#which is about two characters getting into a qpr

[yardsards]

a thing i enjoy: putting characters that aren't even aro (like not even in a headcanon way) in a qpr. because some allo people irl can be happy in qprs too. bc qprs aren't just an offbrand replacement for romance, created just for ppl who can't have "the real thing" to settle for

[aroaessidhe]

2023 reads / storygraph

Natural Outlaws and Fractured Sovereignty

NA darkish fantasy

A thief and her friend who steal from the rich to save her dying father are caught, and offered a deal by the Governor for her father’s life and their freedom, if they travel to another country to steal from the royal treasury

she has to impersonate a noble lady and compete to become the arrogant king’s new spouse, staying in the competition long enough to figure out a way to pull off their heist, with her friends as undercover servants and the Governor’s assassin watching over her as a handmaiden

Aro bi MC & he/they nonbinary MC who become a QPR, lesbian and ace trans man SCs

[vulpinesaint]

bed covered in books feeling fucking fanTASTIC

[devotedlystrangewizard]

i think if i wrote and published a book id get semi-cancelled

[cr4zy-cycl0n3]

Yo! I'm doing a Heroes of Olympus rewrite!

I'm not a huge fan of how some scenes go in canon and how the characters esp the gods are handled in Hoo, and after reading one too many rewrite/AU fics, I've decided fuck it, imma make my own.

I'm changing quite a few things, like:

- making Piper's memories not be tampered with and as a result be way closer to Leo (credit to Heroes of Juno by @queenjunothegreat for this idea!)

- MOTHERLY HERA/JUNO WHO PSEUDO-ADOPTS JASON FTW also parental Lupa but that'll be more apparent in a Jason prequel/sequel(depends on how I wanna format it) I’ll write after TLH is done

- slowburn valgrace instead of comphet jiper

- Leo and Piper QPR(+Jason when Piper stops being his #1 opp). Jasipereo ftw babyyy

- the whole series is just gonna have a good deal of focus on the Lost Trio. I'm not gonna shaft anyone ofc but my favorite punching bags characters are just gonna get extra love :3

- Jason's gonna be considerably more feral cuz CMON MAN WAS RAISED BY WOLVES(this is more prominent in the later books cuz in TLH he was alr feral, going at 2 giants with his BARE ASS HANDS)

- Jason has more bite cuz DAMMIT HE DESERVES TO BE ANGRY/BITTER AND CLAP BACK. HIS LIFE IS SHIT, LET MY BRO BE MAD

- more exploration into Jason's character cuz man was shafted so hard :(

- exploration of characters' powers in general, def buffing the Big Three kids to be as strong as Percy cuz holy cow he's OP. I love Percy and his OP-ness, but the other Big Three kids should be just as OP

- Zeus is the God of Justice, which we don't see much of in PJO's characterization of him, but Jupiter is Roman and hence is much more strict in the RRverse, so consequently I think his domain of law and order is more central to Jupiter than his greek counterpart, so I'd like to explore Jason having powers related to that and being an absolute powerhouse when it comes to debates and politics despite hating them

- characterizing the Gods differently from canon as I'm a Hellenist and writing them as they are in canon makes me like. Kinda uncomfortable. I will be using mythic literalism as that is what PJO/HoO's based on and I'm not rewriting the very foundations of the series, so they will still have committed the things they did in mythology, though I'm keeping them largely unaltered from the Og greek mythos and unsanitized as this isn't intended for a young audience like PJO is. Their behavior won't be exactly like their depictions in myths nor how they actually are irl, it's a mix of both(Ex: Zeus has still done heinous shit so he won't be as great as he is irl, but he isn't supremely petty and bitchy like he is in PJO.). This uhh. Will probably mean that PJO events would go differently which would influence HOO but if I think about that too much I'm gonna wanna do a PJO rewrite too and akbhdhd so just imagine that everything that goes on in PJO goes as canon (for now at least) for some reason or another.

- Octavian and Jason are were best friends cuz I said so. This change is inspired by To Storm and Fire(a Heroes of Olympus rewrite) which I am in LOVE with. The antagonistic side characters(like Drew and Octavian) got very little development or character exploration so l'm definitely giving them that in my rewrite!

- The Seven feel and are much closer together

- delving more into the sevens' trauma pre-camp, might also do a one/two shot for each of them. Jason’s a given cuz I’m writing a whole ass fic or even series dedicated to his past, Leo and Piper definitely, probably also Hazel and Annabeth, not sure on Percy and Frank cuz for Frank I’m def going into the trauma that comes with growing up in an Asian household but don’t have too many ideas on how to execute that, and for Percy I don’t have all that many ideas in general outside of the little we know in PJO(I used to think we knew a lot but honestly, we really don’t? Like we know Poseidon left, Sally had to work a lot, Gabe sucks, and he got kicked out of 6 six schools in 6 years and the reasons, but we don’t have any concrete details. There might be more in HoH, I haven’t read it yet so lmk if there is). Open to any ideas for this!

- camp is. Tense. It's been only a few months since the war, grief is still fresh, and Jason being tall, blonde, and blue-eyed with a scar ain't helping 💀 some people think Silena was a hero, others think she was a villain, some people sympathized with Luke, others despised him, there's a lotta differing views.

I have loads more ideas that I won't get into here cuz the post'll get way too long, but l'd love to hear what you guys think! What scenes/characterizations should I change? What topics would you like to see handled differently? What should I add? I'm open to any and all suggestions!

Currently outlining TLH, will start posting it on my ao3 once I have the first chapter and 4-5 buffer ones written so I'll prolly start posting it in a month or two? Idk, depends on my workload irl and if I get hit by writer’s block. Maybe less, maybe more, who knows. I'll be writing a bunch of shorter stories for specific moments, time between books, and namely a prequel/tih sequel focusing on Jason's past and who he was before Hera wiped his memory. Open to any suggestions for additional works too. Feel free to drop any questions and suggestions bout the rewrite here or in my ask box!

[silverlining-ships]

Music comms are CLOSED!! Check out the waitlist here!!

Ok y'know what, screw it. My brain seems to require three-four pieces at one time (genuinely cannot figure out why that is), and with the fact I only have two queued up right now and the game I'm composing for doesn't need any tracks at the moment, I'm getting composer's block again. So we're OPENING my music requests!!

I'm actually stunned at how many people seemed interested in getting a piece of soundtrack music for their f/o. I'm opening it to non-mutuals, and it's totally free! If you're concerned about paying/tipping for work, I'm always happy to receive content for my selfship, but I will not accept any money, and there's no pressure to tip content anyway. Again, this is for fun!

This is how it works:

Fill out this google form with the title of your ship, some songs you like, instruments, etc etc.

You can message on Tumblr or Discord (@/slipperson on Discord) on top of submitting the form too! I'll reach out myself once I get started on your piece.

I'll sketch out a draft, which is exactly like sketching out a basic pose for art - it'll typically only use piano/minor percussion. Sometimes I'll even give a simple concept before I flesh out a draft. I'll send it to you for approval.

If changes are needed, I'll refine the draft and re-update. If not, I'll go on to fleshing out the instrumental - this means adding instruments, changing volume (for example, in my first example, I used a lot of "dynamics"/volume changes to simulate the swelling of instruments). This is like adding the flat colors in a piece of art!

I'll send it to you again - I'll make changes upon your request, but if approved, I'll finally go ahead and mix the final draft. This means putting it through an audio program (audacity if you're curious!) and polishing the sound. This is like rendering the lighting!

After it's done, I'll send it to you for once last listen. Upon approval, I'll post it to Soundcloud, link it on Tumblr, and tag you in the post!

Important bits:

No comship/proship/aged up-or-down/RPF ships. Live action characters are fine as long as it's not the actual person. Familial/platonic ships are totally okay!

If you are a minor/ageless blog, I'm willing to write a piece for familial/platonic content, but not QPR/romantic.

