#which is good for a game that's all about dreams

[desireangel]

Dark Cherry [4] | Aemond Targaryen

Aemond Targaryen x Fem!Reader

Summary: after months of a marriage that hardly harbours the passion that you'd dreamed about, you stumble across the reason for your husband's indifference and decide enough is enough. Aemond will learn just exactly what he's been missing out on.

Word Count: 5.5k

Warnings: MDNI 18+!! canon divergence!!! I fucked the timeline and nigly bits bc this was an impulse fic ok soooo it was mostly unplanned, almost smut, angst, let the grovelling happen babyyy, unedited, mention of alys x aemond but not in a good way :((, infidelity, talk of sex, guilt, mentions of Aegon x reader, hmmm I ramble, little vulnerable Aemond, bad language, let me know if I've missed anything!

Author's note: y'all I was never done with that man like there's no easy out for him :llll. Anyways I wrote most of this instead of studying which I needed to do. Perhaps I'll have my hand at another idea I'm cooking before part 5 but I'm alsoooo unsure about how keen we are to keep this one going - like is it getting too much??? either way, I enjoy writing this. and idk how to shut up, clearly, because I love that internal mind talk shit. Drop your thoughts in my inbox or PM me because I love to yap!!! xoxo, kisses!!! <3

Masterlist

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He was a fool. A spoiled, arrogant and entitled fool. You often thought about whether Aemond actually recognised the effect of his actions on anyone else. It was always ‘I did it for us’ or ‘I did it because I had to do it’.

So after your confrontation the day before, it had surprised you that Aemond had truly believed he was forgiven. Maybe it shouldn’t have. You had, after all, sat beside him and laughed with him. Shared a moment as if things were better. But it was nothing more than a lighthearted acknowledgement that whatever game was being played was entirely ridiculous yet you could feel how something had changed. There was a newfound intensity between the two of you and Aemond had clearly understood that he had made a mistake

But that wouldn't be enough for forgiveness. Things would never really be the same. You will never forget. The nameless woman had made a home in your unconscious mind and everything would remind you of the woman your husband had chosen to take to bed over you. She was beautiful, she was experienced and free of burden. Based on that alone a part of you could see why she could have been a better choice–a part of you that ached and pained ceaselessly. 

And you weren’t sure you could carry on as if Aemond hadn’t thrown your entire world into the pits of ruin. Because that is exactly what he may as well have done. All you had was your marriage to him–a fact that was as painful as it was true. If it all fell apart because of him only you would suffer from it. 

Your name, your family’s name. A Lady born to a house of remarkably lowly nobility with little more than your marriage to the prince. A charity case marriage to tell the realm’s people that the Crown was not so prejudiced as to be above uniting with the likes of your house. That the Lannisters and Baratheons were important but they were not everything. A fabrication only made necessary to cover up the fact that it was a lie–the Targaryens (and even the Hightowers as you had come to realise) really did believe they were of better blood. 

A failure to fulfil your duty to the Targaryen crown as Prince Aemond’s wife would destroy your family name. And you would have no prospect of happiness after it. What else did you have aside from this?

Aemond would never understand that. Because not only was he a man but he was a prince. A privilege, a safety and a security he had inherited through birth. 

Aside from the pressures of society, he had hurt you. Badly. 

Despite your own confliction about it, you did have love for Aemond–how could you not? Love came from many things and while yours may have come from your dependance on his word, on the duty he performed to be your protector as he was to the Crown and its subjects, on his polite affections as limited as they were, it still found its way into your heart. Perhaps it was foolish to allow it entry into your existence when you had already known that there was no love to come from Aemond. 

It didn’t change anything. Betrayed your trust, taken you for granted and destroyed the sanctity of a husband’s loyalty as if he were as dishonourable as any other Lord. 

You would never say it out loud but it had broken your heart. And heartache is a consuming, suffocating and painful thing to feel. A constant lump in your throat, something always weighing your chest down, a disastrous, aching discomfort in your belly. Tears had stained your pillow at night and dried by the morning, the fabric of the linen acquiring the same unphased facade that you would wear as you plastered on a mask of ignorance so that you could continue to live through your day. 

All because you had wanted him. Aemond, who was doomed to disappoint and destroy merely because that is all that princes do. 

For him to have mistaken your truce–the end to the back and forth game that had been wreaking havoc in its wake-as forgiveness was infuriating. He had no idea. 

Well, maybe he did. Now that he had seen you with another just as you had seen him. And you recognised your own experience in the moment he had realised what was happening. 

Aemond’s call to breakfast made you want to laugh. But you had turned him down for afternoon tea just the day before only to be found swallowing his brother’s seed. You winced at the shamefulness of your thought, muttering a quick prayer for the sake of your piety whether it was genuine or not. 

He was seated lazily in the chair he favoured, an array of food spread across the table. There was a book in his hand. The same one he had taken from you the last time you had shared your morning meal together. Aemond had a smirk playing on his lips. 

You cleared your throat, curtsying before sitting down at the other end of the table to him and with as much distance between you as you could muster. “Good morrow, my Prince,”

“Formalities, I see,” He looked at you through his lashes. It was odd seeing him so relaxed, the tension that was always in his shoulders had been lost and there was a playful glint to his eye. You wanted to smack it out. “I believed we were past titles and distance for the sake of propriety, my sweet. As well as rigid greetings.”

All you responded with was a stare. 

Dropping the book to his side, Aemond sighed and leaned forward, pouring tea into a cup. He stood, taking a couple steps forward to hand it to you. “We have fixed-”

“We have fixed nothing.”

“I am trying to turn a new leaf,” he commanded. You took the cup and saucer from his hand, the warm waft of vanilla and rose giving you a slight reprieve from the threat that rolled off his tongue. “If you do not recall, dear wife, I as well have every reason to resent you. The image of you sucking on my useless brother’s cock is not one I can easily bare. Yet I have chosen to let it be. I could have easily decided otherwise.”

“That would make you a hypocrite.” You glanced at him over the rim of your teacup. 

“It does not matter much if I am a hypocrite, does it?” Aemond sat, leaning forward and resting his elbows on his knees. He wasn’t bothered with the food in front of him, focused solely on you. “I hardly see how that would change anything.”

You squirmed under the intensity of his stare, picking up a cherry from the bowl of fruits and rolling the stem between your fingers. “It matters to me. Certainly, it matters for your reputation among the smallfolk. Nobody cares for a selfish prince, my dear.”

Aemond hummed, smirking at the venom you spat at him. You noticed the coin that he rolled between his fingers, nimble and thoughtless as if it were like breathing. Not so much a nervous habit but a thoughtful one. 

He couldn’t lie and say that he didn’t enjoy your confidence. It was refreshing. But there was a dip in his gut at the thought that there was no hope for the two of you. Aemond, ever logical, knew he had no one else to blame but himself with his lack of foresight and failure to see beyond the now and here. 

Because Aemond had not even considered how things would go on should you not forgive him. He had assumed that you would if not merely on the basis that there was little lost from a relationship that hardly existed in the first place. You had love for him and he was so convinced that such a thing would be impossible that he didn’t consider that it would cause you heartache beyond slighted offence and jealousy. 

A violet eye lingered on the cherry that remained between your fingers. Aemond was good at putting on an act. He thought for a moment that he would rather take lashes to his back than have you know that he had no idea how to love someone properly. A part of him was persuaded that he was incapable of being a good lover. The lashes seemed like a blissful gift compared to the self-loathing that simmered in his belly at the probability that he had ruined any chance your marriage had of recovery.  

It crossed his mind that it was his ignorance towards you right from the beginning that had damned your relationship. 

Either way, it did not help that you had turned to his brother for intimacy. Aemond felt his blood scorch whenever that invaded his mind. He wanted to crumble the walls of this fortress when he wondered if Aegon had enjoyed your womanhood. Jealousy did motivate him well, he realised, and Aemond had the murderous urge to feed Aegon to Vhagar. 

Nonetheless, he feigned amusement. “It seems as if you care for one.”

You ate the cherry. It was sweet and rich. All you replied with was an upturn of your chin as you gracefully held a small embroidered towel to your lips.

