#which is another projection thing I’ve been doing a lot
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Btw, it’s SO difficult for me to make characters that aren’t autistic or on the ace spectrum. I’m constantly thinking of new OCs to create and having to stop myself from being like “They’re AuDHD and aceflux” or something similar and it’s so 😭
Bonus points when I have to stop myself from being like “They also have a complicated relationship with gender and—“
Mind you, I am fully capable of creating a diverse cast of characters but I just naturally gravitate to ones that relate to me. Literally most of the OCs I’ve introduced on here are queer, neurodivergent, and/or trans. Let me just list them down for you:
Lawrence is autistic and is biromantic demisexual. I sometimes depict him with fem clothes but he’s mostly masculine
Rei has unmedicated ADHD and is a gay, transmasculine femboy. He also has general anxiety but we don’t talk about that…
Ares is autistic, aroace, and has PTSD. He’s also very fluid with his gender expression and loves to wear flowy dresses
Joey has BPD and is gay. He’s another character that’s fluid with his gender representation but very rarely dresses feminine and prefers to be masc
Aster is aroace and agender but goes by he/him. He’s also autistic and has really awful misophonia
Poppy is lesbian and transfeminine. She goes by she/they/star pronouns and is autistic + has BPD
Charlie is another aroace character who’s a demiboy that goes by he/they pronouns and he has unmedicated ADHD + he’s dyslexic
Oh and all these characters are apart of the same, massive family. Incredible shit, am I right? /s
And that doesn’t even include the other stupid asses my friend made for our OC universe. Most of our OCs got something silly going on and it’s wild 💀
#꒰ v’s rambling ꒱#should I even add their character tags?#might as well…#• character: lawrence winters#• character: rei miyazaki#• character: ares lundsten#• character: joseph sinclair#• character: aster winters#• character: poppy winters#• character: charlie miyazaki#Literally just recently I thought of a new cute OC to make who’s based off a Rainbow High doll#(Sunny Madison if you’re wondering. Love her she’s everything 2 me <3)#And my immediate instinct was making her Aroace and AuDHD I need to fucking stop this projection madness LOL#/lh to all of this btw#OH I ALSO THOUGHT OF MAKING HER FILIPINO#which is another projection thing I’ve been doing a lot#sick and tired of myself fr fr
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I finally saw the mean girls musical (the movie one) I have so many fucking thoughts oh my god
#thoughts#oni talks#mean girls 2024#I think I may be the only person to kind of like it? like don’t get me wrong it is kinda ROUGH but it has so much potential and there’s bits#and pieces that I actually really enjoy or wish they had more of or just aahh#I’ve been nonstop thinking about the ideal version in my head like there’s so much potential obviously I’m biased by like a lot#since for one I know I tend to like stuff other people hate or don’t like but for two this sequel was weirdly way more relatable so maybe#I’m just projecting from my own personal experiences but Idc the POTENTIAL THERES SO MUCH ID WANNA DO INSTEAD#like there’s so many little details and characterizations that I wish was expanded on or fleshed out and it’s just like it feels like either#half baked or that it’s gone through too many edits it’s like it’s scared to exist?? like there’s some differences I love and wish they lol#leaned into but it’s like it was terrified to be too different? or like they were rushing the end especially#like in my ideal form it’s a tv show coz I think they honestly have enough that could be genuinely expanded in a way more interesting way#via that format probably not like a super extended series like you COULD but you’d definitely need more expansion but I could see the potent#but like idk one SOLID musical season with expanded character story and not like one of those rush cram shows like a good solid one#like Regina’s characterization is so fascinating but also feels like slightly off and like they could’ve leaned way more into things?#like I think keeping Regina as a closeted lesbian gives the greatest potential and interest for an expanded story#like I loved maybe the first half of the movie the most like that one song she sang to manipulate Aaron would work so much more perfectly if#she’s singing it about/to Cady? I also think in my ideal brain an cool flashback episode for Janis and Regina would be so cool coz there’s#so much you could flesh out in a flashback than you could in a retelling which while I do like the retelling since it lets you imagine thing#I just! potential! I also want more of them interacting and I do think changing Janis to be a lesbian works if they leaned more into it?#I also think in my ideal form janis would have more comeuppance or acknowledgement of her shit? I also think an arc of Regina coming out#like one thing they missed from the original is Regina playing soccer at the end & I think they could hint more towards that and maybe lean#more into her at home life in an expanded story way coz her mom is clearly like… yikes. granted maybe some of my views on the movie are too#biased by personal experience but like the way she snaps at her mom usually in my experience isn’t out of nowhere? like parents behind#closed doors. or frustrations with what her mom has clearly been putting on her the way she tells her mom not to talk about her body is very#like idk a lot of the characters in this version feel more real to me bc they act really similar to people I know irl so the expanded story#could be cool. another one that in my ideal brain would have more is Gretchen and especially her relationships with Regina as well as with#that one guy and her parents I wanna see more of how that works and her arc to feel more meaningful when she dumps him & mentions family#also as much as I didn’t care much for the straight plot stuff there’s 100% missed potential there that I could see in the differences like#iirc in the original it’s regular algebra not AP calc which I think could’ve been used as an interesting characterization opportunity for
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hyperfixating on a character who i don’t know as specifically as my other usual hyperfixation ocs is so funny there’s a guy in my head 24/7 atm but i don’t know him like that and im just like ummmmmm so what do you usually do at bedtime. do you like music? yeah i also like music.
#thing with Bobby is because of the sensitive nature of his arc I’ve always tried to develop him as a main character#because I never wanted to understand his illness and death from the context of someone else#also I don’t really believe in side or minor characters just characters who happen to not be the pov voice. anyway#so yeah Bobby has always been on the same level as felix and dorothy and beau for me despite not being a protagonist#which helped me quickly understand a lot of specifics about him beyond his illness and death#his character had always been very vibrant but bc I only recently solidified a project where he’s a protagonist#(always wanted to write smth in his pov but finally just figured out what it should look like)#I’m only now starting to fill in the gaps in between but it kinda feels like when you’re alone with a friend of a friend for the first time#and like you get along but don’t know each other well enough to carry a conversation yet LOL#like i need beau to help me out but he’s not here bc it’s not about him#I’m like okayyyyy so what do you do when you’re bored? and it’s like I don’t fucking know#does this even make sense my autism is very. specific I think#BOBBY I WILL AUTISTICALLY MAKE YOU ANOTHER BEST FRIEND IN MY HEAD
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agh i know it can be rally difficult but especially if you are a marginalized person especially if you are a woman ESPECIALLY if you are trans please make sure that you’re not signaling insecurity to ppl via your dating app profiles or what have you. it can literally be a matter of your own physical safety.
as an example, i often see trans girls on hinge liable to put something like “i’ll fall for you if you show me any affection at all <3” on their profiles…and i know u just think it sounds quirkily self-deprecating and i KNOW that’s the way you really and truly feel but if i am someone who whether consciously or not is searching for a dynamic in which i have power over another person, a statement like that will make my ears perk up!!
furthermore, and especially for younger people, there are a lot of things that are very necessary to discuss with a partner that are ALSO very necessary to not reveal for a little while. if you have been abused in a certain way or if you are inexperienced, those are things that are unsafe to talk about with people you don’t know, no matter how honest and upfront you pride yourself on being. i’ve had someone tell me about all the sexual assault they’d experienced on a first date— and luckily for them i wasn’t interested in harming them or really into them at all— but again, imagine if i were someone who wanted power over another person! all their truthfulness and vulnerability would do is reveal them as an easy mark for my manipulation.
if you do encounter a critical situation with someone you haven’t spent enough time with yet, it should always be possible to say what instead of why: e.g. “i’m sorry, but i’d like to wait before having sex with you” or “i’d rather not hang out in that park, can we pick somewhere else?” instead of “i’d like to hold off on having sex BECAUSE i’ve never had sex before” or “i’d rather not hang out in that park BECAUSE that’s where i was assaulted.” again, both very important things to talk about with a partner, but unfortunately potentially dangerous things to discuss with someone you’ve not yet gotten close to! and anyone who seems to be sniffing around for signs of your inexperience or victimhood is not to be trusted anyway (note that sniffing around is different from a polite “oh, would you like to talk about it?” interest.)
i know it can be difficult to come across as more confident than you feel, but it is really necessary that you’re projecting a desire for something healthy and safe that will make you happy instead of saying outright that you’ll be fine with crumbs.
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so all you need to do right now is disappear.
HHHHAPPY ISATVERSARY EVERYONE. here’s redraws for every single battle cg in the game. 36 drawings this time around, with 11 of those being custom (though admittedly a good portion of those are edits). combined with the portrait redraws i made back in september, i’ve made 114 redraws for this project! jesus christ! just like those redraws, these are completely free to use!! as long as i’m credited and it’s not for commercial purposes, go wild!! do whatever you want!!!
no i didn’t make these for isat’s 1 year anniversary this is just wildly good timing.
i genuinely can’t fit all of these cgs in one post even with the 30 image limit on browser, but i’ll still try to fit Most of them below the cut (without making this post horrifically long), along with some notes that might be important 👍
okay! once again, i labeled all of the custom art as such in the drive, but if you want a full list, the customs are hatless siffrin jackpot, bonnie jackpot, bonnie special attack, bigfrin attack, and a bunch of alts which are definitely not related to any projects i’ve been thinking about don’t worry about it. and out of those customs, only like. 3 of them are actually completely from scratch.
while i did my absolute best to keep the aspect ratios completely the same as the originals, there’s 3 exceptions that i just couldn’t get to work.
isabeau’s hair in his special attack cg wouldn’t fit in frame if i kept things completely accurate to the og, so i moved his cg down a bit. it shouldn’t cause any issues with modding or anything, it’ll just appear slightly lower than it does in game. alas…
isabeau’s sleeve and mirabelle’s hair made their jackpot sprites a little larger than the originals? i’m hoping this doesn’t have too much of an effect (since the jackpot sprites have inconsistent sizes) but i can’t test this myself unfortunately. aaa feel free to let me know on discord if any problems arise!!
i managed to fix these, so they aren’t going to cause problems now, but my original drawings for mirabelle and siffrin in the final attack scene were a pain in the ass to fix. mirabelle’s sprite was slightly too talk to fit in frame and siffrin’s hat whacked bonnie in the face while i was editing everyone together. i’m only mentioning this because it took like an hour and a half to fix them and finish the scene.
all that aside, these were a fucking BLAST to work on. apparently this ended up taking 57 hours over exactly 10 days. which is a little worrying if you do the math on that but somehow i have not burnt myself out. i will be doing enemies at some point!!! but probably not for a little bit. i think my friends will actually kill me if i don’t take a break.
once again, happy birthday isat. you’ve ruined my life and i wouldn’t have it any other way (silly).
also, on an actual serious note, this little timeloop game has genuinely changed my life for the better? you guys are probably sick of hearing it at this point (or maybe not, i don’t talk about myself That Much. i hope), but i was practically a ghost for about 2 years before joining this fandom. it’s a little surreal to suddenly have friends (plural!!!) and people who Care about me, or even know i exist, honestly. it’s weird!! in a good way!!!
i don’t think i would’ve ever come back to social media if this community wasn’t so welcoming. i’ve met a lot of really great people through this game!!! so, uh, thank you isat, i guess. here’s to another year.
#marshdoodles#isat#in stars and time#isat spoilers#also for full transparency. the sadness death redraw is effectively just a trace job. i’m not super happy with it because of thag#but i think i would be Killed if i tried to redo it. i dunno. maybe ill try to change it when i do sadnesses. maybe not.#besides that GOD im really happy with how these turned out#bigfrin was a last minute addition but i think he turned out fantastic#bonnie’s special attack isn’t my Favorite but i think it turned out pretty well considering the Struggle#gggod. trying to make a heavily foreshortened pose that still feels dynamic is really hard. how did id5 do this.#also don’t. worry about the Extra custom sprites that’re in there. i’m not planning anything.#happy isatversary everyone.#i blow away in the wind
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so I’ve been gaining a lot of insight into the animation industry recently, especially in regards to pitching & the creation of new shows. There’s a few ways to go about it.
First, there’s pitching to a studio. When you pitch, it has to be SHORT and CONCISE. You may write a lovingly detailed pitch bible that perfectly breaks down episodes and characterizations, and it might barely even get read. First impressions, first impressions, first impressions!
Most peoples’ first projects don’t get picked up. I’ve heard a few stories from directors that said they tried pitching a story they’d had for years, which got rejected, to then spend a week or even several hours in their car coming up with a new idea, only for that to get greenlit.
But that’s not the end of it. Just because a show gets greenlit, doesn’t mean it will ever get finished. There’s lots of things that can happen. Sometimes, unexpected major world events (like… a global pandemic) can cause projects to get chopped. Sometimes, a CEO change or studio merge means a single person can decide a project “no longer fits with the company’s brand.” Sometimes, the one producer that was rooting for your project gets laid off, and no one else cares enough, so it gets shelved. Sometimes, a streaming service decides to create an animation department, and then they decide they don’t want it anymore. Sometimes, the studio will be simultaneously be developing another project that was too similar to yours and they just didn’t think to tell you until they decide yours is the one with less potential.
On top of that, almost everyone in the industry is saying that “studios just don’t pick up original content anymore.” Studios want something they can franchise, something that will bring in money. New content is risky. Established fanbases are safer.
However! Studios can still be a very good thing. They can be unionized. They can provide better benefits and resources. They can have connections and infrastructure and a larger volume of workers. At a studio, you can divide the labor and produce more in less time. Longer episodes, longer seasons, more consistency in quality.
But this comes with all of the disadvantages of having more in the kitchen.
The alternative is indie animation.
With indie animation, you have total freedom. Full artistic control. It doesn’t even matter if your idea sucks ass, because there’s no one to tell you you can’t make it. You could make it anyway, and you can make it whatever you wanted.
The thing is, making animation is hard. In my production class last semester, the average maximum animation one person could make in that timeframe was 30-60 seconds, and that’s not even counting background design, sound design, or cleanup/color. To make a 5 minute animated short, you should probably have at least 5 people.
And it is CRUCIAL you have a production manager. Ideally someone who’s not already doing art for the project. Most projects without a production manager will fall apart pretty quickly. Once the adrenaline and impulse-fueled motivation wears off, you need someone to hold you accountable and enforce deadlines and proper time management.
Speaking of time, that’s also hard to get. The more people you have, the more likely schedules won’t line up. Most people will have school, or other jobs.
And it costs MONEY!!!!!! You either have everyone work for free and volunteer their time & energy, or you establish a business as a proper indie studio, with people who may or may not have experience on how to handle paying someone else’s salary. And the money has to come from somewhere, so you have to rely on crowdfunding like patreon or kickstarter. (This, by the way, is why I could never fault an indie animation for releasing merch with their pilot.)
And like, maybe you wanna do a series, and all your friends agree to volunteer their labor and time to make the first episode, but it was unanimously not sustainable. Deciding not to produce a second episode until you can raise enough money is not being suddenly greedy, it’s attempting to compensate people rather than expecting them to be continuously taken advantage of.
You have to consider your output as well. There are some outliers like Worthikids, who afaik does all his animation himself, and afaik can work on it full-time thanks to his patreon subscribers. And he still has only produced a total of 30 minutes of animation (for Big Top Burger specifically) in the past 4 years. This is an IMPRESSIVE feat and this is with using a lot of 3D as part of his pipeline!!
Indie animation also has the complication of being more accessible for fandoms. When you’re posting your Official Canon Content on youtube, it doesn’t look a lot different than the fandom-created video essay in the sidebar next to it. What’s canon vs what’s fanon becomes less distinguishable. The boundaries are blurrier. When the creator is just some guy you follow on twitter, it’s easier to prod them for info regarding ships and theories and word-of-god confirmation. They don’t have a PR team or entire international tv networks to appeal to. And this is when creators get frustrated that their fans snowball and turn their creation into something they don’t recognize (and no longer enjoy) anymore.
So it’s tricky.