Downtime is 1-2 months after I first open your request. I may finish it sooner, but no later than 2 months. This is because music generally takes awhile--30 seconds of music can take me 4-5 hours to concept! I also tend to work on 3-4 pieces of music at a time.

I will give frequent updates. Don't be afraid to reach out if you're curious on the status!

My work is never cleared to be used commercially or in AI programs. We're a bunch of selfshippers on Tumblr, so I know we all hate AI, but it's worth the mention. I tend to be strict on copywrite - it'll stay under my name, all rights reserved - however, you are free to use your piece wherever you'd like as long as it's not commercial use, used in a monetized campaign/video/form of media, and not used in AI.

I may put these tracks on a streaming service at a later date - not on Spotify, as the service is TERRIBLE with allowing their work to be remixed into AI. Something like Bandcamp or Soundcloud for Artists. If you are uncomfortable with this, please let me know.

Examples:

I will have my queue/completed list on my carrd here.

Thank you so much for your interest!! I'm actually so stunned I got so much love for this, and I'm excited to celebrate your ships with you!

heart border

[fictionobsession]

devotion

Pairing: Alastor x f!Reader

Summary: She would give anything for him.

Word Count: 1,997

Warnings: blood, canon typical violence, Alastor being psychotic

A/N: okay friends, first time writing for Al. this was not beta'd or really edited at all so if something seems weird just... assume I meant to fix it. also, this was written as a QPR, but there's a little feelings on reader's side if you squint. I'm not 100% on how in character this is for Alastor, but we tried and that's what matters right

---

She plopped onto the shitty couch and pulled her knees to her chest, looking around the shitty house where they'd been hiding out in the middle of this shitty swamp for the last two shitty weeks. The wallpaper was peeling and yellowed, the floors covered in mold and mildew, the running water only worked half the time, and, more importantly, the refrigerator was empty as of six nights prior. Her stomach rumbled just thinking about a nice juicy cut. She sighed, closing her eyes and allowing herself to sink into the daydream of food.

She knew when she'd gotten into this hobby with Alastor that there was a non-zero chance she would wind up on the run someday. She just wished they could have put it off a bit longer, had a bit more fun. She laid her head back against the rotting couch until she heard the creak of the floor near the front door.

Her eyes snapped open and her brows furrowed as she took in Alastor's hunting attire.

“Al, where do you think you're going?”

“Well, my dear, unless you feel like us both starving to death in this dismal abode, I thought I'd better go get some food.”

“Alastor. You know we've heard the dogs nearby. You can't possibly go out there without getting caught, at least until we've had a couple days where we haven't heard 'em.”

“Again, starving is not on my agenda, so we don't particularly have another choice.”

Another choice. Her face hardens as she realizes what another option might be. She stood up and crossed the room, grabbing Alastor's arm before he could open the door. “There is a way for us to make it out of this without you leaving. Or rather, a way for one of us to make it out of this.”

He hummed, and she could see the wheels turning as he put together what she was implying. “I'm not sacrificing myself for you to get away, you know.”

“I know. That's why I'm just asking you to get it over with quickly. You'll get more time, and I – well, I'll at least get to go out on my own terms. If I have to go, at least it'll be for you.”

His eyes widened just a bit, more reaction than she'd usually get, before he shrugged. “Okay. Painless it is. Not usually my style, but I think I can figure it out.”

She laughed, a genuine, full laugh. “I know, Al, and that's why we've worked out so well. But I think you could at least do that much for me.”

He pulled his hunting knife from where he had already slid it into his belt. “Are you ready?”

And with one nod, everything went black.

-

It seemed instantaneous, appearing in hell. She looked around, taking in the chaos around her. Literal dumpster fires, public sex, casual street murders, Hell had it all. Of course, arriving in Hell wasn't a surprise for her. You don't kill that many people and expect to get into Heaven. She wasn't even sure she had believed in the whole afterlife thing until she was experiencing it. She shrugged it off, finding the closest place with a mirror she could use for free.

Her body was... different, certainly. But intact, and honestly, she was quite happy with it. Given the various types of demons she'd seen just in her brief time there, it could've been a lot worse. She wandered, putting together a plan of action for getting herself set up in Hell. It seemed she would need income to make most things happen, which made finding a job a top priority. She also needed a place to sleep, as it seemed unsafe at best to stay on the streets.

She got a job fairly quickly at Ozzie's, though she wasn't thrilled with the outfit they made her wear for the whole thing. But it was money, and easy work, so she stuck with it. Asmodeus offered her a fairly decent rate on rent nearby, as well, so she could have done worse.

Shortly after getting settled, she started feeling pressure on her body in random locations and at seemingly random times, almost like someone was grabbing or poking her to get her attention. Occasionally she'd get hot spots, which she at first attributed to it being hot in Hell. Little scrapes and cuts would appear sometimes as well, but they always healed up quickly. It wasn't until the final time it happened that she realized what had been happening over the past few weeks.

A perfect bite imprint appeared on her forearm, accompanied by a sharp pain, and she realized it must have been an effect of Alastor in the living world. She traced her finger over the mark, which had healed into almost a scar, but not quite. It was a bit pink, but wasn't angry and fresh. She smiled a little to herself, happy that her sacrifice hadn't been in vain.

As time went on, she found herself tracing the mark when she was feeling stressed, upset, or particularly lonely. It never healed all the way, making it always a bit sensitive to touch, and served as a reminder of why she was here. The mark always made her feel closer to Al, which brought a little comfort when things got crazy.

She had managed to stay within the same few blocks that she knew were heavily policed by Asmodeus's people. However, six months into her stay in Hell, she finally had to leave her little neighborhood to buy some things for the bar. She packed her gun, a knife, and made sure she was dressed inconspicuously – the rumors about the surrounding areas were very...detailed...about what might happen to someone who ended up on the wrong side of a fight.

Unfortunately, her preparation didn't keep her from getting spotted by some Sharks outside the store as she started back toward her apartment. She tried to hurry, sliding between demons and other sinners, before slipping down an alley to attempt to lose her tail. It was too late by the time she realized it was a dead end, and the Sharks started cutting off her only entrance.

She took one step, two, keeping them in her sight until her back hit the brick wall behind her. Her hand reached for her gun, ready to pull it when the lead Shark got close enough. Their glares were paralyzing, and she could smell the smoke and alcohol on them at that distance. She felt herself start to shake, taking a deep breath to steady herself before -

“You wouldn't want people to think you're picking on those of fairer means would you?” The sound and feeling of static crackled through the air like lightning as a dark shape enveloped the opening to the alleyway. A long, thin shadow ripped through the air, straight through the lead Shark, throwing him against the side of the neighboring building.

Green sparks shone through the seemingly infinite blackness, a pair of what could only be described as antlers growing from the approaching shape. Two more tendrils, picking up the remaining Sharks and tossing them into the air like dolls. She wanted to close her eyes, but couldn't look away from the gore. Sure, she had seen a lot of violence in her time in Hell, but she hadn't seen that level of overkill in quite some time.

As the last of the Sharks fled only to get a tendril through the skull, she pressed herself as far into the corner as possible, sliding down the wall and pulling her knees to her chest. There was only the hope that the demon forgot she existed, and the knowledge that if he hadn't, she would likely be next up for second death.

The shadow approached, darkness fading as he got closer until finally it revealed a man. A tall man, with horns, but just a man, nonetheless. He was straightening out his red coat, and twirling something around in his hands as he approached. “Always good to have an excuse to let off a little steam. Always good.”

He put a hand out to help her up. As she lifted herself off the ground, he was already vaguely shaking her hand, introducing himself. “Name's Alastor, pleasure to meet you. Quite a pleasure.”

His name hit her ears about the time he caught a glimpse of her bite, and both stopped dead in the middle of introductions. She looked up, eyes widening as she realized that yes, that was a microphone, and yes, in fact, it had been quite a while since she'd seen that level of overkill, one could even say since her living days. He looked different now, sure, but as soon as she looked into his eyes, she knew that was her Al.

