#but structurally this is very interesting to me

[ghostlyferrettarot]

°•. ᰔᩚ 🖤🩰Venus and what

attracts us🩰🖤 ̆̈ .•°.୨ৎ.

❗️All the observations in this post are based on personal experience and research, it's completely fine if it doesn't resonate with everyone❗️

✨️Paid Services ✨️ (Natal charts and tarot readings) Open!

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🖤Masterlist🖤

🩰Venus in Aries: is very active. This configuration is attracted to someone who is very fast, with the ability to do, solve and move forward. Their way of conquering is with courage and even with a certain combativeness or competition, for example, someone who challenges them, very cat and mouse game. It is good to know that they do not like doubts in connections.

🩰Venus in Taurus: is very sensual. This configuration is attracted to someone who is very calm. Their way of conquering is from the body and sensuality, even with a rich meal (whether homemade or from a gourmet restaurant). They do not like to be rushed. In love they need stability and security. They especially enjoy earthly pleasures.

🩰Venus in Gemini: is very clever. This configuration is attracted to someone who is very intelligent and especially with the ability to entertain and make people laugh. At the same time, their way of conquering is with the mind, with clever words. They do not like to always make the same plans. In love, they need to be able to talk about the relationship and what is happening to them.

🩰Venus in Cancer: is very emotional. This configuration is attracted to someone with great sensitivity, who is not afraid to show their feelings. Their way of seducing is through affection, warmth and tenderness. They prefer domestic and familiar plans (and better if they are at home) rather than new and disruptive things. In love, they care about being able to feel protected and cared for.

🩰Venus in Leo: is very expressive. This configuration is attracted to someone with an extroverted and striking personality. Their way of seducing is by showing their charisma, with very colorful and shiny clothes, without shame about what people will say. They do not like to go unnoticed. In love, they enjoy romantic, cinematic-style scenes: petals, sunset and candlelight.

🩰Venus in Virgo: is very mental. This configuration is attracted to someone with a great talent for organization and order. Their way of seducing is very helpful, paying attention to details, seeing what the person next to them needs. They don't like messiness. In love, it is important for them to have well-organized and structured plans with his partner during the week.

🩰Venus in Libra: they like bonding with others. This configuration is attracted to someone pleasant, graceful and especially aesthetic. Their way of seducing is from beauty and charm, with a conquering smile. They dont like bad manners, things not following the protocol of elegance. In love, it is very important for him to seek agreement with his partner and not argue.

🩰Venus in Scorpio: is very perceptive. This configuration is attracted to intensity and strong emotions. Is not interested in a superficial bond. They way of seducing is from a penetrating gaze and from sexuality. In love, he needs fusion and total surrender. It is good to remember that not everyone has the same intensity and/or availability of surrender as you. Dose passion does not necessarily mean a lack of interest in bonding.

🩰Venus in Sagittarius: is very adventurous. This configuration is attracted to generosity, enthusiasm and joy. Their way of seducing is from confidence, with naturalness and charisma. They do not like meanness. In love they need everything to be hyperbolic and exaggerated: parties, fun, celebration and trying new things.

🩰Venus in Capricorn: is very realistic. This configuration is attracted to someone responsible, serious, hard-working. Its way of conquering is step by step, with diligence and persistence. It does not like immaturity; on the contrary, in love it needs a formal bond, with stability and commitment (preferably in the form of marriage).

🩰Venus in Aquarius: is very sociable. This configuration is attracted to someone different, with great capacity for creative and original display. Its way of conquering is from its mental speed, its eccentricity and madness. It does not like traditional or classic things. In love it is important to feel free and not to lock itself exclusively in the realm of the couple.

🩰Venus in Pisces: is sensitive. This configuration is attracted to someone sensitive and/or artistic but is, in general, very amorous and dreamy. They like someone who seduces in a subtle, spiritual and magical. They are not interested in a sexual-affective bond without love. In turn, in a relationship, a great deal of commitment and trust is needed to be able to show their hypersensitivity and not feel vulnerable.