Thankfully, the threshold to learn animation is fairly low nowadays!! There are TONS of resources online to learn it on your own without forking over a couple hundred thousand to a private art college. There are conventions and discord servers and events where you can network, if you know where to look.
I know it can seem discouraging in the face of capitalism, but I think that’s all the more reason why it’s so important to BE DETERMINED about animation!! We’re already starting to see the beginning of an indie animation boom, and I think it’s a testament to humanity’s desire to tell stories and create art. Even if there’s no financial gain, we do whatever it takes to tell our stories anyway.
#animation#2d animation#indie animation#long post#not 100% sure why I made this post#all this to say: I’m still not sure what direction I want to go towards for my own show#ngl!! i think im confident i could get people to like my show. i think I could find an audience#i have some experience at this point getting people to like my ocs#its just a matter of MAKING the damn thing
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BETWEEN THE PAGES | wanda maximoff x fem!reader
genre: college au! fluff, smut
summary: professor maximoff asks you out on a date.
content warnings: MINORS DNI! fluff, smut, college au!, unspecified age gap, professor!wanda, student!reader, bit of alcohol consumption, smut; service top!wanda, power bottom!reader kinda, making out, marking, fingering and oral (r! receiving), overstimulation, little bit of a praise kink
word count: 9.5k
note: i’ve been meaning to write another professor!wanda and black cat!reader fic so wrote this as kind of a prequel to AFTER CLASS but it’s long overdue lol. i hope u like it!
You always came to class early. That was the first thing she noticed about you. But, there was something about the way you entered her lecture hall for the first time, sitting just a few rows away from her desk, close enough for her to see you without anyone getting in the way. It was something about you that was so endearing. She just couldn’t figure out what exactly it was about you that made her stomach flutter and her heart beat faster than it typically does. Usually dressed in a skirt that gracefully swayed with each step and a cozy sweater that hugged your figure, you never failed to greet her with a shy smile each day you entered the room, and each time she swooned. Too cute. It was like that for the first few months: watching the door patiently to see when you would walk in, stealing glances your way when you were seated in front of her as she taught, or occasionally looking over the book she was reading while you were taking a test, reading a book, or working on notes. She couldn’t help it. It also didn’t help that you were not only beautiful but smart, too. Every test, assignment, and project she had given out, you nailed them with ease, almost like you'd already mastered the subject prior to her teachings. Perfect was what you were. She thought about it every day.
As each day passed, Wanda always looked forward to the days when you would enter her class. And she wasn’t trying to be a creep about it in any way, but she couldn’t help but look… and wonder. She wondered about what you were like outside of her class, if you were just as reserved and quiet as you were in here or if you were bubbly and talked a lot, and what your voice sounded like. You were quiet. And it wasn’t a quality that she didn’t like at all; in fact, it only made her more intrigued, like you were a mystery that she wanted to solve. In the quiet moments, when the world slowed down, her thoughts would invariably drift to you—your earnest gaze, your subtle smiles, the way your eyes seemed to light up the room.
But despite the elation of her thoughts of you, she makes sure to remind herself why you were here in the first place: you were her student. And for your professor to have such thoughts about one of her students, it was wrong. She knew this from the beginning. But try as she might to suppress her emotions, Wanda found herself captivated by your presence anyway.
And she really tried, to be fair. She tried to ignore her thoughts of you in her head, but she could only do so much. In the end, she couldn’t resist asking you to meet her after class during her office hours. She’d try multiple times to find the most credible excuse to get you to stay, and usually, she’d opt for subjects regarding your work and even ask you if you were interested in being a teacher’s assistant. Who in their right mind would decline that offer? You’d get paid on top of being alone in the same room with your favorite professor—the, despite her intimidating looks, easygoing professor that you had been fond of since day one. In fact, everyone liked her. Most of the students thought she was hot anyway, which you had to agree on as well.
The work she had you do was simple, for the most part. Grading papers and organizing paperwork and files for her were the most common tasks she gave you. Eventually she had you read a few essays and reports, asking you to judge how well they were written. Wanda thought of it as a learning experience—to read, collect your thoughts, elaborate, and then discuss with you on that same subject. It was a little nerve-racking, to say the least, but really, you enjoyed every second you spent with this professor. Especially since she was so nice to you.
And you’d be lying if you said you had never noticed her lingering eyes on you on several occasions. Sometimes she stands behind your seat and leans over to see your assignments, and you can smell her sweet perfume and feel her breath against the top of your head. Then, you’d be lying a second time if you said it didn’t make your stomach flutter each time she got close to you.
Of course, with the quiet moments you shared together each week, you began to notice some things you'd never noticed before: how she's unable to get to work without a hot cup of tea using that old, faded, and chipped mug that the university gave her a couple years ago, how she spends an extra few minutes in her office at the end of each day because she always misplaces her ID card, or how she constantly has her nose stuck in a book—a poetry book you’d often see, when she wasn’t reading those one of those meaty, mind-bending volumes.
And as time went by, you also began to notice more and more the way she would look at you. It wasn’t as if you were completely oblivious to her stares. You could see clearly when her eyes would linger a little longer than necessary, occasionally catching the flicker of a smile that your professor seemed to suppress. It was as if you had developed a sixth sense for each time her demeanor shifted or her eyes would trace over you, just as she was doing now.
"Is everything alright, Professor?" You say, your voice coming out smoothly, cutting through the quietness that filled the room.
"Yes, I’m fine." Wanda cleared her throat and turned away from you, her eyes darting back to the book she was supposedly reading. "It’s, um... I’m just lost in my thoughts."
"Lost in your thoughts or lost in trying not to stare too obviously?"
Your professor’s eyebrows twitched upwards, your question pinking her cheeks as she turned the page of her book mindlessly while attempting to hide her smile. "I assure you, (Y/n). This book is… intense."
"Intense?" You rolled your eyes, not entirely convinced by her excuse, as your eyes traced the cover of her book. "Hmmm, The Book of Nature… William Wordsworth?"
Wanda skimmed through the pages of her book and cleared her throat for the second time, "It's a deep exploration of... um, philosophical concepts. Quite thought-provoking, really."
"Philosophical concepts?" You repeated with a sly smile playing lightly at your lips. "Are you sure that’s what it’s about? If I remember correctly, Wordsworth is a poet, right? And you look pretty relaxed for someone who’s reading about some intense philosophical poetry."
"Well, I think philosophical debates can be strangely soothing sometimes," she told you with a chuckle, slowly making her way out of the nervous state she was in just a moment ago.
"Really? I mean, I love poetry, but that’s quite the intellectual balance you’ve got there."
"Yeah," she breathed, her confidence seemingly flowing from her body right in front of your eyes as she used a finger to adjust the collar of her button-up. "And speaking of balance, how do you manage to keep your work in check while being so captivatingly distracting?"
The blush that paints your cheeks presents itself much more quickly than you could’ve imagined. It was adorable. Managing to turn away from her this time, you avoid her eyes as yours land back down on the papers that were set in front of you, completely forgotten while being under your professor’s gaze. You could practically feel the smile on her face as she watched your every movement. Wanda pulled her office chair closer to yours, where you had brought an extra chair up to her desk as you worked. She set her book down softly, mindlessly leaning in closer and closer to your face as her eyes kept darting between your eyes and those delicious-looking lips of yours. Her tongue dragged itself along the bottom of her lip subconsciously as she stared at you, not even hiding her intentions this time.
"You make it awfully hard to concentrate, (Y/n)," she continued as her eyes traced over the contours of your face, down to the skin of your neck as it strained slightly underneath the collar of your sweater. "I find it rather difficult to stay focused when you’re sitting in front of me."
"Um, Professor… I think we should…" With a flustered smile and stern eyes, you motioned over to the clock right by the door, notifying her that her time with you was nearly up.
Wanda only smiled before speaking again, nodding her head as she leaned back slowly to glance over to check the time, "Of course. Do carry on with your student duties, Miss (L/n)."
To be honest, it’s the first time she has heard you talk so much. Your voice was delicate and smooth, a voice that she wanted to keep hearing over and over again. Talking to you was something she wanted more of. She was quite smug, thinking about how all the rest of the students who admired you for your intelligence and work ethic didn’t get to talk with you as much as she did or spend time with you as much as she did.
A triumphant warmth spread through Wanda's chest as she turned back to read her book. Successfully making you flustered had ignited a sense of giddiness she hadn't felt in a while. But, a calm smile played on her lips, a facade she effortlessly maintained to match your demeanor, masking the happiness that bubbled within her. It’s evident throughout the days, where fragments of her infatuation for you are sprinkled into every moment you spend together. In those moments, she loved everything about you—from the way you worked and focused on your tasks, to the way your voice sounded despite not talking all that much, to the way you furrowed your eyebrows when your eyes stumbled upon something that confused you, or when your lips would curve into that pretty smile she loved to see so much.
Eventually, Wanda came to terms with her feelings rather quickly, but made no move to pursue them just yet. For you to be her lover was something that was not allowed, especially in her profession. She’d also still have to tackle the subject of whether or not you harbored even the slightest similarity about whether you had the same interest as she did for you. During moments where she would sit alone in her office or at home, she’d often let her mind drift off to the thought of you and how she would treat you if she were able to call you hers. Gifts like flowers, books, or jewelry would gladly be given as attempts to make you happy. She’d give you flowers every day if it allowed her to see that smile of yours for even just one second.
The two of you spend the rest of the semester filled with mindless flirting and grading essays, projects, and assignments, all while Wanda reads most of the time, and by reading, you mean she skims over a couple pages and spends the next few minutes admiring the beauty that is you before her. And sometimes, she lets her mind wander just as her eyes do, down to the skin of your thighs underneath those black tights, wondering how it would feel to have her hands all over your legs. She wonders how you would sound, moaning her name as you give her the sweet taste of heaven. If you hadn't been so engrossed in the activity your mind was occupied with, you'd see how her eyes latch to your frame and the way her mouth waters at the sight. It takes everything in her to keep her composure and not pull you into her private office and have her way with you.
She wants to do this correctly, of course. She wants you to want it, too. Though, it may seem like you return her advances and all the rest of her flirty remarks, she wants to make sure it’s something you are sure of.
So, she asks. And she starts by giving you a gift.
"Shakespeare?" You questioned curiously, running a finger along the spine of the book as a shy smile slowly etched its way onto your face. "I didn’t really take you for a romantic, Professor."
She had given you a gift before you were able to step away so soon from her and her class room. The book—The Sonnets by William Shakespeare—rested neatly in the palm of your hand as Wanda watched you inspect it with eager curiosity. You had mentioned your love of poetry once, and with her own collection sitting in the comfort of her own home, she decided to give you one of the books that she loved so much. It was romantic and a tad bit cliché, she’d have to admit, but to make you happy just as you did for her was the only thing she wanted from this.
Wanda brought a hand up to scratch the back of her neck, her eyes darting down to the book in your hand, "Well, I-I appreciate the beauty in romance, yes."
"Thank you for this. I’ll make sure to read it over break," you say, holding the book tightly between your chest and your arm before turning to make your way out of the door. "See you next semester."
Wanda had pondered it, thinking how long the two weeks of winter break would feel with you away from her. The weekends already felt like too long of a wait before Monday came around—the first day of each week when you stepped foot in her class. She looked forward to every day because of you and loved thinking about you on the weekends, then she’d repeat it all over again. But, two weeks. Two whole weeks without seeing that pretty face of yours or hearing that quiet, pretty voice of yours—it sounded dreadful.
"(Y/n)?" She called out to you before you could step out of her empty lecture hall. "Can you stay for a bit? I have something to ask."
She asked you out to dinner in the next few minutes after going on a quite adorable ramble about her being so enamored by you that she couldn’t help but ignore her own boundaries as your professor and ask you out on a date. She was confident but, at the same time, so anxious to hear what you had to say about it. The stare you gave her after her little speech was enough to make her want to dig a hole so deep into the earth and crawl into it so that she’d never be able to see the light of embarrassment. Wanda watched as you clutched the book she gave you tightly in your arms. By this point, she was so sure you’d turn her down given how long you were taking to answer.
Of course, when you answered, she couldn’t process it correctly for the first few seconds, but as soon as she did, her eyes lit up just as brightly as the sun on a clear day. The smile she was biting back was contagious, making you roll your eyes and smile back as she fought the urge to wrap her arms around you. And for a moment, you even thought as if you could imagine a tail wagging back and forth behind her in excitement. You both agreed on next Friday night at eight in the evening, when she would pick you up, take you out to a nice restaurant, and treat you like a queen. You deserved a lovely evening out, and Wanda couldn’t wait to share it with you.
As she went about her daily tasks leading up to that Friday, an uncontainable excitement welled up within her, and she couldn't help but steal moments to envision the evening ahead, leaning back in her office chair to imagine the upcoming night with a dreamy smile on her face, the prospect of sharing dinner and conversation with you filling her mind. Her heart raced with anticipation, wondering what you’d wear on that night, wondering how even prettier you would seem so close next to her, wondering how your hand would fit in hers, and wondering if you’d let her steal a kiss or two, or maybe, if she was lucky, even more. And god, she prayed for all of the luck to be on her side for even just one night.
When Friday came, Wanda rushed home from her office at the university to get ready before she would drive to pick you up at the address you had emailed her—she forgot to ask where you lived, but before she could ask, you had emailed her your address a couple hours earlier. She smiled at the thought, being so excited for the date that she forgot to ask one of the most important questions. Wanda settled on wearing an all-black suit, one of her favorites, and made sure to smooth out every wrinkle with a precise touch, each movement revealing the anticipation bubbling beneath her calm exterior. She knew that your choice of attire was a mystery, and her all-black ensemble was a versatile canvas, ready to complement whatever you had in mind.
But, fuck, when she saw you—God, she was just in pure awe at the sight of you.
Wanda arrived a little bit early, the anticipation of your dinner date bubbling within her. She parked her car outside of your apartment building and leaned against it, one foot casually crossing over the other. She glanced at her watch, checking the time, but her heart raced with a different kind of countdown. As the moments passed, Wanda’s excitement only grew. But when you finally emerged from the building, the sight that greeted Wanda left her speechless. The dress you wore wrapped around your frame perfectly, the silky fabric resting on your soft curves, along with a daring slit that ran up your thigh, revealing a glimpse of your leg with each step you took, and it drove her absolutely crazy. Wanda's breath caught in her throat as she gazed at you; the sight of your shy smile made her heart race even faster.
Fuck, she wanted to say. And for a moment, she struggled to find her words, but not less than a second later, she managed to regain her composure, a smitten grin forming on her lips, "You look beautiful, (Y/n)."
"Thank you, Professor," you replied, smiling innocently up into her eyes in a way that drove her insane. "You’re looking pretty amazing as well."
Wanda couldn't help but feel a surge of excitement at your compliment, but she was still spellbound by the stunning vision before her. She offered her arm to you and walked with you towards the car, opening the car door for you. But, she couldn't shake the image of that tantalizing slit in your dress; the glimpse of your leg driving her senses into overdrive.
Throughout the night, Wanda found it nearly impossible to tear her gaze away from that slit in your dress. The subtle but alluring glimpse of your skin had cast a spell on her, igniting a fire of desire and fascination that she struggled to contain. Each moment she spent with you, Wanda's mind wandered, and she’d stumble on her words as she spoke, all because of her thoughts returning again and again to the sight that had driven her senses wild earlier. She couldn't help but steal glances at that tantalizing slit in your dress whenever you shifted or crossed your legs, her heart racing each time her eyes traced the path upward. And every now and then, you would catch Wanda's lingering gaze, a knowing smile playing on your lips. You seemed to relish the effect your attire had on your professor, your confidence growing as the evening progressed.
The date was going splendidly, with you and Wanda engaging in lively conversations, sharing stories, and relishing each other's company. You laughed together, savored delicious meals, and exchanged meaningful glances that hinted at your growing connection. Both of you were having a great time, enjoying the chemistry and camaraderie that seemed to come so naturally. However, your dress, still with its tantalizing slit, had become a magnetic force that Wanda found impossible to resist. It was as if her mind had been spellbound, repeatedly drawn back to that alluring detail with every glance in your direction. While you spoke passionately about your love for literature and your dreams, Wanda tried her best to maintain eye contact and stay engaged in the conversation. But time and again, her gaze would wander, trailing along the path of that tempting slit.
