#which is incredible on its own but at the same time it's said that the whole point of the dynasty crumbled as soon as the dlc was released

[utilitycaster]

I'm curious about your judgement of the success of the various format experimentations in Campaign 3. If you feel like saying a bit more, I'd be interested to hear your thoughts on which are the most and least successful, and why.

Sure! So as I said earlier today, I think a big problem is that the format experimentation and the moon plot are directly at odds. Pulling off the moon plot, with all the NPCs from past campaigns and payoff of various canonical setups requires a pretty firm hand on what the current canon is, and also really did require a firmer hand in the character creation than there was. On the other hand, the point of experimentation is to let other people play in the space and introduce their ideas. This comes together in what I have referred to in the past as "Not Now." Like, the Crown Keepers showing up just as the party was grappling with FCG's death? Not bad as a concept, but Not Now. Abubakar playing Corellon? Incredible performance, but the fact that he was given free rein in a plot that's already shedding viewers left and right for its lack of direction? Not Now.

On an individual level:

I think EXU Prime either needed to be fully standalone, or Matt needed to provide a slightly more rigid direction to Aabria and therefore really couldn't play Dariax. If it's going to get woven into the main plot of Campaign 3 it needs to set that up (including giving Liam and Ashley a heads up beforehand). My personal vote would be for the former, to allow Aabria to tell her own story without it having to serve like 20 different functions, but what's done is done. If I recall, Liam and Ashley had the option to play different characters for Campaign 3 and I do wonder what would happen if they had decided differently, because you could still have Dorian pop up as a guest but I wonder if the Crown Keepers would have shown up in the same way.

Similarly, as stated, the general concept of the Crown Keepers interlude during the campaign as a means to bring in Dorian? I'm not opposed, though I think this is by far the hardest thing to coordinate generally and for a plot as demanding as Campaign 3 probably not a great idea. But it's hard to judge because the timing was truly the worst timing possible given the events of episode 91, and even delaying by like an episode or two would have at least solved that to the point that I don't understand why they didn't just...do that. (and, just to head off this particularly stupid argument at the pass, this would not have in any way affected Sam's ability to take time off for cancer treatment; it would have just shifted things around, and a lot of this experimentation was planned WELL in advance). [sidebar: I haven't listened to the WBN interlude yet but I do have thoughts because I think interludes from different GMs can be done, but the premise of Campaign 3 is particularly hostile towards them unless the main GM has a very heavy hand in their creation or unless they are light on things relevant to the core plot and mostly for the purpose of worldbuilding a la Song of the Lorelei.]

Solstice split was excellent and I think it's because it was not actually anything you wouldn't see in how people frequently play D&D at home. You have a few players who won't be available for a few sessions in a row? Great, find a reason to split the party, bring some other guest players in, and run some side quests!

Downfall was great because it was diagetic. It was a story within a story that Bells Hells was seeing and responding to, and because it took place so long ago with such specific characters, while it may bleed into how Laura, Taliesin, or Ashley feel in game (impossible to prevent, people bring their own feelings to the table), Matt still has room to decide how the Raven Queen, Wildmother, or Everlight feel a thousand years later. I also feel this had the most direction from Matt, which the other things really needed.

As said, bringing in Abubakar to DM as Corellon is something that again, this plot simply doesn't handle well. It makes for a fantastic scene, but within the 107-and-counting episodes of this story, giving the reins to someone else after you finally have a clear plan and letting them throw another curveball is a terrible idea narratively. I think this again would be fine in a story with a looser plot.

Echoes of the Solstice and presumably the upcoming Vox Machina Malleus Key/Mighty Nein Weave Mind concept is again pretty good. This also fits into things that D&D home games have been doing forever - run a one shot or mini campaign following different characters but DM-ed by the same person that have an impact on the current plot but aren't too closely interwoven. Basically this is like the solstice split in concept.

Essentially: I think playing around with the format within a campaign but having the same GM is pretty easy to do. Once you introduce other GMs acting within the world concurrently (rather than as a story with a foregone conclusion a la Downfall, or for that matter Calamity) you need to be extremely careful if you are trying to tell a specific story with a lot of moving parts, as Matt is with Campaign 3. It's one thing to improvise based on things your players do or say; it's another to do so based on improv by a major NPC or someone doing extensive worldbuilding mid-game that you now need to incorporate. This wouldn't be an issue in a more sandbox-style game; Campaign 2 might have been able to withstand it more gracefully, though I'm still not sure. But Campaign 3 was the wrong place to do it. Again, it's trying to converge in some places and diverge in the others and as a result it's just kind of flopping around in place.

[seekers-who-are-lovers]

Aahh! Finally, Bunshun released the short story about Yukiya’s two mothers, Fuyuki, and Azusa. Plus, the prologue of the fourth book, “The Empty Coffin,” where Yukiya embarks to study in Keisoin Academy and there he meets his classmates.

The short story, however, includes the incident where Yukiya and Yukichi got lost in the woods and a mysterious large bird saved them. It is here! (This is roughly Google-translated, but it is a start!)

Fuyuki was a cold-hearted, bitter, mean, but, above all, a loving woman.

She loved her son and trusted Azusa.

“If it were Azusa, she wouldn't do anything bad to my child, would she?”

It took a long time. Still, Azusa felt that Fuyuki’s real voice finally reached her.

Please take care of my child.

"Yes, that's right, Fuyuki-sama. Yukiya is our son.” Azusa said out loud as she walked.

"So please, Fuyuki-sama. Please protect Yukiya and Yukichi. Please let them go home safely.”

The moment she said that, she felt like the trees were swaying even though there was no wind.

One could see that the moon on the top of the tree was distorted in a strange way.

After a moment, the outline of the moon, which was pale and hazy, became clear and began to emit a sparkling light. With the big full moon on its back, a black silhouette was floating.

Azusa gasped as she fixed her eyes for a while.

It was an incredibly large shadow of a bird.

Even in the main residence of the North Family, where famous horses were gathered from all over the world, she had never seen anything with such a huge body. Azusa couldn't decide whether it was the same kind of species, it slowly approached her.

It landed leisurely in front of Azusa, who was standing up.

The moment it descended, Azusa's hair flew up under the wings.

When she saw it up close, it was still a ridiculously large crow.

She thought it was three times more than an ordinary Yatagarasu.

The black iron-like beak was sharp, and it should be scary, but strangely, it didn't feel like that.

The eyes directed at Azusa sparkled like crystals, and its feathers, even in the faint moonlight, gleamed with a hard, purplish-blue luster. Even without considering its size, there was something otherworldly about it, as if the very air around it was different.

Azusa, who was staring in astonishment, noticed that the crow was holding something in its beak.

What could it be? It looked like a basket.

Then, the large crow, having caught Azusa's gaze, gently placed it at her feet.

"Is this child your son?"

Unexpectedly, a high, clear voice like that of a young boy echoed.

Looking closer, she saw that her sons were sleeping inside a basket woven from wisteria vines adorned with flowers.

"Yukiya! Yukichi!”

She rushed over and clung to the basket as if to devour it.

Yukiya, who was covered in mud, was hugging his brother. Yukichi's eyelids were red and swollen, but neither of them seemed to be injured anywhere in sight.

“Don't worry. They're just sleeping for a bit, but they'll wake up soon. I'm sorry,” the large crow said clearly, tilting its head. “Because I hastily mended the barrier, they got caught in the gaps.”

Azusa was stunned because she didn't understand what the Yatagarasu meant, so he repeated it.

“It means that these children were stuck in a place where they couldn't get out on their own. It's my fault, so please don't scold them.”

Azusa nodded in a daze.

"Are you … Yamagami-sama's servant?"

"...Well, something like that."

"Thank you for helping my sons."

“It was originally my fault. When these children grow up, there may come a time when we meet again. They are good children. Raise them with care.”

After saying that, the big karasu rolled his wings and flew away. Once again, the moon distorted. In the blink of an eye, as if it were an illusion, the great crow melted into the sky and disappeared.

It is up to us to patch everything. I am crying. The story of Fuyuki, Azusa and Yukimasa is heartbreaking. Fuyuki, like Yukiya, hated her side of the family and the nobles. Oryo, her mother, was a former courtesan at the pleasure district it took long enough for her to be accepted in the family until she produced three children with Lord Genya. Every motivation here is politics.

Yukimasa, like we all know, was an opportunist, who took advantage of Fuyuki’s feelings. What Yukiya feels toward his father is justified and yet he has grown up rational enough to see how his stepmother and brothers treat him and love him as if he is their own full flesh and blood.

[gingermintpepper]

One of my biggest pet peeves is the assumption that something has to be sad for it to be tragic.

I've always been a big believer of the 'Apollo has an awful love life'/'Apollo is plain unlucky with love' line of thinking but it does bother me that the general reasoning for that statement is given to the concept of 'Apollo is somehow undesireable and thus rejected' (Cassandra/Daphne/Marpessa) or 'his lovers die young and thus their love is unfulfilled' (Cyparissus/Hyacinthus/Coronis). I personally think that's a very unfortunate way of looking at things - not only because it neglects the many perfectly cordial entanglements and affairs Apollo has had, both mortal and divine - but because it presents a very shallow interpretation of the concepts of love and loss and how loss affects people.

Apollo can still grieve lovers that have a long, healthy life. The inherent tragedy of an immortal who knows his lovers and children will die and cannot stop it does not stop being tragic simply because those lovers and children live long, fulfilled lives. The inherent tragedy of loss does not stop being tragic simply because someone knows better than to mourn something that was always going to end.

What is tragic is not that Apollo loves and loses but that loss itself follows him. Apollo does not love with the distance of an immortal, he does not have affairs and then leaves never to listen to their prayers again. He does not have offspring and then abandon them to their trials only to appear when it is time to lead them to their destinies. He raises his young, he protects the mothers of his children, he blesses the households that have his favour and multiplies their flocks that they may never go hungry. He educates his sons, he adorns his daughters and even in wrath he is quick to come to his senses and regret the punishments he doles out.

Apollo loves. And like mortals, there will always be some part of him that wishes to protect the objects of his affections. Apollo, however, is also an emissary of Fate. He knows that the fate of all mortal things is death. He knows that to love a mortal is to accept that eventually he will have to bury them. There is no illusion of forever, there is no fantasy where he fights against the nature of living things and shields his beloveds from death. Apollo loves and because of that love, he also accepts.

And that, while beautiful, is also tragic.

[powerfulscribbles]

Hot take: Even though I love that he beat the Miquellallegations, pre-dlc Mohg was so much better and had a lot to go for in terms of power, potential and how conniving and dedicated he was to achieve his goal. I miss him.

Also the premises for a Lord of Blood ending were right there. It would've been an interesting alternative option where you as a player, not only as a Tarnished, are giving up both your role as main character and your quest to become Elden Lord, thus letting someone else seize that opportunity.

I understand Miquella's plan for godhood and the creation of a gentler world (which is still ultimately destined to fail if we intervene and avoid having our heart stolen by him), but it removed so much agency from Mohg in particular, in my opinion.

