#which in no way contains that thing i'm talking about

[championofthefade]

Warning!! This post may contain spoilers for those who haven't played Veilguard yet! This turned out a lot longer than I thought, but I'm discussing the theory that Rook is a spirit.

I know that there are issues with the writing and any theory is not created to make those issues get swept under the rug. This theory is meant to be fun, and I would like to talk about it.

I'm thinking about the "Rook is a spirit" theory I saw on twitter/x. This theory often rotates in my head often, and I think that it's so interesting.

Like, listen. I understand that narratively it would be complicated to insert into what we know is Dragon Age Veilguard. Someone brought up the fact that it would be a strange thing because wouldn't Emmrich know that Rook is a spirit the way that he knows Lucanis has Spite?

But the theory that cadhalash paints for us is the fact that Varric was for Rook what the Rook is for the companions.

"Help them with their personal problems and talk to them about their feelings, but never ask Rook how they're doing. Or if they need anything. In codex memos we learn the companions have potlucks and book clubs but Rook is not invited. We learn at the end that Varric wasn't really there... What if Rook wasn't either? There's tons of chat about this idea now with other examples of Rook being compared to a spirit in the game. Very interesting and fun!" -cadhalash

There could be the very huge chance that Emmrich would recognize Rook as a spirit, but what about a spirit made flesh?

Think about Cole's banter with Blackwall, for example:

Blackwall: How does a spirit become flesh anyway?

Cole: I don't know. How does a Warden become Grey?

It may seem like a reach, but to me, it makes sense. Cole chose to become human because that was the shape that would help, which he says in a banter with Varric.

Varric: So, Kid, why human?

Cole: It was the shape that would help.

Varric: Huh. Most people don't pick a shape. I guess I was hoping for something deeper with that question.

Cole: It had to be him. But harmless. The him he wanted that wouldn't hurt.

Varric: Well that's... deeper. I think.

You may be thinking, "Hey, Atlas. That might be a little reaching, don't you think?"

Well, yes. Applauding the people that caught onto Solas in the Dragon Age Fandom years and years ago now because you all were on the nose about him being a worm (spirit). But considering what we know from Dragon Age as a whole, it could be possible that Rook is too a spirit of a different kind.

We know that Emmrich can sense Spite. We know that Emmrich can talk directly to Spite. But what if Rook was more like Cole? Would Emmrich's ability to speak to spirits or sense them so close apply?

I would say, that depends on the type of Spirit that Rook would be, right? This has a lot of wiggle room for what you think your Rook would be as a spirit?

From the Wiki:

Spirits lack imagination and creativity; everything they make is based off something made by mortals. Whether benevolent or malevolent, most spirits cannot help but mine a Fade visitor's mind for their thoughts and memories. They then mimic the pieces of life they see by shaping the Fade into various realms that cater to the unconscious desires of the living, providing experiences to the sleeping that become their "dreams."

And the Spirits listed:

Command, Compassion (Cole), Courage, Curiosity (Manfred), Duty, Faith (Wynne), Honor, Hope, Justice(Anders), Learning, Love, Perseverance, Purpose, Valor, Wisdom (Solas).

(We know from Veilguard that Spite is referred to as a spirit of Determination/ mentioned in a data mine, Passion.)

For the sake of the theory, let's say that Emmrich would get an inkling. A prickling feeling even that he knows that there's a spirit near by and would chalk it up to being Manfred because he would know that, right? But then there's Spite. How big of an energy read does Emmrich get from Lucanis to immediately go, 'Yeah, you've got a tag along and I'm sorry it wasn't a willing possession'.

So, how would it get unnoticed by Emmrich, the resident Fade Expert?

Well... Reading further down said wiki page, we find this:

As Rhys puts it in a dialogue with Cole, "being important makes you real". (Asundered reference, I believe?)

Being important makes you real. Rook becomes the 'leader' when Varric gets hurt at the beginning of the game. For the entirety of the game, as Rook, you have to build a team to fight ancient elvhen gods. Rook has to be what Varric was, pulling people that Solas didn't know into trying to save the world from going to shit.

Rook was given a purpose. To save the world.

Regardless of how Rook is perceived, they are in charge. They are in a position that they didn't want, probably was expecting to go home after dealing with this Dread Wolf that they were recruited to stop, and now... They're given a role that would make them important. And as before being important makes you real.

Could Rook be something akin to Cole rather something like Spite or other spirits that we know in Veilguard?

Here's another thing: Solas.

Yes, we are talking about the egg. I'll try to keep this as coherent as possible. We know that Solas didn't want to come from the Fade to be a human (another discussion for another time). We learn that Solas was a spirit of Wisdom, whose Wisdom was twisted into a weapon and forced to do things that stripped Solas of what he wanted to keep for himself. To remain as Wisdom.

This makes it interesting if we add to the fact that Rook could choose to outsmart Solas. Because at that pivotal moment, Solas was Pride. On his pride, it was always the sword he would fall on.

Say what you will about the trick ending, but this is something that shouldn't be glossed over. Being outsmarted by Rook, Solas says, "I am a fool... Who has met his match."

Met his match. This also might be another case of reaching, but it's interesting phrasing from someone who tells clever half-truths and never quite lies. Being tricked by Rook out of pure wits alone. Something that he thought he succeeded in.

What does this have to do with spirits?

Solas, who was brought out of the Fade to take a body to join the elves in a fight against the Titans. Solas, who crafted the lyrium dagger to sunder the Titans from their dreams in hopes of stopping the war. Solas, who created the blight from the Titans' severed dreams. Solas, who started a rebellion against the ancient elvhen gods who abused their power.

Rook, who was brought onto a job to stop the Dread Wolf. Rook, who disrupted the ritual in hopes of stopping Solas. Rook, who started a double blight from freeing these ancient elvhen gods. Rook, who has to build a team to stop these ancient elven gods.

I would say, in spirit, Rook is a mirror of Solas. I'm not saying Rook is wise like Solas or anything like that. But there is something about Rook being Solas' mirror that could fold into Rook being a Spirit of Reflection.

This is just something that comes to mind. Rooks helps Taash discover their identity, helps Emmrich deal with his fear of mortality, helps Neve protect Dock Town, helps Bellara with Cyrian, helps Harding with the Titans, helps Davrin with the griffons, and helps Lucanis with Spite. (Generalized, all choice dependent.) These are reflections of the companions. These are reflections of the people that Rook had brought together to save the world.

It could easily be written off because we're not entirely sure how many spirits there are, but I digress.

Of course, that too would beg the question of how it would apply to all Rooks from all backgrounds?

Let's take a look at the ones that make me think.

Shadow Dragon Rook

The foundling Rook was adopted into a military family and joined the Shadow Dragons to fight from the shadows for change in Minrathous.

We learn in a dialogue with Tarquin that a Shadow Dragon Rook was found on a battlefield by the Mercar family.

Now with this little bit of dialogue, it makes me (personally) think back to what Solas says about him walking the Fade and seeing ancient battlefields where spirits reenact wars from the other side of the Veil. There could have been spirits that were there during this battle where SD Rook was found. (It also kinda reminds me of Loki being found by Odin and raised in Asgard. Don't come for me, I've only watched the movies.)

For the sake of theory, say that a spirit that would have looked over a SD Rook before they were found by the Mercars. Thinking about it, it reminds me of how Cole (the mage) was watched over by Compassion and then Compassion took a shape that would help.

A spirit (in Spite's case) can be drawn to a person, yes? As Determination, we know that Spite was drawn to Lucanis' determination to live or something of the like. (I will live to spite you, essentially.)

Mourn Watch Rook

Discovered by undead inside a Grand Necropolis tomb as an infant, Rook was raised by Mourn Watch necromancers, eventually joining the order.

Relating back to the Muttering Undead that is in a coffin on the path from Emmrich's recruitment:

Stumbling… The steps. Skeletons saw… Oh no choice. Had to be brave… Had to be brave… Too late to cry… Save the (girl, boy, baby) with the grave.

This is a little more open ended. We know nothing about Ingellvar beyond that. We don't know where they came from, only that they were found inside a tomb. It makes me scratch my head.

We know that it's a custom in Nevarra that a spirit could reanimate a skeleton, essentially, and bring some part of their consciousness from back across the Veil. We see that Manfred, when you choose to bring him back, is brought back from across the Veil and returns with magic.

Sure, it's not the same thing as building a body out of Titan's blood, but the idea that the spirits that became the Evanuris are the best of the physical and the Fade offers up to the idea that they were going to have magic anyway when they crossed the Veil. Only lyrium gave them more power than I think that they knew what to do with.

I make this point from the perspective that Mourn Watchers are typically necromancers. They are almost always close to places where the Veil is thin enough for a spirit to come across and possessing a body in a sense.

When it comes to the Muttering Undead, I don't know who that could have been or what they were doing in the Necropolis. But it's clear that they were determined to save Mourn Watch Rook, and they were the one that put Rook in the tomb.

This one makes me scratch my head because it's so broad and vague. For the theory that Rook is a spirit, this is the origin/background/faction that lends itself to the idea because in Nevarra they revere and respect their dead with the ability to raise the corpses to continue contributing to the Grand Necropolis. But we're talking about a wee baby Rook growing up in the Necropolis. Could it be possible that the saving of Rook is more spirit in a tomb?

The last things I would like to touch on.

Dialogue with Harding (her romance I believe?) :

Harding: I've seen spirits leave the Fade and become real people. (COLE!!!)

Rook: You think I could be a spirit in disguise?

Harding: It isn't malicous. They're just drawn to strong emotion. And then...one day, real people.

Rook: I think I'm really me, and I'm really here.

This is why I mentioned Cole earlier.