She stared all night, wondering what it would feel like to run her fingertips against your soft skin, wondering how you’d look when you slip out of your dress slowly, wondering how you’d sound—and the precious imagery alone caused all higher brain function to abandon her.
As the night continued, Wanda couldn't help but feel overwhelming happiness. Your presence was intoxicating, and your smile was a beacon that lit up the evening. It was a feeling she had longed for—the joy of being in the company of someone who not only understood her intellectually but also stirred something deeper within her. You were perfect. So perfect. She wouldn’t have had it any other way. Wanda was proud to have even come this far with you and wondered if you’d allow her the chance to take you out for a second time. She would be glad, too. God, she prayed you’d want to.
Dinner ended sooner than both of you would have liked. Wanda found herself lost in the sight of you the whole night, wishing she could linger in the moment a little while longer. And the idea of taking you home felt like an interruption to a masterpiece still in progress. She held your hand as she walked with you slowly down the path back to her car, which was parked a few ways away for this very reason.
But there was one thing Wanda couldn’t get off of her mind as she led you inside her car and started the drive back to your apartment—your lips. She wanted so badly, more than anything, to kiss you. Those lips that had been speaking to her for the entire night—she wanted to taste them and feel them against hers. With every passing streetlight, the desire to lean over and capture your lips at every red light only grew stronger. Her heart raced, and her fingers gripped the steering wheel every time she thought about it. The desire to taste the sweetness of your lips was undeniable. Yet, she hesitated. The night had been so perfect, and she didn't want to rush things.
"Thank you for tonight, Professor," you softly as soon as the car came to a slow stop in front of your building. "I had a wonderful time."
"Well, it’s not every day I get to have dinner with someone as beautiful as you," Wanda said, turning her head to face you as her hand gripped the steering wheel.
"You really know how to lay it on thick, don't you, Professor?" You rolled your eyes, trying to fight back the laugh that almost spilled from your mouth.
Wanda grinned from ear to ear and glanced at the street in front of her for only a moment, "I mean, only when it’s the truth—"
Mid-sentence, just as Wanda spoke, you leaned in and planted a soft, sweet kiss on her cheek, maybe a tad bit close to the corner of her lips. It was a sudden, tender gesture that caught Wanda completely off guard, making her grip tighten around the gear shift of the car. Then, you gently place your soft hand on top of hers, causing her vision to go hazy with clouds of lust, devotion, and affection. You don’t miss the way her ears turned red as you pulled away from her face.
Eventually, Wanda found her voice, though it was tinged with surprise as she stammered out, "Well, that was... unexpected."
In her mind, truthfully, she wanted to ask you to do it again and again and again. Maybe she’d ask for you to kiss her lips next time, but she’d never let you go off to do anything else.
"I think you’re too much of a flatterer," you chuckled softly, your fingers gently tracing the outline of Wanda's hand on the center console. "Do you say that to all of your students, Professor?"
Still slightly stunned from the tiny kiss, Wanda turned to face you. Her usual composure had been momentarily shattered by the feeling of your lips against her skin, and she met your eyes with a genuine, heartfelt sincerity, "No… just you."
The words slipped out of her mouth, unfiltered and genuine, carrying with them the depth of her feelings. In that moment, Wanda realized that her attraction to you was unlike anything she had ever experienced before. It wasn't just casual flirting with someone who she thought was pretty, as she did in the beginning; it was something deeper, something that had taken her by surprise the longer she had gotten to know you. Wanda's heart continued to race as she watched your playful expression soften, replaced by a warm and genuine smile.
"Do you want to come in, Professor?"
Wanda, still feeling the electrifying effects of the way your lips felt, faltered once more. The idea of spending more time with you was undeniably tempting, but she knew that if she continued this evening further, it would require every ounce of her self-control. Her hands ached to touch you, to run them along your waist and hips, and she longed to press her lips against yours over and over again. The dress you wore was not much help either; her eyes were always glancing down to that slit that showed off the soft skin of your leg. In her mind, a hundred affirmations echoed, each one urging her to say yes. So, she did.
You led her towards your apartment, hand in hand, walking down the softly lit halls of the building in a happy, expectant silence. Although she tried to hide it, Wanda could feel her own excitement building to an almost unbearable level. Her heart raced, and her breaths came a touch quicker as you led her to your place, the feeling of your hand in hers setting her skin on fire. When you reached the door, you fumbled for your keys with one hand, your other still firmly clasped with Wanda's. Your movements were deliberate, yet there was an undeniable excitement radiating from you, a subtle telltale sign that you, too, were looking forward to what lay ahead.
A sense of comfort washed over Wanda as she stepped inside, the atmosphere of your warm apartment enveloping her as she followed you in. She watched your hips as you walked in front of her, her cheeks and ears reddening at the sight once more. Your space was also thoughtfully decorated, exuding a lived-in charm that made it feel like home.
"I’m sorry about the mess. It’s usually tidier, I promise," you tell her, placing your bag gently on the counter in the kitchen before turning back to look at her. "I honestly wasn’t planning on inviting you in yet, but… I don’t know; I guess I couldn’t help myself."
Wanda, however, didn't seem the least bit bothered. Her warm smile remained unwavering, and she looked around with genuine appreciation. She swallowed the lump in her throat, her hands now stuffed into the pockets of her pants, coolly leaning against the wall, "No, I don’t mind it. And it’s not messy at all. It’s a lovely home."
Her eyes roamed over your cozy living room with its soft, inviting couch, adorned with a few well-placed cushions. The warm glow of dimmed lamps bathed the room in a soft, comforting light. Bookshelves lined one wall, their shelves cradling an eclectic collection of literature, each book seeming to hold a story of its own. The scent of a vanilla-scented candle lingered in the air. It was a cozy, lived-in scent that made Wanda feel instantly at ease—a reflection of you and everything you loved. And on your coffee table, amidst your own collection of books, she saw the one she had given you. It lay there, open and well-loved, with pages slightly ruffled and a bookmark placed near the end. In no way would Wanda have minded the mess at all, not when she was surrounded by the tokens of you and your life.
"I’m almost done with it," Wanda heard you say as she looked around your apartment. "The sonnets are really beautiful. I think I’m enjoying it better than his plays."
The professor raised an eyebrow at your claim, "Bold statement, (Y/n)… But I’m glad you’re enjoying it."
You smiled at her as you moved to get two glasses and a bottle of wine that you’ve been saving for special occasions, and this was definitely one of them. But when you turned to look back at Wanda, her gaze, once warm and affectionate, had intensified with desire and lust as she watched you pour the wine into the glasses. Her eyes held an unmistakable hunger, as if you were the most captivating thing in the world, and it didn't go unnoticed. Wanda's stare was so intense and filled with longing that it seemed to sear through you like a fiery caress. It made your heart race, and your breaths quickened as you tried to maintain your composure. With that look in your eye, you knew this night was about to get even more special.
"What are you thinking so hard about over there, Professor?" You asked with a smirk that made Wanda weak in her knees.
Wanda shook her head and bit her lip, her cheeks reddening at the topic of her own thoughts. She made her way towards you as you slowly lifted the wine glass to your lips. And although you were occasionally flustered by her intense gaze, you had a reputation for your own brand of composed charm. Wanda approached the counter where the wine glasses were placed, her fingers lightly caressing the stem of a glass as she lifted it herself. Her movements were fluid and sensual, drawing your attention like a moth to a flame. But this time, when she turned to face you, she found herself locked in a gaze that mirrored her own desire. Your eyes held a magnetic allure, an intensity that matched Wanda's in every way—your look was a silent challenge, a dare to see who would break first.
You brought the wineglass to your lips, and the woman in front of you watched with a heightened sense of awareness, her gaze locked onto the way your lips delicately touched the rim of the glass. Your soft and inviting lips seemed to beckon Wanda like an irresistible temptation. They glistened with the remnants of the wine, and a thousand thoughts raced through her mind. She couldn't help but imagine what it would be like to taste those lips and feel their softness against her own. She wondered how your lips would feel, how they would respond to her touch, and how you’d moan into her mouth. And she couldn’t get her mind off of it.
"Professor," you spoke, setting your glass down on the counter before stepping close in front of her. "I think… you’re thinking too much."
Wanda’s anticipation was palpable, and she held her breath as you closed the distance between the two of you, her heart pounding in her chest. As you stood so close, your breaths nearly mingling, you sensed that she was still overthinking the moment. And finally, in a bold move, your hands reached out, gently tugging on her suit jacket, pulling her even closer. The touch was electrifying, sending a shiver down her spine as your lips met hers in a deep kiss. Wanda's breath caught in her throat as your lips met hers, and she melted into the kiss with a soft groan, moaning at the sweetness of your lips that she had been waiting all night to feel.
You led her to your bedroom with your lips never leaving hers and your arm around her neck while your other hand pulled her jacket roughly off her shoulders. A laugh bubbles against your mouth as you trip over the rug on the way to your room, but Wanda catches you with a chuckle, her hands at your waist holding you against her. Your lips fit so perfectly against hers, and the taste of you on her tongue unlocked all of the desires she had been trying to keep at bay. All she could think about was you. Mere seconds have gone by when your back finally meets the soft comfort of your bed, all while Wanda explores your mouth with her tongue. She indulges herself in the taste of you and tugs desperately at your dress, just as you tried to undo her belt, albeit poorly. The gasp you let out when Wanda moved her head down to your neck, sucking, licking, and nipping at your sensitive skin, distracted you from your current task, leaving her belt loosely unbuckled.
"Mmh, Professor…" Your bedroom was painted with your needy moans and Wanda’s soft grunts as she pressed herself against you, your body pressed in between her and the mattress.
"Wanda," she murmured into your neck, leaving marks on your skin as her mouth explored. "You can call me Wanda… Please."
You smiled and ran your hand through her hair, urging her to look at you and bring her face close to yours just for you to say her name in the sultriest way that made the woman in front of you physically stutter, "Wanda."
Wanda swallows the lump in her throat, dazed as she watches your lips as you spoke out her name. She parted her lips, unaware of the hazy look in her eyes as she stared at you. Dragging her tongue over her bottom lip, she subconsciously leaned in to press another kiss to your sweet mouth, but you cupped her face with a soft yet commanding touch before she could close the distance. Wanda's breath caught in her throat, her heart racing as your gentle fingers caressed her skin. She felt a shiver run down her spine as your touch lingered, trailing slowly from her face, down her neck, and over her collarbone. Your hands moved with deliberate tenderness, unbuttoning the rest of her shirt one button at a time.
And she could only watch; her eyes locked onto your hands as if they were the most mesmerizing thing in the world. Your movements were slow, each button releasing its hold on the fabric with a soft, tantalizing pop. Wanda, lost in the sensations of your touch, was in a daze once again. Her eyes remained fixed on your hands, watching as they worked their way down, unbuttoning her shirt one by one. Your fingers brushed against her skin, leaving a trail of warmth and desire in their wake. With the last button undone, you gently slid Wanda's shirt off her shoulders, and it slipped down her arms, a whisper of fabric gliding to the floor. You couldn’t help but smile at her, hovering over you with a black bra on, her pants unbuckled, and her hair tousled from all of the making out. God, was she beautiful.
And Wanda thought the same thing about you, if not more. You still had your dress on, and the way you spread your legs a bit so she could settle comfortably on top of you did nothing but make her feral. Wanda’s mouth practically watered at the sight of your exposed skin. With a gentle and curious hand, her fingers danced along the skin of your leg, slipping under that same tantalizing slit that had been teasing her the whole night. She kissed your chest as she did so, but with the way you were squirming underneath her, Wanda couldn’t get the thought of your hot, naked, trampling body out of her head. And she could feel it—fuck, that lacy underwear you were wearing—as if you had planned this all along. It was driving her absolutely insane.
"You can take my clothes off for me," you whispered lowly into her ear, and for a moment, Wanda froze at your words.
Soon enough, her hands started pulling roughly at every piece of fabric she could get her hands on. She needed to see you. She was going to lose it if she didn’t see you. And despite how rough her hands were, Wanda carefully slipped the dress off of your body, undoing its zipper in a way you almost didn’t notice. But all caution was thrown out the window when Wanda finally laid eyes on your half-naked body. It was black lace underwear that you were sporting, and all she could think about was how stunning you looked. She sat there for a while, frozen and heated, her eyes raking over every inch of your body. To think that you were wearing this underneath that goddamn dress this whole time, god, it makes her absolutely exasperated with desire.
"I’m getting a bit cold here, Professor," you smirk, your fingers trailing up her pants, finally meeting her undone belt once again. "Warm me up a little?"
"Yes ma’am," Wanda breathed out and nodded, her hand ghosting over your skin once more as you opened your arms and urged her to come closer—the sight causing her to melt and a question she didn’t even think twice about spilling from her mouth. "Can I fuck you? Please?"
Almost immediately, Wanda leaned down and pressed her face against your body, littering soft and hot kisses along your stomach, up the valley of your breasts, your collarbones, and to your neck. She would lick, suck, and kiss all over again, marking your skin with the prettiest bruises. You almost forget to answer her question when she starts kissing you, but she pleaded once more. To let her do whatever she wanted, just say the word, and she’ll make sure to make you feel so fucking good.
"Please," she begged you, whining only slightly as she kissed your neck. "Please, (Y/n). Please—I'll do anything, I—"
"Touch me there," you said, slipping your hand into hers to lead it down to your warm, clothed center. "Right there, Wanda."
You let her fingers press against the fabric, feeling how undeniably soaked you were. Without a second thought, Wanda immediately circles your clothed pussy with the pads of her fingers, just getting lost in the feeling of your wet heat. Her jaw slowly drops as she watches her own fingers play with your cunt. She pressed even harder the moment she finds your clit underneath the thin fabric and when you moaned, arching your back slightly in the process, she lost all self-control. You don’t even get a second to catch your breath as Wanda immediately starts clawing at your underwear, pulling your bra off of your chest in the quickest way possible. And, when she moved her hands back to your panties to uncover the very treasure she was yearning for, you suddenly heard an unmistakable sound—the sound of fabric tearing.
Your eyes widened in disbelief as Wanda stared at the torn piece of underwear in her hands, "Did you just—"
"I’m sorry." Then she kissed you to give you something else to think about other than the fact that she just ripped your precious, laced underwear.
"You ripped—"
She kissed you again, murmuring against your lips, "I’m sorry, baby."
"That was expensive, you know. I just got it last week," you said, rolling your eyes, wrapping your arms around her neck as she continued to kiss your skin all over again. And it was working—when you felt her lips kissing you and sucking on you, you could barely think about anything else.
The corner of Wanda’s lips turned upward at the thought of you buying lingerie just for her, "I said, I’m sorry. I’ll get you another one, I promise… But, right now, I really want to fuck you. I want to fuck you until you can't move. Let me make you feel better, baby? Please."
Wanda's plea hung in the air, her voice a desperate whisper filled with desire. When she turned to look back at you, she did so with an intensity that made your heart race even faster. Already blushing from the heat of the moment, you felt your cheeks grow even hotter and hotter. Your gaze locked onto Wanda's lidded eyes, and you could see clear as day the raw need inside of them.
Your lips parted, and a deep, crimson blush spread across your cheeks. With a soft voice, almost breathless, you finally gave in, "You’re lucky I like you, Professor."
You were going to say more, but you couldn’t help the gasp that fell from your lips when Wanda dips two fingers into your pussy without any warning. She could feel you tense up around her waist, and your hands moved to grip her biceps as she started pumping into you at a slow pace, easing her way up to a faster one. Wanda’s jaw dropped once again, moaning as she felt just how tight, warm, and wet you were around her fingers. She could feel every sliver of you, your spongy walls wrapping around her digits, and you gasping right into her ear. God, it was so perfect. You are so perfect. She could fuck you like this forever.
"Does that feel good?" she asked, looking up at you with lidded eyes while her fingers continued to make their way in and out, in and out.