“Well maybe don't wait so long to come save my ass next time, eh, Al?” She smirked up at him, waiting for him to process what was happening. His nails traced the pattern of his own bite on her arm. She caught sight of his tongue tracing across his teeth, as if he was just then realizing how different they'd really become. “I bet your imprint looks a bit different now, doesn't it?” She spoke more to herself than to him as she reached to pull her sleeve down over the mark.

“Why, I should hope so, my dear. I should very much hope so. Let's see just how much it's changed then!” Without any more warning than that, he pulled her arm to his mouth and bit, hard. The new mark bled, sure, but it healed up more quickly than it probably should have, covering his old impression with his new one. His ears twitched subconsciously, his ever-present smile nearly faltering as he watched the blood drip, drip, drip down her arm. He shook himself out of whatever thoughts were distracting him rather quickly before acting like no time had passed at all since they'd been together last. “Now, I don't think I should leave you alone again. It seems to me that you still can't stay out of trouble, my dear! Come along, let me show you where I've been staying!”

“But – Hang on! Al! I've got to go to work!”

“Ah, there'll be no more need of that anymore. We'll send a notice to... whoever you're working for when you get settled.” He raised an eyebrow, practically daring her to argue. She knew, though, that she'd never gone against what he'd wanted before, and she didn't particularly want to start now. She took the elbow he'd offered her and allowed him to lead her out of the alley.

Occasionally, as they walked, she would catch sight of a shadow that seemed to be following them.

“Oh, don't mind them. They're just keeping an eye on your wellbeing. You better get used to it! Having a friend like me, why, other overlords will just be dying to get their hands on you!”

She scoffed, a look of adoration crossing her features before she tactfully replaced it with annoyance. “I'm not going to get any rest now, am I?”

“Oh contraire, ma cherie! You're going to get everything you've ever wanted and deserved. I owe you that after what you did for me up there, wouldn't you say?”

“Oh I just can't wait to show you Cannibaltown! You've got to meet Rosie, yes. You'll get along very well, very well indeed. And she makes the most delectable little treats! Maybe we'll go by tomorrow.”

As he continued rambling, she hummed approval when appropriate, watching him out of the corner of her eye with a mix of caution and longing. As he led her down streets she'd never seen before, she realized maybe this was all her afterlife had needed after all.

[goomyloid]

PLEASE explain your thoughts on kriselle in full detail

THANK YOU SO MUCH FOR THIS 100% UNPROMPTED ASK! I SHALL EXPLAIN

i hate toby fox. why did he do this to us. he really put it better than anyone else. not really romantic not really platonic but…. something else… some secret more sinister more heartfelt more absurd third thing

i wonder at what point should i clarify that i dont even really seek out kriselle in a romantic context… DONT GET ME WRONG i have zero issues with the ship whatsoever and all of the krisellers out there are living their best (most painful) lives and i SEE THE APPEAL. BUT when i rotate them in my brain i dont need them to kiss or anything like that i just need them to sit down and sadly hold hands and stay like that forever and ever. in case you couldnt gauge that from my art so far

tldr i dont think i ship them in the traditional sense at least …. the things that i usually fixate on for any romantic ship are not there with these two. there are no romantic feelings there In my mind. and all at the same time i start screaming and throwing up and killing myself (all positive) whenever i see them even in the same image together. hngh

ive tried explaining this to people before and they usually suggest something along the lines of a QPR and even that doesnt feel right to me. truly the best way i can put it is… that red string of fate man… which i almost hesitate on saying too because i dont actually know if noelle is Quite an important enough character to the story to warrant a connection like that. WHICH IS A CRAZY THING TO SAY. I KNOW. DO NOT EVEN THINK ABOUT GETTING ME WRONG i think dess and her connections to gaster and her usage as a stepping stone into the weird route are all VERY important… but in my brain its just not kris/knight/asriel/every other mysterious main focus of the story Important. i didnt mean to get into deltarune theorizing here i hope nobody’s blood is boiling rn

so yeah in the end. toby fox once again put it best. they are friends, but they are also something else.

back to the actual pairing though… sometimes i think im going overboard and overestimating how close kris and noelle were as children because noelle will go and say things like “i wonder if we were ever really friends at all.” which is kind of a fair statement considering the circumstances. sure they played together and all and tagged along with their siblings to do stuff together but when dess went missing… it all kind of stopped. kris is just a kid, they dont know what to do or even how to process it, much like noelle. asriel is probably dealing with his own feelings, he just lost his friend and likely old enough to understand the weight of what happened. while noelle and kris cant say much to each other at all.

im always back and forth on speaking headcanons for kris but the one that i always seem to come back to is selective mutism… to me kris had a lot of trouble communicating well as a child and could only grow comfortable around certain people, asriel and noelle being clear examples because they’re both so patient with them. maybe because of this noelle felt like they could understand each other without really needing words, and just physical interaction was enough to achieve some form of closeness… or maybe that was all just on her end, she thinks when kris goes to play the piano. but if that’s the case, why does it feel like a concert just for her…?

jesus dont even get me start on them as teenagers either. noelle has lost her sister, and now kris has lost their brother… but not in the same way. they look at each other and wonder if they’re the same now. or, maybe thats too cruel. maybe its not the same thing at all. asriel’s coming back soon, after all. it will all be over soon, kris won’t have to feel this way for much longer, right? so then, why does kris look so miserable, sitting in the corner over there? all noelle feels like she can do is sit next to them quietly. to be there, and to somehow, vaguely, messily help each other. the misfit kids that dont really know how to talk to each other and yet understand each other regardless

thats why the dark world feels like such a dream to her. these crazy city lights, fantastical creatures, susie’s there, and she actually might have the means to defend herself and stand her ground, whether it be verbally or… otherwise

and most of all, much like with kris offering an adventurous haven to susie in ch1, the same is extended to noelle. by kris’s side, no less. it feels like theyre doing things together again, and its fun, and nostalgic… she wants to bring dess. and i think its okay to assume kris wants to bring asriel, too. recreating the make-believe world they lost so long ago… is it really possible?

no… how can it really be possible, when this isnt kris? something is wrong. its almost perfect, except kris… it’s them, but it’s not. she sees their face, their expressions, their laughs, their worries. and yet the voice that comes from them… isnt them. and it scares her! even if nothing particularly bad happened as a result. and if something bad DID happen, well…

she just wants what they had before back. is it really so impossible? can they reconcile after all these years? does kris want to? is kris capable of doing so? maybe they just need to hug again. will it feel like a real hug? the person she thought she understood is acting in ways she doesnt understand. they’re telling her to do weird things. they cycle through actions as if they just want to know what happens. and they cant even play piano anymore.

[hephaestuscrew]

“This has both our names on it”: Viewing Fleet and Clara’s relationship in Victoriocity through a queerplatonic lens

TL;DR: By Season 3 of Victoriocity, Fleet and Clara have developed a committed emotional partnership that certainly moves beyond the purely professional. Whilst very much operating as a duo, they can be interpreted as often rejecting or subverting romance-coded elements in their relationship, instead embracing a unique dynamic that can be read as resonating with the concept of a queerplatonic relationship (QPR).

Buckle up because this is over 2,500 words long! If you'd rather read it as a document, you can access it here: Fleet & Clara QPR Google Doc

Disclaimer: I'm not making any claims about creator intent, nor about how anyone else ought to interpret Fleet and Clara's dynamic. It's also worth acknowledging that queerplatonic relationships are inherently defined by the people in them and any attempt to apply such terminology to a story set in 1887 is obviously anachronistic (although whether that should matter when said story also contains a cyborg Queen Victoria is up for debate). 

With that said, if we define a QPR as a committed personal partnership which is not entirely captured by the typical expectations of either friendship or romance but may contain some elements typically associated with either (other definitions of QPRs are available), I enjoy viewing Fleet and Clara's relationship through a QPR lens, and I want to talk about some of the reasons why I think this reading works.