“So I am not forgiven?” Aemond had to break the silence before it cut him open. “Are we not even?”

Narrowing your eyes at him, you held back a surprised laugh. “You never apologised. Not that it would make any difference.”

“That does not answer my question.”

“Of course you are not forgiven,” you sighed. The tea cup hit the table with a clang. Your disdain for his actions and his ignorance gave you an unfettered confidence around him which you weren’t accustomed to. It made it very difficult to control yourself. “And no, we are not even, my Prince. And since you have brought it to my attention, I am of half a mind to find Aegon and offer him a meal between my thighs. You see, I have often wondered how it would feel and I expect that our King would be happy to indulge my… curiosities.”

Aemond sneered, a silent one that was more visible in his intake of a breath, the curl of his lips and the hardening of his eye. Bullseye. 

It took him less than a couple seconds to be on his knees in front of where you sat, a strong hand tightly gripping each side of your thighs over the thick fabrics of your dress. He had shoved the table aside, unphased as tea spilled and fruits and cheeses toppled to the floor. Something in the look of bewilderment on your face had Aemond ready to both grin at your clueless innocence and frown at your shock.

Aemond didn’t let himself dwell on the fact that you had given up on expecting such pleasures from him. He was your husband; nothing about what he was clearly intending on doing to you should surprise you. Cursing himself to perdition would not be enough for how he has failed you. 

“I feel obliged to remind you that we had agreed,” he grazed his nose across your knees, looking up at you through his eyelashes, jaw clenched tight as he all but growled his words. “That there will be no more of this foolishness. Not from you and not from me.”

It was an onslaught of different things that had rendered you still and silent. The way Aemond looked at you like you were the only satiating force for his eternal hunger, the wordless mixture of desire and anger in how his fingers dug into the flesh of your thighs, the desperation in his voice, strained by the fear that you would. Or was it the overwhelming feeling that Aemond was finally taking some accountability and that maybe he recognised not what his actions were but the meaning that they carried?

For a moment Aemond just looked at you, conflicted and fragmented and unguarded. The sight of him like this reminded you of a vulnerable child. But it didn’t last long before the menacing, cautionary glint was back in his eye, his posture becoming rigid as shuffled the fabrics of your skirts. 

A new kind of anxiety overcame you. Not like the insignificant nervousness you had felt that night when you had wandered into his chambers or used his leg to make yourself peak and not like the clueless apprehension with Aegon. It formed a ball in your chest and made it hard to breathe. 

There was no chance he would ever admit it but you could see Aemond’s vulnerability and desperation within the hardened facade he had perfected. He wanted nothing more than to seem strong and powerful at all times, worthy of acclaim and reverence. But here he was, willing to stay on his knees and worship you forever, all under the pretence of rageful infatuation. 

It was too hot. Even with the cool of the shadows cast by the dark net curtains that only let in enough daylight to see clearly and not enough to cause Aemond irritation from sensitivity in his eye, it was so warm you worried you would have to rip the sleeves off of your dress.

You were snapped out of your thoughts when Aemond let out a soft, dark groan, running his fingers across the expanse of your legs over your stockings, your skirts already bunched at your hips. Skin burning at his touch, you couldn’t help the way you whined and squeezed your thighs together, squirming under the intensity of his gaze. 

His voice was heavy with the burden of lust and regret. “I will be better. In all the ways that I have failed you and more. Your forgiveness, I realise, is not as easily granted as I presumed but I will show you that I am worthy of it.” 

There was a moment of weakness in your mind before you caught yourself. You didn’t quite believe him. It had clearly been too easy for him to give you empty promises and there was no reason why things would be different now. 

It was odd. Seeing Aemond weak like this. 

What would it mean if you let him continue? It was clearly different this time. You couldn’t put it into words exactly but there was a rawness, a blitz of different emotions that set things ablaze and made you want to both weep and mewl for him. 

You couldn’t spare a thought about why it was different. Aemond was right there, a weaponised Prince on his knees for you, a lowly Lady with nothing more to offer him than yourself. Since when did you hold all this power over him? 

That night in his bedchambers and last night when you had shared a laugh despite everything that had unfolded felt detached in a way. When you had allowed yourself release over his leg it was simply that. A way to ease the tension he had put in your body and a way to leave him wanting.

Aemond’s eye swam with a tenderness you had not seen from him. He continued to look up at you waiting to gauge your response. It was a slight nod of your head which had his hands tearing at the soft fabric of your stockings, his lips instantly meeting the skin of your knees before you had the chance to even gasp. All the while, he kept his eye on you as if his heart would cease to beat if he could not watch the way you reacted to him. 

It became increasingly harder to breathe. There were so many thoughts, so many sensations that you struggled to put it all together. Your flushed with anticipation, your cunt throbbed at the wet plushness of his lips on your hot skin and your hips squirmed at what was to come. 

Your mind, however, flashed with the image of Aemond, exactly as he was now, between another woman’s thighs. A woman who didn’t flinch at the unfamiliar touch, who didn’t jerk away at the foreign feeling of being pleasured. You wondered if he would be so angered at the prospect of another man’s mouth on her womanhood, if her skin felt softer or more rough on his lips and if he looked at her with the same heated need.

It made you feel sick. 

Aemond let himself enjoy the way your thighs tensed, pulling your smallclothes off of you as much as carefully as he could under the restriction of your skirts. There was an urge to rip the entire dress off but he knew it would be a step too far. He couldn’t help the low sounds that left him, sounds he couldn’t recognise. The expanse of your thighs and the sight of your flushed, hot cunt in front of him made his mouth water with a hunger that would have shocked him had he not been so distracted by your scent. 

Without complete vision, Aemond had learned to train his sense of touch, taste, smell and hearing to make up for the disadvantage he was stuck with. They were always slightly heightened compared to those who never needed the compensation of senses but in the cloud of desire and lust, he was sensitive. 

You whined at the way his tongue glided over your skin, biting down hard but not hard enough to be painful on the flesh of your upper thigh so close to where you needed to feel him. But Aemond was always remarkably patient and he merely made way to your other leg, repeating his ministrations and licking you from your knee to where he bit you at your thigh. 

The haze that had possessed you made you lose track of your thoughts so easily. Still, they fought their way to the forefront of your mind at every chance they could and you were reminded of her. 

Aemond’s mind was overwhelmed by you. There was no power in the realm that could make him think of anything else, not with the way you were trembling under his feathered touch and making such beautiful sounds for him, and not when he desired for anyone else apart from you. 

A heavy breath of shame and excitement tumbled out of you at how lewdly he dragged the tip of his nose across your thigh, pressing it into the flesh that sat above your slick, aching cunt and inhaling. You clenched around nothing, your clit twitching at the sound of Aemond’s unabashed groan. 

He grasped at your hips and your legs, his fingers burying into your flesh and tugging as if there would never be enough of you in his hands. It would have driven you into a similarly desperate state had things been different. 

The prince between your thighs was a sight to behold. Aemond’s skin was flushed pink, his eyepatch slightly out of place and his hair tousled from the way your legs clenched and unclenched against his head. He was almost drooling, mumbling about how good you smelled and how perfect and pretty your cunt was for him. His cock had never been so hard, constricted by the stiff leather of his training attires. 

Aemond enjoyed being a tease but there was only so much he could handle himself. While he wanted you to crave for him the way he was craving you so unbearably, Aemond needed to taste you. He needed to make you feel the blinding pleasure he should have been giving you at every chance he had since the night you were married. He needed to show you the ways of unbridled human desire and to show you all the ways your body could come undone and fall apart only to feel completely whole and fulfilled. 

There was no changing the past but Aemond would make up for how completely inattentive he had been. He would show you all the more fervently. When Aemond placed an open mouthed kiss just above your slit, letting a string of his spit glide off of his tongue onto your sensitive pussy, you shuddered.

All at once your mind was once again taken over by unsavoury thoughts. It had your eyes welling with tears, a familiar lump lodging in your throat, threatening to come out in a devastated sob. There was a ringing in your ears and you were back at Aemond’s door, peeking in only to see him giving that woman the same touch he was giving you right now. He had seemed so enthralled by her and the way she must have tasted. It was as if he’d been there before, indulging in her with so much passion it rivalled how eagerly touched you in this moment. 

