'Master Bruce'

Also refers to the batkids as 'master xx'

May or may not be sarcasm

English, ex-army and all-round exceedingly polite badass

Correction, he's English, I can say with confidence it is sarcasm

That is all the people I can think of, sorry if I missed anyone

[snarksalon]

In Defence of Tsuyu....

The Hospital scene is, I think, one of the most misinterpreted scenes in the series and it fuelled a lot of Tsuyu hate. The scene is written clumsily, but the underlying point that Tsuyu is making isn't naive. Tsuyu is commenting on the separation between law and morality and demonstrating that the two in many circumstances may not overlap.

In Hero Society, both heroes and Villains exert force over the general population. The distinction is that Heroes are authorised to do so by law and submit themselves to a regime of laws that designate when they are permitted to exercise their powers. Heroes effectively operate in a similar vein to cops, soldiers, et cetera. In Hero Society, Heroes form a branch of the criminal justice system, which is important to note. Restrictions on Cops, Lawyers and Judges exist to ensure that the rule of law is respected and maintained. Often, nebulous moral questions arise. Take for example a police officer who decides to obtain evidence illegally due to their own belief in the guilt of a defendant. Even if the defendant was guilty, the police officer has exercised substantial impropriety and interfered with the defendant's opportunity to receive a fair trial.

There are also instances where a breach of a legal rule is indicative of criminal conduct. Many might claim that it is morally correct for a parent to lie on the stand to prevent their child from being convicted as parents generally have a duty to protect their children. This does not negate that the conduct is criminal and misleads the court. Obviously, there is substantial nuance here, but the point is that Tsuyu is highlighting the fact that a disparity exists between moral and legal obligations.

In Hero Society, Villains disregard the law. Of course, laws exist on spectrums and Jaywalking cannot be equated to Robbery (I do agree that Tsuyu is making a massive false equivalence in the panel). I think Tsuyu saying this post Stain Arc, is a realistic reflection of how she would feel following Stain's ideology becoming widespread. The Stain arc, demonstrates that some heroes are corrupt and directly calls into question the commitments of Heroes to moral good. Tsuyu makes this statement at a time when public scrutiny against Heroes is ESPECIALLY high, and where the boundary between Heroes and Villains is being contested. Later in the story Tsuyu's position on the matter changes, but this perspective was not an unreasonable or ill-conceived conceptualisation of the distinction between Heroes and Villains.

It is also reasonable that Tsuyu advises against taking action. One failure of the Kamino arc is the lack of consequences. Yes, All Might loses his powers but I think letting all of those who go to rescue Bakugo get away unscathed seriously lowered the stakes of the story. Class 1-A are first-year students and are relatively untrained. Even if they are being evasive, they should struggle against the leadership of the League of Villains. Out of all of Hori's writing failures, Kamino has always stuck with me. The rescue group put on objectively terrible disguises and Bakugo manages to hold his own quite successfully.

It is easier to critique Tsuyu's words because of a lack of consequence. If a member of the team had died or been seriously injured, no one would have taken issue with her objections. I think Kamino was a missed opportunity to raise the stakes in the Manga and to build upon the ideas raised in Stain's Arc. This is why Tsuyu's words fall flat, and why her subsequent rant makes little sense.

This scene feels futile and pointless because there are NO consequences for their breach of the law. There isn't even a close call. Hori could have directly linked All Mights Demise to the rescue team messing up or being in the wrong place at the wrong time or generally being inexperienced. OBVIOUSLY, Tsuyu makes an incorrect equivalence but it is something which contains an interesting point and is completely mismanaged by Hori.

Tsuyu isn't wrong to criticise a decision made by her classmates, it is a decision that is reckless and could have endangered others. The rescue team knew nothing of the pro-heroes strategy to recover Bakugo and could have jeopardised that mission entirely. She also isn't wrong for reminding them that as Professional Heroes they are obliged to follow the law and may only use their powers when authorised. Though her delivery is blunt, and the equivalence is clunky (I blame Hori's writing here), she is making apt commentary on the limits of power.

[codenamesazanka]

I've been looking at some old Japanese villain fan tweets about Toga from Chapter 395, and most of them seem pretty okay with Toga's ending - her dying on her own terms. Which is 😕 to me but.

The overwhelming conclusion from both japanese hero and villain fans alike that no matter what, the League will be getting the death penalty. Maybe life in prison, but most agree it's the death penalty for Shigaraki, Toga, Dabi had he been less burned. Even Spinner and Compress, the less notorious members, might be getting it, because they were part of the terrorist cell. Not immediately that we would see in the epilogue, but eventually.

From the book The Culture of Capital Punishment in Japan:

...Murakami noted that “as a general argument, I adopt a stance of opposition toward the death penalty” but then said “I cannot publicly state, as far as this case is concerned, ‘I am opposed to the death penalty’,” because he had acquired “a painful awareness of the feelings of some bereaved families.”

By arguing that he opposes capital punishment but not in this case, Murakami is articulating a sensibility—the death penalty is “unavoidable” (yamu o enai)—that is ubiquitous in Japan’s culture of capital punishment. [...] Japan’s government uses it to ask citizens whether they support capital punishment (a typical survey question asks “Do you agree that the death penalty is unavoidable in some cases?”). The “unavoidable” expression simultaneously suggests that the death penalty “cannot be helped” and that the speaker is ambivalent about this purportedly “inescapable” outcome. The reservations wrapped in the expression suggest that Japanese capital punishment continues to operate because agents of the state (prosecutors, judges, politicians) and citizen-onlookers represent themselves, to themselves and others, as cogs in a machine over which they have little control.

This punishment simply is. Even in this fictional world. Even though a lot of the League were victims. Even if the villains we saw locked up in Tartarus are never put to execution, and the death penalty is only offhandedly mentioned.

And if this is inevitable in the League's future, then why not go out on your own terms? If death is certain, you might as well die by your own hand (Toga), or go out in battle (Shigaraki). (Never mind that Toga's death was preventable, and Shigaraki was possessed and all he got to do was help punch-kill AFO.) Japanese villain fans are upset about Dabi's fate, but from what I saw, it's mostly because he's meeting such a quiet end.

Another thought: perhaps it's because the Villains were saved, they also had to die. If you stay a unrepentant mofo, like Muscular, then you don't have the decency to recognize your sins and allow yourself to die. But if you were saved and recognize your sins, you have no choice but to die for all the deaths you caused.

(Again, I don't think that works quite for the League, who stay pretty unrepentant about the upheaval they caused??? especially Toga, who states that she was gonna skeddadle; but in a way, she recognized that she hurt Ochako, so she gave up her blood.)

(also. to say nothing of Enji and Hawks being alive. or even Nagant. But some japanese fans are at least upset that Enji and Hawks aren't going to receive any in-universe official punishment for what they did.)

[dailytogachako]

Hi...if you don't mind, can I ask something from BNHA? What do you think are Toga and Uraraka’s greatest personality strengths and weaknesses? Why? What do you love about their dynamic? Since what moment that you start shipping them? Sorry if you've answered these questions before.....

Hellooo dnana!! I don't mind getting questions, so don't be shy!!!

one thing i've always loved about uraraka is her willingness to help others and also her empathy. she would never hesitate to help anyone, no matter who it was. i also really liked her backstory, and how she was fighting so that her parents wouldn't have to worry about money in the future. it's something admirable.

which is something funny cause to me, one of her weak points is precisely her empathy and your need to help others. she's always thinking about others, doing everything for the others and this becomes a problem when she ends up not thinking about herself. It is very noticeable how much she avoids talking about her feelings, this becomes more visible when toga dies and she goes to cry on the terrace alone, without asking anyone for help how to deal with all this pain.

her need to help others can end up becoming a bad thing when she realizes that she often cannot help others all the time, which ends up becoming frustrating for her and she blames herself for not being able to help even though she does everything she can. and when I say help others, I mean both ways: saving their lives or trying to help them in small things

Now, talking about toga: she's been one of my favorite characters for a long time, I liked how she expressed herself and how she didn't hate heroes at all (at the beginning of the anime). and I love how little by little we saw more of her backstory and understood why she acted that way, because until then many people considered her a "crazy psychopath yandere"

one great thing about toga is simply the fact that she loves, and that's it. I think it's beautiful how she loves everyone who has blood running through their veins, and as if it were her way of saying that everyone can be loved, including her. she's not afraid to express her love and to say that she loves someone (even if it is in her own way). also she was not afraid to try to be herself, even when her parents and old school friends told her she was weird and a demon. It may not have been the "right way", but she tried, she wanted a world where she and her friends from the league of villains could smile. and i think that's beautiful after all.

and her weak point is: not facing the past

toga avoids her past, avoids talking about what happened because it is something sad and scary. this becomes a mistake when we realize that not talking about what happened in the past can influence the present.

In the final arc, before she dies, she finally faces the demons of her past with ochako, and we realize that there is still a lot of stuff stored away, especially hurt. we finally managed to understand that she's not a bad person, she was just lost and wanted to find someone who understood her. and that she never wanted to hurt someone and steal their blood, she wanted to ask but knew that if she did, they would call her a demon.

I've been shipping them since 2019 (when I started MHA) and i just loved the hero x villain dynamic, it was something cool for me. as the story progressed, I started to like how toga seemed to genuinely like ochako (more than she apparently liked deku) and how uraraka seemed curious about toga, and that she wasn't really afraid of her (which later turned out to be canon)

this shipp is something sweet to me, how ochako sought to know about toga and how she didn't give up until the end. and how toga was so hurt but allowed herself to open up to ochako and talk about what happened. I'm sure if they had a chance... things would have been different.

[axelsagewrites]

Jan Maas*Buttercup

Pairing: Jan x pregnant!reader

Word count: 2479

Warnings: accidental pregnancy, morning sickness, petty arguments, mentions of childbirth but nothing detailed, Jan being the biggest girl dad ever

Requested by @hypocritic-trash-baby (sorry it took sooo long)

Masterlist Here

There were many, and you meant many, downsides to working in a pub but one of the upsides just walked in. the Richmond coach Ted lasso and beard came in pretty regularly already but recently Dani, Sam, and Jan had also become regulars with the latter being the only thing you can think about. Jan mass was tall, handsome, and his jersey number was 13 which was basically fate since it was your lucky number.

“Hello,” his adorable Dutch accent greeted you as Sam and Danni claimed a table. “Three pints please,”

“Hiya and no problem,” you grinned, already holding the first pint in your hand since you knew their order by heart not that it was hard to remember, “How are you?”

“Better now,” he smiled, sipping on the first pint you slid him. “I was wondering if I may ask you something?” he asked, his smile dropping for a second as he glanced to his friends.

You tilted your head but smiled anyway, “Course you can. What’s up buttercup?”

Jan chuckled at this, always finding your expressions funny for some unknown reason to you. however, everyone on the team knew why. The boy was absolutely smittened by you. “Would you like to go on a date with me?”

You almost choked on the pint you weren’t even drinking and for a second his smile faltered before you quickly began to splutter, “Well yes that sounds I mean yes I think I mean fuck-“ you paused, sitting the final pint down before smiling, “I’d like that yes,”

“Okay great,” he said but it came out as a laugh, “Could I pick you up tomorrow? Say seven o’clock?”  he asked as he handed you the money for the drinks.

