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epicbuddieficrecs · 21 hours ago

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Weekly Recap | December 30th 2024-January 5th 2025

Welcome to 2025 everybody!! The year of #BuddieCanon!!!

Started working on my favourite fics of 2024 rec, I'm hoping to post it in the next week! And when I'm looking back, I always end up distracted on the way, which is the reason for the ungodly amount of re-read fics in this rec 😅

Little bit unconventional but I'm gonna rec some meta! The Buddie Vers-Switch Theory: a Meta-Analysis is really interesting!

Complete

just like coming home by tinygiantsam/ @watchyourbuck (S7, First Kiss | 1,5K | Teen): Buck and Eddie go on their first date. Eddie wears the 'good cologne.'

when the clock strikes midnight by tinygiantsam/ @watchyourbuck (Post-S8 Spec, Christmas | 4K | Teen): Future Buck looked at his watch, then at the clock on the wall, then back to him. “In about five minutes, Eddie’s gonna try to kiss you.” Buck’s heart skipped a beat, his throat drying from back to front. He wetted his lips in instinct. “What?” “And I’m gonna need you to kiss him back.” OR: on christmas night, buck is visited by what seems like the ghost of christmas future. he has a very particular request (that he cannot refuse).

every corner of this house is haunted by justhockey (NYE, Chris comes back from Texas, Getting Together | 4K | General): And now that love is everywhere, is in everything. It’s worn so deeply into the grooves of his skin that it’s changed the very structure of his fingerprint - is burrowed so deep inside of him that it has rewritten his DNA. His love for Eddie and for Christopher is carved into his bones - etched onto his heart like an epitaph: love lived here. Love left here.

Next in line by tinygiantsam/ @watchyourbuck (Getting Together, Post-S6 | 6K | Explicit): “Hold on,” he muttered, putting his finger up and shifting his weight from one foot to the other. “So you’ve been dating this man for six months, b-” Buck cut him off. “Yes.” “But,” Eddie continued, “he’s not your boyfriend?” “N-No.” Eddie’s frown deepened. He tried to keep it in; he really did. “Okay, well, does he want you or not? Because he’s holding up the fucking line!”

Let me give you my life by paleredheadinascifi (Post-S8S6: Confessions, Getting Together | 6K | Teen): “I’m sorry. I’m sorry. I am. Fuck. I am freaking out,” he agrees, lifting his head to look at Buck helplessly. “You’re in my lap.” “I’m so extremely aware of that. You’re not wearing any pants,” Buck adds. A smile tugs at the corner of Eddie’s mouth. “I am also very aware of that.” Or, another take on what happened after the couch scene. Eddie *wants*. They're both brave about it.

a lighthouse in the fog by greenbergsays/ @greenbergsays (BT Break-Up, First Kiss | 7K | Teen): The one where Buck wakes up after surgery and realizes that Tommy doesn't meet his emotional needs. The break-up doesn't go quite like he expected.

It Still Gets Cold in Texas by jukoist/ @beforejuko (Post-S8A, Eddie moves to El Paso, Outsider POV, Getting Together | 9K | Mature): Cara Alvarez of the El Paso Fire Department knows exactly two things about her new coworker Eddie Diaz. One: Diaz has a husband named 'Buck', who he left back in LA. Two: Diaz is Extremely Annoying about how much he misses his husband, the aforementioned 'Buck'. Or; Eddie moves to El Paso, and his new coworkers come to certain assumptions. Eddie... does not correct these assumptions.

🔥 If Only In My Dreams by songbvrd/ @songbvrd (Post-S8A, Eddie goes to El Paso, Christmas, Getting Together | 9K | General): Evan Buckley had never been good at knowing when to let go of things. So when Eddie Diaz told him on a chilly Friday afternoon that he had put his house on the market and started packing, Buck told himself that this time, he wasn't going to cling to someone trying to leave him behind. This time, Buck would understand what rejection looked like, and he would let someone he loved walk away with dignity. OR Eddie moves to El Paso a month before Christmas. Buck goes a little bit insane about it.

see both sides by snorlaxer (Post-S7, Mind-reading | 9K | Teen): When Buck overlooks a small injury to the head during one of his shifts, it turns out to be a very big problem once he starts hearing the internal voices of everyone he walks by, including his best friend, who seems to be undergoing a silent life-crisis. As Buck listens more and more to the thoughts that surround him, he becomes increasingly more confused with his own. OR Buck can hear other people's thoughts, and Eddie's are everything and nothing like he expected.

Wherever you find love (make it last all year) by rainbow_nerds/ @rainbow-nerdss (Canon Divergent, Christmas | 12K | Mature): Buck first met Eddie on Christmas. This is the story of seven Christmases they spend together.

🔥 i can't see you (the light is in my face) by withmeornotatall/ @chronicowboy (Post-S8A, Eddie goes to Texas, Eddie Sexuality Crisis | 15K | Explicit): "Have you even tried making friends?" "God, Abuela, what am I in kindergarten again?" "No, you were much more outgoing in kindergarten. Made friends with the whole class. Teachers too. Now, your only friend is an old lady. If you're really moving here, Eddie, you need to make some friends. You can't just rely on me and Christopher to keep you company." "I know. I know. I think I'm just scared to put roots down. It doesn't feel real yet, you know? Every time I wake up, I keep waiting to see my ceiling from home, walk past Christopher's room on the way to the kitchen, find Buck in the kitchen making pancakes. I don't think I want it to feel real. Plus," he adds with a brittle grin, "the last time I made a new friend, Buck almost broken my ankle." And then slept with said friend, he thinks. "I'm not convinced he couldn't give me a bloody nose from eight-hundred miles away just by thinking real hard." (OR: eddie makes a new friend, she makes some assumptions, eddie spirals about it in his patented life-ruining way)

🔥 all the ashes I've earned by greenbergsays/ @greenbergsays (Post-S8E8: Wannabes, Near Death Experiences | 22K | Teen): A horn blares. Buck looks in time to see the truck barreling right for him. Something a lot like relief washes over him. Good, he thinks. At least now he doesn’t have to watch Eddie walk away. -- OR: Spiraling about Eddie's announcement, Buck gets into a car accident and falls into another coma. This is Eddie in the aftermath.

🔥 wake up, boy, you're far from home by Daisies_and_Briars/ @cal-daisies-and-briars (Post-S8A, Christmas, Eddie Sexuality Crisis, Getting Together | 23K | Explicit): Eddie is miserable in El Paso, having seemingly made things worse. Buck is miserable in Los Angeles, without him. When Buck agrees to go home to Hershey for the holidays, everything implodes.

WIP

🔥 Finding Mr Christmas by JJK/@trenchcoatsandtimetravel (Canon Divergent, Reality TV, Christmas | 9/11 | 52K | Teen): "Welcome to Finding Mr Christmas! You’re all here chasing the same dream, to star in a Hallmark Christmas movie, and over the next few weeks we’re going to be putting you through your paces to see which of you has the most star quality and that ‘it’ factor that makes you shine above the rest." 🎄🎄🎄 An AU where Buck and Eddie meet as contestants on Hallmark's Finding Mr Christmas competition (and fall for each other).

🔥 Cadence by Nejinee/ @nejineeee (Future fic, Getting Together | 1/2 | 6K | Explicit): When the credits finally finished rolling and Buck was left in the shrouded silence of Eddie’s house, he sighed. He turned his head slightly, feeling Eddie’s unbelievably soft hair brush against his cheek. Eddie’s cologne was all but gone after a day like today. Eventually, he’d need to shower and get ready for bed. Buck wanted to wait a moment; he wanted to sit in this silence a little longer.

🔥 Things We're All Too Young to Know by Daisies_and_Briars/ @cal-daisies-and-briars (Canon S1-S6, Divergent Post-S6 | 141/? | 454K | Mature): This is a love story. Even if it doesn’t always look like it. Even if it doesn’t always feel like it. A look back on Eddie and Buck's lives up to now, and what led them to each other, interpreted from the current 9-1-1 canon.

🔥 Gentle On My Mind by Daisies_and_Briars/ @cal-daisies-and-briars (Canon Divergent, Shannon Lives, Buck/Eddie/Shannon | 10/? | 63K | Explicit): In which Shannon lives, tells a lie, and sends hers, Eddie's, and Buck's lives down a very different path.

Podfic

[podfic] and we can stay all day by be_brave13/ @djemsowhat // fic by trippedandfell/ @trippedandfell (Zoologist Buck AU | 20-30min | Teen): “So let me get this straight,” Hen says, once she’s stopped laughing at him. “Your nerd crush-” “-Evan Buckley,” Eddie miserably interjects. “Your nerd crush,” Hen repeats, waggling her eyebrows. At the kitchen table beside her, Chimney is grinning like Christmas just came early. “Read your drunk tweet and then sent you animal facts via DM?” or: Buck's a zoologist. Eddie's pretty sure he's in love. (Part 1 of zoologist buck)

[Podfic] What's love got to do with it? by Pretzel26 // fic by ColorMeParanoid/ @color-me-paranoid (Platonic Boyfriends to Lovers | 1/30 | 10-20min | Mature): "Hear me out," Buck said. "Clearly, both of us are sick of dating other people. And we're a good fit, in pretty much every way that matters. So what if we're not in love? We don't need to be in love to be happy together." Eddie frowned. "So basically, we'd be boyfriends, without benefits?" "Yes!" Buck snapped his fingers. "Like platonic boyfriends! We'd get all the benefits of a relationship and none of the heartbreak." And maybe Eddie had finally lost his mind, or maybe it was from all the alcohol clouding his judgment, but the idea of it didn't sound half as crazy as it should have. *** After Buck’s and Eddie’s dates both end with disasters – proving once again that maybe dating just wasn’t meant for them – they decide to simply settle for each other. If there was one person in the world they'd ever trust with their hearts, it was each other. And who was a better person to date other than your very own best friend?

Re-read

🔥what if i can't have us by woodchoc_magnum/ @woodchoc-magnum (Post-S7E5, Getting Together, Sexuality Crisis | 47K Explicit): In which Eddie is dating Marisol; Buck's dating Tommy, and Eddie has feelings about that, which he simply does. not. understand.

🔥 The Heart Opening Sequence by Leslie_Knope (Post-S3, Getting Together | 34K | Mature): Eddie’s handsome, that’s obvious, Buck clocked that the second he met him. Part of him still can’t really believe that the guy he was so threatened by at first ended up as his closest friend, which is why these weird twinges are so unsettling. Buck isn’t sure if they’re real, for one, these odd flashes of what it would be like to lean over and kiss Eddie while they’re watching a movie or brush a hand over his back while they’re in the kitchen. And for two, it’s so far out of the realm of possibility that it’s barely worth thinking about.