[sneefsnorf]

OH HEY!! do you have final thoguhts on ultrakill and gabriel and the v's and everything :333333 <- my agenda

machine. ive spent my life loved and revered by my people and my church. i trusted my institution and my Father because i never had a reason not to, machine. the council and the people had such high expectations of me and i always rose to meet them. my achievements were many. everything was perfect. and then you took it all from me, machine. i failed ONCE. i wasnt what the church wanted me to be exactly and they tore their love away from me. its not fair. not in the slightest. ive been thinking a lot. ive been reflecting on the churches and the institutions of mankind. so many of them have warped the word of the Father into whatever will give them the most power. they use his teachings to break down and bully those they hate. they grind them into the ground and humiliate them as much as they can, not just for their own self-gain, but for the sake of hatred. this is what the council has done to me, machine, and now i have joined your ranks. all their love for me revoked as soon as i couldnt be what they wanted, thrown from the gates of heaven like the queers and the freaks. i've joined your ranks, machine. i'm less than a person now. and i am filled with so much rage.

anyways thanks for driving me to the abortion clinic machine i really appreciate it

[severepink]

Observing Adam

Where I go way too deep into something that probably isn't that deep. It's long, it's long as hell.

Okay, so you'd think with how Adam talks he's just a typical misogynist, right?

This man worships pussy. So much so, he's named a whole ass angel, one of his best, Vagina. You'd say that he objectifies them and thinks of them as being lesser, but I don't think that's the whole story. In fact, I think he might be the original simp.

All of these exorcists so far have been women. All of them. He refers to them as ladies or bitches interchangeably, he sees them as being completely capable of absolutely decimating leagues of some of the most vile beings who have ever existed, and they have, to the point it was only after thousands of years that there's been a risk to this hierarchy.

He's a self-centered, egotistical, loud-mouthed, arrogant asshole, no doubt about it, but I'm beginning to suspect something now.

If Adam and Lilith were created from the same dust, if they were created as equals, I am more than willing to bet... Lilith is also a self-centered, egotistical, arrogant asshole. But, she's likely far more intelligent, composed, and duplicitous.

Lilith was allowed to refuse Adam and leave of her own free will and garnered her own independence. A new wife was created for Adam, she was replaced. My guess, is she thought Adam wouldn't be able to live without her, to come back and find herself replaced entirely, she was enraged.

I believe both Adam and Lilith were both incredibly dominant individuals who fought over ideas, thoughts, and ultimately in the bedroom as well, if we take into account the creationist stories.

I'm willing to bet she likely manipulated Lucifer into twisting humanity against its original concept. What if Lucifer's intention truly was to just spark something within Eve, like independence and thought and creation, but it was Lilith's poison within the fruit that tainted her, then subsequently Adam, with sin.

Lilith thrived in hell, while Lucifer's dreams of creation were dashed. She didn't suffer as he did, instead the power of her voice grew with hell. Her voice grew so powerful that heaven found it to be a threat, her actions instigated the beginning of exterminations.

Charlie said that when she was a little girl, she didn't know Lucifer at all. I don't think this was because of Lucifer, he's seen here, picking her up, inviting her to share in his thoughts and dreams, showing her something wonderful. Something she could see within herself.

Charlie says that it's this moment that sparked her will to fight for her dreams. Which is strange, because at the very beginning of the story, Charlie says it was her mother's dream that was passed down to her.

Lilith took Charlie away. In this scene, Lucifer wasn't done showing Charlie his thoughts and dreams, he's still yearning to show his daughter these things at this point.

Lucifer loves his daughter. He loves Charlie so, so, so much. So why wasn't he allowed to build a relationship with his daughter for the longest time? He was waiting for the opportunity to get to know her, but with how much he adores her why didn't he do it sooner? He didn't comment on 'It took you a while-' he just said he missed her smile. They don't want to be pulled apart, again.

Now, we know Vivziepop has said that Lucifer and Lilith love each other, but Lilith 'wears the pants' in the relationship. We see all of the pictures all over the walls of a supposedly happy family. I don't think the relationship was as loving as originally portrayed and Lilith is a woman who desires control above all else. She likely tried to mitigate what influence Lucifer had over their daughter when she thought his angelic thoughts and behaviors became more than what she approved of.

Lets take it back to Adam and Lute for a moment. Again, Adam is a loud mouthed idiot, he's a jerk. The moment he realizes there are demons in heaven, he's ready to go on the attack. It's only because of Lute that he didn't end up doing something absolutely idiotic.

I gotta say, Lute and Adam's relationship is an absolutely fascinating one. He's a disrespectful dick head in how he talks, but how he acts is a different story. He allows Lute to man-handle him. He does listen to her, even if he's a whiny bitch about it.

Look at him, this is the face of a man listening, a dumb one, but a dude listening all the same. He doesn't manhandle her back, he doesn't even pull away until she lets go of his collar. Of all the shit he complained about, between being grabbed and being told what to do, his biggest complaint is that she's telling him to shush.

We know that Adam is the one who suggested the exterminations to begin with, so Sera says, and this was because of the power that Lilith was amassing. To him, Lilith is a threat. Even when he was willing to move on, to go to another wife when Lilith didn't want him or want to submit to him (fair babe, he's a bit of an idiot), she came back with an angel and proceeded to manipulate his new wife Eve. This is the supposed progenitor of man-kind, the original dick (hilariously enough), the reason civilization even exists at all. He and Eve had to fight for their lives after being tempted with the fruit. They had immortality, they had no ideas of shame, they were supposedly 'innocent' creatures before Lilith and Lucifer came along. He and Eve had to fight tooth and nail to survive after being cast from Eden. I think it shows in how willing and ready he is to take lead and do what he believes needs to be done, now out of a need for entertainment rather than a need to defend or protect. But, he still stopped to listen to Lute's advice. In the mythological story of Adam and Eve, Adam is the one who has to tell Eve that god said don't eat the fruit. Eve never heard god speak to her, so she was vulnerable to the snake's manipulations. She will now die because she ate it, and because she did not want Adam to take another wife, convinced him to eat it unknowingly. Funnily enough, Adam tried to explain to god that 'she lied to me and gave me the fruit' and in this actual mythology, Adam was punished for listening to his wife. Even without mentioning Lilith in the original mythology, Eve didn't want Adam to take another wife, so when we consider it within the context of Hazbin Hotel, it may be likely that's how it went down. Eve knew of Lilith, knew that she could be replaced, and decided that she would take Adam with her.

I believe that Adam does and did rely on the women in his life to help him with direction. I think Adam knows he can be an idiot and is willing to listen, even if he doesn't agree with what he's hearing. He did listen to Charlie in the beginning, he just didn't believe in her, like everyone else and he, out of anyone there, probably had the most reason not to. Cain and Abel were his and Eve's sons, his own child became the first murderer. Out of jealousy, the same kind of jealousy that no doubt has caused Lilith to act how she did. Adam isn't going to have empathy for sinners. His family, his legacy, were filled with the original sinners. He probably had to kill his son Cain in hell during the first exterminations. What do you think he would have had to feel, if it came to be a fact that sinners could be redeemed? That maybe his son, could've been redeemed? Or any of his progeny for that matter? How did it feel when his sons, his progeny, weren't given the same mercy as the Hellborn that Lucifer managed to keep protected through some deal with the angels or god? Not to mention that Charlie could've been his daughter. Charlie is the product of the people who completely and totally destroyed the paradise he'd been born into. She's the daughter who is protected and immune from the slaughter while all of his sons and daughters are judged and killed. I believe, even though he was a dickish prankster to Charlie, he was surprisingly patient and even somewhat amicable, willing to even ask her how her weekend was like he was just trying to get to know her.

Adam could just see all of the angels under his employ as being disposable. He doesn't have to name them, or think about them in any individual fashion. But, he knows Vaggie, recognized her instantly. Thought she was badass. Lute's the one who saw her, tore her wings off, and walked away. I'm surprised they even let her live, because this just goes against everything they're doing. They're an army and they saw one of their own showing empathy to the enemy.

Look at this dumb ass. He's being a shit-head, a dick, a bastard. But, he admires Vaggie's ability to pull Charlie, congratulates her, this dude isn't even judging her for being a lesbian. I don't think it's because he objectifies women, this dude loves women, he just does. He respects fellow vagina lovers. I don't think he respects liars in the slightest though. He's being underhanded, he's trying to be manipulative (he's not very good at it). I think he's brutally open and honest about everything and that's probably one of the reasons he's such a bastard anyways, because sometimes you just need to shut-up and he's not good at that.

I don't think he respects Sera for that either, he's more than willing to let others know what the hell he's doing, but under Sera's lead, he can't be open about it. I don't think it's his jam to act this way, it's why he sucks so bad at it and I think that's why Lilith is so antithetical to him. I also think that's why he's possibly even being manipulated.

It's kind of crazy that Adam is the only one who tries to come up with what allows someone to get into heaven. So here's his list: 1. Act Selfless: Maybe at one point he was! He had to have been, to be one of the progenitors of mankind, he would have had to work, sacrifice, and give to his wife and children for them all to survive. Eve would have had to do the same, no doubt. He may not seem selfless, due to his raunchy behavior, but he's served heaven since he's been there. He's served humanity in some kind of facet. 2. Don't Steal: Considering the only other humans are his spawn, he likely had to try and get them to not steal from one another for them all to have an equal opportunity of survival. He and Eve likely both knew they would need to work together to survive.

3. Stick it to the man: This, however, is interesting. Who is 'The Man' he speaks of? God? The only other people over him or were equal to him were women. He speaks like a rocker, and I think in this case he's using the term 'The Man' in a gender neutral way. I think he allowed some amount of Authority to Lilith when they were supposed to be seen as equals, it comes so naturally to him as a character when it comes to the other women he's been interacting with. I think she is the 'man' that he's been sticking it to- Pun somewhat intended. ((This third one may also simply be a tongue in cheek reference to when Alex Brightman played Dewey in School of Rock on Broadway! Thank you to the user who brought this to my attention!))

Adam is a bit of a hypocrite, isn't he? He likes to fuck, he's made that abundantly clear. Full of lust you could say. It was his original purpose after all, and he is judging Angel Dust for something he probably would've done himself at one point or has considered doing (maybe not the having sex with men part). Angel Dust does all of these things, Adam doesn't even deny it. He even looks nervous. He's angry, but doesn't deny that Angel has done those things. He doesn't explain it away or try to lie or move the goal posts, he's just asking what is an actually very valid question.

Why isn't Angel Dust there if he can do things equal to what Adam himself hasn't done? Serenity continues that line of thought. It isn't until Charlie is realizing no one knows what it takes to get into heaven.

Adam is more than willing to let Lute take the lead here, he's willing to give her the stage to clap back, he's giving her back-up antics. By all means, they could be pushing and fighting one another, there could easily be body language expressing something other than their general comfort around one another. They aren't fighting for a spotlight like you'd expect Adam to try and do considering his egotistical attitude.

