#which is about two characters getting into a qpr

[yardsards]

a thing i enjoy: putting characters that aren't even aro (like not even in a headcanon way) in a qpr. because some allo people irl can be happy in qprs too. bc qprs aren't just an offbrand replacement for romance, created just for ppl who can't have "the real thing" to settle for

[mamawasatesttube]

the timkon fans who shit on bart are annoying, the konbart fans who shit on tim are annoying, and i don't actually know if there are timbart fans who shit on kon, but i sure hope not, because they'd be annoying. the three of them are a set!!! do NOT separate. red tornado literally assigned them one shared brain cell. what is not clickign

[devotedlystrangewizard]

i think if i wrote and published a book id get semi-cancelled

[cr4zy-cycl0n3]

Yo! I'm doing a Heroes of Olympus rewrite!

I'm not a huge fan of how some scenes go in canon and how the characters esp the gods are handled in Hoo, and after reading one too many rewrite/AU fics, I've decided fuck it, imma make my own.

I'm changing quite a few things, like:

- making Piper's memories not be tampered with and as a result be way closer to Leo (credit to Heroes of Juno by @queenjunothegreat for this idea!)

- MOTHERLY HERA/JUNO WHO PSEUDO-ADOPTS JASON FTW also parental Lupa but that'll be more apparent in a Jason prequel/sequel(depends on how I wanna format it) I’ll write after TLH is done

- slowburn valgrace instead of comphet jiper

- Leo and Piper QPR(+Jason when Piper stops being his #1 opp). Jasipereo ftw babyyy

- the whole series is just gonna have a good deal of focus on the Lost Trio. I'm not gonna shaft anyone ofc but my favorite punching bags characters are just gonna get extra love :3

- Jason's gonna be considerably more feral cuz CMON MAN WAS RAISED BY WOLVES(this is more prominent in the later books cuz in TLH he was alr feral, going at 2 giants with his BARE ASS HANDS)

- Jason has more bite cuz DAMMIT HE DESERVES TO BE ANGRY/BITTER AND CLAP BACK. HIS LIFE IS SHIT, LET MY BRO BE MAD

- more exploration into Jason's character cuz man was shafted so hard :(

- exploration of characters' powers in general, def buffing the Big Three kids to be as strong as Percy cuz holy cow he's OP. I love Percy and his OP-ness, but the other Big Three kids should be just as OP

- Zeus is the God of Justice, which we don't see much of in PJO's characterization of him, but Jupiter is Roman and hence is much more strict in the RRverse, so consequently I think his domain of law and order is more central to Jupiter than his greek counterpart, so I'd like to explore Jason having powers related to that and being an absolute powerhouse when it comes to debates and politics despite hating them

- characterizing the Gods differently from canon as I'm a Hellenist and writing them as they are in canon makes me like. Kinda uncomfortable. I will be using mythic literalism as that is what PJO/HoO's based on and I'm not rewriting the very foundations of the series, so they will still have committed the things they did in mythology, though I'm keeping them largely unaltered from the Og greek mythos and unsanitized as this isn't intended for a young audience like PJO is. Their behavior won't be exactly like their depictions in myths nor how they actually are irl, it's a mix of both(Ex: Zeus has still done heinous shit so he won't be as great as he is irl, but he isn't supremely petty and bitchy like he is in PJO.). This uhh. Will probably mean that PJO events would go differently which would influence HOO but if I think about that too much I'm gonna wanna do a PJO rewrite too and akbhdhd so just imagine that everything that goes on in PJO goes as canon (for now at least) for some reason or another.

- Octavian and Jason are were best friends cuz I said so. This change is inspired by To Storm and Fire(a Heroes of Olympus rewrite) which I am in LOVE with. The antagonistic side characters(like Drew and Octavian) got very little development or character exploration so l'm definitely giving them that in my rewrite!

- The Seven feel and are much closer together

- delving more into the sevens' trauma pre-camp, might also do a one/two shot for each of them. Jason’s a given cuz I’m writing a whole ass fic or even series dedicated to his past, Leo and Piper definitely, probably also Hazel and Annabeth, not sure on Percy and Frank cuz for Frank I’m def going into the trauma that comes with growing up in an Asian household but don’t have too many ideas on how to execute that, and for Percy I don’t have all that many ideas in general outside of the little we know in PJO(I used to think we knew a lot but honestly, we really don’t? Like we know Poseidon left, Sally had to work a lot, Gabe sucks, and he got kicked out of 6 six schools in 6 years and the reasons, but we don’t have any concrete details. There might be more in HoH, I haven’t read it yet so lmk if there is). Open to any ideas for this!

- camp is. Tense. It's been only a few months since the war, grief is still fresh, and Jason being tall, blonde, and blue-eyed with a scar ain't helping 💀 some people think Silena was a hero, others think she was a villain, some people sympathized with Luke, others despised him, there's a lotta differing views.

I have loads more ideas that I won't get into here cuz the post'll get way too long, but l'd love to hear what you guys think! What scenes/characterizations should I change? What topics would you like to see handled differently? What should I add? I'm open to any and all suggestions!

Currently outlining TLH, will start posting it on my ao3 once I have the first chapter and 4-5 buffer ones written so I'll prolly start posting it in a month or two? Idk, depends on my workload irl and if I get hit by writer’s block. Maybe less, maybe more, who knows. I'll be writing a bunch of shorter stories for specific moments, time between books, and namely a prequel/tih sequel focusing on Jason's past and who he was before Hera wiped his memory. Open to any suggestions for additional works too. Feel free to drop any questions and suggestions bout the rewrite here or in my ask box!

[sainteclectic]

+ since it's aro awareness week, I'll finally unleash that rant on why the state of shipping discourse in this fandom bothers me

disclaimer that i am not saying you can't be uncomfortable with jashshipping!! I don't really like romantic shipping in this fandom either. this is just a commentary on the culture surrounding this discourse and fandom shipping in general. OK LET'S GO.

I've noticed this weird distinction people make between platonic and romantic art in regards to what gets the "jashshipping" tag added. it's also incredibly arbitrary what kinds of posts are considered "jashshipping" - is a qpr jashshipping? why not? they're in a relationship. why does it matter if it's romantic or not? why is romance the only kind of shipping seen as valid, either positively or negatively?

on a personal level, I feel this pressure to always clarify that I'm not talking about romantic pairings. qprs, close friendships and relationship anarchy in general aren't seen as jashshipping, and it feels like I need to preemptively devalue my queerplatonic ships by saying they "don't really count." I need to be careful about my work not being "too romantic" or people assume I'm "jashshipping." i just find it demeaning as a partnering aromantic person.

and this culture is why people who enjoy non-romantic pairings don't want them to be tagged as ship - because there's this implication that a ship HAS to mean romance. it shouldn't, but it still does. it would be great if we lived in a world where shipping meant any kind of relationship between two characters instead of just referring to romance, but we don't.

this is why I tag ship names without tagging it as jashshipping. because the nature of "shipping" in this fandom is always implied to be romantic in nature, which is what makes it the most taboo to discuss. so I don't tag it as jashship because that's only used for romance {or for what the fandom perceives as inherently romantic actions, which is another can of worms entirely}. but elevating a romantic ship to a higher negative standard is still placing romance above any other form of relationship. there's still a hierarchy in place.

I don't think ships as a whole {hah} need to be defined by romantic attraction. it's short for relationship, after all. to designate ships as ONLY romantic implies that romance is the only valid type of relationship. and to designate romantic ships as uniquely bad still implies romance is a unique type of bond.

{I also have an issue with the implication that dating what is essentially your headmate is selfcest by default, but that's another discussion}

TL;DR - I think the culture around what designates something as "jashshipping" should be viewed with more scrutiny. it's very amatonormative to assume pairings with any level of closeness is "jashshipping," and it implies a hierarchy of relationships even if that hierarchy is negative. jashship works as a content tag for anyone uncomfortable with romantic pairings, but to imply it's an objective judgment on what's considered romance is reductive.

[knight-a3]

Hazbin Masterpost

Heavenbound Masterpost

Vox, the noisy video box

So Vox may not be my favorite character, but he is probably my favorite redesign. I laugh every time I look at him now. He looks like a weird mix of Spongebob, Kraang(TMNT), and Mr. Electric(Sharkboy and Lavagirl). He absolutely hates it.

