#which is fine bc that's not really what I read it for. but I am a dragon enjoyer so I do kinda wish they did more

[abyssalpeach]

in the case of the people vs. bell's hells...

and also the campaign 3 finale overall. disclaimer: this is gonna get long bc of my propensity to yap so i'm gonna simultaneously try to keep it short but also put it under a "read more." spoilers will be referenced throughout.

i wouldn't call these rent-lowering gunshots, but i desperately need some of the folks in this fandom to get a grip. so instead i'm asking: walk with me. hold my hand. i am looking you in the eyes and want this fandom to be a nice place. please forgive me for any attitude but i am tired of being talked down to.

"they never faced any consequences" consequences are the result bad dice rolls. of which they had plenty. if you think their narrative choices should have resulted in more punishment, say that. but i think you missed the part where they have targets on their back from several factions and now-mortal deities and you need to kill the cop in your head.

"it was too confusing and the pacing was bad" i don't even disagree with this takeaway. i will say this was actually the easiest campaign for me to follow. m9 is so fun, but was very narratively scattered at times. however, i think this is just the nature of ttrpg/actual play. it's not scripted. it's messy and sometimes you'll zone out about it. sometimes what the players want isn't what grabs you personally. it doesn't mean they're wrong or bad to play it that way.

"i fell off c3 and everything i've heard about the finale is stupid" fall off, then. totally fine, i'm not here to stop you, sincerely. and not to hurl cliches, but with tabletop it really is more about the journey than the destination. without context, you are missing too many pieces to pass judgement. that's all i'm gonna say on that.

"the other PCs were just so much better" i gotta say this one seems like a skill issue lol. there's not a single party i haven't loved with my whole heart, but they satisfy different purposes or dynamics! vm was destined for greatness. m9 was destined to pull important strings. bh was destined to shake up the order of things. they were supposed to be controversial in-world. they're salt of the earth, rising far beyond their stations ever expected. they became important at work and it very nearly ruined their lives.

"it was like sitting in a philosophy 101 class" praytell what philosophy classes that you've sat in discussed the ethics of magic, direct divine involvement in human* lives, and potential outcomes that would come along with killing all the gods or releasing something called the god-eater. look. i grew weary with the rehashing of these conversations too, really i did. that said, i think it needed to play out this way in order for the finale to go the way it did.

allow me to explain. one of the defining qualities of bell's hells was how different they all were. whether it's their perspectives, life experiences, backgrounds, desires, aspirations... you get it. this was the point. they were bound together by compassion and love for each other. and this extended to those they stood for personally, and those their friends cared about. it was how they approached ruidus, the gods, the people of vasselheim. and they walked the walk and trusted the process, prepared to face anything. including death.

*obviously including all exandrian/ruidian races beyond just human

"the finale cheapened the ending of vox machina" it didn't. i'm sorry but it very fundamentally did not and if that's your takeaway from a change of circumstance ~30 years down the line, i am worried that you are too lost in the sauce due to favoritism. if your takeaway from vax being allowed to return to the material plane is that now his conclusion from 30 years ago was just him going on a work trip, that is a you problem.

the narrative doesn't treat it like that. the characters don't treat it like that. the cast doesn't treat it like that. let me repeat myself: if you think vax's c1 ending is now nothing more than a glorified work trip, that is a you problem.

life goes on. the state of the world is changing constantly, especially in a world with gods and magic and different planes of existence. matt allowed these players to have direct involvement in the ways it changes. if vax was allowed to return in some capacity as a result of those changes, the cast made that happen. it wasn't even on bell's hells priority list! this was a natural change of circumstance. if that's the kind of thing you find upsetting, maybe unpack that elsewhere.

i'm gonna wrap it up here but i hope you keep this in mind: if you don't like a thing anymore, you can absolutely drop it. you don't need anyone's permission. but what i ask is that if you want to engage in thoughtful conversation and criticism about it, you keep these things in mind.

i don't believe this show or cast to be above criticism. i have plenty of critiques of my own. but the campaign three finale was the opposite of bad. it was the most satisfying conclusion we could have possibly gotten. it was the culmination of the last 3 years with almost everyone who encountered bell's hells and honored the last 10 years of their hard work. i am so so proud of matt and the cast and i think you should be too.