“Seven. Perfect. I can meet you here if you’d like?”

“Okay,” he said, picking up the tray of drinks before adding, “Buttercup,” with a large grin.

You watched him walk to the table for a moment before turning to Mae, “Could you- “

“Yes, I’ll cover your shift you little pest,” she rolled her eyes before finally grinning, “Told you he bloody fancied you,” As she said this however cheers came from the Richmond players who were now patting a very happy look Jan mass on the back.

-

The first date had gone so well you woke up in his apartment the next morning before he whisked you out for breakfast and a second date. You didn’t actually sleep in your own apartment for the first four days after the date you were that wrapped up. Thank god for the off season.

Jan mass was everything you could hope for. He was sweet, kind, honest, and downright gorgeous which helped. You had been dating for 8 months now before the first problem arose. Sure, you had had petty arguments, but this was far more serious. Two pink lines stared back at you in the bathroom.

“Honey, I need to leave now or ill be late!” Jan Mass called through the flat you had now moved into with him. “Are you okay?”

“Yeah!” you called back, wrapping the stick up in a ton of toilet paper before stashing it in the back of the bathroom cabinet behind the spare toilet rolls. You’d deal with it later you told yourself as you quickly washed your hands and pressed the cold backs of them to your eyes to try depuff them.

You ran out the bathroom with a forced smile, but Jan mass was angrily pacing the room, “I cannot be late,”

“We won’t be late,”

“We will,” you began to bicker as you both ran out the building to the car. The whole way there he complained as you drove, but you saw the way his leg was bouncing. After all each of these games were important if they wanted to make it back to the premier league but his constant petty jabs were not helping the delicate situation.

When you arrived at Richmond he basically ran out of the car, ditching you to find a parking space. Technically he’d been right but by the time you parked he was only 3 minutes late but only to the recommended early start time Ted recommended to get them ready.

After another quick cry in your car, you headed up to Rebecca’s office to meet her and Keeley. “You alright babes?” Keeley asked, her head tilting like a puppies when she saw your eyes.

“Yeah, I’m fine just allergies,” you smiled. Somehow you managed to dodge the rest of their questions as you headed to the stands.

“Look at your man,” Keeley grinned, nudging you as Jan Mass ran onto the field. You smiled lightly and just nodded making her sigh. “What happened babes?”

“Nothing- its just he was being annoying today that’s all,” you tried to assure her, but she gave you that look like Rebecca screamed her team on. “He was just getting all bitchy cause he thought we were gonna be late,”

“Maybe he’s on his period,” she joked, and you felt your stomach drop as you tried to laugh along.

Richmond tied, again, which even though was technically a good thing was just starting to get everybody down. You’d decided to head home before Jan and when he arrived you were in no mood to talk to him. Especially not since morning sickness decided to hit your mid game instead of the expected 8am.

By the time you made it home you honestly just felt like crap and collapsed onto the bed. At some point you must’ve fallen asleep because when you woke up Jan was sat beside you on the bed stroking your back. “Hey,” you muttered, your head falling back onto the pillow.

“I’m sorry. For earlier. I shouldn’t have snapped,” Jan said as he moved to lay in front of you, wrapping his arms around you, “Everything has just been so stressful you know? especially with another tie,” he half laughed but you knew it had been weighing on him, “You disappeared half way thought though. I thought you’d already left but I saw you just before we finished,”

You tried your best to smile but you could tell he didn’t believe you, “Just didn’t feel very well but id never miss a game. You know me,”

“I do,” he smiled, wrapping his arms tight around you and bringing you into his chest, “My little trooper,”

-

You knew you should’ve told him, but you didn’t know how. As you searched online for ways to tell him you fell down a rabbit hole of unhappy reactions. He was already so stressed with football a baby wasn’t exactly going to help with that or fit into his busy schedule. What happens if he has an away match when you’re in labour? Or if he wasn’t ready to settle down? Or if it throws him off his game?

Eventually you snapped under the weight of it all and broke down and told Keeley. She came over in a heartbeat to help you hug it out and try get you excited. “We should go baby shopping!” she said suddenly grabbing your arm, “Cmon it’d be so cute! We can pick up a baby Richmond jersey or something,”

“Okay alright,” you laughed as you tried to pick yourself off the couch to get ready, “And thanks for coming over, babes. It’s just been so hard wrapping my mind around it,”

“I know babes,” Keeley said as you both got ready to leave. You sent Jan a quick text saying you would be back around 5 since he was still at practise, “But hey once you tell him it’ll be a thousand times easier,”

“I hope so,”

“I know so,”

-

Shopping defiantly helped lift your spirit and Keeley even agreed to stash the baby things at her place, but you did take the baby Richmond jersey with you and stuffed it in the bottom of your handbag. You came home all smiles as you opened the front door. “Honey I’m home,” you jokingly called as you tossed your keys in the bowl by the door. “You home yet?”

“In here,” Jan called from the bathroom. You sat your bag down and wandered to the open door, seeing Jan standing in front of the sink looking at something. “I was looking for bandages,” he said softly as you walked in and went to wrap your arms around him, pressing your cheek into his back.

“Oh no are you okay?”

“Yeah um. I hurt my ankle a bit but its fine. What is this?” he asked, his voice coloured in shock however when you looked past him the colour drained from your face.

You started to stutter, all the joy vanishing when you saw his blank expression. “It’s a pregnancy test,” you eventually managed to say, swallowing the lump in your throat.

You unwrapped your arms around him as he turned to face you. “And its positive?” he asked as if he wasn’t holding the literal evidence in his hands.

“Yes,” you said, your eyes falling to the floor as you felt them start to well up.

Jan sat the test down and you have expected him to push past you and straight out the door. but instead, his hands moved to cup your face, his thumbs rubbed over the tops of your cheeks, “I love you. so much. I cannot wait to meet them,” he whispered as you noticed his own teary eyes.

You couldn’t help but laugh a little as you lent up to kiss him, “I was scared to tell you,”

“Why?”

“Encase you hated me,” you confessed, seeing his face fill with guilt, “I didn’t want to ruin you career or throw you off- “

“Football is a job,” he interrupted, “one that yes, I love and yes has become my life. But you are my family. never for a second think you don’t come first,” he said before he tightened his arms around you and you allowed yourself to cry into his chest while he stroked your hair, “We’ll make it work baby. We always will,”

After a few moments you pulled away, “You wanna see what I bought?” you asked while leading him into the living room to get the tiny jersey out the bag.

You turned and showed it to Jan who’s smile somehow got even wider, “See,” he said as he took the jersey, “How could you possibly ruin anything? We’re going to have another player on the team,” he said, and you both laughed this time.

-

You did however make him promise not to tell anyone about the baby however keeping it a secret was hard. Jan’s birthday was coming up however and with the whole team really needing a chance to blow off some steam you both decided to invite them over and tell them at the same time.

The players had completely taken over your flat, every seat was taken and half of them were sat on the floor. Jan however made sure you had a seat. As everyone was sat around the room Ted stood up to give a birthday toast to Jan. “So, a very happy birthday to you my friend,” Ted finished his speech, all the boys giving a small cheer or a clap.

Jan stood up from where he’d been sitting next to you on the couch to take Teds place at the front of the room, “I would also like to thank you all for coming however I have a confession,” he said, looking at you with a wide smile, “I have an announcement to make,”

“Now you better not be quitting on us,” Ted joked making you and Jan both chuckle.

Keeley sent you an excited grin when she realised what was happening, “I’m not going anywhere,” he laughed, “No actually there is someone coming to meet the team. And they are very special to me, so I hope you love them just as much as I do,”

“Is it Zava?” someone asked causing a flurry of conversations and a very loud ‘shut it’ from Roy.

“Someone even better,” Jan said once he finally had their attention again. He pulled the tiny jersey out of his back pocket and held it up, “We’re having a baby,”

To say the team erupted in cheers was an understatement. You were suddenly being hugged by about 20 different footballers all at once who were all congratulating you both. Even Roy gave you a hug it was wild.

-

However, it was not easy being pregnant. Especially not when your stomach suddenly became the size of a large watermelon that weighed what felt like 100lbs. between the stress of Jan’s job and the constant pressure on your bladder and joints there was defiantly some struggles but some how some way you managed and now you were holding a baby girl in your arms.

“She’s so beautiful,” Jan whispered as he sat beside you on the bed. “Just like her mother,”

As you leaned in for a brief soft kiss a nurse knocked on the door, “Hi you have um some visitors?” she said making you look at Jan.

“Who did you tell?” you sighed but he just gave you a sorry smile. “How many are out there?” you asked.

The nurse popped her head out and did a brief count before giving you a sorry look, “20ish people?”

You groaned but internally smiled since you knew your daughter would be surrounded by love. You turned to Jan, “Two at a time. two minutes each. No one gets to hold her, but they get to see her,” he nodded and instantly got up to fulfil your wishes.

The first in were Roy and Keeley. Keeley instantly rushed to give you a hug on the side that you weren’t holding your daughter while Roy slowly wandered over to look down at the small bundle in your arms. “She’s fucking beautiful she is,” he said, voice choked with tears making you and Keeley chuckle.

Jan however was less than impressed, “Hey! Language,” he said rolling his eyes.

“Sorry, sorry. Effing beautiful,” you let that one slide, however. Half an hour later the whole team had finally met her and were content enough to finally leave though they all left some kind of gift for her ranging from baby cleats she wouldn’t be able to wear for months to a massive panda bear from Isaac.

Finally, though it was just you, Jan and your baby again. “Can I take her?” he asked and you of coursed passed her over, “Hi baby,” he cooed as he held her to his chest. “I love you so much. Both of you,” he added, kissing the top of your head.

You smiled up at him, watching how he awed over your daughter. “I love you too,”

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[thats-the-teen-spirit]

Linkin Park - From Zero - Album Review

Well, a few months ago I didn't think that I would write such a review but here we go. So Linkin Park announced their return in September followed by a tour and an album, to everyone's surprise. The new singer after the great Chester Bennington's passing was announced to be the former Dead Sara vocalist, Emily Armstrong. The announcement was followed by many controversies which I'm not gonna touch on in this review, I'm just here, purely for the music, so take all my opinions with a grain of salt.

From Zero (Intro)

A very short, barely even 20 seconds intro is a Queen-like gang vocal/choir harmony followed by Emily asking about the name of the album. It sounds like they recorded her first reaction to Mike's idea for the album name, which is - as Mike mentioned many times throughout the promotion of the album - a double entendre. From Zero means from the ground up, a new beginning which is definitely true for the band after losing a beloved former member and a friend, but also From Xero which was the first name of the predecessor band of Linkin Park. It's genius if you think about it, and by the short and cut end of the intro Emily realizes this as well.