And the absence of Rook in the Veilguard mural is brought up in the theory as well. Rook's absence on the mural strikes me as odd. Because yes, the companions would be a main focus in the stories that would follow them. But what about Rook, the person who brought these vastly different people together and saved the world? Not there. Were they ever there?

Much to think about.

[theender36]

I got some thoughts on Sonic 3 that I wanna talk about so

⚠️ Spoilers for the movie Sonic the Hedgehog 3 (2024) ⚠️

Love that the riff from Live and Learn is used as a leitmotif for Shadow but also Maria was playing it on her guitar which is sad and now I'm picturing Shadow playing that riff in his head all the time

Right before Shadow busts out of containment his heart monitor starts going and then stops which I'm interpreting as his heart beating so fast it doesn't register

They didn't outright say it but Gerald is the one who hacked into GUN to revive Shadow. I don't think they addressed how he got out of prison but he probably built something in his cell

I love the running gag that Ozzie the golden retriever resents Sonic

Loved the joke about Sonic's security system (nunchucks) still working (hit himself in the face again)

Shadow has always been a foil for Sonic but the movie fully realizes the potential of that dynamic in my opinion. They both have a loneliness deep inside from losing someone they loved but Sonic was able to move on and find more family. Shadow hasn't had that chance yet

They used the "Talk about low budget flights" line!

The credits said they used the City Escape music but I must have missed it

Wild that they gave Shadow a gun and a motorcycle again and made it work this time. It probably has something to do with him doing the Akira slide up the side of a building

The CG animation really shines in this movie. I kept looking at how good the reflections in their eyes were. And the fight scenes just had so much slick movement and speed while also properly conveying what was actually happening

When the egg-drones show up, you assume they're going after Team Sonic. But Gerald is controlling the drones so they were definitely gunning for Walters

A Traveling Wilburys song during the flashback was a surprise to be sure but a welcome one. However, I will nitpick the fact that the song End of the Line came out in 1988, which would have been 14 years after Shadow was locked away

Biolizard cameo as the kaiju in the movie Maria and Shadow are watching

Eggman says something about having some unknown quality that makes him "totally undesirable to all possible genders" which suggests to me that he has tried dating loads of people with various gender identities (Woah, he's pansexual! I didn't know that!)

You may ask why the plot treats G.U.N. keeping the other key to the Eclipse Cannon like it's a bad thing. For one thing, the Robotniks are gonna try to steal it, and for another, I don't think a secretive yet fallible military organization having access to a doomsday weapon is a good thing

The concept of G.U.N. keeping a vault that has no records of it so that people can't visualize it to use Warp Rings is very cool and almost SCP-esque

Big fan of Shadow's solution to a telenovela love triangle being for the woman to just kill the two men vying for her affections

Love the subversion of a fight between Sonic and Knuckles with Knuckles instead relenting because he trusts that Sonic will do the right thing in the end

That being said, Knuckles desperately needs a flying island to keep the Master Emerald safe because Wade just ain't gonna cut it

There are a small handful of moments where I think Jim Carey did a really good job of dramatic acting. In particular, the final flashback to Maria's death where he manages to really show the loss and heartbreak Gerald experiences despite wearing a goofy prosthetic

Gerald turning ice-cold to Eggman when he says "You're no Maria"

So glad they did a DragonBall-style Super fight between Sonic and Shadow. If you're gonna make a movie with a bunch of CGI, you might as well go a little nuts with it

You may ask "how are Sonic and Shadow breathing in space?" The same way they do in the games babeeeyyyyy

Shadow and Gerald really wanted to kill the whole world and themselves. And once the Cannon was charged, Shadow didn't care anymore. He was totally willing to let Sonic punch a hole in his chest

Of course, Sonic comes to his senses and is willing to talk with Shadow after sparing him. I love that what changed Shadow's mind was remembering what Maria told him about the stars. That even when they're gone, their light still shines

They literally Lived and Learnt

I wish the Live and Learn sequence wasn't interrupted by Gerald giving Eggman an over-the-knee grandpappy spanking but what can you do

I'm glad that Tails and Knuckles weren't just sidelined for the third act. They show up to save Eggman, help redirect the Cannon, and then save Sonic. Would have been really awkward if they made such a big deal about teamwork only for Sonic to wrap up the conflict on his own

Tails is really chill about Eggman stabbing his grandpa in the butt and launching him into a giant bug zapper

Eggman comes to terms with his own loneliness and is willing to sacrifice himself to save the world not just because he wants to rule it but because he has someone to care about

Missed opportunity for a "Sayonara, Shadow the Hedgehog"

I know it's still a family friendly movie but it's odd that Tom got kicked by an enraged hedgehog moving at the speed of light and all he got was an arm in a sling

The mid-credits scene got me hyped. I can't wait to see who they have voicing Amy. And I like the decision to have an army of Metal Sonics

I hope the next movie explores more about where the animal characters come from because we really don't know much. I'm guessing whoever is behind the Metal Army is from there

Post-credits scene, of course Shadow lived but I'm hyped to see what direction they take that in. Are they gonna do the amnesia thing or will he just be stranded somewhere?

I know that using Chaos Control requires an emerald and the movies established that the Chaos Emeralds are held within the Master Emerald but it sucks they never said it except for in the Shadow Generations DLC. So uh 0/5, do better

[vengefultakeover]

Daemon: Leftover (1)

NOTE: This is the newest edited version of this story

The spiked disco ball reflected thick beams of light throughout the interior of that cavern and all of the daemons residing inside of the bodies of the island goers were cast out and turned into dust. The light penetrated them and their deathly allergy caused them to combust after the bodies expelled them. The thing about human skin is that it is a wonderful sunblock for the creatures.

The leftover daemons, the ones lucky enough to dodge the beams reflected into the cave, were abandoning the island if they could. One creature stuck to the shadows, hitching a ride on the last boat off the island and hiding in the pipes to keep from being seen. The passengers unloaded and the daemon hid until the the ship was empty and the cover of night gave the perfect opportunity to stride towards Crystal Cove in search of a new host. With the Daemon Ritus in the hands of Mystery Incorporated, this ancient being needed to resort to using his own powers to remove the protoplasm and provide an empty husk.

"Hello?" I turned the corner with my evening cup of coffee and blood shot eyes. I had seen something duck behind a dumpster, but its large skeletal-like form could never be completely covered by the trash container like a person hiding behind a telephone pole. The creature stood up and started taking large strides towards me, which of course made me spin on my heels and start sprinting. My foot got caught on something and I spilled my coffee as I rolled. I held out my hands, defending myself from the incoming attack.

"Wait! I can help you! Please don't hurt me!" My eyes shut tight and I could feel the daemon looming over me. I opened one eye first, looking up at the creature and then opened the other. I slowly stood up, hearing it breathe without looking away.

"Come with me." I waved it, urging it to follow, and every few steps I would turn back to find it sauntering along the same path I was taking. It would stay hidden, ducking behind different objects. Even though it was night, the streetlights still put it on edge. The fear dissipated from inside of me as it followed and the intrigue simmered until I could feel the warmth in my ears. It was hard to miss the new blasts about the events on the island, Scrappy, Mystery Incorporated, the daemons. Fred and his gang got a pretty good payoff for solving this mystery and the airtime really solidified their detective agency. Plus, who doesn't love a talking Great Dane?

A quick turn of my key and I was inviting the daemon inside my apartment. It ducked down pretty far, continuing to amaze me by its size. "Sorry for the low ceilings." I tossed my keys into the bowl by the door. I wasn't even sure if he knew what I was saying. It couldn't speak to me until it had a mouth to speak with.

I took out a sketchbook and started to draw from pictures, figures and items that might be needed to help it and then held it up. A symbol for water, another for the bathroom, and a figure of a guy with a little floating head next to it. I placed it in the claw so he it could communicate its needs. With one look, it pointed at the figure of the guy and then circled the protoplasm. It thudded over to the shelf and picked up a glass jar, handing it to me.

"Oh! To put the protoplasm!" The creature nodded. Good to know it could understand me. I felt bad watching it crunched under the ceiling. I turned to my phone and started texting a friend. I needed to return a book and even if he was a friend this would only temporary.

"Hey man, thanks for texting. I really needed this to finish this essay I'm writing and there's those chapters for class tomorrow. Practice just gets out so late." Dan had his hands in his pocket as I invited him inside and the creature was hidden away.

"Yeah, no worries, it's back here." I invited him down the hallway and into the back room where the creature was hiding. Dan followed blindly and I stepped out of the way as he entered the room. The creature had positioned itself behind the door and closed it once Dan and I cleared the threshold. I jumped back as it grabbed Dan's waist and pulled him up towards hi face with an unnatural strength. Dan was screaming, panicking in its grip before the daemon's green breath surrounded his body. Green smoky tendrils disappeared into his nose and he inhaled causing his eyes to roll back and his body to slump over. He placed him down on the bed and ripped off his shirt. Dan's body was lightly dusted with hair and his mouth hung open as though he was snoring. I stepped closer to watch what was happening, jar in hand and covered in dry paint.

The creature turned towards me, its eyes glowing green and it noticed I was enthralled. It took its elongated fingers and plunged them directly into Dan's chest. White and blue light surrounded the penetration and Dan's body writhed underneath the creature digging around inside his body for what would eventually be his protoplasm. Withdrawing its hand, the small head of my friend appeared and blinked in disbelief. He bobbed around for a moment, realizing he had no control over anything, and then panicked as I pushed the jar around him. I spun the lid on and covered it up on my night stand so he couldn't watch.