[alt-wannabe]

MCSR As Chemical Compounds

idk either man. expect very little actual explanation and a lot of chemical yapping from a very big nerd

Silverr as Silver Nitrate:

AgNO3

the above is the crystal structure

appearance is just a white crystal kinda like sugar

it took everything in me to not just make silverr plain Ag

silver nitrate is the most common precursor for all other important silver salts

also an extremely important compound in the development of photography! (and iirc silverr is a film major)

Feinberg as Ozone:

O3

produced during lightning strikes

pale blue at high ppm

only leaves gas state at cryogenic temperatures

naturally occurring in the stratosphere and absorbs UV rays from the sun

Fruit as Nickel(II) Chloride Hexahydrate:

NiCl2•6H2O

green

the non-hydrate form is a sort of olive-y yellow color

used to absorb ammonia in gas masks

Raddles as Potassium Permanganate:

KMnO4

Sometimes referred to as Purple Potion Powder

goes CRAZY purple when dissolved and is lowkey my favorite chemical

very strong oxidizing agent

one time i stained my hand purple through my glove with this shit idk how it happened

if made in specific solvents can look extremely similar to dragon's breath in minecraft imo

K4 as Octathio[8]circulene:

C16S8

also referred to as Sulflower (like sulfur and sunflower haha get it)

planar which is fairly uncommon for molecules of this size

can be stacked together to make sheets of sulflowers

Cube as Cubane:

C8H8

yeah this is self-explanatory

what is interesting though is that ring strain in 4 membered rings/squares is really high, so cubane existing is a bit of a chemical anomaly

i havent read into it enough to know for sure but i suspect that ring strain is why cubane is a precursor to a HELLA STRONG explosive compound

Reignex as PPTA:

Poly-p-paraphenylene terephthalamide

[-CO-C6H4-CO-NH-C6H4-NH-]n

the name is complicated as shit but this is just kevlar!

aka bulletproof vest material

looks fluffy when not woven completely together

aligning of polymer chains w hydrogen bonds creates EXTREMELY high tensile strength

Mime as Phenylmagnesium Bromide:

C6H5MgBr

a common grignard reagent aka a compound that can be used in a grignard reaction, an extremely important reaction in organic synthesis as it creates new C-C bonds

another fun fact about grignard reagents is that if water is added to them- or even if they're handled in particularly moist air- they fucking explode

extremely strong nucleophile and base

Poundcake as Xenon Hexafluoride:

XeF6

Noble gases don't react unless you REALLY make them

so a compound containing xenon is really interesting

colorless as a solid but sublimes (aka skips straight from solid to gas) into a bright yellow gas

fun fact a lot of instances where typical chemistry rules are broken (noble gases not reacting, octet rule in general, etc) involve fluorine to the point ive heard it referred to as a "batshit electron thief"

Fulham as Iron Hexacyanidoferrate:

C18Fe7N18

also known as prussian blue

extremely common pigment in paints and the first modern synthetic pigment

used extensively in The Great Wave

another one of my favorite molecules bc im biased and like inorganic chem aka things that contain metals

used as an antidote for heavy metal poisoning which is interesting bc it contains cyanide ligands!

Couriway as Bullvalene:

C10H10

in a state of constant resonance

aka the double bonds are CONSTANTLY shifting and reforming bullvalene into... itself but moved around a little

the bonds fluctuate so rapidly that in nmr analysis each carbon and hydrogen in the entire molecule is read as equivalent (for my non-chem people that's very uncommon and very cool)

formed through photolysis (aka using light/photons to fuel a reaction)

[radioactivepeasant]

Snippets: Free Day Thursday

As per the poll results, we are giving Damas stress via Just Plain Silliness. It builds character. Not that I needed an excuse to Inconvenience Characters in the first place 😆 it's become my favorite way of writing anything. Not Angst or Adventure, but Aggravation of Character in ridiculous ways 😂

This falls into the Trespasser au (last "episode" of that found HERE) a bit before the second Arena fight in the game.

The king of Spargus, Jak decided, was a killjoy.