***Spoilers for all three seasons of Victoriocity and the novel High Vaultage***

Detective duos

Even before we actually get into Fleet and Clara's particular bond, detective / crime-solving duos as a general concept have QPR energy to me (which probably predisposed me to this interpretation). It's the Holmes-and-Watson legacy. It's the use of the word 'partner' in a non-romantic context (‘associate’ or ‘companion’ can also serve a similar purpose). It's the intense trust and reliance on each other. It's the sense of being a recognisable pair, always appearing together, known as a duo, with skills and attributes that complement each other. 

Romantic assumptions

Moving on to Fleet and Clara specifically, one aspect of their relationship that can be read through a QPR lens is how they are often in situations where other people believe or imply that there is a romantic relationship between them. Sometimes this is a deliberate strategy of theirs, and sometimes it’s imposed upon them by others. But I’d argue that there’s never a point where they both simultaneously seem entirely comfortable with that romantic narrative for their relationship. Usually one of them will actively deny the assumption or react negatively to the implication:

When Mrs Hampshire interprets Clara and Fleet as a couple experiencing “young love”, Clara might be happy to adopt this as an effective cover story, but Fleet seems unsettled and keen for them not to be perceived this way: “No. No. You’ve misunderstood, we are not, that is to say I am…” (S1E2)

When Warden Hughes assumes Fleet is the new Warden and Clara is the new Warden’s wife, Clara says “I am certainly not”, with emphasis on the ‘certainly’. (S2E2)

Fleet definitely doesn’t sound enthused when he realises Clara has gone for a married couple as their cover story at the Grand Salcombe: “I am sure I’ll regret asking, but by any chance am I [Mr. Theasby?]” (S2E2)

When Titus Byrne tells the pair “I take it you're happy sharing [a room]”, Clara responds with a horrified “What?” (S3E4) (Obviously sleeping in the same room isn’t inherently romantic, but it is often perceived that way.)

Of course, fake dating and external assumptions of romance are very common tropes in romantic will-they-won't-they dynamics, and these moments could definitely be interpreted that way for Fleet and Clara. But I prefer to read these instances as reflecting a different kind of closeness between these two characters. They have a sense of emotional partnership that allows a marriage cover story to seem plausible to others and that other people sometimes automatically assume to be romantic (obviously with some period-typical heteronormativity at play). But to me, it doesn't seem like either of them are fully comfortable with their relationship being perceived in a directly romantic way. Perhaps they are a couple in a different sense…

Proposal via door plate 

The way that Fleet asks Clara to be his business partner has always seemed to me like a platonic version of when people find personal ways to surprise their romantic partner with a proposal:

CLARA: You bought me a door plate for your office? [...] This has both our names on it. FLEET: What do you think? CLARA: I like it. (S2E7)

Fleet could have just asked Clara outright, without going to the trouble of buying a sign that would have been useless if she’d said no. If it was purely a professional business proposition with no emotional meaning behind it, I think he would have just asked verbally. But instead, he gifts her a sign with their two names paired together: Fleet-Entwhistle Investigations. There's something so intimate about that to me: about Fleet asking Clara whether she would like to be a duo with him in a more formally-defined but still non-romantic way; about him choosing to present this offer in the form of a gift; about the way he presents her with their two names joined together etched into metal and asks what she thinks; about the significance that this gesture attaches to their partnership; about him having enough trust that she'll say yes that the effort and vulnerability of presenting her with that sign seem worth it for him. And the gesture means an awful lot to Clara:

She thought about the door plaque he’d had engraved with both their names on it as his way of inviting her to be his business partner – typical Fleet, refusing to tell her so much as his favourite breakfast food and then to go and do something like that. It was the nicest thing anyone had ever done for her. (High Vaultage, p187). 

Anniversaries

In the special episode ‘Murder in the Pharaoh's Tomb', Clara says “And you know what else is a big occasion Fleet? It's our one-month anniversary.” She wants to celebrate the anniversary of Fleet-Entwhistle Investigations. Their partnership holds a significance for her that means key dates associated with it are worth remembering and remarking upon. 

When Clara first mentions their anniversary, Fleet nearly chokes on his drink, which seems like an instinctive reaction to the usually romantic connotations of an anniversary (see my point above about Fleet not being comfortable with their dynamic being perceived as romantic). But when Clara clarifies what she means, Fleet seems much more cheerful about the notion of their anniversary: “Ah, so it has.”

“Miss Clara Entwhistle, my partner”

I get extremely strong QPR vibes from this moment, when Fleet introduces Clara to the sailors at Grave End:

FLEET: This is Miss Clara Entwhistle, my partner - in business, my business partner. CLARA: I'm also his friend, but he doesn't like to say it. (S3 E3)

Fleet and Clara are partners, but not in the way the average person might assume from that word, which Fleet realises mid-sentence here. This is another instance of Fleet reacting negatively to the idea that their relationship might be interpreted romantically (see above). And yet, 'partner' (rather than, say, ‘colleague’) is the word that comes naturally to him in this moment to describe who Clara is to him. He then frantically emphasises the professional element of their relationship so as to avoid the romantic implication, but Clara is keen to proudly assert that there is a personal, emotional aspect to their dynamic too. They are first-and-foremost partners, and they are friends, and they do not want to be seen in a romantic light - this post basically writes itself... 

“Her ridiculous detective.”

When Clara fears for her life at the display of the Lanterns, the narration tells us:

“she thought of her brother, her sister, her parents... Her ridiculous detective.” (High Vaultage, p172) 

The fact that Clara thinks of Fleet in this moment of fear clearly indicates his importance to her, but I think the phrasing of this quote is particularly interesting. The narration lists Clara's immediate family: two of whom are dead (her sister and father), one of whom is publically mourning Clara's life choices (her mother), and only one of whom we have any real evidence of her having a positive relationship with (her brother). And then, separated from these complicated familial relationships by an ellipsis, the narration tells Clara also thinks of Fleet, “her ridiculous detective”. 

Parents and siblings are familial relationships that tend to come with established expectations, in which the use of a possessive pronoun (i.e. her brother) to indicate the relationship is a norm. ‘Detective’ does not fall into this category; unlike ‘brother’, ‘sister’, ‘parent’, ‘friend’, ‘partner’ etc., ‘detective’ is not a word that inherently implies a relationship or that we'd usually expect to see preceded by a possessive pronoun. The idea of ‘her detective’ therefore stands out, giving the sense that there is a unique relationship being indicated here. The way in which Fleet is ‘hers’ is something that Clara has chosen for herself, something that they have shaped together. Who they are to each other can't necessarily be fully expressed using standard phrases that traditionally describe relationships between people. But Fleet is Clara's detective, of which she only has one, and who she'll think of in the midst of “the screaming of the heavens at the end of the world”.

Fleet is also the only one in this list of Clara's loved ones who gets an adjective - her love for him has detail. And while “ridiculous” might often be perceived as negative (it's certainly not a classic romantic endearment), it seems to me like there's such fondness in it in this context: the recognition of and affection for eccentricities, the idea that his importance to her is not (purely) based on his professional strengths but on Fleet as a whole - perhaps at times ridiculous - person.

“Settled”

When Clara and Fleet talk about Clara's mother’s expectations for her, they have this exchange:

"She's still living in hope that one day I'll settle down."  "You're not settled?" asked Fleet. "I am." (High Vaultage, p259) 

By ‘settle down’, Clara's mother of course means ‘marry’, ideally into “at least a minor baronetcy”. But Clara already considers herself "settled", just not in a way her mother would understand or appreciate. She's not looking to "settle down" into a lifestyle other than her current one. She is settled in a situation where Fleet is certainly her closest personal connection in London (and perhaps anywhere), and where the two of them work closely together, operate as a duo, and then go back to their separate homes. And this partnership with Fleet is a comfortable set-up that feels right for Clara exactly as it is, rather than being a precursor to, or a distraction from, the marriage ambitions that her mother wants for her.