[francy-sketches]

made a pie chart of asoiaf dragon colors bc I was curious about it ^_^ my verdict is asoiaf is severely lacking in cool dragon designs why's there so much grey/brown/green I need more prettygirls. (I based this off of the books/grrm's descriptions, so vhagar is counted as bronze and vermax is undescribed even tho they're green in hotd. also quicksilver is technically undescribed but I counted her as silver bc of the name)

also heres a version not counting the undescribed ones

[alxclaremont]

had an absolute shit day at work, got off of work, remembered lando and oscar’s beef, almost started crying, went on twitter, saw that they ate mcdonalds and played monopoly on the plane back to monaco, almost started crying again, no longer feel like shit thank you and goodnight

[fruitsyrups]

ca n we all agree that human bonnie would not be a baker btw

[mermaidsirennikita]

People are ridiculously entitled and it’s genuinely so disheartening. Books are someone’s ART. You don’t just get to alter a name in someone else’s creative work. (I’m appalled people out there think this is remotely acceptable - writers are not court jesters nor do they exist to please everyone - no human being nor their creative work does, in fact!) Thanks for putting your various responses out there! Here’s hoping people learn to respect and appreciate artists and creators once again

Quoth Nora Roberts:

I am not here to be a slave to certain reader’s wants, needs, whims. Again, I write what I write, and these are MY characters, in my books. Not yours. They are yours to enjoy or not, but they belong to me, they come from me...

You don’t have to agree, but I’m not writing for your particular point of view. Again, I’ve explained my reasons for this. I won’t do so again. My characters, my books, my decision. If you want something else, read something else.

And yes, I said that, too. Blast away, it changes nothing. I am not obliged to meet an individual’s demands.

So.

First off:

If you're really super chill about the idea of being able to change what writers write just because you didn't like a detail you think is small and irrelevant, I would sincerely encourage you to read La Nora's full thoughts on similar issues... and yeah, I'm gonna equate something as "small" as a name with what Nora's talking about here. Because it is ALL the author's domain. I've never personally subscribed to the idea that a work "isn't yours anymore" once it's out in the world. The way people interpret and interact with it isn't yours, sure. But it's still your creation, and you should be the only person with control over the content.

... and sometimes, I, as a reader, don't like what authors do with their content. I get it. I don't like that Lisa Kleypas edited her work years after publishing it, because I'm big on the "own what you wrote originally even if it's uncomfy" train... (for the most part--editing the fetishization of Cam and Kev would've made sense to me). And I don't think there's anything wrong with readers pointing out problematic shit in a writer's work, offering critique in an open forum, as Smart Bitches, Trashy books did when reading Hello, Stranger, which I speculate may have prompted some of Lisa's edits.

But! I can't say that it would ever be my right as a reader to, say, use future technology to tell my reading device "edit out the times Cam says shit that reads super fetishized". It's just kind of repellent to me to imagine rewriting someone's work in any way without their permission. Fuck, I don't even like the idea of estates releasing sequels or revised versions of books unless the author indicated that such was in their wishes in their will. (See: the TWO official Gone with the Wind sequels/prequels/whatever authorized by Margaret Mitchell's estate.)

We, as readers, have our lanes. The writers have theirs. And sometimes, as writers, they do tiny things or BIG things in their lanes that we dislike. (I love Tiffany Reisz's Original Sinners series, for the most part. I really, REALLY hate the most recent book in the series. HATE. IT. But the only thing I can do about that shit is just pretend that book never happened, which I actually can fairly efficiently because I do in fact control what my brain does. Or, seek out books that give me what that series didn't with that most recent book. Sierra Simone's do a bangin' job.) But you know... Not only do I not think it is safe for me to merge into their lane... I don't want writers to feel like they have to submit to demand and give away pieces of their work in order to keep selling.

(And honestly? For the vast majority, I don't think it would make enough of a difference anyway--writers are often sold bills of goods with new strategies or tech. "This will change the way you sell books". Most writers won't ever be able to write full time anyway, and I find the way that this fantasy that you'll be able to do otherwise with THIS TECH optimizing your writing time, or THIS SUBSCRIPTION increasing the eyeballs that will see your book... Scammy. Not all of it's bad! But the selling strategy that you'll make more money... If you're selling on KU, if five extra people buy your book you're still making pennies, so it's gotta be more than one thing that converges to create the sale, and a lot of that, I gotta say, is word of mouth and people just LIKING YOUR SHIT. And I'd argue that they're more likely to like your shit if you're invested as a writer.)