Turning my attention back to the creature, he crawled onto the bed and it creaked with each move. The daemon parted Dan's lips with one hand and with the other it brought its fingers together and started to push inside of him. Just as the creature's flesh hit his mouth, it started to turn into dust, flowing inside of him. It was the same dust that the creatures become when exposed to sunlight. Dan struggled beneath it as the creature adjusted to his body, and suddenly its feet lifted off the ground and disappeared inside. His mouth shut and he moved his lips around while it took over, limbs twitching and fingers curling. His eyes opened and glowed that beautiful green color I had seen earlier.

"Wow." I realized my vocabulary had been reduced to that one word and I was involuntarily stepping closer. I could feel the heat emanating from his body.

"Thank you." He said, standing up.

"You're welcome." I watched.

"You are not like other humans. Back on the island, even when we were told we had human allies, they were lying." He stared at me.

"I don't think you should have to suffer because you're different." I say.

"I'll remember that."

"Should I call you something other than Dan? Do you have a name?" I asked, my eyes glued to his form as he stood up. His skin was moving around as he got even more comfortable in his husk. As he stretched I just wanted to touch him.

"I like the idea of having a name." He started approaching me and pressed his hand against my crotch. I didn't realize how long I was hard for, the need for release was almost painful.

"You don't have one?" I whimpered.

"Never been given one. This body - can I keep it?"

"He should get his body back eventually, we can get you more bodies to inhabit." I stare into his eyes and then pull him into me. The idea of having this creature in this body forever was so tempting, but Dan was a nice guy. There were plenty of other assholes to hollow out.

"You care for this human even now." He squints.

"Yeah. But not like that." I realize we are incredibly close and he leans into my ear.

"I like Max." He grinds into me and kisses my neck.

"I like that." I say and suddenly our lips are pressed together. He is delicate at first, but then I feel the hard wall behind me and suddenly he is pushing into me with deep airy breaths. He takes off my clothes while we make out, pinning me to the wall with a pile of clothes forming at my feet. We spin and he's suddenly against the wall with his cock throbbing in front of him. His eyes follow me as I kiss his chest, pecking down towards his v-line, and finally landing on my knees as I swallow his cock.

His head falls against the wall and he opens his mouth to let out a small growl of pleasure. He grabs my head, forcing my mouth farther onto his cock and I want to smile as I feel the tip of his throbbing meat at the back of my throat. My hands hold onto him as he thrusts into my mouth and I can feel him starting to leak.

"This feels amazing." He moans, looking down at me with those piercing green eyes. With my tongue, I play with the tip before taking him all the way in again, choking as he moans above. His warm white juices fill my mouth and throat and I swallow as he convulses in pleasure against the wall. I look up at him with his cock still pulsing between my lips and he looks down at me. His fingers move through my hair as I pull off of him, picking myself up off the ground and letting him taste his load as we make out.

"How was that?" I asked, finally coming up for air.

"I want more." His eyes flashed green and I felt his cock harden again.

[haoetoile]

still into you - xu minghao

word count: 839

genre: fluff, VERY fluff

pairing: minghao x gn!reader (with mingyu cameos)

a/n: it's the first post of this account! back in 2021, i had one account to write exclusively about monsta x, but i ended up quitting and came back now. nothing better to start if not with the men that named this account!

contains: basically, it’s an strangers to lovers!au fluff inspired by paramore’s song (i was raised as an emo kid, so as i just had to do this) ‘still into you’ in which you recap all the things you’ve been through with your boyfriend hao! reader is described as very shy

you couldn't count on one hand you many years the two of you had been together, not necessarily in a romantic way. it all started when your mutual friend, mingyu, introduced the two of you at a party, hoping that you, who was always so shy, would be able to make friends other than him

the two of you had a small talk that day, and it was surprisingly pleasant to both, he was very friendly and polite, and also had very interesting topics to talk about. mingyu was very happy to see that the shy y/n he knew was being able to talk to someone else other than him without being able to stutter or look down (also, he saw much potential in both you as a couple, so he wanted to make it work too, but that's a secret for both of you)

weeks later, your art history teacher requested a report on a museum visit, and knowing that, mingyu asked minghao to come with him, knowing you'd probably choose this same museum, and once he saw you getting near the piece they were looking at, he suddenly needed to use the bathroom (actually, that was just a pretext to have you two alone)

you were looking at van gogh's 'starry night', and suddenly, you bumped into someone

"oh god, i'm sorry... i'm so, so sorry" you yelped, finally looking at the person you bumped into

"it's okay, don't worry" he gave you a warm smile, before studying your features for a bit "hey, you're mingyu's friend, right? y/n, is it?"

"a-ah, so you remember me...." you felt quite a warmth in your chest at his words "yes, i am. minghao, right? nice to see you again"

that way, both of you made quite a small talk on how you had being, before turning to the painting again. he loved art, and being able to look at one so valuable near him made it all better

"it's so pretty, right?" i really like the starry night, for me, it has such a deep sense of loneliness" he pondered, studying the painting before continuing "i think it's fascinating how despite his inner turmoils van gogh was able to create such a masterpiece"

"whoa, your analysis is actually very good" you were impressed, before starting to give away yours

that way, you two ended up talking about art for a long time, long enough for him to forget mingyu was even there, and he decided to take you for a coffee, which ended up becoming a regular encounter between the two of you

and after months of going to cafés, art galleries and libraries on dates, you started to feel different. suddenly, he was all you could think about, on a way butterflies would fly all across your stomach, and your face would blush

you waited for 6 months to confess to him, but in the end, it was all needless, as he was the one who confessed first and asked you on a relationship. of course, he took his time with you and your feelings, not wanting to rush anything between the two of you or to get you overwhelmed

the relationship started slow, with dates on the most romantic spots he was able to find. after a year of relationship, he was mostly certain he'd like to have you close to him forever, and that's when he decided you two should meet each other's families. and after 6 years of being together, he decided you two should move in together, certain he'd ask your hand in marriage soon

and during an amusement park day, as soon as you turned your back to him, he ended up making the big proposal, leading to your current situation of being engaged to him

and gosh, you still feel the same butterflies on the stomach you felt when you first fell in love with him. you simply couldn't help but be in love with the most gentle, romantic, kind and loving man you've ever seen, the man who'd have late night tea parties with you, take you out on the most creative dates, who'd hold you to sleep every single day, and who'd move the world if you asked him to

all that mattered to you was the fact you had each other to rely on and love unconditionally, you were each other's home and both of you were grateful for that, even someone watching from afar could say you were head over heels to each other. he was like the summer love you'd see at movies, the intense, beautiful loves, except the fact he was not a seasonal lover, but the man you'd love forever and no one would ever change that

i mean, minghao's your entire world, the men you want to start a family with, your safe place, your everything. god, you couldn't help but be excited to the big day of marriage come soon, and you also couldn't help but still be into him after all that

[myllovellybones]

"Daughter." "Sister."

Oh hell no I'm walking out

Finished? Why is she being examined by the maester?

🙂.

Otto and Alicent watch you move past them. The latter is resigned to your commitment of not speaking to her, the former seethes and laughs dryly. He offers his arm to the queen, "come, daughter. Let us pray that your sister's impertinence is merely as side effect of childbearing."

SHUT UPPP DON'T TALK TO ME

Your maester hears it though and offers, "your sister is blessed with a fertile womb."

Genuinely how could this be comforting. She just got pregnant by a man who's on the edge of DYING

We eats with the Velaryons, Corlys, Vaemond, and Laenor, and though he did not hold any particular fondness for them, there was something in the way they all spoke in nothing but High Valyrian that made mornings not completely unbearable.

Honestly thats so cool High Valryian is such a pretty language I'd be using it all the time too

"And have we won the war overnight?" the prince says, rather uninterested, both in small talk and in his duck.

First of all, appreciate the damn duck. AND MAYBE JUST MAYBE IF YOU'D READ THE LETTERS YOUR WIFE SENT YOU WOULD KNOW

"Remarried?!" Daemon repeats in offence, "and which scheming cunt managed to tricked him into marriage?"

Omg I totally forgot he was already there when Viserys and Alicent got married. His crash out is about to be insane

Corlys turns to Vaemond, who turns to Leanor, who turns back to Corlys. The latter clears his throat, "your bride's sister, my prince."

LMAOO IM DONE

He enters his tent and immediately chucks the letter to the floor, as if it was a vase he intended to shatter into a million pieces. It doesn't, of course; the paper remains intact, along with its seal. He crushes it beneath his heel then grabs the sack containing all your unread letters. He empties it on the floor and violently begins to stomp all over them.

OMG?? YOU ASSHOLE???

A good place to raise children?! He scoffs and crumples the paper away. You fantasize of bearing his seed now? He laughs at the idea, chucking the paper across his tent. His amusement goes dry when he realizes it must be your father's ploy.

You absolute idiot

"While I confess a certain light has been lost in the halls of our Oldtown home since your leave, I..." your ward knits his brows, "disagree with your sentiments to return."

Excuse me?

"Never mind my inadequacies, Arryk," you sigh in between deep breaths, "never mind that I will forever be second best to my father, who even wed me to his greatest enemy... who I am to make grandsire to not one but two Targaryen babes."

I just realized how many grandkids he's about to have especially when Heleana, Aemond, AND Dareon is born

"No," you wince, feeling a sharp pain in your belly, "hold me please."

Fuck I am so scared cause all this stress is not good for her or the babes

You lean into his touch, "I can be strong, Arryk," you both his hands and squeeze them to prove a point, "can you not feel it?"

STOPPP 😭😭

"Your brother," he gives you a solemn expression, "he says he prays the Lord Hand extends his gentleness to you, but I wonder if all that remained of his gentleness manifested into his daughters' beings."

Wow okay actually this made me tear up

"I am unsure where my wife is presently-"

I can't I really can't

"I could tell as he held my child, he thought her the most precious thing in the worlds," Viserys face softens, "I could tell he wanted to have something precious to hold as his own," he absentmindedly examines a chisel, "the gods bless me with a wife who is going to birth me something precious," he turns to you, "and a good-sister who is going to birth my brother something doubly precious."