For a city where strength and survival were supposed to be the most important traits, he sure didn't like any of Jak's demonstrations of strength or survival.

"You can't race Leapers in the middle of the market."

"Don't swim over the reef."

"Stop antagonizing the monks."

"You can't race Leapers on neighborhood roofs, either."

"If I told you not to swim over the reef, why would you assume I'd be okay with you feeding the sea monster?!'

It was like he was vehemently opposed to the mere concept of fun.

Jak folded his arms and tried not to roll his eyes while Kleiver complained about the scuffed up suspension and undercarriage on the Dune Hopper. Sure, he'd cut it a little close on the broken bridge, but he'd gotten away with the artifacts and left the Marauders in a two car pile up, so who was the winner, here?

Not Jak, apparently.

Damas listened to Kleiver yell about how he'd have to redo the entire suspension -- a gross exaggeration -- and how there was half a metalhead stuck in the undercarriage. Now that, Jak hadn't known about. When had he run over a metalhead?

"Hey! We didn't do that!" Daxter protested, "How do we know you didn't put that there last time you drove?!"

"Because I don't take the Hopper if I plan to do a run down Turquoise Canyon!" Kleiver snapped.

Damas steepled his fingers in front of his mouth and examined the damaged vehicle.

"One of these days, kid, I swear to Volcan-"

"What?! I got the job done, didn't I?" Jak protested indignantly. "Did you want the Marauders to get their hands on a functioning power cell?"

Damas’s jaw tightened so much that his mouth appeared to be folding inward. He inhaled slowly, and let it out again, ears twitching while he was very obviously counting to ten.

"There are no jumps in the canyon," he said slowly, "So how did you manage this?"

Jak shrugged nonchalantly. "The 'rauders chased us out to the ruins," he explained, "Ran out of turbo, so I had to get creative with the jump."

Kleiver started swearing very creatively under his breath. Damas turned an interesting shade of red.

"That does it."

The king grabbed Jak by the channeling ring and near dragged him out of the garage before Kleiver could clobber someone with a wrench.

"One more stunt like that out of you," Damas threatened, "and I'm entering you into an apprenticeship. Let's see you foment chaos with an actual structure in your day."

"You're not gonna do that," Jak scoffed.

Damas’s eyes narrowed. "Try me."

Jak did not take this nearly as seriously as he ought to have. In fact, he seemed to regard the threat as more instances of Damas "worrying too much". Damas did not worry too much! If anything, he wasn't worried enough about the insanity this young unknown relative had brought into his city! More than one advisor or guildmaster had been privy to the king muttering darkly, "I'm either going to kill him, or start training him myself. I'll let you know when I've figured out which."

And of course, Jak kept being Jak. Climbing the Arena walls because he saw a Precursor orb someone had dropped. Messing around with some kind of evil alien satellite on the beach. Inciting other inhabitants of the youth barracks to join foot races in the barrack halls in the dead hours of night. And he seemed to regard all of this as perfectly normal behavior. It was like all the impulses he'd had to shove down in Haven, all the ways he'd had to be perfect to fit under the yoke of that terrible word, hero, everything came crashing down in Spargus. He had almost no limits here, and that kind of freedom seemed to awaken a wildness that was above the paygrade of the dorm supervisor.

It came to the point where Damas was actually allowing the kid to go out into a sandstorm, just to get some of that boundless energy out! It wouldn't have been his first choice. Or even his tenth. But the storm rolling in was much larger than anything else they'd seen that summer. And for all his recklessness, Jak was their fastest driver.

"Four scouts have not reported in," the king told Jak and Daxter. His face was grim. "Two just set off their emergency beacons. At the rate this storm is going-"

He shook his head, cutting off his sentence.

Daxter had worried that Spargus would be another Krew situation at first. But here was the king of the cranky lizard-riders, flipping out because a handful of scouts -- one of the lowest ranks in the city -- weren't accounted for before a deadly storm.

In Haven, their absence wouldn't have even been noticed until roll call.