Notes under the cut

There's too many twinks in this show. So when I was trying to decide which characters I could change, for body diversity, Vox was an obvious one. He needed more bulk so his body could conceivably support the old TV models. Those things could get heavy. The change also had the side effect of making him shorter, which just worked better proportionately.

I liked the idea that Vox could never get rid of his original bulky 50s TV, but also wanted him to be able to upgrade. So I decided his true body is the 50s TV, and he adds an upgraded monitor for a head as technology improves. He's hates that he's stuck as an old fashioned TV, so he hides that under his suit. Since the monitor is just an addition, it can be swapped out easily. It can be damaged and he's technically unharmed. But he can't see through his suit without the monitor, unless he wants to use a security camera and direct himself 3rd person style.

I didn't like that basically everyone has sharp teeth. It reduces the impact for characters like Alastor or Rosie. So I've been having the default be just sharp canines. But with Vox being a TV, there are so many possibilities. I gave Vox "regular" teeth, which helps him look more trustworthy. It fits the corrupt businessman vibe. But the appearance can change with his mood too.

Color TV became available in the 50s, so Vox always had color vision. But I think it'd be funny if, early on, he had a tendency to glitch out by going into black and white vision when he gets worked up. He's mostly grown out of that glitch, but he can't seem to shake the static or TV color bars, and developed new ones as he integrated computer and internet tech into himself as well. Now he gets the Blue Screen of Death, system errors, and city wide power surges.

Messing around with his face is so fun. When he's bored or tired a Voxtech logo will bounce around like the DVD logo, or display a screensaver. His face can get too big for the screen when he's excited, or be small when he's feeling embarrassed. I need to put a troll face on him at some point. It may be an old meme, but man, it feels right.

His left eye turns red when it's hypnotic, to reference those blue and red 3D glasses.

Of the three Vees, he is absolutely the most powerful. Val and Vel are the content creators, but Vox is the platform. The other two, while still powerful in their own right, would never have gotten to the level they're at if it weren't for Vox. He controls the mainstream media.

--TV set--

So we've got some interesting implications with how he functions. He's a TV, but he blue screens like a computer, and he shorts out the power grid. I think it's safe to say he is more than just a TV, he's a multimedia entertainment center. That, and TVs are starting to really blend with computers these days. He's mainstream media.

At some point, I realized that a TV set was a "set" because it wasn't just a single device. A television set was a collection of components, which boils down to a radio hooked up and synchronized to a visual display. I bring this up mostly because I am a sucker for one-sided radiostatic. It's so funny to me. Vox is obsessed.

But I'm going to refrain from too much theorizing about their relationship. Alastor is absolutely not interested in romance. Nor a QPR. He's not even interested in friendship. Alastor is too invested in power dynamics to really consider anyone a friend. Mimzy is probably the closest he has to a friend, and even that has manipulative elements on both sides. But I'm supposed to be talking about Vox!

--Human Vox!--

He is not tall, haha. But his proportions are a bit taller than his demon form. I wanted to go for square glasses, but I didn't see many examples of that in the 50s photos I found. Oh well! My goal was a sleazy business man. He probably had a variety of jobs, but they primarily involved TV. Commercials, PR, interviews, news, game shows, talk shows, screenwriting, etc. Whatever he could do to get more influence. He found himself favoring the business end of things. Making deals and pulling strings. He decided what would go on the air. He's one of those network executive types.

I see lots of people give him heterochromia, but I don't really see a point to that. He hypnotizes people with his left eye, sure, but it's not a different color. It's not disfigured in any way either. Maybe he just had a tendency to wink at people, I dunno.

I think his death involved some sort of severe skull fracture focused around his left eye. Maybe a car accident, maybe he was shot, idk. Maybe seizures were involved. But he was somewhere in his mid 40s to early 50s. I ended up writing 45, but I'm not super committed to that or anything.

For a human name, I see lots of people calling him Vincent and that's sorta grown on me. So I might go with "Vincent Cox".

And because I fell into another research rabbit hole...

--TV evolution--

(below) 50s-60s CRT TV: TV sets were treated as furniture and there could be some very interesting cabinet designs. Color TV was introduced in the 50s, but wasn't quite profitable until the late 60s.

(below) 70s-80s CRT TV: Color TV became more affordable and commonplace.

(below) 90s CRT TV

(below) 2000s CRT to Plasma and LCD TVs: The three display technologies competed, but LCD won out in the end. Plasma and early LCD didn't look substantially different. Plasma was a little bulkier, but was still slimmer than CRT.

2010s and on: LCD improved with LED backlighting. But then OLED removed the need for backlighting entirely, which mixed the benefits of plasma and LCD. (Didn't bother to find a picture example. It's so close to modern at this point)

--Display technology-- (These overviews are very simplified)

CRT(Cathode Ray Tube)--Used through the 1900s to approx 2010. Monochromatic until Color TV developed aroung the 1950s. Worked via vacuum tubes and electron gun that lit up the pixels. They were bulky, heavy, and used a whole lot of power. Widely considered obsolete and no longer made. Video games made while these were in use tend to look better in CRT, since the graphics accounted for the image quality.

Flat screens-

PDP (Plasma Display Panel): Used from early 2000s to approx 2015. Used gas cells that light up pixels when electrically charged. Good image quality and good contrast, but expensive, heavy, and used a lot of power. Considered obsolete and no longer made, despite still having a desirable image quality.

Plasma and LCD competed in the 2000s to early 2010s as CRT popularity waned. LCD eventually won out due to weight and overall cost(including market price and energy efficiency).

LCD (Liquid Crystal Display): Introduced for TV around the same time as Plasma. Works via a liquid crystal layer with a backlight. Slim, decent image quality, energy efficient. Viewing angle matters because image colors are warped at wide angles. Cheaper than plasma. There are two main backlighting types:

--CCFL(Cold Cathode Fluorescent Light): Used fluorescent lighting for the backlight. Image quality was decent, but didn't have good contrast. (the blacks were never truly dark because of the backlight)

--LED(Light Emitting Diode): An LCD that uses LEDs instead of CCFL for the backlighting. Better contrast and efficiency than using CCFL.

OLED(Organic LED): Mixes strengths of plasma and LCD. Self emitting LEDs. No backlight or LCD panel needed, which improves contrast(about as good as plasma was, which is why plasma is basically obsolete now).

--QD-OLED(Quantum Dot- OLED) Adds a layer of Quantum dots to an OLED to improve color gamut. I think. I can't let myself fall too far into this rabbit hole, so I'm not double checking anymore.

((Feb 12, 2025-updated tags)

[elpeadro]

I diagnose the Jentry Chau vs. The Underworld gang with QPR (queer-platonic relationship). It is so blatant and I love them so much.

Jentry-Michael: childhood best friends who haven't seen each other for half their lives after one of them accidentally burned down half the town (including her best friend’s home) with her magical fire powers and got sent away to Korea. Hit it off like nothing ever happened the day Jentry gets back in town. Gugu teases her about him because Jentry is not subtle at all. Protagonist girl x stereotypical love interest boy. Get to bond over being pressured to be someone they’re not by parental figures and being lied to about their powers. He dreams about her at night. (Don’t worry it’s not creepy.) She nearly kills him while he’s at work. Dating life stop-starts like 5 times because of shenanigans and poor communication and also maybe because their relationship isn’t meant to be romantic in nature.

Jentry-Kit: shapeshifter-adjacent demon who stalks, flirts with, seduces, lies to, threatens, and makes and wears a skin-suit of his mark only to fold after one (1) conversation, when she suggests he already has a soul, because he is that desperate for love and validation. Oh, and he’s working for the main villain who killed her parents, her great-aunt, and is actively trying to kill her. Protagonist girl x cool aloof bad boy love interest. Get to bond over being manipulated into fighting their authority figures’ feud/war. Lowkey is responsible for her almost killing stereotypical love interest boy. One kiss is enough to make him crash out when she rejects his advances afterwards. He falls for the oldest trick in the book, which is falling for your mark. He nearly dies distracting Cheng so that she can save the day (fuck you canon; you can’t take him away from me). He does this by wearing his Jentry skin-suit. They share the most homoerotically-charged scene in a TV-PG show while he’s building and putting on said skin-suit. Him nearly stealing her qi is so intimate and also please don’t do that without her consent sir 💀.

