#which is Not what its meant to be

[daisybell-on-a-carousel]

hiii I'm wondering, what issues do you have with Countdown, if you don't mind me asking?

Ooh i dont mind at all! I love talking! And potentially hearing more perspectives

Pleasee note that ive been reading all the Jason comics in order of release (started at flying todds jaybin currently at rhato), I've only read countdown once, my memory issues are a bitch, and everything is subject to change for forever 👍

I'm like, basing this whole ramble off my memory of events, and no rereading means no potential updating of feelings on it

To start on positives, I love many concepts and characters it brings to the table and all the different earths traveling they do, I think Donna, Jason, and Kyle are a fun trio as well, and their adventures are delightful. The different earths are all very interesting and i dearly wish we got to have more focus on them. I may not like it being so long but ehhh I've considered rereading it on occasion. The issues counting down are also a fun gimmick as well.

One of my problems is the like. Main story. It feels pretty messy just to like, read though. The extra issues onto the main 52 don't help. Not being familiar with that many dc characters in general doesn't help (was more of a marvel kid). Don't really remember how many character stories we were following in there anymore, it just felt like alot and I genuinely can't remember where half of them led

I ALSO. Skimmed it a bit. Especially later. That's on me. But to be fair to me it's 50 issues and I just don't think I'm big on long comic stories like that. in general. So it was always doomed to fail in the test of my personal opinion

(My favorite crossover comic so far has been legends, just to hammer that above point in)

I dont like the ending where they all hang out in a bunker on the good earth and the virus they have is spreading to just. kill that entire world. And they just go home after that. That's like, that felt weird. I'm just not big on heros accidentally slowly killing an entire universe. That just like. Hhhhng. Um. You know when the stakes get so big and bad they just kinda suck? If that's what I mean??

While I do like looking into Superboy Prime and Jason's resurrection. Don't like his dialogue here. Don't know if that's normal for him or not though

I felt a teensy bit validated when I looked it up after reading and saw many others not liking it I fear

But ignoring at all that. (Because while important to acknowledge when talking about my problems with it, most of what I just had to say is unfair to it)

My knowledge is on Jason. Let's focus on Jason

Jason just kinda. Sucks? He sucks in this. Do not get me wrong Jason is absolutely allowed to be an asshole, I won't ignore those edges. But he was more like,,, a generic asshole? He didn't feel like Jason to me, just more like, a template character or something. There are fun interactions and moments he has but just. Bwah. And it feels like a very strange turn too because for the first few issues I was actually really enjoying the Jason here. I'm not sure what happened

(Fun fact this is the first comic I felt showed Jason as angry. Actual "wow that guy is angry". the angry i was expecting when i started reading him. It was when Dick and Tim interrogated him, I actually think about this moment alot in some of my vague rambling thoughts on Jason, his anger, and how the controlled narrative after his death effects how people expect him to react and thus treat him. Its neat. I thought his interaction with Jimmy was fun and it's a neat contrast bc Jimmy and Dick n Tim were asking the same questions. I enjoyed the early issues of countdown alot, which I think made it have a harder fall for me)

But back to the bad. He's also. Consistently looking down on female heros? Excluding Donna but like. I can't remember it all exactly. but I do remember, that I felt very very very nervous when they said they were going to the genderswap dimension next (he didn't say anything here tho, actually)

Jason also just sorta,, very consistently gets beat up and knocked down? Felt very 'wow look at this guy he sucks don't you think he sucks. Do you want to see him get beat up constantly and not win any fight.' And there's no payoff to this at all. Nothing changes, nothing gets better, he immediately throws the red robin costume in the trash and we never talk about any of this ever again. He's just sorta an asshole punching bag the whole time and it's not something I enjoy. He gets into fights and gets put down and no one likes him. He doesn't even get to have fun while he's here, iirc he's basically just miserable and trying to get this over with the whole time. Kinda distantly wanted him to not leave the victorian era gotham, just a little bit, just a tad, to be real

And there's just a bit of whiplash to his whole character. We go from silly and carefully planning and competent to. Gestures vaguely. There is NO DOUBT very fun analysis about Jason you could do with this and the whiplash. But its not something I personally want to do with countdown

[papanowo]

i think dan should get to be a little weird too. as a treat

[lackpenny]

a broken man's last effort, all for nothing

[ruporas]

kisses of affirmation (ID in alt)