The old timers in the market were right, weren't they? "King's eyes see all." This guy watched everyone like a hawk, didn't he? Daxter wasn't sure if that bothered him, or if it just reminded him of Jak.

He supposed that was fitting, considering the two were probably related, no matter how in denial Jak seemed to be about being an Heir of Mar.

"Where's the Crawler right now?" Jak asked.

The mobile sandstorm shelter wasn't invincible, but it could take a lot. That would be the scouts' best bet.

Damas looked out the windows, glaring at the dark clouds as though he could hold the storm back by sheer force of will. It took a moment to hear his voice over the water.

"The Crawler is in the steppes at the moment. She's not a fast vehicle, Jak. I need you to get those scouts to either the Crawler or the city."

"I will."

Damas turned a stern look on them both.

"No stunts. These are people's lives we're talking about."

"I know!" Jak sputtered, a little offended. "And I won't bust the car up this time, so Kleiver can give it a rest."

"No. I'm serious, boy," Damas warned, "If it comes down to abandoning the car for shelter or trying to drive in the storm, you leave the car. Do you understand?"

Jak huffed. Damas had seen him outrun sandstorms before! What was so bad about a slightly bigger one?

"I got it, I got it," he grumbled.

Damas glared.

"No. Stunts. You get back here in one piece."

"Okay, I got it already!" Jak groaned.

"Jak-!"

"I know, Dad!" Jak complained.

An instant later his eyes widened.

The water suddenly seemed much louder than usual.

Daxter wasn't even sure any of them were breathing.

Three pairs of dramatically widened eyes darted back and forth between them as silence built up like steam under pressure. It was going to erupt sooner or later, the question was how.

Damas made a very small, strangled noise in the back of his throat.

Jak snapped out of his moment of horrified realization.

"Uh. I'll let you know when everyone is accounted for!"

He pivoted and bolted for the elevator before Damas could see his entire face burn crimson.

A guard at the back of the chamber opened his mouth to comment and in one rushed tangle of syllables Jak hissed,

"Youdidn'thearanything!"

Damas didn't blink for a good two minutes after Jak had left.

He didn't move for a good two minutes.

He stood exactly where he'd been, staring blankly at the empty elevator shaft.

The captain of the tower guard, an older man named Cephus, left his place by the windows to lean into Damas’s peripheral vision. He waved slightly, and the king finally blinked.

"Are you alright, sire?" Cephus asked.

Damas made a curious wheeze before speaking through a groaning inhalation.

"Oh no."

"Hm!" Cephus stroked his long beard. "Guess the wild one imprinted on you! Do I offer congratulations or condolences?"

Damas nodded slowly and stiffly.

"....help."

There could not possibly have been a worse time for the monks to finally send him the results of the blood test.

[bdsmblogpost]

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[callmearcturus]

redoing this ask because fuck that poll lmaoooo i have a persona question, IMO persona's romance system can sometimes fail when its clear the devs wanted one character to be the "canon" love interest for the overall story, but added in side romances to please fans (p2 with [spoiler redacted], p3 with aigis, and p4 with rise based on how much time is focused on their dynamic and bond) but i feel like P5 *intended* for Makoto to be the go-to romance option (especially with how she was handled in the anime) but Royal switched it to Akechi. Do you think that Persona should just stick with one romance option, have a small number of options that they develop, or have it be "every npc is an option" type deal. personally i think it depends on the game? but i feel as if P5 would have benefited from only having 5 romance options (Haru, Makoto, Akechi, Hifumi, and maybe Yusuke?)

Hmmmmm.

It's hard to consider this without also thinking about the other dating sim RPGs, i.e. Bioware. What's interesting there is that some of the romances felt intended (Liara in Mass Effect especially) but there were multiple really good options.

What I find interesting is how Persona and Bioware games handle the shared authorship of the characters. There's an entire Game Maker's Toolkit video about how the narrative designers had to design on a tightrope, keeping the cinematic nature of the story rolling but also making the player feel like they had a handle on the direction (even when the latter was mostly imagined).