🔥 drink the river dry by Rianne/ @rianneeyre (Post Shooting, Getting Together | 32K | Explicit): It wasn’t until they were discussing his discharge paperwork and painkiller schedules that it really sunk in for Eddie that Buck would be staying with him and Christopher. That he would be around 24/7 except for his shifts at work. That he’ll sleep on the couch, where he’s been sleeping for days now to look after Christopher. The worst part is that it’s necessary—Eddie isn’t going to be able to do a damn thing for himself for the next couple of weeks. He’s lucky if he can put a shirt on by himself a month from now. Yeah, that’s going to be a problem. Or: Eddie gets shot, breaks up with his girlfriend, and pines like there’s no tomorrow.

🔥Plus or Minus by ElvenSorceress/ @elvensorceress (S5 | 10K | General): “Why are you cleaning out the kitchen? Why is my stuff in boxes?” Eddie slows, then stops. “Figured you’d want it back.” It’s quieter. Pained. When he says it. “I haven’t decided anything. So unless you’re kicking me out—” “Buck. Come on.” He’s not angry or snapping. It’s still quiet, and somehow that hurts even more. He’s resigned and defeated, and Buck is a scooped out, gutted, hollow shell. “I know how this ends the same way you do. You want to be loved, you want to be married. You’re going to leave. Might as well…” His voice cracks before he can finish and get it under control. “Shouldn’t drag it out.” ~ Taylor is offered a job across the country and asks Buck to go with her. Buck has to figure out if he wants to start over or if he has a reason to stay right where he is.

🔥 The Pain Will Leave You Once It's Done Teaching You by fruitsdoesnotknow (Canon Divergent, Daniel Lives-kinda | 40K | Mature): “Hi, I’m Buck, a firefighter with the 136,” for now, the thought crashes through Buck, leaving a sour taste in his mouth. “Uh, you’re both welcome to take a tour with us, if you’d like.” Buck awkwardly scratches at his neck, running a hand through his hair, unsure what else to do, and it spurs the man in front of him to take a large step forward up to Buck’s bed. “Eddie,” he says, thrusting a hand to him, and Buck reaches over without a second thought. His whole palm feels electric, it smarts and carries the touch of Eddie, Eddie, that Buck feels it completely. He has no idea what’s happening to him. “Edmundo Diaz, but just Eddie though, uh, no one calls me Edmundo. Right. I’m a new nurse here, at Cedars-Senai. Oh –” *** When Daniel Buckley lives a little longer, Evan Buckley dies a little more. And this is how Eddie Diaz saves him, a little later on.

i find you in everything (but its here you find yourself) by withmeornotatall/ @chronicowboy (Post-S6, Getting Together | 3K | Teen): Buck takes another sig of beer, "she left." "Sorry, man, I know you liked her. Guess where most people are scared of death, a death doula is scared of life." "Wow, that's actually pretty poignant," Buck says. "Didn't know you had it in you." Eddie just rolls his eyes. "Its weird, though, her being scared off by a donor baby." Eddie frowns over at him. "Chris didn't freak her out?"

and if someone asked me if I love you (I'd lie) by forgetmyname/ @kingmieczyslaw (Crack | 10K | Explicit): Eddie has a concussion. Suddenly he can't lie. It would be fine if he wasn't trying his best to not confess his undying love for Buck.

🔥 the kiss that lingers by greenbergsays/ @greenbergsays (Getting Together | 10K | Explicit): 5 times Eddie kisses Buck's birthmark & 1 time he doesn't.

🔥I'm Hearing Secret Harmonies by Chash/ @ponyregrets (Canon Divergent, Witch Eddie, Coffeshop AU | 18K | Teen): When the firefighter walks into Eddie's coffeeshop, Eddie immediately knows two things about him: he's not human, and he's the love of Eddie's life. Oh, he knows a bunch of other things too, obviously. He's about thirty, a few months younger than Eddie himself. He has a scar on his throat, like he got stabbed there, and one of his legs has some metal rods in it that must have come from a bad injury. The guy doesn't know he's not human, which is a tricky thing to figure out, but Eddie's almost positive. Most of the non-humans he knows have always known they aren't people, but there are exceptions, and they tend to carry themselves differently. The firefighter moves like he knows he doesn't belong, but not like he knows why. Like he's afraid of taking up space, afraid of being noticed. As if Eddie is even capable of not noticing him.

you are so gorgeous it makes me so mad by bellabrady (Post-S6, Getting Together | 5K | Not Rated): Or: Eddie is annoyed with Buck for being so very kissable but his drunk self isn't the best at phrasing things.

🔥 This May Be Practice, But I'm an Experienced Idiot by giselleslash/ @gigi-gigi (Fake Dating, kinda, Getting Together | 10K | Teen): Buck overhears a conversation between Eddie, Hen, and Chim and misunderstands it all. Or, the one where Buck thinks Eddie’s only asked him on a date for practice.

#epic buddie fic rec #buddie #buddie fic #buddie fic rec #buddie fanfic #buddie fanfiction

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aliusfrater · 2 days ago

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for the life of me i cannot figure out why people are so desperate to apply a version of dean's facade to sam

#like... as someone with autism‚ wrt autism masks‚ they aren't black and white between what's presented vs what we feel...#not even dean's facade works like that. where is idea that what sam expressed isn't what he feels coming from?#like we get canonical evidence or exploration for what he feels in his actions very often in canon so??#and his emotional compartmentalising is very often presented in situations that are different from‚ say‚ his code switching #why are you so desperate to erase his canonical character exploration? like having headcanons in which what he feels and expresses #or what his actions are aren't what he feels at all kind of renders everything about him useless?#do you just have this hc to have the room to make stuff up about him? or what #the 'when the “loveable rogue” act Dean played didn't work out' line is crazy #because it's made me realise that this headcanon isn't about sam at all in a way that i cannot quite put my finger on #anyway the ways in which sam goes about attempting to be normal are explored in canon...#it isn't in terms of 'trying to mimic human behaviour' (please dissect why you think about him like this I BEGGGG)#it's canonically in terms of the hunting vs nuclear dichotomy. he doesn't want to to beat uo his bullies because kids his age #shouldn't have the skills he does !!!! he doesn't want to kill his first kiss because kids his age GET to have their first kiss #and not kill them. and this is interesting to me actually #his monstrosity hinders his idea of his normalcy and the hunting dichotomy of innocent vs monstrous is the structure #within which he both crosses that boundary to achieve normalcy but it's also why he cannot achieve it #the idea of its innateness that dean applied should he decide to do so. i feel like that's where this is working from #because it is just so strange that you attribute a facade with no canonical standing within a hc #to the monstrous boy as 'pretending to be normal' rather than trying and failing #while also stripping dean of his facade entirety to get to what you perceive as his entirely gooey insides within the same post #ludere

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khorneschosen · 2 days ago

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Read the bottom first. If you do, none of this matters. I write as I read to help keep each topic in focus. I came to a conclusion that changed everything. Please read the bottom parts first.

You should really read the citations you gave me. Many of the citations given do not actually report what the article says they do, or they are just the game of journalistic telephone.

This is why I keep jokingly saying "enjoy not reading this" because if you don't read the citations you give me, or whats the fucking point? It's why I find the process pointless.

This will be the last citation I accept or give unless you can go through your article and give me the actual data sheet in question. Because a secondary source is dog shit typically, and to be in good faith you should point to the primary source, and its data tables.

Drowning someone in citations you refuse to read yourself in my opinion is a very, very bad faith tactic. It's a gish gallop.

And I want to remind you, logically this argument has nothing to do with my position on a particular subject. I could have ignored it outright and be in good faith to do so. I chose not to, because as I said, it is best to deal with the strongholds or the essentials and fundamentals of your political ideals. This is a benevolence that I engage with, as it logically does not connect to the original claim you proposed to challenge, that I could excuse murder of women. You will need to make your case as to why this is logically sound to be relevant.

Because you asked for a citation but no citation can be on par with my education on the subject. I could cite a great deal many books which point to the irrational base of feminism.

But I decided to point to the fact that all post modern philosophy is defined by its rejection of reason as its philosophical basis. It's what makes a philosophy post modern.

Name a feminist who rejects patriarchy theory and I'll be happy to agree that it's not a monolith. Even irrational philosophies need foundations to their belief structures. That is monolithic even if the monoliths are small to the philosophy they are everything. The blige can be safely ignored if you know what is the actual foundation.

Such as patriarchy theory, such as the marx's view of class conflict between men and women. (That there can never be true equality because men and women as a class have contradictory class interests), the rejection of reason, and so on. These are essentials to feminism.

While we are here, how does feminism come to the duluth model of domestic violence, which claims all domestic violence is an act of patriarchal oppression? How does it come to that conclusion?

Not slow, but inherently flawed. And seeing as how we are comparing for profit vs government run Id point out the failures of the dutch and canadian systems use of suicide as a cost cutting measure, the nhs complete collapse so much so that the for profit system is effectively the only one, the slavery of the cuban system. The errors of these systems cannot be on par with the free market solutions that had previously existed or that are being chosen increasingly in these systems.

Furthermore as I pointed out if you want a comparison you'll actually have to compare the older systems as ours is being purposely sabotaged currently and has been for a few decades now. It can not be called for profit when what it is, is so tightly regulated that it is all but nationalized.

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This part is important to the bottom as well.

I'm pointing out my own nature, that I am emotional, as are you. We both have the capacity for emotion and I am not dispassionate about what I argue for. I am not appealing to your emotion, I am claiming its existence.

Also, has your dispassion allowed you to know "these are the standards my argument rests on" or "this would disprove these standards, foundations, or my argument"? Because you still don't have an answer.

You need an answer btw, because having no falsifiability, is worse than wrong, it's completely invalid. I believe you when you say you don't know, but you need to know the standards even if only you do.

Placing your trust in science or the scientific method, isn't btw a standard. It's an negation of your standards, because you are placing it on faith in academia.

Especially because academia has increasingly been dropping its standards over the years. There is a competency crisis, a verification crisis, and a fraud crisis in academia.

The peer review process is breaking down and when it comes to repeatability when tested it is increasingly failing to validate the many papers published. Worse than that you see on departmental levels, that factors other than truth are ruling them. Such as the cases for those who post studies that aren't friendly to the current political parasites of academia. In short, academia is burning its own creditability down. The standards it has for its own validity are being destroyed by itself.

I understand the standards of whether I am right or wrong. Existence exist. That standard is what cements everything else.

It's why my self improvement is so purposeful and directed. Because with every question and issue I have a standard to weigh what I give that issue. The inexplicable becomes known. The chaos of philosophy and life becomes ordered and manageable.

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This is the part I hope you read.

I want to talk to you about something. Something I hope you will listen to because I only offer it when I think Im talking to someone who will listen and understand and Ive spent so long waiting for someone who might listen and understand. Understand I would post only this if I thought it would go better. Because nothing matters to me as much as this. You have been honest and I will be honest the only way I know how, fully. I know I can't ask for good faith but I can beg for it and I will beg because I don't want this, a chance, to pass me by. A chance to correct an error I made so long ago.