Michael-Kit: did you not SEE episode 5? They’re the nastiest parallels to ever parallel, to the point that their narrative energy warps reality and makes the lunch lady go on a comically direct lecture about how they need to choose for themselves what they want. This lecture is somehow about their identity issues and entire life’s course, and also about what they want for lunch. It is entirely unprompted. Kit nearly got him killed at work. They’re two-thirds of a love triangle, and a triangle can only be a triangle if it has 3 sides. (You get what I’m saying?) They were brothers-in-arms at the Alamo. They’re both incapable of not lying. Michael dreams about him the same number of times he dreams about Jentry. (Don’t worry it’s still not creepy.) They somehow avoid the stereotypical “high school love triangle drama” plot points between the two of them only because they’re busy fucking up their relationships in even bigger ways. Oh, and he prom-posed to Kit.

Michael-Stella: walking cliche of the high school “it” couple that was doomed the moment they set foot on the show. They were going to go to college together ffs. They dodge love triangle cliches regarding Jentry because they both think she’s that cool. She makes him protein bars. (Which suck, but it’s the thought that counts.) Football player x comphet lesbian. No seriously, she’s the most comphet lesbian to ever comphet lesbian.  They have cliche “romantic chemistry”, but then they break up because he lies to her about wanting to be a shitty flute player over a superstar wide receiver recruit (except it’s not really a lie, but also it is), and they move over the “awkward exes” period and are much better characters and friends. He dreams about her at night as well. (Again, still not creepy.)

Jentry-Stella: the girliest girl friend duo in the world. Stella helps her adjust to a new school in a way that is so nice and sweet that it’s one of the more unrealistic parts of the show. They have a scene in Stella’s bedroom. Their male love interests fumble them at roughly the same time, and then they do spirit week together and are having the time of their lives. She braids Jentry’s hair. They’re both so cool, but also so lame in their own ways. Also there’s no way Stella doesn’t have somewhat of a crush on her because 1) Jentry is that cool and pretty and awesome, and 2) Stella is a certified girl lover.

Kit-Stella: look they didn’t really interact in canon, but he’s on her shit list. She’s got her eye on him at all times, because Jentry may have forgiven him, but she’s watching out for her friend. She 100% gave him the shovel talk. Things get REALLY awkward if Jentry and/or Michael aren’t there, because these two are easily the weak link of the QPR.

Also all four of them are some form of queer.

[everestgale]

Skeptic for the ask thingy? :D

I'm getting through these so slowly 😭 Sorry for the wait! Time to ramble about everyone's favorite detective bird-

[Send Me a Character and I'll List Ask Game]

favorite thing about them

Weirdly, it's the contrast between how intelligent and logical Skeptic is as a character vs. how absurd and irrational the Construct is. The way Skeptic fights and seeks universal singular truth in a world that, by design, does not have any... which was so masterfully highlighted in the Cage and the new Den. I remember genuinely exclaiming "SKEPTIC NO, STOP-" when the tunnel began collapsing (though in fairness, Hero is the one who started it). And the way Skeptic blamed himself for not "thinking it through," because that's how he thinks the world around him should work:

"Why for the love of everything did I not think about the stability of the tunnels?! I'm supposed to be smarter than this! I'm supposed to have a plan for everything."

And the entire dialogue with Hero following that line, too-

...Long story short, there is something very tragic but incredibly appealing about putting a character, who is all about facts, logic, and deduction, into a world that shifts based on your perception where nothing is certain. Sorry Skeptic, love you Skeptic </3

[What's up with all these asks getting so long... more under the cut </3]

least favorite thing about them

Rewritten and deleted lines from the Prisoner. Hands down. It's one of the few things I dislike about the DLC, and I choose to not accept it as canon. I really, really miss that triumphant "I knew it!" followed by "She couldn't tip her hand to Him. He wouldn't have let us leave." It really highlighted Skeptic's intelligence, along with an innate desire to trust the Prisoner, to think of her as someone with a plan. She wouldn't just cut off her own head like that, and he knew it.

I understand that this was done to make the lead-up to the Cage easier / more natural... but I feel like there were other ways to do it! Hero is right there, and he just watched Prisoner cut her head off, he could be disturbed and panicking about the whole situation and really want to leave, which would feel quite natural too! And then perhaps Skeptic was sure that Prisoner had a plan, but after you choose to leave her behind... he isn't so sure anymore, which could lead to him slowly losing his mind and devolving during the Cage. That would've been perfect, at least in my opinion!

Honorable mention goes to the fact that, even after the Pristine Cut, he still feels a little underutilized to me. I talked about it in my Paranoid character ask, but Deconstructed Damsel -> HEA should've had Skeptic instead of Paranoid (T v T)

favorite line

"You have the attention span of a fly. How are we supposed to unravel the mysteries of this place if you're so easily distracted by empty promises?"

Honestly I feel you, Hero, I also have the attention span of a fly-

And of course, how can I not mention: "Yes, yes, don't believe a word she says. Just go in, take the knife, and do what you're supposed to. Wink."

brOTP

I already talked about how I really like the Grey Brothers (Skeptic + Smitten) dynamic in Smitten's post, it's very fun to imagine these two as very different people who have very little in common... but who still care about each other.

But I also want to mention Skeptic + Hunted. I liked the idea of them being comfortable in each other's spaces even before the extended Den. And with them working together so well in the Den post-Pristine Cut, I think they would have a pretty close friendship.

Everest trying really hard to explain a dynamic they like, without resorting to just "they cool. me like them"-

OTP

For the record, I HC my Skeptic as aroace (or demiromantic asexual, I haven't fully decided yet). That will not stop my QPR-Skeptunist from completely taking over my brain <3

There is something very appealing about their dynamic - Opportunist is trying to get on Skeptic's "good side" and is interested in how intelligent Skeptic is (and how he could utilize that intelligence for his schemes), while Skeptic is curious about Opportunist and that rat brain of his (/aff), trying to see what's beneath those layers and layers of masks that Oppy likes to wear. In a way, they are both almost trying to outsmart one another, but from a place of curiosity... which could lead them to slowly enjoy each other's company :]

Also, this ship is really funny, and it's hilarious to imagine all the stupid scenarios they find themselves in- OH, and I wrote this on them like a month ago:

"I do genuinely feel like they would, not always but often, enjoy each other's company and yap - we all know that Skeptic is listening to Oppy's endless rambles to understand that gremlin mind of his, but I feel like he would come to like Oppy's weird plans and logic as a sort of 'new perspective' - and Oppy really appreciates someone acknowledging 'his genius,' and maybe in turn, he would also listen to Skeptic's esoteric rambles on stenography (it feels like they would be interesting, and depending on the topic, Oppy could actually be genuinely interested in Skeptic's yap in like a "oh, this would be helpful for my next scheme" kind of way)"

...I like this ship way too much for how little they interact in the game (which is "not at all")

Honorable mention almost goes to ParaSkep, courtesy of @/wintergrofyuri and @/itsonlypolite. It's so close to clicking with me (it feels like a dynamic I would like, I want to like them)... but it's just barely not it, I don't know what exactly, but something is missing / just not quite clicking with me (T v T)

nOTP

Don't think I have any nOTPs for Skeptic! I haven't seen any ship with him that I disliked :]

random headcanon

I already mentioned like 3 headcanons in this post: the fact that my Skeptic is aroace (or demiromantic ace), the fact that my Skeptic knows shorthand (and writes exclusively in it), the fact that Skeptic is actually a yapper who likes to explain and go in-depth on the topics he finds interesting... /silly

Let's add another one! I like the idea of a linguistics nerd Skeptic, who is really into the etymology of words (I talked about it in this post where I talked about voice's hobbies!), sounds like the kind of thing Skeptic would be interested in.