"Yes, right there," you nod quickly, moaning in her ear as your grip on her arms got tighter, trying to hold on for dear life as Wanda gradually got faster and faster. "You feel so good inside of me, Wanda. So good—ah!"
The woman reveled in your praise, unable to hold back her own moans as she watched her fingers, glistening with your slick, sink deeper and deeper.
"You’re sucking my fingers in, baby." And you truly were. Her fingers are buried deep in your pussy, and almost immediately, she finds that weak, spongy spot inside of you and begins to torture that button. With your moans getting pounder and louder, she penetrates deep against it, groaning into your neck as she listens to the music of your moans and whimpers.
After a moment of getting lost in the heavenly sounds that were spilling from your mouth, Wanda pulls your leg over to your chest, pumping her fingers in and out at a much faster pace than before. With her digits accelerating in speed, your body jolts and your moans go up an octave as Wanda continued to fuck her fingers into you. Your eyes rolled to the back of your head, feeling her press against that sweet spot inside your pussy over and over again, building up to the climax she had been working diligently to witness. And finally, the band holding you together finally breaks, your body succumbing to one of the best orgasms you’ve ever had in your life. Wetness pools all over her hand, and your pussy clenches tightly around her fingers. Wanda melts at the sight of your trembling body and shaky legs as your hands grip onto her biceps even harder, trying to hold on as she helped you ride out your climax.
When you calmed down, legs trembling against her, Wanda carefully pulled her fingers out of you with a squelch. She stared down in awe at your wetness, glistening all over her fingers and dripping down her hand. With her lips parted and eyes glued, you could not help but smile as you were catching your breath, still a bit hazy from the orgasm she had just given you. When you felt like the professor was taking a bit longer than expected, you reached down and gently brought her hand close to your face, her eyes following as you did so. And when you opened your mouth, you dragged your tongue slowly over the length of her fingers, and all Wanda had the strength to do was watch.
"Fuck," Wanda breathed out as you licked her hand clean of your essence.
You pulled Wanda in by the neck to kiss her, and she groaned into your mouth when she tasted your juices on your tongue—the taste of how good she made you feel. After pulling away to catch your breath once more, Wanda made her way back down again, leaving kisses along your skin as she traveled to the heavenly space between your gorgeous legs. And with mere inches away, she could smell you, smell the taste of you, and it lingered on her tongue, only making her yearn for more. The scent of you floods her senses, and she leans in with lidded eyes, lost in the thought of having you come right into her mouth. God, she wanted it—she needed it.
She was so close—her mouth was so close. You were right there, all ready in her mind for the grand meal she was about to indulge herself in. And with a soft but firm hand holding her head back by her hair, you stopped her.
"Not yet," you told her, shaking your head slightly as your fingers threaded through her hair.
"What?" Wanda gives you another dazed look, confused and almost frustrated with the fact that you interrupted her on her way to a heavenly meal.
"Not yet," you repeated once again, louder and clearer, with a more demanding tone. "I want you to watch me."
With her eyebrows raising in surprise, Wanda wondered what it was you had in store for her, "Watch you?"
With a teasing smile, you took your hand off of Wanda’s head, slowly dragging your fingers against the inside of your thigh, then in between, the soft pads of your fingers meeting your clit. There was nothing else Wanda could keep her eyes on except the way you pressed softly onto your clit, with another moan slipping out. Your clit was wet and slippery, coated with your juices. You could feel her heavy breath against your pussy, just centimeters away from her face, and all Wanda could do was stare. The sound of your quiet whimpers filled her ears, and it took everything inside Wanda not to dive in, face first, into your heavenly heat.
You must’ve known. You must’ve known what you were doing; keeping her desperate and begging while also checking if she’d be good and obey. And although it was hard to keep away, Wanda followed your orders and watched. With her eyes stuck to that precious button you were torturing all by yourself, she couldn’t help but pant slightly, like an obedient dog waiting for its signal to start eating.
Soon, you were getting close all over again, and Wanda was disappointed that it was not her doing. Although your moans and whimpers were more than enough to fuel her desires, waiting to touch you almost became unbearable, but she remained still, her eyes still glued to your pretty pussy as you touched yourself.
"Let me—Let me touch you," Wanda pleaded, unable to take her eyes off of the way you were rubbing your fingers against your sensitive bundle of nerves. "Please, let me help."
"N-Not yet," you said again, your body writhing more and more as each second passed.
With a groan, Wanda dropped her head down against the plush, inside part of your thighs, holding you down as you chased your own high. She kept watching with her mouth open as she resisted each and every urge in her body that told her to ignore your order and just jump right in, but she held herself back. She didn’t even know how, but she knew that once you allowed her, you’d reward her with the best meal and orgasm you could ever give her.
And just as you were about to hit your peak, you let one word slip, "Now."
Wanda finally opened her mouth and let her tongue fall. Her jaw drops as she lets her tongue travel from the bottom to the top, dragging it through your folds and swirling it messily around your clit. The taste of you was as blissful as angels singing in her mouth, as if her tastebuds had been blessed by the gods themselves. Your cries and moans rested well on Wanda’s ears, doing nothing to stop her from eating you out so fervently. A pleasured groan fell from Wanda’s muffled mouth as you tugged harshly at her hair, Her breath was hot, and your pussy had you squirming beneath her. It was heaven for Wanda. God, she’d give everything if it meant being able to live the rest of her days down here, with her head between your legs and your pussy in her mouth. She’d be set for life.
Your poor clit was already so sensitive, and Wanda was lapping at you like a thirsty dog. Your precious brain couldn’t even focus anymore, and all you could think about was Wanda’s tongue. And because of how close you were just before she started, your orgasm started to build higher and higher in a matter of seconds. Her mouth showed no remorse, and the lewd noises only made you flush deeper. With her thighs squeezing her head between your thighs, Wanda devoured you, holding you still with ease despite your constant squirming. Then, she wrapped her mouth around your clit, and sucked, and sucked, and sucked, and sucked, until she had you screaming her name into the air as you came inside of her mouth.
And yet, she doesn’t stop.
"W-Wanda, I—"
"Not yet," she said, voice muffled as she continued to fuck you through your orgasm, her tongue swirling and licking every crevice in and out of your sex.
Your words die in your mouth, and you let out a squeal as she buries her tongue right into your pussy all over again, licking and swirling it inside of you as you whined about how it was too much for you to handle. But, she kept going anyway. And fuck, you felt incredible wrapped around her tongue; it drove Wanda insane. Your body was hot, trembling at the mercy of her touch, screaming out as Wanda continued to overstimulate you. She was now far from being gentle. How could she? When you had been teasing her all through the night with that slit in your dress and those eyes that were begging her to do something? Occasionally, she’d open her eyes to see you arching your back, screaming into the pillow, and it made Wanda moan against your pussy, the vibrations doing more to stimulate you.
With her eyes glued to your body as your legs tensed around her head and your stomach clenched as you moaned, Wanda whined and pushed herself further into you. Her hands were now spreading your folds open as she dragged her tongue up and down your fold before wrapping around your clit once more. Even when you finally gushed inside her mouth, she kept going, even with your entire body enveloped in shivers, as she savored each and every drop of your essence.
"I think–It’s too much—" you tried to say.
But, she just hit you with the same words all over again, "Not yet."
And she’d make you come a third time, then a fourth, then a fifth—until you couldn’t take it anymore. By the end of all of it, Wanda goes back up to your face, her heart racing faster as she sees your tear-stained cheeks and a lazy smile on your face as you try to look at her. She wipes them clean with her thumb and kisses them with her lips, using her other hand to calm your trembling body by running it along your quivering legs.
You reach out for her with a whimper, trying to grab hold of her, begging for her care as she soothes your body. Wanda smiles and re-kisses each bruise she left on you, all the way up until she makes it to your mouth. She kisses you softly and gently, and you can taste yourself right on her tongue. Nuzzling your face into her neck, Wanda pulls your body to lay on top of her, securing a tight and comforting hold on you as you began your drift to sleep.
It’s everything Wanda could have ever wanted—to be with you. It was perfect. You were perfect.
"You did so good, Wanda," you said sleepily into her skin, muffled as you spoke. "So good for me."
"I think I should be the one saying that, (Y/n)," she replied with a proud smile as she ran her hand through your hair. Eventually, her hand rested on your cheek, soothing her thumb over your skin as you began to let your eyes flutter closed at her soothing touch. "You are… so beautiful, darling… So perfect."
You almost fall asleep after a few seconds. Her touches, the feeling of her breathing, and the way her skin felt was everything you ever wanted and more. Wanda laid there with the same thought in her head, her heart filled with an overwhelming sense of love and contentment. As she gently brushed a strand of hair from your face, she couldn't imagine a more perfect moment.
“I have something for you,” you say, voice rasp and groggy as you moved reach something from the drawer of your side table. “It’s nothing special… it’s just… you keep losing your card, so..”
You couldn't help but feel a touch of nervousness. You had spent hours searching for the perfect gift, wanting to express you affection for Wanda in a meaningful way. Yet, when you were finally about to give it to her, you couldn't help but feel a bit shy about its simplicity.
But then, Wanda's eyes lit up with curiosity as she accepted the small box and carefully opened it. Inside, she found a cute red lanyard with a playful pattern, and her heart swelled with affection. She held it delicately in her hands, her fingers gently tracing the tiny pattern that adorned the fabric. It was a simple yet thoughtful gift, and she couldn't help but feel a rush of affection for you for choosing it.
Your shyness melted away, replaced by a radiant smile, as you watched Wanda’s joy. You couldn't help but feel a sense of warmth, knowing that your gift had brought a smile to the professor’s face.
Wanda turned towards you, her eyes soft with emotion and her heart full. She reached out and gently cupped your cheek with her hand, her thumb tenderly brushing against your skin. With a sweet and sincere smile, Wanda leaned in slowly, her lips meeting yours in a gentle kiss. Your lips met like two puzzle pieces finally fitting together, and for that moment, the world seemed to fade away.
“It’s perfect,” Wanda says, unable to suppress the way her lips curved upward. “Thank you.”
Then, each day as you arrived for class, your heart couldn't help but skip a beat when you saw Wanda. What caught your attention immediately was the sight of the red lanyard that Wanda wore around her neck. It didn't matter if Wanda's outfit matched the lanyard or not; it was always there, a constant presence, and a sweet reminder of the thoughtful gift you had given her. On some days, it stood out vividly against Wanda's attire, a burst of color that added charm to her ensemble. On others, it contrasted playfully, a delightful pop of red against more subdued colors. But in any case, it was always there.
Over the next few weeks, You and Wanda found yourselves in a whirlwind of newfound affection and stolen moments. In the classroom, your glances became a language of your own. Wanda would catch your eye from across the room, and a playful yet affectionate smile would curve both yours and her lips. It was as if you shared an inside joke, one that no one else in the class could comprehend. As the days went by, their desire for each other grew. They were days off of stolen kisses, lingering glances, and shared smiles that only you could fully understand.
One day, in the middle of a lecture, Wanda couldn't resist the urge any longer. She discreetly slipped out of her seat and gently tugged at your hand, pulling you slightly behind and into a closet at the back of the room, out of sight from her classmates' curious eyes. With a mischievous smile and a twinkle in her eye, Wanda leaned in and pressed her lips against yours. It was soft and tender, a tantalizing taste of their affection that left both of you breathless. The classroom continued with the lecture, seemingly oblivious to the hidden exchange.
Yet, for Wanda, those stolen kisses were like sweet secrets shared only between the two of you.
— navigation!
#bellaveux writes!#wanda maximoff#wanda maximoff x reader#wanda maximoff fanfiction#marvel x reader#wanda x reader#elizabeth olsen#marvel#avengers x reader#elizabeth olsen x reader#wanda maximoff x female reader
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Creator Spotlight: GDBee Art (@prinnay)
Geneva Bowers is inspired by the wonders of the natural world around us, and enjoys manipulating colors to create art full of mood and feelings.
Check out our interview with Geneva below!
How did you get started with art? Did you originally have a background in art?
I’m going to say yes because that’s all I’ve known how to do. It started because I wanted to draw better horses than my sister, and it just spiraled from there. People started asking me to draw things because they saw me drawing horses. I was like, well, I can draw things that aren’t horses, and then it was just kind of all I did.
Have you ever had an art block? If so, how did you overcome it?
I have one right now! Honestly, with time, and I also collect art books; I think I have a couple hundred. If I really want to draw something, then I just flip through those and try to steal some ideas.
Which three famous artists (dead or alive) would you invite to your dinner party?
I mean, of course Van Gogh…I’m really inspired by Impressionism and Post-Impressionism, so I would invite Van Gogh, Monet, and Julie Dillon to a dinner party.
Have you ever wanted to dive into another medium before?
Yeah, actually, I currently am! I’m trying to do more traditional painting. I used to do a lot of acrylics, but I haven’t done it in years, and now I’m kind of bad at it. I’m trying to get into actual impressionistic art with oils and oil pastels. I’m like failing, but you know, you get there. Just fail until it looks presentable.
If there is one thing you want your audience to remember about your work, what would it be?
I guess it’s more of a feeling. I create art because I’m inspired by things around me, like certain video games. For example, I have been inspired by a Japanese RPG called Chrono Cross on PlayStation 1. They make me feel a certain type of inspiration to create something, so that’s kind of like what I’m hoping to leave behind.
Have any of your projects surprised you with their outcome?
Yeah! I did this Weapon Faerie series where I took three prompts: a weapon, a winged insect, and an herb, which I combined to make different characters. So, a faerie with a spiked club or a butterfly faerie with a katana. I made 13 of those, and they kind of took off! I wasn’t expecting that at all.
What is the hardest part of your process?
My whole art style is coloring, like the way it’s colored… but I hate the coloring process, haha. I like doing the color combos, but I don’t like the blending and shading. That takes like one-trillion years. It’s the part where I’m most likely to give up. You know how art kind of looks ugly before it looks good? I’m trying to trust that process.
What do you wish you knew when you started creating art that you know now?
I guess one big thing would be knowing how to use lights and darks. When I do color, it is definitely colorful, but when you switch it to black and white, you see that everything’s the same tone of gray. I’ve learned that if you just use some brighter colors and some darker shades, you create a bigger impact in the end. So, now, when I paint something digital, I make it black and white for a moment to see where all the hues are, and if something is weirdly dark or not dark enough, I can change it.
Who on Tumblr inspires you and why?
Oh, @feefal definitely inspires me. She does a lot of spooky art.
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A little fiddauthor analysis...
Making this post mostly just to get all of my thoughts out about it regarding how I think it is inherently very toxic on both ends, despite people treating it as more wholesome near the beginning when they were both younger… and the fact that I think it’s very incredibly one-sided. I’m strictly going to be talking about CANON events, not headcanons or speculations or AU’s. If you wanna draw Fiddleford and Ford being cute and hugging and dating, I don’t care, I like a lot of the content for them myself. It isn’t canon to the show and doesn’t affect or harm anybody. That’s what a fandom is and I’m not trying to police anyone, I just think a lot of people misinterpret their relationship and thought it would be fun to talk about it because I find their dynamic really interesting. I’m going to be using a lot of direct quotes and scenes from Ford’s journal, TBOB, and the show, so buckle in baby ! This was supposed to be a quicker and smaller one while I work on my Billford essay, but I had a lot more to say than I thought…
First off, it’s interesting to see how Ford thinks their interaction after so long is going to go. In Journal 3 he says he has “no choice” but to call Fiddleford up to work on the portal because Ford just doesn’t have the smarts to do what he wants to do himself, and he thinks he’s going to have to literally beg Fiddleford to join him. But as we see in the journal and in the show, it hardly takes ANY convincing at all for Fiddleford to drop everything he was doing and leave his wife and kid for months on end to work on a project he knows nothing about. All the info he has he got over a short phone call. It seems like Ford, at this point being so close with Bill and thinking he’s the only one who cares about him, just assumed that most people he used to talk with don’t think about him anymore. He’s had Bill whispering in his ear that he’s the only one who understands him, so it makes sense he doesn’t think Fiddleford will want to do this with him. But from what it looks like, Fiddleford either has been waiting every second for Ford specifically to get back to him, or just has been waiting for any excuse to get the hell away from his family which is… yeesh. Either way, not very healthy regarding his wife and kid. He doesn’t seem to really care all that much about either of them, but more on that later.