Do you know, or atleast believe me when I tell you, that knowing my own standards, makes me happy? Happy in a way I can't describe fully. I stand stronger, feel fuller, think clearer, and act as I know I should? I feel perfect, in a way that doesn't come from ignoring all my many flaws but knowing I can now correct them. It's an unbreached rationality, without any contradictions or conflicts to bar my path. That so long as I walk it knowingly that nothing can or would stop me. That's what I feel.

You by your own words do not feel this way, and I think you are telling me because you recognize that you should atleast be able to name the demon that haunts you. That in naming it down to the core you can finally fight it. You know you need the standards to weigh the truth not just in a debate but in life. And yet your depression makes it seem like claiming to know the standards would be self destructive. Like it would harm your purity of thought, and process you do to understand. And like me to understand is so important it can't be put off, we have to know. Like you are placing too much importance in your mind. You shouldn't have ever felt ashamed for that. I am saddened to see you have. Not disappointed, saddened. You shouldn't have ever been made to feel that way about your life or thinking.

I think you see science and think as I do about it. As the great tool and means to drive civilization forward. You know the standards involved.

You also know the standards of the scientific process. Rationality, empiricism, both tested by repeatability and peer review. If one finds fault with the peer review it is because that have made a logical error, or have contradicted someone elses conclusions while not disproving them. Repeatability because in science what they discover is reality's entities and how they interact, and because we live in a rational universe, those entities interact in predictable ways, because reality is firm and knowable by us.

Those are the standards I live by, and I think you do too. I want you to live those standards fully. This is all I have ever wanted from any discussion. The standard being, existence exists. That reality exists and we can know it, that being reason. I am asking you to practice fully rationality. Not in contradiction to emotion as emotion too has its own standards and it is important.

I can't help you with the hardest part of all of this. To see and have the strength to accept it because it's demanding but only in the way that breathing is, or your heart beats are. Our heart beats every second we live without rest, without lapse, without error and every second of our life. It's hard and demanding but the heart does it. And to live in reason, is as demanding and hard but the only course forward just like a heart beat.

I can show you the path and the way forward. To give you the words and show you the nature of the contradictions you will encounter. That is invaluable but the hardest parts will be fought alone. I say this not to warn you but prepare you. I can only help you to work it out and come to your own conclusions. I can't give you the virtue you'll need, but that I think you have.

You wanted a citation earlier for the irrationality of feminism, because I don't think you could believe it. That standard is the standard most at play in the world. From the Christians, to the socialists, to the racists and the many ivory halls of academia.

I think you couldn't accept that kind of standard because you know it is wrong. To be irrational is to accept the stupid, the pointless and the incorrect.

I don't want you to have to go through the beating they will give you to make you accept irrationality. Not a beating that is fast aggressive and violent. But slow, grinding, and hopeless in its torture. It will be like walls slowly moving to crush you. Nothing will stop those walls save to escape the torturous prison they put you in.

Irrationality, is the standard of our culture, colleges, and what rules so much of what makes existing in this kind of world so hard and depressing. But you never had to suffer. You shouldn't have ever been made to suffer.

Reject it. They don't deserve the faith you give them as a substitute for the conviction of your own mind.

I will emphasize here I am not telling you to reject science but that you know the standards for it, and they are failing them by the adoption of irrationality. If and when they are right you will have the tools to know it. This is not science denial but to be more demanding of the academic process, that it live up to your idea of what academia should be.

I have spent 3 hours writing this part alone. I have made sections I thought were important to this. I hope it helps. You don't have to answer me, or answer me here I only hope you read and understand. That is all. Thank you for your time.

And how many children are without a parent because of denied medical care, homelessness, police brutality, etc.

If you're going to use "but they have children", be consistent.

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thewistlingbadger · 3 days ago

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So when I watched season two for the first time I felt very weird very odd very baffled because it felt like so much information was being thrown at me while simultaneously it felt like nothing was going on. I was truly stunned by how the show was several hours long and yet I felt like nothing was happening. It was such an odd thing to feel. And I'm rewatching S2 for the first time now and that feeling is still there. The feeling of being overwhelmed and underwhelmed at the same time.

Only now, I think I understand why this is the case. I think the reason why S2 feels like a nothing burger to me is because they glossed over everything that was interesting. Just think about it a moment. The chem barons struggling for power was interesting. Caitlyn's squad going to the Undercity and messing with things, looking for jinx, was interesting. Zaunites rallying against piltover was interesting. Caitlyn's time as a commander was interesting. Vi's switch up on jinx from sister to enemy to sister again was interesting. Vi's emo phase was interesting. Viktor's time in his cocoon and his change of heart was interesting. Mel's family tree and her new powers were interesting.

These were all things that were very compelling and fascinating but we never actually got to spend any significant time on any of these. In fact the majority of these things received the music video treatment. VI after Caitlyn? Music video. Zaun after piltover comes in? Music video. Zaun after silco died? Music video. Caitlyn's squad in the Undercity? Music video. Caitlyn's impact as commander? Also music video. Other things that were interesting were just straight up ignored, like viktor's character switch up, like the change in relationship between jinx and vi, etc. These changes were just things that happened without any sort of reason behind it. Everything that would have been really cool to see was forgotten or only shown for the briefest of moments.

Additionally I think another factor that contributes to this issue is the structure of season two. At times, the season doesn't tell the story in order and certain characters FREQUENTLY disappear for periods of time. For example, in episode two you see that a chen baroness's lair was raided and filled with the gray. However it isn't revealed to the audience that Caitlyn's crew are using the gray in zaun and taking out chem barons until the next episode. When I watched that scene for the first time I was very confused as to what was going on. The scene where they do reveal that it was Caitlyn is so fast paced it's easy to completely miss what was trying to be communicating. I didn't even notice they were destroying shimmer in that scene until after the show ended! Showing vital information so quickly and telling the story out of order makes it hard to follow what's going on.

The disappearance of characters is also a major issue in my opinion. While writing characters off can allow for a more isolated moment to tell a specific story, season two didn't utilize this in the way that was intended. They wrote off several characters and then in that time, they didn't explore anything with the characters they kept. Then way later they brought back the characters that were written off earlier and now those characters that have been MIA are significantly different. There are several examples of this unfortunately. For example, Mel disappears in episode 3. We see her again in episode 5 to explore her story slightly. However Mel doesn't actually join the main story until episode 8. So she's been missing from the main plot line for 5 episodes. This makes her feel really disconnected from the events of the story. An even worse example is in Viktor. As the season progressed, Viktor became the season's main antagonist, but he was only in the show for 5 episodes. Whenever we saw him it was very briefly and we didn't understand why he was so different than he was in the first season. His personality kept changing every time we saw him. How can Viktor be the main antagonist if we rarely see him and don't understand his motivations? Viktor splits from Jayce in ep2, then he performed his first miracle in EP3. We don't see Viktor again until ep6 and by then he already has his own commune and everything. By episode 8, which is the next time we see Viktor, he has completely changed once again and is now actually functioning as an antagonist. So even tho the show treats him like an antagonist he doesn't actually function as one truly until the final two episodes of the show. You just can't have a character disappear for so long and change so much without explaining and showing why.

Season two DOES overwhelm the viewer and it does this by presenting tons of information in a brief period while also not giving the viewer all the possible information. So not only are you trying to understand what you just saw in a flash montage but you're also trying to understand how the show got to point A to point E when they never showed you B, C or D. The show presents information quickly and cuts out information for the sake of telling more story, but unfortunately by doing this they've cut out all the parts of the story that were actually interesting! So we ended up spending tons of time on things that weren't interesting!!!!

#arcane #arcane season 2 #arcane s2 #arcane season two #mic does analysis

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the-100-days-of-junkan · 2 days ago

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Day 97

Smile by Kayleen756894

Same as when we covered Burning Lungs, check the tags for this fic before ya jump in cause it gets pretty dark even within the first chapter.

It’s a big day for the project people, I mentioned back on Day 60 that there were three fics that I consider directly responsible for this entire thing since they’re what set me on this path of a comically large amount of Junkan. And today we FINALLY talk about another one of them, even if I admittedly did cover a little bit of my history with this specific story during Day 60 for the sake of context. Apologies if I repeat myself a few times!

The previous few days I’ve been covering fic first, then the art. For this day however I’m going to cover the art first, along with any other bonus facts I have, and THEN i will do my best to adequately sing the praises of today’s stories.

Also let it be known that the music I put on while I read through the whole fic in preparation for today’s ramble was “LEASE” by Takeshi Abo. 10 hour loop too. Someone will find that funny probably, maybe even you!

(This is another long one, get ready)

Before I address the art I might as well have a little fun and discuss the order I decided to do these in, interesting I know.

Days 91-92 were easy, the first Soft Fic and the first fic to use the Non-Abusive Tag, they had to be the opener. Day 93 was one of the longer stories so I did that one first, since I did read each story before working on the art. From there it’s a pretty simple pattern of “Short Fic followed by a longer, more serious fic that I gotta psyche myself up for.” And it was done pretty much with todays subject in mind, but we’ll get for it.

You’ll notice I have two different art pieces today, the reason is simple. I wasn’t very happy with the initial art, so I made a much more direct adaptation of a scene from the first chapter to go with it. And in a rare instance I can also bring you some early versions of the initial piece!

From the initial sketch you can see that this was supposed to be a proper cover for the story, as I wanted to feature scenes from each of the three chapters, that middle shot is one I’ve had in my mind since the first time I read the story. Those who have read the fic can probably recognize each one. The second image was almost the final version of this. I scrapped the lower portion of the art for a few reasons. The flames of burnout were miniscule but still present, though rest assured these would not come into play until after the point of when the fanfic art is all finished. Secondly, when I was supposed to work on this art, a power outage hit my house. This also meant that in terms of making the art I only had the first chapter read, anything else was purely memory (Like I said though, I read the full fic for todays ramble, rest assured). And thirdly, I kinda, just thought it didn’t look good? And as you can see this version had details cut despite how far into the process it was, fully removing the expressions outside of the two smiling. Cause y’know . . . “Smile.” Plus in retrospect the eyes, while striking compared to the rest of the art, look kinda fucking silly?

Why didn’t I like the end result? Honestly I think I was just in a bad headspace at the time due to the combination of the power out stressing me out, and just generally speaking my mental health has never been the most structurally sound aspect of myself. I’m good at drawing, not so much being well put together. Looking at it now, while I think the piece is a bit esoteric and might not be what I’d make today for a piece based on this fic, I like it a lot.

And at the end of the dead even if I didn’t like how the first one turned out, I’m pretty happy with it! Even with perfectionist brain bitching at me that I could have done Junko’s hair a bit better at the given angle. Just a straight adaptation of Junko and Mikan’s first kiss from Chapter 1. The most interesting note on it’s creation is that I had to make last minute changes to Mikan because I realized her hair needed to be a lot shorter and more well put together, as earlier in the fic Junko does fix it up a bit.