Are any of these HCs based on anything from the game? Nope! These are all entirely based on ✨ vibes ✨.

unpopular opinion

To be honest, I don't know what counts as an "unpopular opinion" for Skeptic. I don't think I have any? At least none that I feel strongly about, most of my opinions about Skeptic are either directly based on the lines from the game OR are completely irrelevant silly HCs based on nothing but my own likes lol

song i associate with them

I very rarely listen to just instrumental music (outside of lo-fi and a couple specific artists)... but none of the songs I listen to really fit Skeptic. And so my first instinct is... the original Objection! theme from Phoenix Wright-

Also Open the Game by Jiro. Not the kind of music I usually listen to, but a friend suggested it to me as "music that fits Skeptic" a while ago, and I agree with my friend, I think it really suits him in terms of musical style :]

favorite picture of them

...I'm going to be honest, I'm currently debating if I should give Skeptic a major re-design (because something about his current design just irks me). But if I had to pick an image for Skeptic that I made, it would be this-

...I don't think I shared this before (I probably will in a doodle dump of "voices in dresses" sometime in the future), but this is Skeptic in Alice in Wonderland's dress. A few friends and I joked too much about how awful of a time Skeptic would have in Wonderland, and so this was born!

[silverlining-ships]

Music comms are CLOSED!! Check out the waitlist here!!

Ok y'know what, screw it. My brain seems to require three-four pieces at one time (genuinely cannot figure out why that is), and with the fact I only have two queued up right now and the game I'm composing for doesn't need any tracks at the moment, I'm getting composer's block again. So we're OPENING my music requests!!

I'm actually stunned at how many people seemed interested in getting a piece of soundtrack music for their f/o. I'm opening it to non-mutuals, and it's totally free! If you're concerned about paying/tipping for work, I'm always happy to receive content for my selfship, but I will not accept any money, and there's no pressure to tip content anyway. Again, this is for fun!

This is how it works:

Fill out this google form with the title of your ship, some songs you like, instruments, etc etc.

You can message on Tumblr or Discord (@/slipperson on Discord) on top of submitting the form too! I'll reach out myself once I get started on your piece.

I'll sketch out a draft, which is exactly like sketching out a basic pose for art - it'll typically only use piano/minor percussion. Sometimes I'll even give a simple concept before I flesh out a draft. I'll send it to you for approval.

If changes are needed, I'll refine the draft and re-update. If not, I'll go on to fleshing out the instrumental - this means adding instruments, changing volume (for example, in my first example, I used a lot of "dynamics"/volume changes to simulate the swelling of instruments). This is like adding the flat colors in a piece of art!

I'll send it to you again - I'll make changes upon your request, but if approved, I'll finally go ahead and mix the final draft. This means putting it through an audio program (audacity if you're curious!) and polishing the sound. This is like rendering the lighting!

After it's done, I'll send it to you for once last listen. Upon approval, I'll post it to Soundcloud, link it on Tumblr, and tag you in the post!

Important bits:

No comship/proship/aged up-or-down/RPF ships. Live action characters are fine as long as it's not the actual person. Familial/platonic ships are totally okay!

If you are a minor/ageless blog, I'm willing to write a piece for familial/platonic content, but not QPR/romantic.

Downtime is 1-2 months after I first open your request. I may finish it sooner, but no later than 2 months. This is because music generally takes awhile--30 seconds of music can take me 4-5 hours to concept! I also tend to work on 3-4 pieces of music at a time.

I will give frequent updates. Don't be afraid to reach out if you're curious on the status!

My work is never cleared to be used commercially or in AI programs. We're a bunch of selfshippers on Tumblr, so I know we all hate AI, but it's worth the mention. I tend to be strict on copywrite - it'll stay under my name, all rights reserved - however, you are free to use your piece wherever you'd like as long as it's not commercial use, used in a monetized campaign/video/form of media, and not used in AI.

I may put these tracks on a streaming service at a later date - not on Spotify, as the service is TERRIBLE with allowing their work to be remixed into AI. Something like Bandcamp or Soundcloud for Artists. If you are uncomfortable with this, please let me know.

Examples:

I will have my queue/completed list on my carrd here.

Thank you so much for your interest!! I'm actually so stunned I got so much love for this, and I'm excited to celebrate your ships with you!

heart border

[cateyeswrites]

DSMP X EPIC the musical

I have been stweing on this AU for almost two weeks now, and I NEED TO TALK ABOUT IT BEFORE I LOSE IT OR DRIVE MY WIFE INSANE WITH ALL MY YAPPING

(For continuity purposes, let's remove most romantic elements in the story unless specified by me. ah, my wife would be so proud of me) (Also we will be following the musical cannon and only that)

OBVIOUSLY, Penelope and Odysseus are my favorite duo= Clingy duo

For this AU, they would be in a QPR(?) I think that it just makes so much sense that Tubbo would be the person Tommy would fight to get back ( ah, the exile vibes). I also think that if someone was gonna have a beef with most gods they encounter, it would be Tommy (crying in tommyinnit fan mode)

Tubbo waiting and never stopped beliving thay his best friends is dead and knowing that he will come back to him? so on brand for this fuckers. Also, Tubbo's being as smart as Penelope is said to be makes too much sense. Penelope in Greek mythology is this incredibly smart and witty woman who made fools of 108 men for 20 years, so yeah, her and tubbo? shaking hands.

(My wife had a magnificent idea that instead of a shroud, Tubbo would be making a coffin for Tommy, which is kinda hilarious 😭)

Now stay with me, STAY WITH ME but lowkey I think Telemachus would be Ramboo, and I know that legendary wouldn’t 100 percent be super accurate, but stay with me. I will make a personalized post about how every character fits

But there is something about these lyrics that is giving ramboo and the version of himself that is controlled by dream

Somebody tell me, come and give a sign If I fight this monster, is it you I'll find?

Athena would absolutely be Techno! like it fits so well, and my goodbye could 100% be that fight they had before doomsday.

Put your emotions aside You're a warrior Meant to lead the rest I don't know where I went wrong But I warned you And you failed the test So now I'm gone

Wilbur would be Poliies before the Pogtopia arc

Hermes would be Quackity because COME ON!

(This was attributed by my wife; I was planning on making him Phil, but I made her listen to dangerous and wouldn't you like and she clocked me and said THAT is quackity)

Now Poseidon would be either Dream or Jack! I'm was leaning a bit more towards Jack, but after listening to Six Hundred Strikes with my wife it's giving Exile, and yeah, like Dream cast him away for years never being able to come home!?!? How more accurate can that be

How does it feel to be helpless? How does it feel to know pain? All of the pain that I've been through Haven't I suffered enough? Stop! You didn't stop when I begged you Told me to close my heart You said the world was dark

Like, that is SOOOO TOMMY AFTER EXILEEEEE

Anyway, this is just a small part of the insanity that has been going on my brain .... so yeah! hope you enjoy it and I hope to make a part two .

Part 2

[fictionobsession]

devotion

Pairing: Alastor x f!Reader

Summary: She would give anything for him.

Word Count: 1,997

Warnings: blood, canon typical violence, Alastor being psychotic

A/N: okay friends, first time writing for Al. this was not beta'd or really edited at all so if something seems weird just... assume I meant to fix it. also, this was written as a QPR, but there's a little feelings on reader's side if you squint. I'm not 100% on how in character this is for Alastor, but we tried and that's what matters right

---

She plopped onto the shitty couch and pulled her knees to her chest, looking around the shitty house where they'd been hiding out in the middle of this shitty swamp for the last two shitty weeks. The wallpaper was peeling and yellowed, the floors covered in mold and mildew, the running water only worked half the time, and, more importantly, the refrigerator was empty as of six nights prior. Her stomach rumbled just thinking about a nice juicy cut. She sighed, closing her eyes and allowing herself to sink into the daydream of food.

She knew when she'd gotten into this hobby with Alastor that there was a non-zero chance she would wind up on the run someday. She just wished they could have put it off a bit longer, had a bit more fun. She laid her head back against the rotting couch until she heard the creak of the floor near the front door.

Her eyes snapped open and her brows furrowed as she took in Alastor's hunting attire.

“Al, where do you think you're going?”

“Well, my dear, unless you feel like us both starving to death in this dismal abode, I thought I'd better go get some food.”

“Alastor. You know we've heard the dogs nearby. You can't possibly go out there without getting caught, at least until we've had a couple days where we haven't heard 'em.”

“Again, starving is not on my agenda, so we don't particularly have another choice.”