Second:

No need to thank me! I honestly think that the majority of readers do appreciate what writers do (or don't feel either way about it and just read like people have always read lol) but I don't know. I can't really tell what it is--the sort of "fandom" that's been created around books (and like, author fan clubs and such have always existed, but obviously the accessibility is so different), new tech developing very rapidly when for centuries books were relatively stagnant technologically speaking, the fanficification of EVERY type of media it feels like... But the sense of entitlement that certain readers feel does seem to have grown. Or maybe it's simply become more visible. I mean, Nora Roberts has from the dawn of her writing career taken off had fans that can communicate with her, and I'm sure many have written letters like "Go give these characters a baby :(".

My biggest thing is always going to be this: some books ain't gonna be for you. There are books that sound so Caroline. I read them, and for whatever reason--writing style, one character choice, something ephemeral I can't name--they aren't. Everyone else loves these books. I'd love to love these books. I'd love to discuss these books. I'm not in the party. And that's FINE. Not every party is going to be a party I'm down for! One of my best friends loooooves Tessa Bailey and Tessa-like contemporaries. Tessa, by and large, doesn't work for me. So my friend and I can't discuss a lot of books in depth. Do I wish historicals worked for her so that I could nerd out with her? Sure! But I can't make something that doesn't work for her work for her, and I can't make Tessa's books work for me.

And I know that people will be like "it's just a name bitch", but... it's a slippery slope to me, just like ALL of AI and AI-related tech has been a slippery slope. Like, y'all said AI wasn't gonna be a big deal and would just make things easier, and people are now selling AI-written books under their names. Everyone said that authors would have control over how AI interacted with their books, and books are being scraped for AI on the daily.

I do not want anyone to have final control over what is and isn't in a book but the person who wrote the book. I do not want writers to feel like they need to cede any amount of control over the copy in that book over to readers in order to succeed.

And I honestly think it would be a lot healthier for everyone involved if we as readers (viewers, general audiences) just accepted that we don't get everything we want, and creatives are not here to dance to our tune. They are people, and they want to tell the stories they want to tell. Your power? Is in your dollar. If you don't like that shit, don't buy it. If you don't want to support it... don't! Fuck, if you want to talk shit on the internet about how the most recent book in the series was absolutely not for you, that's your right, too.

I don't want you fucking with a single word on the page, though. Feel free to go write your own shit--prosper! But that part of what Nora said that rings true to me most is "they come from me". These books come from writers. You have them because of those writers. So, I don't know, dude. Just take what's there, and if you dislike it, spit it out and move on to the thing you will like. Authors aren't churn factories to produce what you want, and ROMANCE as a genre, however commercial it is and however much it does have that One Rule that defines it as a genre... Is still something that writers should be allowed to experiment with. That's the work writers put in. The work readers put in? Finding shit that works for us. And I'm telling you... With a little practice, it ain't hard. How do y'all think I have all these books to recommend? Lmao

[sapphicautistic]

My gf was listening to "White Blank Page" by Mumford and Sons and I once again told her that song is SO much better if it's gay.

She doesn't listen to the lyrics of songs but she's extremely good at literary analysis and this time she actually looked up the lyrics and has now come to the following conclusion: "It makes no sense if it's not gay."

My (objectively best) reading is this:

The narrator was in love with a guy who strung him along, never willing to be in a committed (or public) relationship with him and maybe insisting that it's extremely heterosexual "helping a bro out" sex, except in more intimate moments. Finally out of nowhere guy is suddenly committed to a woman and when Narrator confronted him, guy spat out homophobic vitriol and claimed he's not gay like the Narrator.

(For extra flavor imagine them as closeted, straight passing Midwestern flannel wearing, love-bonfires-and-camping guys who sat next to each other at church and elbowed and annoyed each other like best friends do and were each other's go-to source of emotional support! And then to suddenly shut Narrator out for the first time ever, by abruptly marrying a woman and insisting that he's always been straight and their relationship meant nothing...)