I think this exchange also contains an implicit sense of the commitment between the two of them. Fleet wants to check that Clara is ‘settled’ in her current situation, of which working closely - and platonically - with Fleet is obviously a major element; Clara confirms she is. There's a subtle indication of their shared intention to be in this for the long haul.

As a sidenote, Fleet and Clara’s implicit assumption that their partnership is a long-term one can manifest itself in joking contexts as well as serious ones. Look at this exchange from S3E5: 

FLEET: We're not bandits, we're just going to flag it down. CLARA: We'd be terrific bandits! FLEET: Let's just see how our current line of work goes.

I think it’s notable that, in this joking speculation, both Fleet and Clara use ‘we’ and ‘our’. The joke could have been phrased just as effectively if they were imagining only Clara becoming a bandit. But the suggestion is that, if either of them was a bandit, they’d be bandits together. Even if they changed their lives entirely, they'd still approach life together.

Inseparable 

Fleet and Clara have become a nearly inseparable duo in a way which is noticed by others. For example, after Clara and Fleet fall out in High Vaultage, Fleet meets with Keller, who says: 

"You're here with me instead of barrelling across town with her, so I'm just assuming there is some thickheaded puffinry for which you need to apologise to Miss Entwhistle" (p335)

Keller, hardly the most emotionally perceptive man in Even Greater London, automatically infers from the fact that Fleet is on his own that he has had a falling out with Clara, rather than that they just happen to be in different places. When all is well, Keller expects to see the two of them together, whether or not they are in a position to be actively working a case.

Going back earlier in their partnership, Keller makes a similar assumption about Fleet and Clara being inseparable in S2E6. When Clara shouts her name amidst Keller's anti-Vidoc booby traps, Keller asks "Entwhistle? Which means… Fleet?" Again, there's this idea that if one of them is there, the other is likely to be there too - they come as a pair. (It's worth noting that this scene takes place less than two weeks after they first met.)

“Like a friend might?”

At the end of S3E7, Fleet suggests that he and Clara go to the theatre together. It would have been easy for this invitation to have been explicitly framed as a romantic proposition, or even for the nature of the offer to have been left more ambiguous. But Clara says "Archibald Fleet, are you inviting me to a social activity? Like a friend might?" The use of the word 'friend' directly labels this as a platonic interaction. And it's with that platonic lens on it that Clara is extremely excited to spend non-work-related social time with Fleet.

“Maybe it'll just be my good luck charm.”

CLARA: My grandmother's ring, I don't suppose you managed to hold on to it? [...] FLEET: Oh, it's been crushed.. I'm sorry Clara [...] CLARA: No, you keep it. FLEET: What? No... CLARA: Keep it. Maybe it'll remind you not to run towards trains. FLEET: Maybe. Maybe it'll just be my good luck charm.

In S3E7, Clara gives Fleet a ring, which - as a gift from one person to another - is traditionally a symbol of a particular, legally recognised, kind of personal commitment. But when Clara tells Fleet to keep the damaged ring, down in the Underground tunnels after the destruction of the beast and Fleet's latest brush with death, it is quite a different situation to a wedding or a proposal. A married man would traditionally wear his wedding ring on his finger for all to see, but Fleet won't ever wear this ring like that. The ring itself has been bent into a different shape between the wheels of their misadventures, subverting the usual associations of a ring given from one person to another. (In a heteronormative world, those associations are particularly strong when the two people in question are a woman and a man.) 

That ring is not an engagement ring, but it is Clara’s grandmother's ring, an inheritance from the blood family she never really felt she belonged in, now given to the man who might be a very different kind of family for her in London. That ring - with which Clara saved Fleet's life - is a symbol of their bond. And it therefore serves as a reminder for Fleet “not to run towards trains" and as a “good luck charm”. I like to think he'll carry that ring with him, perhaps in his jacket pocket - a little piece of his partner, kept close to his ticking heart…

Thank you for reading all of this!

If you’ve read all of this, I'm assuming you also enjoy the concept of Fleet and Clara as a QPR (unless you're really a glutton for punishment) and that makes me very happy! This was long because there's so much to say about them… And I wrote all of the above without even getting into: the potential to headcanon Fleet and/or Clara as aspec (which I don't think is necessary for QPR headcanons, but which is also fun); Clara's baggage around and discomfort with marriage in general; the speed with which Fleet and Clara become a ride-or-die duo; and the many other demonstrations of care, understanding, trust, respect, and affection between them that didn't feel as directly QPR-coded to me but are nonetheless wonderful. Please do feel free to share your own thoughts!

[kitkatt0430]

So big shout out to SquidgeWorld for the news update acknowledging and encouraging the use of the tilde relationship identifier for queerplatonic ships!!!

I actually had a bit of a hand in how this one came about, which is pretty fun. (Story time!)

So a few years ago the Character A ~ Character B format was introduced over here on tumblr to represent QPRs. There is a post I know I rebloged a few times buried on my main somewhere about this and I'll have to try to remember to dig that up later. And there was bit of a push to try and get Ao3 to officially acknowledge the tilde or at least for those of us who write fic there start using it in tagging regardless of official acknowledgement and see what happened. And, well, what largely seems to have happened is that the tag wranglers have let us use the tilde, but there's been no official acknowledgement as the Tag Wrangling page for relationships on Ao3 still only discusses the '&' and '/' identifiers. (If there was anything official said about it elsewhere, sadly I must have missed it.)

I started using the tilde... two years ago? I think? And went back to update some of my existing fics to add in ship tags with the tilde. I still made sure to keep the Queerplatonic Relationship tags because those are still the best way to find fics that have QPRs included in them. And I've seen a few others using the '~' out in the wild, but discussion about it kind of faded again. If you knew, you knew. And if you didn't... there was always that Queerplatonic Relationship tag.

Then, about a year ago, I signed up for SquidgeWorld. I'd never heard of it before (which is likely because I'm just not super active in fandom outside the niche I've carved for myself; I admit, I am a bit under a rock at times...) but Squidge been around in one form or another since 1994. One of the fanfic authors I followed was moving their works there and so I followed and did what I always do on new sites I'm curious about - I lurked.

Fast forward to more recently. Fanfiction.net that I've been loyally using as my backup fic location for years after leaving it as my main fanfic archive... it's getting buggier and more unstable by the year. I don't intend to pull my fanfiction off it - I will leave what's on there up until the site collapses in on itself - but the day is coming ever nearer that the bugs and lack of tagging updates will finally make cross-posting there entirely too much of a hassle. And much as I love Ao3, I don't like the idea of only having all my fanfic in one place. I've seen enough archives big and small get destroyed over the years that no matter how stable or permanent Ao3 feels... I'm more comfortable knowing my fic can be found in multiple places. (Of course, the biggest hurdle for getting my fics cross-posted in multiple places is... executive dysfunction.)

I started finally cross-posting to SquidgeWorld recently and honestly just didn't really think too much about it when bringing over fics tagged with the QPR identifier. I just copied over the Character A ~ Character B tags and hit post. :D

But admin-squidgie over there - who I believe is found here on tumblr using @squidgiepdx (hi! Thanks a bunch for the news post!) - asked me about the tilde usage and what that was being used to represent. So I responded with an explanation about how it was a relatively new identifier used because queerplatonic relationships aren't really well represented by romantic or platonic identifiers. And then admin-squidgie got back to me to let me know there'd be a news post soon about this new identifier type. Which was so awesome.

While the wrangling guidelines haven't been updated on SquidgeWorld to note the use of the tilde yet (and could take a while, I know official docs always wind up being the last thing updated), the news post really is a very big deal for those of us who like to write and read queerplatonic ships.