Did her smell fill his veins with fire as yours was? Did her scent alone make his cock as painfully hard as yours did? Did her cunt drip for him the way yours did? Was the hunger in his eye shining for her too?

It was terrifying to consider. 

Aemond would spend hours here, he had decided. His duties for the day could be damned to the hells for all he cared. There was a rumbling in his chest for what he saw in front of him, inviting him to indulge and filling his mind with senseless ardour. Aemond let himself enjoy just the scent of you, his eye fluttering shut and his nose gently resting above your folds as he breathed you in, caressing your thighs softly with his hands. As if he were starved for years, Aemond salivated and with no patience left within him, he brought his lips downwards to meet the precious cunt he had been dreaming of. 

With a whimper that you couldn’t hold back, you jerked away from him. Aemond pulled away in surprise, his gaze full of confusion and lust and insecurity. “Wait, my love—“

You had slipped free of his grasp, a strangled cry escaping no matter how hard you tried to keep it in. There was one tear that slipped free, followed by countless more and you couldn’t look at him anymore, couldn’t bear to see that he was hurt before scrambling away from him. 

She was stuck in your mind. The memory of Aemond’s little trysts with her replaying behind your eyes no matter how hard you tried to shut it out. It was clear that there was nothing you could do to get ahold of yourself because everytime you looked at him, so enthralled in you and your sex, she was there. 

Laughing at you in the back of your mind, as if she had taken residence in a permanent place in your head, enjoying the state of despair and madness she and Aemond had led you to. 

But she couldn’t be in your head. Not really. Not in the way it felt she was. 

You barely glanced back at Aemond through your tears, struggling to even your breathing and calm the rapid beating of your heart. He hadn’t moved much; just simply stayed there frowning at the space that you had once occupied on the chair. 

There was nothing he could do to change things. Aemond knew that as well as you did. But there was a pain in your heart at the way he looked so defeated, so guilty that it almost seemed like he would melt into a puddle of remorse. A far stretch from the usual stoic warrior that you had known him as.

“My prince, I–” you swallowed, your voice catching when he looked up at you with a wide eye and furrowed eyebrows. For a moment you remembered that he had no right - but he was trying, was he not? “I cannot continue with this knowing that you had touched her like this. It angers me and it upsets me and it pains me to think of it but ‘tis beyond my control.”

He stayed silent, observing the way you hid yourself from him and struggled to meet his gaze. There was a sullen look to you, one you had not entered with and it stuck needles in his flesh to think that he had been the cause of it. Aemond’s entire body felt hot and he was itching to tear off his leathers. He wished the gods would strike him down as he was for hurting you so.

You had turned away, disappearing from his quarters swiftly. You would never forget the image of how you had left him there–it was both satisfying and devastating. 

Aemond, still on his knees for the ghost of you, his expression tortured and his shoulders tensed. It was a pathetic sight, should anyone stumble upon it, but you considered it beautiful. Beautiful in a lethal, catastrophic manner. Not unlike himself; a weaponised source of destruction who had a tendency to bring torment upon those he loved. 

The rest of your day had been spent alone in your chambers. You hadn’t cried so much over any of it until now. The tears and sobs that you had held inside of yourself for weeks had forced themselves out, along with the emotions you had pushed down until you could no longer. 

Aemond had a certain control while you were sitting in that seat, skirts bunched to your stomach and quivering for him to have his way. Regardless, the power was still yours and you knew that it was Aemond who was wrapped tightly around your finger at that moment. He would have listened to anything you had said–done anything you had told him to do. 

Perhaps you had become too stubborn in your anger to have let yourself feel anything else. A retributive anger; one that sprouted from the lack of love that existed in your marriage and reached a climax at Aemond’s brazen adultery. And it only grew stronger in whatever back and forth Aemond had encouraged by dangling his whore in front of your face. 

Whatever it was, you were feeling so much more now than you had before. 

Or perhaps it was because you could see that Aemond was remorseful. He would never yet admit it but you knew from the way he had behaved since you had visited him in his bed. It was no act of redemption and definitely no apology but it was impossible to ignore the change in him. You had never seen Aemond the way you had seen him this morning. 

Vulnerable, gentle, tormented. 

A knock on your door had you sniffling and wiping away any tear stains that may have lingered on your cheeks. You had stopped crying for some time but the need to wallow and lament had stayed. When you called out to ask, the guard at your door notified you of the Dowager Queen’s presence. 

Oh, seven hells. 

There was really no chance you could refuse her so you merely let her in and called a servant to bring some refreshments. Queen Alicent sat herself down but remained tense, carefully watching you as you took a place beside her. 

“Have you been crying?” Her concern was comforting. “I believe I know why.”

You straightened, not meeting the eye of the woman who reached a tender hand to your knee. Hiding behind a forced smile, you let out a breathy laugh. “I am certain the entirety of the Red Keep knows, Your Grace.”

“It has been known for some time,” Alicent was gentle, her cautionary gaze telling you that she was apprehensive about bringing her son’s misadventures up. You held your breath. “Since the first time he had summoned that Alys woman-”

“Alys? Is that her name?”

“You do not know?” There was a tense silence. Alicent couldn’t meet your gaze, pity swimming across her features. Aemond was her son and there were many things that she had let her sons get away with but her heart pained at the broken quiver in your voice. 

Alicent had noticed the change in Aemond since the night that you had found him with Alys. The second time. He had never paid much attention to you aside from what appearances required yet Alicent knew her son far more than he would be willing to accept. She had known that there was something in his heart for you, no matter how small and no matter how it dwindled until set alight. 

Aemond had done the wrong thing. She had no doubts about that. Alicent would have words with him once she figured out what to say to him. But he was her son and there were certain misdoings that she knew she had to defend them through. To protect his marriage, his image and his happiness. The Queen Dowager cleared her throat and reached for your hand, eyebrows furrowing at the way you stared down at your lap, the anguish you felt in your heart written clearly across your face. 

“I understand that you are hurting, my dear. Although my husband remained faithful to me until his death and I cannot quite imagine the pain in your heart–I see how you have love for my son, even if you nor him have known it, I do understand,” Alicent took a breath, closing her eyes. “This is the way of men. And princes–”

“Please, Your Grace, I mean this with utmost respect for you but I do not wish to hear your excuses,” you whispered. There was a prickly, breathless worry that had settled in your gut. What did you not know? Was this Alys someone who mattered? “But I would like to know what you are withholding from me about this woman. I believe I deserve that at the very least.”

Alicent stared at you for a moment, examining you. She could drive her son further into the ground with what she was about to say. “Aemond had a paramour–at least it was rumoured, he never spoke of such things with me. Alys Rivers, a wetnurse and servant woman from Harrenhal.”

“A paramour?”

“It was before you were married,” Alicent was quick to clarify. “I had assumed that Aemond wanted nothing more to do with her when she left–at his order, I believe. Some say she was a witch. Perhaps she enchanted him.” 

You couldn’t look at her. She was more than just a whore? Had he lied to you right from the beginning? Bile rose up in your throat. There was a thrum in your ears, the sound of your own heartbeat and you feared that you would be sick from the drop in your gut. 

“Did he love her? Could he still?”

Alicent sucked in a breath. “I do not know, my child.”

All you could do was nod pathetically. Alicent was a woman of great strength and dedication; you had once wished to be much like her one day. But as you sat beside her now, you wished she had been a liar and a cheat and a meddling gossip. That you could find a way to fault her words but you could tell it caused her great difficulty to speak of Aemond’s actions honestly. 

Ever poised and elegant, Alicent only leaned forward to you, her posture straight as a needle and her touch soft as linen. “I did not mean to upset you further. I only meant to speak with you about returning to Courtly activities, with the other Ladies and Helaena has been asking for you. And the Ladies speak–”

“They speak terribly of me,” you scoffed, allowing a humourless laugh. “I understand, Your Grace. I will return to spending my days in company other than my own.”