Oh! I did also send the second pic to the author herself as a way of introducing myself and showing appreciation, so that’s a bit of added sentimental value! Kayleen’s an absolute treat by the way, super fun to talk too, great insight on writing, you should absolutely check out the rest of her writing! I’m not in most of the fandoms featured say for RWBY, but based on the quality of her writing on the Danganronpa side of things, I feel confident recommending anything she’s published in the past, present, and future!~

Speaking of writing, I should probably like. Talk about the god damn fic, huh? Well. Nope! I still have more fun facts!

I almost didn’t adapt Smile! I knew for certain that Kayleen needed a spot on this list, it would have felt wrong otherwise. And there were two fics in mind for adaptation.

“Smile”, obviously, and “Soft (But only for Her).” My earliest plan was going to be to just do both. However I only had 8 days to work with, and spoilers, Day 98 is in fact a returning author, so I didn’t want to take up half of my slots on two authors, I wanted to show my appreciation to as many as I could during this string of the event before going back to my own stuff for the last two days. So I thought it over, and decided that Smile was too important to pass up on this project, leaving Soft (But only for Her) for later.

I did have a full plan for it though, unlike Smile where I didn’t really have an idea going into it. I’ll tell you what the plan was gonna be.

Most people would be curious which of the around 30 wonderful one shots I could have chosen to adapt, I’ve already done one of them with the very first chapter in that collection! However you my audience, are not most people. There’s a good chance you’re reading this paragraph, rubbing your temples and resigning yourself to the fact that I was very much going to draw art based on every single piece of that collection. Because yes I was just gonna adapt all of it. Was gonna make a big collage out of all of em, even the chapters that have so much angst I struggle to even read them cause they make me too sad! I’d still do it too. I probably will. When you least expect it.

For now though I really wanna draw something based on Chapter 25 when I have the time. I wanna draw art based on a lot of other fanfics actually, I’ve just been pretty swamped. But rest assured, to those of you who’ve written a Junkan fic and weren’t featured. Rest assured, I have my eyes open, I’m always looking that tag over, and there were definitely some stories omitted that I really wish I could have included IN the project. Give it time. My self control grows weaker by the day!~

Okay, okay. NOW, I should be able to talk about the fic. Probably.

So I’ve told this story before, but now you’ll get to hear it in a bit more detail compared to before. Will hopefully not be too repetitive for ya’ll!

So once again we jump back a few years during say, 2020, MAYBE early 2021. I find a fic that includes Junkan when I was simply trying to find Ikuzono. It ends up being pretty cute and makes me curious, “I thought this ship was super toxic? How is this one so cute?”

So, I look around the tag, still not sure how to Navigate AO3 even after gaining a lot of experience through the power of many late night tokomaru binges. And as you already knew or could guess, I came across Smile.

At the time it only had 2 chapters, which normally might have turned me away at the time, I wasn’t a desperate animal like I am today. However I guess I either ignored that, or just didn’t care, too curious to see what else this ship could entail.

So here I am, sitting in my bed, writing this ramble, trying to figure out once again how to talk about one of the fics that set me off on this obsession with Junko and Mikan as a softer, loving couple. That and also a fic that is much more serious in terms of its tone and content, as this fic, like Drowning, is one of the only fics in this stretch of the project that is definitely set in the main canon of DR. Serving as essentially a new origin for Junkan as a couple prior to the tragedy.

I’m sure I’ve said before that when it comes to how I view Junko and Mikan’s relationship, that Val’s work is basically the primary blueprint for how I interpret and portray them. However that’s for the Non-Despair AUs, while there is some bleed over in how I handle Canon portrayals (And I admittedly haven’t done a lot with a serious interpretation of that), in my brain this story, Smile, is the blueprint of how I view a canon timeline version of Junkan. That might just be bias from it being the first fic I read that like, but it does kind of help that this is just one of the most excellently written interpretation of these characters I’ve ever bared witness to.

The first chapter was originally supposed to be a Standalone according to the Author’s Notes, and it really works as one! It’s a very complete story that’s super well put together, and ends very satisfyingly if you just stop after finishing it. I’m extremely glad it continued, as I don’t think my obsession would have come to fruition when it did if not for those following two chapters. But maybe I’m wrong cause this fic certainly knows how to hook you on a ship!

I was god damn mesmerized reading the first chapter. This has to be one of the saddest takes on Mikan’s character that I’ve ever read. Burning Lungs comes close however we never get to actually see things from her perspective, that’s all from Junko’s outsider point of view. Here we get to see it all from Mikan’s perspective, all of it, the sad stuff, the extra sad stuff, the stuff I don’t really know how to talk about because I’m inadequate with this kind of subject matter. And some gay panic, because it’s not Junkan without at least a little gay panic somewhere in the mix.

Junko is really god damn good in this first chapter, she’s god damn good in the whole fic but we’re talking about chapter one right now so i’m specifying. She has such a mysterious aura around her the entire time, and not just the obvious “Oh she’s planning the tragedy behind the scenes,” but also the mystery of how she feels about Mikan! It’s something left up to viewer interpretation in the first chapter, and to a much lesser extent the following chapters (I say lesser extent cause it does eventually lean into her having real feelings for Mikan, just being super confused by them. At least that’s how I look at it). Everytime I read one of these stories that serve as an origin point for these two’s relationship, it’s always really interesting to see how things initiate. It’s pretty much always Junko initiating of course, I’m not sure I’ve ever seen a fic where it was Mikan who made the first move? If there is I’m having a severe lapse in memory it seems, or I’ve misinterpreted! The point of course being I really like the way Junko handles things here, saving Mikan from her darkest point, all that good shit!

And the kiss? I drew it for a reason, it’s amazing. From the buildup to the way Mikan has a rare instance of boldness and grabs Junko’s tie? The grabbing the tie part makes my brain explode, the fact that Junko herself was surprised by it is even better. I love it whenever Mikan can actually get Junko surprised or flustered. It’s great!

I feel like I should be more detailed, more meticulous, but it really is a struggle trying to be in depth when discussing something this good, I wouldn’t consider it my strong suit?

So let’s try moving onto chapter 2! I do at least have a story with this one but that can be for when I finish desperately trying to talk about the chapter itself.

It’s lovely! Big shock! We get to see the two of them just acting like a normal couple for a bit, and even better we get to see the two partaking in some sleepy cuddles. That scene also does one of those Junkan things I fuckin love where Junko just, fucking reads Mikan’s mind. I know that’s not what she’s doing but also it’s funnier to put it that way. I just like Junko putting her analytical ability to use by reading Mikan and understanding her finer details. It can be used in all kinds of ways, cute ways, funny ways, saucy ways, but this might just be my favorite way? Her being able to tell when Mikan’s about to spiral and snapping her out of it quick.

Their date is lovely by the way, love the drive there, the conversation is just a treat. And I really like the reference to the grenade scene from the DR3 anime, I might not have fond memories with that series like, at all, but that one clip of Junko tossing the grenade and Mukuro (We’ll get to her) catching it is just a really fun bit of energy. It’s also just fucking funny because it reads like they practiced that shit for like 2 fuckin weeks- Sorry, distracted. Anyway I think the scene is both a fun reference, and another good way to kinda remind of us the darker parts of this storyline underlying the softer surface. Junko is in fact trying to burn the world down, she just also happens to have a tooth rotting-ly sweet relationship with a very sad nurse. The moments where Mikan unintentionally peers into that world, whether hearing an explosion or seeing the red roots of Junko’s true haircolor, I love it all!

Great moment with Mikan helping that kid from bullies, always love to see Mikan flourishing in these stories (foreshadowing)! I think it is very funny that the small child just immediately clocked that Mikan and Junko were dating, the kid either has a crazy gaydar or Mikan and Junko are the least subtle people alive . . . okay yeah it’s that second one.

The following scene is great too, fuck those parents, and fuck yeah to Junko coming in for the clutch as she is one to do in this fic. The kiss to follow? Fantastic. Junko’s joke about exhibitionism? Also fantastic. The part where Mikan says she’s gonna go see her parents- Fuck.

Okay so, I’mma make the assumption that if you’re this deep into my ramble you’ve probably read the fic already. And if you skipped out on the fic due to the subject matter noted in the tags, you can probably already tell by my apprehension that everything in this fic from here on out is like, the opposite end of the spectrum from all the sweet (albeit ominous) stuff we’ve had up till now. And you’d be correct, and I quite frankly don’t know how to talk about it, like, at all. There are parts of this that I do wanna talk about from this and the following chapter, but also I feel neither confident nor comfortable explicitly discussing what happens to Mikan here. Even if you can probably already tell.

Still, I must show my respects to the literature and it’s author, so I will do my best. Apologies if I fumble here.

I’m still not gonna talk in depth about Mukuro here, but I do like the conversation leading up to this scene, before Mikan shows up. It’s something that was going to inevitably come up, because yeah, Junko can make Mikan fall deeply in love with her, but that won’t exactly prepare her for being complicit in the apocalypse. There’s a part of me that’s curious what her gameplan was before the end of this chapter happens, how was she going to try and turn Mikan over to her side 100% and make sure she’s ready. The world will never know.

Junko’s great at the end of this chapter, not just the comfort she provides. But the way she, in the words of the story, Snaps. That line? That stuck with me when I first read this. I think it’s the moment that confirmed for me personally, that yeah, Junko does love Mikan even if she doesn’t understand it. And it wasn’t just that moment that stuck with me, it was the whole fic by this point.

That’s right, it's story time. So when I found this fic, there were only two chapters. And I wanna remind ya’ll that before this fic I read a fic so silly, soft, and fluffy that it made me question what this ship could be. Jumping from that, to this was definitely . . . Whiplash?

What happened after that is fun, because I don’t fucking remember. I think unironically the amount of stress that ending put me under just from the shock of it, made me fuckin black out?? Which by the way, huge kudos, it takes some really fucking good writing to get me so invested that I get real life stressed as shit because of bad things happening to the characters. But anyway, I didn’t actually just, black out from stress. But everything after that is so blurred that it’s borderline incomprehensible, I try to remember past that point, and it’s like looking at memories put through a paper shredder before being put back together by a toddler doing a handstand.

All I can say for sure is that starting from the morning after, I was obsessed. I woke up, and kept fucking checking to see if Chapter 3 was out yet. I hadn’t checked the time of the latest update, I still barely fucking understood how AO3 actually worked. I’m pretty sure it was through this fic that I learned that when a fic updates it moves to the top of the page for a given tag. This was also way before I had an AO3 account, so I couldn’t just subscribe or bookmark it. I’m sure I read other fics at this point, probably including Kayleen’s other works? But the timespan between Chapter 2 and 3 feel like white noise, whatever I read didn’t exist in my memories by the time that story ended. And god damn did it end.