Adam fucking sucks at keeping his mouth shut and he sucks at lying. He nearly blew the secret out of the bag once, this time, Sera is the only one who tries to stop him and to be honest? Lute looks a bit too thrilled at it. He knows he fucked up, but he doesn't think it's a big deal that anyone would know. For fucks sake, they've already condemned souls, his progeny, to suffer. What's the big deal if he kills them?

I have to re-iterate what's happening here. Charlie is proud she caused this chaos, that she caused these angels to fight amongst themselves, even if in this case it's a good thing. But, this is like history repeating itself to Adam, the reflection of his ex-wife, entering his domain, causing strife among his people, being happy about it.

And the venom he expresses when it comes to the 'liar' portion, god Alex Brightman destroyed when he got to this portion specifically. There is some vehement disgust in his tone when he says liar.

Adam isn't a good person now. But, I think he used to be a good person. By all means, Adam himself could've been the first murderer when his wife made her mistake. He, at one point in time, had to have been good enough to foster civilization itself with Eve. Both good and bad. Adam's original purpose was to be fruitful and multiply. Ordained by god (or maybe just angels) himself, divine power directed and created him to fuck. He didn't chase his ex-wife down, he was given a new one, Lilith was allowed to leave. When he left things alone, when he tried to move on, his ex-wife and a scorned angel destroyed the paradise he was in with Eve. He had to struggle and toil, he had to feel shame in his own body. He had to find out his first born son was the first murderer. His second son killed. We don't know if this is going to be canon in the story, a lot has changed, and if Adam is the first soul who reached heaven, then what did happen to Abel? Was Abel considered a sinner? Or did Cain kill Abel after Adam had passed? Either way, he had to witness his children kill, he had to watch his descendants behave in a range from saints and monsters. He's seen genocides, he's seen famine, war. Adam is desensitized to the plights of his descendants. Maybe he even saw it as a duty to cleanse the universe of their existence at one point, because they were his responsibility.

At the end of this episode, he is properly scolded by Sera and does seem ashamed of himself. He isn't huffy, he is reminded that he should be ashamed of acting that way.

I love Lute's enthusiasm, she's absolutely brutal when talking about Vaggie and with how she handled Vaggie. I think it's funny that Lute is so brutal she's even made Adam uncomfortable. It's cute that he's made uncomfortable by the excitement and all he does is tell Lute, the premier hype woman over here, to chill. She's so proud of herself too, look at her.

He fully expects these exorcist bad bitches to go in there and fuck shit up. But, you know it's hilarious that he's throwing horns? This dude, this angel. First human soul in heaven, loving rock n' roll, the devil's music, and throwing motherfucking horns. It's poetic really. I think we can probably assume where things are going.

Now, this is the first point we've seen Adam being a real piece of shit to Lute. I don't think Adam likes it when people think he's too dumb to notice something, especially something so damn obvious. This is such a drastic moment of vitriolic, uncontrolled anger directed towards Lute. Adam knows he isn't the brightest tool in the shed. He likely knows he's obtuse and misses shit. It's why he sucks at lying, he knows he's not smart. That is why I think he's afforded women opportunities to direct him without fighting back against their advice and their choices. I'm sure Lilith made it obvious how dumb she thinks Adam is. I'm wondering if this might be where their ground breaking fight might've come from. Who's to say he didn't allow Lilith to take the lead, or listen to her like he's done with Lute here and now? Perhaps to an even greater point? He listened to Eve and ate from the fruit of knowledge and he was punished for it. Being seen as so dumb he can't formulate a simple fact is a sore spot for him.

Adam is incredibly powerful. It took a bit out of him to exercise that power, probably because he's out of practice just like Lucifer said. At one point, he probably wasn't so sloppy and weak willed. He's gotten lazy. Sloth like.

I think it got real personal here. How viscerally and personally he attacked Charlie. No one but Charlie truly thought sinners could be redeemed, or that they were even worth it. Not even one of the original sinners. Maybe he never considered the possibility, maybe what happened really did make him see the world as black and white to cope with that happened to him, his wife, his children. Charlie's desire to fight this idea would destroy the foundation for all of his coping through the years. He stopped seeing them as family, even though he's grandiose about his founding role in humanity. Does that itch the guilt that may lurk under the surface?

I don't think Adam thought much of Charlie at all. I don't think he had any intention of coming to kill her in the beginning, despite seeing her, despite who her parents were. But, I think with the constant push, with how eager she was to disrupt the pre-conceived idea of order, it reminded Adam and reflected her parents so much, he was eager to kill her for revenge against them. I think this electrical interference on the mask is a direct reflection of sin. Namely, wrath, in this moment.

Now, this. THIS. Is something that made me want to write this whole fucking essay. Is Lucifer implying that he not only gave Eve the Fruit from the tree of knowledge, but FUCKED HER TOO? Homies, I'm sorry but holy shit. That is some hydrating tea. I'd be pretty pissed too, fucked over twice by women who were supposed to be literal soul mates, who you were made for, who were made for you?

I knew he would have a goatee, I could almost hear it. I gotta say, I'm a sucker for how he looks. I think he's hot. He is a bastard, but so are a lot of the hot dudes in this show. It's just a theme.

This exact series of lines prompted so many of the thoughts that I had about Adam and why he thinks or acts the way he does. At one point, Adam did have to work himself to the bone and learn to survive from scratch alongside Eve. He isn't entirely without cause to not think that he deserves some respect or recognition from his descendants.

But, that doesn't give him the right to act like god himself. It's... well... Blasphemous. Isn't it? One of the worst sins is to think yourself to be worthy of worship, as if you're a god.

This is the moment that gave me empathy for them both. You could probably see the kind of loving person Adam could have been at one point with how he looks at Lute, even as he's laying there, dying. He's not crying like a bitch, just looking at Lute softly. Lute screaming for him, screaming his name. They cared for each other deeply.

And this... and this.... and this. WHAT DEAL DID YOU MAKE, LILITH? Did you make it with Sera? Did you make it with Adam? Did you make it with Lute? Did you really just want a little 'vacay' away from the hell you helped create? Left her husband, depressed and lonely. Left her daughter without any care or guidance. Maybe Alastor was sent in her place, perhaps? Seven years since he was seen after all, but why wouldn't he show up sooner if Lilith did care? Did she make a deal with Lute and Adam? Did she let Adam smash it so she could stay in heaven? Did Lute let her stay in exchange for getting Adam out of a position of power? Or was it maybe Sera who commissioned Lilith with a deal? Either way, I'm in full belief that it wasn't Adam's idea to move the extermination day up. I think he's a patsy, a scapegoat. I think Lute may have been manipulated, potentially, into manipulating Adam into this position. Was it even really Adam who came up with the idea to do the exterminations? Or was he the one who simply decided to fight originally because he was told heaven was at risk due to Lilith's rising power? The Road to Hell is Paved with Good Intentions. I think it could be any number of these. Either way, Lute certainly does think she had authority over Lilith. Is it Lute just having hubris? Or is Lilith truly bound, just like Alastor, Husk, and Angel Dust?

Of course, now that we know a soul can be redeemed... and we certainly know that angels can fall. I don't think this will be the last we see of Adam.

[halalchampagnesocialist]

How to spot Liberal Zionist Propaganda 101

This post is by no means exhaustive at all. There are many Liberal Zionist talking points but these are just some of the most common ones. While on the surface they seem a little naive and hopeful at best, they are very much harmful. If you claim to be an ally to Palestinians, this post is primarily for you!

For starters, liberal Zionists will often try to both-sides the issue of Palestine, talk about how it's complicated, they'll claim that the conflict hurts both Israelis and Palestinians, how the only way forward is one where Jews and Arabs "just need to get along," amongst other things. They also often like to centre themselves, even when acknowledging Palestinians as the victims of Israel or this "conflict." From time to time, they also like to engage in tokenising certain Palestinians whose views tend to more or less align with theirs. Here are some common arguments you may hear from them:

1. Any form of justifying Israel's existence or claiming that the only solution is two states

It does not really need to be said why justifying Israel's existence is harmful but justifying its continued existence also means legitimising Israel's land theft, its expulsions of Palestinians, and its ongoing harm to Palestinians and other populations. Reducing any sorts of “solutions” into a binary is unhelpful. Needless to say, a 2ss would not even address any legitimate concerns Palestinian have, such as the right of return, and would only legitimise Israel’s colonialism. Talking about a two-state solution also implies that the root of the conflict lies in Palestinians not having their own state rather than being an occupied people. It is very much also possible to construct a paradigm where Jews and Palestinians both live together on the same land as equal citizens that doesn't involve two separate states, much less an ethnostate.

2. Security for Israel could only come through peace

This is a similar talking point to the one above. Not only does it centre Israeli safety and security above Palestinian liberation but it mistakenly assumes that once Israel makes peace with Palestinians, it'll achieve security. The reality, however, is that Israel's imagined security has quite often come at the expense of peace. In fact, "peace" has just acted as nothing more than a smoke-screen for Israel to carry out its expansionist policies, particularly in the West Bank. When liberal Zionists talk about peace juxtaposed with Israeli security, they're talking about attaining a negative peace rather than a positive one.

3. Israelis are not their government.

This point does nothing to actually help Palestinians. It is also an incredibly tone-deaf thing to say when Israel has targeted many Palestinian civilians by having alleged proximity to Hamas, such as being family members of militants or leaders (inc. children!), civil servants in a Hamas-led government, or even any male above the age of 15 they consider to be a potential combatant! It also deliberately erases Israeli civilians' support of and culpability in Israel's actions towards Palestinians.

4. Netanyahu and/or the Israeli right are the source of conflict.

While it is true that things have gotten inadvertently worse under Israel's various right-wing governments, they are not the source of conflict, but rather a product of extremist nationalism and Jewish supremacy perpetuated by the system. Both the 1967 occupations and settlements were undertaken under centre-left governments in Israel, and Israeli policy under non-right wing governments has been just as harmful towards Palestinians and has paved the way for where we are today. Blaming Netanyahu just also obscures the violent nature of Israel's military occupation over Palestinians which long precede him coming into power.

5. Netanyahu and Hamas are two sides of the same coin

I don't think I've seen any allies give validity to this claim but it's an extremely reductionist claim and is sort of similar to the one above. Groups like Hamas are merely a response to the Israeli occupation while Netanyahu is a byproduct of it. While some Israelis may see Hamas or their actions as an "obstacle to peace," Israel's actions and policies long pre-date Hamas and how Israel is currently responding to Hamas is no different to how Israel has engaged with Palestinian militant groups in the past, regardless of political affiliations or political goals. It is also important to note that Hamas has agreed to the establishment of a state along 1967 borders while Netanyahu aims to prolong the occupation and empower the settler movement (some of whom are part of his coalition government) as much as possible.

