#which is always so much fun

[vaguely-concerned]

the strength it must have taken for illario to not immediately go full 'lmao since when have you even had a kiss hello lucanis' sibling violence mode during the café talk. inspirational. rook and lucanis really were doing all that right in front of his salad huh

[voiice-of-the-soul]

It irritates me alot when people say that making medic more compassionate is ''missing the point of his character'' when he is literally shown to be in the comics.... did you miss the part where he showed concern for both sniper and miss pauling's well being in comic 5 and 6.

His actions are a combination of genuine attachment + clinical interest and these things do not cancel out one another. He is always pushing boundaries and going against the grain and i think this is what led to him losing his license in the first place. He felt stifled by the rules imposed on him.

He is shown to be extremely passionate so it makes sense that he would use his endless fascination with medicine as a way to show his affection. He loves his friends so he will find a way to make them borderline indestructible. Malpractice is his love language.

[casscainmainly]

The thing about Dick and Cass is not only that Dick resents Cass' closeness to and understanding of Bruce, but that Cass resents Dick's closeness to and understanding of Babs. They both make each other feel insecure in their most fundamental relationships, which is why they fight so often, and why many of their fights feel one-sided. Essentially, they're mutually beefing with each other over different people, but because they'll never admit it neither of them ever know what the other is mad about.

[undertalethingems]

Unexpected Guests Chapter Ten, Act Two: Page 10

First / Previous / Next

3-on-1 would normally be quite an unfair fight, but so far, Gaster's proven to be more than capable of taking what's been dealt... but the battle's far from over and our heroes still have plenty of fighting spirit!

The long fight continues next time, coming Jan. 11th!

[chalkrub]

thank you for a great art fight! here's some of my final attacks. had a blast, already missing it - see you next year!

[ohitslen]

Something other about his eyes

Bonus! Based on this quick thing I did this afternoon and the idea took a bit more shape and turned into that thing from above uEK

[deoidesign]

when your main characters start dating after years of writing so they finally get to be like this

[rosalie-starfall]

Saturday Night - 2024

October 11th 1975

Gilda: "You get to be the hot one." Laraine: "Jane's the hot one." Jane: "I'm the mom... The still fuckable mom."

[waverlyyhaught]

Favorite Marta and Fina Moments - Part 105 Sueños de Libertad, Ep. 203

[kippipies]

What are your favorite tomarry fics?

hahaha oh boy, what a question. i feel like there's so much talent in this fandom that i could just sit here and list fics for hours and I wouldn't even be scratching the surface of everything amazing out there. But I'll just try and list some of my faves off the top of my head....

What He Grows to Be and And the Living Will Envy the Dead by Severus_Divides_into_H

Of Your Making and When the Phoenix Cries by Purplewitch156

Mind Magic and Blood Magic by Snickerdoodlepop

Dead Leaves on a Wet October Day by trello

Hauntingly and No Glory by ObsidianPen

draw me after you (let us run) and love is touching souls (surely you touched mine) by ToAStranger

Of Kings, of Pawns, and of Men by Mads999

Too old to be this young by Nadia_castillo

Lover's Spit by Amelinda, k3u

Tender Reigns Our Night by noumena

Eat Your Heart Out by evaleon70

My Name is Tom by VanillaGhost

Literally everything by Mosiva lol, but my personal favorite is The Way to a Man's Heart

Also everything by Ailora hahaha, but my personal favorite is Inventing Paradoxes

[strryhaze]

john ‘jack’ f. kennedy participating in a running gag created by a newly married bobby & ethel kennedy. filmed outside their first home as a married couple. very early 1950s.

pretty sure that it’s ethel who jack bumps into, judging by the short, trimmed hair she sported at the time and the clothes, which means it’s definitely bobby who was filming!

[demaparbat-hp]

Yoi is a babe 🫶

A diva, is what he is.

[mintjeru]

i've been streaming a blind playthrough of hollow knight to 2 groups of people for the past month and a half and i really wanted to share some of my favorite experiences ><

open for better quality | no reposts

[cubbihue]

POV: You just got apprehended by your own lawyer.

Chimmy Changa spent his early years as a Public Defense Lawyer. He had to get really into shape because. For some reason. He kept getting clients who'd bolt from the court room.

[Prev] > [Next]

+ bonus sketches i tossed out becuase i couldnt draw them to my satisfaction >:I !!

[lookninjas]

Pick a song from a bad description! You do not have to recognize any of the songs to vote (although tbh I feel like this is one of my most obvious ones -- there is an actual song title in one of the choices). Just go from the vibes. Pick whichever is funniest to you, or matches your current situation, or whatever makes a random bad song description appeal to you.

At the end of the week, I will take the poll results and use them to arrange the songs in a playlist, from the song with the lowest amount of votes to the song with the highest amount of votes. If you would like to hear the playlist, leave a comment or put it in the tags of your reblog, and I will tag you when the playlist goes up. And if you really can't wait to know what a song is, send me an ask and I will answer it.

And please reblog the poll! 'Cause this is as close as I can come to sending you guys a mixtape, so if you share it with your followers and they share it with their followers it's like we're all getting a mixtape, and that's fun. So let's keep the mixtapes moving.