When Chapter 3 popped up, it was late I’m pretty sure. I don’t know what I was doing at the time, maybe looking at manga online, talking with friends over discord dms, failing homework over online school, maybe even doing some of my own writing since i’m pretty sure this was back before my passion for it died out. Whatever it was, I dropped it fucking IMMEDIATELY. I needed to see this ending, I needed that catharsis.

So I layed in my bed, in a house I was still new to, and read the god damn chapter.

It was perfect. One of the first times to my knowledge where I’ve had the satisfaction of reading an unfinished fic and getting to actually see it end.

Where do I start, what do I even say? Anything I say just kind of boils down to “Junko and Mikan are perfectly written and I love their interactions and also god dammit I feel so bad for Mikan.”

The scene on the rooftop is great, I remember in one of Kayleen’s other fics Mikan shows concern for Junko’s eating habits, so getting to this scene and seeing the reverse was nice. And like, god, Junko’s so good in this. I get she’s trying to start the end of the world but she’s doing such a fucking good job here. Sure, she asks Mikan to kill her parents right after this, which might not be the most normal way of helping your girlfriend through a severely traumatic experience, but that’s just Junko y’know?

Should I talk about Mukuro now? I should probably talk about Mukuro now, I really wanted to wait like one more scene but fuck it we’re talking about Mukuro now.

Have I ever really talked about Mukuro in the context of Junkan? I know I’ve definitely made note of her, and I’ve obviously included her in these pieces with varying degrees of prominence. But I don’t think I’ve ever noted how I think she’s is one of the most interesting and amazing assets of Junkan as a ship. Calling Mukuro an asset feels like a disservice, but I lack the words to adequately describe what I mean here.

The Despair Sisters are already one of the most interesting dynamics in Danganronpa, and a pretty versatile one at that based on the various interpretations I’ve seen of these two. And I think adding Junkan into the mix is just lovely, because it adds an outsider perspective, but not just that, it’s the outsider perspective of someone who’s closer than anyone else due to Mikan dating Junko. Bonus for the contrast of Junko pampering Mikan and shit talking Mukuro, even if I believe that shit talking is just a very layered way for Junko to express that she does care about Mukuro as a sister.

And I think Mukuro and Mikan is a really fun dynamic too! I love the idea of Mikan finding love through Junko, and then in turn getting a second person in her life that cares about her. Mukuro being Mikan’s bodyguard bare minimum is great, protect that sweet little nurse you desaturated girliepop you. But I think the way their dynamic can evolve overtime as Mikan continues to date Junko is great.

Mukuro getting to see firsthand how Mikan is changing Junko for the better, even if it’s in a canon timeline where Junko’s still like, very locked in on the apocalypse. She’s getting to be happier in a more genuine way, which I’m sure Mukuro would be grateful for, and that just makes her caring about Mikan’s wellbeing all the better.

Plus like, something I don’t think about often, at least not until very recently, but if Junko and Mikan are dating, and inevitably get married. That does just kinda mean Mikan and Mukuro are sisters in law. And, I fuckin love that? Mikan not only gets an amazing relationship with Junko, but she also just gets to have a sibling, something that to my knowledge she doesn’t have in canon. It’s that found family stuff that I love, even if the found family in this case is a bit more literal rather than just being a metaphor. And Mukuro gets a new sister, one who cares about her just as much as Junko, but is just significantly better at expressing that by comparison. I think Mukuro would really appreciate having a sister who like, hugs her without slinging an insult, or just getting any kind of open, visceral appreciation without having to read between the lines.

I love to see Mikan with plenty of friends, she has a bunch of dynamics that I appreciate. But I also have a lot of appreciation for the idea of Junko and Mukuro being the only people she cares about, the only people she needs to survive.

Where was I- Oh right.

Kayleen’s depiction of Mukuro and her dynamic with our other two primary characters is amazing. Spectacular even. Fucking perfect perhaps. It does everything I love about the Despair Sister’s dynamic without bordering into uncomfortable territory like some facets of the main canon does. But what I especially love is her dynamic with Mikan in the few moments we get to see them interact. A protector, a friend, and eventually a sister to her, it’s amazing. The scene when Mikan wakes up to Mukuro watching over her while Junko is away is phenomenal, and I love Mikan’s concern for her given the way Junko treats her, which does look pretty bad without the deeper context. The moment at the very end of Chapter 2 where Mukuro just heads off to (I assume) kidnap Mikan’s parents after just sharing a look with Junko, it’s another one of my favorite bits in that scene.

And of course, the scene that lead me to start yapping about Mukuro like that out of fucking nowhere, her talking to Mikan about Junko’s test. It’s great how she tries to help Mikan come to a decision without forcing anything. But also finally giving some more confirmation that Junko definitely feels something for Mikan, expressing how many changes in her demeanor she’s noted. And the reveal that Junko routinely struggles with Nightmares whenever Mikan isn’t around?? Fuck I love that. God dammit.

I feel like I should talk more about this scene, but I feel like I kinda did? To an extent? A lot of what I just said about Mukuro’s place in this dynamic kinda sums up a lot of the great things about this scene. So I suppose we move on.

The buildup to the big scene of this chapter is wonderful of course, not much to say there. And I admittedly just really want to talk about the scene that follows.

Because god it’s everything I was hoping for when I finished that second chapter and had no idea whether I’d see this scene or not.

The reveal is great, and as grotesque as I anticipated. I do cringe a little reading some of the details, not the modern dickhead definition of cringe either I mean the “Oh god fuck that’s brutal” kind of cringe. And it is so perfectly contrasted by Junko being Junko, love the idea that Junko and Mukuro just nabbed up these people and didn’t explain a goddamn thing until this very moment where they finally figure out that this crazy bitch is dating their daughter. Mukuro punching Mikan’s dad in the face was fucking great too.

And the buildup to what comes next, is so god damn good. It feels weird out of context celebrating it, but the scene where Mikan breaks? Fucking spectacular. The distortion on the word Red hits like a fucking truck, and also speaks to my childhood of being a creepypasta kid because i’m like, half sure that’s the zalgo text filter, correct me if I’m wrong of course. Point is it was an out of nowhere detail that perfectly emphasized the tensity of what’s about to happen.

And I can go on another tangent now, because this is something I have had no opportunity to talk about during the entire duration of this project. At least not to my memory or knowledge.

I love Angry Mikan. I love the Mikan that snaps and is fully over the edge, not willing to deal with anyones bullshit. I of course have criticisms of Chapter 3 in DR2, but Mikan’s reveal of her true self, or I suppose the herself prior to the NWP, I love that moment.

I’ve never depicted Angry Mikan before, but someday I really want to. So until then I take great enjoyment in seeing such a rare side of Mikan, which itself is even rarer in these fics. I think counting this one there are only 3, maybe 4 other fics off the top of my head where we get to see Mikan fully lose her temper. Now of course, I could be suffering another lapse in memory, or I just haven’t read the other stories that feature it. I only think I’ve read like, 90% of the Soft Junkan out there, I can’t confidently claim I actually have for certain, so maybe I missed it!

Point is, seeing Angry Mikan is a treat. And here especially is fucking amazing, the verbal teardown, the havoc of it all. It’s great. And Junko just adds to it with her sheer excitement (which is putting it lightly given some of the dialogue), getting to see Mikan finally become, from her perspective, the best version of herself. Someone who can survive alongside her.

When things start moving, it’s amazing. A small moment I really love, and the moment I was originally gonna wait for to talk about Mukuro with. Her offering up an assortment of firearms from “Her personal collection.” is just, weirdly wholesome? The things I get to say talking about this ship I swear. I dunno, it feels like such a small, personal moment and offer that only Mukuro could provide, and feels like the perfect cap to Mikan and Mukuro’s dynamic throughout this fic.

Also, fucking enamored with the the presence of a Rocket Launcher. Funniest alternate timeline sitting right there, imagining Mikan with a fucking rpg over her shoulder is hilarious.

Junko offering the reverse side of the weaponry coin is lovely too of course, but it’s the wonderful stuff I’d already expect with Junko, so much less of a pleasant surprise like Mukuro. I do appreciate her keeping a knife used on Mikan’s father as a trophy though, imagine that over the fireplace.

Anyway I don’t know how I could really explain to you why the torture scene is nice. It’s catharsis, it’s just catharsis. I don’t even remember how fucking long I waited to read this moment but it was so worth it, Junko and Mukuro joining in to help setup equipment was also really cute . . . i feel like i shouldn’t be calling segments from a torture scene cute. Hm. Well anyway, I can say that while I appreciate its existence, I’m also glad Kayleen chose not to drag it out for too long. Ironic coming from the most excessive bitch around here, but it probably would have been a bit much if it took up the grander majority of this chapter.

Which means we say goodbye to Mukuro and return to our regularly scheduled Junko and Mikan moments.

And yeah what do you want me to fucking say, it’s amazing? Because it’s amazing as fuck, yeah. I’m running out of ways to just say how fuckin much i love this, but i’ll persevere best I can.

I mentioned way earlier that I love it when Mikan catches Junko by surprise, and we get more of that here. Though in this instance I think it’s better to describe that this is the first time Mikan just gets the upper hand on Junko, who’s struggling to fight back in the conversation because she’s already struggling to figure out her feelings. And it’s really lovely to see Mikan fighting past Junko’s own insecurities, especially when she regards herself as a bad girlfriend. It’s great, and it’s more of that role reversal I love.

The book analogy near the end of this conversation is so good, it’s sappy as fuck but that’s why it’s good. And Junko leaning into it despite how lame it is makes it all the better, and I only noticed on this recent reread that there’s even a cheeky V3 reference as well, clever!~

The kiss is of course great, and I think i’ve just fully fucking run out of ways to talk about how much I love Junko and Mikan kisses in these stories. Thank god there isn’t one in tomorrows fic- getting ahead of myself.

Rip to Scissorhands, thanks for the gay but you will not be missed.

God damn amazing fic, so well written. It’s one where I have to be in a very specific mindset in order to read it, as that middle chapter really does stress me out enough to be a bit of a roadblock. But admittedly this most recent reread wasn’t the worst compared to the previous few times. That said the fic definitely had it’s effect on me like usual, my body felt all kinds of wild ways, my heartbeat was a lot more intense, breathing a bit wacked out, my nerves up. The whole shebang, so good fucking writing. Equally bittersweet considering that, at least I assume, the normal events of DR are going to follow this story, even if not immediately. So Mukuro’s gonna die, Junko’s gonna die, and then Mikan’s going to have her brain undespaired and probably lose all her feelings towards Junko (Though I will admit, the idea of Mikan after the actual events of canon still having feelings for Junko while not being a remnant is pretty interesting).

However, I can live with that. It’s still an amazing story even with main canon in consideration, and I think I’ve run out of things to say here.

Tomorrow is the last fic based art in the event, Days 99 and 100 are all on me. And by process of elimination you probably have an idea of what Day 98 is, you may even know the exact fic.

I said there were three fics that were vital to me reaching this point in my life, being this obsessed with Junkan as a ship.