It's insane how he says this but then ignores all his children after. I think he had or has good intentions but still man

Just before you can reach the entrance, a great pain forces you to lurch forward and yelp. You grip onto Viserys's arm for dear life and he grips you with hands. He thinks to grab the chair he pulled for you again, but as he looks back , his eyes widen at the trail of blood that leads to it. "GUARD! GUARD!"

WHAT?! NO STOP DONT TELL ME WHAT I THINK IS ABOUT TO HAPPEN HAPPENS

Viserys watches, the most powerful man in the Seven Kingdoms watches as you rip your skirt up and tear your ruined undergarments down, powerless.

😭

Your hands tremble as you reach for the two small bodies between your thighs. You bring them into your chest, uncaring of all else, how wet they are, how red stains you, how Viserys speaks your name. Your babes are are small; they are both far, far too small.

NOOOO STOP MY POOR BABIES

Anguish draws more noises from your throat. It doesn't take long until your voice is hoarse. You cannot keep your peace as you take in their tiny faces. You wipe them with your skirt, finding the silver of their brows and lashes. You also find the gods gave you a girl and a boy. You choke on a sob as you wipe the red away from their thin, white locks, "please wake for your mummy."

The anguish this genuinely made me feel

You quiet momentarily as the man crouches beside you. Your lips wobble, "p-perhaps they'll wake up if you speak High Valyrian."

.... her trying to do everything to wake them up is soul crushing

"They're perfect, are they not?"

You ask him to repeat this song over and over and he humors you each time.

He's so sweat to her omg

"I take you for a fool!" Arryk quips under his breath as he points an accusing finger.

Lmao I'm but the way their fight really is so sibling coded

These are the very words you sing to your sister's son.

TIMESKIP TIMESKIP OMG HERE WE GO

"Flower for mummy!" he bounces in your arms.

I'd literally go to war for baby aegon.

Your mouth goes dry when you see Daemon staring back at you.

AHH HES BACK HOLY SHIT HOW MUCH DOES HE KNOW?? IS HE MAD?? SAD?? AHJAKSSLSKL

I say this in the most lovingly way, this chapter killed me. You sure know how to write angst cause OH MY GOD?? I could barely see by the time I finished it cause there were so many tears running down my face and neck. I'm so scared and excited to see how Daemon will react. And I do now have mixed feelings about Viserys cause there's sm things he did wrong but he does have good intentions, and the way he tried helping her too was heart breaking 😭

Tormented Spirit | 12

Part 1 2 3 4 5 6 7 8 9 10 11 12 13

"Is it such a sin to stand up for yourself?" you mutter as tears blur your vision. The way he reacted was visceral, instinctive even. "You never have to stand up for yourself ever again," says Daemon, reaching a hand to you, "come."

Daemon Targaryen x Hightower!Reader | 6k+ | cw: fem!reader, reader has brown hair, wife!reader, twin!Gwayne, arranged/forced marriage, canon divergence, alternate universe, slow burn, DD:DNE, pregnancy, miscarriage, panic/anxiety attacks, suicidal ideation, attempted suicide, daddy issues/child abuse/family problems, mentions/depictions of mental/physical/psychosomatic illness, ye old misogyny, angst, typos, etc.

A/N: i would just like to bring everyone's attention to the fact this fic is called tormented spirit. BTW some of yall might wanna read my weasely twins fluff cuz 😀 yeah you should read some fluff! leave comments/reblogs ok!!! MERRY CHRISTMAS | cross posted on ao3

@arabellasleopardcoat @prettybiching @myllovellybones

Since your sister's wedding, there were two things you no longer did: speak to your sister and go to your father. Everyday, instead of having the Lord Hand accompany you to your maester, you were accompanied by one of your wards.

At first, you were apprehensive with the change. After all, they were your knights, but neither of them were the father to your babe, and even fathers were rarely involved with prenatal care. Though, the patience they extended is not unusual, you were surprised that Erryk and Arryk took time asking the maester additional information concerning things that might need their attention in the future.

Today, you walk to the maester's ward, one hand on your belly the other on Erryk's bicep. As he opens the door, you freeze when you hear the voices in the room.

"Daughter." "Sister."

These words are spoken at the same time. You clench your teeth and turn to Erryk, whose jaw is set. You take a breath and decide to simply come back later.

Alicent stands the cot she sat upon and raises a hand, "please! I'm finished. You can come now."

Finished? Why is she being examined by the maester?

Otto is angered by your persistence to ignore them. He scowls and glares at Erryk, "you remind your princess to practice some humility," he points a finger, "her actions are affecting the queen, who is now carrying an heir."

Your face drops as you turn to her.

She is already staring at you. You watch her pick her nails. You catch the redness of her cuticles.

Erryk is equally shocked. He stutters before nodding in regard, "congratulations, my queen."

Alicent shakes her head, forcing a smile, "t-thank you, ser."

Your father's eyes remain on you. He waits for you to offer the same sentiment, but his anger only intensifies at your continued silence. He scoffs, "will you not even congratulate your sister?"

You clutch your pronounced belly and turn to your maester, "may we please do the examination? I cannot bear to stand for long."

Otto and Alicent watch you move past them. The latter is resigned to your commitment of not speaking to her, the former seethes and laughs dryly. He offers his arm to the queen, "come, daughter. Let us pray that your sister's impertinence is merely as side effect of childbearing."

Your sister spares you a glassy glance before taking Otto's arm and leaving with him. You watch as they leave, feeling yourself grow hard of breathing.

The maester asks you to sit, but before you do, you snatch his arm, "is she truly with child?"

He looks at your teary face. He feels the tremble of your hand as he places his own atop of it. He carefully speaks "it is joyous news, is it not?"

You release a shaky breath as he helps you sit.

"Princess," the maester warily says, "breathe for me. We cannot proceed if you overcome by your affliction."

You place both your hands on your belly and take a couple deep breaths. You close your eyes and resist the sob that threatens to come. A couple of tears wet your cheeks, but you manage to remain intact. You wipe your face and mutter to yourself, "it's barely been a moon since they've wed."

Your maester hears it though and offers, "your sister is blessed with a fertile womb."

You wish he had not tried to comfort you with such an idea.

You try not to think of Alicent as you do your daily examination, but she is all you think of. You think of how frightened she must be. You think of how your father surely told her about your daily visits to the maester. You wonder if he would force her to do the same, just to get you to talk to her. She wouldn't need daily examinations like you; she is perfectly healthy, stronger than you, as she said herself.

You are so deep in thought, you don't even realize the maester was finished with you, up until he says something that demands your full attention.

"What?" you knit your brows at him.

"We will be more certain of it as the moons wax and wane, but considering you are a twin yourself, and, again, because of the rather rapid growth of your belly, chances are my deduction is correct."

He helps you up and Erryk is quick to take your arm. You mutter through a shaky breath, "I'm carrying twins?"

Your maester nods, "highly likely."

You turn to Erryk, who offers you a reassuring smile, "I... congratulate you, my princess."

You stare at him for a moment and blink rapidly.

"You might give birth to a boy and girl who will have the same devotion you and your brother have," Erryk says in an attempt to take away some of the fear written across your face.

It does actually. You recall your visit to Oldtown and find yourself nodding, "I... I must write a letter at once."

Many moons come and go, but across the sea, the sun shines. Daemon's day has just started. His mood is nothing but sour, as it always is. He is loathe to start his day, but he does, and with a grunt, and leaves his tent to break his fast.

We eats with the Velaryons, Corlys, Vaemond, and Laenor, and though he did not hold any particular fondness for them, there was something in the way they all spoke in nothing but High Valyrian that made mornings not completely unbearable.

"My prince," Corlys greets him in their mother tongue. He hands Daemon a plate, "duck."

Daemon raises his brow at it, "with salt?"

"And pepper," Leanor says with a half-amused expression.

"My," Daemon sits down with them, "I am spoiled."

Corlys waits for Daemon to have a few bites before continuing conversation. He clears his throat, "before the day passes, allow me, my brother, and my son-" he looks between the said people, earning furrowed brows from Laenor, "-to greet you, both on behalf of House Velaryon, and as your comrade in battle for you—"

"Oh, yes!" Leanor interjects once he remembers, "congratulations, my prince!"

This earns him a look from his father, and his uncle. Laenor, who had been grinning, slowly raises his brows, "a-... apologies for interrupting, father."

Corlys sighs, "as I was-"

"And have we won the war overnight?" the prince says, rather uninterested, both in small talk and in his duck.

Corlys is confused by this, "I... no." He slowly tilts his head, "does your lady wife not write to you?"

Daemon is immediately on edge at the mention of you, "and what of her?"

Corlys narrows his eyes. He puts him to the test, "... you are aware your brother, the king, has remarried?"

Daemon whips his head his direction.

"And that also he expects an heir to be delivered come spring?"

"Remarried?!" Daemon repeats in offence, "and which scheming cunt managed to tricked him into marriage?"

Corlys turns to Vaemond, who turns to Leanor, who turns back to Corlys. The latter clears his throat, "your bride's sister, my prince."

His eyes widen. He looks between the Velaryons, then scoffs dryly. He begins to laugh, "that roach of a Hand has Viserys's bollocks shoved down his fucking throat."

Their faces contort at the foul language. Vaemond, in particular, is so offended that he cannot help but ask, "doesn't the princess write to you every day?"

Daemon clenches his plate

"And she never mentioned thi—"

"WHAT USE HAVE I TO READ THE WEEPY WRITING OF MY WIFE?!" the prince snaps, coming to a stand as he chucks his plate to the ground.