Obviously Ford cares about Fiddleford, as soon as he comes down to live with him, Ford hasn’t been so happy in a good while. He missed human connection, despite how good things were going with Bill. Having another person there to talk with was nice. Despite Fiddleford having strange quirks that did irk Ford, he found them endearing and genuinely felt better in his company.
But I think the biggest thing here a lot of people overlook is that Ford only ever refers to Fiddleford as his college buddy in the show, and in the journals as “my assistant.” I’ve seen so many people have Ford call him his partner, but he actually only calls him this like once in the show i think. It’s always my assistant, my research, my theory. Which is funny because Ford didn’t come up with any of this stuff with the portal on his own. Bill was the one that gave him the blueprints. Fiddleford even questions Ford at one point, asking if he had help coming up with them because of how complex they are, and Ford decidedly DOESN’T mention Bill and instead tells him “with hard work, anything is possible.” (Btw he does refer to Bill as his partner multiple times… just sayin.)
The way he talks to and about Fiddleford, Ford is always talking down. He does think that Fiddleford is smart and does think he has a brilliant mind, but he still thinks that he’s below him.
Because Ford has Bill.
And oh my lord, do I not see anyone talk about this. Soooo many comics always depict Fiddleford knowing about Bill existence, but I think the biggest roadblock with their ship and a huge point of contention is that Fiddleford never canonically knows about Ford’s relationship with Bill until after he’s already lost his mind when he’s old. He doesn’t even KNOW that he exists until he’s half sucked through the portal. People ignore this, but it’s so important to their dynamic. Ford doesn’t think that Fiddleford could handle it, and he doesn’t think he necessarily deserves to know. Because Bill is Fords thing. Their relationship is special. Ford is special.
Ford claims he doesn’t tell Fiddleford about Bill because he would throw him in a looney bin, despite their research being so whimsical and ridiculous already. They’re literally building a portal to a different dimension, Fiddleford would’ve believed him. And the way Ford talks about it, you can tell it’s less about Fiddleford thinking he’s crazy and more about something else.
Could F ever truly appreciate the complex fates that brought me and my Muse together?
He doesn’t think Fiddleford could APPRECIATE it. The language he uses, you can tell that Ford knows that Fiddleford would see right through Bill’s facade. And Ford doesn’t want that because he wants to be friends with Bill and he wants to be special, and he’d rather hide Bill and stay in denial than tell his dearest friend, just so he can feel special a little longer.
This is why I think as much as Fiddleford’s romantic feelings for Ford were there, it never ended up going anywhere. Ford would always choose Bill over him. When Fiddleford got him the axolotl pet, Ford quickly threw it out and lied about it to Fiddleford just because Bill told him to. And there’s multiple cases of interactions like this, where Bill will talk down about Fiddleford and Ford will just be like damn… yeah. Here’s a journal excerpt from TBOB around Christmas time. For context, Ford got into a huge fight with a monster and tried to contact Bill to help him, but he didn’t come. And then Bill randomly shows up later when Ford’s at home decorating.
I was almost roasted by Krampus, and where was he? Off inspiring some other scientist? Posing for some tapestry? Were we even partners? He threw the accusation back in my face. “Hey, I’m not the one skipping portal work to carouse with a third-wheel hillbilly with second thoughts about our project!” I started to argue--but he had a point. F has seemed less and less committed to work lately.
Which is INSANE !!! when we see that only a fucking page ago, Fiddleford was explaining how he got in a fight with his wife because he didn’t get her a present for Christmas. After spending multiple weeks and making multiple prototypes for a pair of 6 fingered gloves for Ford.
And if we hop back to Journal 3, there’s a particular interaction with them which is crazy to me. While hiking up a mountain to go to Crash Site Omega, they get into a fight with the Gremloblin, which fucking swoops up Fiddleford into the sky. In Ford’s attempt to get him down, they both end up falling down through the roof of a barn, where Fiddleford gets stuck full of quills and breaks his arm.
Despite our fortune, I have become worried about my assistant. I was able to treat his physical wounds, but I fear there are mental wounds not as easily remedied. For the past several nights, he has been unable to sleep, apparently still haunted by the Gremloblin’s gaze. More alarming is his Cubic’s Cube. It has sat scrambled, unfixed, on his desk for days. I myself have survived many monster attacks without trauma, but perhaps F is more sensitive than I realized…
OH. MY. GOD. The way that Ford talks so condescendingly is enough to make any person's blood boil. It’s the same way when Fiddleford gets sucked through the portal, and when Fiddleford gets pulled back, Ford’s first words out of his mouth are “WHAT DID YOU SEE!”
As much as he cared for Fiddleford… he has no regard at all for Fiddlefords VERY VALID feelings about events that would traumatize literally anyone. But he just pats Fiddlefords back and tells him to get used to it because this is just part of the job and he shouldn’t be whining so much. He does nothing to properly comfort him and scoffs it off like “apparently he’s ‘TRAMATIZED’ or something. I’ve been through so much worse and never had a problem, I don’t get what his issue is.” And then ford is SURPRISED AND APPALLED when Fiddleford creates the memory gun.
Which oohhhhh lord, the memory gun. jesus christ. Such a big example of the distrust between them on both sides. Fiddleford literally canonically lied about destroying the gun and then erased Fords memory about it so that he could erase his own memories in secret without him knowing. And also probably fords sometimes! Not completely canon, but like…. Fiddleford did it once, I wouldn’t put it past the guy. And then when they go to the carnival, Fiddleford hands out his fucking card to Ivan (the leader of the society of the blind eye, who was a teen/early 20s at the time) so that he can erase memories for him that he didn’t like.
Biggest thing we can take away from everything regarding Fiddleford’s character, is that he always takes the easy way out. He ran away from his family he obviously didn’t really care for as much as he should’ve because that was easier than talking it out or divorcing. He pushed it aside for later. Bro was literally looking for a fucken Brokeback Mountain situation, but Ford wasn’t giving anything back to him. So instead Fiddleford constantly made a fool of himself doing things for Ford and tripping over himself to show his gratitude when all the while Ford was entirely focused on Bill. and then he just goes around and starts erasing memories, because it’s easier than having to actually deal with things. Which is why I don’t foresee a reality in which Fiddauthor makes sense, in the way they actually end up doing anything together. Because Fiddleford’s too much of a coward to admit his feelings first, and Ford obviously has his sights on someone else.
And here’s the BIGGEST damning thing, like oh my god.
In Journal 3, Ford goes to a fortune teller (which don’t get me fucking started on how judgy he is to her and how much he talks down about her, DESPITE HER BEING LEGIT AND ACTUALLY WARNING HIM). Long story short, she gives Ford a spiel about how someone close to him is deceiving him. She then gives him a mood ring and says “when this is blue, you may pull through. When this is black, you can’t turn back.”
And LO AND BEHOLD!! OH MY FUCKING GOD, when they’re at the carnival and Fiddleford is talking to Ivan and whispering--
Ford. Looks down. To check if the ring is black.
I took one last look down at my hand and was strangely relieved to find that the palm reader’s ring was still blue. I shoved it in my pocket, collected F, and tried to put the whole experience out of my mind.
FORD LITERALLY THOUGHT ABOUT THE IDEA OF FIDDLEFORD BETRAYING HIM BEFORE BILL. IN FACT, HE LITERALLY NEVER MENTIONS THINKING IT WAS BILL ONCE.
He talks about how they got into a fight at dinner the night before the portal test because Fiddleford was having second thoughts about it being dangerous, and Ford told him to be there or he would get left behind. He’d do it without him.
And when Fiddleford gets pulled through the portal and quits the project, Ford says gooooddd fucking riddance, I never even needed you bro.
F, you weak-willed hayseed! Go back to your doting family and a life of fear and compromise! I weep now not for our failed partnership, but for the golden opportunity thrown away. To think I considered him a friend! I know my true friend. It is my Muse.
One of the few times he ever refers to it as partnership btw. Literally only when they break everything off.
And Ford only starts fighting with Bill about everything after it starts directly hurting him. It literally just seems like Ford is less upset about Bill’s plan being evil, and more upset at the fact that he lied to Ford LMAOOOOO he didn’t like the fact that he was disposable and lesser to Bill, despite Ford treating Fiddleford the exact same way.
At the end of all of this… it may seem like I’m really fighting against this ship, but not in the slightest. I LOVEEEE them so much, but in a way where it would be really toxic and not actually end up with anything happening.
Such a biggg theme when it comes to Ford’s character specifically is yearning. He yearns for success and attention and love and acceptance, but he’s constantly never giving other people those things. Which ends in him not receiving any in return. That is obviously until he gets back from dimension hopping and works on being a better person. When he starts towards healing, that’s when he starts receiving what he always wanted.
There’s so much tension between Ford and Fiddleford it's like disgusting, they were so incredibly gay… but, I hate to say it, it was very one-sided. They did have some fun times together and Ford enjoyed his company for quite a bit, but it was nothing like how Fiddleford felt for him. Fiddleford was always thinking about how Ford was feeling and what he was doing, and Ford never really did that for Fiddleford unless he was prompted to. But he was alwayasyayayss thinking about how Bill felt. And he always chose Bill in the end.
I just see so much of all of this get swept under the rug and never addressed, when it's kind of sad because it’s all so interesting and really adds a lot to both of their characters. They were both so morally gray back in their day, and honestly even more so now that they’re older, and its kinda sad to see that all go ignored. I JUST LOVE TOXIC GAYS SM AND THEY WERE SO TOXIC AND I’D LOVE TO SEE PEOPLE EXPLORE THAT MORE. Hopefully maybe this will prompt some people to think about it like this…….. It’s all so very tragic and their relationship was doomed from the start and i loveeeee shit like that. only misery to be had...
#gravity falls#tbob#the book of bill#fiddauthor#fiddleford mcgucket#stanford pines#ford pines#grunkle ford#bill cipher#billford#alex hirsch#fyp#fypage#if i got anything wrong uhhhhh no i didnt...#i just wanted to rant that's all#talkbox
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★ MY ASTRO OBSERVASHUNS ★
Disclaimer before I start: I’m no professional astrologer so don’t come for me, mkayyy? MWAH 💋
♡ 𝐆𝐄𝐌𝐈𝐍𝐈 𝐏𝐋𝐀𝐂𝐄𝐌𝐄𝐍𝐓𝐒, more specifically those with Gemini placements in their personal planets loveeeee playing around with their voice a lot. Just utilizing their voice to be a silly goobert. Like making voice impressions or funny sound effects is very natural for them. Which is why I think so many Geminis are comedians, artists and actors. Whenever I see someone who makes goofy sounds or is very into voice acting I instantly know they must be a Gemini/have heavy Mercury placements and up until now i was 100% correct each time lmao. (As someone who has Gemini placements myself: I love to make funny voices or impressions, sometimes I do it without realizing lol)
♥︎ Which actually brings my to my second point on 𝐆𝐄𝐌𝐈𝐍𝐈 𝐏𝐋𝐀𝐂𝐄𝐌𝐄𝐍𝐓𝐒 but those that are musicians; I noticed they frequently love to play around with different genres of music and different styles of singing/rapping in general, even all in one song simultaneously. Good example would probably be Kanye West or Kendrick Lamar. Their music and style tends to be very versatile and they tend to incorporate even very random notes/effects/sounds to it as well.
♡ Oh my goodness, all the 𝐋𝐈𝐁𝐑𝐀 𝐒𝐔𝐍𝐒 I’ve ever known have this damn thing where if you don’t ask them specifically for what you wanna know, they’ll never even tell you it. I had a friend with a full blown Libra stellium that I finally caught up with after months of no contact and this girl only told me about her having a girlfriend and getting into a car accident only 3 days later!? That was thanks to me for randomly mentioning romance and cars, otherwise she wouldn’t have even shared it. So if you wanna hear a Libra disclose something specific with you, just be direct with it.
♥︎ I haven’t met an 𝐀𝐑𝐈𝐄𝐒 𝐌𝐎𝐎𝐍 that wasn’t impulsive and would jump from one relationship/project into another and then complain about how everything turns out a mess (but then get back up and repeat the cycle again smh).
♡ 𝟏𝟐 𝐇𝐎𝐔𝐒𝐄𝐑𝐒 and their hidden enemies is actually very fukkin real. I got to witness it closely for the first time and oh boi am I shook lol. My boyfriend has a 12H moon and I’ve witness multiple times strangers come up to us, start a conversation and then just become insanely rude to him outta absolutely nowhere as if they been having beef with him since kindergarten?! Randoms tend to get mad or hostile so easily at him even if he doesn’t say anything bad... it’s so weird.
♥︎ Every person with an 𝐀𝐑𝐈𝐄𝐒 𝐏𝐋𝐀𝐂𝐄𝐌𝐄𝐍𝐓 in their big 3 has this feistiness to them. Even when they’re super sweet and chill type of Aries I still notice that they have moments where they’re quite direct or don’t really care about what you think. They’re gonna say what they wanna say one way or another and it’s honestly so natural to them, I don’t think they even notice. Even the quiet Aries in my life have this demeanor to them that you just don’t fuck with because they’ll bite back at some point.
♡ In my experience, every 𝐏𝐈𝐒𝐂𝐄𝐒 𝐌𝐀𝐑𝐒 that I’ve ever known always expressed their appreciation and affection in letters/poems/metaphors very frequently. Very romantic, very abstract, Shakespeare who? Every time they’d send a whole ass paragraph like 🥀”you are like a rose that fell in this chaotic ocean and turned it into a tranquil lake” 🍂 just to describe my eyes or something. I don’t think my Aquarius moon is cut for such stuff lmao, it makes me cringe a bit but I do appreciate it! Although every Pisces mars guy I ever knew had additional water placements in their big 3 (like Cancer sun or a Pisces moon) which probably only doubled that sentimentality they had.
♥︎ 𝐂𝐀𝐍𝐂𝐄𝐑 𝐏𝐋𝐀𝐂𝐄𝐌𝐄𝐍𝐓𝐒 and their anger issues is something and that something is very real... That’s it, that’s the Tweet lol
♡ Idk what it is about 𝐖𝐀𝐓𝐄𝐑 𝐌𝐎𝐎𝐍 men but they always make me wanna take care of them and like baby them when they’re in their feels and retract and act like they aren’t on the verge of tears... Make me wanna go and cuddle them lol. Especially Cancer moons for wtv reason really soften my Aqua moon when I’m around without them even doing/saying anything.
♥︎ Also 𝐋𝐈𝐁𝐑𝐀 𝐒𝐔𝐍𝐒 are insanely great at faking their true state of being. I’ve met so many Libras that on the outside look like they’re having a blast but when you actually get to know them you see that their house burned down, their granny died, they almost choked to death twice last week and their partner broke up with them for 15th time that day and now they’re homeless... And you’re like damn bro, I’d literally never guess. They really know how to mask everything, put up a great front for others and do it insanely convincingly. You literally would never guess what that Libra is actually going thru, it’s probably worse than you can image. Please check up on your Libra friends and Libras - it’s ok to ask for helpppp. You guys deserve it <3
♡ 𝐒𝐀𝐆𝐈𝐓𝐓𝐀𝐑𝐈𝐔𝐒 𝐑𝐈𝐒𝐈𝐍𝐆𝐒 are one of the funniest mothafukers everrrrr, they always make me laugh so much! Double points if they have Gemini or other Fire placements with it. Just hilarious individuals.
♥︎ 𝐒𝐂𝐎𝐑𝐏𝐈𝐎 𝐌𝐀𝐑𝐒𝐄𝐒 are actually pretty chill people, you won’t see them angry often (but they make sure you know when they do). Usually our anger and passion is more so hidden and works backstage. Compared to 𝐀𝐑𝐈𝐄𝐒 𝐌𝐀𝐑𝐒𝐄𝐒 that are loud with it and don’t hold back.