The Third Fic, Everything You’ve Ever Dreamed, is the fic that sent me spiraling into brainrot to the point of snapping and drawing art of it behind closed doors, eventually snapping me into drawing more Junkan than I imagine most if not anybody ever has.

The Second Fic, Smile, is what got me obsessed with the ship in the first place, of course only enough to enjoy reading it in secret, which would lead me to EYED.

All that’s left is The First Fic, which you’ll see tomorrow. The fic that made me bother to even give this ship a chance in the first place. Hilariously, I will probably not yap about it nearly as much as the previous two, even if I love it.

As always, Reblogs, Comments, and Little Notes in the Tags are appreciated!~ They always make my day!~

#danganronpa #junkan #junko enoshima #mikan tsumiki #enomiki #junkomikan #junko x mikan #enoshima junko #tsumiki mikan #shipping

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imnotstandingstill · 12 hours ago

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This is an interesting statistical breakdown. The math is fine, but the way it is applied is interesting. The initial argument is regarding “late term abortions,” abortions performed after 21 weeks. And then a set of statistics are given for the reported reason (I’m assuming the reason given by the mother at the time of the abortion) behind their decision. Again, that’s fine.

However, it appears the percentages are a breakdown of termination decisions throughout all stages of pregnancy, not just late term. Also, I can’t find these specific numbers, and the ones I can find are quite a bit different.

These numbers are based on abortions done in Florida, as it is the only state that records a reason for every abortion done in the state. Also of note, “no reason” could mean any number of things, anywhere from the woman felt none of the options accurately portrayed their situation to they did not want to disclose a reason.

There are some other numbers as well just above these that reflect reasons from a study done in 2004 by the Guttmacher Institute where they surveyed 1,209 “post-abortive” women. Of note, these numbers reflect only the reason the mother deemed most significant, however: “89% gave at least two and 72% gave at least three; the median number of reasons given was four, and some women gave as many as eight reasons out of a possible 13,” per the results section of the Guttmacher Institute’s research paper on the survey.

My point being the numbers can vary greatly just based on population size alone, not to mention the method of how the numbers are collected. However my bigger point is that these numbers are not broken down by reason and gestational age, just the reason. So these numbers cannot directly be applied to late term abortions in the same way as it can be applied to abortions overall. Not to say that it doesn’t, but there’s no evidence that it does. However, I do find it interesting that, in the data I found at least, fetal anomalies account for 0.95% in the first data set and 3% in the second data set, and that is because of anatomy scans. Let me explain.

Anatomy scans are done at the 20 week mark (generally anywhere from 18 to 22 weeks gestation, depending on scheduling/availability). The reason the 20 week mark is used is because that is the point that all major structures are formed. This diagram from mothertobaby.org is a pretty good condensed illustration of the general development of major structures.

One major structure not mentioned here is the lungs; the outer structure of the lungs are formed by roughly 16 weeks, with the inner structures responsible for the gas exchange between oxygen and carbon dioxide considered mature around 36-38 weeks (though these structures continue to grow and mature well into the toddler years as the lungs grow with baby), which is why preterm and especially extremely preterm infants can require significant respiratory support to survive.

Because week 20 is generally when all major structures are formed, is it the earliest point that structural defects can be noticed. Any structural defects are markers for potential major fetal anomalies. These anomalies may be immediately identified as very concerning (examples being omphalocele, myelomeningocele aka spinal bifida, or even missing organs) or simply an area of concern that should be monitored just in case. The CDC has info here about how often different defects happen. I have extensive experience with a lot of these defects and would be happy to discuss any in detail if anyone is interested, but long story short, converting to percentages and adding them up comes to roughly 1.3% of pregnancies leading to some kind of congenital defect of varying severities and treatability (although defects in twin pregnancies are not included here, but I’m not sure how selective reductions are figured into abortion statistics so we won’t worry about that today). With some of these defects it is most common to see it in conjunction with another if not multiple other defects, making treatment much more difficult.

All this to say, if a mother (or parents together) decide to abort a pregnancy due to a health problem in the fetus, that health problem is usually not discovered until the 20 week ultrasound/anatomy scan. If you then take into account medical discussions, deliberation time, and scheduling barriers, this would put those abortions after the 21 week mark. If 0.95% of abortions are done as a result of major fetal anomalies, most if not all of these decisions would have been the result of findings on the 20 week fetal anomaly scan. And if roughly 1% (or 0.9% per the data collected in 2021 as presented by the CDC) of abortions are “late term,” meaning occurring after week 21, than it makes sense if most if not nearly all are done as a result of major fetal anomalies. So more than likely, nearly all if not all are done for major fetal anomalies and/or life of the mother.

I am not saying there are never exceptions. No one knows everything that happens in the world. But this is why if you say you are fact-checking, it is importantly to make sure the facts are used appropriately and accurately. Otherwise, that’s how disinformation spreads. This is why we say late term abortions are loved and wanted children that are lost because of an impossible and difficult decision. They do not deserve to have salt rubbed in their wounds as they mourn a child they lost or couldn’t care for the way they would have needed to be cared for.

“Late term abortions are so rare we do not even need to worry about them and they ONLY happen for life of the mother situations.”

Ok let’s fact-check that.

Firstly:

.065% of abortions are because a woman’s life is endangered, and .666 are because of a fetal abnormality

So 0.731% of abortions would even possibly be argued as justified in that sense, and the likely good that all of those were caught AFTER 21 weeks is low. Right?

So let’s address late terms being uncommon. Abortions at later gestational durations are comparatively uncommon: only 1.0% of abortions take place at or after 21 weeks after the first day of the pregnant person's last menstrual period

Yet, researchers estimate there were 1,026,700 abortions in 2023. "That's the highest number in over a decade, [and] the first time there have been over a million abortions provided in the U.S. formal health care system since 2012,"

1% of 1,026,700 is 10,276.

0.731% (which is what could be feasibly argued be be “necessary” remember? And even that I would disagree in many of those cases,) is 7505.177.

Roughly 10,276 abortions a year are late term. Let’s put this into some context.

In the United States, there are approximately 4,000 unintentional drowning deaths each year, which is about 11 deaths per day.

In 2022, there were 3,790 civilian fire deaths in the United States.

In 2022, the FBI reported that there were 4,251 victims of murder who identified as female in the United States. A further 93 murder victims were of an unknown gender in that year.

Sooooo… your idea of “so rare it isn’t worth discussing” is more than twice the annual American deaths by drowning. More than twice the annual American deaths by fire, more than twice the number of American women murdered a year.

And even IF we decide that the 7,505 were 100% necessary and unavoidable (which I highly doubt) that still leaves 2,762 late term abortions that weren’t. 8 viable babies a day.

That’s significantly higher than the body counts of any serial killer in history. 8 a day. Minimum.

#abortion #prolife #pro choice

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alexanderwales · 3 days ago

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Pitchposting: The 72nd Virgin

Pitchposting is when I have a somewhat developed idea I'm committing to never putting much more work into, freeing it to a good home.

I've always thought that 72 virgins was just like ... a lot. I'm an introvert with low social needs and a fair bit of social anxiety, and the proper number of friends for me was like three or four close ones. And if you're in it for the sex, that still seems like too many women to me, even if there's some meaningful variation between these women.

But this is our premise: some guy goes to the afterlife, and there are lots and lots of women waiting for him to fulfill a supposed masculine fantasy, and our protagonist is the woman who is at the bottom of the rankings. She has her own room, her life is fine, but she just never sees the guy she was "meant for" and simply has no other purpose to her life.

This is interesting to me. It's got meat. It's about having a clear assigned purpose in life and that purpose being kind of pointless or lacking. Our protagonist is the backup to the backup to the backup etc., or a tool that's used once every few years, or a park that no one has the time to visit.

This is a risky sort of protagonist, the kind that is just ... sort of an aimless loser. The way to combat a lack of agency is with competence, and maybe that competence can be in other areas that are worthless-to-her, but it's still a book that would, by its nature, be about someone who is at the bottom. You could write a story about this protagonist somehow clawing her way to the top of the pile, but ... eh. Trying to win some man's approval by besting other women is also not a story that I find very interesting.

Instead, I think this story is sort of "one person's utopia is another's dystopia", the Utopia Incompleteness Theorem, except that we're not railing against the utopia itself (maybe), we're railing against being a cog in someone else's utopia. That might make a good title: "Someone Else's Utopia" or "Someone Else's Heaven".

So what kinds of things would I want to explore? What are the beats that interest me?

It's a scattering of scenes. A long table that seats 72, and our protagonist way at the end of it. Our protagonist talking with her friends about their date nights, feeling lonely and bitter about it. Trying to occupy herself with something that she doesn't care about because it's something to do. After a hundred years, finally a date with The Male, only to find it ... awful? Unfulfilling? Fulfilling, but not enough to sustain for another hundred years?

And I think the only place to go from there is one of two directions: escape or revolt.

Revolt would be a story that comes with the revelation that this is not a system which was built for the women, it was a system built for The Male, which is true, but it's not any great revelation for the reader, and I think would be a suitable ending only if we're leaning into a feminist allegory.

Escape is more interesting, less about the society and more about the self. If the story is an allegory, what's the meaning of going beyond the walls? What is behind the walls? This then becomes a whole different story, one that's been unrooted, and I think there's a version where we don't even dwell on the time within the paradise prison, the breakout happens in chapter 1.

If the story is structured so that's not the ending, then you'd want to tie in more Lessons on Purpose. Here are some sketches:

Our protagonist finds herself a New Purpose, but still one where she's subordinate to someone else. She's got more to do, but it's still incomplete, and eventually doesn't suit her because it doesn't come from within.

Our protagonist finds a New Purpose that's not subordinate, but which was placed in front of her by someone manipulating and leading her for some reason. She finds this unfulfilling.

Our protagonist finds a New Purpose that places someone below her, in the style of cycle of abuse, but once she realizes she's done a role reversal, has a revelation that this is not what she wants, even if she was personally happy.

I don't think I would do all of these, but this is how I like to structure a story, with variations on the thematic core. Eventually we can give our protagonist a happy ending, some kind of peace, but I'm not sure that I've solved the problems of listlessness and lack of purpose for myself. (Which is obviously what I find enticing about the idea in the first place, I guess.)

There's some version of this story that's stripped from its original root. Is it important that it's a supposedly subservient woman in a male fantasy? I don't know. I guess not, or not entirely, though there are things that I like about that in terms of what we get from the reading. If you make it the 72nd man in a woman's paradise, or the 72nd man in a man's paradise ... no, I think there are elements of female socialization in play, an expectation that a woman will subsume herself to a man, and those are the things that give the concept some much-needed meat. I also don't think the sex stuff is particularly important, but being salacious does help to sell a story, and sex is an expression of intimacy, and intimacy is what our protagonist wants (or thinks she wants).

I think this story calls to me, but is also not the kind of thing that people would jump to read, particularly because no matter how much I roll the pitch over in my head it sounds like a wet blanket. I like wet blankets, but I'm in a minority position.