2. The Emptiness Machine

The first single and the song that started the return. The video and the song are both great, though it left a sour taste in some fans' mouth, expecting either a Chester-imitation or someone completely different (rumors were Amy Lee and Deryck Whibley). The Emptiness Machine opens up with a modern beat and Mike's rapping, he even sings the first chorus hinting at something new to come. The second verse starts with Emily singing and while at first I thought she lacks the power Chester had, by the end of the second chorus she proves her place is right among the boys. The lyrics are about an abusive relationship to someone or something which left people thinking about Emily's past (imo the lyrics definitely fit into Linkin Park's past catalogue as well). The passion of the last chorus and the "I only wanted to be part of something" bridge will leave you wondering though: how would this song sound with Chester?

3. Cut the Bridge

Already a non-single with a choppy hard rock riff and octaves, Mike starts rapping and you realize this is definitely a Linkin Park song. In my personal opinion this sound would have fit into The Hunting Party as well as this album. I'm not the biggest fan of the chorus but it's a fun song that might get a few headbangs at concerts. Emily definitely carries this song, the bridge melody by Mike is... not the best, a little jarring and does not fit his vocal style and range. We'll hear a few moments like that in the coming songs.

4. Heavy Is The Crown

Heavy Is The Crown was the second single and the anthem of this year's League of Legends championship which gave to already one of the biggest bands of the planet some extra boost of publicity. If I had to describe this song with old Linkin Park songs I would say this is a renewed version of Faint with the breakdown of Given Up. The beat and the melody throughout the song is very Meteora-era and the "THIS IS WHAT YOU ASKED FOR" breakdown pretty much calls out the fans who wanted a nu-metal banger. It's like they knew their return was controversial and they have to do the maximum nostalgia factor to appeal to the same audience that once loved them. Emily shows her real power in this one, letting out the beast and hinting at what's coming.

5. Over Each Other

A pure Emily song and the third single. Mike is not singing nor rapping in this one, and in the video we see Emily being in a relationship, breaking up and fighting with her girlfriend until the story takes a dark turn when she fakes her own death to get away from her now ex-girlfriend. It's a very honest and upbeat song that really arrives by the second half. The lyrics show a burnt-out relationship that seems to be over soon. This one I cannot even imagine with Chester's vocals, which is the first and the last time this happened during this album. The instrumentals in the second half are (in my personal opinion) very much Minutes to Midnight-like, almost as if Rick Rubin produced this one as well.

6. Casualty

Undoubtedly the heaviest one on the record, there's barely any clean vocals, (even Mike is shouting for most of the song) and there's even a hardcore punk beat in it. This is basically like their song Victimized was on The Hunting Party instead of Living Things. The guitars and drums are filled with rage and in the bridge we hear a new sound from Emily which is very In This Moment/Maria Brink. I didn't expect a hardcore song by Linkin Park but in 2024 even that could happen.

7. Overflow

After a very lengthy intro the song arrives to a space-y, flowy verse which is reminiscent of Deftones and I.O.U, the song Mike recorded with Chino Moreno off his solo record, Post Traumatic. The chorus keeps up the same slow pace and by the bridge I figured that this song would be very fitting to A Thousand Suns. Which is possibly the only song on this record that I can say this about. Like a more modern version of a medley of that album, strange sound and it's not gonna be my most listened song but I think it will find its audience.

8. Two-Faced

Ever wanted to hear a Meteora/Hybrid Theory song sung by a female singer? Well, here you go. Imagine if Figure.09, A Place for My Head and One Step Closer got together on a drunk night and had a lovechild. The verses are also very much like Nobody's Listening, another song from Meteora. The breakdown is so much fanservice to the HT fans that it's almost exactly the One Step Closer riff (even the turntables are there). This will be one of my favorites for sure, it gives me that Cure for The Itch for a old-new HT sound. The fans who can get over to be ready for the new era of the band and only love the first album will be happy to hear this one.

9. Stained

Another song that is hard carried by Emily's vocals, I swear it's like they're doing this on purpose. Mike is one of my favorite songwriters and musicians but man, is he boring in this song. This is the first song where I felt like it's a filler. Chorus melody is alright especially in the last one where it's much more epic, but the verses, the instrumental and the overall vibe of this song is very forgettable. If I wanted to be really harsh I would say, this one is a more pop-ish song of One More Light got rerecorded with a different vocalist and distorted guitars.

10. IGYEIH

IGYEIH or I Gave You Everything I Had is another heavy banger. The riff is very nu metal, reminding me of Burn by Three Days Grace. It's another one that Emily is carrying on her back, her performance is 110% again. Mike's "the clock keeps tickiiiiing" call-ins are very much forced, and in my opinion lack chemistry with the rest of the song. The yea-yea-yea-s by Emily are also somewhat forced before the chorus, the buildup and the breakdown are great though. It's not as mid as Stained but I honestly expected better from the riff.

11. Good Things Go

Probably my favorite song of the album, straight up. The modern rap beat and Mike's work on the rapping and the wonderful vocals by Emily make this composition a pleasure to listen to. Some people I saw online compared it to Leave Out All The Rest, I don't think that is true. While this is a ballad of some sort having very emotional lyrics, it's an unfair comparison to LOATR. The delivery by both Mike and Emily is amazing though and the buildup is one of my favorites of this year, it's both relieving and cathartic. This is this album's take on Good Goodbye and this one undoubtedly wins both the message and the delivery battle.

Overall I'm not gonna lie, I expected more. Upon the second listen I realized that I lost recency bias already. Some moments turned out to be probably the worst in their catalogue while others were highlights of this year's musical journey for me. The singles are definitely the stand-out songs, though Good Things Go and Two-Faced are up among them. Emily carried most of the songs as I mentioned many times before and it's clear that the band's intention was to make the audience love her as much as they loved working with her, even if this effort cast a dark shadow on the rest of the bands' performance.

7/10

[redjadethewriter]

Which Arcane Lady Is Girlfriend or Wife Material?

The women in Arcane League of Legends are some of the best developed animated characters I’ve seen in a long time, specifically designed for adults to watch. Unlike animated characters aimed at children, they cater to an older audience. As someone who enjoys animation and appreciates the quality of storytelling it offers, I want to explore something fun in this blog: using the female characters as an example. My focus will be on whether they would make compatible companions for me. To illustrate this, I’ll draw from my own preferences and experiences, particularly when discussing the qualities of each character. Ultimately, I’ll be determining who fits my standards of being girlfriend material and who doesn’t.

Before I dive in, I want to point out, in the series, Caitlyn and Violet stood out as the more explicit couple. However, Jayce’s relationship with Mel was not as clear-cut. While they hooked up, they were not explicitly a couple. On the other hand, Jayce and Viktor had a stronger, more established connection.

In my opinion, Viktor and Jayce are actually a compatible couple. It’s clear that they were into each other. Although the writers didn’t explicitly state it, Jayce seemed to be attracted to Viktor and displayed a bisexual inclination.

Viktor, on the other hand, is an enigma. He was never interested in Sky. Actually, for a second, I thought Viktor was asexual. However, I soon realized he had a soft spot for Jayce. Viktor probably is Asexual, but it’s important to note that Asexuals can love and be in a healthy relationship as well. But who really knows what Viktor’s sexuality truly is?

But come on, who spends their lifetime trying to get Jayce to save his version of Viktor by convincing him of his beauty, imperfections, and all? It’s worth mentioning that Jayce, in season one, wanted to un-alive himself, and guess who stopped him? Viktor. Throughout seasons one and two, Jayce constantly thinks about Viktor, even during the sex scene with Mel. That’s not just bro love, that’s love-love. It’s a love shared between companions.

However, when it comes to Cait and Vi, in reality, their relationship would never work. Their communication with each other is not the best. And let’s not forget that Cait looks down on the people from Zaun. As for Vi, she herself holds no allegiance to any nation or people. Her love is conditional, not unconditional. That’s why the two women in her life went through a growth phase and changed into people she didn’t like. Vi was judgmental and lacked acceptance. How can two judgmental people be together romantically? They can’t. That’s why Arcane is fiction. Furthermore, Cait completely ignores the fact that Vi is a lower-class citizen from Zaun.

Can you imagine your romantic partner ignoring your heritage, culture, and where you come from, only seeing you as an exception because of their desire for you? This imbalance of chemistry ruling the mind too much and reason too little is problematic. Both individuals are allowing chemistry to guide their decisions, despite underlying issues that would not work in reality. It’s similar to what Vi mentioned to Cait in season one - they are like oil and water. From my perspective, I can confidently state that the composition of oil cannot be changed. While oil and water can temporarily bind with certain tools, they will eventually separate. Cait and Vi, in reality, form a toxic mix. In the show, they serve as red flags to be mindful of. Although they are both attractive characters and share chemistry, these factors alone do not sustain a long-term relationship. Thus, I believe Jayce and Viktor serve as a better example of a compatible couple in the story compared to Vi and Cait.

Now that I have finished explaining my thoughts on the better couple, let’s shift our focus to the characters who I believe are capable of building a lasting romantic relationship. Additionally, I will discuss the reasons for considering these characters and also highlight the ones that should be avoided without any exceptions.

Ambessa

Regardless of how anyone chooses to frame it, Ambessa is a woman to be avoided. Once I discovered the inspiration behind her character, I realized she’s someone we can learn a great deal from. It’s important to be cautious of anyone who finds themselves attracted to her persona. In essence, Ambessa is the female equivalent of Niccolò Machiavelli. The writers were quite clever in their portrayal. They had Ambessa teach Mel about embodying both the Fox and the Wolf, while Machiavelli spoke of being both the Fox and the Lion. Though the terminology differs, the underlying mentality remains the same. The aim is to disable enemies enough so they won’t feel compelled to get revenge. That’s why Ambessa is merciless toward civilians of an empire she takes over. Manipulation is the focal point. Ambessa and Machiavelli share traits such as violence, deceit, treachery, and using others to their advantage. Ambessa passed on these characteristics to her daughter as well.

Now this moves on to Mel.

Mel is another red flag for the very reason I mention her mother as someone to stay away from. While she may have a caring side to some degree, in reality, she’s manipulative. Nonetheless, there are positive traits that can help redeem her negative qualities, allowing her to use them for good. However, I wouldn’t risk myself on that notion unless there was a clear sign it would end up okay.

On the one hand, she can change and not be like her mother. But on the other hand, in the series, it’s something I wouldn’t count on too much. I do give her praise for helping fight Ambessa, but I would still tread cautiously in a romantic relationship with this character. She can swing in either direction, depending on the influences.

Therefore, Mel is a gamble at this point. Getting involved with her could potentially lead her partners into terrible circumstances, both mentally, emotionally, and physically.

Next on this following, the no-compatible trend is Violet/Vi.

The only good thing about Vi as a character, based on my preferences and opinions, is her strength and protective nature. While some may find her attractive, her personality is lackluster. She uses humor as a coping mechanism, but it’s clear that she’s struggling with her own problems. As I mentioned earlier, she’s conditional, meaning she can’t accept her partner changing or evolving. This reminds me of people who resist change and hold onto toxic fantasies and memories, leading to disastrous situations. For instance, Powder, also known as Jinx, wouldn’t have had to save Vi if she had accepted that Vander was gone. Furthermore, Vi lacks loyalty. Her transformation into an enforcer for Piltover exemplifies her chameleon-like nature, lacking a solid individuality. You know those people who change their looks to fit their partner’s tastes? Vi acts like them. Many celebrities engage in this behavior, altering their appearances and personalities according to their partners, but it’s not healthy. Additionally, Vi is not a good listener. Although she is comfortable talking about herself and being vulnerable with certain people, she is oblivious to her partner’s issues. Unfortunately, Vi is too mundane to keep me interested. Her interests revolve around fighting and being tough, lacking the complexities that make a character intriguing. It’s no surprise that Cait told her she was becoming predictable. I can’t help but think, “Cait, she’s been predictable since season one. She is the most transparent character in Arcane.” I have to be honest about this. Vi is just not a mystery, and some people, like myself, enjoy unraveling the complexities of a romantic interest. So, what happens if there’s none of that? Well, there’s only sex. While some people may solely be interested in the physical aspect, that’s not me.

