#which is a fair thing to hate on

[biblicalhorror]

Thinking about Life is Strange 2 and the absolute dust it got paid compared to the other games in the series. It's the ONLY video game I've ever played where someone in the story has Special Magic Powers, but it's not you. It's your little brother. And your father has been killed in a police shootout, and your little brother is just a kid who is so confused and terrified that he levels a whole block with a telekinetic boom. And then you, a teenager just a few years older, have to guide him to safety and try to parent him and help him use his powers for good while also dealing with the same traumas in your own life.

Also, there's a level where you just clip weed buds. Phenomenal game.

[casscainmainly]

A Deep Dive Into Why Cass Threw Dick Out A Window

If you've been here long enough you've probably seen or heard of this moment, which is super hilarious and iconic. It's mostly discussed in reference to Dick and Cass' relationship. However, in my opinion Cass throwing Dick out a window had very little to do with her opinion of him, or even of Barbara; it has more to do with her understanding of romance and love. I briefly touched on this in my gender/sexuality post, but I'm going to explain more in depth my interpretation of how Dick functions in Batgirl (2000) as a whole. (This moment is very open to interpretation though, this is just my opinion!). So let's try to answer Dick's question: what was that all about?

Love, Language, and DickBabs

While Puckett's run is notable for not having Cass date anyone, romantic love does play a role in Cass' early understanding of the world. It's the impetus that spurs her to write: in issue 2, she sees a wife read a letter from her deceased husband, and her reaction affects Cass so strongly she immediately starts trying to write. (She also kisses the husband on the cheek earlier, which may or may not be a crush). Romance, and the ability to communicate your love, is a fundamental part of Cass' desire to learn language.

So we have Cass, who has experienced neither love nor language, living with Babs, who's in a relationship with Dick. This telephone conversation in #4 (the issue where a metahuman changes Cass' brain into understanding language) again links romance to communication. Dick and Babs are talking on the phone, unable to see each other but understanding each other perfectly; Cass and Babs, on the other hand, live together and can't understand each other at all.

"She can't talk, so it's not all that different [to living alone]." Babs is telling an eavesdropping Cass that her inability to speak prevents her from love and connection - a love and connection symbolised by one of the first romantic relationships Cass is consistently around, Dick and Barbara.

Dick as an Ideal

There's a debate whether Cass likes Dick or not because half the time they're friendly, and half the time she's punching him or throwing him out windows. This disparity makes sense if you consider that Cass strongly associates DickBabs with communication, understanding, love - very idealised notions - but she does not associate Dick as a person with them. Her interactions with Dick (sans Babs) are cute and normal - Batgirl #29 and Nightwing #81 feature some very adorable Dick-Cass moments, with no real tension whatsoever.

It's only when Cass sees Dick in a romantic light (as in associated with Babs) that she makes him into a symbol.

Cass often tries to copy Babs, thinking it's the 'correct' thing to do - in DC First: Batgirl/Joker, she goes after Joker because that's what Barbara did; later in Horrocks' run she'll wear Barbara's outfit. In a way, Cass' affairs with Tai'Darshan and Kon - as much as I do think Tai'Darshan was genuine attraction - is another way to 'copy' Barbara. In #42, Cass stares at a picture of Dick and Babs while asking if Babs likes boys. Obviously Cass knows the answer is yes, but see what she asks next, and how Barbara responds:

She shifts from 'like' to 'love', and Babs responds that she 'care[s]' about him. For Cass, whose arc in Horrocks' run is about parsing out the nuances of attraction, understanding the difference between like, love, and care is incredibly difficult. She struggles to separate familial from romantic (Bruce in #50) or romantic from platonic (Kon, and in somewhat the reverse way Steph). In this conversation, Cass comes to associate Dick with like, love, and care - DickBabs becomes not just a symbol of romantic love, but of any connection whatsoever.

The Old Costume

I've discussed elsewhere that Cass wearing Babs' old costume in #45 is a representation of her desire to be 'girly', and how she associates girlhood with someone other than herself, discarding her own costume for Babs'. But putting on a costume is not the only prerequisite for being a 'girl'. In Babs' speech to Cass, she emphasises being sexually attractive to men, with her final comment being about this "particular look Dick used to give [her]". For Cass, visual language is incredibly important; putting on Babs' costume is not about being or feeling like a girl, but about being perceived as one. Dick is symbolic of the perceiver: the one who can essentially 'grant' women their femininity.