[ryllen]

and some extra unused stuff while they are in affectionate mood

[mossy-aro]

ultimately i think my insistence on aro positivity honestly is as much a political stance as a personal one.

when i say aro positivity is crucial and that i dislike doomer-ist posts that express sentiments like 'I hate being aro so much I wish I was dead instead’ it's not because I don’t think there can and should be a space for negativity and acknowledging self-hate, or the many ways being aromantic can really suck sometimes. i find that to be very important!

that being said. there is smth here about how self-hate posts are sometimes just arophobia that we inflict on ourselves. and when we put that out into the ether it (intentionally or not) can become arophobia that we inflict on other members of the community. i think there absolutely needs to be a place for negativity and the expression of anger and frustration and self loathing even - these are all good things to talk about because these are things that we experience. that being said, it can also be genuinely upsetting and triggering to people to have what is essentially arophobia shown to them and then have that be validated by other aspec people. your personal thoughts can affect your wider community on a level you may not anticipate. and i understand it i truly do! it took me so long to be able to recover from accepting being aroace - it threw my entire world off kilter and made me question everything about my place in the world.

but my insistence on aro joy and positivity is because ultimately i do believe that building is at the core essence of it all. that ultimately discussions and the purpose of community should be about construction, not destruction. and this is both a personal and a political stance. talking about how much you hate yourself and cultivating online discussions/spaces where negativity about aspec identity is the main and only theme is destructive - if that’s where we let the conversation end. these thoughts can and should be used as a vehicle to look for a path forward!

joy and positivity create a space where the focus can become on forging a path forward, on construction, on community building instead of tearing ourselves and others down with negative thoughts. it’s not productive or healthy when it stops at a place of negativity - it becomes actively destructive to the essence of community.

and i do think that this is especially poignant considering the fact that being any kind of queer, but especially aromantic (and/or asexual) means forging a path for yourself and making your own happiness where there is no obvious way forward. our communities exist mostly online (right now, anyway), there is little recognition of our existence in the real world, the effects of amatonormativity are both pervasive and actively dehumanising, and there are legal, economic and social structures in place actively making our lives more difficult. yes that all sucks! it’s good to acknowledge that. we need to in order to change it. but more importantly, that’s not the end. we are still here and our happiness, our future is for us to determine. even if we can’t change the laws or society, loving yourself and understanding aromanticism as a political identity (as well as personal), as a radical worldview, and as a protest against amatonormativity is essential for both community and personal well being. the personal is political.

tldr. i guess my point is that as a community, we should focus on building, improving, and nurturing ourselves and each other (construction) as opposed to destruction. we should recognise aromanticism and asexuality as political identities as well as personal ones and rely on community and self-love in the absence of anything else as a form of protest and political power. destruction (the recognition of everything that is wrong) is essential as a starting point - but where do we go from there? we rebuild.

[lotus-pear]

rewatched madoka magica again today bc i fucking hate myself and to absolutely no one’s surprise i went through all five stages of grief in a single evening

[arovalentines]

all you ever need is to be nice and friendly

[flowersandfashion]

sorry let me rant about downton abbey 10 years later

Thomas's conversion therapy plot pisses me off so much. firstly, it's incredibly out of character. he never wanted to change to conform to society, he wanted the world to change to accomodate him. the man who said "it's not against the law to hope is it" and "I'm not foul, Mr Carson, I'm not like you, but I'm not foul" would NEVER

secondly, from a storytelling perspective, the only 'problem' is that he used infected needles. did we forget that Thomas was a sergeant in the RAMC? he knows how to sterilise needles and how to recognise and treat infection. this also shifts the blame to Thomas himself for getting sick and implies that the conversion therapy itself is harmless (Dr Clarkson says it's just saline solution)

thirdly, it's not historically accurate. I'm not an expert but conversion therapy was not at all common in the 1920s, even Sigmund Freud was against it. hormone therapy and chemical castration were barely developing let alone available to the public (I can't imagine what else the 'treatment' was supposed to be). the only practices that I can find evidence of were psychoanalysis and electric shock therapy

Thomas also mentions that he did electric shock treatment - if you really want to make a point about homophobia in the 1920s (and make Thomas suffer as much as possible), show that instead. watching him be literally tortured for his sexuality would have been far more impactful than him just... looking sweaty for a few episodes

[astranauticus]

Director of the False Last Act

[bloodpen-to-paper]

When Juanaflippa died, she was the first. No one knew how to react. Charlie and Mariana expressed the rage, the denial, and it was a spectacle of roleplay followed up by a wacky trial made for laughs. At this point, the rest of the server were still getting used to their eggs, so only Charlie and Mariana felt that twinge of pain from losing an egg. But when you remember Juanaflippa, you remember an explosion. A marvel.

