#which is fine obviously

[vaelynez]

Guys I think there’s a trend in my favorite characters…

Miles “Tails” Prower, Sonic the Hedgehog

Varian, Tangled the Series

Lyon Vastia and Gray Fullbuster, Fairy Tail

Takeru “TK” Takashi, Digimon

Ken Ichijouji, Digimon

Simon Seville, Alvin and the Chipmunks

Dick Grayson, DC Comics

Tim Drake, DC Comics

Sibling figure, usually younger or middle, often the “smart one” of the group, a bit socially awkward, some form of masked trauma or self esteem issues….a good portion have guilt complexes over mistakes or hold themselves to a high standard, the “responsible” one. Most are queer and neurodivergent coded.

They’re just a little similar. A smidge.

And then there’s our wild card.

Raven, (specifically this iteration), Teen Titans

Actually no, GUILT COMPLEX. There’s a tie in.

Angel Dust, Hazbin Hotel

I CANT EVEN SAY HE’S A WILD CARD BECAUSE HE TECHNICALLY HAS SIBLINGS THEY’RE JUST NOT IN THE SHOW (so far)

I don’t. I don’t think I have a character that doesn’t fit into one of those criterion. I have a favorite archetype and stick to it goddamn.

[nostalgia-tblr]

am also having a Mild Crisis over whether i should speed up the enemies-to-lovers aspect of this fic because fandom (in general) is used to "they bicker vaguely for three chapters and are clearly In Love by part 4 and then the next 46 chapters are a series of miscommunications" and that's not what my plan is so umm. i think i might just piss the readers off if it doesn't get nicer soon? but then the one weird person other than me who wants to read this version of events will be DEPRIVED if i do that won't they? so. oh no, is this how people feel when writing millon-word rival florist AUs? do they feel THE PRESSURE? do they fret and fuss and panic?

[pattonsfam-ily]

Where'd Devin go?

out with his gf -virgil

[lucabyte]

i feel like people are sleeping on the occam's razor situation of how buckwild it is to outright accuse a guy of being a clone of your friend even if you DO have a lot of circumstantial evidence. there's other options is what im saying. they could just be like. a guy. that's a sensible deduction. you should explore that deduction. ignore my shirt that reads I <3 RED HERRINGS.

i still think odile has the correct theory on lock but she's smart enough to know it needs like... a real smoking gun to be able to bring it up without sounding insane.

anyway. (mirabelle voice) i know its rude to speculate but has anyone else noticed the grieving? they seem to be grieving. does anyone have any thoughts on the grieving? i have some thoughts on the grieving.

[muirmarie]

jim being canonically the shortest one of the triumvirate is genuinely so important to me lmao, like yesssssss, let that beefy babe be shorter than both his boyfriends!!!!

[almondcroissantsandink]

he has a certain “oh golly good gracious” air about him that is absent in the later installations of the franchise 

[hauntingofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[jojotichakorn]

the interesting thing about we are is that i believe it's the first bl i've ever seen that truly has one main character. there is a reason why phuwin is the most overworked of them all and why he jokingly complained about the fact that pond wasn't suffering nearly as much as he was, even though he is his on-screen partner. and there is a reason why phuwin said that peem is also the audience in a way because he kind of gets to witness and react to almost everything that happens in the series.

the world of we are is built around peem: it's him and his boyfriend and his best friend and his best friend's boyfriend and the rest of his friends and also his boyfriend's friends. even the things that are seemingly not connected to peem in a particularly direct way are still somehow influenced by him or perceived by him, e.g. tanfang happens because phum agrees to help tan hit on fang in return for meeting up with peem, and then when tan spills the beans about them dating, peem's reaction is centered slightly more than anyone else's, even though there are people who are closer to fang and similarly close to tan in that scene. and though we get insight into phum's life too, for instance, that still somehow circles back to peem, e.g. most phumfang scenes are them literally discussing peem or talking about their parents, which still comes back to phumpeem, as phum's family problems have a huge effect on the boys' relationship.

peem is the sun of the show, and the rest are planets revolving around him or moons of the planets revolving around him in one way or another.