But Cass is disgusted when Tim calls her hot, which adds to her confusion - why should Dick being attracted to Babs make Babs happy, but Tim (who's not a sibling at this time) perceiving her like that grosses her out? Cass' inability to feel good - to feel 'feminine' - through the male gaze is another sign, to her, of her failure to be a woman.

Which finally brings us to issue 46...

That Ableist Kon Comment

Cass finds out Dick breaks Babs' heart and then starts hallucinating on a drug. One of the things she hallucinates is Kon saying "who wants to date a cripple? Ain't that right, Nightwing?" and Nightwing responding "not me--at least, not anymore."

For the first time, we get to the heart of why DickBabs mattered to Cass: it was an example of a disabled person in a loving, romantic relationship. It goes back to that phone call in #4, where Babs implies that Cass is hard to care about because she can't speak. The Kon comment suggests Cass has carried that with her all this time, trying to find proof that she can be loved, no matter her disability. DickBabs showed her it could be done - the break-up shows her now that it can't be done.

Dick's hallucination mocks her disability: "look at her--she can't even read!" Attributing this mockery to Dick (whose real-life counterpart, unlike the other hallucinations, has never said anything remotely like this) shows that this 'Dick-as-ideal' is intrinsically tied to Cass' self-worth.

Honestly this whole post stemmed from me thinking about this one panel. There is no real reason, from Cass' view of Dick as a person, for her to think he's brave and noble and kind (more so than anyone else). But it's in the DickBabs context - that Dick seemed to love, wholeheartedly, a disabled woman - that makes Cass think this way. And now that DickBabs is broken up, it shows that she, too, is rotten to the core; that someone like her cannot be loved.

And so when Dick shows up, she throws him out the window.

Conclusion

In this moment, Cass isn't just reacting to Dick breaking up with Barbara, she's reacting to what it means to her. If Dick can't stay with Barbara, then that means Cass, as another disabled woman, is also unable to be loved. This all leads up to #50, which features another Cass punch to Dick's face, but more importantly is when Bruce and Cass reconcile through Cass' first language. It's a confirmation that though her verbal skills may not be fully developed, she still can communicate, and she can love and be loved.

I don't think a lot of the ideas I touched on here are fully developed, or conclude cleanly. For example, how does Cass' 'failure' to be a woman relate to her inability to be loved? Is she able to have a stable romantic relationship? There are lots more questions, but the role Dick specifically plays in Cass' understanding of romance is probably not going to develop further. I just think it's interesting how Horrocks uses the Dick-Babs relationship to explore Cass' identity.

[overanalysingfandoms]

Ok, so I know without even looking at the Scarian tag that everyone will be calling their interactions this session divorce coded (and that's valid)

However, THIS IS JUST HOW THEY FLIRT

Like, Scar being obsessed with killing Grian and then Grian blowing up his reputation board once he does???? Get a room. They are staring into eachothers eyes daring the other to do something, this is not divorce, this is enrichment

Exhibit B: Immediately after the whole murder and destruction of property debacle, when Grian has promised to hunt Scar until he's out (kinky) and Scar is hiding in Joel's car with the bamboozlers and the family and the sub ones are staring at them Scar LITERALLY DESCRIBES "THEIR SOCKET EYES" like???? only one man staring at you has socket eyes Scar, are you too busy getting lost in them to notice that???? Hmmmmm

Not to mention that after Mumbo's disastrous lava murder attempt Scar immediately runs right over to Grian and stands as close to him as physically possible for NO REASON!!!! Sir, this man has promised to murder you after you spent 50% of the session being obsessed with murdering him and now you're all up in his personal space whispering in his ear???? The least divorced thing I've seen all day, these two are absolutely openly disgustingly insane about eachother IN PUBLIC for everyone to see

AND Grian once more respawned in Scar's bed

This session is just the minecraft equivalent of making out in public and nobody can change my mind

[rmbunnie]

Something kinda tasteless about the way that alongside the concerns of "Batman needs someone to rein in his aggression/edginess" (mostly a meta concern,) "Robin is a symbol of undying hope right alongside Batman, Superman, and the police system," and "now that the thought's crossed my mind I think being Robin would be pretty sweet actually," one of Tim's points for why he should be Robin at the end of A Lonely Place of Dying is "we need to show the criminals of Gotham that they can't just kill Robin and expect to get away with it!" Because. They can. That's exactly what happened.