Alicent hated to pry but she felt that she must, now that she had dealt her cards against Aemond’s fate. “Perhaps you should speak with Aemond. He cares for you deeply. It would be a shame for your union to fall apart over such misunderstandings.”

If not for formality, you would have rolled your eyes. Again, you simply nodded, your mind reeling back to the woman that Alicent had given a name to. You would ask Aemond about her. It would be the less damning option rather than turning to Aegon once more but the idea of speaking to Aemond about a woman he may once have loved still made you want to crawl underneath the sheets of your bed and disappear. 

You thought of the woman who you had seen through the crack in the door and wished you had taken extra care in looking at her. There was little you could recall other than the darkness and length of her hair, the paleness of her skin and the perfection in her curves as she pleasured Aemond and as he did the same for her. 

As if she was familiar with all the things that made him weak. All the things that made Aemond weak. How she had touched him like she was an expert in his body. And you thought of Aemond, bare and comfortable with her. Aemond with his sapphire glimmering under the lamplight instead of an eye, a rawness and trust that you had never seen of him until that night. 

He trusted her.

Alys Rivers. 

.....................................................

Tagging: @padfooteyes @thedyingwriter @mamawiggers1980 @queenofshinigamis @ewanmitchellfanatic @nurtargaryen

[lexirosewrites]

Slick Sundaaaaaaay!

I see a lot of ABO steddie fics featuring Omega Steve who is self conscious for one reason or another because he doesn't have a typical Omega physic and/or behaviors (which is super tasty yum yum) but I live the idea of Eddie being the more swlf conscious one.

Like, Eddie who is not deceptively strong for his size (he has a little bit of natural muscle tone as an Alpha but he never puts it to good use), and who is a little weasel who like to agrivate people but runs away from any kind of real conflict and doesn't have a strong manly scent or any desire for a high powered job to take care of an Omega unless you count is half fleshed out dreams of being a rock star.

Dealers choice of how it happens but Steve basically asks Eddie if he would be interested in couting the Omega and Eddie isn't blind, stupid, or heartless so he jumps on the chance to be with the Omega of his dreams but very quickly finds himself self agonizing about how to be the "right kind" of Alpha for Steve.

So decides he needs to start working out so he can keep his Omega safe even if he knows Steve is more than capable of taking care of himself in that department but his first workout sends him into an asthma attack for the ages so he decides it's more important for Steve to have a living Alpha than a fit one.

There's nothing much he can do about his wet concrete and grass scent which on paper sounds super manly but mostly just smells like a suburban morning so he goes down the employment seeking rabbit hole. He applies for what feels like every Alpha-y job in the Hawkins area but his reputation proceeds him and he never makes it past the first interview. Eventually he gets a call back from a place he applied for after reading the word "painter" and wrote down the number in his notebook with no notes (he didn't say he had a good system) but it turns out to be someone two towns over looking for someone to freelance the painting of dnd and other such figures to sell in a games shop two towns over. It's an ideal job for Eddie but it's deeply entrenched in his need shit and not the kind of thing he was looking for to impress Steve and show him he can provide for him and their future pups. He still takes it because even if it doesn't pay a tone, whatever he DOES make can go toward pampering his Omega and saving up.

It all comes to a head when they go out and Eddie is feeling pretty down on himself after so many failed attempts to "improve" for his Love. Some guy is hitting in Steve while Eddie is RIGHT THERE even though Steve has said no many times and has told him he's there with his Alpha. The guy just keeps leaving and coming back and on his fourth return to their spot Eddie just launches is fist no warning into the guy's face.

That was NOT what he meant to do, he was just getting so fed up and territorial and he was gonna really tell the guy to piss off but the little goblin inside him made him throw a pretty pathetic punch that results in a busted knuckle for him and a slightly bruised and irate beta in front of them.

Steve drags him out and takes him back to the trailer, grumbling the whole time about "stupid Alphas and their stupid instincts" and finally snaps and asks Eddie what the hell has been up with him lately. Eddie just blinks his big dumb eyes at Steve as he points out the job search and the asthma hospital visit and the more expensive gifts and finally asks why he's been acting like such a knot head.

So they talk it out and Steve makes Eddie hold him in his lap so he can tell him all the ways, the ways that matter to Steve, that Eddie takes care of him. Tells him how he doesn't need an Alpha to fight for him but he's never had an Alpha offer him sanctuary like Eddie does. Eddie who never makes him feel stupid for his questions and reads his assigned books to him even though the Alpha is behind on his own school work and let's him build a nest in his bed.

Tells him that he appreciates Eddie trying to make money for their future family, loves that even, but what use does he have for fancy jewlery or a full bouquet of roses? Like, he doesn't even like jewlery that much and he gets much better use of the brand new wool socks Eddie thrifted for him last month in an Indiana winter and the wild flowers he brought him for their first date are much easier to press than huge roses.

Just a series of misinformed adventures for looser Alpha Eddie that end in comical disaster and his Omega who is utterly charmed his his earnest attempts to be a good Alpha but who really just wants a loving mate and partner.

oh i love this😭😭😭 Eddie just wants to be the perfect mate and alpha for his omega, meanwhile Steve can’t figure out what’s going on with the love of his life who is already perfect to him!!!!

[roguishcat]

Snippet Monday

❤️Thank you very much for tagging me @ghost-of-a-dream-girl, @busy-baker and @xxnashiraxx! ❤️

This is something I've started working on for the 300 followers celebration for @pursuitseternal - a Magistrate Astarion x Reader one-shot where Astarion was never turned! Such a brilliant idea, thank you so much!

So, basically this has all the events of BG3 but Astarion is an elf. And the one-shot takes place post-game. So far, I think I have a general idea of what I'm going to write, so hopefully this is something along the lines of what you would like it to be!

The afternoon sunlight brushed warmly against your cheek as you enjoyed a rare moment of peace. Instead of running around Baldur's Gate, fixing buildings, helping those in need, the Hero of the Gate for once decided to read a newspaper in a park. Something quite mundane for some, a rare luxury for you.

You were not slacking. But you have come to realise that in your bid to please everyone you would soon completely burn out. Which is why you didn’t feel a smidge of guilt when you found yourself going to Bloomridge park instead of the Upper City.

Not having to make any decisions and just simply be for an hour felt absolutely heavenly. Children played, the members of the book club gossiped, and couples whispered among themselves. This was exactly what you loved about this city. No matter how much havoc was wrought, Baldur's Gate healed rapidly and would soon be back to its former glory.

You cast your eyes over the articles in the newspaper. Nothing special, thank the gods. Just silly gossip and the like. You quickly looked through it and gave a happy sigh. No news was always good news in your books!

Yet, no matter how pleasant this little break was, you were well aware that your assistance was needed at ten odd locations today. It was time to get back to work.

Getting up, you looked at the newspaper in your hands and decided that perhaps someone would enjoy reading it. Afterall, there was hardly any reason for you to take the paper with you. And leaving it behind would probably save some poor student a copper. Thus assured that you were doing no harm, you folded the newspaper up neatly and set it down on the park bench for another to enjoy.

Just as you were about to walk away, you heard someone clear their throat loudly.

"What do you think you are doing?"

It was one of the Fists. You didn't recognise him. Perhaps it was a new recruit, seeing as otherwise he would have known who you were.

"Excuse me?"

"You are littering," he stated, pointing to the newspaper with an accusatory finger.

Ah, so a simple misunderstanding.

"I am not littering,” you smiled pleasantly, in spite of feeling that it was rather strange of the Fist to worry about something as inconsequential as litter out of all things. “Just thought someone else might enjoy reading the paper now that I'm done with it."

The Fist did not look impressed by your explanation. In fact, if anything he seemed even more set in his belief that a heinous crime was being committed in broad daylight.

"I am arresting you for littering in a public garden," he seemed to think about it for a moment. "And for arguing with a city guard."

"I've hardly said any-"

"Resisting arrest, are we?" he drawled, making your mouth tighten as you bit back a snarky retort.

"No, I will come with you willingly," you grumbled.

Perhaps if you played along for a bit, you could talk to someone of a higher rank. Saying anything to an overly eager guard who was obstinately sticking to his accusations would just attract onlookers.