Here are the lyrics:

Can you lie next to her And give her your heart, your heart As well as your body? And can you lie next to her And confess your love, your love As well as your folly? And can you kneel before the king And say, "I'm clean! I'm clean!" ? But tell me now, where was my fault In loving you with my whole heart? Oh, tell me now, where was my fault In loving you with my whole heart? A white blank page and a swelling rage, rage You did not think When you sent me to the brink, to the brink You desired my attention But denied my affections, my affections So tell me now, where was my fault In loving you with my whole heart? Oh, tell me now, where was my fault In loving you with my whole heart? Lead me to the truth and I Will follow you with my whole life Oh, lead me to the truth and I Will follow you with my whole life

Why call multiple people "you" in a totally unclear way? Why would you claim that your female ex's new man can't love her AT ALL (not just as much as you did, AT ALL)? And invoking the judgment of God is so fucking tedious if you're just shaming your female ex for moving on or even cheating/getting with your friend. Also you look like a creepy asshole if you think a girl broke up with you for "loving her too much".

This song is tepid, badly written, and makes the narrator look like an asshole if it's NOT gay.

The gay reading is the ONLY compelling one.

[ourladyoftheflytrap]

I'll be fine as long as I never have a moment alone to think about anything

[sereniv]

going to take an internet break just for a few days, ive been wanting to anyway because i get too distracted from my phone especially tumblr and instagram.

i got so many messages on that post, and im learning quite a bit which im thankful for, and im going through answering people but it is overwhelming, theres so many split threats and messages its hard to keep track

i definitely recognize how my post came off, regardless of my intent, and thank you for everyone being patient but i also am not mad at people who arent.

I think after a few days ill be able to read more. bc rn anything longer than a paragraph turns to soup

[undermostcorgi]

the media which consumes your entire soul at age 12 will forever be a part of you. this is an unavoidable consequence of living and you have to accept this fact. no matter how old you get, no matter how long it has been since you last saw its smug face peeking out from the bushes as it follows you, no matter if you think you have outrun it for good and that you're finally finally safe and you hardly even remember it exists anymore and your brain knows a few brief moments of true peace, it WILL catch up to you in your moment of weakness. and listen you don't want to hear this but sometimes this is necessary for your mental health. you will on instinct want to reject it and run away again but sometimes. sometimes you just need to watch that old show or listen to that silly song or read that weird book again as an adult and it will hurt you a little bit in various little ways but it will also heal you a little bit. you can call it nostalgia you can call it connecting with your inner child or whatever you want but just listen to me it WILL HAPPEN TO YOU TOO AT SOME POINT AND YOU HAVE TO BE PREPARED FOR THIS (i am forcibly dragged off the stage by security)

[mashkaroom]

everyone please clap, i just sent a really civil email instead of what i wanted to say which was YOU STUPID FUCK DO YOU FUCKING READ INSTRUCTIONS?????? DID YOU READ THE FUCKING PAPER WE’RE SUPPOSED TO BE PRESENTING ON??????? WHY DID YOU WANT TO MEET AT 9:30 PM ON THE DAY THE PRESENTATION WAS DUE AND THEN DID ZERO FUCKING WORK UP UNTIL THAT MOMENT?????? WHY THE FUCK DID I DO 90% OF THE WORK WITH THE HOPE THAT YOU WOULD DO THE MUCH LESS MENTALLY TAXING REMAINING 10% OF WHICH HALF IS FULLY OPTIONAL AND THEN I HAD TO FUCKING BABYSIT YOU THE WHOLE TIME YOU DID IT??? LITERALLY MOST OF WHAT YOU HAD TO DO WAS COPY PASTE TEXT FROM A GOOGLE DOC INTO SLIDES HOW DID YOU MISS HALF OF THE FUCKING GOOGLE DOC????? YES WE HAVE TO HAVE THAT, BECAUSE THAT ACCOUNTS FOR HALF OF THE FUCKING ARTICLE!!!!!! DID YOU READ! THE! FUCKING! PAPER! I SPECIFICALLY WANTED TO HAVE THE LAST HOURS OF THE EVENING OFF TO DO OTHER THINGS BUT I STILL HAD TO BABYSIT YOUR STUPID FUCKING ASS!!!!!!!! ALSO DID YOU GENUINELY JUST ADD ‘WE SHOULD GIVE TAX CUTS TO BUSINESSES SO THEY WILL CREATE HOUSING FROM THE GOODNESS OF THEIR HEARTS’ TO THE SLIDES?????? I WILL ENJOY SEEING YOU FILETED TOMORROW!!!!!! BRO YOU HAVE TO EITHER BE SMART OR BE PRODUCTIVE YOU CAN’T DO 5% OF THE WORK AND THEN THAT WORK IS FUCKING SHIT!!!!! IT LITERALLY WOULD HAVE TAKEN ME LESS TIME TO DO IT WITHOUT YOU!!!!!!!!!!!!