Next Trump died. Maxo made you feel heartbroken with the image of a grieving father wallowing in misery and self destruction. But it was all still early, and most people didn't even notice. Trump died from neglect. Dan never saw him after adoption day. The server didn't come together like they did Juanaflippa. It was all very quiet. To this day, not many people in the community could tell you anything about Maxo's kid. About how hard his father bargained for his life between the gods. About how he failed. Trump was a whisper in the wind that only his father and those who watched him could bother to hear.

Then Tilín. At this point, the server was becoming more accustomed to the eggs. They were becoming attached. When Tilín died, it was depressing in every sense of the word. Quackity was somber, he barely spoke a word when he heard what had happened. A grave was built for Tilín by others with a heavy heart. There was no spectacle, and this time most people were involved in some way. Luzu came on to meet Tilín, and had to deal with that grief of being told his child was dead, something so heavy on him that he shut down completely. In life and in death, Tilín was the embodiment of sadness.

Bobby. The first death since Tilín. The first death in a long time. Everything had changed for the server. The eggs are their babies, their world. Everyone gathered to grieve Bobby, because they're a community now unlike ever before. But its different this time, they aren't there to witness a marvel from a distance, or grieve in sympathy. Bobby was a celebration. Music and dancing and memories. Toasts and cheering his name until the final moment. And having a final clap in his name after. Bobby was life. Because they're all scared now, terrified for their children. But they know what to expect this time. They're ready. They knew not to watch Jaiden and Roier grieve from the sidelines, they knew not to turn their backs on the two, and they would be sad but by god would they be happy as well. The server celebrated Roier and Jaiden, celebrated Bobby, and accepted his death with his name being shouted into the sky.

[secriden]

You know what makes me soooo excited for the next phase of Fadel and Style's relationship? It's that they will finally slot into the CORRECT relationship dynamics because this whole time, it's been flipped.

From the beginning, something felt off, and I think it's because Style's true desire is to be pursued. We are shown this pretty much in Style's introduction when he blatantly puts his body on display with the Crop Top Stretch. Style wants to be approached, wants to be propositioned, wants to be desired. Also, remember how he initially flirts with Fadel when his only motivation was his own attraction? He pinned the Heart Burger badge onto his chest to create an opportunity for Fadel to put his hands on Style's body.

Of course Fadel wasn't pursuing Style; was in fact, actively trying to get away (for reasons OTHER than a lack of physical attraction to Style), so it is the plot that has to drive our lovebirds together using Kant's request and partly Style's own desire to get some revenge.

But throughout their interactions, we constantly see glimpses of Style's desire to be pursued: every single time Fadel even shows a HINT of wanting Style, he immediately falls pliant, like he can't wait to let Fadel take the reins. And nothing shows this more clearly than the absolutely blissed out look on Style's face in Ep 4 when he thinks Fadel has finally admitted that he wants Style.

(Fucking hell, just look at how dazed and almost euphoric Style looks here? It's like Style has been starving for the barest hint that Fadel truly wants him.)

Which is also why we've gotten so many fake outs. Because although Fadel IS attracted to Style (Ep 2 made that...abundantly clear), he isn’t remotely ready to pursue anyone. Not only is Fadel nursing a broken heart, barely beating, he also has very justified suspicions about Style’s connection to Kant and Style's unnatural persistence.

So it's Style that has to pursue - he dodges Fadel's footsteps, and bullies his way into Fadel's life; but in between the frustration and annoyance, Fadel's walls begin to crack. And I think it's SO COOL that the first significant evidence we have of Fadel's walls crumbling is because Style puts his body on display for Fadel. Because Fadel responded to something that was naturally part of the way Style operates before he even met Fadel. And there are other, more compelling reasons why I think Fadel begins to fall for Style, but that's not really the point I'm trying to make here.

When Fadel said "If I like you, I'll do the pursuing", it wasn't just to get Style to back off. Because now that Fadel has finally chosen to explore something real with Style, we are seeing Fadel's words in action. I know some people have said Fadel's switch to flirting so blatantly with Style in Ep 4's gym scene came out of left field, but I think it may well be confirmation that this was always the dynamic they were meant to be in. Fadel likes pursuing and Style likes being pursued. They fit, they match, they're perfectly compatible.