Okay, here's two weird thoughts:

The wide array of Persona romances are pretty shallow and would benefit from a shift to much fewer romances that are far more fleshed out.

Akechi is so shocking and compelling because the comparative shallowness of the other romances, because he is a subversion of them.

To me, what makes Akechi the far-and-away best 'romance' of Persona 5 Royal is that he's not a romance 'option.' The player has very little agency over how Joker feels about Akechi. If you hit a couple of flags, then Joker is fucked up and in love with Akechi. That's just it. Maruki gives everyone what they want, and what Joker wants is Akechi.

The fact that Joker is a partially player-directed character that autonomously decides to be in love with Akechi is the secret sauce, imo. Ergo, if you improve the romances overall, you lose some of the specialness inherent in Akechi.

I had a LOT of problems with P5R's writing and especially its structure. I would remove Makoto entirely but for pacing issues, not for the strength of her writing. I'd cut a lot of cruft from the game.

I don't know if I would take away the gutpunch of Akechi though. Not for P5R. For other Persona games, 100% yes, I would. Narrow the scope of romances, maybe even stick just to party members so its easier to build a coherent, meaningful narrative with the love interest.

i hope some of that makes sense, i'm a bit sick and meandering today

[jojotichakorn]

the interesting thing about we are is that i believe it's the first bl i've ever seen that truly has one main character. there is a reason why phuwin is the most overworked of them all and why he jokingly complained about the fact that pond wasn't suffering nearly as much as he was, even though he is his on-screen partner. and there is a reason why phuwin said that peem is also the audience in a way because he kind of gets to witness and react to almost everything that happens in the series.

the world of we are is built around peem: it's him and his boyfriend and his best friend and his best friend's boyfriend and the rest of his friends and also his boyfriend's friends. even the things that are seemingly not connected to peem in a particularly direct way are still somehow influenced by him or perceived by him, e.g. tanfang happens because phum agrees to help tan hit on fang in return for meeting up with peem, and then when tan spills the beans about them dating, peem's reaction is centered slightly more than anyone else's, even though there are people who are closer to fang and similarly close to tan in that scene. and though we get insight into phum's life too, for instance, that still somehow circles back to peem, e.g. most phumfang scenes are them literally discussing peem or talking about their parents, which still comes back to phumpeem, as phum's family problems have a huge effect on the boys' relationship.

peem is the sun of the show, and the rest are planets revolving around him or moons of the planets revolving around him in one way or another.

[bookshelf-in-progress]

I love how a well-written romance is so often structured as a mystery. A person starts with a certain idea about another person, and over the course of the story, they uncover more evidence that gives them a fuller picture of who the other person truly is. They learn about layers to the personality and backstory that give the other person more depth. They learn how the other person's personality meshes with theirs. Even the third-act misunderstanding fits the mystery structure--it looks like they've uncovered the final secret to the other person's identity, which is that they're not the worthy person they seemed to be, but then discover that they misinterpreted that evidence, or the other person takes steps to apologize and repair the level of trust. When the mystery is resolved, they've reached a full understanding of each other and know they've found a partner they can trust their whole future to.

[poorly-drawn-mdzs]

End of Empathy (time for violence)

[First] Prev <–-> Next

[blood-orange-juice]

About Childe and his weird ethics.

He reminds me of what I know of real world medieval knights. Chivalry was a thing only applied to equals.

There was no glory in harming noncombatants and generally you would want to avoid that, but if you absolutely needed to sack a city (or take a city hostage to lure out its patron deity) then no one would blame you.

There was a lot of scheming too.

There's certain irony in wanting to be a fairytale knight and becoming a real one instead.