That’s it for todayyyy ☀︎
#astrology observations#astrology notes#astrology#astro posts#pisces#pisces mars#sagittarius#sagittarius rising#libra zodiac#libra#water moon#cancer#gemini#gemini placements#cancer placements#scorpio venus#venus#aries sign#aries moon#aries mars#12 houses#12th house#astro chart
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It’s Called Free Fall
summary: therapy makes you realise a lot of things
warnings: none
a/n: there’s not actually any alexia in this, but she is mentioned
word count: 2.7k
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The therapist’s office feels like it’s been curated for someone far more refined than you—someone who actually takes their therapy seriously, rather than as an ironic lifestyle choice. The walls are a pale, flat grey that veers perilously close to lifeless, and there’s this overwhelming sense of emptiness, like everything here exists for display rather than use. The chairs, two narrow-backed leather things angled just slightly towards each other, appear less like furniture and more like sculptures. You imagine some recent graduate from a New York art school positioned them just so, meticulously arranging each one to make sure it induced the precise mix of discomfort and luxury.
The table between you and Dr. Vargas is another matter entirely—a sleek slab of polished mahogany, thick enough that you could lean your entire weight on it without even a squeak of protest. Its surface is bare except for a single leather-bound notebook, a fountain pen and a ceramic dish, all aligned to a degree that feels almost militaristic. There’s not a single loose thread in the rug, not a fingerprint on the glass of the one window facing out onto a garden view that’s suspiciously verdant for the middle of winter.
Even the fern, perched in the corner like it’s waiting for its close-up, seems too green, too lush. It’s ridiculous, but it’s all part of the aesthetic, this carefully curated minimalism, the kind of cultivated restraint that says, “We don’t need embellishments. We’re here for the truth.” You’re here, supposedly, for honesty and revelation. But to you, it all feels a bit too staged, like a hotel that boasts a “homely charm” but is actually cold and sterile beneath the surface. You suspect Dr. Vargas might even mist the plant herself in some sacred ritual of maintenance, a sort of last-minute grounding exercise to fill the silence between clients.
You settle back in the chair, draping one leg over the other, and make a mental note to mention it next time you’re in some magazine interview. “Austere,” you’d say, “but in a chic way. I once caught my therapist hand-polishing the leaves of a houseplant.” You let yourself savour the image for a moment, glancing at the fern, which seems to return your gaze with silent judgement.
Dr. Vargas has her pen poised in that infuriatingly neutral way, a half-smile that somehow manages to be both welcoming and utterly unreadable. She’s mastered this look; the expression that says, I’m here for you while also suggesting she’s already a step ahead, already written your entire profile out in her head, neatly categorised into sub-headings like “Avoidant Tendencies” and “Control Issues.”
You begin with a sigh, throwing a glance at the ceiling in mock contemplation. “I’ve been thinking about another place. A chalet, maybe. Something in the mountains this time.” You pause, letting the idea sit, feigning like it’s just occurred to you. “Somewhere remote, where people can’t just… get to me”
You’re fully aware that she sees right through it. This isn’t her first rodeo; you’re sure she’s dealt with hundreds like you before, masters of diversion who fill sessions with banalities rather than facing anything real. But Dr. Vargas, in all her maddening professionalism, gives nothing away. She just tilts her head, the soft scratch of her pen against her notebook barely there as she writes something down.
“A place to escape,” she offers back to you in that maddeningly placid tone.
“Yes. Escape,” you echo, knowing full well the word holds no weight here. Escape from what, exactly? You let your leg bounce a little, as if the rhythm might lend some gravity to your words. “And there’s this new project I’m in talks with—A24, actually. They want me to do something… serious. A proper rebrand. Gritty. Artistic.” You drawl out “artistic” with the faintest of smirks, like you’re amused at the thought of it all. A lifetime of playing these games, and you’re practically a pro by now.
Dr. Vargas’s face betrays not a flicker of interest or amusement. She simply nods, that little encouraging tilt of her head again, like she’s waiting for you to get to the real point, the heart of the matter. But you’re not giving in so easily.
“It could be big, you know,” you continue, lifting your chin a fraction. “And I’ve got Alexia, of course.” The name slips out, deliberately nonchalant, though you feel its weight instantly, like it’s left a mark on the air between you.
Dr. Vargas raises her eyebrows, ever so slightly. “Alexia,” she repeats, not quite a question, not quite a statement. Just… acknowledgment, and yet it still feels as if she’s plucked something out of you without you realising. You don’t like it, the way she turns your own words against you.
“Yeah,” you say, shrugging. “She’s… brilliant. On the field, off it. You know, she’s—” You trail off, allowing a smirk to play on your lips. “Not bad to look at, either”
She gives no reaction, doesn’t even break eye contact. You imagine her poker face would rival that of any seasoned card shark. But it’s her silence that presses at you, coaxing out more than you intend to reveal. It’s a trick she’s used before, and yet here you are, willingly falling into it.
“Honestly,” you continue, almost laughing as if sharing some private joke, “you should see her after a match. There’s this… intensity, this rawness. Shirt off, sweat-drenched, eyes still blazing from the game. It’s… invigorating.” You roll the word around like a fine wine, savouring it as you go. “It’s like the universe threw me a bone, just when I was getting bored”
Dr. Vargas finally moves, a slight shift of her head, her mouth curving up in a near-smile. “And yet, you’re here”
Her words drop between you like a carefully placed stone. You scoff, rolling your eyes, but there’s something in her expression—an almost imperceptible softness that somehow feels like an accusation. “Therapy’s a hobby,” you shrug, leaning back, as if the very idea of anything deeper is laughable. “I’m always in therapy, Doc. News flash”
“Yes,” she agrees smoothly, not missing a beat, “but you don’t usually bring her up”
“Come on,” you counter, with a smirk that’s designed to look careless, “I bring her up all the time”
“Not like this”
Her voice is calm, almost gentle, but her gaze sharpens, pinning you in place. You feel a spike of irritation, or maybe it’s something else. You cast a look towards the fern, now faintly silhouetted by the afternoon sun, its shadow long and narrow across the wall, an unasked-for third party in this strange little dance. The absurdity of the whole scene hits you, but before you can fully detach, she’s speaking again.
“You’re talking about her differently. More… openly.” There’s no edge to her tone, no overt judgment, yet it feels like she’s peeled back a layer, glimpsed a part of you you hadn’t meant to reveal.
In the moments that follow, you stub out your cigarette on the pristine ceramic dish Vargas keeps on the table, the one she’s claimed is “not for smoking” but never actually moved after that one session. You’ve taken it as tacit permission, though you know damn well it irritates her—just another way to test the boundaries in a room that prides itself on having none. That’s half the point of these sessions: see how far you can stretch them. How much she’ll let you say, or not say. And you’ve mastered the art of saying absolutely nothing, all while filling the space with empty words.
Dr. Vargas doesn’t speak, doesn’t press, which is almost worse than if she did. There’s just the persistent softness in her eyes, the quiet implication that she understands more than you’d prefer. You remember Alexia’s eyes looking at you like that once, right after you’d tried to make some grand point about the nature of relationships—one of those pseudo-philosophical tangents you like to go on. She’d just looked at you, with a kind of bemused patience that felt a little too genuine, a little too close to knowing you.
You roll your shoulders, shake off the memory. But it clings.
“Alright,” you say, letting the smoke spill out as you form the words. “Maybe I don’t do ‘love’ like everyone else. I’m not here for a candlelit dinner and a mortgage. I’m not,” you add with a quick laugh, “one of those people who turn into some sap over a nice couple’s holiday in Santorini”
Dr. Vargas gives a small nod, an acknowledgement rather than agreement, her expression neutral but open, giving you room to continue.
“But, yes. Fine.” You take another drag, a deliberate pause. “Maybe I… care about her. I care about her. She’s different, alright?”
“Different how?” she asks gently, with an infuriatingly patient tone.
You groan, shifting in your seat. “Come on, don’t make me quantify it. That’s your thing, not mine.” You know you’re stalling, using your usual deflections, but there’s an itch underneath it, a part of you that feels raw just acknowledging that Alexia is, in fact, ‘different.’
You can feel her eyes on you, waiting for you to take the bait you’ve laid out for yourself.
“Fine, you want specifics?” you sigh, feigning annoyance, though you know you’re the one who’s led the conversation here. “She… laughs at my worst jokes. Like, really laughs. Not in a polite way, but genuinely, like she thinks I’m the funniest person alive, even when I’m barely trying. It’s stupid, really, but it gets me”
“And how does that make you feel?” Vargas leans forward, like she’s zeroing in on something significant.
You chuckle, low and dismissive, waving the question off with your cigarette. “How do you think it makes me feel? It’s… fine. Nice. A bit strange, maybe. I’m not used to being seen like that.” You pause, the weight of that admission lingering in the air between you.
She doesn’t react, doesn’t push; she just lets the moment settle, knowing there’s more.
You sigh, smoke curling up around you, as your mind goes back to other little things—the way she has this weird ritual of picking all the green M&Ms out of the bag and tossing them to you, claiming they’re “bad luck.” How she insists on reading the morning news out loud, in that silly, exaggerated announcer voice, just to make you laugh while you pretend to read emails. Or how she makes you tea at exactly the right temperature, handing you the mug with a grin like she’s just given you a priceless gift. These are things that, on the surface, should be forgettable, the kind of mundane moments that fade. But they don’t, do they? Not with her.
Dr. Vargas’s voice interrupts your reverie, soft but insistent. “You’re smiling”
You realise she’s right; you’re smiling without even meaning to, and it’s a small, stupid smile, the kind that feels too open. You try to erase it, but it’s too late. The vulnerability’s already there, a quiet confession written across your face.
You roll your eyes, more at yourself than at her. “Alright, so what? So she’s… alright, she’s fun. She’s got that energy, you know, that lightness. It’s kind of… refreshing”
The words slip out unbidden, and you feel a pang of something resembling regret. Refreshing. A word that implies something else by omission—that most of your life, most people you’ve known, have been exhausting. The irony isn’t lost on you: someone so completely different from your own brand of detached sarcasm, from your carefully cultivated ennui, has managed to slip under the radar and wedge herself into your carefully controlled life.
Dr. Vargas watches, her silence pressing you forward.
“Look, I don’t think about it too much,” you say, trying to inject a casual note into your tone. “I don’t need to psychoanalyse every smile, every inside joke. I’m not here to have my relationship broken down into neat little psych terms”
“Maybe you should think about it,” Vargas says gently. “Maybe that’s why you’re here”
You scoff, but there’s a softness in the sound, a hint of resignation. Because she’s right, isn’t she? You came here because, as much as you don’t want to admit it, this thing with Alexia has started to matter, in a way that’s both terrifying and strangely compelling. You’ve always prided yourself on staying a step removed, on being a spectator in your own life, observing rather than fully engaging. But with her, you’re finding it harder to keep that distance.
“Fine,” you mutter, leaning back, letting your head rest against the chair, staring up at the ceiling as though the answers might be written there. “Maybe she’s… special”
The words feel strange in your mouth, too vulnerable, too open. You don’t say “special” often, especially not in this context. But there it is, a reluctant admission.
“I mean, it’s not like I’m in love with her,” you continue, the words tumbling out before you can stop them. “She’s great—don’t get me wrong. She’s amazing in bed. I can’t remember the last time someone made me cum so much. And she’s got this thing about her, you know? Like this fire, this intensity. It’s like when she looks at me, she’s looking right through me. And yeah, I guess that’s… intoxicating. But that’s all it is. Right?”
Dr. Vargas nods, a small, subtle gesture. “Why does that scare you?”
You don’t answer right away. Instead, you watch the smoke dancing away from your cigarette, dissipating into the air, leaving nothing behind but a faint, lingering scent. You think about what it is you’re so afraid of—because there’s something there, something you can’t quite name, a sense that if you let this thing with Alexia continue, it might change you in ways you’re not ready for.
“Because I don’t do… attachment,” you say finally, the words coming out sharper than intended. “I’ve built a life that doesn’t depend on anyone else. And she’s… she’s a complication”
You can feel Vargas watching you, sensing the weight of what you’re not saying, the unspoken truth that this isn’t just about Alexia, that it’s about something deeper, a fear of vulnerability, of losing control. She doesn’t push, though; she just waits, letting the silence do the work for her.
After a long pause, you take a breath, letting your gaze drift to the fern by the window, its leaves glossy and perfect, so meticulously maintained it almost looks fake. You wonder if it’s ever felt the strain of trying to keep everything together, to present a flawless exterior while something more fragile lurks beneath the surface.
“You know,” you say, almost to yourself, “it’s funny. For the longest time, I thought love was just a distraction, a temporary fix for people who couldn’t handle being alone.” You take another drag from your cigarette, exhaling slowly. “But with her, it’s… it’s different. It’s like she makes everything brighter, sharper, like she’s tuned into some frequency I didn’t know existed”
Dr. Vargas doesn’t respond, just nods, letting you continue.
“And the worst part?” You chuckle, a self-deprecating sound. “The worst part is that she’s getting to me. She’s in my head, even when she’s not there. I find myself thinking about her in the middle of the day, wondering what she’s up to, if she’s thinking about me too”
There’s a fragility in the admission, a crack in the armour you’ve built around yourself. And it terrifies you, this sense of letting someone in, of letting them get close enough to matter.
You stub out your cigarette, watching the last curl of smoke dissipate into the air. It feels like a metaphor for something, though you’re not sure what.
Dr. Vargas gives you a small, knowing smile. “Maybe falling in love isn’t as bad as you think it will be,” she says gently.
You shrug, trying to play it off, but there’s a part of you that knows she’s right. Because for all your detachment, all your carefully cultivated distance, there’s something about Alexia that feels like home, like she’s a part of you you didn’t realise was missing.
“Maybe,” you say, the words soft, barely audible.
Love. The word lingers like an uninvited guest. You try to dismiss it, try to laugh it off, but it keeps creeping back in.
#alexia putellas#alexia putellas x reader#fcb femeni#fcb femeni x reader#espwnt#espwnt x reader#woso#woso x reader#woso imagine#woso community
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Hey The Neon Void readers, quick update from the author's sister!
(art commission by @kaysdenofchaos)
Hi readers of The Neon Void fanfic. This is the author’s older sister. She’s been getting a lot of fan art and asks lately. She’s sent me screenshots of a few unanswered ones looking for advice on how to respond.
While all the love and support of TNV is genuinely appreciated, my sister @sugarpasteltmnt is not equipped to respond to a small handful of these asks/comments that are, quite frankly, inappropriate.
Sugarpastels is not a therapist, and she’s certainly not an internet stranger’s therapist.
She’s an adult with an extremely demanding and stressful job for a very large client. Some of you have already experienced and enjoyed her work IRL without knowing it. Her company is close to finishing another project that will bring a lot of joy to hundreds of thousands of people every year, but working on a project of that scale is extremely stressful.
She is writing this fanfic for fun. TNV is a way for her to decompress and put her creative energy towards something other than work.
What’s not fun is coming home to asks/comments from readers who are projecting their own struggles/mental health onto TNV, and even Sugarpastels herself, and demanding some sort of attention from her over it.
Let’s be real: it’s fun to watch our blorbos suffer! So much of fandom is just us putting our favorite characters in Situations because it’s fun. Simple as that. But I think another reason TNV has resonated so strongly with readers is because of the way Sugarpastels writes the internal struggles of these characters.
We are both aware that TNV deals with mental health topics. Since the early days of “modern” fandom, fanfiction has been a way for people to explore complicated, difficult and sometimes even taboo subjects. There’s no shortage of complex feelings being explored in TNV, which is why we’re all having so much fun reading it.
But that’s all it is; an exploration. Sugarpastels is not a mental health expert. I’ve read a handful of books on PTSD and mindfulness for research while writing my own fanfic, and I would never consider myself prepared to help someone else.
It’s okay if you relate to things from TNV. I know I do! Again, fanfic has always been a way to read about things rarely dealt with (or handled poorly) in published fiction/tv shows/movies. I will always argue one of the greatest things about fanfiction and other fanworks is being able to see ourselves and our own struggles through our favorite fictional characters.