Next on this list is Sevika.

If there’s one goon worthy of falling in love with, it would undoubtedly be Sevika. Despite her involvement in illegal activities, particularly under Silco’s command, she embodies the true meaning of loyalty. Sevika’s allegiance has always been unwavering towards her nation and its people. She aligns herself with leaders who prioritize this quality, such as Vander, until she discovered his lack of loyalty to the community. Sevika, on the other hand, takes immense pride in her work. Even though Silco held the reins of power, she efficiently managed the lanes, ensuring that everything ran smoothly for him. She was the driving force behind the functioning of businesses and the well-being of the people. Despite tempting offers from the power-hungry chembarons, Sevika remained loyal to Silco. In season two, when the chembarons sought to hand Jinx over to Piltover, Sevika stood firm in her belief to never betray their own. Additionally, Sevika possesses a softer side. Her concern for Isha was clear when she and Jinx searched the prison block for her. Sevika’s help in helping Jinx infiltrate Stillwater prison to rescue Isha showcases her compassion. It’s worth noting that their primary aim was to find Isha, with freeing the others being an added bonus. Sevika is not only a protector, but also someone who speaks her mind. Her bluntness stems from a genuine desire to do what is right. Despite her interest in gambling and fighting, she remains a complex and captivating character because of her grounded nature and unwavering principles. For me, Sevika is a dependable partner, someone who can smoothly navigate everyday life. The best part is that I wouldn’t expect anything less from her. She is resolute and unswayed by others, and her loyalty is an incredibly attractive quality. With Sevika, there would be no insecurity or fear of infidelity. She would stand by her partner’s side, no matter what.

Now let us move on to Caitlyn, aka Cait.

You would think that I would place Cait after Vi or before Sevika, considering I talked some trash about her. I mean, Cait is a character who tends to look down on others when unfortunate events challenge her perspective. However, I attribute this primarily to her sheltered life and the naiveness that resulted from her mother not teaching her the harsh realities of the world. I have to admit, Cait’s mother never instilled in her the importance of holding a higher position in life to effect change. The elites hold power over the lower class. So, when Cait was disgusted by how the Undercity residents lived, she failed to realize that it was the upper-crust of Piltover who was responsible for their plight. Instead, when she witnessed the consequences of inequality and the oppression faced by these people, her mind automatically labeled them as animals. Consequently, she dehumanized them. In season 2, she even resorted to using biological warfare tactics in her pursuit of Jinx in the Undercity, disregarding the well-being of innocent citizens. I’m fairly certain there were casualties resulting from her use of the grey. So, when you really think about it, she may have caused more deaths than Jinx. Now, why would I mention Cait, after praising Sevika’s admirable qualities? Well, despite Cait’s transformation into a dictator, there are certain positive aspects about her that I cannot overlook. One of them being her empathy and capacity for compassion when she gains a deeper understanding of things. Her world was shattered in season one, having been betrayed by a citizen of the Undercity for shimmer and taken captive by Jinx in her most vulnerable state. That’s a lot of trauma to endure. Furthermore, she witnessed Jinx launching a rocket at the council. However, in season two, Jinx confessed to Cait that she had no idea her mother was there. This goes to show that Cait is not immune to narrow-minded thinking.

Cait is known for being super analytical and her ability to read people. She pays close attention to those around her, unless she’s consumed with thoughts of revenge. Unfortunately, this obsession blinds her to those who manipulate her, which ultimately led to her letting Maddie and Ambessa into her home. On the other hand, when Cait is not seeking revenge, she genuinely cares about the people close to her and is willing to help them, even if it means sacrificing material things.

One person Cait has a good understanding of is Vi. She can predict Vi’s actions, showing just how observant she is. Cait is not only attentive to her partner, but she also acts as a protector in her own unique way. While she may not possess Vi’s brute force, she adapts and learns new techniques to become a more efficient fighter and protector. She even goes as far as sacrificing her own eye to ensure Mel’s victory over Ambessa.

Like Cait, I can relate to making tough decisions and doing whatever it takes to accomplish goals. Cait maintains a stoic demeanor, but she let her guard down with the people she trusts. Additionally, Cait’s intellect might actually make her a captivating conversationalist, despite her privileged upbringing, which I like that. Her marksmanship skills and classy demeanor add to her appeal. It’s worth noting that in season one, Cait went through a rebellious phase as she sought to find her own path outside of her elite status. This quality is truly admirable. Actually, it’s cute.

Cait handles challenges exceptionally well, especially when faced with skepticism and lack of support. She takes initiative and is willing to take risks to achieve her objectives, refusing to let anyone stand in her way. While it’s unclear if Cait is capable of loving someone unconditionally, her love for Vi suggests that she is. However, Cait needs to acknowledge and embrace Vi’s background, understanding that Zaun and the Undercity have both good and bad individuals, just like Piltover. Cait’s ability to love someone less fortunate than herself is a testament to her character.

I must admit, I have a soft spot for characters like Cait.

Now let us move on to Powder, aka Jinx.

I love both Powder/Jinx. Although they are the same person, my love for them is unconditional. It’s not surprising that Ekko had a crush on Powder when they were kids. Powder is incredibly creative and practically a scientist and engineer, as she creates her own weapons. For instance, she designed her own grenades and crafted guns that perfectly suit her fighting style. Whether she goes by Powder or Jinx, she always likes to make a grand entrance. Even in the alternate universe, Powder showcased her true character - caring, thoughtful, loving, compassionate, and empathetic. There’s just so much to adore about her. Despite her possessiveness, it stems from her fear of abandonment. She simply wants to be useful to those around her. Unfortunately, Vi never really nurtured this side of Powder, and allowing others to bully her didn’t help either. It’s disheartening that we had to witness an alternate universe where Vi is no longer alive to see Powder rise and become the leader. In that reality, she became a solid foundation for her brothers, Mylo and Claggor, and they no longer belittle her, as shown. She even prevented Mylo from embarrassing himself in front of a girl. It’s a stark contrast to the world where Vi is still present. Powder is a vibrant individual with excellent taste in music. She embraces her quirkiness, loudness, and expressiveness. Her thoughtfulness and adorableness shine through when she customized an arm for Sevika based on her gambling habits. Powder pays attention to people and their interests. She even drew in Ekko’s journal, similar to how someone in love would leave love notes for their partner, except hers were cute doodles with hearts. Although she is young in this series, Powder, also known as Jinx, possesses many qualities that could lead to a fulfilling long-term relationship.

Despite the trauma and everything else going on with Piltover versus Zaun, the qualities are still there. Jinx, in particular, exhibits selflessness when the situation demands it. She has shown her willingness to protect those in need, which is commendable. In fact, she offers more positive support than Vi ever did, as evidenced by her actions towards Isha. When Isha had a memory flashback, similar to the one Jinx experienced in Season one, Jinx jumped alongside her, holding her hand. It is clear that Jinx can use her past experiences to forge stronger connections with others in the future. She strives to do things that were not done for her in the past, seeking to provide the support she longed for. This growth from past mistakes shows her commitment to personal development.

Furthermore, Jinx possesses a unique way of being a protector. While she may not have the physical strength of Vi, she compensates with her craftiness and agility. Using her skills as an intuitive gunslinger, she leverages speed and precision to her advantage. This is why I believed that Jinx and Caitlyn would have been a better match as a long-term couple. They complement each other perfectly. Caitlyn desires someone who will stand beside her, and Jinx has that persona to be that person. Not to mention the loyalty factor. Jinx yearns to be useful, always ready to lend a hand to those who appreciate her presence.

Moreover, let’s not forget that Powder can be quite the gangster. Her entrance with the balloon blasting her music was absolutely hilarious. The expressions on Ambessa’s and Caitlyn’s faces were priceless. We should be grateful for her stylish, yet badass persona.

Conclusion:

Who is the better romantic partner, based on my preferences? Well, considering that I relate more to Jinx’s persona, Caitlyn or Sevika might actually be a more grounding partner. However, Caitlyn is a lot less blunt, so I might be leaning towards her. I really admire the discipline she has in her life. On the other hand, Powder’s persona is also quite appealing. I’m not sure, to be honest. Oops.

[graysoncritic]

A (Negative) Review of Tom Taylor's Nightwing Run - What Went Wrong? Villains

Introduction Who is Dick Grayson? What Went Wrong? Dick's Characterization What Went Wrong? Barbara Gordon What Went Wrong? Bludhaven (Part 1, Part 2) What Went Wrong? Melinda Lin Grayson What Went Wrong? Bea Bennett What Went Wrong? Villains Conclusion Bibliography

During a discussion, Dick Grayson Fan C explained the importance of a balanced hero and villain dynamic by describing their relationship as inherently “symbiotic.”  The two, after all, are interlinked, and the success and failures of one affects the way the audience perceives the other. When the audience knows that the hero will win the final confrontation, the questions surrounding how they will do so and what price they’ll pay to achieve said victory is what creates tension. In other words, the way in which a struggle unfolds is just as, if not sometimes more, important than its outcome. 

Note that this symbiotic antagonistic dynamic is not limited to physical confrontations. A good hero-and-villain relationship is also an exploration of the protagonist’s psychology, their motivations, and the thematic questions of a story. A well-crafted villain should not only be providing a challenge to the hero in the battlefield, but also call into question the truths — or lies — that the hero believes in. 

Taylor’s antagonists fail to provide Dick with any such challenges. And, as such, they fail to provide Dick with the opportunity to truly demonstrate who he is and what values Nightwing embodies

To prove my point, I wish to compare Taylor’s handling of Blockbuster with that of Chuck Dixon and Devin Grayson. While I considered also analyzing Heartless in detail as well, because the main Heartless confrontation is currently unfolding as time of writing, and because my main gripes with how Heartless was handled during the beginning of the run have already been addressed in other parts of this essay, I opted instead to keep my mentions of him brief. Furthermore, not only does Taylor’s parroting of Dixon’s and Grayson’s runs makes the comparisons between their Blockbusters unavoidable, but his take on Roland Desmond perfectly demonstrates how his simplistic morality contradicts the nuanced themes of social justice that seem to interest him. 