"Good. The judge is waiting for your arrival."

"What? What do you mean judge?" you frowned. What business did any judge have looking into misdemeanours and especially something like littering?

"His Honor judge Ancunín is waiting for you. Don't dawdle. It's rude to keep him waiting."

Suddenly all of this made sense. You ground your teeth and followed the Fist. Of course it was Astarion! That ass!

"Oh, trust me. Him waiting for me will be the least of his worries once I see him."

He couldn’t just come by the tavern and talk to you like someone normal. No, he needed a show of power, especially with him being promoted to judge in high court! Because apparently this was how Astarion got his kicks nowadays. He needed for you to be near forcibly escorted to the courtroom and thrown at his feet. Preferably pleading for mercy and asking him if there was any way that you could make it up to him.

You scowled. The whole scenario just sounded like the plot of some cheap, third-rate smutty novel one would pick up at Sharess'. But if he thought that he you would cower before him, that elf had another thing coming!

No pressure tags: @clazberryk, @inkymoonbunny,

@preciouslittlebhaalbae, @lanafofana, @marlowethebard,

@honeybee-bard, @fangbangerghoul

[sugar-crash]

🍬King Candy (Wreck-It Ralph) x (gn) Reader👑

(Confession Edition!)

(Section two everyone!!! When I have enough posts for both I’ll make a masterlist! I’m kinda surprised how quick it took for people to like the previous one— Thank you so much to the people who have reblogged/followed me!!!)

- Those years of hiding away from the rest of the arcade after his major fuck up gave him lots of time to think, and mellow himself out even, though that violent impulsiveness is still there when he gets frustrated enough.

- If you catch his eye, whether it be due to you being from Sugar Rush, an older game, or newer— Or if you two were a thing before the whole RoadBlasters disaster, he isn’t nearly as stubborn with his feelings as he used to be.

- He handles it far more smoothly, though his reach is more limited (I like the idea that he can’t necessarily leave Sugar Rush due to his disguise slipping without it so this will apply here), probably getting Sour Bill to invite you to the game after hours so he can commune with you more.

- If you belong to Sugar Rush it is a bit of a different story; it's more convenient for his intentions to pursue you romantically.

- He tries and more or less succeeds in being classy in his attempts at courting you, having a kind of classic way of doing so— Giving you various edible gifts he reprograms to your liking.

- Pet name galore, all candy themed. I don’t make the rules they just come to me in dreams/j

- Naturally keeps various things from you, including the mistreatment of Venallope by him and the rest of Sugar Rush, making sure everyone plays nice in front of you so you don’t notice how lonely the little girl is.

- Sugary as all hell, which is something one would expect from King Candy, who seems to never run out of ways to try to woo you whenever you come to his game.

- After like a year or two he steadily makes his intentions more and more apparent before going out and saying it out front after inviting you to a nice dinner at the castle.

- When you accept, my god is he delighted by the result of his patience and hard work (with a good degree of manipulation, knowing him.) Much like the life he was able to carve himself into this game, he has a sense of pride about your relationship.

- His over dramatic personality comes into play, whenever someone takes interest in you in front of him he’s ready to scuffle, raising his fists up to “defend your honor”.

- It’s silly, but endearing, backing his actions up with saying his intentions are true, giving you an overly heartfelt and mushy response that gets an eye roll from Sour Bill, well deserved.

- The way King Candy loves is… Cartoonish at times, over the top, oozing that jolly and wondrous persona he’s so desperate to display in front of others, especially you.

- Though he does have moments where he lets you in, those moments where vulnerability cracks through that hard shell sugar coating he’s put on himself.

- His self-absorbed tendencies are there, no amount of time could ever take that away from him, it’s basically hard coded into him, in and out of his disguise.

- He’s quick to explain himself every time there’s a slip; either from himself or one of the many Sugar Rush subjects.

- He doesn’t let his frustrations out in front of you if he can help it, leading you away from whoever messed with his plan, placing a kind hand on the small of your back and giving the guilty party a brief yet annoyed glare before softening his face up for you.

- In many ways, he treats you right— But there's always a nearly imperceptible wall between you two, which always has him on guard in some way.

- There’s a yearning he wants to indulge in, but there's far too much risk for him to do so— He can't possibly know how'd you react if you knew his little, well, not so little secret.

- As much as he loves you, it isn’t enough to truly fill you in on everything, though unfortunately for him, the term “lies always come to light eventually” definitely fits his situation as his unwillingness to let things go (literally) inevitably does him in.

(Pa'z ZHSTVU)

[ann-atar]

Was watching parts of season 1 and now can clearly see Sauron's mind at work when he meets Galadriel and the Numenorians:

Meets Galadriel and they're fighting for resources on the raft, and since she's stronger than the others he puts her in the temporary ally category (much like that poor old soul he took the heraldry from despite that man's kindness)

They get to Numenor and he tries telling her to fuck off because he wants to reinvent himself, which works for about five minutes because

... surprise, surprise, he can't reinvent himself (join the Smith's guild)!

It's Deceiving Time! Manipulates Galadriel's need to find a cause, in this case saving the Southlands and returning them their king

And during the Southlands episodes you can see his shitty little smirk when he sees how readily Galadriel and the Numenorians buy into that cause.

Does he give an actual crap about Galadriel, the Numenorians, or the Southlanders? No, but he sees a concentration of orc (Uruk!) power and that *does* intrigue him

Further manipulates Galadriel by faking a more human connection with her, why? Because despite her trauma-informed response to the idea that she can save the Southlands through him she's very smart, and Sauron's not stupid either and knows that at some point she will smell a rat

Meets Celebrimbor and hears about the elves' potential project. And now in those early scenes I think we do see some of the best of what [good] Sauron might be capable of because he is genuinely excited about making something new, unique, and powerful. Creation does thrill him, which is why he went in so hard for the smiths' guild in Numenor. If there is any light left in him we get to see it during those early days at the forge in Eregion, but ...

Galadriel is smart as hell and she finds out the truth, and Sauron tries to murder her in cold blood, then cuts and runs.

When I watched the "reveal" scene with Galadriel I was even more infuriated than I was the first time because he does everything he can to put an illusion in her mind and deceive her in that scene, and why? Not because he actually thought she would join him, no: he wants to pull her into a dream not to win her over, but because it would make her easier to kill. Easier to dump in the river like trash, so he could get away.

And he feels nothing about that except momentary irritation, and maybe a little thrill at Galadriel's horror when he impersonates her brother. It's almost too creepy.

I have to say that I was unprepared for how hard that hit during the rewatch even though in retrospect it was obvious that any bond they had -- or would have had if Sauron was anyone but Sauron -- was carried entirely by Galadriel.

Like, Sauron put hardly any work in, was just smirking on the sidelines while she elevated him into the position of Lost King of the Southlands.

Any then? Oh well, Sauron's little game is over, time to go! If Elrond hadn't saved her she would have been cold and dead.

All this to say: they really set everything up so well because when you go back to those early episodes his otherworldly coldness is right there. And so is Galadriel's pain; she was an easy mark, was low-hanging fruit for Sauron and it sucks, but also makes one really appreciate these actors.

And now in season 2 you can see those moments of disgust and self-loathing where Galadriel must be thinking: why didn't I see it, when the truth was right there?

I hope next season's Galadriel can forgive herself because this season has been rough.

[offorestsongs]

OC INTRODUCTION ❣ JÓZEFINA

BASIC INFORMATION

full name 💍 Józefina [last name redacted] (pronounced: yuu-zeh-FEE-na) nicknames 💍 Józia (friends), Baby Shrimpy (Floyd), Modmoiselle Feu (Rook) species 💍 normal human height 💍 172 cm age 💍 17 y/o birthday 💍 [redacted] gender 💍 trans girl (she/her) sexuality 💍 questioning hometown 💍 normal human world (Poland specifically) dorm 💍 Ramshackle class 💍 A-1 club 💍 Equestrian Club favorite subject 💍 biology dominant hand 💍 right talent 💍singing, braiding other people's hair hobby 💍 learning new instruments favorite food 💍meringues least favorie food 💍 mizeria pet peeve 💍 getting her hair dirty

PERSONALITY

A friendly young lady who's quick to meet new people anywhere she goes. She likes to make new relationships and be amongst crowds, especially when the attention is on her. She wouldn't call herself an attention seeker - she just doesn't like to be ignored, and really, isn't it just natural that everybody's eyes should be on her? Since coming to NRC, she delights every benefit that being labelled as "everybody's little sister" gets her.