(Fadel looks almost faintly amused by how "flustered" Style is. Because he doesn't know that Style is actually afraid of him - why would he, when Style has evidenced zero fear so far? So this comes across like Style is getting shy in response to Fadel's unexpected and more overt approach. And possibly this is Fadel starting to remember how much he enjoys the chasing.)

Unfortunately, Kant's revelation is going to screw allll of this up. But, we are finally going to see glimpses of how they work when they're aligned correctly in their dynamics! And while it will take a journey (and oh, it will be gloriously painful, won't it?), our boys are finally on the road to something lasting and I am sooo glad we get to come along for the ride. <3

[nenoname]

stan twins the canon cptsd brothers i will always think about all your unaddressed issues that would make perfect plot fuel for your spinoff

and also the whole 'stan getting that poem by bill via a website which contrasts with bill getting one from the axolotl via a website' foreshadowing thing

like idk i would love something like su future but like more optimistic, aka not an accumulated breakdown that has to be mostly resolved off screen at the end :/// but something thats being kinda addressed throughout? (although would love to see one of them turn into a monster thats always fun lol)

stan having severe issues from his dad and those years of being homeless that we keep on getting more info on but never really getting confronted on (the drifter catalogue and tijuana incident...), him being completely alone for like twenty years when running the shack before soos comes along to the point that 1998 is noted as his low point, and him not really learning about bill+what he did to ford until ages after he killed him if he ever did get the full context

while i think amnesia and everyone seeing him as a hero actually helped with stan's 'i'm a worse version of my brother' thing its still a lingering issue too and we now got him being insecure over his own hands

ford being immediately thrown from 'being tortured by bill' to 'being stuck in the multiverse and being chased by bounty hunters constantly', him fully expecting himself to die when destroying bill, and him only now being safe for the first time in 30 years ....relatively safe, he's still in constant danger because of course he is

idk in the end the series wants them to be happy and they deserve it, its why i wasn't too worried about the book being like 'ooh bill is back!! and the book is haunting ford' thing cos i knew they'll be ok

[ganondoodle]

got this reblog on one of my posts were i talked about being anxious about the future of the zelda series after totk and-

i even went back and unblocked them just to check my own post and check twice what they meant exactly- but i still dont know how they got to these conclusions

i never said i 'want a good uwu ganondorf' (bc that would mean hes aligned with hyrule bc thats how goodness works!!!!11!1!!!), i also dont think of any of the zeldas as 'whores' (seriously, where did that come from?? neither me nor the addition of someone agreeing with me said anything like that??? did they think bc the addition called tloz misogynistic means we think zelda is a whore????? huh???)

its also funny how they say they want zelda to stay a simple fairytale rather than have 'people like me' bc .. one point i talked about in the og post was how the evil arab thing VS good white people media likes to do so much is so normalized here that its simply seen as a simple harmless fairytale trope instead of a big underlying issue in general media and the writers might not even realize it (which is worse) bc the most 'generic' appeal is to people who dont think of it as a problem in the first place, because it is so normalized

(huh, i wonder about what kind of person that part was about .. hmmmm)

(ALSO funny they mention princess hilda as nuanced villain ... like ... wow they are so nuanced about purple haired people!!- like guess why we want a nuanced/less badly/less flat written ganondorf and what he, in particular, has not in common with other villains! its not his hair color! .... or was that point supposed to mean .. look we have one female character that is a villain, its not misogynistic! idk honestly)

(and the classic, "you just call it this/dont like it bc its not what you wanted !!!!!!!2!"1!112!!")

also funny how its 'never gonna be progressive enough' like asking for the franchise to maybe put a little more thought and nuance into their white divine right vs evil desert man simulator instead of making it worse is already asking too much

(i dont know what the last point has to do with anything??)

(also yes totk is racist, like most if not all of the franchise and a alot of other media as well, shocker- you can still like it though, i and plenty of other people are still fans of it, we just wish they did a little more with their stuff and maybe not make the racism problem WORSE)

(also yes the hyrule monarchy is also evil :))) )

(and also not so secretly so either :)) )

[icewindandboringhorror]

Pages from trying to keep a little sketchbook-scrapbook type thing going for two weeks lol. I gave myself specific rules in hopes they might all end up more cohesive/consistent seeming, but alas, scribbly chaos reigns, it seems

[skunkes]

reposting some old doodles i still enjoy a bit