(Similar to an earlier disclaimer I made on Dixon, I want to make it clear that just because I am comparing Grayson’s run favorably to Taylor’s, it does not mean that I am unaware of the issues present in her own story, nor that I disagree with much of the criticism directed at it. Despite enjoying much of what she wrote, I also readily concur that there are problematic elements to it, and I often found myself questioning her intentions as I was unable to discern them. But that is something that would deserve its own essay and I do not want to further derail this one by discussing the extensive controversies about Grayson’s run and the way it is often regarded by Dick Grayson fans. Regardless of one's opinion of Grayson’s statements, I believe it is unquestionable that she handled Blockbuster’s ruthlessness and the way he personally terrorized Dick through a form of targeted persecution that was mentally and emotionally torturous was leagues above the generic intimidation tactics employed by Taylor’s Blockbuster.)

When I claim that Taylor’s characterization of Blockbuster reveals his simplistic morality, I do not mean to imply that I wish for Blockbuster (or even Heartless, for that matter) to be sympathetic. I do not believe that they must have redeemable qualities that endear them to the reader in order for them to be interesting. While I enjoy the tragic villain trope, I’m also a big fan of the terrible villain who gets under your skin and inspires such hatred that you cannot wait to see them defeated. I believe that just as a person can enjoy both comedies and dramas without thinking one genre is superior to the other, we can also have all sorts of villains and enjoy them on their own terms. 

That being said, I do expect villains to be interesting. I expect them to be meaningfully contributing to the story not only in terms of narrative conflict, but in challenging the protagonist, in creating stakes, and in being in conversation with the themes explored in a story, whatever those themes may be. 

So know that when I am criticizing Taylor’s villains, I’m not doing so because I wish they were completely different characters from whom they were intended to be. When I critique their simplistic morality, I do so because Taylor invited such criticism when he coated his run in the veneer of social and political justice commentary by alluding to real world problems and trying to show how Dick Grayson would resolve them.

Let’s start by defining who Roland Desmond is, what conflicts his presence generates, and what he is meant to stand for in the narrative. 

When examining Redondo’s design for this character, their intentions come through almost immediately: Blockbuster is meant to be threatening, corrupt, and ruthless. He is meant to be the type of oppressor who enriches himself at the expense of others. He yields his power to remain on top of the food chain, shamelessly bribing politicians and threatening his enemies. He will stop at nothing to retain control, he will not hesitate to destroy those who so much as dare to think about standing in his way. He has no sympathy for others, he does not care about their suffering, and he will gladly sacrifice their lives and the lives of their loved ones to get what he wants. All of these characteristics are physically manifested in his design, in which his oppressive frame demonstrates how he overpowers others and his giant hands are shown to be the type that could crush one’s bones just as his shadowy reign over Bludhaven crushes the city’s soul. 

(Taylor, Tom, writer. Redondo, Bruno, illustrator. Leaping into the Light Part Two. Nightwing: Rebirth. 79, e-book ed. DC Comics, 2021. pp 14)

We can see this also through the dialogue of the story. For example, in #81, Melinda gets sworn in as mayor and Blockbuster’s men, in order to demonstrate the power they have over the politicians in the city, give her a suitcase full of money as a representation of the bribes that will be coming Melinda’s way.

(Taylor, Tom, writer. Bruno, illustrator. Leaping into the Light Part 4. Nightwing: Rebirth. 81, e-book ed. DC Comics, 2021. pp 04)

Melinda, in order to continue her work undercover, plays into that by stating in a line that is as devoid of personality as it is of subtlety that, as mayor, she will make them all wealthier.

Similarly, in #83, Blockbuster states (also with little personality and little subtlety) that he owns the courts, that he sees himself as entitled to Bludhaven, and that because of the power he yields, he sees himself as invincible. 

(Taylor, Tom, writer. Redondo, Bruno, illustrator. Leaping into the Light Part Six. Nightwing: Rebirth. 83, e-book ed. DC Comics, 2021. pp. 08)

Nightwing reaffirms this idea in that same issue when he says (also devoid of personality, subtlety, and this time charm or wit) that Blockbuster is “everything wrong with this city in one convenient, oversized package.”

This is what the conflict between Blockbuster and Nightwing is meant to symbolize — a struggle for the city’s future. Will Bludhaven continue to crumble under Blockbuster’s rule, or will Nightwing free it from his corrupt grip so that its citizens can finally have a chance to thrive? Even in the 1996 series, during both Dixon’s and Grayson’s runs, Blockbuster did not pose a threat to Dick’s morals or his world view. He did not make Dick question the way he saw people. Blockbuster’s targeting of Dick Grayson and his loved ones demonstrates how those with privilege go after the people who are fighting for change. Dick’s exhaustion and hopelessness mimics the same sense of helplessness one feels when it seems like the entire world is against you and the consequences for doing what is right can seem too great of a price to pay. 

For this reason, Blockbuster does not need to be complex. He does not need to be sympathetic. But he does need to be powerful, threatening, and ruthless. He must push Dick to the edge, to make it seem like all it is lost, and in turn, when Dick finally pushes through and wins, it is a victory on both a personal and a societal level.

And this is where Taylor fails miserably. 

Now, I have stated previously how, despite Taylor’s attempts, his rendition of Blockbuster comes off as flatly incompetent rather than threatening. I have discussed this under the context of how it influences the way Dick’s and Bludhaven’s portrayal. Now, I wish to dig deeper into this issue. 

We are told of countless attempts on Dick’s life, but the only ones shown are overcome by Dick and his allies with ease. Either that, or the tension is undermined by a one-line joke or a general tone of casualness that fails to properly convey the stakes of the moment. Any threat that could have been created with Haley’s kidnapping or any intimidation tactic is destroyed by the gimmicky nature of the issue. This makes Blockbuster less of a threat. 

And yet, we are told by Wally that Dick is stressed and overworked. But because there is not a lot of tension on screen, that telling rings hollow. The reader is not shown that Dick is overworked, and he is not shown truly struggling alone against the obstacles he does face, so this idea of Dick coming apart at the seams because of Blockbuster is not something the reader gets to truly experience. As a result, it often appears that Dick is coddled by his loved ones as everything always ends up alright with little effort made on their part. Rather than witnessing true danger take a toll on Dick, we are simply told this is something that is happening. 

(Taylor, Tom, writer. Redondo, Bruno, illustrator. Get Grayson Act Three. Nightwing: Rebirth. 90, e-book ed. DC Comics, 2022. pp 16)

By comparison, when Grayson first wrote this same story nearly twenty years ago, she made it carry weight. She made it have consequences. While Dick was already coming apart from a myriad of different stress factors that unfolded on screen (overworking himself as Nightwing, as a police officer, saving Amy from Deathstroke, being fired from his job, Babs breaking up with him, and finally the circus fire), it was the explosion that made Dick fall apart, serving as the catalyst for his downward spiral. As Dick hunts down those Blockbuster employed, the readers get to see Dick’s exhaustion, Dick pushing himself to his limits, sleeping on fire-escapes while wearing his Nightwing uniform because he cannot bring himself to stop.

(Grayson, Devin, writer. Zircher, Patch, illustrator. Rekindle. Nightwing no 91, e-book ed. DC Comics, 2004. pp. 15)

Similarly, when the Judge returned to Bludhaven in The Untouchable, we see Dick keeping count of the bodies he left behind, we see Dick push through a bullet wound and beatings, we see him chase the Judge restlessly while neglecting his personal life. In both cases, we see the consequences of what Dick’s failure means, we see him struggle with those outcomes, we see what is at stake if Dick loses. And that, in turn, makes us not only care, but become invested in his success. 

(Humphries, Sam, writer. Chang, Bernard, illustrator The Untouchable: Chapter Four: Infiltration. Nightwing: Rebirth no. 38, e-book ed. DC Comics, 2018. pp. 19)

By contrast, in Taylor’s run we never see any of that danger, and the few times we are presented with some threat, the conflict is handled with laughable ease. Blockbuster’s plots are foiled without Dick ever needing to do much of anything as he mostly relies on others to come to his aid. In this Nightwing solo series, the Titans, Batman, Robin, and Batgirl often do much of the hero-ing. Rather than putting the spotlight on Dick as a hero, Taylor lets others take the center stage, making this into an almost ensemble book. Because of this, the idea of Dick being near a breaking point, exhausted, and feeling unsafe wherever he goes is not supported by the narrative. By not giving Blockbuster a win, Taylor undermines the story he is attempting to tell. 

This continues on through Nightwing #91. While Wally and Dick’s friendship were portrayed rather nicely, the villain that Taylor so ominously built up is taken down with an ease that is devoid of tension. The villain who is supposedly so good they’ve kept their existence a secret from Batman himself is quickly undermined by Taylor’s unwillingness to have his characters struggle. 

(Taylor, Tom, writer. Redondo, Bruno, illustrator. Get Grayson Act Three. Nightwing: Rebirth. 91, e-book ed. DC Comics, 2022. pp 16-17)

Besides the poor execution of his plans, however, it must be stated that Blockbuster’s plans and his motivations are poorly developed. Again, I’m not saying that Blockbuster needs to have a single sympathetic aspect to his character, but he does need to be threatening, and he must have some internal logic. Looking at the story Taylor has created, I wonder… Why does Blockbuster care that Dick Grayson created the Alfred Pennyworth Foundation? Why does he care about the creation of Haven? I understand that Blockbuster is meant to be a corrupt crime boss who wants to retain control of the city, but how does Dick building Haven interfere with his plans? Why was one billionaire throwing his money around to help homeless youths a bleep in his radar? Blockbuster already has politicians and the police force in his pocket while Bludhaven’s systems were constructed to benefit him and those who endear themselves to him. So why is he so focused on destroying Dick Grayson and not Nightwing?

I am trying to restrict my comparisons to DC Comics media, but in this, I cannot help but think of President Snow’s portrayal in the Hunger Games movie adaptations. In a movie-only scene, President Snow tells Seneca Crane about the importance of having a winner in the games. He explains how it is about letting the people have hope. As he put “A little hope is effective, a lot of hope is dangerous. A spark is fine, as long as it's contained.” 

In other words, giving the people a spark of hope to keep them distracted can help prevent mass mobilization required to disrupt the system. Give them a goal to focus on, and you can redirect their attention. It would, then, be far more sinister and make far more sense from a narrative standpoint if Blockbuster allowed Dick to focus on his one project so that instead he would not turn his attention to Blockbuster. Perhaps he could have attempted to manipulate the project from within, folding it into Bludhaven’s corrupt social systems. Dick would have been that little spark that Blockbuster could have cultivated, giving the people of Bludhaven "hope" so that they would focus on that and not on what is going on behind the scenes. The narrative arc, then, would focus on Blockbuster failing to contain the spark as Dick became the flame that breathed true systematic change.

I do not want to dwell too much into fixes, as I merely wished to analyze Taylor’s run and not to go full on script-doctor and rewrite the entirety of his story. Rather, I just wished to use that as an example of how Blockbuster does not have sound plans or internal logic, and that, too, contributes to how his character comes across as incompetent and nonthreatening, and as a result, even his supposed ruthlessness is undercut.

Taylor’s Blockbuster does not have a concrete goal. He wants power and money, yes, but for what purposes? And how does he acquire said power and money? Why is he threatened by Dick Grayson’s personal project? How are his intimidation tactics challenging Dick in an interesting way? How are Blockbuster and Nightwing meant to narratively play off each other? How are Taylor’s Blockbuster tactics any different from a generic villain with any other name?