Using that line of reasoning, Tim makes the claim that the idea of Jaybin's life as disposable and inconsequential is heinous and bad, his killing something impermissible, but instead of disproving said idea they allow it to become true and devote their energy to making sure it doesn't become widely known as such. By covering his death up, they actually are permitting his murder to go unaddressed and deeming it acceptable, even taking away the opportunity for it to be consequential to anyone outside of Bruce's inner circle by not spreading the news. As much as we say "oh Bruce was a great dad because losing Jason crushed him" and "he almost considered trying to kill the Joker one time," he in all tangible areas did not do anything about Jason's death. Setting aside the question of killing the Joker or not, it's still shown in Batman Year 3 that Bruce's reaction to Jason's death in the time til Tim showed up was to hide away everything Jason owned and carry on with business as usual, a little angrier. Bruce didn't make any changes or actually evaluate anything in a significant way after the warehouse and Jason's death didn't warrant any tangible consequence, that's evident from reading the comic. I know some may disagree, and I acknowledge the room for interpretation, but in order to discuss Tim's reason we have to concede that it is explicitly written into this specific comic as something Bruce and Tim both recognize as fact, because it serves as the foundation that this reason is built on: there is good reason for the criminals to believe there would no punishment for killing Robin based on the actions Bruce did or didn't take in response. The concern about the public realizing there are no consequences for killing Robin wouldn't be reasonable if it wasn't true, if there actually were.

While they recognize that Jason's death came to pass largely without consequence, the fact itself is less of an issue to both Bruce and Tim than letting criminals actually find out that it doesn't have consequence. They know it's unjust, the notion that Jason can be killed without repercussion (and in making an effort to minimize his murder confirm it to be true,) but their concern isn't for what actually happened to Jason or the lack of proper response. At least on the vigilante side of things, the problem is public perception and continuing to uphold an image of Batman as just and diligent while permitting him to ignore injustice against those close to him. There's no efforts taken to actually disprove the idea that killing Robin would lack impact, what Tim proposes is just making it harder to prove right.

I think the best way to word what comes across tasteless for me here (aside from the side commentary on the unstoppable might of the institution of police and how it's an exemplar of heroism) is that beyond Tim's victim-blaming of Jason during his stint as Robin, (discussed in more depth by people who can word it better than me,) in the base text of a Lonely Place of Dying, it is foundational to the initial premise of Tim as Robin that part of his motive for being Robin hinges on accepting what happened to Jason as something that cannot be allowed in their pursuit of justice or go unaddressed for reasons completely unrelated to the actual harm, and then intentionally erasing the event and the way in which it was allowed and did go unaddressed. No matter how much it's claimed in later comics that Bruce was faultless and Jason doomed himself, Tim's Robin came to be at least in part (in-universe) as a cover-up for the lack of action taken about Jason's death, and by extension as an effort to overwrite his time as Robin and an individual entirely. And thought it wasn't the way his character viewed it, Tim wasn't passively complicit in it or going along with a poor grieving man, the intentional and deliberate erasure of Jason as a murder victim and the injustice of his posthumous treatment was part of his opening pitch.

[tikiki05]

“you people cant handle complex/morally gray characters!!1! 🤓”

DUDE. WHAT IF I K*LLED YOU. IF A CHARACTER IS COMPLEX AND/OR MORALLY GREY, THEN WE’RE GONNA TALK ABOUT HOW THEIR ACTIONS ARE COMPLEX, AND MORALLY GREY, AND HOW THEY DID BAD THINGS. THAT DOESN’T MEAN WE CAN’T HANDLE THEM. ITS CALLED DISCUSSING AND ANALYZING MEDIA!!!!!!! YOURE THE ONES WHO CAN’T HANDLE THAT!!!!!!

[kacievvbbbb]

There is a level of person hood that women as a collective just aren’t afforded that the collective men get to enjoy that will never not entirely piss me off.

Just god. It always leaves me fucking seething.

Like women can’t just dislike each other, they just can’t have beef or be competitive or even just shitty fucking human beings. It always has to come back to the conversation of well women just don’t support other women. Women don’t like other women. Women are jealous of other women. And yes all those things are true because guess what women are fucking people too. Like women are people that experience negative emotions and have negative attributes and can be really shitty. It is not a problem with women it is just called being a fucking human being.