6. Israel is not a settler-colonial state.

While it is indisputable that Jews have historical connections to Palestine, that doesn’t automatically make you Indigenous or negate Israeli settler-colonialism. Colonialism in particular describes a relationship of exploitation. There are many cases of this, but we most clearly see this in the West Bank where Israel exploits natural resources on occupied Palestinian territory for its own political and economic gains. In terms of settler-colonialism, it is widely known that Israel expelled hundreds of thousands of Palestinians to make way for Jewish refugees and migrants to the new state of Israel, and is still actively facilitating Jewish migration to Israel today while denying Palestinians their right of return.

7. (X) doesn't help Palestinians.

It is not up to anyone to determine whether certain tactics or strategies are helpful or not. This point only seeks to discredit pro-Palestine organising. Only Palestinians get to decide what is actually helpful for the cause or not.

8. Any sort of Hamas-blaming.

On the surface it may seem like there’s nothing wrong with this, but this point is often harmful and usually lends itself to right-wing talking points because its objective is to deflect blame away from Israel. Certain arguments blaming Hamas also aim to minimise Palestinian suffering perpetuated by Israel. It also paints Israeli violence as retaliatory to Palestinian violence which only obfuscates Israel’s (and by extension, the US’) role in its state military apparatus and the differing power dynamics between Israelis and Palestinians. In other contexts, this point seeks to also legitimise certain opposition, such as the Palestinian Authority. Hamas-blaming also tends to sometimes lead to racist diatribes about Palestinians and their culture.

9. Al-Jazeera is not a credible news source.

Al Jazeera is a news source like any other. It has varying editorial policies and therefore will have equally good reporting on certain issues while having terrible reporting on others. The difference is that Al-Jazeera's news on Palestine is credible because it comes directly from their Palestinian reporters on the ground and first-hand eyewitness accounts. Western news sources are no more or less credible than al-Jazeera. Compare this to CNN, NYT, and any other Western news sources where Palestinian voices are often entirely missing from the narrative.

10. Overemphasis of antisemitism on the left

Antisemitism is a real issue and has the potential to fester in left circles if not directly addressed head on. Combatting antisemitism is extremely important, however, it is not an issue exclusive to the left. There is also a double standard in that no one expects Zionists to call out Islamophobia and anti-Palestinian racism. Certain accusations of "antisemitism" also seek to distract from what's going on in Palestine by making it about Jewish comfort and feelings. Combatting antisemitism, Islamophobia, anti-Arab racism etc is always important as the basis of good politics.

Last but not least, be wary of native collaborators or any sort of normalisers! They are Palestinians or Arabs who try very hard to appeal to Western liberal consensus and can end up perpetuating a lot of harm to the cause and/or other activists. You will know them when you see them.

[baeshijima]

thoughts on being engaged to duke!sunday, the head of the oak family, an incredibly influential figurehead within society, the close subordinate of emperor gopher wood who brought him and his sister in and raised him like his own, and the villain who faces a tragic ending in a novel you recently finished — the very same one you just so happen to find yourself transmigrated into. he is as cunning as he is blinded, a trait which brought ruin to many in the empire, and one which ultimately brought ruin to himself at the hands of the protagonists.

as luck would have it, you became a barely mentioned side character from a marquis family, whose role was to be the villain's wife stuck in a one-sided love who, too, would get caught up in the tragedy alongside him. however, now that it's you who is stuck in this position, you're determined to try any means necessary to deter him from going down that path, all in an effort to escape your predestined doomed fate!

of course, you didn't expect it to be easy. the day of your arrival in this world was already the night before your wedding, so you had little time to prepare yourself for the nonchalance of your supposed family, how they viewed you as but a means — a tool — to boost their influence and prosperity, the dismissive mannerisms of the household servants, and the absolute beauty of a man you will be married to.

(seriously. the novel descriptions did not do him justice. he was like... like... like he was handcrafted by god himself! and not to mention his sister, robin, was the very epitome of an angel! perhaps you're destined to perish by the god-tier visuals instead...)

to say the least, the wedding ceremony went by quickly. safe to say you didn't spend the night; he was cordial and gentlemanly upon letting you know that he won't do anything until you're ready, that you can take this relationship slow, but somehow you ended up feeling a tad insulted. like, who leaves their newly wedded alone in a big cold bed as they walk out on their own? a sick bastard that's who!

well, whatever. it's not like you need nor want to consummate with him! besides, you have bigger things to worry about — things such as your impending death. and, of course, the only way to stop sunday that you can imagine working is by chipping away at his resolve bit by bit, and opening his eyes to reality.

he is a tragic character, one who cares more about the well-being of penacony and its people than anyone else, but was manipulated into getting his hands dirty in the emperor's stead. you knew this. you sobbed over his story, cursed out the protagonists, and even fought internet randos on novel forums about sunday's motivation and how,

no, he is not just a stupid villain. he is a complex character with flaws and humanity and was cruelly taken advantage of by someone he considered family. he was deceived through the suffering the emperor wanted him to see to make him easily manipulated, creating a rift between him and robin to have that prominent separation. you know what? maybe you're just a !%#@ who can't even #@?"% read properly!

and yet you still find yourself at a loss when faced with the walls he has in place. your initial efforts went as well as it possibly could have; you trying to earnestly help him, while he "kindly" dismisses your offers! well, "kindly" being more condescending since you could read between the lines of his mannerisms and amiable demeanour, but that's fine! you expected this! that just means you have to double down on your sincerity, get through to his heart (somehow), and help him realise humanity isn't as weak as he's led to believe!

you have three years until the novel's plot officially starts, and another year after that until your demise. that's plenty of time to get him to warm up to you!

it was easier said than done, but after your valiant effort and abundance of time put into this relationship, which admittedly you could do with some of that lost time back, you could give yourself a pat on the back with the progress you made! while you definitely could have done without a lot of the headaches, it's safe to say sunday has significantly warmed up to you in comparison to your wedding day. he now willingly eats all his meals with you with some real conversation, takes garden strolls with you in the early evenings, invites you out for dinner at a restaurant at least four times a week, hell he's even joked and laughed with you more frequently! but most importantly, he has begun asking for your opinion before finalising any decisions he is required to make. and he actually listens and considers your side! now, that certainly is the best outcome you could hope for after all this time, and it most definitely will help in your endeavour to save you both from the protagonists!

however, you've noticed he's been more... affectionate? well, at the very least he now willingly holds your hand when in private (not just in moments when you're in the public eye and he has to make sure the family's reputation is spotless), sometimes he will hug you out of the blue ("i just need to... recharge. you have a way of calming me down. i hope you don't mind." ...how could you say no to his supreme god-tier face card? that's just a losing battle you won't even bother fighting against.), oftentimes he opts to just gaze wordlessly at you (robin had mentioned over one of your tea times how it almost appears as though there is no one but you in the world when sunday gazes at you with, in her words, "the eyes of a man so deeply in love!" ...whatever that's supposed to mean...), but a more recent development has been his sudden interest in kissing you; well, more specifically giving you a kiss to the back of your hand or on your forehead — certainly not anywhere near the lips! (besides, he's probably just gotten comfortable with you, enough where he can freely act without judgement. nothing more, nothing less.)

well, either way, development is development! soon enough, the time for the main plot to start has arrived. it of course follows what you remember, from the organised balls to the protagonists meeting to the political aspects of it all. the only difference is sunday's less active involvement in all the schemes and the emperor's ploy. rather, he seems more focused on you and the future of your marriage and even displayed a sudden interest in your practically non-existent relationship with one of the foreign diplomats, aventurine— wait...

"[name]," he calls your name out so sweetly you nearly disregarded it as someone else he was talking to. well, perhaps you would have done had he not suddenly appeared before you, a tight-lipped smile tugging the corners of his lips as he steadily approaches you.

oh. he doesn't seem very happy, if his tense figure is anything to go by. you wonder if one of the nobles grated his nerves a little too much this time?

sunday comes to a halt a step away from you. "i don't like that... gambler being so close to you. it... it brings me a rather unpleasant feeling." there's a slight, trembling pause. not a moment later does he close the gap between you, one knee on the ground as he matches your seated height on the fountain rim, your hands gently enclosed in both of his.

you idly wonder if this is what robin meant by the so-called "eyes of a man so deeply in love" she constantly gushed about, for the way in which he gazes up at you is enough to render you breathless.

"tell me, [name]," he begins once more. there is an underlying desperation woven within his tone, one which has your head spinning and heart thumping wildly as his trembling gaze holds you in place. "tell me, what am i to do with this fervent love and overwhelming adoration i hold for you?"

oh.

...oh.

perhaps your impending doom should be the least of your concerns when you now find yourself in the arms of a clingy husband...

(though, it's safe to say you did, in fact, manage to prevent him from succumbing to his tragic fate! you just gained a loving, yet slight slightly emotionally challenged husband along the way.

well, you can help him work through it; you have the rest of your lives now to figure it out, after all.)

[irrealisms]

i've seen a lot of people talk about mcyt as a constantly burning library of alexandria recently, and to some extent that's true. people are constantly deleting their blogs, going scorched earth with animatics, fanfics, etc., that they made. but i've also seen people (three in the last few days!) make this claim about VODs, when talking about large fandoms like DSMP and QSMP, and.... guys. that was true in 2020. that's not true anymore. archivists have been working tirelessly for years now to make sure that isn't true.

the dsmp VOD masterlist is here. in november 2020, it's missing 16 VODs, if i am counting correctly--which is still a fairly small minority, but it's a lot, and it sucks!--but in november of 2021, it's missing one, and that's because the cc of that VOD does copyright takedowns, not because the archivists didn't save it. no one in the archivist project is deleting VODs off youtube with no backups the way people are deleting fanfics. three months ago, one of my dsmp archivist friends finished coding a tool that let them reconstruct VODs out of twitch clips, and reconstructed six tubbo dsmp VODs from 2020. not only are we basically not losing VODs anymore, we are actively gaining VODs that have been lost for years, that were thought to be lost forever. the library isn't burning anymore; it's being rebuilt.

the qsmp VOD masterlist is here. it is usually a month or two behind the present day, to give creators time to archive their own VODs, but... look at it. in january of 2024, every single qsmp vod was archived. the same is true of december of 2023, and november, and the vast majority of months for the past year.

i'm not going to say that there isn't a problem. just a few days ago, i realized that a lifesteal VOD from last year was missing--that its youtube upload was messed up somehow, and no one noticed and it wasn't mirrored on the internet archive and the person who uploaded it deleted the original file. and now it's gone forever. this made me super sad! like i said: i'm not going to say that there isn't a problem.

but... look at the lifesteal VOD masterlist here. lifesteal's a smaller fandom than qsmp or dsmp. open the 2022 tab and you'll see months and months of lost VODs, of no one's VODs being saved, because there weren't any archivists saving them. then open the 2023 tab and see: they lost four VODs, over the course of a year. even in smaller fandoms, archivists are working. they're making progress. they're saving VODs. in 2024, lifesteal archivists screenrecorded five streams on tumblr live to make sure they would not become lost media. mcyt may be a constantly burning library of alexandria, but the people with fire extinguishers are dedicated. they're making incredible progress. i know people with petabytes of VODs saved, who have spent money on extra storage for this. i know people who are constantly running up against their storage limits as they download/upload to the internet archive/delete for space/rinse and repeat. a decent fraction of the time, my internet at home is slow because it's downloading VODs.

and these aren't the only mcyt fandoms with archiving projects! the outsiders smp VOD masterlist is here. origins smp VOD masterlist is here. smp earth VOD masterlist is here. rats smp VOD masterlist is here. there are so many others that i just don't happen to know about. the older and smaller a fandom is, the more likely it is to not have an attached archiving project, or for the archive to be missing a lot of VODs. but... guys, we've saved a lot. there are people out there, working tirelessly to save even more. yes, mourn what we have lost--the archivists i know are also the ones mourning the most for the VODs that are, in fact, forever lost media. but don't dismiss how much people have saved. we are making progress. we are losing less and less every month. the vast majority of the dsmp and qsmp still exist, i am not going to say they're the same experience as watching live because they're really not, but.. they're out there. people have put in a lot of work to save them.

if you have publicly available VOD masterlists or other mcyt archiving projects that aren't on this post, please add them in a reblog. i want this post to serve as a reference for how much archivists have saved in this community; unfortunately, i'm not super connected to every community. but i know that--for every person deleting things, there are people working, tirelessly & with little external reward, in so many different mcyt fandoms, to save things. and we should appreciate that more often.