For those of you interested in cross-posting or moving your fanfic to SquidgeWorld, I do recommend the archive. I've lurked long enough to see that the community there is pretty friendly, the interface is a clone of Ao3's so it should be familiar to a lot of you and is easily customized to make it more accessible (or covered in rainbows if you prefer ^_^ ), and (as seen here) the admin over there is open to helping make the archive an inclusive place for all of us.

And with at least one fanfic archive both acknowledging and encouraging the use of the queerplatonic relationship identifier, it'd be nice to see information on that making the rounds here on tumblr again. I bet there are a lot of aspecs who don't know about the identifier but who would be glad to know it exists and start using it themselves.

[makowcy]

talk to me about spacing mining au martyn please plese i want to onow everything about him why is he kidnapping jimmy why is he an antagaonist why is he so handsom

clap alright

Martyn is a professional bounty hunter under Rens command aka he gets sponsored by the government to do his job (he is not a space cop but as far as the wanted characters are concerned he may as well be so if i refer to him as such thats why)

He had a brief encounter with Tango more early on, but for once Tango figures out quickly that this man works for the gov so not much happens there.

Quick timeline later Grian disappears > Scar burns Jimmy's house > Jimmy and Tango travel together for a while > they get separated by a commotion and Martyn meets Jimmy

Jimmy was wearing Tango's coat and since Martyn has already seen it once he followed him and decided to help him out, which immediately gained Jimmy's trust (+Martyn wasn't hiding that he's also from Earth). Now Jimmy basically ended up babbling about his life to Martyn and considering that his family members include someone so wanted as Pearl and whatever he has going on with Tango he's just a great leverage (side note most of the information he shared was useless to Martyn, the man has separation anxiety and the only people he ever speaks to is his family, ex husband and Tango, he just spoke his his heart out)

Also while it's a kidnapping Jimmy doesn't even realize it for the first half and Martyn finds him amusing, harboring criminals is not legal but he doesn't really care so nothing against the guy

Martyn used to be a criminal like many earthians and he ended up in his current work as a rehab thing, he proved himself to be very good at his job and stayed for the money (and ren). Currently he's Ren right hand and does a lot of the dirty work for him. He has his private information network and does things behind Ren's back which he is aware of, but he trusts him and can't quite bring himself to discipline him. One of many qprs in this au they are also not normal but a different flavor. Narrative wise while Ren is in a higher position of power than Martyn he's more of a supporting character for him

Anyways the reason for Grians disappearence is also Martyn and his little schemes, they had a quest with BigB, but the two of them did not trust Martyn one bit and BigB ended up helping Grian get away

Other important note is that Tango and Martyn are opposites in many ways and he absolutely hates him

[chaos--gremlin]

I feel like I'm writing the same thing everyone else already has, but... Narugodo where disbarred Phoenix picks up Godot at the end of his prison sentence and gives him a place to stay. They are two strays, ex-lawyers looking for a new purpose in life together (with so much added baggage from their shared history with the Fey clan)

Hi I just finished t&t can you tell

So here's Godot giving Phoenix a gay panic at 7 in the morning

More Godot & nrgd hcs under the cut-

(big t&t spoilers)

Starting with the obvious one my man is Latino. The only Spanish word he says in game is amigo but you bet I'm taking what we're given and running a damn marathon with it. Did you know Colombia is the second largest exporter of coffee in the world? Do we vibe with Colombian Diego because I certainly do

I'm a believer in the character heights as listed on the wiki- Godot is 6'1 and Phoenix is 6'0. So they don't have much of a height difference, but my hcs are Godot's build is solid muscle, meanwhile Phoenix is entering his dad bod era

I drew his hair like that on purpose. Post-prison Diego with a 70s/80s rocker mullet, I think that would be very hot

Dahlia's poison caused him to develop focal vitiligo during the coma, which is why the hair on his scalp is white but the rest of his hair is not.

The metal plates on the sides of his face (in my sketch if it wasn't clear) are what keeps the visor in place when he's wearing it. They're attached directly to his skull.

He is severely vision impaired without the visor, so he needs other aids when not wearing it, but he rarely chooses to use them.

He drinks so much coffee not only because he enjoys it, but because the caffeine keeps his brain stimulated. Other caffeinated drinks make him nauseous so he sticks with coffee. It was a regular caffeine addiction pre-coma, but now he literally can't function without it and gets bad withdrawals if he doesn't have caffeine in his system 24/7. Prison was absolute hell for him because of this

Phoenix organized his defense and got him 5 years for voluntary manslaughter. In California, the sentence for voluntary manslaughter is up to 11 years. If it weren't for Phoenix he could've just as easily been found guilty of first or second degree murder, and gotten locked up for life. (I didn't look up the laws in Japan but let's just roll with that for now)

He finally learned to forgive himself for Mia's death, but now he carries the feelings of guilt for Misty's death, especially with how sympathetic Maya was towards him despite him killing her mother. Prison didn't help that, and he feels unworthy of all of Phoenix's efforts to support him

I think they would have an unlabeled but exclusive relationship. Like a qpr except neither of them know what a qpr is. It takes a long time for them to truly be comfortable around each other. Are they in love? Who knows? Not even they do. 💗

I really, really like how Godot turned out to be a sympathetic character in the end, despite being "The Killer" of 3-5. I enjoyed his character arc a lot

That's all I have for today! If anyone wants to chat about him more I would love to, he's definitely one of my favorite characters!!

[silverskye13]

... So Tanguish could possibly become the Saint of QPRs?

The idea of Tanguish being a Saint that folks in QPR relationships pray to is amazing to me. And it would fit his story arc -- a Saint is joined in lasting friendship by a knight and dear acolyte, and it is working with him, by him, and through him that his miracles are done. If he were a Saint in the more Catholic-leaning style, I feel like he would be a great Saint for QPR.

... however, Tanguish, the beloved character, isn't real. But this did get me thinking about actual, literal Catholic saints, so here I have compiled for you a couple that I, someone who isn't Catholic and who has no experience with Catholic ritual or customs outside of its few intersecting lines with Protestantism, would consider Saints of QPR, with the help of a book I bought recently because I like the idea of religion but not the actual practicing of it: A Saint A Day According to the Liturgical Calendar of the Church, compiled by Berchmans Bittle.

St. Raphael the Archangel; Feast Day, 24 October

St. Raphael is one of the [several] saints often recommended to people having trouble with, or looking for, lasting love. His main story involves Tobias, a young man on a journey to collect money owed to his father. During his journey, Raphael saves him from many harms both physical and spiritual, even going so far as to help Tobias marry the love of his life, a young woman afflicted by a demon who keeps killing her husbands. The way he combats this demon is by having the two stay celibate during the three days after their marriage, during which Raphael binds the demon and saves them. The emphasis in this part of the story is that lust and carnal love are what called the demon to the young woman, and so platonic love [and also the perfect Love of God] is what defeats it.

Even though this story does end with Tobias getting married and having a more traditional love, I think given Raphael's story involves so much intentional companionship, and given there is a heavy emphasis on the merits of platonic love as something that can help bind demons, I think he would be a great saint to pray to for help in QPR relationships, especially if it involves interceding in the relationship where you feel like you need growth in companionship, being an attentive partner attuned to the other person's needs.

St. John the Evangelist; Feast Day, 27 December

St. John the Evangelist! [Points in raised Protestant!] Hey! Hey! I know him! John was one of the Apostles [was there when Christ was around], "the disciple whom Jesus loved (John 21:7). I just, really like that the verse literally doesn't even call him John, it calls him "The disciple whom Jesus loved." Could you imagine being loved by someone so much, for a moment, your name is simply "the person they loved." I feel like there's some strong QPR vibes there. Bring with that the fact that, when Jesus was crucified, he declared to John that his mother, Mary, was now John's mother, and told Mary that John was now her son. Now, I'm sure there's a lot of biblical history you could add into the unpacking of that -- unfortunately I am not a biblical historian, and don't know how much Mary's life would have been impacted if she no longer had one of her sons to help her day-to-day. But even without that context, it is a mighty thing to love and trust someone so much, that as you are dying, you entrust the safety of your family to them. Not only that, but you declare they are your family, blood of your blood.