Corlys understands then Daemon's initial shock. However, he is still confused, "have you not read any letters from your wife?"

"Would you rather I be distracted, Corlys?" he snaps again, hands now clenched into fists.

Corlys is not intimidated by Daemon's anger, but he is also unincited by the idea a fight. He raises his hands in surrender, "most men gladly welcome distractions in the heat of war."

Daemon chuckles dryly, "I am not most men," then storms all the way back to his tent.

"Jiōragon hen ñuha ñuhoso!" he snaps in High Valyrian still, shoving the unwitting soldier aside. Get out of my way!

He returns to his tent. Another unwitting victim is there. "My prince," he bows, "a letter from Lady H-" Daemon snags the letter from him and shoves him away with exceeding anger and force.

He enters his tent and immediately chucks the letter to the floor, as if it was a vase he intended to shatter into a million pieces. It doesn't, of course; the paper remains intact, along with its seal. He crushes it beneath his heel then grabs the sack containing all your unread letters. He empties it on the floor and violently begins to stomp all over them.

You were his. You were meant to be his! Yet here you were, a pawn in someone else's game. His lust and infatuation has blinded him from this truth. You and your sister were mere tools of your cunt father to manipulate the throne.

He continues to trample your letters until they are brown with the dirt. He catches a lone letter that managed to evade his violence. He picks the unscathed object and only now does he realize its red waxen seal had an imprint of a dragon with a long neck that resembled Caraxes. Daemon scoffs, even his dragon you covet.

He breaks the seal. The letter was sent nearly a moon ago.

𝔇𝔞𝔢𝔪𝔬𝔫, ℑ 𝔥𝔬𝔭𝔢 𝔶𝔬𝔲 𝔞𝔯𝔢 𝔥𝔢𝔞𝔩𝔱𝔥𝔶 𝔞𝔫𝔡 𝔴𝔢𝔩𝔩. ℑ𝔱 𝔥𝔞𝔰 𝔟𝔢𝔢𝔫 𝔬𝔫𝔩𝔶 𝔱𝔥𝔯𝔢𝔢 𝔡𝔞𝔶𝔰 𝔰𝔦𝔫𝔠𝔢 𝔪𝔶 𝔞𝔯𝔯𝔦𝔳𝔞𝔩 𝔱𝔬 𝔒𝔩𝔡𝔱𝔬𝔴𝔫, 𝔟𝔲𝔱 ℑ 𝔣𝔢𝔢𝔩 𝔰𝔬 𝔪𝔲𝔠𝔥 𝔩𝔦𝔤𝔥𝔱𝔢𝔯 𝔫𝔬𝔴. ℑ 𝔫𝔬 𝔩𝔬𝔫𝔤𝔢𝔯 𝔣𝔢𝔞𝔯 𝔣𝔬𝔯 𝔪𝔶 𝔥𝔢𝔞𝔩𝔱𝔥 𝔞𝔰 𝔪𝔲𝔠𝔥 𝔞𝔰 ℑ 𝔡𝔦𝔡 𝔴𝔥𝔦𝔩𝔰𝔱 𝔦𝔫 𝔎𝔦𝔫𝔤'𝔰 𝔏𝔞𝔫𝔡𝔦𝔫𝔤. ℑ𝔱 𝔦𝔰 𝔪𝔬𝔰𝔱 𝔟𝔢𝔞𝔲𝔱𝔦𝔣𝔲𝔩 𝔥𝔢𝔯𝔢; ℑ 𝔡𝔦𝔡 𝔫𝔬𝔱 𝔞𝔭𝔭𝔯𝔢𝔠𝔦𝔞𝔱𝔢 𝔦𝔱 𝔞𝔰 𝔞 𝔠𝔥𝔦𝔩𝔡. ℑ 𝔟𝔢𝔩𝔦𝔢𝔳𝔢 𝔦𝔱 𝔦𝔰 𝔞 𝔤𝔬𝔬𝔡 𝔭𝔩𝔞𝔠𝔢 𝔱𝔬 𝔯𝔞𝔦𝔰𝔢 𝔠𝔥𝔦𝔩𝔡𝔯𝔢𝔫. ℑ 𝔥𝔬𝔭𝔢, 𝔲𝔭𝔬𝔫 𝔶𝔬𝔲𝔯 𝔯𝔢𝔱𝔲𝔯𝔫, 𝔶𝔬𝔲 𝔴𝔦𝔩𝔩 𝔞𝔩𝔩𝔬𝔴 𝔲𝔰 𝔱𝔬 𝔳𝔦𝔰𝔦𝔱 𝔒𝔩𝔡𝔱𝔬𝔴𝔫 𝔬𝔣𝔱𝔢𝔫, 𝔞𝔫𝔡 ℑ 𝔭𝔯𝔞𝔶 𝔢𝔳𝔢𝔯𝔶 𝔪𝔬𝔯𝔫 𝔞𝔫𝔡 𝔢𝔳𝔢 𝔱𝔥𝔞𝔱 𝔶𝔬𝔲𝔯 𝔯𝔢𝔱𝔲𝔯𝔫 𝔦𝔰 𝔰𝔬𝔬𝔫. 𝔏𝔬𝔳𝔢, 𝔜𝔬𝔲𝔯 𝔴𝔦𝔣𝔢

A good place to raise children?! He scoffs and crumples the paper away. You fantasize of bearing his seed now? He laughs at the idea, chucking the paper across his tent. His amusement goes dry when he realizes it must be your father's ploy.

He's read enough.

Back in the Keep, you too receive a letter. It is from Gwayne, whose weekly response has finally arrived. You do not mind that he does not write to you daily as you did; you are grateful to receive a response at all.

You were set on reading his response, but as is was, you were experiencing terrible nausea and found yourself unable to sit or lie still. For some reason, the only thing that could combat this was walking around. You instead had your ward read your brother's words aloud for you.

Arryk's eyes trail back and forth you and your letter. He comes to your side when you gag, "princess."

You place a hand on your mouth, walking away from him. He watches as you circle your bed, "perhaps, I-"

"Please," you sigh, "do not make me beg you to read it."

Arryk stiffens and shakes his head, "my apologies, your grace." He turns to the parchment, "my twin."

" Louder," you grunt as you momentarily lean on your bed.

"My twin," Arryk repeats slightly louder, "I pray that your health is good, that you have been eating and sleeping as goodly as you did in the days of your visit here."

You take a deep breath and walk towards nothing in particular.

"While I confess a certain light has been lost in the halls of our Oldtown home since your leave, I..." your ward knits his brows, "disagree with your sentiments to return."

"What?" you gasp softly, turning to Arryk.

He looks at you and hesitates, "I... will not honey my words: you disappoint me with your coldness towards our youngest."

You clench your teeth as you feel another gag coming up, "fucking, Gwayne."

"She has written to me more than once to lament your severed relations since she's wed."

Your scoff makes Arryk pause. You look at him as you walk over, "do not stop."

He looks at you as you walk past him. He clears his throat, "I did not speak of it until now, for I believed you to be wiser than your betrayal."

"Ha!" you scoff, eyes immediately watering, "incorrigible pest," you grunt and rub your belly. You pace faster, "unyielding. Unfeeling."

Arryk watches you pace and takes a few steps back and forth so to remain arms reach of you.

"Continue!"

He stiffens, "I—," he turns back to your brother's words, "you've written you believe it will be better for you both that you away, lest your childbearing interlope with hers. I disagree. Consider me a fool-"

"He is," you scratch your eyes.

"-a man who knows nothing of childbirth, which I am, but I know my sisters— I know you at the very least." Arryk watches you as he says the next words, "leaving Alicent will haunt you, your satisfaction short-lived."

You stop in your tracks. You feel your dress tighten around you.

"Lay down your pride and allow yourself to reach for your sister who understands your struggle unlike anyone in the Seven Realms now more than ever."

You feel sick, sicker.

"Upon doing so, see then if you still wish to come to home."

You heave as you continue walking around.

"I offer many prayers to the Mother for both you and our sister. We are truly grown from the same womb, for I too share in your hope that you give birth to a twin boy and girl."

You rub your belly, as the thought softens you a fraction.

"Mostly, I speak thanks and praise for I am to be doubly an uncle. I pray your births come timely and smoothly, and I pray the Lord Hand has extended nothing but gentleness to you both," he folds the paper, "Your Twin."

"See now," you turn to Arryk, "even my twin betrays me, abandons me," you feel tears run down your cheek.

He slowly walks towards you, "that is not what he's done, my princess."

"Then what?!" you shake your hands, "am I not allowed even my anger now?!"

He is taken off guard when you shove him back.

"Even you are against me!"

Arryk steps back, though you barely mustered enough force for him to need to. You quickly pace around again. He feels the flesh beneath his steel you touched begin to push. His lips part "do not accuse me so harshly."

You whip your head back, glaring at him with red eyes, "SHE COULD HAVE BEEN MARRIED TO A LORD IN THE RIVERLANDS! OR HIGHGARDEN!" You throw your hand out, "ANYWHERE BUT HERE, BUT HERE SHE IS!"

His face falls when your rage makes you crumble. He gasp your name out as he catches you just before you fall.

"And for what?!" you wheeze as you are dragged to your bed. You rip at your collar as your chest tightens and tightens and tightens, "for me?"

"Princess," the knight's voice breaks with worry as he sits you down, "I beg you, ple-"

"Undress me," you mutter as you strugggle for air, "unlace my dress, I-"

He does not wait. He is quick to undo your bodice. He is so frantic, he nearly cuts your ties.

You moan as you feel a pressure leave you. You rip your dress off you, thinking of nothing else but catching your breath. Arryk helps you undress and you find it slightly easier to breath once you are left in nothing but your chemise.