To be fair to Taylor, I do not believe Dixon managed to fully nail this part of Blockbuster’s character. I did not find Dixon’s writing of Blockbuster to be a particularly compelling part of his run. However, Dixon countered this lack of substance by leaning into what Blockbuster was meant to represent — the system inside the machine that allowed evil to flourish. Blockbuster’s influence may have been everywhere, but Blockbuster himself was hardly ever confronting Nightwing directly. Dick was fighting a war on multiple fronts, and while he could stop an enemy on his right, two more appeared on his left. The way the struggle between Blockbuster and Nightwing played out during Dixon’s run emphasized why protecting Bludhaven was so difficult — because there were so many immediate crises that needed to be dealt with on the surface, it was difficult to get to the root of the problem.

This was why, during Dixon’s run, Blockbuster could remain a threat even if he would remain unseen for long stretches of time. And this was why when Dick stopped one of the underlings, Blockbuster himself could remain an intimidating force. Blockbuster’s machinations were varied — some of his plans targeted Nightwing directly; others Dick only stumbled upon when investigating a matter he believed to be unrelated. Furthermore, the limited number of allies and the prospect that Blockbuster could only be taken down for good once his grip on other institutions of power and influence were weakened emphasized just how this was no ordinary fight, but rather a mission requiring Dick to operate on multiple fronts and strategize on a long-term basis. 

Taking down Blockbuster was a multi-step process. Each of said steps offered their own challenges and opportunity for storytelling, for fleshing out Bludhaven, and for allowing Dick to grow as the protagonist of the story.

Dixon’s approach to Blockbuster requires Blockbuster to stay in the background, looming over the city as Dick fights his way forward. It’s why he remains present for all 70 issues of Dixon’s run without undermining Dick’s competence or his dedication to his city — as a stand-in for corrupt power, Blockbuster himself is not an immediate threat even if he is the powerful underlining one. Dick must constantly fight others in order to eventually be able to fight Blockbuster. To borrow video-game terminology, Blockbuster is the final boss, and Dick must first go through a myriad of levels and smaller enemies before he gets to finally take down Blockbuster for good. 

It was Grayson who made the conflict between Dick and Blockbuster personal and, as a result, far more sinister. After the death of his mother in a car pile up caused by Nightwing’s activities, Blockbuster was determined to get his revenge on Nightwing. After finding out Nightwing’s civilian identity, Blockbuster came up with a chilling plan that was specifically made to destroy Dick from the inside out. Blockbuster understood that Dick did not value his own life, but rather, those of the people around him. And so, he decided that rather than killing Nightwing, he would instead kill everyone around Dick, tormenting and terrorizing him until he felt as if he were poisonous. What was so poetic about this strategy was that it mirrored what, in Blockbuster’s eyes, was Nightwing’s biggest sin: the danger he imposed on others through his actions which resulted in the death of Blockbuster’s mother. 

As you can see, in this scenario, Blockbuster has become more of a proper character rather than just a stand in for corruption. That is not to say that wielding power for self-serving purposes at the expense of others isn’t a factor in his character during Grayson’s run, but rather that while Dixon’s Blockbuster was more of an embodiment of an idea, Grayson’s was more human, with more personal motivations. One approach is not inherently better than the other, they simply lean towards opposing sides of the spectrum, and that affected the type of story told and the type of confrontation Dick and Blockbuster had during their runs. 

Because Grayson took a more personal approach towards Dick and Blockbuster’s dynamic, she also fleshed out their relationship to the point that it was not generic. Blockbuster’s campaign of terror against Dick was intimate, for it was something that could only have played out between these two characters. And while Dixon laid out the groundwork to build Blockbuster into a threatening figure by the time Grayson took over the title, Grayson’s strategy to have Blockbuster go after those around Dick allowed her to have Dick win and lose simultaneously. 

Blockbuster starts his campaign of terror slowly. First, getting Tarantula to contribute to Dick and Babs’ breakup. While she is not the sole reason why they break apart — they are shown to have had some tension long beforehand that comes from incompatible personalities and desires — she does become a factor in their falling out. This ends up isolating Dick even further, who was already stressed due to the fact he lost his job once his boss and superior Amy discovered he was Nightwing.

(Grayson, Devin, writer. Zircher, Patch Snowball. Nightwing. 87, e-book ed. DC Comics, 2003. pp 17 - 18)

Then, Blockbuster strikes closer to home by hiring Firefly to set fire to the circus Dick grew up in. While Dick was able to save many people who were inside the tent (and had his own life saved by Zitka), over twenty people lost their lives in this incident. 

(Grayson, Devin, writer. Davis, Shane, illustrator. Flurry. Nightwing no 88, e-book ed. DC Comics, 2003. pp. 16)

While that certainly worked in breaking Dick’s spirit, it wasn’t until Dick’s building exploded that he realized this was a targeted attempt to get to him. All of those innocent people died not because Blockbuster was trying to kill Dick, but rather, because Blockbuster knew that their deaths would destroy him.

(Grayson, Devin, writer. Zircher, Patch, illustrator Avalanche. Nightwing no 89, e-book ed. DC Comics, 2004. pp. 12)

What follows is a downward spiral that demonstrates just how thoroughly Blockbuster is able to break Dick. Even as Dick gains new ground by taking out some of Blockbuster’s hired assassins, the threat still looms over him. And even when it seemed like Dick finally found a way to take down Blockbuster for good, that hope is snatched from him. The anger and helplessness Dick experiences in this moment truly speaks to the same feeling many of those who stand up against their oppressors feel whenever they are faced with setbacks in their constant battle. 

(Grayson, Devin, writer. Garcia, Manuel, illustrator Flashpoint. Nightwing no 92, e-book ed. DC Comics, 2004. pp. 21)

The carnage continues. The reporter who had uncovered Nightwing’s identity and just so happened to be standing next to Dick is mercilessly shot dead in front of Dick’s eyes. 

(Grayson, Devin, writer. Zircher, Patch, illustrator. Slowburn. Nightwing no 93, e-book ed. DC Comics, 2004. pp. 07)

And as Blockbuster chases Dick down, putting others in harm, we can see as Dick tries to protect innocent people around them that Blockbuster will not stop. He will not rest.

(Grayson, Devin, writer. Zircher, Patch, illustrator. Slow Burn. Nightwing no 93, e-book ed. DC Comics, 2004. pp. 10-11)

Blockbuster says it himself in a speech where he lays out exactly what his plans for Dick are. Dick is at a breaking point. The enemy, huge and impossible to overcome, towers over him. As the climax reaches its crescendo, Blockbuster asserts his power by mocking Dick and laying out a future in which Dick can never escape this hopeless terror. This city belongs to Blockbuster. Dick is powerless. There is no winning.

(Grayson, Devin, writer. Zircher, Patch, illustrator. Slow Burn. Nightwing no 93, e-book ed. DC Comics, 2004. pp. 13 - 15)

This speech is visceral. Personal. Evocative and filled with character and emotion. These words could not have been uttered by anyone else but Grayson’s version of Blockbuster. And they could have not been directed at anyone but Dick at this very moment. This speech has specificity that was purposefully crafted to raise the tension of this moment to its fullest potential.

By comparison, Taylor’s “I am this city” line is generic. Like much of his dialogue, it lacks character — nothing about what Blockbuster says feels distinctive to him. Nothing sets it apart from how other characters speak in Taylor’s world, and nothing about it is unique to this particular confrontation. Even the way he bangs his hands on the ground like a toddler throwing a tantrum (and resulting in Dick’s second unmasking in this run) is childish and undermines the tension of what is meant to be a climatic moment.

(Taylor, Tom, writer. Redondo, Bruno, illustrator. The Battle for Bludhaven’s Heart Part Four. Nightwing: Rebirth. 95, e-book ed. DC Comics, 2022. pp 20)

The themes in Grayson’s run are not the same as the themes in Taylor’s run. However, Blockbuster still invokes the threat of an oppressor. By isolating Dick from his support system, his terror and the helplessness it generates are intensified. Rather than making Dick question his own morality, he makes Dick doubt his abilities to be a hero.

While Dixon used Blockbuster’s intimidating build and power to explore the ways in which systematic corruption is responsible for the immediate evils we encounter in everyday life, Grayson used those very same characteristics to explore how one copes with being oppressed on a personal scale. Grayson’s Blockbuster pushes Dick to the darkest place he’s ever been, and the aim of her run was to see how he would be able to put himself back together again after he lost faith in his ability to make a difference.  

Those two runs demonstrate how Blockbuster’s grip on power can be used to oppose Nightwing in two very different ways. Dixon’s approach requires Blockbuster to stand at a distance, the unseen machine that Dick will have to eventually destroy. This allowed Blockbuster to remain Nightwing’s main opponent for all 70 issues of Dixon’s run without ever calling into question Dick’s competence or his dedication to his mission as Blockbuster, the themes he embodied, and the struggle Dixon built clearly signaled that, no matter how great Nightwing was or how much he might wish to do so, the circumstances were not at a point where Dick could take on Blockbuster and succeed. By contrast, Grayson shifted Blockbuster from a long term, simmering threat to an immediate and personal one. This, though, also meant that the conflicts in Grayson’s run were more internal than those of Dixon’s. While Blockbuster was the enemy, the true antagonistic force that Dick would be forced to battle throughout Grayson’s run was Dick’s depression, his self-loathing, and his self-doubt. For this reason, rather than standing in the background while others did his bidding, Grayson’s run pushed Blockbuster to center stage. As he became an urgent threat who was costing people their lives every minute he roamed around free, apprehending him was no longer something Dick could afford to create a strategy around — it was something that demanded prioritization. 

Nearly twenty years later, Taylor’s attempts to merge these two approaches only serves to lessen Dick’s competence and Blockbuster’s threat. Like Dixon, Taylor uses  Blockbuster to represent, as it was plainly stated in his run, everything that is wrong with Bludhaven – the men in power who “have everything and still want to take more.”

(Taylor, Tom, writer. Redondo, Bruno, illustrator. Battle for Bludhaven’s Heart Finale. Nightwing: Rebirth. 96, e-book ed. DC Comics, 2022 pp. 08)

And yet, it is Grayson’s plot beats that he copies by having Blockbuster personally target Dick in a myriad of unsuccessful ways. 

While Grayson’s Blockbuster targets Haly’s Circus, Taylor’s Blockbuster targets Dick’s dog, Haly. While Grayson’s Blockbuster successfully kills Dick’s neighbors, Taylor’s Blockbuster fails to kill Dick’s neighbors thanks to Melinda and Wally’s intervention. 

Because of this personal persecution, Blockbuster becomes Dick and his allies’ priority. However, because Taylor’s Blockbuster’s actions never have any negative consequences; because the humorous tone is always undermining the tension; and because the reader does not get see Dick struggle or fail against Blockbuster’s attempts the way he does in Grayson’s run, Blockbuster’s does not come across as the larger than life villain he is meant to be. Rather, his constant failures, his generic dialogue and unclear motivations, and his straightforward intimidation tactics make him more into a fumbling fool whose powerful position is incidental rather than the result of merciless oppression. 