Sweet as sugar, always tries to act like a well-behaved and well-mannered, polite lady and expects everyone to uphold the same level of manners. "Tries to act" being the key phrase here; Józefina is impulsive and often acts before a thought can even start forming in her head, resulting in her getting into all sorts of situations a perfect little lady like her definitely shouldn't be. It definitely doesn't help that she's brave to the point of recklessness and infinitely curious - nothing will stop her from discovering the many mysteries of Twisted Wonderland! She just cannot help, but like the thrill of adventure and troublemaking.

Very proud and a bit prissy, easily takes offence, especially if she doesn't know somebody well - it's a deffence mechanism of sorts, as she often expects everyone to do or say the worst thing, and it's hard for her to believe that people could actually take her seriously. She tends to mellow out considerably once she gets closer to somebody and sees that they don't underestimate her or actually have good intentions. However, gaining her trust is not the easiest thing.

Openly showing her emotions, to the point of being theatrical at times... the good ones, at least. The bad ones? Well, that depends on if it benefits her. Thrust into a world she doesn't understand, she's willing to do a lot to ensure her survival, and if it involves overexaggerating her tears to gain other people's sympathy or telling a lie or two? Well, who could blame her? At least, she tends to feel somewhat guilty about it... most of the time.

BACKSTORY

Arrived to Twisted Wonderland during the Spelldrive tournament in book 2, specifically during the "game" that the Hearshackle gang was playing; she accidentally knocked Lysander out by landing on him. The Headmage has allowed her to stay, mostly because Lysander had promised to take the responsibility for her.

Similarly to Lysander, she doesn't have any memories from her previous world. Memories come back to her in flashes, often triggered by physical sensations, though so far, she had managed to remember even less than her dormmate. She's not particularly bothered by it, though, taking her new surroundings in stride.

TRIVIA

it seems that, unlike Lysander, she didn't came from the modern world - she doesn't seem to know much about modern technology. despite that, she's eager to learn and often asks the others about it

she didn't actually know how to ride horses when she had first joined the Equestrian Club - she just liked helping to take care of her, because it calmed her down

knows how to play a few instruments but is the best with a violin

she always dreamed of becoming a famous singer

unlike Lysander, she's a disaster in the kitchen

she's afraid of heights (which posed a bit of a problem when she tried to learn horse riding)

she cares a lot for her hair and usually doesn't let other people touch it, unless she's close with them and trusts them

she also really loves to put bows in her hair

she actually prefers to be called by her full name, because "Józia" is very cutesy and kinda childlish, but most people can't pronounce it correctly so she just kinda gave up (not that they can pronounce Józia correctly either...)

Azul tried to get her to sing at the Mostro Lounge a few times, but she always refuses untill he "pays her what she's worth" (whatever that means remains to be determined)

dividers. template.

[nitrateglow]

Spooky Season 2024: 12-22

Phantom of the Mall: Eric's Revenge (dir. Richard Friedman, 1989)

The opening of the new mall is hampered by one thing: a Phantom hiding in the air vents, and committing robbery and murder. It turns out this Phantom is really a teenager named Eric (Derek Rydall) disfigured in a fire set by the mall's developers to clear out any remaining houses impeding their dreams of commercial development. Now, Eric plans on having his revenge and watching over his girlfriend Melody (Kari Whitman), now an employee of the mall. But what will he make of her burgeoning romance with a journalist?

Talk about pure '80s cheese. This film feels like it was made to capitalize on the slasher cycle and the popularity of the Andrew Lloyd Weber Phantom of the Opera megamusical. It's not a particularly good movie, but it is dumb fun. I love how this Phantom makes free use of the goods available in the stores and how he spams his spin kick attack like he's in a video game.

Also, Pauly Shore is in this. He has a great scene talking about subliminal messaging in department stores, but is otherwise the usual Pauly Shore.

Hangover Square (dir. John Brahm, 1945)

Musician George Harvey Bone (Laird Cregar) is disturbed by long sessions in which he blacks out. He fears he may be committing murder, but is reassured by the police when he goes to them that isn't likely. Detective Dr. Allen Middleton (George Saunders) advises the overworked George take a break from composing. George does so by going to a pub where he meets the lovely Netta Longdon (Linda Darnell), a music hall entertainer who dreams of fame. George and Netta enter into a toxic relationship in which she uses him to advance her career while seeing other men on the side. When George discovers her treachery, his blackouts return-- this time in a far more violent form.

I'm starting to become fascinated by John Brahm, a director best remembered for his moody, macabre dramas in the 1940s. Hangover Square was his second and final collaboration with the talented but doomed Laird Cregar, who died two months before the film was released. It's as much a noir as a horror picture, drenched in that chiaroscuro lighting and urban dread so common to the classic cycle.

Cregar is astonishing in the lead role. Though handsome, he was a bigger man, so Hollywood refused to allow him to transition into leading man parts. He is marvelous here, passionate and sensitive, yet also sinister once his jealous rage takes over. I've seen Cregar in multiple films and he was truly fantastic, able to be comic as well as dramatic. Hollywood didn't deserve him.

Lastly, Linda Darnell's character sings this really catchy song when Cregar first sees her. I saw this film weeks ago but it is STILL STUCK IN MY HEAD.

The Sealed Room (dir. DW Griffith, 1909)

In some nondescript time period (everyone's dressed like it's either the early 18th century or the middle ages), a king (Arthur V. Johnson) learns his mistress (Marion Leonard) is smooching with a musician (Henry B. Walthall). Jealous to the point of rage, he has the couple sealed in a small room where they suffocate to death.

The Sealed Room is a gem from the nickelodeon era, though I admit my liking for it comes from how extra all the performances are, even by the standards of the early silent period.

It also has one of my favorite instances of what I like to call "silent film logic"-- that is, scenes featuring action that would be very loud in real life, but in a silent film, you may not think about it as much. Here, the king has the lovers walled up alive in a small room, where they lounge unaware. And yet, there's workers slapping up a brick wall not ten feet away from them! It's very amusing.

Frankenhooker (dir. Frank Henenlotter, 1990)

When his girlfriend Elizabeth (Patty Mullen) gets hacked to death by an automatic lawnmower he built, medical student Jeffrey (James Lorinz) decides to resurrect her by killing sex workers for their shapely body parts then sewing Elizabeth's severed head on top. He does this by having his victims smoke explosive crack.

No, I'm not making this up.

I first heard about Frankenhooker from James Rolfe of Angry Video Game Nerd fame. It sounded so insane that I knew I had to watch it. It's-- well, it's definitely a bizarre movie with lots of crude humor and pitch black jokes.

Would you believe me if I said it was kind of an unsung feminist work? I definitely did not expect THAT angle coming in, but that messaging is definitely there. Jeffrey is a villain-protagonist through and through, even before he starts committing murder. We learn he was already demanding Elizabeth modify her appearance to suit his tastes before she got killed. He views women as more a collection of body parts than proper people. However, his misogyny does catch up with him in the end and his fate at the resurrected Elizabeth's hands is the very definition of irony. I don't want to spoil it.

It's definitely not for everyone, but if you have a sick sense of humor and some friends that share that humor, you'll have a good time.

Friday the 13th: Part 2 (dir. Steve Miner, 1981)

A summer camp close to the infamous Camp Crystal Lake is about to open. Little do the young, horny counselors know, Jason (Warrington Gillette and Steve Daskewicz)-- the boy that allegedly drowned long ago-- is still alive and he's mad his mama got decapitated in the previous film. Lots of people die.