Your ward struggles with himself; he does not wish to take advantage of this moment to ogle you, but he also cannot avert his gaze completely, lest you need his assistance. He clenches his jaw and lowers his gaze to his lap, muttering your name softly.

"Never mind my inadequacies, Arryk," you sigh in between deep breaths, "never mind that I will forever be second best to my father, who even wed me to his greatest enemy... who I am to make grandsire to not one but two Targaryen babes."

"Princess," he shakes his head, "I do not wish to-"

"I am used to his insistence of my dimness," you rub your chest, "of my capacity only for tears and succumbing to my own pain," your lips wobble, "but my sister—"

He stiffens and turns to you as lean into him. Your breath is too short and your head too heavy for you to keep yourself upright. Arryk calls our your name as he shifts, bringing his arm around to pull you upright.

"No," you wince, feeling a sharp pain in your belly, "hold me please."

He is immediately alarmed by how you clutch your side, "princess, are you-"

"Please," you rest your head on his armor, "hold me, even if you do not want to."

His hand twitches before, placing it your bare arm. He leans close, close enough to press his lips on your head, but he does not dare. He rubs your skin and whispers, "I want for nothing else."

You are too distracted by yourself that you do not hear him. Uncomfortable as the feel of his armor was, he lulls you into calmness.

When you feel well enough to realize how compromising it would be if someone were to witness you both, you pull away.

He says nothing, does nothing. He simply sit besides you, taking in your sad face.

You a tear drip from the tip of your nose. You rub it away before mumbling, "I had well-made plans for her... plans to shield her, to prosper her."

His eyes fall. He looks at the hand you had on your lap and dares to take it. It is cold and clammy, which is why he rubs it, eager to spread warmth.

The gesture makes goosebumps form on your arms. It makes your breath hitch, but not in a painful way. His gentleness encourages you to continue, "I once thought she looked up to me," you sniffle, "but when she said she was stronger than I," you lower your head.

He frowns.

"I knew then," you look back at him, "she sees only my weakness, along with the rest of the world."

He cannot help himself. He reaches for your cheek and wipes your tears.

You lean into his touch, "I can be strong, Arryk," you both his hands and squeeze them to prove a point, "can you not feel it?"

The gesture makes his heart break. He squeezes your hands in return, "you need not prove such a thing to me," he rubs your skin with his thumbs, "perhaps she does not want you to be strong... not for her."

You huff, "I am her older si-"

"But for your babe."

You are frozen by his words. You open your mouth but find nothing to say.

"Your brother," he gives you a solemn expression, "he says he prays the Lord Hand extends his gentleness to you, but I wonder if all that remained of his gentleness manifested into his daughters' beings."

The thought brings a tear from your eye, "Arryk."

"My princess."

"Should I speak to my sister come the morrow?"

He squeezes your hand again before slowly nodding.

The next day, you do everything in your power to do just that. You found Alicent breaking her fast, but you did not want to inadvertently ruin her appetite with your sudden appearance, for you knew how fickle it was in these times. Later, you found her in her chambers napping, but you didn't wish to interrupt her then either.

The rest of the day, you started feeling unwell, and you could not find it in you to leave your own chambers. When you finally did, the sun had set and Alicent was nowhere to be found. As a last resort, you ventured to the king's chambers.

Erryk announces you once you reach Viserys's door. You look at your knight with apprehension but he only returns a reassuring nod. There is a rather... sickly smell that assaults your senses when the door opens. The king himself answers, brows quirked in surprise.

"My king," you barely manage a curtsy. Erryk nods, "your grace."

Viserys regards you both then asks, "what brings you to my chambers at this hour?"

"I wanted to know if my sister was here," you absentmindedly rub your belly, "I wish to speak to her."

The king catches your belly, "oh, yes." He places a hand on your shoulder, "you are also with child," he chuckles, "I keep forgetting to congratulate you face to face."

You are taken aback by the half-hug he pulls you into.

Viserys chuckles as he pulls away, "well done, my dear. You have made the realm, and more importantly my brother, all the more richer for this."

You are rigid as he beckons you inside. Viserys motions to Erryk dismissively, and he nods. You wards gives you a silent look, and you know he'll wait for you outside.

Once you enter, you are assaulted by a scent that has clearly been attempted to be masked by fragrances. It makes you gag slightly, but it is not so bad that you cannot comport yourself.

You had expected to be lead to your sister, but instead, the king leads you to a massive diorama of what you could tell to be King's Landing.

"I am unsure where my wife is presently-"

His regard to your sister makes you clench your jaw.

"-but she visits me oft at this time of hour. Might as well show you my miniature figurines whilst waiting," he grins as he motions to the said object.

You feel an uncomfortable twinge in your stomach as you walk over to him.

Viserys immediately beams over his creation, recounting the trouble he had carving out the tower, exclaiming how much he enjoyed shaping the bridge. You have never seen him in such a light and it makes you wonder if this was his true self. Did he regard your husband this way? What were they like as children?

As he handed you two separate failed attempts of carving his fallen dragon, Balerion, you listen to him muse how the beast's skull was preserved in the basement bellow, and how he would gladly bring you there if you wanted to see. You groan and slightly lurch when another painful sensation ripples within you.

Viserys notices this. He quickly takes the figurines from you, "oh, where are my manners," he pulls a chair to your side, "sit, sit."

You gratefully take a seat and take a couple deep breathes as the king continues to drone about his diorama.

"You know, I used to make toy soldiers for Daemon growing up. I was aghast when he came back to me with severed heads."

You chuckle at his words, but instantly regret it when it adds to your pain.

"I still made him new ones, but this time, I put less effort and detail," Viserys speaks before noticing your reaction, "are you alright?"

"Mmm," you shake your head, "I think my babes are moving."

His brows quirk, "ah. That's right. You are expecting twins, are you not?"

You release a sigh when the uncomfortable sensations finally wane. You take a breath and offering a smile, "so says my maester. I hope it to be a boy and girl, like me and Gwayne."

He smiles, "it is quite fortunate that you and your sister are to have children at the same time," he looks over his miniature castle, "don't you think?"

"I think..." you turn to your belly, another groan leaving your lips, "Alicent is not ready to have children."

Viserys turns to you.

You look up at him and purse your lips, "nor am I."

He chuckles softly, "none of us are," he places a hand on your shoulder, "but I assure you, you learn as you go."

You find no comfort in his words.

"You know who has been ready though," he raises a finger, "Daemon."

The thought nearly makes you flinch.

He chuckles, "do not look so averted. There is gentleness in him," he turns back to his diorama, "do you not perceive it?"

You begin to feel sick.

"I tell you, when Rhaenyra was born, his face shone."

Your brows tighten at the smile the king offers you.

"I could tell as he held my child, he thought her the most precious thing in the worlds," Viserys face softens, "I could tell he wanted to have something precious to hold as his own," he absentmindedly examines a chisel, "the gods bless me with a wife who is going to birth me something precious," he turns to you, "and a good-sister who is going to birth my brother something doubly precious."

His words make your heart tinge. You are blindsided by how genuine, how vulnerable your conversation is. You wonder if Alicent saw this amidst the cruelty of the world and decided to settle for it rather than the uncertainty from another man. As he falls deeper into another fond tale of his brother, you feel a dull pain spread across your hips.

"That reminds me," he claps his hands, "do you have any names picked out yet?"

You shift uncomfortably in your chair, "well... I've-" you huff, "gone through some books that held Valyrian names," you inhale, "and found a few names for boys, namely Vaerus,—"

"Ah, Vaerus," Viserys repeats, "meaning genuine."

"Eadan—"

He grins and points, "little fire."

"—and Alaeric," you huff.

"Hmm," he turns to the ceiling in thought, "no, I don't know that one."

You are restless because of your pain. You groan as you stand, "I- mmm- prefer the last one the most because it is similar to my mother's name, and I should like to name my boy and girl after her."

He chuckles, "you seem quite set on a boy and a girl."

"Mmm," you hum uncomfortably, "I- I hope for it." You rub your belly, "I hope they have fondness for each other like me and mine own twin."

He knits his brows at your demeanor, "a son and a daughter would suit you well," he smiles fondly, "what was the name of your late mother again?"

"A-" you groan, "Alyrie."

Viserys finally reaches for you, "are you quite certain you're alright?"

You hum as you take the king's bicep, squeezing him tightly, "mmm, I should like to lie down now."

"Yes, of course," he shakes his head, leading you to the door.

Just before you can reach the entrance, a great pain forces you to lurch forward and yelp. You grip onto Viserys's arm for dear life and he grips you with hands. He thinks to grab the chair he pulled for you again, but as he looks back , his eyes widen at the trail of blood that leads to it. "GUARD! GUARD!"

You are in too much pain to react to the king's screams. You can only screw your eyes shut.

Erryk bursts through the doors, face white, heart racing.

"CALL THE MAESTER AT ONCE! SHE'S BLEEDING!"

Your eyes widen at the word, "bleeding?" You momentarily manage to gather enough wits to see what Viserys was speaking of.

Erryk does not linger in his horror. He bolts out and sprints down the halls, screaming for a maester as if his life depended on it because yours did.

The sight of your blood is mortifying. You lift your skirt as pain continues to seizes and a horrified noise leaves you when you find the red that pools by your foot.

It all happens at once after. An ache so great forces you to the floor. You are burning hot yet shivers run down your spine. You do not know if Viserys is speaking as you slowly crumple your knees but you do know that you are screaming loud.

Then it passes. Serenity ebbs and flows. You manage to sit on your but, but then it's back with a vengeance. You resist the squeal that morphs into to a shriek and then— you gasp, "no."

Viserys watches, the most powerful man in the Seven Kingdoms watches as you rip your skirt up and tear your ruined undergarments down, powerless.