Another choice. Her face hardens as she realizes what another option might be. She stood up and crossed the room, grabbing Alastor's arm before he could open the door. “There is a way for us to make it out of this without you leaving. Or rather, a way for one of us to make it out of this.”

He hummed, and she could see the wheels turning as he put together what she was implying. “I'm not sacrificing myself for you to get away, you know.”

“I know. That's why I'm just asking you to get it over with quickly. You'll get more time, and I – well, I'll at least get to go out on my own terms. If I have to go, at least it'll be for you.”

His eyes widened just a bit, more reaction than she'd usually get, before he shrugged. “Okay. Painless it is. Not usually my style, but I think I can figure it out.”

She laughed, a genuine, full laugh. “I know, Al, and that's why we've worked out so well. But I think you could at least do that much for me.”

He pulled his hunting knife from where he had already slid it into his belt. “Are you ready?”

And with one nod, everything went black.

-

It seemed instantaneous, appearing in hell. She looked around, taking in the chaos around her. Literal dumpster fires, public sex, casual street murders, Hell had it all. Of course, arriving in Hell wasn't a surprise for her. You don't kill that many people and expect to get into Heaven. She wasn't even sure she had believed in the whole afterlife thing until she was experiencing it. She shrugged it off, finding the closest place with a mirror she could use for free.

Her body was... different, certainly. But intact, and honestly, she was quite happy with it. Given the various types of demons she'd seen just in her brief time there, it could've been a lot worse. She wandered, putting together a plan of action for getting herself set up in Hell. It seemed she would need income to make most things happen, which made finding a job a top priority. She also needed a place to sleep, as it seemed unsafe at best to stay on the streets.

She got a job fairly quickly at Ozzie's, though she wasn't thrilled with the outfit they made her wear for the whole thing. But it was money, and easy work, so she stuck with it. Asmodeus offered her a fairly decent rate on rent nearby, as well, so she could have done worse.

Shortly after getting settled, she started feeling pressure on her body in random locations and at seemingly random times, almost like someone was grabbing or poking her to get her attention. Occasionally she'd get hot spots, which she at first attributed to it being hot in Hell. Little scrapes and cuts would appear sometimes as well, but they always healed up quickly. It wasn't until the final time it happened that she realized what had been happening over the past few weeks.

A perfect bite imprint appeared on her forearm, accompanied by a sharp pain, and she realized it must have been an effect of Alastor in the living world. She traced her finger over the mark, which had healed into almost a scar, but not quite. It was a bit pink, but wasn't angry and fresh. She smiled a little to herself, happy that her sacrifice hadn't been in vain.

As time went on, she found herself tracing the mark when she was feeling stressed, upset, or particularly lonely. It never healed all the way, making it always a bit sensitive to touch, and served as a reminder of why she was here. The mark always made her feel closer to Al, which brought a little comfort when things got crazy.

She had managed to stay within the same few blocks that she knew were heavily policed by Asmodeus's people. However, six months into her stay in Hell, she finally had to leave her little neighborhood to buy some things for the bar. She packed her gun, a knife, and made sure she was dressed inconspicuously – the rumors about the surrounding areas were very...detailed...about what might happen to someone who ended up on the wrong side of a fight.

Unfortunately, her preparation didn't keep her from getting spotted by some Sharks outside the store as she started back toward her apartment. She tried to hurry, sliding between demons and other sinners, before slipping down an alley to attempt to lose her tail. It was too late by the time she realized it was a dead end, and the Sharks started cutting off her only entrance.

She took one step, two, keeping them in her sight until her back hit the brick wall behind her. Her hand reached for her gun, ready to pull it when the lead Shark got close enough. Their glares were paralyzing, and she could smell the smoke and alcohol on them at that distance. She felt herself start to shake, taking a deep breath to steady herself before -

“You wouldn't want people to think you're picking on those of fairer means would you?” The sound and feeling of static crackled through the air like lightning as a dark shape enveloped the opening to the alleyway. A long, thin shadow ripped through the air, straight through the lead Shark, throwing him against the side of the neighboring building.

Green sparks shone through the seemingly infinite blackness, a pair of what could only be described as antlers growing from the approaching shape. Two more tendrils, picking up the remaining Sharks and tossing them into the air like dolls. She wanted to close her eyes, but couldn't look away from the gore. Sure, she had seen a lot of violence in her time in Hell, but she hadn't seen that level of overkill in quite some time.

As the last of the Sharks fled only to get a tendril through the skull, she pressed herself as far into the corner as possible, sliding down the wall and pulling her knees to her chest. There was only the hope that the demon forgot she existed, and the knowledge that if he hadn't, she would likely be next up for second death.

The shadow approached, darkness fading as he got closer until finally it revealed a man. A tall man, with horns, but just a man, nonetheless. He was straightening out his red coat, and twirling something around in his hands as he approached. “Always good to have an excuse to let off a little steam. Always good.”

He put a hand out to help her up. As she lifted herself off the ground, he was already vaguely shaking her hand, introducing himself. “Name's Alastor, pleasure to meet you. Quite a pleasure.”

His name hit her ears about the time he caught a glimpse of her bite, and both stopped dead in the middle of introductions. She looked up, eyes widening as she realized that yes, that was a microphone, and yes, in fact, it had been quite a while since she'd seen that level of overkill, one could even say since her living days. He looked different now, sure, but as soon as she looked into his eyes, she knew that was her Al.

“Well maybe don't wait so long to come save my ass next time, eh, Al?” She smirked up at him, waiting for him to process what was happening. His nails traced the pattern of his own bite on her arm. She caught sight of his tongue tracing across his teeth, as if he was just then realizing how different they'd really become. “I bet your imprint looks a bit different now, doesn't it?” She spoke more to herself than to him as she reached to pull her sleeve down over the mark.

“Why, I should hope so, my dear. I should very much hope so. Let's see just how much it's changed then!” Without any more warning than that, he pulled her arm to his mouth and bit, hard. The new mark bled, sure, but it healed up more quickly than it probably should have, covering his old impression with his new one. His ears twitched subconsciously, his ever-present smile nearly faltering as he watched the blood drip, drip, drip down her arm. He shook himself out of whatever thoughts were distracting him rather quickly before acting like no time had passed at all since they'd been together last. “Now, I don't think I should leave you alone again. It seems to me that you still can't stay out of trouble, my dear! Come along, let me show you where I've been staying!”

“But – Hang on! Al! I've got to go to work!”

“Ah, there'll be no more need of that anymore. We'll send a notice to... whoever you're working for when you get settled.” He raised an eyebrow, practically daring her to argue. She knew, though, that she'd never gone against what he'd wanted before, and she didn't particularly want to start now. She took the elbow he'd offered her and allowed him to lead her out of the alley.

Occasionally, as they walked, she would catch sight of a shadow that seemed to be following them.

“Oh, don't mind them. They're just keeping an eye on your wellbeing. You better get used to it! Having a friend like me, why, other overlords will just be dying to get their hands on you!”

She scoffed, a look of adoration crossing her features before she tactfully replaced it with annoyance. “I'm not going to get any rest now, am I?”

“Oh contraire, ma cherie! You're going to get everything you've ever wanted and deserved. I owe you that after what you did for me up there, wouldn't you say?”

“Oh I just can't wait to show you Cannibaltown! You've got to meet Rosie, yes. You'll get along very well, very well indeed. And she makes the most delectable little treats! Maybe we'll go by tomorrow.”

As he continued rambling, she hummed approval when appropriate, watching him out of the corner of her eye with a mix of caution and longing. As he led her down streets she'd never seen before, she realized maybe this was all her afterlife had needed after all.

[howlsofbloodhounds]

I know you dont talk much about ships or romantic relationships, but about utmv is there a ships or ships that you like? If yes, which ones?

I’ve recently found myself in a period where I don’t care much for romance (or at least, i don’t like when romance or sex is prioritized), but there are a few ships i enjoy or im chill with even if i myself don’t ship them or seek them out.

The most obvious one is Colorkiller, of course. I do love to explore every interpretation and dynamic with them, but I love when they aren’t like, “friends to lovers” but instead friends and lovers.