[embras-grace]

One thing I truly adore about Palia is the polyamory and general queerness. It's so nice that we can romance everyone so we don't miss any plots or items, but also its nice as a poly-queer person to see some representation in a game.

There is no jealousy. There is no hateful or painful breakups (as I understand it, if you break-up it is not mentioned and you restart the romance plot-line). No one makes negative comments about two pins or switching out pins.

It's so nice to see positive rep in a game and honestly such a breath of fresh air.

[owari--hajimari]

i don’t think rhyme’s relationship to her gender identity is particularly important to the larger picture of twewy, but i do think beat’s perception of her as a girl, as his younger sister, is very very important. cause masculinity as equal to strength is important to beat, and it explains a lot of his relationship to rhyme. rhyme protecting beat, her kindness when they were alive, succeeding at pushing him out of the way in the same way beat failed, it’s an indignity. rhyme, a young girl, his family, then his partner in the Game, like every category of ‘what a man should protect’, is stronger than beat. beat fails to protect her time and time again. and he resents that. that he’s so weak. that she had to protect him.

liiiike, what kariya says to beat after ganking rhyme, “[rhyme] isn’t gone because of us. she’s gone because of you. you failed to protect your partner. […] she protected you. gave her life for you. […] you want payback? then man up” <- thats what its all about. and ‘she’s gone because of you’ stinging twice cause he failed and that’s why she was in the Game at all. later, as a reaper, beat says to neku “you man up any yet? cause i don’t believe in hittin’ women and children” it’s cyclicalll and beat clinging to the ideal of masculinity in the face of his own powerlessness

[kirby-the-gorb]

[shanastoryteller]

Happy Pride!!!! Living Blood or Lady Mo please!

a continuation of 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43

Xuanyu disrobes unashamedly, hesitating only at the last second with the sleeve covering her left arm.

Jiang Yanli laughs. “Bit late to be modest, I think.”

“Modesty is overrated,” she returns, which is something that Zixuan would say and A-Yao would think. She slips the rest of the robes off and steps into the steaming bath, letting out a deep sigh of satisfaction.

The changes her body has undergone are even more obvious without the thick layers of the robes obscuring her form. The extra weight seems to have settled in ideal places, not only thickening her waist and limbs but settling heavily along her hips and breasts, which hadn’t exactly been small to begin with.

She sits behind Xuanyu, filling a bowl with water and then pouring it over her hair to rinse it of blood and dirt that had been hidden by her dark hair. Acting as a bathing assistant is far below her station, but Xuanyu had sent all the servants away and she doesn’t mind, really. Xuanyu is her sister, likely the only one she’ll ever have considering A-Cheng’s track record with matchmakers, and she’s been worried about her. This gives them time to speak alone. “How has your marriage with Lan Wangji been? Has he been kind?”

Xuanyu pulls a face, which isn’t encouraging. “I guess. He mostly left me alone, and then we had a couple fights and he was a jerk, and now I think he’s trying to make up for being a jerk, but it’s a little – well, it’s nice that he’s making an effort. I suppose.”

Not as good as she’d hoped, but not as bad as she’d feared. “Sect Leader Lan seems fond of you.”

“Oh, Lan Xichen is great,” she says easily. Better than reaction to Lan Wangji, but still not what Jiang Yanli had been hoping for. Then her eyes light up. “Sizhui is wonderful! I’ll give Wangji one thing, he’s raised a good kid. He’s so sweet, and a great cultivator, and he’s always trying to help out everyone around him. I’m glad Jingyi’s always hanging around – without him, I think everyone would just take advantage of Sizhui’s good nature.”

Well, that’s something. Surely Lan Wangji can’t resist Xuanyu’s charms for long, not when she dotes on his son and gets along with his brother.