[onmyyan]

hi again i'm the Anon who asked if you take commisions only or requests as well. I love your writing style<3

Soo could you write about Batmom reader, where reader took care of bruce's children as her own. But then bruce gets a mistress, reader still stays becuz of the kids but when everyone started to become cold to her and insult her ' X (mistress) is better mom then you ever were' she leaves gonthem. Then everyone realises she (mistress) was just after their money. They go to batmom's room to apologize only to find it empty. They try to find her everywhere but couldn't. And finally when they do, reader rejects them since she was having the time of her life without responsibilty but gets kiddnapped by the batfam?

Honestly i wanted to commision but i'm flat broke and i'm too busy studying to work and on top of that i don't have my own phone (i use my dad's old laptop) soo yeah... I hope you consider this.

A/N: Loooove this request thank you for sending it in <3 fem reader yandere themes lmk if you want a part two

The (L/n)'s were a wealthy and prominent family in Gotham, right up there with the Wayne's when it came to power over the city, the two families were in business together which is why when Bruce Wayne personal attorney came to you with a marriage proposal, you weren't surprised.

A marriage of convenience. You thought you knew what this would entitle, you knew this wasn't out of love, that this was required of you, it had nothing to do with what you actually wanted, but you were dutiful and signed, inking your name on the paper felt like a deal with the devil.

Bruce hadn't bothered to officially meet you until the day of the wedding, it was beautiful and well done but lacking any form of love of affection, CEOs and other rich folk you didn't recognize filled the pews, the ring felt cold when he slipped it on, his vows perfectly rehearsed, and not an ounce of warmth in his eyes, you knew that night you should have annulled the marriage, but something made you hold on, something your mother had said to you as the makeup artist turned you into the visage of a bride.

"You'll learn to love each other, your father and I did after all." And she wasn't lying, your parents married for convenience as well but had grown to love one another, so maybe you could do the same?

A year after the nuptials Dick Grayson is thrust into your life. Haley's circus was famous in Gotham for its incredible death defying shows, but on this night death would walk the stage, taking with them Dick Grayson's parents in a horrible display, You and Bruce had consoled the boy for only a moment before Bruce was talking to the officers, he'd decided Dick was coming home with you, of course without asking your opinion, but it didn't matter, you felt such pity and grief for the boy, it made perfect sense to you, he was shut down for the first few months, he called you by your name and you had no problem with it, making it clear you never wanted to try and replace his mother, the ice between you two melted one day, one kind word at a time, he couldn't help but confide in you about school or his friends, because you were more emotionally there than Bruce was.

Like the night you caught him sneaking out, a packed bag in hand and the keys to one of Bruce's many cars in his hand. Instead of yelling for Bruce or Alfred you simply smiled at him, "you should take the audi, it's the safest car here."

"..You're not going to try and stop me?"

You shake your head no, still offering that kind smile.

"You know yourself best Dick, if you're unhappy here I won't stop you from finding your peace." He took a moment before tossing you the keys and reluctantly making his way back inside.

You find out about Batman because of Dick. He'd come home with some nasty bruises and it wouldn't take long to put two and two together. Them both being missing at the same time, Dick started to pull away from you, one night, after hours of trying to get to sleep in a bed much to big for one body, your legs decided a walk was necessary, the halls were dark and quiet, giving the manor an eerie air, quietly you walked the long hallways intending on stopping by the library, as you turned the corner you seen Dick in a hidden elevator, the doors just slamming shut as your eyes tried to register what was there. Seconds after the doors close a wall appears, as if nothing was ever there. It's not long after that you see a brief news clip of the caped crusader and his new sidekick, because the longer you stared at the screen, the more familiar they began to look, that dead tight lipped scowl on Batman's face, it was one you'd had the pleasure of looking at for the past few years.

That night you confronted Bruce, he seemed surprised you'd figured it out, but he didn't deny it. Simply saying, "It's late (Y/n), get some sleep."

You nearly divorced him then and there for endangering a child the way he was, but after a moment of thought, you realized Dick would need a real parent around so you stayed, making Bruce swear to be careful.

Jason comes next and he takes to you a lot faster than Dick. He craved the warmth you offered, you two had inside jokes and a closer relationship than him and Bruce, but that all changes the day he dies. You're broken, a ghost haunting the manor with your presence, and Bruce is no comfort throwing himself into the Batman role, you begin to hate him a little with this particular betrayal.

Tim was another hard egg to crack but you were desperate after Jason's death, so you took his verbal lashings with a smile, were always there to offer a helping hand with any of his projects despite the help never being accepted. Tims wound from losing his father is too raw, he takes a lot of his anger out on you. And you weathered the storm with a soft, warm smile.

Damian hated you, from the moment he arrives, which is bitter enough as is because it meant Bruce was unfaithful, he's spitting out insults and comparing you to his 'perfect' mother.

Things weren't great in your life, but one day they started getting noticably worse. Dick no longer responded to your check in texts, Jason (now reanimated which was a heart attack in and of itself) saw you as the enemy, you didn't leave Bruce after what happened to him, so in his eyes you betrayed him, Tim ignored your existence as best as he could, and Damian? He'd started staring at you with this smug look on his face, like he knew something you didn't.

Bruce had all but ran from you, he didn't sleep in your shared room anymore, he barely spoke to you at breakfast, if it wasn't for the cameras he wouldn't touch you.

And it's all because of a woman named Rachel.

Apparently Bruce had introduced this woman to the family, bringing her around when you weren't, slowly replacing you, it was no wonder they started to pull back.

Alfred is the only reason you find out, having enough of the blatant disrespect, he calls you to come home early one day saying it's a dire matter. Of course you comply, and walk in on a discomforting sight. The whole family was gathered at the dining room table, plus a woman you'd never seen before, she sat close to Bruce, toying with his hand intimately. Her green eyes lock with yours and the smile she gives you forms a pit in your stomach.

There's silence before Bruce stands up, he walks over calmly, "Can we take this in the other room." But it wasn't phrased as a question.

"No" you licked your lips, a nervous habit from your youth. Bruce seemed taken back by your sudden backbone. He nods silently.

"I want her gone Bruce. I am your wife. You will show me that semblance of respect."

"I- of course." You don't wait for the words to settle instead, you calmly walk to your room, face unreadable.

Locking the door behind you, your body slides against the frame, a silent sob wracks your frame, your hands covering your mouth, you wouldn't give them the satisfaction of hearing your cries.

The next morning you wake up to breakfast in bed, a generic yet elegant spread of food lay on a tray in the empty spot Bruce used to stay. The man himself sitting in the chair beside the bed, staring at you with that practiced smile he used to appease people.

"Good morning."

"What's this?" You sat up straight, sleep evaporating from your form as you took in the threat before you.

"An apology. I never meant for yesterday to happen."

"What a comfort that is." Your piercing (e/c) eyes stare at him blankly, unreadable. "How long."

"A year." You scoff pushing the breakfast away from you like it was poisonous. "But its not what you think, Rachel is a childhood friend, a year ago our relationship, evolved into what it is now, but I was never intending to go behind your back."

"Ah of course, your intentions were pure." The words dripped venom, grabbing your robe you quickly dress before standing and walking to the door, "Thank you for the wonderful talk Bruce, really your people skills are top notch." Your hands gesture to the door. He leaves without a word.

The rest of the day is as usual, Bruce avoids you like the plague, the rest of the family acted as if you weren't there. Which made leaving all too easy.

Your lawyers had the divorce papers ready and hour after you called them, signing them felt like the first act of self love you'd done in years. Slipping them into Bruce's study you took the time to analyze the room you never entered.

It matched Bruce that's for sure, pictures of every single person in the family. All except for you.

Walking out the door, wrapped in your ankle length black faux fur coat, the garment whipped in the wind, the designer sunglasses on your face hid your eyes from the world, hair in a slicked back bun, your heels echoed against the pavement, a sleek black car was waiting for you, you look back at the house that had caused you so much misery then got in the back of the car, never looking back.

Life goes on for about a week, your absence goes unnoticed, that is before Rachel is trying and failing to blackmail Bruce out of a billion dollars, she'd collected evidence he was cheating on you with her and presented it to Bruce with a grin, it was only as he went through the pictures of himself and Rachel, did he notice the yellow envelope with his name written on the front.

Hey puts the heartbreaking matter of Rachel's betrayal on the back burner, Bruce opened the envelope and felt his heart completely stop at the word divorce written in bold lettering across the top, your signature was already there, waiting for his to join it.

Ignoring Rachel completely now he turns in his chair, turning the paper over and over as if it would magically change. But it remained the same. Alfred knocking on the door of his study broke him from his trance. "Master Wayne, miss Rachel." He says the latter's name with no warmth. "Escort Rachel to her car Alfred."

"Bruce have you heard a word I've said? I'm serious I'll go to Gotham daily right now if you don't -"

"Now Alfred."

That was all it took for the screaming woman to be firmly escorted off the premises. Bruce all but ran to your room, he didn't bother knocking, and despite knowing in his heart you were already gone, he couldn't help but check anyway.

Your room was empty and cold, he couldn't believe the date he'd read on the divorce papers, it was dated a week ago, meaning you'd been gone for a week and he hadn't noticed. No one had.

That is until Bruce remembers there's someone in the house nothing gets by.

"How long have you known she was gone Alfred?" He asks leaning on his knuckles the divorce papers stared back at him taunting him. "Since the moment she left." The older man replied simply his hands behind his back. "Why didn't you tell me immediately?" Bruce felt himself tense, "Because you've hurt that woman enough Bruce. She deserves at least this." He gestures to the daunting divorce paperwork before turning to leave Bruce with his thoughts.