A man could literally beat someone another man to death over a stupid argument and not one single person would go “well men just hate men its expected” no instead we talk about the folly of human beings, how senseless this was etc and maybe if we are really being serious someone will bring up how men are taught to respond with violence and all that entails but nobody would suggest this was just another instance of men being other men’s worst enemies.

But god forbid a woman call another woman a bitch and then we’ll have think pieces for days.

Two male rappers beef and not once does them both being male and male competitiveness get brought up. But god forbid a female rapper not like another female rapper. Then it’s women just love to drag other women down. Nobody hates women like women. God do you hear how insane you sound? Women are allowed to not like each other. Competitiveness is apparently only bad when women do it. A woman says a bad word about any woman and suddenly she’s not a girls girl. She secretly hates her this and that and whatever. It’s so fucking annoying and so tired and it’s the same routine over and over again. And sorry yes I’m afraid this does include the women that voted Trump. I promise you most of them did not do it out of some secret hatred for women (some of them did do it because internalized misogyny is a hell of a drug yeah) but I’m sure a majority of them did it for all the many reasons that a lot of men voted for trump as well. And trying to turn them into some kind of gender traitor because of it is just so…ughhhh.

Women can’t just be people they have to be women first and it’s literally soul sucking.

[chaoticlandworlder]

Legit so disgusting how so many ppl are jumping at the chance to criticise Max. In the past few days, I've seen so many social media comments calling him names like 'brat', 'manchild', 'immature' etc. + belittling his racing skills.

So many ppl are also completely spinning their own narrative, acting as if Max is the only driver to ever be heated up during a high-adrenaline race. According to them, Schumi, Senna, Lewis etc. have never lost their cool and always take the blame for every single incident. (Note: this is NOT a hate post ok- any driver examples I use is just to show the hypocrisy of these ppl. I mentioned these drivers cuz it's based off genuine comments I saw.)

First of all, Max had every reason to be upset during the race. The major Hungary updates RBR had been hinting at for weeks underwhelmed (don't give me the 'it's still fast anyway'- this is F1. Every driver and team expects their car to be the fastest, not just fast. If you don't understand that, you don't get the point of F1- an engineering competition. Also RBR has been struggling with the same kerbs issue since 2022.), with Max struggling with various issues during the race.

Additionally, the strategy was not great; Max gave the 1st pitstop decision a pass, but then they repeated it for the 2nd pitstop. RBR was hoping that the tyre delta would salvage the race but c'mon, Christian Horner admitted after the race that they got the data wrong and miscalculated how fast they needed to gap the others cars per lap to overtake. From Max's pov, RBR repeated the mistake of the 1st pitstop, allowing him to be undercut again, by both Lewis and Charles, dropping him back to 5th when he started 3rd, on a track known to be hard to overtake. Furthermore, this race was more a race of undercutting than actual on-track overtakes; one prominent example that showed the power of the undercut in this race was Lando, who was stuck behind Oscar for the vast majority of the race. Yet once they undercut Oscar, Lando ended up 3s+ ahead of Oscar, with the gap increasing to ~5s+ as the laps went on, with Oscar unable to catch up. To make matters worse, Max had told the team that undercutting was impt BEFORE the race. Finally, I love GP (Max's race engineer) but honestly they were just antagonising each other during the race. The most obvious example was the sarcastic remark of 'some gentle introduction' after Max did a fast outlap so that he could catch Charles and Lewis, which just made Max even more frustrated. After which, there was literally radio silence for 15 mins, no communication of modes, gaps etc. Max himself mentioned after the race that it did not help that instead of being a calming presence, they (presumably RBR, including GP) did not listen to him and even argued with him. So this mixture of the team not listening to him, repeating the same mistake twice, underwhelming upgrades and poor communication on the radio contributed to Max frustrations in the car. (Oh but according to crofty (sky sports) it's cuz Max did not get his beauty sleep despite Max having followed his standard sleep schedule. Because sleep outranks good strategy and the best car in F1. 🤡 Kids these days and their simracing.)

Could Max have been more polite? Ideally, ig. But GP too was confrontational when he should have been trying to resolve the issues with Max. Was Max wrong in terms of calling out the strat? No. Also, it's so easy for ppl to judge, lazing on their couch. This is a high adrenaline sport for goodness sake, with millions of dollars on the line and millions of people watching their every move. Randos get pissed off at a slow moving vehicle on a normal road; imagine how it would be to be a racing driver going at ~200mph, with the expectations of the team, fans etc. weighing down on you.