“What trouble did you get into on the road?” she asks, running her hand over the wound on Xuanyu’s shoulder. It looks nearly fully healed already and there’s another mostly healed wound on her hip, a thin slice on her left arm, and the shadow of various bruises that were likely much worse a couple hours ago. It’s of course a good thing that Xuanyu has a strong golden core, but Jiang Yanli can’t help a moment of wistfulness.

Her own core never lived up to her mother’s expectations, or her own. If she’d had a stronger core, she could have given A-Ling siblings. A child should have siblings. She would have had a calmer childhood without two little brothers underfoot, but a lonelier one too.

Xuanyu shrugs, lazily scrubbing herself down. “Looks like Xiao Xingchen picked up the girl, A-Qing, while he and Song Lan were separated and was trapped in this place that was basically a ghost town.” How could he be trapped by a place that had no people? “And I’d heard some rumors so when we ran into Song Lan I helped him find Xiao Xingchen, but there was a bit of a fight with someone who didn’t want him to leave. I just happened to get caught in the crossfire, so to speak.”

She’s stretching the truth to outright lying. Before Jiang Yanli can call her on it, her stomach growls.

“Didn’t get a chance to eat on the road?” she teases.

Xuanyu flushes, ducking briefly beneath the water to hide her flaming cheeks before resurfacing. “Things were a little hectic. It may have slipped my mind.”

How has she managed to put on weight while also forgetting to eat? Perhaps Lan Wangji deserves more credit.

“I think I have some candies in my room, if you want something before the banquet,” she offers. “I know the speeches take forever.”

Her eyes light up before dimming and she slumps in the bath. “Thanks, Yanli-jie, but I better not. Sizhui gave me some on the road and I usually love them but just putting it in my mouth almost made me sick. It was awful. And weird! They’re my favorite.”

Jiang Yanli blinks then gives Xuanyu’s significantly larger chest a considering look. It could be nothing. It’s probably nothing. She hasn’t even been married a year and it doesn’t sound as if she and Lan Wangji have been seeing eye to eye.

Then again, the same could have been said about her and Zixuan.

“Can I ask you something personal, Meimei?”

Xuanyu nods. “You can ask me anything, Yanli-jie.”

“Are you and Lan Wangji having sex?”

She turns bright red and ducks beneath the water for so long that Jiang Yanli is starting to get concerned before she resurfaces, still red faced. “Um. We did once. Well – I guess, technically, it was three times, but it was only one night.”

Well. Apparently Lan Wangji has stamina on and off the battlefield.

“One moment,” she says, briefly squeezing Xuanyu’s shoulder. “I’ll be right back.”

It takes one whispered conversation with the servant outside the hall and approximately ninety seconds before her personal healer is standing in front of her. Jiang Yanli ducks back inside to see Xuanyu out of the bath, in a thin bathing robe that’s clinging to her as she wrings her hair out. “I’d like my healer to take a look at you, Meimei.”

Xuanyu freezes, slowly standing straight with a wary look on her face. “That’s really not necessary. The wounds were just superficial and they’re basically healed already.”

“It’ll be quick,” she says, because if she’s right then she can’t let Xuanyu go down to the banquet without letting her know. “She’s very discreet – she’s been my personal healer since I was a child.”

“Jiang Xingyi?” Xuanyu asks, some of her tension draining away.

Jiang Yanli nods, trying to think of some reason that Xuanyu would know her healer’s name, or her reputation, but all the servants are terrible gossips and her health is a frequent topic of derision. “Just your wrist, okay? Your golden core has changed a lot. I just want her to take a look.”

She feels bad about lying, but Xuanyu had lied to her first.

Xuanyu relaxes even further. “Okay, Yanli-jie. If it’ll make you feel better.”

“Thank you,” she smiles, then opens the door to usher Jiang Xingyi in.

The old woman doesn’t smile, but Xuanyu grins back undeterred, and says, “Hi, Granny,” before paling and adding, “uh, um. Sorry.”