It is for this reason that John the Evangelist is already the patron saint of both friendship and love, but I feel like he is a very close parallel to QPR relationships. Would you trust your partner not just with yourself, but with the love and respect of your family as well? I would think so. I would hope so.

Saint Clare of Assisi; Feast Day, 12 August

Saint Clare was first led to Christ [and friardom] by Saint Francis of Assisi, and their stories are closely entwined because of this. Clare's story goes that she was betrothed to marry at the age of 12, but protested she wanted to wait until she was older when it would make more sense. During her wait, she heard Saint Francis preaching, and was so taken by his teaching that she decided to devote herself to God and have no other husband than Jesus Christ [if you don't know that much about Christianity in general, basically, everyone is Christ's bride, and after you die, you get to live with him in the perfect house he built you.] Anyway, Clare's family didn't approve of her decision, so in the dead of night, Clare sneaks out of the house and meets up with Saint Francis, who cuts her hair and dresses her in sackcloth, so she can live as a friar. After this she goes on to found her own abbey, where she is described as being humble and kind, always taking care of the sisters of her order, washing their feet and coming to them in the middle of the night when they're sick.

So, we're going to squint really hard at the very modern, Mulan-style queerness of "sneaking out of your disapproving family's house to cut your hair and temporarily live as a man." We're going to take that, hold it very close to us, and gently put it at the center of my little "web of QPR" I'm weaving around these Catholic Saints. What a way to put queer in QPR, even temporarily. Add to that the fact that Clare and Francis are bound up together as friends, so devout to each others' teachings they spearhead each other further in their fellowship with Christ. Then put on top of that the platonic love Clare shows to her sisters through acts of care and service, and I think Clare is a great contender for Saint of QPR.

That's it. That's the list.

Any Catholics following me that are still, by some miracle, reading this, I apologize if I in any way butchered your religion. That! Was not my intention! I admit I don't know the best way to be respectful, it's a culture I was raised adjacent to, not in. My closes approximation is my roommate, who is ex-catholic, who speaks with about this level of humor when I pin her down long enough to talk about saints. I think she would have fun with this little post -- but she is my friend, and and also, not Catholic anymore. I have seen her practice more Navajo spiritualism than I have seen her practice Catholicism.

So. Preemptive apologies. Feel free to rip me a new one.

However if you're Catholic or ex Catholic and you think this is either funny or in any way accurate, give me your thoughts I want them. I tried to do this with as little Googling as possible, because, book. The book is old, so my list of Saints is limited, and I'm sure other queer catholics have done much better takes and put them online somewhere.

[panthera-tigris-venenata]

My fic recs

...yes it is just my ao3 bookmarks but anyway.

Hunger Games

Now we're all the chosen ones

Hunger Games & Six of Crows crossover - well, you get six of crows in HG setting. I think the author did a great job at making up the characters background so fits the world and the characters as well.

Not all of them are in one games, which is great, cos all your faves can stay alive, and the series is longer <3

Each of the arenas was very unique as well, it never felt repetitive.

Mag's War/Mag's Trilogy

Basically, the revolution and the aftermath through the eyes of Finnick Oddair, Mag's protege.

What I really like about this series is the worldbuilding that goes into fighting a war, winning it and reform the country, but more so, I like the relationships in this series.

The relationships are really a driving force for Finnick, his love for Mags, Annie, later Cashmere and Johanna. My favourite is Finnick and Johanna (qpr) in the happy end version - "this might not be the perfect ending for everyone, but it is for us"

Phoenix Fire & Mockingjays

Once again, briliant worldbuilding. Even the encyclopedias are fun to read, and the whole thing is rereading material.

There is one story from the series that is my favourite though:

My Eyes Dazzle

Absolutely horrific story of President Snow, his young wife- his obsession and paranoia that runs so deep you can feel it.

Mind the content warnings, though.

Harry Potter

Bonds of Grey

Very elaborate canon rewrite including soulmates – soulmates of choice, platonic soulmates.

You could argue that the characters are overpowered, but it's so fun to read, on the battle field and on political courts as well.

Prince of Slytherin

It'd just feel weird not including Prince of Slytherin, I've read it multiple times. You can also see the writing style improve through the books.

Also, there's a scene of professor Snape eating popcorn at a wizangamot meeting. I think.

Oh god, not again!

Very funny time-travel fix-it. Well, fix it. (Barely anything gets fixed and several new problems are created.)

Contains this quote: HP: „Come on! Do you think if I was the heir of Slytherin, I wouldn't be merchandising it?!“ „...fair enough.“

Lucius Malfoy and the terrible, horrible, no good time

...okay that's not the official title but that's what's going on. It's incredibly funny, I sent this to my roommate and she was laughing out loud.

Lucius is so funny in this, obsessed with his hair, slughtly (rightfully) afraid of his wife, and pissed that the deatheaters keep breaking his fine china.

Next two are from @thistlecatfics

Nymphadora, Nymphet

First of all, mind the content warnings. Really, do. It's the Blacks.

Second of all, this is very beautifully written, and I find myself thinking back at it, remembering some quotes. It's haunting.

Icarus

I've only read this one once, but it stayed with me, it's just so vivid. Dealing with the war ending when the war is the only thing you knew.

Also, the definition of mutually destructive relationship <3

Once again, read the tags, though.

The Locked Tomb

Crawl home to her

I lack the words to describe this, but this fic was what made me actually use the ao3 bookmarks function for the first time. Let that speak for itself.

Descendants

Okay first of all everything that my mutuals wrote <3

So I'm gonna write just few that I really like:

From @tiredflowercrown

There is no sweeter innocence than our gentle sin

Ivy/Claudine. Ivy being the self-destructive diva she is and causing chaos at the pirate crew meeting.

...you know, I just really need to throw Ivy de Vil and Harry Hook into a room together and study them. For the greater good.

Dirty

I just think Harriet should get violent more often, that's all <3

Oleander petals

And Anthony deserves to give in to the darker side. You know, as a treat <3

Does it cross your mind to be slightly sorry?

„Oh so that makes it okay? You had faith that your cousins, who you had never put in positions of power, and the boys who love you so much that they would stop breathing if you asked them to, would be able to care for an entire crew! Harry shut down when he realized you had left! You think Harriet is an alcoholic, you should’ve seen Harry!”

That was a quote and I have nothing else to add.

@humaforever 💞

Seven Deadly Sins

Okay funny story about this story: I just started rambling about this ship in dms, completely drunk, and when I woke up the next day, (hungover), there was a story!

A miracle!

(thank you)

Innocent bystander

Sammy Smee is suffering, forever and ever. It's fun to watch.

Secret Santa

This one is great cos it's all my faves! Together! Being happy! Causing only moderate amount of chaos!

Look I'm pretty sure that I could write it down from memorory with like, fifty percent accuracy. It's just good, and I'm rereading stuff a lot.

@shellyseashell

Heart made of glass

Claudine! Pirates! Theatre nights!

What else can you wish for?

No, really, I really love this story. It's amazing with the friendships Claudine is slowly building, with Isle kids that shouldn't care but do.

Our finest gifts we bring

Anthony fretting over what to get his Girlfriends for christmas.

Every character that appears feels so real and true, and I like the gifts that they got.

@theamityelf

The worst is now the victor

Descendants kids in Hunger Games setting cos apparently I like hurting myself-

Really though, it's so well written, and there's a ton of comfort in there as well. And Uma always trying to do the most!

Where the angels used to be

Another crossover, this time Good Omens, with Uma and Audrey taking on the roles of Crowley and Aziraphale respectively. (For those interested, Core 4 are horsemen of the apocalypse.)

I really like watching Uma and Audrey through the ages, but my favourite is them with Harry and Gil. Uma just. Let them follow her everywhere. She forgot that humans are supposed to age and die, okay?