[afraidparade]

something i’ve been thinking lately is that i might wanna change the title for ghoststories, since “ghoststories” was never meant to be a TITLE just… a tag. lufa was easy because it’s just their ship name, but since pazu and theo aren’t a couple i think i just asked pike what the tag should be called one day and he said ghoststories, so. it’s been that ever since.

it serves its purpose as a tag but it’s kinda generic and not super relevant i guess? now that i’m finally able to develop the lore that pike and i have been cooking for actual years, and now that a sudden influx of people have been legitimately interested in that story (something i still can’t wrap my head around lol), i don’t really want it to be called “ghoststories” when it’s brought up anymore. all that is a very wordy way to say there’s a chance i may be changing that and redoing a lot of tags whenever i have time, and also that i am open to suggestions if you have them :-)

[fiapple]

i'm getting towards the end of the skypeia arc, & i'd like to say just how much i adore the way the female strawhats have been treated.

just... every aspect of how the way their characters have been previously contextualized influences the story-line is treated with a masterful amount of consideration. we're given so many layers to both of them that enrich not only their characters specifically, but the arc, and the one piece world as a whole. without nami & robin having their specific skills, and their specific values, without those being built upon, the story would have come to a halt.

you could not have skypeia without nami & robin being who they are as individuals. not just because they never would've gotten there without nami, but also because the way these women think is itself foundational to the machinations of the arc as a whole.

to be totally upfront, if you think any other strawhats were more central to the skypeia arc than nami & robin were you are full-on fucking lying to yourself.

[kc5rings]

Having a latex fetish is always at least a little inherently funny because there’s a solid chance that at least part of the human brains attraction to shiny things and bright colors comes from recognizing those traits as signs of fresh ripe fruit

And now that same inherited pattern recognition makes some of us horny about shiny clothing

[rearranging-deck-chairs]

once again thinking abt undiagnosed unsuspected autistic yaz

[beansterpie]

rewatching LoK, i'm being reminded how much I dislike the.... the brothers, mako and bolin, yanno? they're such underwhelming characters on basically every level. it'd almost be impressive if they weren't in every episode and didn't annoy me so much ugh

[saturnisfallingdown]

a big part of the queer online kid to queer online young adult progression for me was losing all interest in labels. not in a distasteful way!! just. losing interest .....

[throwawayasoiafaccount]

magic in asoiaf is genetic. and that is intresting. and the fact that grrm doesn’t shy away from the implications of this makes me love asoiaf even more.

because it’s very understandable that these people who could ride dragons would see themselves as more gods than men. it’s understandable that the practice of sibling-sibling incest would become common in order to keep this ability in the family/to not lose said ability. it’s also understandable that these people would see their race as superior because they are able to do these things that others could not.

it also makes complete sense that this human civilization collapsed in a horrific magical event due to their own hubris because they saw themselves as gods when they were always only men.

and that is peak world building.

some more peak world building is that the noble houses of westeros also clearly gained power and held onto their power through the use of their magical abilities inherited from their ancestors.

a godlike existence like Garth the Green being the ancestor of all the oldest and most noble of the reach houses makes perfect sense for this world!and it also makes sense that the lords without this ancestry are discriminated against in this region that still holds onto the values their society cultivated in the past in order to maintain their magical superiority, even though most of these noble and old houses no longer exhibit these abilities.

and it also makes sense that these people no longer have access to these abilities as they no longer practice the religion that was centered around these powers; plus their blood is simply diluted at this point as these houses have married into a different ethnic group so often that the magical gene just doesn’t surface anymore.

but the fact that it still matters if you can trace your ancestry back to Garth the Green? peak! peak! peak!

george does such an excellent job showcasing the stagnation of westerosi society here because why should it matter if you’re connected to this magic guy if magic is no longer commonplace? however, it also makes total sense that the ruling class of the reach still harps on and on about this as it’s how they maintain the status quo and differentiate themselves from those they consider lesser now that they no longer have access to magic themselves.

and this is also why it’s very important that the Starks still retain the blood of the first men. because the first men interbred with the children of the forest and other elder races, which is what gave these humans these powers. it’s also worth noting that before the direwolves connected with the Stark children, none of our current Starks were able to awaken their abilities by themselves, which shows that even now they are very far removed from their ancestor who’s genetic makeup gave this bloodline these abilities. and it makes sense that the Starks experienced this slow magical decline because magic itself was declining in the world after the doom of valyria.