Jiang Yanli feels a familiar pang of grief go through her. A-Xian had referred to Jiang Xingyi as Granny, the only disciple both bold and beloved enough to get away with it.

Jiang Xingyi ignores her, instead reaching for her wrist and pressing her fingers against it. Xuanyu fidgets, shifting from one foot to the other, but says nothing as the moments stack on top of one another.

Finally, Jiang Xingyi drops her wrist and steps back. Her stern visage breaks, a smile stretching her mouth across her face. “Congratulations, Madame Lan.”

She knew it!

“Thanks,” Xuanyu answers before wrinkling her nose. “Um. For what?”

“You are expecting,” she answers. “At least a couple months along, I believe, although I’d have to do a more thorough examination to be sure.”

Jiang Yanli moves to embrace her, but Xuanyu’s face drops and she turns dangerously pale. “What? No. That’s not possible. I can’t be.”

“Three times,” Jiang Yanli reminds her, trying to goad Xuanyu into laughter.

But instead she just shakes her head. “No, no I can’t, I – this can’t be happening,” she whispers to herself, grabbing her own arms in a white knuckled grip. “It’s not. It’s impossible. I can’t be.”

She’s young, and this wasn’t a marriage of her own choosing, and it’s so new. Of course she’s surprised and nervous. Jiang Yanli touches her elbow, intending to say something soothing, but Xuanyu collapses into her arms, gripping her waist and hiding her tears in her shoulder.

“Xuanyu!” she says, hugging her back just as fiercely, her heart breaking for the younger girl’s anguish. “Meimei, it’s okay, I know this is scary, but it’s going to be fine.”

“It’s not,” she says, voice thick with tears, “A-jie, this is awful, this is – it can’t happen! It can’t, Wangji is going to be so mad, he’s going to hate me, and everything is ruined and awful, I can’t be – I can’t! I’m going to die!”

Jiang Yanli’s whole body goes cold and she grips Xuanyu even tighter against her. “You’re going to be fine,” she says, pushing her conviction into every syllable.

No matter what Jiang Yanli has to do, Xuanyu is going to be fine.

[the-real-list-of-ominous-threats]

if anyone has no idea what I've been talking about recently, I suggest you go to @fanonical or @nyancrimew , who explain this better than I ever could, but from what I can tell, basically staff has been ignoring reports of harassment against trans women, one member of staff was actively banning trans users, and the CEO started a smear campaign against a trans woman because she jokingly said she wished he would get exploded with hammers (you know, the kind of thing I say regularly--because he wasn't doing anything to protect trans users and hired the aforementioned transphobic staff member), claiming that it was 'a death threat' and that she was 'being violent'....nevermind that she was getting much worse anon harassment with actual death threats on the regular. And then when he banned her and she went to a different site, he followed her there to continue the smear campaign instead of being normal and dropping the subject.

[naamahdarling]

.

[lunar-years]

I loveeee being a tourist! When people are all “wahhhh I only go to HIDDEN LOCAL GEMS when I travel i could never be seen in my TENNIS SHOES with my CAMERA out god that’s soooo embarrassing!” I giggle a little. It’s the ‘I’m not like other girls’ of traveling. Like sorry you want to be special but I can’t relate at all. Of course it’s nice to get off the beaten path and go to local spots and I make sure to do a nice mix! but at the end of the day I also want to stand in the too long queues to see all the tourist spots and see for myself whether they are “overhyped” (and sometimes they are! But often they are not!) and take a stupid photo of me holding up the tower of the Pisa (or the equivalent at any travel destination). and sometimes yes I even want to go to the silly chain restaurant even though ‘I can get it at home’ because I like it and it’s my vacation. and I’m I want to do all of that wearing my comfortable albeit mildly ugly tennis shoes so my feet don’t hurt! And I have a great doing it!

[shalom-iamcominghome]

List of classes I'm taking just for judaism:

Intro to judaism

Intro to judaism (this one's different, I promise (also it's upcoming))

Hebrew and yet another ITJ

Miscellaneous jewish topics

Help 😭