But Sugarpastels is not a fictional character. She’s a real person. Most importantly (to me at least) she’s my little sister, and this big sister cannot handle watching some of her readers expect more of her than is appropriate.
So I’m asking you to please be mindful of what you ask/say to not just her, but literally everyone on the internet. Unless you’re chatting with someone regularly, they do not know you. Whether it’s friends, family, teachers, coaches, etc, there are people in your life who know you personally, and are therefore better equipped to help you than a stranger on the internet.
Sugarpastels is so full of empathy that it’s hard to not feel for you when you send things like this. But it just isn’t fair to put that kind of unnecessary pressure on someone who is, at the end of the day, just trying to have some fun writing about ninja turtles bein��� sad.
(That being said, PLEASE DON’T BE SCARED TO SEND HER ASKS AND FAN ART!!! They make her day every single time and are seriously so, so appreciated. She’s texting me about it constantly how much she loves all of TNV’s readers. This whole post is really directed at an extremely small percentage of her readers, but there have been enough I felt something needed to be said.)
#ok back to writing about sad turtles!#tmnt#the neon void#the neon void fic#the neon void tmnt#tmnt fanfiction#tmnt fanfic#tmnt fic
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✨Kamino’s citadel challenge !✨
I am…very excited about this one. I’ve had this vision for a long time, and I’m so happy it’s ended up looking like that.
Now, there are a lot of things I’ll go into details along close ups under the cut; the only thing I’ll mention above is that I’m very grateful for TCW’s episode guides’ artworks, without which this would have been quite a hassle.
Okay ! Before diving into all the details and things, here is a view from above, to really display how big it is. Dimension-wise, the plank I built it on is around 110*70cm.
Now of course, the first detail which is noticeable is the floor, because, well, it’s everywhere.
This was probably the most challenging part of the build, because making a grid out of Lego is tough. Most of it is rows and rows of dark square, light lines, separated by 1*n tiles. It was the easiest way to get this pattern with as if it were just tiles; because this is one of the objectives I had here : most of this MOC is smooth, except for a few zones (usually voluntarily).
The fact I used this technic means that the floor in most place isn’t very stable, but it actually holds up pretty well because of some hidden connection points with the foundations underneath, which are mostly hidden under the cover blocks.
Here for instance, I’m using modified 1*2 bricks with a Technic hole : it hold the cover block, and it also attaches the floor to the foundation.
Of course, another problem I ran into were slopes. Much harder to get a smooth effect with the technic I’ve used, so it’s a bit wonky and unstable. Also, most them are not aligned properly, which is visible in the picture above (and some area have some really big misalignments because of a few problems I probably won’t bore anyone reading this with).
Now, since they’re also here, I can deal with the cover blocks. These were, among the details, the hardest to figure out, to get a good size while keeping some texture. Eventually I came up with this design, which, ironically enough, uses the same technic the floor uses, in a different orientation.
Another detail : the miradors :
This is one of the first elements I had in place, because I needed them to get a good sense of scale (and was made better by an existing concept art of a tower alone). Most of it does not have anything noteworthy, except for one illegal technic I used (can you spot it ?)
The pillar holding the roof of the mirador is using a technic I had in my toolbox for a long time, but had never had the occasion to use : if you take two 'brick' bricks and attach them perpendicularly on a snot brick, the small space separating the lines of 'bricks' align to let a 1*n tile in. It’s somewhat reliable (for an illegal technic) and an easy way to get octogonal shapes.
Now, before looking at the Citadel itself, let’s turn around for a minute.
This point of view obviously isn’t the intended one, but it’s still worth noting, if only for some composition.
Notice that the wall here is quite small (smaller than the miradors, even), and light gray; it’s in contrast with the towering dark gray wall on the other side, behind the citadel, which technically should give at least some impressions even to the people who never saw TCW.
Anyway, it’s also on this view that we can see most of my slope struggles, including the central one, which is the biggest I had to do.
And I can’t not mention the most important element :
What would be the challenge without a squad of clones to take it on ? These clones (4 privates and a sergent) are ready to fight ! Well. Kinda. I wish I could have actual cadets, but they are not part of the Lego universe (and the floor was enough of a fee, I can’t afford to get customs figures too). I wish I had the Dominos though. I have TBB Echo, and I plan to get my hands on Fives at some point, but they wouldn’t fit here, sadly, so instead I used some movie accurate clones (because all the others are used for a project I still haven’t posted..maybe later…)
Notably, I at some point tried to get the elevator to work - needless to say it was a disaster (it’s too close to the plate underneath to make something working).
Now, without further ado. The citadel.
I’m very proud of it. I got the proportions just right (I actually made some measurements to make sure of it), and there is just enough texture to not make it bland while leaving it as artificial. This alone took roughly 8-10h (which were all spent during an accidental all nighter, whoops), but it was worth it. It’s completely empty inside, and, in fact, the wall behind it isn’t full as well, anything behind the citadel is opened. The spikes are simple 1*3 angle plates illegally connected, and the walls’ small details were made with a bunch of modified 1*2 plates, there isn’t anything really special in it.
The only really complicated zone was the middle tower, because I had to put all the cannons while keeping it clean and smooth, and including the vertical lime lines. It was a fun challenge. And I included the 'flag' At the top, too, just a red transparent cone on a stick (there’s no need for more), which peeks above the gray wall (for composition and because of a lack of pieces).
Anyway, such a long project deserves one behind the scene photo :
Yes, my desk is messy (and include my mandatory tea cup).
On the left, you can see my remaining floor tiles, which have not been used yet; and just under the citadel, you might notice the foundations visible; it’s a checker of 2*2 tiles which gives my floor a good base to be fixed on. There are also some slopes which haven’t been placed yet (in front of the background miradors), and at this steps, there were no cover blocks or walls yet.
As far as my tools go, you might notice brick separators scattered all around my work environment (I never have enough of those), as well as a tablet in the bottom right hand corner (which i use to check and measure concept arts), and in the middle, the red triangle is an official (albeit old) Lego measurement tool which counts in stud, Lego bar holes and axe length.
Also visible, finally, is the bottom of the foundations, which are stacks of 1*2 bricks (each of the three floor layer is separated by a height of 3 bricks), which means that looking directly under it can lead to watching the dark basement of my build (which isn’t aesthetic…).
Anyway, if you read until here, thanks, I guess ? I still have a few TCW related stuff (a small one next week, some other in the foreseeable feature), so feel free to stick around and maybe leave a note, if you feel like it ? That’s it, bye !
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Snippets. 🐺💜
For Game Informer’s July 17th DA:TV article, "BioWare On Returning To The Dragon Age Series, 10 Years After Inquisition", the article is still titled as such on its own page, but it looks like on the GI DA:TV Hub page its listing was updated to "Dragon Age: The Veilguard Is 'Respectful And Referential' To Previous Games Without Making Them Mandatory"
[previous comment for context - Brenon: "we do have "decision saves" before big choice moments, but there are still a bunch that depend on a whole mess of stuff you've done earler...so yeah...RIP"]. Derek on this: "Choice and consequence, baby." [source]
[context: DA official Twitter's news about what's coming in August] Derek: "Buckle up!" [source]
Bryony Corrigan (Rook) on the strike: "I care a lot about this game! @/dragonage. Gutted we are unable to speak more about the game for now but absolutely in solidarity with actors in the US. I hope @/EquityUK are also fighting for better protection against AI clauses in the UK too…!" [source]
Matt Rhodes recently wrote to his mailing list that "The project I’ve been working on for many years is nearing completion. In my rare free moments, I’ve been starting to organize concept art to start posting after the game ships." [source] So it sounds like DA:TV is nearing completion and that he will be posting DA:TV concept art that he created after release. [This] is the link to his website where you can view his art, including some existing DA:TV and previous DA game concept art. If you click the envelope symbol on this page, that's how you can subscribe to the mailing list
from Community Councilmember Ladyinsanity - Lucanis x Rook apparently might be an "angst pairing" and there's maybe another one of these in the game also...? 👀 [source]
A user mentioned that they aren't keen on the word "roadmap". Michael Gamble explained: "all it means is a list of cool things you can expect to see us showing." [source]
Bellara's family name Lutare wasn't recently changed as some users wondered, it was Lutare at least a year ago during development. It seems it was just mis-printed or mis-reported in the GI coverage [source]
This article describes DA:TV as the most beautiful game the writer saw at SGF. It says the prologue is dated 9 years after DA:I. "Varric isn’t a ginger so much as a grizzled gray fox now". On Solas, he "wants to tear down the Veil that separates Thedas from the world of demons, restoring his people’s immortality and glory and sacrificing thousands in the process. But when his ritual goes awry, two of his most ancient and powerful adversaries are released. They seek only to finish what they started millennia ago – the complete and utter domination of our world." The game moves quite seamlessly from action to cutscene, and in the prologue "every cutscene is clearly building toward something larger". Position matters in combat. There is an accessibility option which involves the path-tracing of enemies' ranged attacks. At the beginning of the demo, the devs mentioned that they thought about the way different lighting affects your character. " The animations associated with combat are complex for one reason: responsive character features." CC has "inclusion of thick curly hair and capturing the tightly curled texture of Black hairstyles and natural hair", customizable shoulder-width and "a much-welcomed broad spectrum of skin tones—capturing both cool and warm undertones of both white and brown skin". The article highlighted the fluid movement of cloth. The writer also said, "I’m sure other Summer Game Fest previews will have a lot to say on the evolving relationship between Varric and Solas". [source] ((I don't remember seeing this article til now, it's from June though so I either missed it or have seen it and forgotten. also I don't know how accurate it is but the writer was one of the attendees of the DA:TV demo at SGF))
[character limit text break!]
Malcolm: "When I joined DA:Ve I was really hoping there'd be a romanceable dwarf companion and boy howdy did that come true. Harding is ☀️delightful☀️" [source]
[context: this Tumblr post of some neat art] Malcolm: "This is amazing and I fully went "oh wow that really sounds like Emmrich" before remembering that Nick Boraine is in fact a entire human person." [source]
User: "Speaking of Stalker, as a player the description of Bellara and Veil Jumper i've heard so far, alongside their exploration of Arlathan, somehow reminds me of Clear Sky and Chornobyl in Stalker series..." John Epler: "great eye! roadside picnic, Annihilation and STALKER were all absolutely inspirations" [source]
John Epler: "time to slowly make my way home after an awesome 4 days. thanks for an amazing experience to everyone who was a part of it. back to work." [source]
User: "We know there are returning characters in The Veilguard, so my question is: How would you and the rest of the writers go about writing a returning character who was originally primarily written by a writer who is no longer at the studio? What is the process?" Trick Weekes: "1. Watch videos to get the performance, how the character speaks. 2. Don’t try to replicate the character exactly. Allow them to have grown. Morrigan in DAI wasn’t Morrigan in DAO. She’d grown up. 3. Trust Character Art and Performance/VO. As soon as Morrigan walks in and talks in DAI, it works." [source]
Ali Hillis (Harding) on Twitter: "@dragonage @/bioware @/BioWarePulse @/ea #/DragonAge #/SDCC #/SDCC2024 FOLLOW ON INSTA FOR MORE!" [source]
Alex Jordan (Rook): "To all the D&D loving Dragon Age fans out there, let me tell you about my D&D group, made up of faces from the games industry! Including the voices of Geralt from The Witcher, Clive from Final Fantasy XVI, and Noah from Xenoblade! We are @/NaturalSix #/DragonAge" [source]
Erika Ishii (Rook): "Grateful I got to spend SDCC celebrating my roles in 2 games I love. Thank you to the devs (including laid-off workers who deserve full credit!), my friends, and the community. This is the last you’ll hear from me about my games from struck companies until they sign an interim agreement or the strike is won. Keep playing games, but share info from the union and let people know we’re taking a stand for all creatives. See you on the other side! ✊🏼🎮" [source]
Jeff Berg (Rook): "Damn, I love making video games. It’s like the perfect blending of theatre on film, where an actor is encouraged to collaborate and let their imaginations soar. And damn, do I ever love the incredible support from the fans of this incredible medium. Unfortunately, we’re in a time of upheaval in the industry. So let me make it perfectly clear: Video game performers deserve fair wages, safe working conditions and A.I. protections. I call on the employers to #/LevelUpTheContract. Guys, this is no single player game. We need you on our team. #/SagAftraStrong #/VideoGameStrike". Text in the accompanying video reads “Video game performers are stuck in a grind. AI is stealing voices, and companies are hoarding profits. The future of voiceover and performance capture artists is at stake. But out fight isn’t single-player. Whether you’re a gamer, a fan, a performer, a labor ally, or just someone believes in fairness. Keep video games people powered. We need you on our team. Video game companies must offer AI protections to ALL video game performers. Join me and show your support for those who bring our favorite games to life.” [source]
Jessica Clark (Neve): "Aaah a true bucket list moment!! Thrilled to play Neve Gallus a Private Investigator & one of the companions in the upcoming DragonAge The Veilguard Video Game!! We are appearing at the San Diego Comic Con as we speak!! With so much thanks & appreciation for the most fantastic team @/bioware & inspiring fellow cast members including (not limited to) @/missalihillis @/nickboraine @/zach.mendez @/jeffberg1 & more 🙏🏽 Draon Age The Veilguard releases this Fall 2024 & from what I've seen... It's truly epic!! You will love it & yes, it's worth the wait. (SAG-AFTRA issued us a specific window to promote & celebrate at Comic Con & from Sunday night onwards we will all be joining our fellow actors in the picket line for the Video Game Strike)." Text in the accompanying video reads "I’ve wanted to share this for so long! Thrilled to reveal that I play Neve Gallus in the upcoming Dragon Age The Veilguard!! Appearing at Comic Con San Diego as we speak” [source]
[source]
Jessica: "Last night's Comic Con San Diego's Fandom red carpet celebrating Dragon Age The Veilguard! Releasing this Fall 2024!!" [source]
Zach Mendez (Lucanis): "A truly amazing first day of SD Comic Con at the @/dragonagegame poster signing at @/darkhorsecomics booth. Thank you to the fans who made my first con unforgettable #/sdcc /#sdcomiccon #/dragonage #/darkhorsecomics #/lucanisdellamorte #/voiceacting #/bioware #/eagames #/theveilguard #/babysfirstcon" [source]
Zach: "Dragon Age. Dancing. Derulo. Thanks @/fandom for a killer party" [source]
Nick Boraine (Emmrich): "Thank you @/bioware @/ea and @/comic_con - had an incredible time! #/dragonage #/theveilgaurd #/emmrichvolkarin @/zach.mendez @/missalihillis @/thejessicaroseclark - can’t wait for the fall release date." [source]
Ali: "Honored and thrilled to have been a part of another epic @/bioware story w @/ea . Thanks from the bottom of my heart to the whole team! We worked hard, and put our all into this one. Can’t wait to see you all at #/sdcc2024 this week to celebrate @/dragonagegame #/dragonageveilguard" [source]
Ali: "1st day of San Diego Comic Con 2024 !! The lines were long and the signings so much fun! Met some really nice fans, hung out w dragon age performance director @/ashley___barlow , companions @/thejessicaroseclark @/zach.mendez & Nick Boraine . So SO grateful for this #/dragonageveilguard family!" [source]
Ali: "I love every one of these people. There, I said it! What a warm welcome we received! Thanks to ALL! For EVERYTHING!" [source]
Ali on SDCC: "Gooooooood times. ❤️" [source]
Here is a 'behind the scenes at the DA:TV SDCC panel' photo -
[source]
Here is a photo of Erika Ishii with Rook's blue knife -
[source]
Here is an excerpt from Brianne Battye's website:
Text reads: "Dragon Age: The Veilguard Defy the gods. Rise as Rook, Dragon Age’s newest hero. Be who you want to be and play how you want to play as you fight back and lead your team of seven companions, each with their own rich story. Together, you will become the Veilguard. Coming soon From EA/BioWare. I was responsible for a companion story arc, significant side characters, faction content, exploration content, and helping develop and expand worldbuilding lore."