The news of Rachel's betrayal shook the manor each member feeling violated by their trust being broken. But it was nothing compared to their reaction once they finally realized you were gone.

"That was rough." Jason says after watching Rachel being dragged out of the manor, he blew air out of his cheeks arms crossed over his chest, he looked towards the hallway that lead to your room, you had to have heard that he thought to himself.

Dick sighs through his nose, "Someone should check on (y/n), Rachel was screaming so loud she definitely heard that." No one volunteers so Dick rolls his eyes and heads towards your room.

He lifts his hands to knock but noticed the door was open, pushing it further he's met with a baren room, his brow furrowed in confusion before he makes his way to Bruce's study. "Hey B, have you seen (y/n)? Her room is like weirdly empty."

Dick found his Father where Alfred left him, leaning over the divorce papers silently a storm in his eyes.

As he steps closer and reads the paperwork Bruce was staring so intently at, his heart stopped.

"Holy shit- are those real?"

"Yes." Bruce finally spoke his voice horse. There was a moment of silence before Dick left the room practically running down the stairs to alert the others.

"(Y/n) left Bruce." He said still processing the information, "No fuckin' way." Jason says pushing himself off the counter he leaned on. "Her room is empty and he has the papers, she's gone."

Each member of the family had different reactions to this information.

Dick tries calling you only to be met with a disconnected number, his heart hammering in his chest, he wasn't as close to you as when he was younger sure, but you were a constant in his life, always had been, a pillar of support, and suddenly you weren't. It felt like the floor had gotten pulled out from under him.

Jason curses under his breath, his mind working a mile a minute, he had barely spoken to you since his Resurrection, something he deeply regretted as the information of your leaving sinks in like a brick thrown into a river.

Tim, ever calculating is trying to figure out where you went, you were a figurehead in his life, someone that was literally never not there, sure he wasn't close to you in the slightest but that doesn't mean he wants anything to happen to you, someone as quiet and soft as you on your own in Gotham? It didn't sit well with him. Not one bit.

Damian didn't know what he was feeling at the news, he supposed he should feel nothing, after all you were nothing to him, but there was this nagging feeling in his chest that he couldn't quite place. And he hated it. How dare you leave and upset his fragile ecosystem?

Meanwhile in the Bahamas, far from Gotham and the neglectful family you'd left behind, you sat lounging on a private beach, a knitted hammock cradles your body, a designer baby pink bikini covers you, a matching sunhat protects your face from the hot sun, you can't wipe the smile from your face, humming a tune from your childhood you barely flinch when someone takes the seat besides your hammock.

"Do I want to know how you found me?" You ask, eyes still closed as you bask in the warmth. You knew only one person had the sources to find you on your own island, and despite how much you resent the man, even his presence can't ruin your shine in this moment.

"You're my wife (Y/n), I'll always know where you are." Bruce speaks softly as if trying not to startle you. "Former wife." You correct cracking an eye open, a small smirk curling on your lips.

"Not until I sign those papers- which I never will."

"huh, I thought you'd be thrilled." You muse to yourself before folding your tanning mirror and setting it aside, you take off your Louis Vuitton sunglasses, blinking your pretty (e/c) eyes up at him, "Figured you and your little Twinkie would have tied the knot by now." You laugh softly, the sound, unfamiliar to Bruce, sent warm shivers down his spine, it causes his lips to quirk up in a small grin.

"She's gone."

"Well, I don't care."

There's a beat of silence before he's offering you his hand. "Will you walk with me? I know I don't deserve it."

You sigh before getting up, ignoring his hand, you nod your head reluctantly, "Well? Hurry up I've got dinner at six."

His smile remains as he begins leading you along the shoreline. It's relatively quiet between you two as you walk side by side, a peace between you both you hadn't ever felt. "The manor isn't the same without you." He breaks the silence, "I sincerely doubt that." You laugh at the very notion. "It's true- it's colder, quieter, I want you to come home."

"That was never my home, you made that abundantly clear."

He winces as if your words cut him, "I know I haven't been a good man to you, I know I've failed you time and time again but I..I looked at those divorce papers and my heart stopped." He admits running a hand through his hair.

"You can't leave me."

"I can't?." You scoff, your movement halting, "I'm a grown woman- I'm taking responsibility for my own happiness, you can't stop me."

"I wasn't asking." He says softly, his hands in his pockets, he had this fond look on his face, like he was staring at you for the first time, in a whole new light. "You can't make me." You say, brows furrowed, "You belong back home, you're supposed to be with me, till death do us part, remember?" He steps forward making you step back, your eyes wide, hands shaking, you back into a wide chest, spinning to face Dick, who's grinning at you, he's in his Nightwing costume, he gives you a small wave of his hand, you scrunch your face in confusion, "What the hell-" your thought is cut off by a small pinch in your neck, the needle in Bruce's hand is empty in seconds, he's cradling your stumbling form, holding you tightly, "Don't worry - I'll fix this."

Your sleeping body is gently carried to the batplane, Bruce holding you close to his chest as Dick pilots the plane, he whispers promises into your hair, rocking you against him as he swears on his life to make things right, weather you liked it or not.

[ja3yun]

please a heeseung version for the 'how he is as a bf' i will literally sob my pants

you know i wil take any excuse to talk about my delusions involving my man so lets gaur! again, this will include some smut so mdni!!

jake vers. | sunghoon vers. | jay vers.

in the beginning, during the talking/dating stage, heeseung won't be clingy or overbearing. he will keep his distance and text you moreso than take you on dates. communication is important to him so i feel like this is a way to see if you can hold conversation. when you do go out on dates, he will be incredibly sweet and wholesome, i think he enjoys activity dates more than dinner/drinks so expect to have lots and lots of fun. these dates are important to him because where texting and phonecalls tell him about your communication, dates wpuld determine your vibe and connection

he has a very strong head on him and is very logical so i think he would set out with the intention to keep his feelings close to his chest but the purity of his heart and his desire to love would overrule that aspect of him. heeseung is a lover and piner so it wouldn't take long for him to fall in love with you but he won't admit it as soon as he feels it, he will wait for the right moment to make it special for you both. that being said, if he was really vibing with you and could see that you love him just the same, it could just blurt out in the middle of your date or at home (which he would curse himself for later on)

POSSESSIVE and knows it. when you're in a relationship, he is going to be protective of you, particularly when you are out together. he will make you walk on the inside of the pavement, hold onto your hand tightly when others are around, grab your waist to let you know that he is there and won't let go until he absolutely has to. heeseung would be so down bad for you in private but when there are other men around, it's even worse.

he would like his space though, he doesn't need you around him all the time so you would have a very relaxed relationship, lots of texts and calls but he doesn't need quality time all the time, he values being on his own or with his friends, quality time with them is just as important as quality time with you.

that being said, he will take you out with his friends to help you bond. he would prefer it if you got along with his mates, or at least tried to. when he goes out with them to the gaming cafe, he will invite you out but ofc, half way during the session he will have you sit on his lap, espacially if he is getting cocky with winning.

more under cut

the dates he takes you on are never spontaneous and always planned to ensure you have the BEST time. he takes your personality and likes into consideration each and every time, it's important to him that you feel valued and loved in the relationship and he knows sometimes with schedules or his need to relax on his own that it could come across as neglect, this man will do everything in his power to make sure you never think that way.

unlike the others, he would show you off. perhaps not in public until you are both settled but definitely everyone in the company knows about you. the reason i think this is because he wants you to be supportive of him, go to concerts, schedules, be his number one fan! there is nothing he loves more than a supportive partner, he needs a relationship that both of you are career driven so you can both be there for one another.

i think he loooves cuddles and staying in with you. not so much doing domestic stuff but just relaxing and in each others company is more than enough for him. he likes to watch movies and play games with you laying inbetween his legs or vice versa, randomly kisses you during adverts or loading screens, his hands are always on you when you're with one another privately, so its probably the best time to indulge in the little clinginess he shows.

will sing to you if you ask!! not full scale microphone and performance but soft luls of his favourite tracks to you while you're walking outside or in the house cleaning up. he is definitely the type of boyfriend to dance with you in the middle of the night, the fridge or dim lights from the living room being the perfect accent to the moment. he would absolutely nuzzle your nose and tell you everything he loves about you in these moments, words he says triggering another song to pop into his mind and twirl you around.

couples jewellery are a must, rings and earrings specifically. we all know he likes a singular earring on his ear, and you would absolutely have the other. the jewellery is a way to keep you with him at all times, particularly when he is on tour. he will wear them and subtlety touch them when he's performing love songs, imagining singing them directly to you

kisses: soft, romantic, subtle, passionate. he loves the feeling of your lips and how soft they are with his. he is obsessed with long, lingering kisses so he will hold you back from meetings or work to softly cradle your cheek and give you long pecks. if he knew he had time he would easily slip his tongue in your mouth and try for a full scale makeout session. he loves to taste you and have you completely at his mercy, making you moan into his mouth and whimper when he pulls away. its all part of his possessive nature like he just loves to know you're his. he will also be a mess kissing, whispering sweet 'i love yous' and 'fuck' because he's vocal as fuck with everything he does.

bowchikawowow: he is a passionate man with lots of love and energy to offer. i see him as quite a horny person (tbh that might just be me being self indulgent) so, like jake, he is fucking you anywhere and everywhere he can. loves a quicky, will always be ready and prepared to pound you. sometimes he wants to go slow and sensual but you're just too delectable and he's too randy to wait. why fuck you slow when he can mske you cum multiple times by fucking you hard and fast. heeseung isn't primal with it, it's still filled with love and adoration, i'm thinking hardest he will do is soft-dom vibes but only if you bring it up first - he doesn't want to force you into anything you are uncomfy with. likes you on all fours and mirror sex the most. adores it when you call yourself his while his cock is inside you, could cum just at the words leaving your lips.

my man adores giving you aftercare, literally part of the process. if its a long, hot session, he's making sure you pee and shower, or at least will clean you up. he alresd has some form of vitimin water in the fridge waiting for you, vitimin because he sometimes wants a round two asap. when he takes you for a quicky in the office building or wherever, there isn't much he can do so instead of his pampering, he will kiss all over your face and murmer words of affection into your skin, never wanting to let you go.

again, these are my delusional opinions!! if you have other ideas let me know, i love to hear them <3 (and yes jay will be next)

[astromaniac]

solar return chart observations 1

what is a solar return chart?

the solar return chart is calculated for when the sun returns to its natal position. due to this, the chart lasts 12 months (a year). solar return charts are used to observe themes for a specific year and make predictions.

how to find your solar return chart:

head to: https://www.astro.com/horoscope

go to horoscopes -> horoscope drawing and data -> extended chart selection

enter your birth data

change chart type to solar return chart (scroll down)

north node in the 1st house can be an incredibly transformative year and can push you in the right direction towards your life's purpose. with this said, this year can push you to your limits, taking you outside of your comfort zone, and can definitely be difficult.