And Harry didn't really feel like telling her.

The scene when Audrey tells her is probably my favourite, Uma's just like: "Harry? Do you wanna die?" "Nah I'm good." "Okay."

@nocturna-iv

A path to an answer

... I'm just gonna leave the link there for this one.

Blue Domain

Complete AU. Some politics, Evie and Uma friendship, Harry/Uma, what more could a girl want.

Okay last ones probably, without tagged author:

Anchored

Ladies and gentlemen, behold, the first smut fic I managed to read. (That's not on the author btw, that's on me, I don't really like most smut scenes. This is very sweet tho)

Til the storm comes

The pirate crew. Not just Sea Three, the whole dead. Bonny, Desiree, Jonas, Gonzo, Claudine, Marya, whole bunch of others.

This fic is great, very raw-like. They're Isle kids to the core and it's so real.

Plus, the party scene is great.

That concludes my fic recs for the day, thank you for your attention <3

[scaredycatqlt]

Alastor x lithromantic reader??? I thought it would be silly, or if you're not okay with that how about queerplatonic headcanons with Alastor?

Alastor X Lithromantic! Reader [PLATONIC/QPR]

Phew, thank GOD. (Or Satan ig.)

If you have romantic feelings towards him but don’t want them reciprocated? That’s the reaction he has. as long as you’re not trying anything, you’re good and he doesn’t care.

If the feelings are for someone else? He honestly could care less.

Since he’s from the 1940’s, he definitely doesn’t understand all the labels and stuff, but he wouldn’t judge.

I mean, he’s literally AroAce. How could he?

Doesn’t understand why you feel romantic things but don’t want them reciprocated. Just…confuses him. Doesn’t really care though, it’s none of his business after all.

Honestly I don’t think it would have that much of an impact on your guys friendship/QPR.

Oh, also, he wouldn’t call it a ‘QPR.’ He doesn’t even know what that means. But, in a way, that’s kinda what it is.

Contrary to popular belief, I do think he’s not completely touch-repulsed, considering how much he touches other people. (Coming from a touch repulsed person over here.)

He just doesn’t like being touched. For one, he doesn’t like not having control over things. ESPECIALLY what touches him.

but with you, he doesn’t really care. Now you can’t go playing with his hair or anything of the sort, it’s kinda like Rosie-how he lets her touch him and is chill with it.

MUSICAL NUMBERS TOGETHER!!! You guys definitely had atleast ONE. If you’re his platonic partner you have GOTTA love theatrics of SOME kind.

Introduces you to Rosie. Afterall, you two are some of the few demons closest to him. You and Rosie get along great!! ^^

Speaking of which, you three occasionally have like-a tea party together where you basically just gossip and shit talk other demons.

You guys might get mistaken for a couple with how often he hangs around you at the hotel. Anytime someone mentions it he just laughs it off.

Oh, Also, being his close platonic partner means extra protection. NO demon is going to touch you without facing HIM. (Besides Charlie and the others, of course.)

He’s more quick to ‘forgive’ (ignore) things you do that he’d typically slaughter other sinners for. Like accidentally bumping into him or something.

“Oh don’t worry about it, dear! Accidents happen.”

At a certain point, he trusts you with his staff. Ofc you don’t just go waltzing about all day with it, but he doesn’t mind if you hold it.

If you have a phone or piece of modern technology, don’t use it around him unless you want extremely petty comments and glares at said device. He doesn’t want Vox anywhere NEAR you. He also just doesn’t like them. At ALL.

I REALLY enjoyed doing these!!! <3 Alastor is my favorite character, and he rarely gets the nice, accurate AroAce representation he deserves!!! >:/

[veetowervaporwave]

Man I am so vanilla when it comes to ships in Hazbin...

Staticmoth: The epitome of toxic old men yaoi. They're just the worst. They push each other's buttons. They both have obsessions on the side but both want to be each other's center of attention. Other people's suffering gets them horny. They got married three times and divorced five times. They know exactly how horrible the other one is but it only makes them more attracted to each other. They're so toxic it's a health hazard for everyone around them. I wish nothing more than for them to die horribly while holding hands.

Chaggie: I've been shipping them since the pilot and I'll be real they were everything I wanted and even more. I always knew that their relationship would be mostly background stuff since they're an established couple, and I was excited to have something where the main character is in a stable and affectionate relationship. I didn't expect them to get a whole little storyarc with the whole angel drama... I'm just. So happy. Seeing them, knowing how much they supported each other over the years when they had no one else on their side, openly working out their issues... They're just everything that's good in the world.

Huskerdust: I feel about it a bit more differently compared to the previous two. I'm happy to see them just do whatever, but Huskerdust stands out because its development is kind of... part of the plot of the show, rather than just being an extra layer to their characters. I'm not even interested in fanfiction for them because I'm too excited to see how it progresses in the actual show.

Radiorose: QPR goals. Alastor having someone he's so comfortable with honestly elevated his character for me. I don't have a lot to say but I enjoy seeing them together immensely.

Appledust: guilty pleasure comfort ship, refer to this post for more context.

Ships I like less under the cut, I try not to be too mean but still, be careful.

Radiostatic (Or, I guess, Onewaybroadcast, rather): I like it a lot but only when it caters to my superspecific tastes. First of all it needs to be one-sided. The second Alastor reciprocates I'm like *Lucifer voice* "Who is this? Who is this man?" Second of all the "hate" part of the "hateboner" is essential (unless we're talking before their falling out). Vox both wants Alastor and wants him dead. It's been swirling inside him for years and had poisoned whatever relationship they had beforehand. There's no turning back from this.

RoyalHalo: I don't know how to explain it, but when I personally ship something "platonically", it's different from just regular shipping and different from having a brotp. Nothing much to say on the ship itself, they're cute.

Cherrisnake: I wish I could like it more but "Meh" is right. I think it has potential, unfortunately 8 episodes a season didn't allow it to develop. I wish we could have had Cherri before ep6 to establish her relationships with Angel and Pentious and I wish they had at least one genuine conversation before the end of the season.

Alastor x Charlie & Alastor x Angel: actually it's not about the ships themselves, just some bad experiences in the early fandom. Ik not all the shippers are like that, especially now when those ships are less popular and a lot of people are vocal about not liking them, but unfortunately I don't think I'll ever be able to enjoy them.

Lute x Vaggie: Nothing to say I just don't like it.

Val x Angel: I put a black line because my knee jerk reflex was to think of people like. Ignoring the abuse, but thinking about it, I do enjoy the exploration of their relationship if it's in-character. It's just not something I personally would consider "shipping". (But then what makes it different from onewaybroadcast? Guess I'm just a hypocrite or something)

"Found family" is a term that's used very differently by different people in the fandom, which is a little confusing to me, so I changed this category to "maybe".

Alastor x Husk: Much like the previous one, except I trust people with it even less after all the victimblaming Husk got after ep5.

Velvette x Vox and/or Velvette x Valentino: I don't ship those personally just for the reason that Vel genuinely seems uninterested, but I support the people who do. Especially the polyvees shipping. There's also additional element to this for me personally is that if Val and Vox were an item, there's a fear that Vel would come off as a third wheel or be pushed to the side, and if they were all together this wouldn't happen. So I have no choice but to support, even if I myself can't get into it.

Guitarspear: Lute ripping off her arm to go help Adam... The last thing Adam does before death is smile at her... God. They were also very fun hypemen for each other during songs, and just the general dynamic was really funny. I would say I like this ship when I see it, but I won't go out of my way to look for it?

Carmilla x Zestial: They're friends... The fanart is nice to look at. It's fine.

Radioapple: I'm conflicted. I guess I am kinda interested in what their relationship would be like in the show, but in fanworks I mostly enjoy the "they aren't actually attracted to each other but everyone thinks they are" dynamic. It's funny.

Pentious x Emily: Ok, one (1) crackship. My friend ships them and I kinda see the vision? Could be cute.