Your scream makes his stomach curdle.

Your hands tremble as you reach for the two small bodies between your thighs. You bring them into your chest, uncaring of all else, how wet they are, how red stains you, how Viserys speaks your name. Your babes are are small; they are both far, far too small.

Anguish draws more noises from your throat. It doesn't take long until your voice is hoarse. You cannot keep your peace as you take in their tiny faces. You wipe them with your skirt, finding the silver of their brows and lashes. You also find the gods gave you a girl and a boy. You choke on a sob as you wipe the red away from their thin, white locks, "please wake for your mummy."

The words arrest Viserys. He recalls holding Baelon as life left him. He cherishes now more than ever that at least his boy gazed upon him once. He shares in your misery, yet does not know if how he should approach you; he does not know if he should. He does anyway, no matter how haunting the sound of your wails are.

You quiet momentarily as the man crouches beside you. Your lips wobble, "p-perhaps they'll wake up if you speak High Valyrian."

The thought is gutting.

You gently pull at one babe's eyelid, finding a violet eye looking back at you. Except it isn't looking at you at all and the thought makes you squall. You clutch your children tightly into your chest, rocking them back and forth, "forgive me, my loves. Forgive me for birthing you too soon."

Erryk finally arrives with the maesters. He is stunned in his spot whereas the maesters run to your side. He falls to his knees as lift your children up. They do not touch them, but instead look at each other before muttering something that makes you pull your twins back into your chest.

Your ward is ashamed to face you. He has failed you. Erryk comes to a stand and dares to come near you. You do not notice him. You do not care for anything or anyone else in this moment.

Crimson grief trails behind you as you make your way to the maester's ward. Erryk meant to carry you, but you refused, knowing the walk there would be the last time you'd ever get to hold your children. He silently walks beside you, eyeing your every move.

You freeze when you see your sister by the door. Erryk looks between the two of you, ready to give you space.

Alicent is distraught. Her eyes are nearly as red as yours and you can how her hands tremble even as she picks at them, "sister, I-"

"I wanted to talk to you earlier today."

Her face falls and she immediately runs up to you. She reaches for you but stops herself.

You frown at it, thinking it was because you had been cruel to her, "forgive me, sister."

She rapidly shakes her head, "do not even mention it."

A tear fog your vision, "very well," you sniffle as you lower your gaze, "would... would you like to see them?

She wordlessly agrees.

You step closer to her, "this is Alaeric... and Alyrie."

A hand comes to her mouth, "sister."

"They're perfect, are they not?"

She nods rapidly, "yes—" she shudders, "they are."

You sob with her as she brings her arms around you. Erryk cannot bare the sight. Hot tears run into his armor. Both him and Alicent stay with you as the maester's see to your health. They let you hold Alaeric and Alyrie until your examination commences, and then you confess that if they do not take them now, you will never let them be taken from you ever again.

You were exhausted as you lie in bed. Your body yearned for repose, but you could do nothing of the sort. You groggily stand and walk to your door.

Erryk starts. You caught him in the middle of scratching tears away from his eyes. You frown, "forgive me."

"No, princess," he shakes his head and turns to you, "how might I serve."

You bite your lip, hating yourself for what you were about to request, "I know it is terrible..." you sigh deeply, "I know it is inappropriate, and wrong, and an abuse of my power over you," you tremble, "but please you sleep with me."

"My princess, I-"

"Please," you raise a hand, "if it is too horrible, per- perhaps-" you hiccup, "you can drag the set— the settee beside my bed-"

He silences you by taking your raised hand. You continue to sob as he shakes his head, "I would do anything you ask of me."

You sob and throw your arms around him. Erryk embraces you back, though he was afraid his hard uniform might hurt you.

Otto sees this exchange from across the hall. He had not been moved to tears until this moment. He scratches his eyes before they fall and steels himself away as he walks off. He mentally takes note to observe the Cargyll brothers and to sternly remind them of their vows.

Erryk follows you to your bed. You crawl into your bed as he drags the settee from across the room beside you. You offer him a pillow and he gratefully take it. You knit your brows when he lies down. You sniffle, "will you not take your armor off?"

"I..." he start, about to explain it is inappropriate.

"Is it hard to remove by yourself?" you sit up, "I can help."

"I-" but his words go dry when you begin to undo his steel uniform with much ease.

All your years assisting Gwayne in and out of his armor has made the act come easy for you. You think nothing of it, but Erryk's heart races as you undo his chest plate. He sucks in a sharp breath as you put the metal down, then refuses your help, resigning to undo the rest himself.

You sink into your sheets as you watch your knight lay his armor down. It occurs to you in this moment that this was the first time you'd ever seen him without it. Even through his loose dress shirt, you can see his defined arms and torso. You even see a sliver of a scar from where his shirt opened on his chest and it makes you avert your gaze, knowing you've looked where you should not have.

Your lips begin to wobble as you think of Daemon and the scars he had on his skin. You feel pathetic as you begin to sob again.

Erryk hates the sound. He sits down on the settee and sniffles, "would you like me to sing for you?"

You wipe the snot on your philtrum as you look at him.

"I do not think I inherited her voice, but my mother used to sing to my brother and I when we were younger."

The word mother makes you feel sick, but you do not tell him that, and simply nod.

He clears his throat and takes a breath, "the fishes swim in seas of blue, and dragons breath fire so red. All the birds sing sweetly for you, so come rest ye darling wee head."

A chuckle is drawn amidst your tears as Erryk continues to sing.

"The apples grow up the trees, and flowers rise up from the ground. All the stars shine brightly for you, so come rest ye all safe and sound."

You ask him to repeat this song over and over and he humors you each time.

The day breaks and Arryk comes to your door for his shift. He holds a basket of flowers and a frown. He knocks on your door and announces himself. He is surprised when he hears footsteps approaching. His eyes widen when Erryk opens the door for him. His mouth falls at the messiness of his hair, then it clicks. Arryk nearly drops his basket as he grabs his twin by the collar, "what in seven hells have you done, you fool?"

Erryk is stoic as he responds, "my duty."

"Your-" he looks over his shoulder and pushes his brother into the room, closing the door behind him. Arryk makes sure to keep the silence and spares you a quick glance. The sight of your sleeping form makes him slightly soften, but he still manages to glare at his brother, "did you sleep here?"

Erryk turns to you, "she asked-"

"Did you sleep with her?" Arryk snaps.

The twins glare at each other. Erryk's face contorts in disgust, "I slept on the settee, brother. What do you take me fo-"

"I take you for a fool!" Arryk quips under his breath as he points an accusing finger.

Erryk scoffs, clenching his fist, "and you would have left?"

"I would have waited for her to sleep and resumed my post outsi-"

"Please."

The twins turn, finding you sitting on your bed, rubbing your puffy face. They both instinctively step forward and speak in unison, "princess."

"Please," you repeat, "I asked him to stay."

Arryk turns to Erryk.

"I do not want you to argue because-" you cannot continue because you begin to cry.

Both their faces fall, but Erryk wastes no time in coming to you. He kneels beside your bed and takes your hand, repeating the song he sang to you last night.

Arryk immediately recognizes the tune. His heart tightens as he watches the display. He mutters under his breath, "what have you done?" He walks over to him and watches the way you squeeze his brother's hand. He thinks of how you did the same for him just yesterday and clenches the basket's handle tightly. He begins to sing with his twin.

"The fishes swim in seas of blue, and dragons breath fire so red. All the birds sing sweetly for you, so come rest ye darling wee head.

The apples grow up the trees, and flowers rise up from the ground. All the stars shine brightly for you, so come rest ye all safe and sound."

These are the very words you sing to your sister's son.

Alicent was with child again, and you were giving her a much needed reprieve from her energetic boy who was now nearing his second name day. Aegon happily reached for flowers as you carried him through the gardens. He laughs with not a care in the world. It is strange how deeply happy and deeply sad the boy makes you feel.

Through it all, you smile as you sing. You bounce him in your hip once you finish, "right, shall we go back now?"

Aegon blissfully ignores you when his hand brushes against a flower. You pull him away before he can grab it, and push his hand down, "no, my love, we do not pick roses so carelessly."

Aegon cares little for your words and raises his hand again, "flower!"

You push his hand down and look at him, "you want the rose?" You adjust him in your arm, "you want to pick the rose for mummy?"

"Mummy?" Aegon repeats, turning to you to reach for your brown curls.

You chuckle when he tries to eat it and pull your hair away before he manages to, "silly boy. Shall we ask Ser Arryk to pick the flower for us?"

"Flower for mummy!" he bounces in your arms.

You bounce him back, making him giggle as you repeat, "flower for mummy!" You flip your hair back, "Ser Arryk, could you-"

Your mouth goes dry when you see Daemon staring back at you.

[elioneli]

turns out that it might not be great having a fictional race called "Ameto", when there is such a thing as "Emeto"!!!!!! wow!!!!!!!

uhh yeah the race has Nothing to do with that but it's too late to change the name now, I might tag the content with the civilization as Ameto, leading to my accidental filtration into misspelled fetish (?) content!!!!!