I confess I have a hard time getting into these Friday the 13th films. I've read it took a few entries for the series to find its footing as gloriously dumb schlock, but the first one and this sequel were mostly boring for me. About all I liked was the last twenty minutes, when the heroine's background in child psychology comes into play. Otherwise, this gets a big meh from me. Not horrible, but nothing I can imagine I'll ever rewatch.

Corridor of Mirrors (dir. Terence Young, 1948)

A party girl (Edana Romney) becomes involved with a Renaissance era-obessed artist (Eric Portman). Their fetishistic relationship leads to heartbreak and murder.

Already discussed this one is great detail at my Wordpress blog. It's a great romantic thriller in the vein of Vertigo and Rebecca.

The Old Dark House (dir. James Whale, 1932)

During a thunderstorm, a group of unwary British travelers are marooned at the crumbling mansion of the Femm family, a collection of eccentrics who may be insane. Everything goes wrong: the hulking butler gets drunk and preys on the women visitors, the area may flood, the lights go out, and there may be a homicidal maniac imprisoned in one of the rooms upstairs. Will anyone survive the night?

I have raved about this film for a long time now. It's truly a favorite of mine in general, not just for the Halloween season. Both witty and chilling, it's an atmospheric masterpiece. The damp and mold are palpable.

What fascinates me most is the Femm family itself and the gaps in their backstory. This is one movie where I feel like there's a Tolstoyan novel's worth of drama with the Femms. It's hinted that the 102-year-old patriarch of the house (played in drag by actress Elspeth Dudgeon) used to host orgies there. The death of the seductive sister Rebecca at the age of 21 may or may not have been due to inter-family foul play. Morgan the butler has a close, even weirdly tender relationship with the homicidally insane brother Saul, suggesting a myriad of possible connections between them. It's very interesting-- I like that the movie doesn't fill in all the blanks.

A Game of Death (dir. Robert Wise, 1945)

Don Rainsford (John Loder), big game hunter extraordinaire, finds himself shipwrecked on a mysterious island. The owner is Erich Kriegler (Edgar Barrier), an urbane German who also enjoys hunting, though with a slight difference-- he likes hunting humans. Teaming up with other shipwreck survivors Ellen (Audrey Long) and Robert (Russell Wade), Don tries finding a way to escape before they become Kriegler's next wall trophies.

This movie is a pallid, watered down, shot-for-shot remake of The Most Dangerous Game, one of the crown jewels of 1930s horror, so of course, I am not fond of it. And yet, I rewatch it every few years, so it must have something going for it. So instead of tearing into it as I normally do, I'll list a few things I think are actually good about it:

I like that the main character initially tries tricking Kriegler into thinking he will hunt people with him. Very pro-active.

I think Kriegler is a good villain. Not as memorably deranged and campy as Leslie Banks' Zaroff in the original film, but chilling in a more low-key way. His "the strong deserve to prey upon the weak" philosophy fits in nicely with Nazi ideologies-- no doubt what this wartime horror flick intended.

Um... I think Audrey Long is really pretty. I like her flow-y outfits.

... Yeah, that's it.

The Most Dangerous Game (dir. Ernest B. Schoedsack and Irving Pichel, 1932)

All-American big game hunter Bob Rainsford (Joel McCrea) is shipwrecked on the unlisted island of Count Zaroff (Leslie Banks), a Russian aristocrat and master sportsman who claims he now hunts "the most dangerous game" of all. Being a himbo, it takes Bob a while before he realizes that game is human beings. Unwilling to hunt alongside Zaroff when given the offer, Rainsford and fellow prisoner Eve Trowbridge (Fay Wray) wage a game with Zaroff: let loose into the island's thick jungle, if they survive the night without Zaroff or the terrain killing them, they'll go free. If not, Rainsford dies and Eve will become a rather different kind of quarry for the evil count.

Now, here's my favorite "hunter hunts people" movie! While "The Most Dangerous Game" has been adapted and ripped off multiple times for a century, the original is still hard to beat. The castle set drips with gothic grandeur. The jungle soundstage is thick and suffocating, and once the chase intensifies, it becomes like something out of a nightmare.

I actually think the climactic hunt is among the greatest sequences in all cinema. The editing is so dynamic and the images are brilliant. And when you consider this is still an early talkie, when films were still trying to rediscover their footing after silent cinema came to an end, it becomes even more remarkable.

Going on Letterboxd, I was shocked to find a lot of people on there have mixed to negative opinions about this movie, largely because they think it's too over the top and that it's messaging is too on the nose.

I mean-- yes, these things are true, but I don't see them as flaws. It probably helps that I love camp and melodrama, and am not ashamed to admit it. And regardless of the fervent camp on display, I still think the trophy room scene is creepy and the chase is super intense. I have probably seen this movie close to a hundred times and yet, the chase still has me shouting at the TV, willing the characters to run faster. That's damn fine filmmaking.

The Haunting (dir. Robert Wise, 1963)

A researcher of the paranormal brings a motley crew of ordinary people into the allegedly haunted Hill House. Both potential ghosts and the neuroses of the visitors bring on sinister events and ultimately tragedy.

I love this movie more and more. I already wrote a bit about my reaction this time around, though since then, I started rereading the source novel, Shirley Jackson's The Haunting of Hill House. Obviously, the book delves more deeply into Eleanor's psyche, but the film does a fantastic job of this as well. Given film is a visual medium, it can be a challenge to depict a character's interior state without delving into expressionism and this film does that well.

The Phantom of the Opera (dir. Terence Fisher, 1962)

Aspiring songstress Christine Charles (Heather Sears) and producer Harry Hunter (Edward de Souza) are drawn into a mystery at the London Opera House. A phantom is sabotaging any attempt to produce Joan of Arc: A Tragedy, a show allegedly written by the cold, snobby, rapey Lord Ambrose (Michael Gough). After some investigating, it turns out the Phantom (Herbert Lom) was once the meek-mannered Professor Petrie, whose music was stolen by Ambrose. Now, he wants only to see his opera done justice and only Christine's voice can make that happen.

I am very fond of this version of The Phantom of the Opera even though I think it has a myriad of dramatic flaws. Let's get the flaws out the way first. I think the film is a bit repetitive in retelling us Petrie's story over and over, at first through onscreen description and then through filmed depiction. I also think the ending is anti-climactic, like the writers didn't want to go the usual route of making the Phantom a homicidal maniac but they weren't sure how to make a properly dramatic finish without that characterization.

That out the way, this is a unique, even refreshing retelling in many ways. The Phantom/Christine relationship is no longer one of unrequited love-- in fact, Petrie seems wholly uninterested in romance or sex at all. He views Christine and himself as victims of the truly despicable Lord Ambrose: Petrie had his music stolen and Christine was sexually harrassed. Therefore, it is up to the two of them to wrest the opera back from Amrbose's influence and make it the production Petrie wanted. Petrie is one hard taskmaster. He is relentless in training Christine and at one point throws filthy sewer-water in her face when she faints.

But the Phantom is hardly an out and out villain here. He doesn't even kill people-- he has a convenient hunchbacked assistant to do that. No, the real baddie is Ambrose, among the nastiest villains in the Hammer canon. Ambrose never even kills anyone, yet he makes the blood boil with his wanton cruelty. Michael Gough (who I always remember best as Alfred in the Tim Burton Batman movies, as well as Batman Forever and Batman and Robin) is so good at being bad.

This version of POTO also has my favorite version of the Phantom's compositions. Usually, he writes a "burning" piece called Don Juan Triumphant, fitting his romantic obsession with Christine. Here, Petrie writes an opera about Joan of Arc, a virginal saint persecuted by powerful men-- a fitting subject for Petrie given his own persecution by an aristocrat. Joan's aria "I Hear Your Voice" is gorgeous and always brings me to tears, it's that beautiful.

Not a perfect film, but still a very good one.

[catboygirljoker]

Free Pass Ask to talk about In Depth Luxu Analysis in case of no one sending in the right question to go off with

ok! here's my ~1600 word post about That One Scene At The End Of Dark Road. grins smilingly.