9th house prominence can suggest that you may be travelling overseas this year.

chiron in solar return charts shouldn't be underestimated! chiron represents our vulnerability, healing and wounds. the house, sign and aspects that chiron is in/receives will most likely be felt this year.

-> for instance, i lost my period for one year when the ruler of my 6th house (the house governing health) was conjunct the moon and chiron in my solar return chart.

the themes of the house in which your natal ascendant falls in your solar return chart can be of more significance this year.

solar return venus conjunct natal venus can suggest that your love life will become more lively and venusian themes become more prominent this year. romantic relationships are favored and can get a surge of energy.

-> for instance, my sister had this in her solar return chart the year she met her online boyfriend in person - it impacted them both positively and greatly.

solar return venus conjunct natal mars is also an indicator of the same sort of themes discussed above for solar return venus conjunct natal venus.

-> continuing on with the example used above, my sister's boyfriend had his solar return venus conjunct his natal mars in his solar return chart the year they met in person.

uranus contacting the moon (especially conjunct) can indicate that themes regarding the home, stability and security may be shaken up during this year either positively, negatively or both! this can suggest moving houses or moving overseas.

mars in the 1st house can lend to a year where motivation and drive comes easier and is generally a great time to become more physically active eg. through developing a new workout routine.

-> for instance, when i had this in my solar return chart, i was very determined and energetic that year (i burnt myself out!). i also started to focus on creating and following a workout plan to build muscle - which i did :) -, and still follow to this day.

heavy, negative 12th house prominence can indicate that secrets are more likely to circulate and impact you this year.

-> an extreme example of this would be Donald Trump's solar return chart for this year. He has 3 planets conjunct in the 12th house that only receive several squares. Saturn, being the ruler of the chart's 6th house (health), squares this stellium. He got shot recently and this shooting/assassination attempt was a secret which impacted him.

Part of fortune in the solar return chart can signify areas of importance for that year. it can definitely be interpreted as areas of luck and blessings but I also see it as a body that does have some type of karmic connotations.

thank you for reading this post!

note: everything in this post are simply my own observations and are not to be taken as solid facts. use what information resonates. :)

credit for flower dividers: @animatedglittergraphics-n-more

~ 𝓪𝓼𝓽𝓻𝓸𝓶𝓪𝓷𝓲𝓪𝓬

[physalian]

On Writing Characters with Hyper-Specific Triggers (and a PSA)

*Trigger warning for this whole post

Once upon a time, I had a roommate. Nothing looked wrong from the outside and this narcissist probably thought nothing was wrong on the inside, but there was. I knew moving in with them was a mistake, but financial circumstances demanded I shut up and try to make the most of it. Enter the longest thirteen months of aPTSD-inducing psychological stalemate I hope to never repeat again. Seven of which were on overdrive.

The why doesn’t matter. The how doesn’t matter. What matters is that this roommate was so toxic, there was no point in attempting to talk things out because any little thing could be a land mine for starting an argument and it didn’t matter what casualties got caught in the crossfire, so long as this person “won”. Casualties including our friendship. So if any little thing, anything at all, could be a land mind, what do you do if not try to completely avoid them? For seven months.

This person’s work schedule was incredibly erratic, but they were gone more hours than not, and when they were home, they were usually asleep. In those few overlapping hours where we were both awake, I could not leave my room for fear of said verbal land mines. If I wanted to cook, leave the apartment, get anything from the living room or my desk that I had to abandon, get more water from the fridge, I had to do it before they got home, or after they went to bed, and I could never predict when they’d be home.

Luckily (or unluckily), my room faced the parking lot, and this roommate drove a car that made a very specific sound. From the moment I heard that car from my room, I had about 20 seconds to shut down whatever I was doing in the apartment, retreat to my room, and lock the door. Overreacting? Potentially, I wasn’t in any physical danger, but this was seven months of near complete isolation from any other friends, and the fear of making it worse kept me silent.

So, 20 seconds from the moment I hear the telltale whine of that engine. If I couldn’t hear the car, our front door had a lock that chimes and I had about 7 seconds from the first chime to the door opening to get the fuck out of the way. I lost weight that I couldn’t afford to lose from being unable to cook past a certain time in the evening and staying locked in my room on their days off.

Seven months of only having a door chime and an engine to tell me when it was safe and when I had to run.

—

These chime locks are the new normal and one year removed from that apartment, every time I hear it and I’m already stressed, it’s a trigger.

Every time I’m on the highway and I see a dark grey sedan of that make, that is the most important car on the road until I make sure it’s not their car.

Every time I see a dark grey sedan parked in reverse, as they habitually did, that is the most important car in the parking lot until I make sure it’s not theirs.

Every time I have to drive near a certain location where they work, I am watching for that car.

I could pick it out from 200 others. I know the license plate, I know the license plate frame, I know what sticks to the windshield, I know what hangs from the rearview mirror. I would know that car rusted and crushed in an impound lot.

So. Today I drive home and I pass a rear-parked car one turn before my unit, and I think to myself, “that’s not X’s car, but I noticed it, I’m never not going to notice it.” It wasn’t the same make, model, or color, it was just a sedan with its nose sticking out and that was enough.

Then I turn the corner. And there it is. My ex-roommate’s car.

I shit you not it was like I had a warning from the Universe before it hit.

I don’t need to check the windshield, I know it’s theirs. I’ve seen it in my complex once before. The last time I did, I’d parked my own car and waited, got out, and hid between two others in the dark, waiting for this person to leave.

Today, in broad daylight, that car is empty. They happened to arrive while I was gone for 30 minutes. So I park, and I wait. I watch that car from my side mirror. I scan the sidewalk for them and I don’t see anything. I have frozens that can’t wait.

I’m thinking to myself, of all the parking spots in all the parking lots, of all the apartments in this godforsaken town, you parked right behind my spot.

Nothing happened, and even if we crossed paths, nothing probably would have happened (that’s how they worked, pretending nothing was ever wrong and that I was the crazy one). But I still waited, and when I decided to leave, I moved as fast as possible without drawing attention. One whole year removed from that person.

—

It doesn’t take physical abuse, or yelling and screaming and death threats. It doesn’t need to be a parent or a sibling, a relative, or a romantic partner. This person never touched me, never screamed (though they did yell on occasion), never actually threatened anything. They never called me names, were never direct with any of their insults, were never explicitly petty. I had no proof. Ever.

I just had example after example of every time they cut me down to feel smart, picked on me to feel better about themselves and project their own insecurities and jealousy, or used me as their emotional punching bag because of choices they made.

So a year after completely cutting them out, there’s that fucking car parked outside my apartment.

Media portrays “triggers” usually only in characters who are veterans. Noises that sound like gunshots, or thunder, fireworks, because that’s what we think of when we see PTSD—people who fought in wars.

It’s not like I sit around fixating on that car or that door chime (and actually with exposure to that chime every day with no consequences it’s gotten better), but that’s the point. They come out of nowhere when you least expect it. They don’t prepare you for their arrival, they just happen.

I didn’t have anything close to a panic attack, but nothing in the universe was more important in that moment than making sure I didn’t run into this person, until I calmed down.

Trigger attacks don’t have to be this big flashy thing, born of big flashy movements. It can be something as subdued as going quiet, staring at the thing, and your brain dumping everything else except all the potential outcomes of not escaping this situation immediately. It’s just a car. It’s not like an evil Big Dick truck with smokestacks and truck nuts and a MAGA flag on the back. It’s just a nerdy sedan that could belong to anyone.

—

So. PSA.

What you think might be an overreaction by someone you care about, they probably think is an overreaction, too. Did I want to have fate shit on my day and spend extra minutes under the hot sun when I have chores to do? No. But it happened.

What you think a trigger is supposed to look like or what the symptoms are supposed to be are not just what’s dramatic and flashy for the TV. Here I am writing a whole blog post about it instead of just moving on and I can't go back and check for typos because I don't want to have to reread it.

Do you want to die on a hill of “get over it” when someone you care about would love nothing more? Just. Be there for them.

And to writers, artists, anyone—it doesn’t have to be dramatic to be the most upsetting part of someone’s day. Including such simple things as a door chime, or the sound of an engine, really helps with visibility so people like me don’t think “I’m not allowed to feel this way, I didn’t actually suffer like a shell-shocked veteran”.

Most of us never will. That doesn’t make any of our hardships any less valid. Please be kind.

[felassan]

New Details on DA4 from this IGN article: "Dragon Age: Dreadwolf Is Officially Being Renamed, With Gameplay Reveal Set for June 11 - EXCLUSIVE"

"BioWare confirmed that The Veilguard will feature seven playable party members, and that it will feature “fun and fluid, moment-to-moment combat” while continuing to center strategy via the unique powers of each companion.

BioWare general manager Gary McKay explains that while Solas is “still very much a part of the story of Dragon Age: The Veilguard,” the team wanted a title that reflected a “really deep and compelling group of companions.”

“One thing that’s important to remind fans is that every Dragon Age game is a new and different experience and this game, more so than ever, is about you and your companions – a group that you must rally to fight by your side,” McKay tells IGN. “We can’t wait for players to meet, connect and form their own personal relationships with the unique companions that make up The Veilguard. That’s the spirit of this game…of this story. Choosing who will join you on your adventure, fight alongside you, and be there by your side in the end.”

McKay claims that the name change wasn’t a matter of focus testing, which commonly informs decisions like these. He even goes so far as to admit that sticking with Dreadwolf might have been easier.

“We actually think sticking with Dreadwolf would have been the safer choice – ‘Dread Wolf’ is a cool name after all!” McKay says. “In the end, it was most important for us to have a title that was authentic to the companions that are the heart of this adventure we’ve created. We’ve worked throughout development to create really incredible backstories for each companion that intersect with the main narrative in meaningful ways.”

As for why it’s not simply named “Dragon Age IV,” McKay says it’s for the same reason that Dragon Age Inquisition wasn’t called “Dragon Age III: Inquisition.”

“Every game in the series tells its own unique story and the title is an important element to help set the stage for the next standalone adventure inclusive of its own hero, companions, narrative arc, villain, setting, etc,” he says.

Asked what it means for BioWare to finally be able to show The Veilguard to the world, McKay said, “As the studio head and executive producer, it’s been incredible to see the journey, resilience and passion that this team continues to bring every day. We have an incredible group of both BioWare and Dragon Age veterans who have been with us for years, as well as new faces and voices that love the series who have helped to create an unforgettable experience we feel will be worthy of the Dragon Age name.”

So who exactly are the Veilguard? In the lore, the Veil is a barrier between the physical world and Fade, which is Dragon Age’s spirit realm. Solas, who helped create the Veil, now wants to destroy it. Hence, as McKay puts it, “the Veil needs guarding.”