Some are arguing that Red Bull generally does well so Max has no right to be upset. Lol. Idk how ppl don't get it into their heads that this is a SPORT. In every sport, any top performing athelete and team knows that every single match/race/point etc matters. You're not there to say "Oh we've won in the past so let's just throw away some games". You're always there to deliver your best. With this kinda logic, Lewis should also have no right to be upset/disappointed with Mercedes cuz didn't they deliver him a championship winning car for years? Idk lmao this particular line of logic is so weird.

I've also seen so many people saying things along the lines of "Max always complains", "Max can't win without the car"- a really weird one considering one only has to look at the recent races to debunk that, "Max blames everything on the team" etc. Be so fr literally every driver 'complains'. A notable case was Austria 2023, where Toto had to come on the race to tell Lewis to 'just drive the car' because he kept going on about it in multiple races last year. Most of the time they're just giving feedback. When they're genuinely 'complaining', it's often cuz they've been screwed over by their own team. See some cases just in this race alone: Alex on the indecisive tyre choice by Williams, Daniel on the screwed up strat by by VCARB. Max wasn't even wrong about the strat. The comment that 'Max blames everything on the team/ When everything goes well it's him, when it doesn't it's the team' is so laughable because if there is one driver on the grid that is consistent in thanking his team and rarely himself, it's Max. You literally just have to see the previous race, Silverstone 2024 where he could've easily said him making all the right calls to pit was essential to getting P2 in the end. Instead, he gave the credit to the team. He's also quick to apologise when he's in the wrong. See Spa quali 2023 after his outburst in Q2. Or when he bought ice cream for GP a few years back to apologise. Also idk where ppl get the idea Max treats his team like shit? Time and time again, people who worked with him have mentioned how they love working with him. For this particular weekend, he literally treated the team to dinner the night before the race but these ppl will never talk about that. What's said on the radio is in the heat of the moment, which ALL the drivers have done. And Max wasn't wrong either; maybe ideally he would have conveyed it nicer, but again, they're all pumped up on adrenaline.

As for the incident, it wasn't even that bad? It looked bad cuz the wheels touched, making Max's car fly up + cuz it was btwn Max and Lewis, certain 'fans' immediately jumped into their hate frenzy. Idk I find it so weird that people keep harping on about it when Lewis said immediately after the race that it was a racing incident. (Those clowns trying to liken Max to Alonso in Austria 2024 need to rewatch the collisions instead of looking at static pictures is all I can say lol cuz Alonso's was straight up a T-bone while Max-Lewis was a wheel bang.) And anyway, ALL drivers get into incidents no matter their accomplishments (Lewis in Monza 2023, Charles hitting Lando in fp this year, Carlos-Oscar in Miami 2024 etc.). The narrative that Max gets into incidents more than the other drivers is just untrue. In fact, this brings me to my next point. The moment Max is half of any incident, regardless of whether he is at fault, so many scumbags immediately completely trash him like a bunch of rabid dogs. For example, Max-George last year at Las Vegas 2023, where Max was not at fault at ALL; George even admitted he wasn't looking in his mirrors. Or Lap 1 Turn 1 of that same race, where ppl to this day are shitting on Max for 'pushing' Charles off-track- when there was literally an oil spill on his grid spot before the race, making that side slippery despite efforts to clean it up, with others like Alonso and Carlos spinning at the same point Max 'pushed' Charles. His onboard then even showed he tried to steer in but the car didn't budge. Besides, he got a penalty that slowed him down a lot (when Lap 1 Turn 1 incidents don't usually get a penalty- idk how ppl can think the FIA favours him lmfao- and no matter what the haters who prob didn't even watch the race said; serving the penalty in the pitstop dropped Max much further back than just swapping positions would have) AND he apologised to Charles right after the race (but noooo he never takes the blame).

The hate ppl have for Max (and tbh, some other drivers) is honestly quite alarming and weird. Like, these grownass ppl are hating on a 26 year old at the top of his game lol. It doesn't help that the media (especially the British media) feeds, if not started, this hatred frenzy. Just see Austria this year, where the media and 'fans' completely blew the incident between Max and Lando out of the water, only for multiple current and ex F1 drivers to call them out on their bs lmao. Again, for Austria 2024, Lando and Max spoke after the race too. But it doesn't fit their narrative so these ppl will never bother to mention this.