[opens-up-4-nobody]

...

[seawitchkaraoke]

No but sometimes I am so tired of playing therapist/neurotypicals translator for my neurodivergent friend like. It's exhausting, to have to be the one to explain why your friend got upset when you just signed her up for the same study group as yourself without asking her first or letting her sign up for what group she wanted herself.

Like. I am good at patiently explaining these things, which is why she always asks me about these things but it's exhausting. But also therapy isn't very accessible and she doesn't have anyone else who really gets her problems understanding stuff to the same level I do so....

Then another friend who doesn't do this on this level but who does go on about how great it is that we can kinda laugh about neurodivergent problems together and such and how amazing it is and how she never really talked about these things with anyone else, which I agree it's great to have someone to talk about it but? The way she phrases it, puts a lot of pressure on me and makes it kinda weird? Like it's this great secret we're sharing? Especially since we haven't known each other all that long?

And like. Idk. I get it, I get to you it's amazing to have someone to talk about this to, someone who gets some of your struggles, someone who talks very openly and happily about being neurodivergent but. Man. I'm great but I'm not an expert in all things neurodivergent. I'm not?? Idk I'm not "special" for having adhd or for talking openly about it, I'm just some perfect life coach, I don't have my own life together, all I've got going for me is that I know what my problems are and that I'm not super afraid to talk about them

Idk. It's just exhausting. Like.... These two in particular just have vibes of kinda putting me on a pedestal (though in different ways) and that just makes me uncomfortable but also idk how to set boundaries there bc "stop telling me that I'm awesome" is. Hmm. It's not like that's what they do. They just imply it. They imply that things I do or say that really aren't anything special are somehow amazing and like??? Idk man I'm just me? Compliment me for the things I do that are actually awesome, not like... For agreeing to do a fun thing with you? I don't do it out of?? Pity? Or whatever? I want to do the fun thing?

[thedreadvampy]

I mean sure, I can understand this perspective, but I'm not sure whether most people feel less shaken to be thrust into conversations about "self-unaliving" than conversations about "suicide"

and I for one as a survivor would much rather unexpectedly encounter somebody talking about "rape" than somebody talking about how funny it is to have sex with somebody when they don't want to, a normal thing that doesn't need to be named because it's So Normal.

which is to say. this is a post about words. the words are not the distressing thing about the discussion. the distressing thing is the distressing thing about the discussion. sugarcoating, dodging or renaming the distressing thing doesn't make it less distressing but it DOES often make it harder to have a frank discussion about it or address it in serious terms.

[pinch of salt: solid probability from their blog that this person is a Literal 14 Year Old and the perspective from 30 and 14 are very different. I do stand by all the points I'm making but I think this conversation lands a lot different for people at different life stages - there is something to be said for the general issue that the internet has flattened social groups to the degree that I as a 30 year old can make a post to my audience of largely adult millennials that immediately enters the same conversational space as people half my age and still in school. that seems. ungreat. as the primary way we engage in conversation. but I don't have solutions to offer.]

you gotta be able to say "die"

you gotta be able to say "suicide"

you gotta be able to talk about "sex"

they're uncomfortable topics, YEAH for SURE

because LIFE is uncomfortable. Death and suicide and sex and pain are straight up going to happen. not having words for the way it discomforts you doesn't make it more comfortable, it just makes you less able to reach out about it.

even more vital, you gotta be able to say words like "rape", "abuse", "queer" or "racist". cause we fought fucking hard to name those experiences. to identify "rape" as distinct from "sex" and "racism" as distinct from "acceptable behaviour" and "queer" as distinct from "invert"

like the function of communication is not to minimise immediate discomfort. we gotta be able to talk about stuff that's hard or sucks or causes difficult conversations.

[rokurookajima]

waking up ready to cry but also .. with a cruel angel’s thesis stuck in my head lol

[leftoversludge]

DEVASTATING: teen discovers their problems are shared by millions, yet the horrors persist

[lucysgraybird]

yayyyy anxiety yippee!!!