And I do believe these two could potentially be portrayed as just about anything, and they’re definitely a little fruity even if it’s genuinely platonic—given how it’s kinda implied that killer likes to tease and flirt with color, and other things that color wants to be done only in certain environments and places. (The “omg not here” drawing.)

There’s not much other ship content with Color, but I feel id enjoy exploring or seeing it just about any kind. Such as with Delta, in a poly relationship with Delta and Killer, in a poly with the MTT, etc. maybe I’d even be interested in seeing some type of depiction of colormare or even a poly between color, killer, and nightmare if it’s interesting and compelling.

I’m neutral or apathetic on most other Killer ships, except for a few interpretations of ships that can get annoying. I don’t really ship Killer with most characters, but I can try to get behind a certain interpretation. I’d like to see more HorrorKiller content, if only because there’s so little of it.

The only one’s im ever iffy with shipping him with the apple twins, and sorta with swap—swap because killer has hurt him pretty bad in his own dubiously canon, and I feel that the trauma Killer caused both Swap and Dream should be meaningfully addressed before a relationship even begins.

Swap and Dream don’t deserve to live in fear that their partner would hurt them again. (Or if you’re intending to go with a toxic or abusive dynamic, then to depict it with care.)

I’ve heard of the idea of i think Insomnia? Error x Ink x Dream? Where, for Ink, it’s a QPR—he does not have romantic feelings for either Dream or Error, even if they do have them for him and eachother, and everyone knows and is aware of this and it’s chill. I’m not hugely invested in it, but the idea seemed interesting.

I find Drink, Dreamberry, Stars poly, and Cream a little cute on the surface; but i haven’t really seen much content with these ships or how they’re commonly portrayed to have big feelings or opinions about them.

I think Crepic is cute, and that one ship between them and Killer (especially if colors there too), cute. I’m not a big fan of romantic kross, certainly prefer signanothername’s interpretation of them, but it’s chill.

I find that one potential post talking about killer with fell also very interesting.

And i guess that’s maybe it? I don’t really ship too much. I much prefer either found family, genuine rivals or enemies (no to lovers), platonic friendships and qprs, or even fwbs is interesting, or other things of those nature.

Oh! Also, I feel like Killer’s crush on Toriel as Sans has potential. Even if it was only a crush and they weren’t ever officially together, when and how and why did sans grow a crush on her, and how did it feel when not even her or his own brother could keep sans hoping that things would change or that they could be saved. Did Toriel offer some sort of comfort or solace when he was losing his mind? What was it like to kill her for the first time? Was that the first time he ever actually saw her face, no door between them?

[chaos--gremlin]

I feel like I'm writing the same thing everyone else already has, but... Narugodo where disbarred Phoenix picks up Godot at the end of his prison sentence and gives him a place to stay. They are two strays, ex-lawyers looking for a new purpose in life together (with so much added baggage from their shared history with the Fey clan)

Hi I just finished t&t can you tell

So here's Godot giving Phoenix a gay panic at 7 in the morning

More Godot & nrgd hcs under the cut-

(big t&t spoilers)

Starting with the obvious one my man is Latino. The only Spanish word he says in game is amigo but you bet I'm taking what we're given and running a damn marathon with it. Did you know Colombia is the second largest exporter of coffee in the world? Do we vibe with Colombian Diego because I certainly do

I'm a believer in the character heights as listed on the wiki- Godot is 6'1 and Phoenix is 6'0. So they don't have much of a height difference, but my hcs are Godot's build is solid muscle, meanwhile Phoenix is entering his dad bod era

I drew his hair like that on purpose. Post-prison Diego with a 70s/80s rocker mullet, I think that would be very hot

Dahlia's poison caused him to develop focal vitiligo during the coma, which is why the hair on his scalp is white but the rest of his hair is not.

The metal plates on the sides of his face (in my sketch if it wasn't clear) are what keeps the visor in place when he's wearing it. They're attached directly to his skull.

He is severely vision impaired without the visor, so he needs other aids when not wearing it, but he rarely chooses to use them.

He drinks so much coffee not only because he enjoys it, but because the caffeine keeps his brain stimulated. Other caffeinated drinks make him nauseous so he sticks with coffee. It was a regular caffeine addiction pre-coma, but now he literally can't function without it and gets bad withdrawals if he doesn't have caffeine in his system 24/7. Prison was absolute hell for him because of this

Phoenix organized his defense and got him 5 years for voluntary manslaughter. In California, the sentence for voluntary manslaughter is up to 11 years. If it weren't for Phoenix he could've just as easily been found guilty of first or second degree murder, and gotten locked up for life. (I didn't look up the laws in Japan but let's just roll with that for now)

He finally learned to forgive himself for Mia's death, but now he carries the feelings of guilt for Misty's death, especially with how sympathetic Maya was towards him despite him killing her mother. Prison didn't help that, and he feels unworthy of all of Phoenix's efforts to support him

I think they would have an unlabeled but exclusive relationship. Like a qpr except neither of them know what a qpr is. It takes a long time for them to truly be comfortable around each other. Are they in love? Who knows? Not even they do. 💗

I really, really like how Godot turned out to be a sympathetic character in the end, despite being "The Killer" of 3-5. I enjoyed his character arc a lot

That's all I have for today! If anyone wants to chat about him more I would love to, he's definitely one of my favorite characters!!

[hephaestuscrew]

“This has both our names on it”: Viewing Fleet and Clara’s relationship in Victoriocity through a queerplatonic lens

TL;DR: By Season 3 of Victoriocity, Fleet and Clara have developed a committed emotional partnership that certainly moves beyond the purely professional. Whilst very much operating as a duo, they can be interpreted as often rejecting or subverting romance-coded elements in their relationship, instead embracing a unique dynamic that can be read as resonating with the concept of a queerplatonic relationship (QPR).

Buckle up because this is over 2,500 words long! If you'd rather read it as a document, you can access it here: Fleet & Clara QPR Google Doc

Disclaimer: I'm not making any claims about creator intent, nor about how anyone else ought to interpret Fleet and Clara's dynamic. It's also worth acknowledging that queerplatonic relationships are inherently defined by the people in them and any attempt to apply such terminology to a story set in 1887 is obviously anachronistic (although whether that should matter when said story also contains a cyborg Queen Victoria is up for debate). 

With that said, if we define a QPR as a committed personal partnership which is not entirely captured by the typical expectations of either friendship or romance but may contain some elements typically associated with either (other definitions of QPRs are available), I enjoy viewing Fleet and Clara's relationship through a QPR lens, and I want to talk about some of the reasons why I think this reading works.

***Spoilers for all three seasons of Victoriocity and the novel High Vaultage***

Detective duos

Even before we actually get into Fleet and Clara's particular bond, detective / crime-solving duos as a general concept have QPR energy to me (which probably predisposed me to this interpretation). It's the Holmes-and-Watson legacy. It's the use of the word 'partner' in a non-romantic context (‘associate’ or ‘companion’ can also serve a similar purpose). It's the intense trust and reliance on each other. It's the sense of being a recognisable pair, always appearing together, known as a duo, with skills and attributes that complement each other. 

Romantic assumptions

Moving on to Fleet and Clara specifically, one aspect of their relationship that can be read through a QPR lens is how they are often in situations where other people believe or imply that there is a romantic relationship between them. Sometimes this is a deliberate strategy of theirs, and sometimes it’s imposed upon them by others. But I’d argue that there’s never a point where they both simultaneously seem entirely comfortable with that romantic narrative for their relationship. Usually one of them will actively deny the assumption or react negatively to the implication:

When Mrs Hampshire interprets Clara and Fleet as a couple experiencing “young love”, Clara might be happy to adopt this as an effective cover story, but Fleet seems unsettled and keen for them not to be perceived this way: “No. No. You’ve misunderstood, we are not, that is to say I am…” (S1E2)

When Warden Hughes assumes Fleet is the new Warden and Clara is the new Warden’s wife, Clara says “I am certainly not”, with emphasis on the ‘certainly’. (S2E2)

Fleet definitely doesn’t sound enthused when he realises Clara has gone for a married couple as their cover story at the Grand Salcombe: “I am sure I’ll regret asking, but by any chance am I [Mr. Theasby?]” (S2E2)

When Titus Byrne tells the pair “I take it you're happy sharing [a room]”, Clara responds with a horrified “What?” (S3E4) (Obviously sleeping in the same room isn’t inherently romantic, but it is often perceived that way.)