Slight tangent but for ppl who try to justify it by saying 'oh it's how it is cuz Max is dominating'- I understand where yall are coming from (see Seb 2013 lol), but the hatred for Max is particulary overwhelming because there are much more fans now, mainly due to DTS and consequently, F1 becoming popular/more popular on social media platforms like TikTok, Twitter etc. As such, Max is arguably facing higher levels of vitrol, since DTS didn't exactly favour him (understatement of the year lol) and many fans who 'watch' F1 through social media just jump on the hate bandwagon without actually watching races/fact-checking. This is worsened by how the media (mainly the Brit media) jumps at every opportunity to put Max down. Sky Sports in particular, being the main broadcast for most fans, often feeds this hate (esp if David Croft or Ted Kravitz is speaking). Finally, all this is only worsened by how social media allows this hate to circulate much more quickly and widely.

lol sry for the rant but gosh it gets tiring seeing the toxicity of so many F1 'fans'.

[dreamsofbroflovski]

HAHAHAHAHHAHAHAHAHHA

got my first hate ask for doing fem!reader with craig.

i won't respond to the ask itself because i don't want to submit anyone to this person's nonsense, but i figured i might as well say my piece.

craig does not exist. he is not real. what he is 'canonically' does not matter in here because this is fanfiction and fanfiction is SUPPOSED to bend canon and make it its bitch.

y'all are asking FANFIC WRITERS to stick to canon and this is HILARIOUS because like......................... can you please understand the whole purpose of those things?

you're free to skip the craig fics if they make you unconfortable, but me ignoring canon in favor of the stories i want to tell does not make me a bad person

[spookberry]

I also dont think theres a single instance of two girls talking about something that isnt boys in like the whole thing.

[ganondoodle]

(probably very problematic opinion on the english voices in totk

watching skittybitty's totk video for the 27864269th time and i STILL get jumpscared by the english voices, anytime anyone ever opens their mouth it just sounds like they took some random person they caught on the street to monotonely voice a line in one take, and sometimes one of them rly likes to pretend their are doing a voice but it just sounds like a little child imitating their granpa or someone trying to overact to their toddler, its especially sad for ganondorf, its hard to hear any of them for me but gan i start laughing and have to skip it bc thats NOT gan, thats me doing my worst evil guy impression, or zelda, thats not zelda talkign thats me doing a sarcastic uwu lil princess voice

to be clear, i have nothing agaisnt the people voicing them and i know people like the guy doing the gan voice but none of them fit at all and none feel like they are actually coming from the character, much more so you muting your TV and talking over the people on screen making shit up as you go for shits and giggles, i dont know what happened here, why are these SO bad, i listen to plenty of movies and games and whatnot in english and i only ever had a similar problem with the english voices of ghibli movies -though that could be bc im jsut so used to the german ones, which are fantastic- or maybe an extremely old game that was just weird on its own even

i take no pride in hating the voices, espeically knowing how badly voice actors are treated and often replaced with some shitty celebtrity, but i truly do not get why they are so bad, the voices themselves never rly fit, and even if it would be passable, they are all speaking in a way where it either sounds like they are some guy sitting next to you reading a line for the first time or overemphasizing so much it sounds like someone playing pretend with toddlers

and its not in an indie game where the devs did their best to voice people themselves bc they didnt have the money, this is nintendo, how is it still like that, bc even the ones returning from botw, are STILL just as bad, i dont know if that can all be the fault of the actors, its so weird to me

and it makes it even harder for me to believe that people take this game as seriously as they do or as emotionally affecting bc a, if not THE, biggest part of the fandom is made up of english speakers who would probably never even think about trying a different language

...anyway, i needed to say that at some point)

[phoenixtakaramono]

There are only two episodes left in The Boys S4, but having seen the leaks and with what we got, I have some opinions.

My conspiracy theory is that they got too many cooks in the kitchen (writers in the writer’s room)—plus the writer’s strike and pandemic happening during this time—and it’s starting to make sense how they dropped the ball with this season.

[looseinthecatroom]

Something something of COURSE in the end it's Stolas who has the power to end the conversation and whisk Blitz away rather then keeping at it when things get rough, off script, and honest.