And yet, he becomes Nightwing’s priority. Thematically, Taylor’s Blockbuster is meant to imitate Dixon’s, but the narratively he acts like Grayson’s Blockbuster. This makes it so he is more of an immediate threat than Dixon’s villain, but less effective in his terror tactics than Grayson’s. 

With the consequences of Blockbuster’s crimes being non-existent plot-wise, the stakes of the plot are never elevated. Blockbuster’s threat remains abstract because in Taylor’s run, everyone who is not an explicit bad guy has plot armor so thick that they cannot be forced into an uncomfortable on-screen situation for more than two or three pages at a time.

The clashing of theme and plot create enough of a dissonance as it is, but the presence of Heartless, who is actively and brutally murdering people and leaving children orphan, only deepens the problem. Heartless’ gory crimes not only overshadow Blockbuster’s failed assassination attempts, but the sheer amount of people who have fallen victim to his deeds creates an urgency and a tension that demands to be resolved. 

Though Dick is aware of Heartless' existence, he does not make the serial killer his priority. When Grayson made Blockbuster’s threat more immediate and Dick became aware of the rising body count, stopping Blockbuster became his sole focus, to the detriment of his own health. Dick’s obsession with catching Blockbuster at all costs helped add to that intimidating aura around him. 

Humphries understood this when crafting the dynamic between Dick and the Judge in The Untouchable. Heroes and their villains have a symbiotic relationship. When the Judge kills people in brutal ways, Dick jumps into action and stops at nothing until he catches him. This shows the audience that the Judge is a threat to be taken seriously, and it shows Dick to be a hero who will always put others first. When Dick fails to take the same approach with Heartless and instead focuses on Blockbuster, Dick comes across as an incompetent and self-centered. 

(Humphries, Sam, writer. Chang, Bernard, illustrator. The Untouchable: Chapter One: Hunter. Nightwing: Rebirth no. 35, e-book ed. DC Comics, 2018 pp. 20)

At this point, one might be wondering why high stake conflicts and ruthless villains are even needed in a Nightwing comic. I have seen many people defend Taylor’s writing by claiming that they enjoy the fact that it has no tension. They like the easiness of it, the slice-of-life nature of his storytelling. And while even his slice-of-life writing is not really my cup-of-tea, I can understand this sentiment. Taylor seems to truly enjoy writing the more sitcom-aspects of Dick and Babs’ life together. It is not the fights, the mystery, the intrigues, the nuances of living a double life that interest him — it’s the taking care of the rescue puppy, the sharing of a pizza in the park, the two childhood friends finally getting to live an idealistic millennial adult life together without having to worry about everyday problems like work, rent, family troubles, or disagreements. He thrives when writing stories that remain static, with simple episodic plots that never truly lead to character development or a change in the status-quo. He excels in quippy yet straight-forward dialogue where things don’t need to be taken seriously.  

And to be clear, I don’t think that is a bad thing. I don’t think slice-of-life or sitcoms are a lesser art form than dramas or action series. Like many people, I too, have been comforted by that type of entertainment. I, too, find escape in those sorts of stories. I daydreamed about a life where I could just enjoy time with my friends without thinking about work, where the worst problem I face is how to avoid going to a party without appearing rude. Those stories have value, they have their place in our culture… But Nightwing's solo series is not that place. 

Now, this will probably be the one of the most controversial things I will say in this entire essay, but despite my love for Nightwing, I do not believe that the Nightwing mantle is Dick’s ultimate true form. 

In DC Secret Files: Nightwing Secret Files #1, Dixon explores the aftermath of Dick being fired as Robin by having Dick confess, with a certain amount of shame, that he always thought that he would eventually become Batman. Bruce understood that and he was preparing Dick to be his successor. Losing Robin, then, means losing any certainty Dick has for his future. Suddenly, he is adrift, not only having lost Robin, but also Batman. And that’s when Clark tells him the story of Nightwing. 

(Dixon, Chuck; Grayson, Devin; Peterson, Scott; writers. Ha, Gene; Scott, Damion; Land, Greg; Stelfreeze, Brian; Guice, Jackson; Eaglesham, Dale; Floyd, John; Jimenez, Phil; Brown, Eliot R.; McDaniel, Scott; Nolan, Graham; Rosado, William; Kuhn, Andy, illustrators. DC Secret Files: Nightwing Secret Files #1. DC Secret Files: Nightwing Secret Files #1 no. 01, e-book ed. DC Comics, 1999. pp 15)

Personally, I think there’s something really special about that idea. The Nightwing story grounded Dick during one of the most uncertain times in his life. Dick wanted Robin and Batman, but once both were taken from him, he created Nightwing as a way of coping with the trauma of having his identity, future, and certainty taken from him.

Braxi concludes his essay On Superman, Shootings, and the Reality of Superheroes by saying that “I don’t need Batman to end homelessness. I need Batman and Superman to provide moral and spiritual guidance to show us a better world is possible. I read Batman to transform trauma into will power.” (Braxi, Steve, “On Superman, Shootings, and the Reality of Superheroes” Comics Bookcase, September 2021)

The same, I believe, is true for Dick. As the character created to accompany Bruce and mirror him in as many regards as he foils him, Dick transforms trauma into power. He makes his own suffering a source of good.

As I said, I do not believe Nightwing to be Dick’s ultimate, truest form. I believe that to claim that Dick’s only happy ending is to have him be Nightwing not only diminishes the importance that Robin and Batman played in his life, but it also undermines what is so unique about Nightwing as a mantle. 

Dick loves being Nightwing. Nightwing is an extension of who he is. But Nightwing is not the only happy ending Dick could have had, and to treat Nightwing as inevitable is to ignore the fact that Nightwing was born out of a trauma and a loss that could have been prevented had the circumstances that led to Dick losing Robin been different. Nightwing means transformation. He means change. Nightwing is a phoenix-like Kryptonian myth, raising himself from the ashes. But for the ashes to exist, a deadly fire must first occur. Nightwing, this great hero of light, can only be born out of pain. He can only arise from conflict.

This is one of the things that makes Dick so special. When he is overpowered, he does not give up. When he is hurt, he transforms that pain into power. No matter how many times he loses, no matter how many times he is lost, he always rises again, with a beautiful smile and an unwavering kindness that inspires others — including Superman, especially Batman — to do the same.

That is why a Nightwing story needs conflict. This is why he needs ruthless villains. That’s why a Nightwing story needs the occasional failure. Because it is only when we see Dick at his lowest that we also get to see him overcoming darkness, showing why he is the best of the best and why we love him so much.

[petervintonjr]

"Our mother has also behind the scene setting forth those motherly cares, the lack of which leaves a missing link in life."  --Martin Luther King, Jr., from a 1950 essay while at Crozer Theological Seminary

It occurs to me that no comprehensive observance of Martin Luther King Day is truly possible without at least some understanding of the man's formative years. Accordingly I'm devoting today's lesson to the study of --and deep appreciation for-- the life and the accomplishments of his mother, Alberta Williams King. The dual tragedies of both her son's murder and her own, often cloud the merits of the lives that came before.

Born in 1904 Atlanta, Georgia, Alberta Christine Williams was herself the only surviving child of Jennie Celeste Williams and the Rev. Adam Daniel Williams of the Ebenezer Baptist Church in Atlanta (yes, that very church, which probably merits an entire entry of its own). Alberta earned a teaching certificate from what is now known as Hampton University in 1924, and married her longtime boyfriend Michael (later Martin) King, Sr. on Thanksgiving Day, 1926. She had intended to embark on a career in teaching but, at the time, the local school board did not permit married women to teach. The couple lived in the Williams home and had three children: Willie Christine (later Farris), born in 1927; Michael (later Martin) Jr., in 1929; and finally Alfred Daniel ("A.D."), in 1930. Martin Jr., would later write at length about his close bond with his mother, and also about the unusual closeness to his two siblings, and would even playfully recollect that his father Martin Sr. "happens to be the kind who just won't argue." While justifiably proud of her children, Alberta was by no means content to settle solely into the life of a mother, and earned her BA from Morris Brown College in 1938. By this time her husband had succeeded his father-in-law as the pastor of Ebenezer Baptist, and had begun using the name Martin --as did his namesake. Alberta had confidently stepped the role of a pastor's wife and not only directed the choir but would also serve as its organist, from 1932 to literally the rest of her life.

Perhaps more significantly than even her church life, though, was her active membership in the NAACP (National Association for the Advancement of Colored People) and the Women's International League for Peace and Freedom. No stranger to the cause of civil rights, Alberta and her husband marched as early as 1930, in protest against segregation laws and Black voter suppression. It is sometimes asserted (even today!) that "true Christians" by definition cannot possibly be advocates for social justice because that would conflict with their beliefs --a bad-faith and frankly racially-motivated argument; one usually put forward by white people whose status quo is being inconvenienced, or who are having their narrative challenged. Alberta was having NONE of that, and her commitment to equal justice under the law clearly had an impact on her children --particularly her eldest son! In the years following Martin, Jr.'s ordination and his emergence into the public spotlight, Alberta frequently appeared alongside her famous son at many of his public appearances, became a target of many of the same threats, and unapologetically advocated for improved voting rights and an end to segregation.

This instillation was clear in her Alberta's other two children as well --perhaps to the surprise of no-one, in the wake of his older brother's April 4, 1968 assassination, youngest sibling Rev. Alfred Daniel (A.D.) solemnly stepped into the role of pastor of Ebenezer Baptist, but horrifyingly this tenure would not last --A.D. drowned in a swimming pool accident a mere fifteen months later. Thus bearing the agonizing weight of now having buried both of their sons, Alberta and Martin Sr. quietly began to step away from public life, but renewed their commitment to their church and of continued service to humankind.

But worse was still to come.

\While playing the organ during Sunday services at her beloved Ebenezer Baptist, on June 30, 1974, Alberta was shot (martyred, really) by a self-proclaimed "Hebrew Israelite" assassin with an unreasoning hate for Black ministers. She, along with another church deacon, died later that day at Grady Hospital. She was just shy of the age of 70. "I thought I had made it through the worst days of my life, recounts daughter Christine King Farris. "I was wrong."

Now more than 40 years after her murder, there has been a renewed interest in Alberta' role as the "First Lady" of civil rights, and a desire to not gloss over her legacy, and what she represented. Visit Alberta's page at the Martin Luther, King, Jr. Research and Education Institute, at: https://kinginstitute.stanford.edu/king-alberta-williams

[tetraharmonic]

Finally jumping on the oc train 👁 👁

I present, the inspector Kira and her other harem!

Aria Bell, second year (kinda self insert imho)

- cannot stand her last name, ready to smack Amano senseless if he doesn't stop singing the Bells of Notre Dame anytime he sees her.

- American Exchange Student, gifted student burnout. Was on track to go Ivy League but her pact got in the way big time, and she spiraled. If it didn't come easy to her, she hated it, and gave up, because she never learned how to work for things until late into highschool.

-Made her pact to protect her younger sister from a hit and run. The demon paused time to give her the one chance, and she took it without even thinking of the consequences.

-Her stigma, Augere, allows her to amplify her own abilities based on her own self confidence and belief she can accomplish it. She used it to enhance her speed and push her sister safely out of the way. It caused an uproar about super humans and all that, which resulted in being transfered to Darkwick. Now, she just uses it to absorb herself completely into her studies and enhance her memory like crazy.