So if you do decide to write this, if there's something in what I've said here that calls to you, my only request is that you tell me about it after you have something worth sharing.

#pitchposting

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projectjasper · 6 months ago

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the interesting thing about we are is that i believe it's the first bl i've ever seen that truly has one main character. there is a reason why phuwin is the most overworked of them all and why he jokingly complained about the fact that pond wasn't suffering nearly as much as he was, even though he is his on-screen partner. and there is a reason why phuwin said that peem is also the audience in a way because he kind of gets to witness and react to almost everything that happens in the series.

the world of we are is built around peem: it's him and his boyfriend and his best friend and his best friend's boyfriend and the rest of his friends and also his boyfriend's friends. even the things that are seemingly not connected to peem in a particularly direct way are still somehow influenced by him or perceived by him, e.g. tanfang happens because phum agrees to help tan hit on fang in return for meeting up with peem, and then when tan spills the beans about them dating, peem's reaction is centered slightly more than anyone else's, even though there are people who are closer to fang and similarly close to tan in that scene. and though we get insight into phum's life too, for instance, that still somehow circles back to peem, e.g. most phumfang scenes are them literally discussing peem or talking about their parents, which still comes back to phumpeem, as phum's family problems have a huge effect on the boys' relationship.

peem is the sun of the show, and the rest are planets revolving around him or moons of the planets revolving around him in one way or another.

#maybe slightly hypocritical of me to be like 'and i'm fine with that!' cause my favourite characters are the main character and his bf #i lucked out there #but structurally this is very interesting to me #and i think this is the reason why we are manages to center friendship better than almost any other series #because peem specifically is the main character as opposed to peem and phum for example #so there is none of that initial disbalance that obviously exists when two characters who are romantically involved are mains #they don't necessarily need to put extra effort into remembering about friendship and friend groups #because the series is focusing on what is important to peem #which is his friends and his boyfriend in equal measure obviously #we are the series #archer speaks

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bookshelf-in-progress · 6 months ago

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I love how a well-written romance is so often structured as a mystery. A person starts with a certain idea about another person, and over the course of the story, they uncover more evidence that gives them a fuller picture of who the other person truly is. They learn about layers to the personality and backstory that give the other person more depth. They learn how the other person's personality meshes with theirs. Even the third-act misunderstanding fits the mystery structure--it looks like they've uncovered the final secret to the other person's identity, which is that they're not the worthy person they seemed to be, but then discover that they misinterpreted that evidence, or the other person takes steps to apologize and repair the level of trust. When the mystery is resolved, they've reached a full understanding of each other and know they've found a partner they can trust their whole future to.

#also comedy works along a mystery structure #so a romantic comedy is like a double mystery #two different types of mystery clashing with each other and causing hilarity before the truth is finally revealed #if nothing else this batb diversion will spark some interesting romance thoughts #this came to me because i've been slowly rereading beth brower's 'the q'#and i just hit the scene where quincey gets to observe arch outside of work for the first time #just a lovely moment of revelation #and i think that's the one thing that story does really well #and the author in general is very good at applying this mystery dynamic to all her character dynamics whether romantic or platonic #i rarely find myself able to believe in the strength of her characters' bonds that are supposed to exist before the story started #but the developing relationships are so good because of this endless uncovering of mysteries deepening the bonds in a very compelling way #adventures in writing

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javob · 2 days ago

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This isn’t really pushback, but more like beliefs I have about possible outcomes for the future of the British state.

First, governments are built on power balancing acts that rely on threats of physical violence and the faith and belief of the people whom they rule over. The power within governments is mostly a closed loop, and increasing power in some places invariably weakens it in other places. Even when a government manages to grasp at power outside its loop, that can cause it to become imbalanced and topple over on itself.

To address the issue of a needing a competing power structure to topple the British government, I think it’s relatively unnecessary. Certainly if you wanted to use the power of riots to destroy a government you would need to be better organized and funded than the government itself, but like with the idea of demolition engineering, it is possible to destroy very large structures with very little force if you have proper knowledge of the building in question. The greater issue in my mind is finding the fulcrum to destroy the institutions and doing it in a relatively harm reducing fashion.

I still think protests and riots are important however, because they are an open way for the public to air grievances. Myself and people way smarter than me look at these events as an immune response from government to see what has and hasn’t been compromised. If the rioters or protesters are jailed, so be it, but the real question is what will happen to the rape gangs. If nothing happens, that means that even though an infection has been exposed, the British state is too weak to take care of it. Which to me means that there is now a de facto competing power structure within the British state. (Aren’t the middle eastern rape gangs arguably grassroots violence, why does the state allow them?)

Now what remains is figuring out what allows the British government to tolerate a competing force within its body? Would it be simple enough for a white Brit to change their last name to “Mahmoud” and wear a robe? That’s a small price to pay if you’re planning on firebombing a place of significant political interest.

Sorry if this was somewhat incoherent, but I haven’t been keeping up with the recent ongoings of British instability in the past year or so.

In an objective sense the situation in the UK seems to be that the people are taxed to import inbred welfare consumers who's contribution to society is raping British children and when the people even just complain about it they are jailed.

My question is how long the government thinks this situation is tenable. If they take political remedies like elections off the table, do they seriously think they are gonna make it? The smart thing for them to do would be to bow out and try and find somewhere they could live in exile while they still can.

I'm surprised that there isn't already mass violence.

#longpost #blah

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poorly-drawn-mdzs · 1 year ago

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End of Empathy (time for violence)

[First] Prev <–-> Next

#poorly drawn mdzs #mdzs #wei wuxian #lan jingyi #jin ling #lan sizhui #We are back to the present! Honestly I think I'm going to try and truncate the rest of this arc.#I LOVE yi-city and I really appreciate all of the support the yi-city lovers have given me. And the patience of those who aren't.#But it's been two months. And I need to move this along </3 #Anyways; I love the start of ep 3 so much. The worried concern of the juniors is so cute #but the crown jewel by far is wwx responding like a parent that's very hungover but trying so hard to be nice about it #like 'shhh shhhh guys hi I'm up now. Can you keep the volume down. Can you get me some water and my sunglasses from the glovebox.'#and of course the incredible wham line of 'Xue Yang Must Die.'#'Is YX irredeemable? I'm pro 'everyone is capable of change and deserves a chance.' So Im of the camp of 'if he had the opportunity...maybe #The issue is that this setting has no structure to provide those opportunities. You are perceived as a threat therefor you must die #XY is a very interesting parallel to the YLLZ because they both meet the same fate: outsiders determining that they need to be killed #plus both did war crimes. I know it's easy to forget the YLLZ actually did do some of the things he was accused of (most wrong)#but wwx also has blood on his hands. He also sought revenge in pretty twisted ways. Both were given opportunities to step away and refused #The difference is that we empathize with and like XXC & SL and A-Qing. The Narrative says they were wronged and that is an injustice.'

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penderbend · 11 days ago

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going back to s3 malevolent and good LORD this shit is so good. forgot how absolutely insane it is. easily my fav season (though i do love me my medieval jaunts) this just has something mixed in it thats so damn captivating

#malevolent #arthur malevolent #malevolent podcast #jarthur #arthur lester #john doe #malevolent season 3 #part 21 ending is fun in a pathetic way but also interesting to see yellow start thinking #and ofc 23 goes insane with it #i love the narrative structure of having arthur and johns prison pit ordeal juxtaposed with arthur and yellows exploits #it’s very neat to see how MUCH it haunts arthur and how he cant quite come to grips with it #the back and forth of both events makes it so thematically gripping #yellow and john are different #but how?#arthurs different treatment of them is fascinating #and while you understand and sympathize with why arthur is doing what hes doing #you still feel a little bad for how short or curt or dismissive arthur is with yellow at times #even though he would act that way with john sometimes #theres the mutual understanding of we need to cooperate #arthur is less lenient and willing to extend benefit of the doubt to essentially proto john #and it’s so fascinating bc arthur is so quick to assume the worst about yellow but would be so gentle #at times with john #hes less trusting which tracks with what happened previously #but at the same time its like no arthur please dont take it out on yellow #arthur john and yellow are so messy and flawed but so completely human in how they act and react in this season it’s so so interesting to me #nature va nurture theme my absolute fucking BELOVED

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fiapple · 8 months ago

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i'm getting towards the end of the skypeia arc, & i'd like to say just how much i adore the way the female strawhats have been treated.

just... every aspect of how the way their characters have been previously contextualized influences the story-line is treated with a masterful amount of consideration. we're given so many layers to both of them that enrich not only their characters specifically, but the arc, and the one piece world as a whole. without nami & robin having their specific skills, and their specific values, without those being built upon, the story would have come to a halt.

you could not have skypeia without nami & robin being who they are as individuals. not just because they never would've gotten there without nami, but also because the way these women think is itself foundational to the machinations of the arc as a whole.

to be totally upfront, if you think any other strawhats were more central to the skypeia arc than nami & robin were you are full-on fucking lying to yourself.

#obligatory disclaimer that i’m aware luffy is the protagonist & a lot of interesting stuff is explored w him. this isn’t abt him though.#part of me wonders if this is an aspect of why people will write off this arc sometimes tbh... like that & the political themes.#but yeah anyway i get why people say that for all there are 100% misogynistic tendencies in oda's writing & character design #it is very very hard to say that he as an individual is an ideological misogynist. like the level of care he puts into his female cast mem #-ers generally speaking & how he approaches what existing as a multi-dimensional individual would look like in their specific contexts is #like... in a lot of ways still something that is unprecedented across all forms of media.#but also not the point but anyone who says nami in particular doesnt get real fights/is unskilled um... no you're wrong read her fight in #alabasta & then all of skypeia.#like in alabasta she takes on arguably a stronger opponent than sanji when considering the structuring of BW. not only that but she does s #with a weapon she has never used before while actively reading the instruction manual. and she WINS. she wins based on sheer intellect &#the ability to utilize skills the audience already knows she has. the pre-existing basic fighting skills she's introduced with are elabora #-ed upon by incorporating her skill w navigation. same with the way her cunning is used in skypeia to cover her lack of sheer brute. &#the best part about it is she's fucking tough in a way that makes sense! she isn't strong/weak just for the sake of positioning her as such #it is thoughtful & it strengthens her as a character rather than just like giving the power-scaler types smth to mindlessly chew on.#like do i wish nami got to fight more & take a more active role in that regard even if i don't think she needs to be a fighter in the same #sense as the monster trio? yes absolutely. i'm guessing this is going to be smth that bothers me potentially even more with robin.#but that does not mean her fights are not masterfully written when she gets them or that she isn't tough as a bag of nails.#respect my darling woman or die.#skypeia #nico robin #nami #grey's one piece tag

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rtfics · 1 day ago

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I'm popping in only because a friend told me about this post.