You know the one. Right after we see Baldr easily kill most of the cast of the game, right after a boss fight against him, right after we witness firsthand how powerful he is, we see a flashback of him confronting Bragi with the intention of killing him. And Bragi just...casually flicks his keyblade out of his hand. Bragi fully knows what Baldr's actual deal is, knows that Baldr has killed people, and is completely unthreatened by him. For good reason, it would seem!

So, Luxu's a badass, obviously. He made the big villain of the game into a jobber. And I think that's certainly one of the purposes of the scene. Luxu is about to be one of the primary antagonists of the franchise, and this sets him up to be very powerful!

...But I don't think it's the purpose of the scene. That is, I don't think that's the entire story. Because there are a couple questions left by this scene.

What happens at the end, there, when Baldr runs up to him and attacks him? And why doesn't Bragi reappear until long after Baldr is already dead?

I think we can piece together at least part of an answer.

In the earlier montage where Baldr says he killed everyone, we see a brief scene of Baldr slamming Bragi down onto an island in the Underworld. I assumed that this was a visual representation of Baldr lying and claiming he had killed Bragi when he didn't. But Bragi is the only character in this montage who we don't see die on screen. I believe we're meant to understand that this scene actually happened, and that this is what immediately follows the Luxu reveal cutscene.

Which seems contradictory with Bragi being such a badass, right? Was Bragi disarming Baldr a fluke? The thing is, when Baldr attacks Bragi at the end of the cutscene, Bragi is completely off guard and unprepared for the attack. We already know that Luxu can misjudge people/situations, to his own downfall.

Consider in Dream Drop when he seems to fully believe Sora will join the Real Organization XIII, or Days when he's unthreatened by Xion right up until she knocks him out and leaves, or Re:Mind when he finds out Luxord decided not to simply obey orders without question this time. So him being defeated by Baldr doesn't necessarily mean Luxu is weak if Bragi was defeated due to hubris.

(As a side note—I do think that this would be part of the reason the cutscene cuts off when it does. Luxu still needs to be a threatening villain in the upcoming games, so the audience has to have a strong impression of how threatening he is. We get the full cutscene of Luxu being cool and powerful, and only little glimpses of the fate he meets directly afterwards.)

I think what happened is Bragi sauntered off all cocky and smug, not believing Baldr would attack him. Then Baldr attacked him, and Bragi, realizing what a threat Baldr actually was, pulled a trick we've already seen Luxu pull before. (Seemingly so well that Hades himself is fooled.)

Baldr believed he killed Bragi and saw no reason to be like, "yeah, and also Bragi said some weird mysterious stuff I didn't understand, but the point is that he's dead, too."

Now for the question of why Bragi didn't reappear until long after everybody else was dead. If he's such a badass, surely he could have helped stop Baldr and saved lives. Why didn't he?

From here, I can really only speculate. In my view, there are a few options:

Luxu didn't care about his classmates and left them to die as soon as he realized what a threat Baldr was.

This is...possible, but not very interesting to me. It's the option that results in the least emotional complexity. I think it's most interesting to read Bragi in Dark Road as the second-to-last step on Luxu's downward spiral, rather than just another point on a straight line—that his personality as we see him in the current-day games is informed by the trauma of him losing all of his friends to an opponent he could have stopped but didn't.

Also, maybe this isn't very convincing as evidence, but in his appearance in the graveyard, Bragi's attitude isn't smug or mischievous, it's somber, possibly remorseful. If we were meant to understand that he didn't care about his dead classmates, we'd get, like, a smug grin or something.

So the other options assume that he did care about his classmates:

Luxu sincerely cared about his classmates, and wanted to help them, but was injured so badly in his fight with Baldr that he was physically unable to come to their rescue.

Like I said, I think this is more probable and more compelling than if he didn't care at all. And there's potential tragedy in him trying his best and still failing, or having the best intentions and being unable to follow through on them, for sure. However, in general, I'm more interested in characters failing because of the mistakes they make and the flaws they have, rather than failing due to chance or unavoidable circumstance.

Also...we already know Luxu is the kind of person to stand by and allow terrible things to happen without doing anything to stop it. We know he has been specifically instructed to do so. I think it's more interesting and more consistent with his character if he could have saved his classmates and stopped Baldr, but didn't.

This last option, then, is my favorite, and in my own writing would be the interpretation I go with:

Luxu sincerely cared about his classmates and had the power and strength to protect them from Baldr but, through his own decisions or inaction, still let them die.

Luxu's classmates were all children or barely adults, younger than him by perhaps centuries. But he hung out with them. Actively participated in conversation with them, asked them questions, joked around with them. He seemed to like them. They were his friends. And he let them die.

There's variety in the potential specifics. Maybe Bragi fled and hid until everything was over just to save himself. Maybe he grit his teeth and made the conscious decision to do so; maybe he was motivated by pure animal fear for his life. In either case, he still had a role to carry out, after all. A role that, as I mentioned, has already required him to stand by and allow people to die. If he could swallow the keyblade war, he could swallow the events of Dark Road.

Maybe he believed he had an excuse to run away. In his confrontation with Baldr, Bragi says Xehanort is onto Baldr, and seems to believe Xehanort would be able to stop him. This is before Baldr attacks and seemingly defeats Bragi, but maybe even after that, Bragi still really believed in Xehanort, and believed he could let Xehanort do the rest—misjudging Xehanort's ability to stop Baldr before any more death could occur.

If you wanna get really angsty with it, maybe Bragi did try to save his friends. Maybe he rushed to the scene of Baldr's next murder and saw children with keyblades fighting for their lives, heard the clash of metal on metal, and was suddenly immobilized by the voice of his Master telling him to watch. And by the time he was able to overcome this trauma response, it was already too late.

Whatever the specifics would be of why he left his friends to die, I'm aware that this is the option that casts him in the worst light. If he didn't help them because he didn't care about them, then he's just a coldhearted villain and we can't expect much better from him. If he cared about his classmates and tried his best to help them but failed, then he's a sweet goodboy and uncomplicatedly sympathetic. If he, for any reason, decided not to try to save his friends from a powerful entity that has killed and will kill again, then he's pathetic, morally repugnant, a weakling or a fool or a coward or a combination of the three.

But I like when characters are flawed and stories are messy! I like that, even before you get to the events of Dark Road, Luxu is a messy, complicated, but still sympathetic character! Many of my other favorite Kingdom Hearts characters are messy and complicated in ways that I feel get frustratingly flattened by the fandom. I'm Team Messy and Complicated forever. I hope the games keep making Luxu even worse and more sympathetic and more tragic.

anyway thats my post i hope you liked it haha whee! i once again had to keep deleting detours and tangents about like. redemption arc flags, riku/terra/luxu parallels, luxu/MoM and luxu/xehanort parallels. but the were just that, tangents, and quite a lot of them were more headcanony/watsonian/speculative than i usually like to go with my Analysis. in any case thankyou for coming with me on this journey

[bs-el]

I'm still conflicted on if i want the setting of Lovestitch to be a continent and islands on a larger world or for the traversable area to be the whole world. I could do both given the premise but I'd like to choose ahead of time

Either way I'm in love with the cadence of "The Canvas of Noxlyte" and no matter what i choose that's what the setting will be called, "Noxlyte" for short.

[poorly-drawn-mdzs]

In Stars and Disco

(Disco side of the swap)

[front-facing-pokemon]

[velvetjune]

the chapter songs in Alan Wake 2,, flawless

[randomminty]

I wanted to draw misakis funny shirt so so so badly but i couldnt draw her hat for the life of me :,,,,(

[aerithisms]

i still have so many questions about the ff7 remake story. why did aerith even have knowledge of the future in remake to begin with? from a watsonion perspective, why does she lose that knowledge after the end of remake when sephiroth doesn't? (i'm fully aware the doylist reason is that having a character who knows the future would totally break the plot but i'm still curious if there's more to what they were doing with aerith's remake character or if this is it). what was her motivation to encourage the party to fight the whispers in the original game when she knew the party would defeat sephiroth in the end if events followed fate? was it simply that she wanted the chance to live? because that makes me want to lie down and cry!!!!

[sysig]

Grump and not so grump (Patreon)

[scionshtola]

i went to sleep early and didn’t even get any rest bc i was having college stress dreams