-She can fight, but she doesn't want to. She'd rather dodge, avoid, and outsmart an opponent before it even starts.

-Absolutely thriving in Hotarubi, enjoying her time there as a poet.

-Her artifact is a cloak of invisibility.

- picks at her nails, Kira smacks her when she does, only for Irina to smack Kira for smacking Aria.

Irina/Hisako

-Was known as Hisako while she was alive, but she couldn't remember her name, so she picked one from a TV show she saw as a ghost while haunting a hospital. She goes by that name now, Irina.

-She regained consciousness in a hospital, and kept herself entertained by observing the processes and procedures, as well as enjoying the conversations of both the people there and on the televisions.

-Was believed to be a vengeful spirit, and so, Darkwick sent the Mortkraken ghouls to retrieve her. She turned out to be a Yurei, or a Zashiki-Warashi, as the patients in the hospital had an unnaturally high success rate: she was blessing them all when she could. She came back to Mortkraken willingly, after the promise that she would be helpful to them.

-She discovered ghouls pretty early on, and, as she watched them all, she felt the strong urge to be like them, or at least, able to reach out and touch them. So, despite being only a soul, she sold it all to a demon, naively believing she could defeat it even in this state. Whether she will or not is unknown, but, in making the deal, she's become tangible and can feel things again.

-She can't taste or smell anything, except two things: blood, and apples.

-If the academy finds out what she is, she'll be sent to Obscuary. It'd break her heart though, as she would do anything to be a doctor like her current housemates, and give them a chance to rest since she's unable to sleep even if she wished to.

-Detatchable prosthetic arms. She doesn't have an artifact, so she detaches one and uses it as a flail instead.

-Amano doesn't trust her.

-Has an unusual twitch in her right middle and pointer fingers, and a habit for breaking and entering.

Amano Watanabe

- Squirel shifter anomaly, but don't let that fool you, Irina says he probably has rabies.

-Formerly an apprentice at a temple for a kitsune, with other shifters running the temple (a fox and an elk). Realized he wasn't fit for it and pestered Darkwick to let him in. Quickly also realized once in, he couldn't get out.

-Highly sensitive to spirits, but not nearly as strong as Haku is. Insists Irina is not to be trusted, and isn't an innocent ghost as she claims to be. And it's not because of her pact, either.

-He would wear an "I eat cement" shirt unironically.

-His artifact is a Taiko drum.

-Loves to pester Aria, because he finds it ironic that anyone in Hotarubi would have such a music heavy name. Bells and Arias? Seriously?

-Chilling in Jabberwock, but often doesn't hang out with the others due to the heavy work load.

Kira, Aka Inspector Gadget

-honor student, but with no honor

-consider your shoe rights revoked

-I haven't developed her yet but all I know is that one more order from Jin and she's going to start doing crimes.

-uses metal bottlecaps as currency for favors, as well as other shiny objects.

There is not a single braincell between them, and I am very normal about them.

[p5x-theories]

What We Know About Moko

(last updated 9/17/24!)

Tomoko Noge, codename Moko, is a second-year at Kokatsu Academy in class 2D. She and her best friend, Motoha Arai, both have an interest in baseball, and were in a little league together when they were younger. She joins the team as a “Phantom Idol”, or cognitive teammate.

A separate, summer event version of Tomoko was added in Version 2.1.2, and has a separate post documenting her combat information. Note that Summer Tomoko cannot be on the same active team as Moko.

Previously, in the second beta, her codename was “Kotomo”, however, it was changed to Moko from the third beta onward.

Her Japanese voice actress is Satomi Akesaka.

Tomoko is a Confidant of Wonder’s, available to start after Tomoko's return to school. Her Confidant focuses on her trying different part time jobs with Wonder, in an attempt to figure out what she wants to do now that she can't play baseball anymore. Kotone Montagne appears during it, and Tomoko recognizes and relates to her, wanting to get to know her. More information about Tomoko’s Confidant can be found here.

Tomoko is first relevant in the plot when Wonder sees she dropped her train pass and returns it to her, though she then continues to be relevant as Motoha’s friend who gets scouted for a baseball tryout. She also develops a bit of a crush on Wonder, to her own admittance, though she says it's mostly an admiration of him.

However, shortly after Wonder and Ruferu begin exploring the first Palace, belonging to Takeyuki Kiuchi, the real-world Kiuchi sees Motoha and Tomoko at the train station and attempts to attack Motoha. Tomoko sees what he’s doing, and takes the blow for Motoha, getting knocked over the guard rail and onto the train tracks. She ends up needing to be hospitalized.

Her injury means she can no longer play as a baseball catcher, which causes her to become extremely dejected and hopeless during her hospital stay, to Motoha’s dismay. This ends up motivating Motoha to agree to changing Kiuchi’s heart, despite the possible risks involved.

Correlating with when Wonder, Motoha, and Ruferu open the next area of Mementos, she mentions suddenly feeling the desire to do something, and returns to school after Kiuchi’s change of heart and recovering from her injuries. Ruferu says this is because her desires were returned to her.

Tomoko’s role seems to loosely parallel Shiho’s in the original P5. Motoha and Ann draw a similarity between the two (and their own motivations to avenge their friends) in the P5 Collab.

Tomoko is quieter than Motoha, but not to the point of shyness, and she's no less passionate about baseball. She has little difficulty approaching the protagonist and talking to him despite her crush (though she does get nervous when Motoha more directly tries to push her towards Wonder), and asks him to work part-time jobs with her during her Confidant because she feels more at ease having him there than she would alone.

While Tomoko ultimately seems to be sad about baseball getting taken away from her, she's also enthusiastic about the jobs she and Wonder try, and is always looking for more things to try wherever they go. She seems to take this as a chance for a new experience, rather than solely a bad thing.

She also doesn’t seem insecure about her role as Motoha’s best friend, though we haven’t really seen her interacting in-depth with anyone besides Motoha and the protagonist. She jokingly apologizes to Wonder for “stealing” Motoha at one point when Motoha drops everything to visit her, instead of Motoha’s original plans with Wonder (visiting Takemi's clinic for the first time).

When Motoha and Wonder are planning to talk to Tomoko's classmate Shun Kanou, Motoha actually texts Tomoko to ask her if Shun came to class today, and Tomoko seems to have at least an idea of Shun's habit of eating lunch alone. Though there’s been no indication that Tomoko knows about what they’re doing as phantom thieves, Motoha does seem to rely on her intel. Tomoko also uses her good awareness of her surroundings while working part-time jobs with Wonder (and one of her Confidant rewards is based around it), crediting it to her time as a baseball catcher.

The above is supported by her profile, which has been translated as “She has a calm personality, outstanding observation skills, and is used to taking the initiative to take care of those around her. As a baseball catcher, she won various championships with Motoha when she was young, and she is full of confidence in her strength on the field.”

Moko's Persona Prosymna (based on a naiad who nursed Hera, alongside her sisters) is categorized as a Psychokinesis type, and resists Psychokinesis while being weak to Curse.

Prosymna is a Superior Persona, meaning she’s good at buffing teammates and improving their effectiveness. Her trait gives her four "green leaves" at the start of combat, and another every other round, which she uses for skills. She has a psychokinesis attack skill that damages all enemies and gives her two green leaves, a support skill that costs two green leaves to buff a teammate's attack, and a status skill that costs two green leaves to increase the next damage an enemy takes, with a chance of putting them to sleep. Her passive skills increase the damage dealt by a teammate when she casts a spell on them, and increase the damage done by all teammates to enemies with mental status conditions.

In combat, her melee weapon is dual daggers (though she can also use Summer Tomoko’s fairy sticks), while her ranged weapon is a bow. Her Highlight is shown from 0:09 - 0:20 in this video, and it increases the next damage the target receives, with a high chance of putting them to sleep.

Her recommended card sets are 1) 4 of Coins (Power) + Queen of Cups (Trust), 2) 3 of Cups (Abundance) + Queen of Cups (Trust).

The game recommends teaming her up with 1) Joker.

[fbfh]

oh my gosh- i also love dance academy! i was wondering your thoughts on ethan karamakov as a bf? thank you!

OH FUCKING BOY. First of all, yes. Season 1 Ethan is very different from seasons 2 and 3 Ethan bc he actually had a shit load of character development. In general though, Ethan has had a lot of practice at getting girls to fall for him. like a lot. like a nauseating amount /j but there are two things that really set you apart from his past flings. first of all, you didn't start out as friends with Kat, Ethan met you on his own terms. second, you really didn't fall for a lot of his games like other girls have. similarly to Logan Huntzberger, he's surprised when you treat your relationship as casually as he does. he's intrigued even. but what really gets Ethan to wake the fuck up and realize what a catch you are, how much he likes you and wants to hold onto you, is when he realizes that you're seeing other people too. he sees some guy from third year that he doesn't really know that well chatting you up, touching your arm and making you laugh. and he does not like it. not one bit. so when you show up to workshop the dance he's been choreographing as promised Ethan simply cannot focus on the steps or what a perfect choice you are. he thinks he can keep it together, but he's already letting his feelings slip out when you're warming up.

"So, you and Darren, huh?"

he thinks it sounds casual enough, but you see right through him (which is one of the reasons you're so perfect for him) so of course you just laugh.

"Ethan Karamakov," you chuckle, looking up at him, "are you jealous?"

he gets all blustery and denies it, but by the time you're done going over the choreo he's insisting you both stop seeing other people, and planning a proper date to take you out on this weekend, and the rest is history. and let me tell you, even though this is his first proper relationship, Ethan falls hard and fast for you. he gets so invested in you, in being the best boyfriend he possibly can. He really, really wants to do a good job, and it shows. what Ethan starts to realize what he loves so much about you is that you really don't scare easy. you're such a stable, consistent presence in his life, and it's something that means more to him than he can even describe. he gets so scared that Natasha or his dad will scare you off, but not even his... interesting family can do that. and full disclosure, Kat will probably not like you much at first, only because she doesn't want to fall into the pattern of getting attached to one of Ethan's girlfriends then having them leave when he acts like an asshole. but once she sees that Ethan is actually trying, that he's trying to be a better boyfriend, better brother, better person, when Kat sees that it looks like you're actually around to stay and not going flake at the first sign of trouble???? Congradulations, you now have both of the Karamakov siblings attached to you at the hip. Kat will periodically requisition you for much needed spur of the moment girl's days/shopping sprees (usually when her mom flakes), so now it's Ethan's turn to find out what it feels like to be stood up for a date. you barely have time to explain when Kat takes your phone out of your hand.

"uh yeah, Ethan? there's a sale so I'm stealing your girlfriend - who is waaaay out of your league, by the way-"

"Okay, thanks for that, Kat."

"anyway, you'll get her back later! bye-"

And under other circumstances sure, it would suck to be canceled on last minute, but it actually makes Ethan really happy when those days do happen. knowing that Kat is getting to spend time with someone who's both a positive influence AND is somewhat stable gives him a lot of peace of mind. besides, if Kat approves of you, he knows there must be something... real between you. and something real like that doesn't come around too often. he knows from experience.