Stolas want's a storybook romance. He's had it fermenting and stagnating in his head since he was a kid.

Stolas grew up in an environment of putting on airs and pretending to be perfect.

Stolas has no reference point for FIGHTING in a relationship except for an arranged marriage that they both openly did not want to be in, with zero real emotional stakes re: their bond with each other. (The primary stakes were playing bare minimum nice for the kid. Which they still failed at, but that's another topic.)

Of COURSE he doesn't understand that love and resentment at past wrongs (that can be exhumed and dealt with) can exist simultaneously.

How could he? He's never had an emotional investment with an equal, a peer, at all. ;-;

Blitz is intensely fucked up. They're BOTH fucked up, obviously. But this one? Dang it Stolas. ;_; If they'd just continued the conversation instead of Stolas' actively ending it and teleporting Blitz away, they might have GOT somewhere.

[queen0fm0nsterz]

Ended up pirating all of Hazbin for the sake of my younger days (used to be a fan when I was around 14/15, before all the stuff with Viv came out) and I am so surprised by how I felt... nothing for the most part. Like a lot of the show's storylines feel like they was crammed in there with no real pacing. A lot of this should have been season 2 territory, which is a sentiment I've seen echoed around, but also... it feels as if the show is trying to be episodic while also having a long narrative thread, which just doesn't work with just 8 episodes. Especially not when paced like this. So I kinda ended up feeling nothing for the most part. All the events got a "Oh, great, so what?" reaction out of me because there was little to no buildup to most of them.

Sir Pentious was always a fave of mine so I was glad to see they kept him around and, though I think we should have had more episodes with him as a villain, I think how he ended up was fitting for what little of an arc he had. I am livid about what they did to Cherri and Mimzy.

I fucking loved Mimzy, I have no idea why they sent her away -- having someone like her at the Hotel would have been a blast considering how the others are already on the road to redemption. She would have balanced it out by being a regular sinner, someone who doesn't care about redemption and won't probably ever care unless it's in her best interests to. Plus her friendship with Alastor was quite cute, they bounce off of each other very well imo. Plus I could see her have a bit of a conflict with both Charlie and Vaggie because of her ways of acting. I'm so sorry they took that from you girlboss.

And Cherri... dear lord where WAS she? She should have been a lot more present. I used to like her relationship with Angel and I even think Cherrisnake is cute conceptually, but both these relationship had... little to no room to breathe imo.

[sadkachow]

how the fuck did my english class manage to take a semi-positive stance on generative ai

[dark-elf-writes]

Hojo half-sibling au but cloud already been fucking gen before seph know he have a brother. Just for the lol.

It all started so simply — which, looking back at it, should have been Cloud’s first and largest red flag. Nothing in his life was ever anything other than complicated. He was “that Strife boy”, Nibelheim’s town bastard, almost an entire town’s dirty little secret.

(Not his mom’s though. Never his mom’s. She would always press a kiss to his crown of spikes that was so much like her own and tell him that he was her wonder. A gift from the gods themselves.)

But it all started so simply…

It started with a mandatory paternity test as a part of joining the SOLDIER program.

Getting to SOLDIER hadn’t been so simple. That had begun with an unlikely friendship between Zack Fair and some poor trooper with unfortunate amounts of motion sickness. Zack, upon hearing about Cloud’s dream to be in the program and his numerous failures at doing so, had thrown himself into helping Cloud train for the next exam.

“That’s what friends do, spikey!”

Hand to hand, sword work, physical conditioning, even materia… or, well, Zack had tried to teach Cloud Materia to… some success which had in turn led to the second complication.

Genesis had stumbled upon their training one day just in time to see Cloud blast Zack back with a spell that shouldn’t be able to do that yet again and had all but claimed Cloud as his own.

“Artificial materia has a different concentration of mako, dearest,” He had said, running the back of gloved fingers over Cloud’s cheek. “And your exposure to mako from living in a place so dense with it has changed you too. Try this instead.” He had slotted a new orb of materia, naturally formed and from his own collection no less, into Cloud’s borrowed bracer like he was sealing a wedding vow.

(And knowing Genesis as well as he did now, that was probably not far off the mark. The dramatic bastard had claimed to have fallen in love from the moment he first saw Cloud “knock the puppy on his ass even with those terribly mis matched materia”, and Genesis Rhapsodos was nothing if not determined when it came to getting what he wanted.