Of course, fake dating and external assumptions of romance are very common tropes in romantic will-they-won't-they dynamics, and these moments could definitely be interpreted that way for Fleet and Clara. But I prefer to read these instances as reflecting a different kind of closeness between these two characters. They have a sense of emotional partnership that allows a marriage cover story to seem plausible to others and that other people sometimes automatically assume to be romantic (obviously with some period-typical heteronormativity at play). But to me, it doesn't seem like either of them are fully comfortable with their relationship being perceived in a directly romantic way. Perhaps they are a couple in a different sense…

Proposal via door plate 

The way that Fleet asks Clara to be his business partner has always seemed to me like a platonic version of when people find personal ways to surprise their romantic partner with a proposal:

CLARA: You bought me a door plate for your office? [...] This has both our names on it. FLEET: What do you think? CLARA: I like it. (S2E7)

Fleet could have just asked Clara outright, without going to the trouble of buying a sign that would have been useless if she’d said no. If it was purely a professional business proposition with no emotional meaning behind it, I think he would have just asked verbally. But instead, he gifts her a sign with their two names paired together: Fleet-Entwhistle Investigations. There's something so intimate about that to me: about Fleet asking Clara whether she would like to be a duo with him in a more formally-defined but still non-romantic way; about him choosing to present this offer in the form of a gift; about the way he presents her with their two names joined together etched into metal and asks what she thinks; about the significance that this gesture attaches to their partnership; about him having enough trust that she'll say yes that the effort and vulnerability of presenting her with that sign seem worth it for him. And the gesture means an awful lot to Clara:

She thought about the door plaque he’d had engraved with both their names on it as his way of inviting her to be his business partner – typical Fleet, refusing to tell her so much as his favourite breakfast food and then to go and do something like that. It was the nicest thing anyone had ever done for her. (High Vaultage, p187). 

Anniversaries

In the special episode ‘Murder in the Pharaoh's Tomb', Clara says “And you know what else is a big occasion Fleet? It's our one-month anniversary.” She wants to celebrate the anniversary of Fleet-Entwhistle Investigations. Their partnership holds a significance for her that means key dates associated with it are worth remembering and remarking upon. 

When Clara first mentions their anniversary, Fleet nearly chokes on his drink, which seems like an instinctive reaction to the usually romantic connotations of an anniversary (see my point above about Fleet not being comfortable with their dynamic being perceived as romantic). But when Clara clarifies what she means, Fleet seems much more cheerful about the notion of their anniversary: “Ah, so it has.”

“Miss Clara Entwhistle, my partner”

I get extremely strong QPR vibes from this moment, when Fleet introduces Clara to the sailors at Grave End:

FLEET: This is Miss Clara Entwhistle, my partner - in business, my business partner. CLARA: I'm also his friend, but he doesn't like to say it. (S3 E3)

Fleet and Clara are partners, but not in the way the average person might assume from that word, which Fleet realises mid-sentence here. This is another instance of Fleet reacting negatively to the idea that their relationship might be interpreted romantically (see above). And yet, 'partner' (rather than, say, ‘colleague’) is the word that comes naturally to him in this moment to describe who Clara is to him. He then frantically emphasises the professional element of their relationship so as to avoid the romantic implication, but Clara is keen to proudly assert that there is a personal, emotional aspect to their dynamic too. They are first-and-foremost partners, and they are friends, and they do not want to be seen in a romantic light - this post basically writes itself... 

“Her ridiculous detective.”

When Clara fears for her life at the display of the Lanterns, the narration tells us:

“she thought of her brother, her sister, her parents... Her ridiculous detective.” (High Vaultage, p172) 

The fact that Clara thinks of Fleet in this moment of fear clearly indicates his importance to her, but I think the phrasing of this quote is particularly interesting. The narration lists Clara's immediate family: two of whom are dead (her sister and father), one of whom is publically mourning Clara's life choices (her mother), and only one of whom we have any real evidence of her having a positive relationship with (her brother). And then, separated from these complicated familial relationships by an ellipsis, the narration tells Clara also thinks of Fleet, “her ridiculous detective”. 

Parents and siblings are familial relationships that tend to come with established expectations, in which the use of a possessive pronoun (i.e. her brother) to indicate the relationship is a norm. ‘Detective’ does not fall into this category; unlike ‘brother’, ‘sister’, ‘parent’, ‘friend’, ‘partner’ etc., ‘detective’ is not a word that inherently implies a relationship or that we'd usually expect to see preceded by a possessive pronoun. The idea of ‘her detective’ therefore stands out, giving the sense that there is a unique relationship being indicated here. The way in which Fleet is ‘hers’ is something that Clara has chosen for herself, something that they have shaped together. Who they are to each other can't necessarily be fully expressed using standard phrases that traditionally describe relationships between people. But Fleet is Clara's detective, of which she only has one, and who she'll think of in the midst of “the screaming of the heavens at the end of the world”.

Fleet is also the only one in this list of Clara's loved ones who gets an adjective - her love for him has detail. And while “ridiculous” might often be perceived as negative (it's certainly not a classic romantic endearment), it seems to me like there's such fondness in it in this context: the recognition of and affection for eccentricities, the idea that his importance to her is not (purely) based on his professional strengths but on Fleet as a whole - perhaps at times ridiculous - person.

“Settled”

When Clara and Fleet talk about Clara's mother’s expectations for her, they have this exchange:

"She's still living in hope that one day I'll settle down."  "You're not settled?" asked Fleet. "I am." (High Vaultage, p259) 

By ‘settle down’, Clara's mother of course means ‘marry’, ideally into “at least a minor baronetcy”. But Clara already considers herself "settled", just not in a way her mother would understand or appreciate. She's not looking to "settle down" into a lifestyle other than her current one. She is settled in a situation where Fleet is certainly her closest personal connection in London (and perhaps anywhere), and where the two of them work closely together, operate as a duo, and then go back to their separate homes. And this partnership with Fleet is a comfortable set-up that feels right for Clara exactly as it is, rather than being a precursor to, or a distraction from, the marriage ambitions that her mother wants for her.

I think this exchange also contains an implicit sense of the commitment between the two of them. Fleet wants to check that Clara is ‘settled’ in her current situation, of which working closely - and platonically - with Fleet is obviously a major element; Clara confirms she is. There's a subtle indication of their shared intention to be in this for the long haul.

As a sidenote, Fleet and Clara’s implicit assumption that their partnership is a long-term one can manifest itself in joking contexts as well as serious ones. Look at this exchange from S3E5: 

FLEET: We're not bandits, we're just going to flag it down. CLARA: We'd be terrific bandits! FLEET: Let's just see how our current line of work goes.

I think it’s notable that, in this joking speculation, both Fleet and Clara use ‘we’ and ‘our’. The joke could have been phrased just as effectively if they were imagining only Clara becoming a bandit. But the suggestion is that, if either of them was a bandit, they’d be bandits together. Even if they changed their lives entirely, they'd still approach life together.

Inseparable 

Fleet and Clara have become a nearly inseparable duo in a way which is noticed by others. For example, after Clara and Fleet fall out in High Vaultage, Fleet meets with Keller, who says: 

"You're here with me instead of barrelling across town with her, so I'm just assuming there is some thickheaded puffinry for which you need to apologise to Miss Entwhistle" (p335)

Keller, hardly the most emotionally perceptive man in Even Greater London, automatically infers from the fact that Fleet is on his own that he has had a falling out with Clara, rather than that they just happen to be in different places. When all is well, Keller expects to see the two of them together, whether or not they are in a position to be actively working a case.

Going back earlier in their partnership, Keller makes a similar assumption about Fleet and Clara being inseparable in S2E6. When Clara shouts her name amidst Keller's anti-Vidoc booby traps, Keller asks "Entwhistle? Which means… Fleet?" Again, there's this idea that if one of them is there, the other is likely to be there too - they come as a pair. (It's worth noting that this scene takes place less than two weeks after they first met.)

“Like a friend might?”