another reason for this decline is because Andal culture started heavily influencing the North and slowly changed the way magic was perceived. so now in the present, a warg/skinchanger/greenseer has become something to fear being because that’d make you different and therefore puts your life at risk, which means that there’s now practically no safe environment to cultivate these abilities and no secure way to pass down any knowledge you do have about said abilities.

i can’t help but be reminded about how Jon Snow has rejected his nature and how that has led to the stagnation of his abilities, and then i think about Arya and Bran and how their new environments have led to an astonishing growth in their abilities, which shows that it’s not just genetics that matter, environment is also just as, if not more, important.

i bring all of this up because magic being genetic in asoiaf is not as problematic as people try to make it out as. in real life, sometimes people just have genetic gifts. some people can become olympians, and some people are disabled. some people are born 10 times smarter than the average human, and some people believe that covering their faces in lemon juice would turn them invisible. that is reality. and in this universe, some people have access to magic and some don’t, and it’s all based on genetics. it’s unfair! and that makes it realistic.

not everyone gets to ride dragons and not everyone gets to travel back in time, and that grounds asoiaf, which is what grrm was going for.

and how these societies have organized themselves in response to these genetic abilities and the dangers they pose makes absolute sense. on one hand we have the valyrian freehold, which was a magic hotspot and the people who lived there used magic to propel their society to new heights, and on the other hand we have the seven kingdoms that demonize anyone too different, and all magic practitioners are different from normal humans.

and the fact that george decided to go this route with asoiaf is so juicy to me cause:

we have characters like Varamyr and Euron who use their abilities to commit great evils and we know that their powers have influenced the way they see and interact with others. on the other hand we have characters like Dany who use their abilities to fight against evil violent institutions. and through characters like her we learn how vulnerable fledgling magic practitioners/characters with these abilities are to these older and more dangerous institutions and individuals who are perfectly aware about the knowledge gap between them and these younger characters and know exactly how to exploit them.

so, while it’s understandable that the fandom is uncomfy with the practices and values that grrm has written about, this isn’t bad world building by any means. it’s logical and well thought out. and i truly enjoy that grrm doesn’t shy away from writing about the more worrying aspects and implications of magic being a matter of genetics. i also like how the seven kingdoms and the valyrian freehold are kinda extremes on the matter of magic and how this is/was detrimental to both of these societies and at the individual level. a horrific magical firey doom is not any better nor any worse than a slow drawn out icey decline.

imo, what is important to remember is that in the world of asoiaf, people with magic are the ones who are discriminated against (bc most POV characters are in Westeros and magic is a no no there). so they are the ones who are in danger if they out themselves as magic users. now, it is true that some societies are more tolerant (Qarth is a great example of this and Valyria before the doom was likely the most tolerant to have ever existed in this world), but as of now most societies simply aren’t. remember jojens warning? he didn’t pull that out of his ass. bran would’ve been in a lot of danger if he came out and told the wrong people about his dreams/abilities. also, jon’s assassination may have been partly motivated by the mutineers fear of wargs. this is the life-threatening danger magic practitioners are in for simply existing in an intolerant society.

tbh the reason i typed all this up is because it’s very annoying when people try to ignore the reality, which is that the dragonbond depends on genetics. now, i’m sure there are other ways to ride a dragon, as dragons are magical animals so of course there may be a one in a million chance of a dragon allowing some rando to ride it, but this doesn’t change the fact that there is such a thing as a genetic ability that gives these certain humans the ability to form a connection with a dragon.

(another example that i can’t help but remember is that melisandre was able to get ghosts approval by using some of her tricks. of course there could be other reasons for ghost to have done this, but the most likely reason is that ghost simply fell for melisandre’s trick and this influenced how jon saw mel. but this doesn’t change the fact that melisandre will never have the kind of bond jon and ghost have because melisandre is not a warg. this is also another example of how vulnerable fledgling magic practitioners are to older ones.)

so, sorry not sorry that george decided to create a realistic representation of what a society would look like if only certain bloodlines were able to ride dragons <\3.