While acknowledging that the why and the how is definitely spoiler territory, McKay says, “The biggest clue I can share is that you and your companions – that make up The Veilguard – are central to taking down a new evil threat unleashed upon Thedas. It might not just be Solas.”

McKay isn’t quite ready to reveal the party members quite yet, but does provide some hints on what to expect, including some initial info on romances.

“We spent a lot of time making our companions feel authentic based on their own unique experiences within this larger fantasy world, which in turn makes the relationships you form with them feel even more meaningful. We’ve tapped into Dragon Age’s deep lore and explored its most iconic factions to bring each of the seven companions and their stories to life,” he says.

“I won’t spoil next week’s reveal but I can say we’ve created a story where you can impact the world and the companions that surround you. Player agency is important to the Dragon Age: The Veilguard experience and allows each player to form unique personal connections with their companions of choice. And, yes, you can romance the companions you want!”

McKay says the decision to pare the number of companions from nine to seven is mostly down to it being the “right number for the story we’re telling.” Each one is intended to represent a unique faction or element from Thedas, and will feature their own arc with “stories of love and loss, each with meaningful choices and emotional moments.”

He continues, “As you accompany your companions to unravel their backstory and earn their loyalty and friendship, you’ll visit more regions of Thedas across a deeper variety of biomes than any Dragon Age before it.”

McKay mostly sidesteps questions of how Inquisition’s characters might fit into The Veilguard’s story, though he does confirm that it will once again feature an original protagonist similar to The Warden, Hawke, and The Inquisitor, noting that each Dragon Game has its own standalone story with its own thread and conflict.

“Games across the Dragon Age franchise are never designed as a game-over-game continuous storyline. There are familiar arcs, factions and heroes important to the overarching Dragon Age universe that weave through the new story we’re telling,” he explains. “The previous games, characters and events aren’t the anchor of Dragon Age: The Veilguard it’s about your adventure with a brand new cast of companions that you must rally to fight against a powerful force.”

He once again teases another villain beyond Solas: “I don’t want to get too deep into spoiler territory but I can say that the Dread Wolf is not the only god players need to be worried about.”

When The Veilguard is finally revealed on June 11, BioWare’s presentation will include 15 minutes of gameplay from the opening moments of the game, which will help set up the story. On the gameplay front, McKay says that The Veilguard’s combat was a “big area of focus” and something the team wanted to push forward. Among other things, McKay says that The Veilguard will feature an ability wheel designed to give players more direct control over their characters.

“As an RPG, strategy in combat is important as you bring two companions to every fight. Each companion brings unique powers and abilities that have a direct impact on how you choose to take down the enemies at hand,” he says. “To add another layer to that strategic element, we’re introducing a new ability wheel where you can pause the action and set up your next move – whether it’s your companions’ abilities or your own.

“The ability wheel opens up a huge amount of strategic possibilities, giving players the ability to control the flow of combat and link powerful combinations of abilities between players and their companions that can quickly turn the tide of any battle. We think we’ve found an exciting balance between fun, fluidity and strategy for every encounter.”

“This is a game and experience that continues BioWare’s tradition of single player RPG storytelling set in the epic fantasy world of Thedas,” McKay says. “We know Dragon Age fans and the community have been waiting a long time for the next game and we could not be more excited to share our gameplay reveal on June 11.""

[source] (emphasis mine)

[bugflies00]

OKAY so what ive been thinking about for ages is ctommy and being soft vs quiet . because i feel like it's one of those things in his fandom characterisation that sparks the most debate and in my opinion theres a huge difference between the two but i keep seeing people mix them together.

ctommy is soft but he's not quiet, and to disregard either of those things is what makes him less believable in fanworks imo

because on one hand, of course he's not quiet, that's the most obvious and i think one of the most commonly accepted qualms that we have with general fan interpretations of him. he doesn't just lie down and take shit, he's always committed to being an annoying shit, he's straight up rude so often, and even just. vocally. man's loud as fuck. i think that's pretty easy to establish .

but then what i find is that sometimes we veer into the other opposite, by completely denying that ctommy is also very soft sometimes. and by this i don't mean he turns into strawberry shortcake or starts being polite or whatever, but it's the fact that he's not just crass and rude. he's very considerate a lot of the time, he just shows it. uh. in his Own Way let's say. he cares for animals so so much, he's always so apologetic when he thinks he's hurt one of them, for fuck's sake he sung to the FLOWERS. he's very soft with nature, with things he's attached to, with things he perceives as weaker than him and needing protection.

the complexity of ctommy and what makes him so hard to grasp is that he's loud, he's brash, he is NOT a perfect quiet victim who suffers in silence, he asks for help, he's rude, he steals stuff, he's annoying as shit; but he's also soft, and incredibly empathetic, and he has no shame in showing that softness for animals or nature or his friends.

ctommy, and this is very much because cctommy himself acts like that a lot, is constantly vacillating between someone with the maturity of a thirteen year old boy who shouts and swears and pretends not to give a shit, and a boy who will stop everything he's doing to look at the sky or a flower or an animal (which does contrast his stereotypical rude teenager persona, because lots of aforementioned thirteen year old boys Would be embarrassed or whatever to do that).

he does BOTH. he's not just quiet and nice and sad and lonely; but he's not just rude and loud and """uncaring""" (if there is one thing ctommy is not i think we can all agree its UNCARING).

and i think this is why a lot of debates around "woobifying" ctommy (who remembers the july 2021 trenches . the butterfly clips.) tend to point any ctommy design that portrays him as soft, cozy, or even leaning into his feminine side as the be-all end-all of reducing his character.

in reality i think that misses the mark a bit because while there IS something to be said for sure about people turning ctommy into Blonde Anime Child #249824 and stripping him of his Very Vibrant character, i don't think that putting him in butterfly clips and skirts erases him in the same way. i think he could very much lean into that kind of thing . as long as he's still flipping off the camera we're all good

TLDR : fans strip ctommy of his loud-and-annoying persona but in avoiding that some forget that he's a character who's not afraid to be soft

[guiltyasdave]

glitch

pairing: Javier Peña x f!reader

word count: ~1k

summary: Prequel to nights are so starry, blood moonlit. How you and Javi became neighbors with benefits.

warnings/tags: explicit smut (-> 18+ only!), smoking, alcohol consumption, able-bodied reader, a hint of dom!Javi, unprotected p in v, kinda rough sex, ass slaps, dirty talk, oral (f receiving), Javi is a menace, a hint of angst and feelings because of who i am as a person

a/n: written for @iamasaddie’s writing challenge 2.0 with the prompt "never knew you were such a freak", and since my first story about these two was also part of one of aly's writing challenges, it just made sense to revisit them :)

dividers as always by @saradika-graphics <3

find my full masterlist here and follow @guiltyasdavenotifs for fic updates!

It had started out with fleeting glances in the hallway, quick greetings when your apartment doors opened at the same time, then short conversations on your adjoining balconies, late night talks with your feet propped up on the railing and his back leaning against it, sometimes exchanging a cigarette or a light, or occasionally a bottle of beer when one of you had run out. 

Of course you noticed the ridiculously tight jeans that really shouldn't look that good on him, the way his broad shoulders strained against his clothes, and the way his shirts always revealed a little too much of his golden-skinned chest. You couldn't deny the fact that your neighbor was incredibly attractive, and that he knew it. 

You probably should have said no when late one evening, after Javi had found you on your balcony, smoking and watching the glistening city lights, he invited you to share a glass of bourbon. Together. At his place. 

He had been flirting with you, which you suspected he did with every woman he met, and you had tried not to pay it any mind, but you were well aware of how this evening would end if you accepted. 

You should have said no, and a stronger, less lonely version of you might have, but you craved human contact, craved to be touched by someone else than yourself, and if the sounds that traveled through the thin walls from his bedroom to yours frequently enough were any indication, Javi knew what he was doing. 

You should have said no, because it became clear to you very quickly that Javier Peña would ruin you for all other men.

He was more gentle, more caring than you had expected him to be and he prioritized your pleasure in a way that you had never experienced from any man before. He took you to heights that you hadn’t thought possible before, and it was addicting.

You should have said no, but you hadn’t, and now you keep coming back for more. 

You keep coming back for the way his skin tastes under your tongue, for the way his lips press against yours, swallowing moans and whimpers, for the way his fingers and his cock reach so deep inside of you that you still feel him hours later, when you have said your good nights and crawled under the covers of your own bed. Never his, never crossing the line to a different kind of intimacy.

It’s another one of those nights, a soft knock on a door, a mutual understanding passing between you, gentle touches that burned under your skin until they got more demanding, until you both gave in to that pull that kept you coming back. 

He’s already made you come on his tongue twice, until you were dripping onto his sheets, his name the only word in your mind and on your lips. You’re on your hands and knees, limbs shaking, trying to accommodate his length and the harsh rhythm that he’s setting. 

“Taking me so fucking well,” he pants, running his hands down your back and over your ass. You chase his touch, goosebumps forming in its wake, your moans filling the air as he keeps hitting impossibly deep inside of you. 

His palm connects with your skin, nothing more than a playful swat, but the sensation sears through you, lighting your nerve endings on fire as you all but scream your pleasure into the softly lit bedroom.

“Oh?” His voice is low, rough in his throat. You don’t need to turn your head and look behind you to know that he’s smirking down at you right now. “You liked that, huh?” 

You nod eagerly, too far gone to be ashamed of the way your hips are bucking back against him, working desperately to feel him deeper inside of you. 

He slaps you again, harder this time, and you feel yourself clenching around him, feel the way a new wave of slick is coating his cock. His fingers dig into your shoulder and he pulls you up, until your torso is pressed against his, his mouth moving against the delicate skin of your neck. 

“Never knew you were such a freak, baby,” he whispers, his lips curling into a grin, teeth nipping at you.

“Shut up.” You try to hold your voice steady, ignore the throbbing need between your thighs, but he just chuckles and presses another kiss against the side of your throat before he loosens his hold and pushes you back towards the mattress. 

His hands grab your hips instead, pulling you into his thrusts, filling you so deeply that you see stars behind your eyelids.

“You want me to do it again?” You hate how smug he sounds, would love to deny him the satisfaction, but god, you do want him to. 

“Fuck– please, Javi.” You’re breathless, reduced to a mess of trembling thighs and desperate whimpers, and you wish that you could stay like this forever. 

He slaps your ass twice in quick succession and deepens his thrusts at the same time, punching all air from your lungs. His hand snakes down to graze your clit and you’re overwhelmed with sensations, pure pleasure coursing through your veins so suddenly that it’s almost disorienting. You collapse onto the sheets, your pussy pulsing around him as your body shakes through its third orgasm of the night and you’re whimpering his name as he buries himself deep inside of you and comes with a groan, painting your insides with his release. 

After more kisses, more touches, and a shared cigarette, you get dressed and eventually, his apartment door clicks shut behind you. You lean your back against the wall, closing your eyes and breathing deeply for a moment before you enter your own place.

Again, you know that you’ll be coming back for more. And that no matter how many times you come back, it will never be enough.

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