[gcballet]

Just saw someone complaining about the Newhart ending from 0611 being mockery of people who ship Nandermo and frankly I can only imagine that account is someone who's under 20 bc that is not what mockery/rejection of queer ship fans looks like. You were in preschool when BBC's Merlin came out, you don't know. S6 and finale spoilers below.

The point of the Newhart parody ending was to provide an ending for fans who just wanted WWDITS to stay a goofy status quo sitcom. It's answering the black and white footage of the vampires in the 1950s. The sitcom status quo is a famously really hard trope to work with. The Simpsons is literally still struggling with it - decades of skilled comedy writers have never defeated it. It's a commentary on being satisified by the media we consume. The vampire can never fully be satisfied, no matter how many lives she consumes. The status quo can never be broken no matter how many episodes it attempts.

The 1980s trope of 'it was all a dream' happens in The Bob Newhart Show, it happens in St. Elsewhere, it happens in Dallas. They aren't mocking a queer ship, they're mocking sitcoms and how they've been hamstrung by format in terms of the story they can tell. Assume they did pursue Nandermo unambiguously, onscreen. It would be legitimately too dark for a sitcom. Or conversely, too hopeful for a documentary.

The other generic format choice restricting them is the documentary, because everything the characters do in the show is them being watched by a group of strangers with film equipment. None of their behaviour is wholly real. The entirety of the finale is Guillermo realising his behaviour will change when the crew leave. His behaviour has been influenced by the presence of cameras, and it will happen again. For the first time in six years, he's going to experience actual privacy, and there will be scope for him to express things he has deliberately suppressed with the cameras on. In the first episodes of S5, we saw him get increasingly frustrated with the crew, calling them vultures, as they tried to get the story on what happened with Derek. He's ready for his privacy back, and space to change, but the vampires live by sitcom rules. They aren't prepared to change, or at least, he isn't confident about it.

What We Do In The Shadows (2019-2024) is restricted by two specific genres and their conventions, and the first two 'endings' - the dream sequence and the switching off the cameras - represent exiting both of those genres before any significant radical moves can be implied for Nandermo.

It's a sitcom, therefore the central couple must be in perpetual will-they-won't-they (Friends), the gays must be physically chaste (Modern Family), and the status quo must be maintained (The Simpsons). Once the sitcom is ended via the Newhart ending (which positions Guillermo and Nandor as a married couple, that's not a small thing at all), the documentary tropes can close out.

Documentary tropes are a little harder to pin down, but generally the story should end with Guillermo truly moving on and leaving in a poignant and somewhat tragic way.

Guillermo's narrative thread throughout the documentary version of the show is about his identity and relationship with Nandor. He gives the cameras a big show of finally saying goodbye to Nandor, going on to be a new version of himself, and waits until the crew begin to derig before acknowledging again that a documentary is performative, and he intends to continue their relationship. The documentary format means intimate moments must be captured. When the documentary ends, the intimacy may be private. That's why we don't get a Nandermo kiss. It's allowed to be private now.

Guillermo is sad throughout the finale, yes, but I would argue he's actually mostly stressed, because on one level he understands that the show must commit to one of two trope endings. The sitcom, the repeating lives of the vampires where nothing matters and you can be hypnotised to believe there was nothing deep about it. Or the documentary, where he is forced to tragically leave forever, having learnt a valuable 16 year lesson, perhaps meeting again for a 'where are they now?' Twenty years later.

He thinks he has to choose in under an hour, between the endless sitcom cycle the vampires find natural, or walking away with the humans who made the documentary to capture something ephemeral and temporary.

They do both, and then Nandor and Guillermo get what is clearly the ultimate ending. It's not formatted in such a way that you choose between endings. They're not alternate endings, they're subsequent endings. It doesn't have multiple endings like Clue, it has multiple endings like The Return of the King.

And maybe Guillermo and Nandor don't kiss on the mouth and declare their love for one another, but the camera crew is still leaving the room. What they do do is agree to stay together and work together on something to make themselves and/or the world better. Then Nandor invites Guillermo to share his pseudo-bed and disappear into a private space he has created in secret for the two of them. Even phrased matter of factly that's romantic. Someone flippantly called it 'the gays getting sent to super hell' and wow way to deliberately miss the point. Nandor never follows through on big projects, but he built a miles deep tunnel under the earth so he and Guillermo could at last be alone away from a huge documentary crew and roommates with super hearing. That's beautiful. They don't owe you an onscreen kiss to prove they're in love. They (Nandermo and the show producers) don't even owe you representation, and if you think otherwise, you've not bought into the premise of the show. You are the voyeur watching the documentary, the fan watching the Ross and Rachel (Nandor and Guillermo have been compared to them by the cast).

The whole point of the endings is that they moved Nandermo outside the unreality of TV genres. Not a sitcom will-they-wont-they, not a tragedy within a documentary, just two weird guys in a coffin in a hole in the ground, doing whatever they want because nobody is watching and judging.

They didn't make Nandermo canon, they made Nandermo real.