Still, Cloud couldn’t deny that it was nice to be wanted for once… just like he couldn’t deny that Genesis was a skilled teacher both on the mats and in his bedroom where he had Cloud seeing the goddess herself when he did that thing with his fingers.)

But a paternity test made sense, in a way. Cloud had said he never knew his father, and since he was now officially a SOLDIER third, he would start getting attention. Considering how much he looked like his mother, it wouldn’t be a leap to assume people might start coming out of the woodwork to make claims, and such a scandal would look bad for Shinra in the long run. It… probably also didn’t help that Cloud looked enough like Rufus and Lazard that rumors had already begun to spread of another Shirna bastard.

But the results had not been the simple answer.

Nor had they been the slightly more complicated one that, while annoying, would have made a strange sort of sense considering how he looked and proximity to the Shinra manor.

No, Cloud’s results were so complicated that the poor tech that had been running the tests had so so three times to be sure.

And then Cloud was angry. Angry that his mother had been left alone with no money to support her. Angry he had grown up hated by an entire village because some bastard couldn’t be bothered to stick around. Angry that the truth had been under his nose the whole time and he had never seen it.

He had snatched the results from the poor tech and stomped his way to the private lab in the center of the Science Department hardly noting the flustered scientists and techs trying to stop him through the red haze in his mind. The locked door didn’t stand a chance against the mastered fire materia Genesis had gifted him for making it through his training, melting straight through the lock so Cloud could kick the door inwards.

He didn’t notice the second person in the room as he hurled the file of results at a rather unimpressed face. Didn’t care.

“Nice to meet you, dad,” Cloud all but spit between clenched teeth.

Hojo didn’t do much as blink. If anything he shrugged. “Ah. The control group.”

Cloud didn’t remember trashing the lab. Didn’t remember the too familiar face at his side that helped him do it. He did however remember the aftermath with his head in his hands and the Silver General himself awkwardly patting his back as he had a complete mental breakdown.

“It’s what brothers are supposed to do… isn’t it?” Sephiroth had said like to made all the sense in the world. Like any of this made fucking sense.

Cloud Strife had gone from no father to one that saw him as an experiment in all of twenty minutes and now his childhood idol who was actually his half brother was trying to comfort him. It was too much. He needed a drink. He needed a fucking cigarette. He needed —

“Genesis,” He murmured, all but scrambling for his PHS to send off a message. If anyone could make it all make sense it was Gen, or at least, Gen would stand beside him as he burned the world to the ground. Either way, all Cloud wanted at that moment was something that made sense.

Unfortunately, that single word had made Sephiroth recognize exactly who Cloud was other than “some new recruit” or perhaps “Zack’s friend” and his green eyes narrowed as this hands that had been awkwardly patting him tightened possessively.

“You’re the trooper that is dating Genesis.” It wasn’t a question. Sephiroth didn’t wait for an answer. “Genesis slept with my brother.”

And then Cloud Strife’s life became very complicated all at once.

[seaweedstarshine]

Thinking about the convolution of Eleventh Doctor's expressions of love for River Song in Season 7B. He does not trust Clara. He is utterly (wrongly) convinced that he and Clara are playing a grand manipulative game together. “What are you, eh?! A trick? A trap?!!”

So naturally, the last thing he should do in this game is to clue his opponent in on something that could be used to hurt him. Something like River, so painfully near the end of their time together, whose data ghost he can always see, who “it would hurt too much” to acknowledge. He can't let Clara know of the loss which constantly floods his senses; (“You are always here to me. And I always listen, and I can always see you,” he professes, once Clara has vanished into his timestream).

And yet. River fills his every moment (irregardless of any sneaking out for dates with increasingly-young Rivers while Clara is asleep like he did while the Ponds slept, which would explain his absence when the TARDIS is hiding Clara's bedroom). Even though it's not strategic, he can’t help but tell Clara about her. The best defense he can manage is to phrase it as if River isn’t as important to him as she is. Not only is avoiding her first name in his grief; he's also completely avoiding pronouns; which seems extreme given that he's still mentioning her as often as: “Oh yeah, of course he has! Professor Song! Sorry, it's just I never realized you were a woman.”

Leave out the emotion — leave out the details — don't show the cracks in the armor — play the part — win the game.

“Well, there's no point now. We're about to die. JUST TELL ME WHO YOU ARE.”