[source]
Also, last year Zach Mendez (Lucanis) made a prior podcast appearance:
Zach: "I was lucky enough over the pandemic to have just hit a really nice commercial, and then I got this beautiful job on a video game where I was doing motion capture. Motion capture? Okay, so you put on this leotard, this black suit, and those little dots on, and you do all the motion for a video game, and you get to do the voice, and they put all these black lines on your face, so they capture your performance and whatnot. And so I was doing that and had some commercial money, so throughout the pandemic, for the past few years, I’ve just been getting to live off acting, which is great." -- Zach: "[Voiceover is] what I'm working on right now." -- Zach: "My father's from Spain." -- Zach: "I'm currently working on a video game, I can't say which video game." "It is a big one, it's not a big deal, it's a big one, I'm one of the main characters, it's not that big a deal." The interviewer asked about how acting in video games works. "Somebody's giving some performance that of course, they layer on imaging afterwards, like in graphics, right? But you're giving facial expressions, that's what gives it the reality, that's what I find so fascinating about motion capture, is that, you get to give big performances, because you're playing these crazy characters in crazy situations, and a lot of your performance is coming through in the final product which is, just gets me excited about the future of things about all the different ways. It's my voice, a lot of my facial features, I voice, I think, one or two characters in this game."
[source (dated ~a year ago. source link isn’t work-appropriate. I don’t recommend the podcast)]
#dragon age: the veilguard#dragon age the veilguard spoilers#dragon age: dreadwolf#dragon age 4#the dread wolf rises#da4#dragon age#morrigan#queen of my heart#solas#bioware#video games#long post#longpost#covid mention#first bullet point was mentioned to me by the-rebel-archivist#ty!#k#(actor soc media posts from before strike began)
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ASTRO EVERYTHING NOTES💘
Planets/asteroids/points aspecting Vertex = 3°ORB MAX, unless it’s a minor aspect, then it’s 2🩷!
VERTEX is fate. In SYNASTRY = whatever that's conjunct your Vertex, will be brought2yo ass by that person! Either by being with them, or just by knowing them. No matter what. If it's something "good", amazing!! If it's something like Chiron?? U Betta run, and u betta run fast🗣. Watch out for Medea - 212 in synastry!!! This asteroid is about EXTREME REVENGE!!!🩸
If you're a woman, and another woman is jealous of u/hates on u in public or in "secret"= check out if their BML is conjunct something in your chart!!! It's something I've seen4years. BML aspects are prominent in a synastry chart with a woman who's jealous of u/hates on u/"fake friend". Which is not surprising, actually. BML Is also where u feel the most "left out"/"exiled"2. So it makes sense, that you'll feel jealous of a woman who has all of those things u never had/Will have. just her living nice, & comfortable with whatever it is you're struggling with/struggling2get. Let's say someones BML is conjunct your Venus = they'll be jealous of your lovers, relationships/material things u own/your money/your art - if your job is Venus related - singing/modelling/dancing/working with beautiful things - Venus work)/because of the love u give out/or because YOU'RE BEAUTIFUL!! Always look at house/s/sign/s & both natal charts!! That will reveal everything!😘
WOMEN with Mars conjunct/square/quincunx BML usually get a lot of hate from men, because they won't put up with shit! Men are intimidated, but sexually attracted 2 them because of the "I don't give a fuck, I'll say&do what I want attitude"💋. They can also have a lot of pent up rage, when it comes 2 men and their experiences with them. Men can have "used, &abused" them. Many men won't have the guts 2 go for her, hell, they can’t even look her in the eyes 4too long. And she's completely fine with that. She c those men as weak, anyway.
MEN with Venus conjunct/trine/quintile Jupiter. Can get a lot of sexual attraction from women!!! They’re talented when it comes 2 gaining female attraction - and they know it. They naturally excude this magical appeal, that women can’t stand for.
MEN with Moon conjunct Chiron have a very deep scar, when it comes 2 their mom. Their mom was highly likely not really “there" 4 them as a child, especially emotionally. Their mom usually also had to take care of someone else/or something else. They didn't get the mothering love&care they needed from her, so now they go around with, let's call it a 'grudge" towards women. They want to hurt women/their partners, like they've been hurt. & the next problem is that it's all in the back of their subconscious, they're not even "really aware of it". So Until they acknowledge their pain&hurt = They'll keep on projecting their mommy issues onto their partner&keep on hurting themselves❤️🩹.
Venus conjunct/trine South Node in SYNASTRY = lovers/married in a past life! They have karmic lessons that needs taken care of, look at house/s, sign/s & both natal charts! Borderline physical attraction between them, &deep deep love&appreciation4each other. SN is typically the one 2 recognise Venus 1st! Venus is usually also South Nodes ideal type. South Node 2 Venus - “I’ve been looking for you for way too long", “we belong together, you and I”, "we're soulmates, I just know it”. Mars conjunct/trine South Node in SYNASTRY = sexual partners from a past life! That's why they're so comfortable with doing sexual things together in this life, when they finally get into it👅. SN knows EXACTLY how the Mars person's body should be devoured/touched. SN is instantly attracted 2 Mars! Karmic lessons here2!!! Look at house/s, sign/s & both natal charts 2 see what kinds of lessons. South Node loveeees the Mars persons body2!! Kinda ideal. And again, South Node is typically the one that recognises their partner 1st - "your touch feels familiar"🫦.
Venus conjunct/trine/quintile Black Moon Lilith In SYNASTRY = crazy sexual attraction because of their intense differences. They can be from two different countries/or one could also "have it all", and the other one? Not so much. It can also show a secret, passionate love affair, between two married people🔞. Or one is married, & the other one isn't. Venus can get obsessed with Lilith pretty quickly - Wanting 2know everything, nothing left out. Venus NEEDS 2 be with Lilith, A LOT. Which is a little dangerous, as Lilith is free & doesn't like it when people try2 control her.
Jupiter conjunct/trine/sextile/quintile Vertex in a NATAL CHART can show fated fame/success! Either material, or spiritual success✨🍀💚.
Neptune trine/sextile/quintile Vertex in a NATAL CHART = a bohemian kind of lifestyle, never really "settling down in one place". & they'll have fated meetings with artistic/creative, or spiritual souls throughout their journey, who will help them achieve their dreams!!!💙
WOMEN with Black Moon Lilith conjunct their Vertex will be put in a lot of "Lilith situations". Like them being in situations where they feel abandoned/alone/ - them being the other woman - getting hated on because of it/being sexualised a lot by men/men testing their boundaries/fighting for their rights - won't bow down2anyone/people trying to undermine them. Most of the time, these women won't put up with anyone trying2 tell them anything. They're independent, &have no problem with being alone💋.
Your ASC in synastry is what u immediately think about someone!!! If your Lust asteroid - 4386 is conjunct someone's ASC = they would have hard time controlling themselves around u/wants 2 rip your clothes off, A LOT. NOT the other way around. IT'S THEIR 1ST HOUSE, NOT YOURS BABE😘. It's something that's always "in your face", 4the ASC person. Venus conjunct ASC IN SYNASTRY = ASC person will find the Venus person beautiful af/VERY physical attractive, as I wrote! "beautiful painting", "are you even real?", "you're the most beautiful person I've ever seen", things like that! Mars conjunct ASC IN SYNASTRY = ASC person is REEEEEAAALLLYYYY sexually attracted 2 Mars persons body/physical looks😽. Sexual chemistry, can be crazy here🫦.
Eros - 433 conjunct ASC in SYNASTRY = Asc person is sexually attracted2 Eros person from first meeting👅 - "Can't keep their hands 2themselves"🔞.
THANKS4READING BEAUTIFUL!!! I APPRECIATE U& Wouldn't do this without you🖤.
#vasteroids#astro notes#black moon lilith#astrology#astro observations#astrology notes#astro community#venus#synastry#astrology observations
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Assistant! Reader x Harry Styles Masterlist
April 2016
“Thank you for meeting me.”
Y/n settled into the seat across from Harry. Her hands curled tightly around her mug, apprehension seeping into her bones. “Of course.”
She had been surprised when Harry called her, asking to meet at the Beachwood Cafe. She hadn’t heard from him in months, not one call or text, not even an email. Not that Y/n really expected much when One Direction finally went on hiatus, but after zero communication, she wasn’t quite sure why he’d called her all these months later.
“How are you? I haven’t seen you in ages,” Harry asked.
Y/n’s eyebrows raised a bit, but she answered him anyway after taking a sip of her coffee. “Fine, I guess. You?”
“Good!” Harry said excitedly. “Taking a break the last few months has been…I don’t know. Peaceful, but odd, you know? I’ve never had so much time to myself before.”
“Must be nice,” Y/n said, trying to hide the irritation in her voice.
“Yeah, but I realized that I kind of miss it,” he said. “I knew once we decided on the hiatus that I wanted to do my own thing, but I thought I would take a longer break, but I feel like I’m…itching to get back to work.”
That definitely seemed like Harry. Y/n had worked for him for years, and even when there were breaks between tours, he was hard at work—writing, going to Fashion Week, collaborating with other artists, vocal training, even trying new recipes in his state-of-the-art kitchen, which led to a phone call at one in the morning where Harry asked Y/n to come over and see if his macrons tasted "fluffy enough." It seemed only right that he rested for mere months before starting a new project. She could practically picture him at either of his homes in LA or London, scribbling in his leatherbound journal or playing new melodies on his guitar or piano (and the occasional late-night pastry party). As long as she’d known him, Harry had been a hard worker through and through. A little on the wild side when he had some tequila in him, but when it came down to his career, he was focused, determined.
“Good for you,” Y/n said, meaning it. She always thought he was capable of more. “So what comes next for you? Have you recorded songs already?”
“Not quite. I’m planning a trip to Jamaica to write and record there. It’s remote, serene, a good place to get away. So we’ll have to start booking flights and places to stay and—”
“I’m sorry, ‘We?’” Y/n asked, her brow furrowing with confusion.
Harry matched her look of confusion with one of his own. “Yeah, I mean—I need you. I can’t do this without you.”
The sentiment warmed Y/n’s heart for a moment, but his immediate assumption that she would drop everything just because he asked her to brought the irritation swarming back. “Mr. Sty—Harry, you know I don’t work for you anymore, right?”
“What do you mean? Are you talking about the hiatus? I just thought we could all use some time off, but…I guess I just thought—”
Harry didn’t finish his thought, but his cheeks were flushed with embarrassment. Y/n would’ve found it cute if he hadn’t been so dense. Resentment still circled around her like a fog, and she wouldn’t let it go so easily, she couldn’t.
“I was employed by your management, Harry. To be an assistant to a member of One Direction,” Y/n explained. “I was let go. I had to quickly find another job doing something else.”
“Oh.”
Y/n supposed she should’ve anticipated being fired, but she didn’t. There was a lot of information that she was privy to that most people weren’t, secrets that were tightly bound by an NDA when she was first hired, but talks of the hiatus was very hushed. She knew to suspect that somewhere down the line the boys would finally take a break, but it came a lot sooner than she was prepared for, and she was left jobless before she had the chance to line something else up. Y/n thought that Harry would give her the courtesy of a warning, but he said nothing about it to her, didn’t offer much except a side hug after One Direction’s last performance.
So yeah, she was a little bitter.
“I’m—I’m really sorry, Y/n. I know it doesn’t make up for…all of this and everything you went through, but I am truly sorry.”
“Thank you.”
Y/n believed him, believed that he was sorry for everything that went down, but it still hurt to know she wasn’t someone he was close enough to talk to about all of this at the time. She was Harry’s assistant, she knew that, but they’d been through a lot together. But he was ever the professional it seemed, and it was her job to remember that, not his.
When she realized her coffee was finished, Y/n stood up. “Well, it was good seeing you, Harry. Good luck on your next project. I’m sure it’ll be great.”
“Wait, but—you’re not—you‘re leaving?”
“I have to run a couple errands before work," Y/n explained. She rested her hand on his shoulder and squeezed gently. “But really, no hard feelings. I wish you all the best.”
She left Harry at the table, heading for the front of the cafe and toward the busy street beyond. Her heart felt heavy as she walked away, but she tried to shake the feeling that she was walking away from more than just her boss. Former boss. Like her mother always reminded her, she couldn’t be a personal assistant forever.
“Wait!”
Y/n turned on instinct, eyes widening as Harry jogged after her, his little bun bouncing with each step. He skidded to a stop in front of her, green eyes wide and searching. For what, she wasn’t sure, but the heat of his gaze was enough to make butterflies stir in her stomach.
Putting on her best front, she raised her eyebrows, waiting for Harry to say whatever he needed to.
“I wasn’t kidding earlier. I need you, Y/n,” he said. “I—You’re the only one who really knows me, who I know will have my back no matter what. I need a familiar face in my corner.”
I need you, Y/n. Those words were her kryptonite. Year after year, Y/n heard Harry's voice over the phone as he roused her from sleep, read the text messages while she was getting her nails done or watched TV in her hotel room, or on the rare occasion she went on a date. But she had to hold strong. Y/n had been devastated by her sudden layoff, but now she had a life, and she didn't want to get sucked back into Harry's very alluring web of charming smiles, cheesy jokes, and endless adventure. That was his life, not hers.
“I have a job, Harry. I can’t just drop everything and quit because you suddenly want me to—”
“What are they paying you?”
Y/n’s brows furrowed. “Excuse me?”
Harry pushed on. “What are they paying you? I’ll double it.”
Scoffing in disbelief, she said, “It’s not about the money—”
“Triple,” he countered. Harry took her hand in his and squeezed it. He looks desperate, Y/n thought.
“I can’t just quit my job because you remembered I existed,” Y/n said quietly, pulling her hand out of his. She clung to her resolve, hoping Harry would make this easy and just let it go, let her go. “I—I deserve more.”
More of what, she wasn’t sure, but Y/n knew it was true. Harry only reached out because he needed something from her, and that hurt more than she cared to admit.
“You’re right. I’m sorry,” Harry said, looking down at his shoes. A pair of scuffed Chelsea boots he wore practically everywhere. Y/n had bought him a pair of Vans one year, an attempt to switch up his wardrobe, but he still chose the boots nine times out of ten. “Just—At least think about coming to Jamaica. Please?”
“Harry—”
“Not as my assistant. As a guest. A friend,” Harry amended. “We’re planning on staying at a huge villa, and I want to make up for being an idiot. Just—Just think about it. Please.”
Despite everything, Y/n found herself wanting to say yes. It was that magnetic pull she felt toward Harry that had kept her working for him for so long. He was an important person in her life, and up until he’d all but ghosted her after the hiatus, she thought she was important to him too. In spite of his misgivings, Y/n still wanted to believe that she was.
It was so stupid, but it felt good to be wanted by him. She was an idiot, she knew that. But her friendship with Harry was legitimate, he'd just acted like a complete idiot. She'd known him long enough to know he was very capable of acting like an idiot. So even though she shouldn’t, even though she had carefully lined up her reasons not to in a little line, she started to cave.
But she couldn’t make the decision now. Not when Harry was looking at her with pleading green eyes and his sad little puppy dog face, his cologne dizzyingly lovely. No, she owed it to herself to really think about what she wanted. If getting sucked back into that whirlwind was worth it. Worth getting her heart properly broken when she knew he would never feel the same about her.
"I'll show up at work, you know," Harry said. "I'm not above it. You might think I am, but I'm not."
Y/n had no doubt in her mind that he would. Along with being an idiot, Harry was very stubborn, and very persistent. She had years with him to know that. Did she really need Harry Styles showing up at her place of work?
“Fine, I’ll think about it,” she finally said, trying to pretend like her heart was screaming to just agree. But her heart was an impulsive little shit that was bound to get her in trouble.
Harry’s face broke out into a wide grin, one that displayed those famous dimples and lit up his entire face. It was hard to feel like he didn't think she was the only person on earth to exist when he looked like that, like he was convinced she’d already said yes. “I’ll take it.”
#harry styles#harry styles x assistant!reader#harry styles x reader#harry styles blurb#harry styles fanfic#harry styles oneshot#harry styles imagine#harry styles writing#harry styles fluff#harry styles x you#harry styles fanfiction#harry styles one shot#harry styles fic
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