Hi. Professional writer here. Warner Brothers and Tim Burton would never look at unsolicited screenplays. You'd need to have an agent and an extensive CV as a professional writer. Unless you're already a seasoned pro there's no way Burton would look at your script. Besides, for his films Burton creates the ideas and works with the screenwriters; they put words to what he wants to happen. And he adds and removes things during filming. He doesn't just take someone else's script and turn it into a film.

Also, and this is very important: You can't write a script with someone else's characters. You don't own the copyright to any of the Beetlejuice characters. If you try to make money using someone else's characters that's theft and copyright infringement. You can be sued. So the idea of your selling a Beetlejuice script is moot. Can't happen.

Dear god, don't send your script to screenplay contests or any place online that says you can sell screen plays. These are ripoffs. If you seriously want your script to be sold you need an agent.

You can't just send a script to a movie studio or a director and expect it to be read. People try this all the time, which is why pros only look at work sent to them by agents. The agents do the vetting for them. Being a member of the WGA means nothing. Being a member does NOT mean anyone will read your script. You have to be represented by an agent, and one with a good reputation.

And double dear jeezus god, do not go to AI for information. Go to the library and get a book about screenwriting written by a screenwriter. AI is shit.

Becoming a professional screenwriter, or pro writer in any genre, takes hard work and dedication. There's no easy way, no short cut. Websites that promise you such are there to take advantage of your ignorance and steal your ideas and/or your money. If you're not willing to do the necessary work -- which BTW will take years--- then just stick to fanfic writing.

Read I Will Not Read Your F*%!ing Script by screenwriter Josh Olson. I include it below. Believe me, his sentiments are the same for all directors and movie studios. This article is about looking for feedback, but it's the same for those who want to sell a screenplay:

We know you’ve been working very hard on your screenplay, but before you go looking for some professional feedback, you might keep in mind the following piece by A History of Violence screenwriter Josh Olson.

I will not read your fucking script.

That’s simple enough, isn’t it? “I will not read your fucking script.” What’s not clear about that? There’s nothing personal about it, nothing loaded, nothing complicated. I simply have no interest in reading your fucking screenplay. None whatsoever.

If that seems unfair, I’ll make you a deal. In return for you not asking me to read your fucking script, I will not ask you to wash my fucking car, or take my fucking picture, or represent me in fucking court, or take out my fucking gall bladder, or whatever the fuck it is that you do for a living.

You’re a lovely person. Whatever time we’ve spent together has, I’m sure, been pleasurable for both of us. I quite enjoyed that conversation we once had about structure and theme, and why Sergio Leone is the greatest director who ever lived. Yes, we bonded, and yes, I wish you luck in all your endeavors, and it would thrill me no end to hear that you had sold your screenplay, and that it had been made into the best movie since Godfather Part II.

But I will not read your fucking script.

At this point, you should walk away, firm in your conviction that I’m a dick. But if you’re interested in growing as a human being and recognizing that it is, in fact, you who are the dick in this situation, please read on.

Yes. That’s right. I called you a dick. Because you created this situation. You put me in this spot where my only option is to acquiesce to your demands or be the bad guy. That, my friend, is the very definition of a dick move.

I was recently cornered by a young man of my barest acquaintance.

I doubt we’ve exchanged a hundred words. But he’s dating someone I know, and he cornered me in the right place at the right time, and asked me to read a two-page synopsis for a script he’d been working on for the last year. He was submitting the synopsis to some contest or program, and wanted to get a professional opinion.

Now, I normally have a standard response to people who ask me to read their scripts, and it’s the simple truth: I have two piles next to my bed. One is scripts from good friends, and the other is manuscripts and books and scripts my agents have sent to me that I have to read for work. Every time I pick up a friend’s script, I feel guilty that I’m ignoring work. Every time I pick something up from the other pile, I feel guilty that I’m ignoring my friends. If I read yours before any of that, I’d be an awful person.

Most people get that. But sometimes you find yourself in a situation where the guilt factor is really high, or someone plays on a relationship or a perceived obligation, and it’s hard to escape without seeming rude. Then, I tell them I’ll read it, but if I can put it down after ten pages, I will. They always go for that, because nobody ever believes you can put their script down once you start.

But hell, this was a two page synopsis, and there was no time to go into either song or dance, and it was just easier to take it. How long can two pages take?

Weeks, is the answer.

And this is why I will not read your fucking script.

It rarely takes more than a page to recognize that you’re in the presence of someone who can write, but it only takes a sentence to know you’re dealing with someone who can’t.

(By the way, here’s a simple way to find out if you’re a writer. If you disagree with that statement, you’re not a writer. Because, you see, writers are also readers.)

You may want to allow for the fact that this fellow had never written a synopsis before, but that doesn’t excuse the inability to form a decent sentence, or an utter lack of facility with language and structure. The story described was clearly of great importance to him, but he had done nothing to convey its specifics to an impartial reader. What I was handed was, essentially, a barely coherent list of events, some connected, some not so much. Characters wander around aimlessly, do things for no reason, vanish, reappear, get arrested for unnamed crimes, and make wild, life-altering decisions for no reason. Half a paragraph is devoted to describing the smell and texture of a piece of food, but the climactic central event of the film is glossed over in a sentence. The death of the hero is not even mentioned. One sentence describes a scene he’s in, the next describes people showing up at his funeral. I could go on, but I won’t. This is the sort of thing that would earn you a D minus in any Freshman Comp class.

Which brings us to an ugly truth about many aspiring screenwriters: They think that screenwriting doesn’t actually require the ability to write, just the ability to come up with a cool story that would make a cool movie. Screenwriting is widely regarded as the easiest way to break into the movie business, because it doesn’t require any kind of training, skill or equipment. Everybody can write, right? And because they believe that, they don’t regard working screenwriters with any kind of real respect. They will hand you a piece of inept writing without a second thought, because you do not have to be a writer to be a screenwriter.

So. I read the thing. And it hurt, man. It really hurt. I was dying to find something positive to say, and there was nothing. And the truth is, saying something positive about this thing would be the nastiest, meanest and most dishonest thing I could do. Because here’s the thing: not only is it cruel to encourage the hopeless, but you cannot discourage a writer. If someone can talk you out of being a writer, you’re not a writer. If I can talk you out of being a writer, I’ve done you a favor, because now you’ll be free to pursue your real talent, whatever that may be. And, for the record, everybody has one. The lucky ones figure out what that is. The unlucky ones keep on writing shitty screenplays and asking me to read them.

To make matters worse, this guy (and his girlfriend) had begged me to be honest with him. He was frustrated by the responses he’d gotten from friends, because he felt they were going easy on him, and he wanted real criticism. They never do, of course. What they want is a few tough notes to give the illusion of honesty, and then some pats on the head. What they want — always — is encouragement, even when they shouldn’t get any.

Do you have any idea how hard it is to tell someone that they’ve spent a year wasting their time? Do you know how much blood and sweat goes into that criticism? Because you want to tell the truth, but you want to make absolutely certain that it comes across honestly and without cruelty. I did more rewrites on that fucking e-mail than I did on my last three studio projects.

My first draft was ridiculous. I started with specific notes, and after a while, found I’d written three pages on the first two paragraphs. That wasn’t the right approach. So I tossed it, and by the time I was done, I’d come up with something that was relatively brief, to the point, and considerate as hell. The main point I made was that he’d fallen prey to a fallacy that nails a lot of first-timers. He was way more interested in telling his one story than in being a writer. It was like buying all the parts to a car and starting to build it before learning the basics of auto mechanics. You’ll learn a lot along the way, I said, but you’ll never have a car that runs.

(I should mention that while I was composing my response, he pulled the ultimate amateur move, and sent me an e-mail saying, “If you haven’t read it yet, don’t! I have a new draft. Read this!” In other words, “The draft I told you was ready for professional input, wasn’t actually.”)

I advised him that if all he was interested in was this story, he should find a writer and work with him; or, if he really wanted to be a writer, start at the beginning and take some classes, and start studying seriously.

And you know what? I shouldn’t have bothered. Because for all the hair I pulled out, for all the weight and seriousness I gave his request for a real, professional critique, his response was a terse “Thanks for your opinion.” And, the inevitable fallout — a week later a mutual friend asked me, “What’s this dick move I hear you pulled on Whatsisname?”

So now this guy and his girlfriend think I’m an asshole, and the truth of the matter is, the story really ended the moment he handed me the goddamn synopsis. Because if I’d just said “No” then and there, they’d still think I’m an asshole. Only difference is, I wouldn’t have had to spend all that time trying to communicate thoughtfully and honestly with someone who just wanted a pat on the head, and, more importantly, I wouldn’t have had to read that godawful piece of shit.

You are not owed a read from a professional, even if you think you have an in, and even if you think it’s not a huge imposition. It’s not your choice to make. This needs to be clear — when you ask a professional for their take on your material, you’re not just asking them to take an hour or two out of their life, you’re asking them to give you — gratis — the acquired knowledge, insight, and skill of years of work. It is no different than asking your friend the house painter to paint your living room during his off-hours.

There’s a great story about Pablo Picasso. Some guy told Picasso he’d pay him to draw a picture on a napkin. Picasso whipped out a pen and banged out a sketch, handed it to the guy, and said, “One million dollars, please.”

“A million dollars?” the guy exclaimed. “That only took you thirty seconds!”

“Yes,” said Picasso. “But it took me fifty years to learn how to draw that in thirty seconds.”

Like the cad who asks the professional for a free read, the guy simply didn’t have enough respect for the artist to think about what he was asking for. If you think it’s only about the time, then ask one of your non-writer friends to read it. Hell, they might even enjoy your script. They might look upon you with a newfound respect. It could even come to pass that they call up a friend in the movie business and help you sell it, and soon, all your dreams will come true. But me?

I will not read your fucking script.

Josh Olson’s screenplay for the film A History of Violence was nominated for the Academy Award, the BAFTA, the WGA award and the Edgar. He is also the writer and director of the horror/comedy cult movie Infested, which Empire Magazine named one of the 20 Best Straight to Video Movies ever made. Recently, he has written with the legendary Harlan Ellison, and worked on Halo with Peter Jackson and Neill Blomkamp. He adapted Dennis Lehane’s story “Until Gwen,” which he will also be directing. He is currently adapting One Shot, one of the best-selling Jack Reacher books for Paramount.

So I'm still serious about writing that BJ3 script but I found out about all the requirements needed to join the Screenwriters Guild so its unlikely I'll be able to join. I had thought of joining since Warner Bros does not accept freelance scripts. As I said I'm still serious about getting my script into Tim's/Warner Bros hands. Does anyone know of any screenplay contests or anywhere where you can sell screenplays online? I really want to help all the Beetlebabes dreams come true by making Beetlebabes canon this time.

#beetlebabes #beetlejuice x lydia #beetlelyds #beetlejuice and lydia #screenwriting #nope that's not how it works #professional writing #I Will Not Read Your Fucking Script #writing

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