At the end of S3E7, Fleet suggests that he and Clara go to the theatre together. It would have been easy for this invitation to have been explicitly framed as a romantic proposition, or even for the nature of the offer to have been left more ambiguous. But Clara says "Archibald Fleet, are you inviting me to a social activity? Like a friend might?" The use of the word 'friend' directly labels this as a platonic interaction. And it's with that platonic lens on it that Clara is extremely excited to spend non-work-related social time with Fleet.

“Maybe it'll just be my good luck charm.”

CLARA: My grandmother's ring, I don't suppose you managed to hold on to it? [...] FLEET: Oh, it's been crushed.. I'm sorry Clara [...] CLARA: No, you keep it. FLEET: What? No... CLARA: Keep it. Maybe it'll remind you not to run towards trains. FLEET: Maybe. Maybe it'll just be my good luck charm.

In S3E7, Clara gives Fleet a ring, which - as a gift from one person to another - is traditionally a symbol of a particular, legally recognised, kind of personal commitment. But when Clara tells Fleet to keep the damaged ring, down in the Underground tunnels after the destruction of the beast and Fleet's latest brush with death, it is quite a different situation to a wedding or a proposal. A married man would traditionally wear his wedding ring on his finger for all to see, but Fleet won't ever wear this ring like that. The ring itself has been bent into a different shape between the wheels of their misadventures, subverting the usual associations of a ring given from one person to another. (In a heteronormative world, those associations are particularly strong when the two people in question are a woman and a man.) 

That ring is not an engagement ring, but it is Clara’s grandmother's ring, an inheritance from the blood family she never really felt she belonged in, now given to the man who might be a very different kind of family for her in London. That ring - with which Clara saved Fleet's life - is a symbol of their bond. And it therefore serves as a reminder for Fleet “not to run towards trains" and as a “good luck charm”. I like to think he'll carry that ring with him, perhaps in his jacket pocket - a little piece of his partner, kept close to his ticking heart…

Thank you for reading all of this!

If you’ve read all of this, I'm assuming you also enjoy the concept of Fleet and Clara as a QPR (unless you're really a glutton for punishment) and that makes me very happy! This was long because there's so much to say about them… And I wrote all of the above without even getting into: the potential to headcanon Fleet and/or Clara as aspec (which I don't think is necessary for QPR headcanons, but which is also fun); Clara's baggage around and discomfort with marriage in general; the speed with which Fleet and Clara become a ride-or-die duo; and the many other demonstrations of care, understanding, trust, respect, and affection between them that didn't feel as directly QPR-coded to me but are nonetheless wonderful. Please do feel free to share your own thoughts!

[kitkatt0430]

So big shout out to SquidgeWorld for the news update acknowledging and encouraging the use of the tilde relationship identifier for queerplatonic ships!!!

I actually had a bit of a hand in how this one came about, which is pretty fun. (Story time!)

So a few years ago the Character A ~ Character B format was introduced over here on tumblr to represent QPRs. There is a post I know I rebloged a few times buried on my main somewhere about this and I'll have to try to remember to dig that up later. And there was bit of a push to try and get Ao3 to officially acknowledge the tilde or at least for those of us who write fic there start using it in tagging regardless of official acknowledgement and see what happened. And, well, what largely seems to have happened is that the tag wranglers have let us use the tilde, but there's been no official acknowledgement as the Tag Wrangling page for relationships on Ao3 still only discusses the '&' and '/' identifiers. (If there was anything official said about it elsewhere, sadly I must have missed it.)

I started using the tilde... two years ago? I think? And went back to update some of my existing fics to add in ship tags with the tilde. I still made sure to keep the Queerplatonic Relationship tags because those are still the best way to find fics that have QPRs included in them. And I've seen a few others using the '~' out in the wild, but discussion about it kind of faded again. If you knew, you knew. And if you didn't... there was always that Queerplatonic Relationship tag.

Then, about a year ago, I signed up for SquidgeWorld. I'd never heard of it before (which is likely because I'm just not super active in fandom outside the niche I've carved for myself; I admit, I am a bit under a rock at times...) but Squidge been around in one form or another since 1994. One of the fanfic authors I followed was moving their works there and so I followed and did what I always do on new sites I'm curious about - I lurked.

Fast forward to more recently. Fanfiction.net that I've been loyally using as my backup fic location for years after leaving it as my main fanfic archive... it's getting buggier and more unstable by the year. I don't intend to pull my fanfiction off it - I will leave what's on there up until the site collapses in on itself - but the day is coming ever nearer that the bugs and lack of tagging updates will finally make cross-posting there entirely too much of a hassle. And much as I love Ao3, I don't like the idea of only having all my fanfic in one place. I've seen enough archives big and small get destroyed over the years that no matter how stable or permanent Ao3 feels... I'm more comfortable knowing my fic can be found in multiple places. (Of course, the biggest hurdle for getting my fics cross-posted in multiple places is... executive dysfunction.)

I started finally cross-posting to SquidgeWorld recently and honestly just didn't really think too much about it when bringing over fics tagged with the QPR identifier. I just copied over the Character A ~ Character B tags and hit post. :D

But admin-squidgie over there - who I believe is found here on tumblr using @squidgiepdx (hi! Thanks a bunch for the news post!) - asked me about the tilde usage and what that was being used to represent. So I responded with an explanation about how it was a relatively new identifier used because queerplatonic relationships aren't really well represented by romantic or platonic identifiers. And then admin-squidgie got back to me to let me know there'd be a news post soon about this new identifier type. Which was so awesome.

While the wrangling guidelines haven't been updated on SquidgeWorld to note the use of the tilde yet (and could take a while, I know official docs always wind up being the last thing updated), the news post really is a very big deal for those of us who like to write and read queerplatonic ships.

For those of you interested in cross-posting or moving your fanfic to SquidgeWorld, I do recommend the archive. I've lurked long enough to see that the community there is pretty friendly, the interface is a clone of Ao3's so it should be familiar to a lot of you and is easily customized to make it more accessible (or covered in rainbows if you prefer ^_^ ), and (as seen here) the admin over there is open to helping make the archive an inclusive place for all of us.

And with at least one fanfic archive both acknowledging and encouraging the use of the queerplatonic relationship identifier, it'd be nice to see information on that making the rounds here on tumblr again. I bet there are a lot of aspecs who don't know about the identifier but who would be glad to know it exists and start using it themselves.

[i-may-be-an-emu]

Hello! Hope you’re having a good day!

I’ve been meaning to ask… we get a lot of queer couples (canon or headcanon) and a lot of queer characters in the SFTH-verse, which is wonderful, obviously. Is there some ship (couple, throuple, anything really) that you personally headcanon as QPR?

Hello anon!! :D thank you, I hope you’re having a good day/night too

Honestly I don’t really know- I have some ideas, but I find it hard to distinguish the difference platonic and romantic feelings as is anyway, and relationships in general kinda confuse me lol

(I’ve also never personally been in a qpr or known anyone who is, but I do understand what it is :))

With that being said, off the top of my head I would say Snowdrop and Violet (fanon name for Sam’s elf character) from Divorces And Teddy Bears- I think they’re actually a ship but I could totally see them being a qpr too! (I might be remembering wrong though) (with the fic that the name Violet is from, violet uses she/he and Snowdrop uses they/them, so in my mind they’re already pretty queer :)) they seem like that relationship dynamic would suit them

The Oompa Loompas from West End Big Boys (who are kind of similar to Snowdrop and the other elf character) would also be a cool qpr headcanon I think. Idk what it is, they seem like they have that vibe? I can’t quite remember that scene 100% accurately but from memory they have a lot of trust in each other. I could write an essay on those characters honestly, there’s so much subtext there!!

David and Mr Steven/jim (fanon name) from milkman could also be cool- they used to work together (if im remembering the quote right) so they have a history. I know they’re a ship people like, but a qpr might work and even be better :) idk really :)

I really think that those two flatmates of the Bus protagonist are in a qpr- we don’t see them for long, but just their VIBE and the way they talk about things… idk, I really think that they fall into that dynamic :D

I’m having a hard time thinking of more (my brains a little scrambled right now sorry) but I think that there’s so so much potential for qpr’s honestly!! I feel like there’s been some I’ve thought of before but I just can’t remember haha

I’d love to hear ideas for more of these though :D (or if I’ve messed up anything about qpr’s be sure to tell me!! <3)