[dankest-of-lies]

ok so i added 2 strawberry kiwi packets to my trilyte and refrigerated it before i drank it, despite what people say online it is in fact much easier to just plug your nose and gulp that shit down instead of drinking it through a straw like. girl how tf would drinking it through a straw make things Easier? like. also i chased it with this knock off sprite lemon lime soda to make it a helluva lot easier .

also i turned it into a drinking game, just watched drinking game videos (more like A Video) on youtube until i finished the whole thing between the night before and the morning before, it makes it a lot easier when you play along with rules where you have to drink it

also to me, the sensation of drinking trilyte, like of it being in your mouth reminds me of drinking salt water 🤢🤮 (cause even though i plugged my nose the whole time the warm salt-water-esque sensation was still there 🤢)

[angorwhosebabyisthis]

i feel like i should start making more of an effort, when i talk about something in a piece of media being Upsetting to me, to distinguish between 'cathartic' upsetting and 'gave me psychic damage' upsetting. sometimes i mean OUGH OW MY FEELINGS THIS FUCKS ME UP IN A MEANINGFUL AND RESONANT WAY, MY LIFE IS ENRICHED FOR BECOMING AWARE OF IT and sometimes i mean that it is genuinely distressing and i want to shake the creators and ask what the fuck they were thinking

[goatmilksoda]

When you go through the entire aesthetics wiki and look at all the new-ish ones that have specifically developed on Tumblr, TikTok, and Pinterest, you start to realize that they can really be put into three categories like 75% of the time because people choose the same music constantly when they're making -core playlists so they all fit into either "Soldier, Poet, King", "Bubblegum Bitch", or "Sweater Weather".

[saja-star]

I've had a hard time articulating to people just how fundamental spinning used to be in people's lives, and how eerie it is that it's vanished so entirely. It occurred to me today that it's a bit like if in the future all food was made by machine, and people forgot what farming and cooking were. Not just that they forgot how to do it; they had never heard of it.

When they use phrases like "spinning yarns" for telling stories or "heckling a performer" without understanding where they come from, I imagine a scene in the future where someone uses the phrase "stir the pot" to mean "cause a disagreement" and I say, did you know a pot used to be a container for heating food, and stirring was a way of combining different components of food together? "Wow, you're full of weird facts! How do you even know that?"

When I say I spin and people say "What, like you do exercise bikes? Is that a kind of dancing? What's drafting? What's a hackle?" it's like if I started talking about my cooking hobby and my friend asked "What's salt? Also, what's cooking?" Well, you see, there are a lot of stages to food preparation, starting with planting crops, and cooking is one of the later stages. Salt is a chemical used in cooking which mostly alters the flavor of the food but can also be used for other things, like drawing out moisture...

"Wow, that sounds so complicated. You must have done a lot of research. You're so good at cooking!" I'm really not. In the past, children started learning about cooking as early as age five ("Isn't that child labor?"), and many people cooked every day their whole lives ("Man, people worked so hard back then."). And that's just an average person, not to mention people called "chefs" who did it professionally. I go to the historic preservation center to use their stove once or twice a week, and I started learning a couple years ago. So what I know is less sophisticated than what some children could do back in the day.

"Can you make me a snickers bar?" No, that would be pretty hard. I just make sandwiches mostly. Sometimes I do scrambled eggs. "Oh, I would've thought a snickers bar would be way more basic than eggs. They seem so simple!"

Haven't you ever wondered where food comes from? I ask them. When you were a kid, did you ever pick apart the different colored bits in your food and wonder what it was made of? "No, I never really thought about it." Did you know rice balls are called that because they're made from part of a plant called rice? "Oh haha, that's so weird. I thought 'rice' was just an adjective for anything that was soft and white."

People always ask me why I took up spinning. Isn't it weird that there are things we take so much for granted that we don't even notice when they're gone? Isn't it strange that something which has been part of humanity all across the planet since the Neanderthals is being forgotten in our generation? Isn't it funny that when knowledge dies, it leaves behind a ghost, just like a person? Don't you want to commune with it?

[emeryleewho]

I used to work for a trade book reviewer where I got paid to review people's books, and one of the rules of that review company is one that I think is just super useful to media analysis as a whole, and that is, we were told never to critique media for what it didn't do but only for what it did.

So, for instance, I couldn't say "this book didn't give its characters strong agency or goals". I instead had to say, "the characters in this book acted in ways that often felt misaligned with their characterization as if they were being pulled by the plot."

I think this is really important because a lot of "critiques" people give, if subverted to address what the book does instead of what it doesn't do, actually read pretty nonsensical. For instance, "none of the characters were unique" becomes "all of the characters read like other characters that exist in other media", which like... okay? That's not really a critique. It's just how fiction works. Or "none of the characters were likeable" becomes "all of the characters, at some point or another, did things that I found disagreeable or annoying" which is literally how every book works?

It also keeps you from holding a book to a standard it never sought to meet. "The world building in this book simply wasn't complex enough" becomes "The world building in this book was very simple", which, yes, good, that can actually be a good thing. Many books aspire to this. It's not actually a negative critique. Or "The stakes weren't very high and the climax didn't really offer any major plot twists or turns" becomes "The stakes were low and and the ending was quite predictable", which, if this is a cute romcom is exactly what I'm looking for.

Not to mention, I think this really helps to deconstruct a lot of the biases we carry into fiction. Characters not having strong agency isn't inherently bad. Characters who react to their surroundings can make a good story, so saying "the characters didn't have enough agency" is kind of weak, but when you flip it to say "the characters acted misaligned from their characterization" we can now see that the *real* problem here isn't that they lacked agency but that this lack of agency is inconsistent with the type of character that they are. a character this strong-willed *should* have more agency even if a weak-willed character might not.

So it's just a really simple way of framing the way I critique books that I think has really helped to show the difference between "this book is bad" and "this book didn't meet my personal preferences", but also, as someone talking about books, I think it helps give other people a clearer idea of what the book actually looks like so they can decide for themselves if it's worth their time.

Update: This is literally just a thought exercise to help you be more intentional with how you critique media. I'm not enforcing this as some divine rule that must be followed any time you have an opinion on fiction, and I'm definitely not saying that you have to structure every single sentence in a review to contain zero negative phrases. I'm just saying that I repurposed a rule we had at that specific reviewer to be a helpful tool to check myself when writing critiques now. If you don't want to use the tool, literally no one (especially not me) can or wants to force you to use it. As with all advice, it is a totally reasonable and normal thing to not have use for every piece of it that exists from random strangers on the internet. Use it to whatever extent it helps you or not at all.

[sharkylass]

ALRIGHT, I ASKED FOREVER AGO, BUT WHO WANTS TO HEAR ABOUT MY ISA LOOPS AU??

Heads up this contains a lot, and I mean A LOT of spoilers for In Stars And Time. Including: = Act 6 spoilers, including main mystery and secret encounter = Minimal Act 5 stuff = And a bunch of extra stuff that happens through Act 3 and 4. SO BASICALLY ALMOST EVERYTHING, FINISH THIS GAME COMPLETELY BEFORE READING (ESPECIALLY THAT ACT 6 ENCOUNTER, IT WILL LITERALLY BE THE FIRST THING I MENTION UNDER THE CUT)

With all those warnings out of the way-

IN REPETITION AND CHANGE

Initial Concepts:

I feel it's important to show these sketches because they were the first ideas I ever had. I wasn't even entirely sure I wanted to make an AU at this point, I didn't even know how I'd approach it. But I started sketching and it's been on my mind since- SO! Isa is stuck in the timeloop. I know what his wish is and he DOES have a Loop equivalent! The grumpy dandelion guy is Roboro (it/they/he). Their name is a very small play on Ouroboros and they call Isa "Seedling". However, this post is not about them, as I'm gonna talk about it and Isa's dynamic in a separate post. In short, Isa is his normal loud self up until Act 3, right? They beat the King, they reach the end, and whoops, the loop isn't broken. So now, what happens is that Isa starts getting his brains out. He starts thinking more analytically and tries to problem solve.

The more stuck he gets in his head, the less he's able to perceive his friends as real people, and more like them holding him back. Because even if Isa explains that he's smart, that they shouldn't be surprised if he says something, shock of all shocks, reasonable- They'll forget it the next loop.

So Isa is stuck with trying to portray his confident, loud, supportive facade- Which is fine! It wouldn't be the first time! But it progressively gets more and more frustrating, as he tries to find answers and simply looses the energy to pretend to be stupid.

TL;DR: Isa in the timeloop, unlike Siffrin, becomes more distant and cold rather then something more akin to Sif's mania.

NOW, MORE ART!!!

KILL KILL KILL:

I imagine Isa didn't have this encounter the same way that Sif did. Yeah, frankly, Isa is pissed with the sadness- But that's not why he goes through with this.

In this moment, Isa is trying to kill two birds with one stone. He's trying to get through this quickly, as well as reassure Mira that they can do this! If he shows how strong he is, then she'll feel safe right???

Poor Isabeau forgot that whenever he shows that he thinks ahead, he scares people. How could he forget that? How could he forget that he's inherently---

Family Quest:

I still think Odile is the one to call out to him (same with sus quest).

The hangouts I'm still figuring out, cause I don't think they'd too similar to base game- But, fun fact, at the end of this run, everyone agrees to keep travel together!

Isabeau brings it up, can't hurt if you can fix your mistakes right? And everyone agrees. The relief on Siffrin is the most palpable thing Isabeau has ever seen.

In this moment they love you. In this moment they all love you. In this moment---

Death Screen:

He loops back anyways. (This is one of the initial concepts that I ended up animating. This line in particular is when he reaches the end)

Act 5 Tarot Card:

NOW TO SEE MORE OF HIS PASSIVE AGRESSIVE SIDE

Thanks to @the-bitter-ocean for prescribing tarot cards to Isa (THEY ALL FUCK SO HARD) and for the RAW ASS LINE

If interacted with in act 5, predictably, Isa tears it apart. He doesn't need the divine judgement upon him, he's faced everyone's perception his entire life.

However, he tears it methodically. Tears it once in even pieces, twice, three times, and one of the pieces once more. In a way he isn't even getting his emotions out, it's like he's actively trying to tear it apart so it stops nagging him, like he wants to shut it up. Though, the Judgement card symbolizes rebirth, absolution and inner calling. In Act 6 he'd be able to look at it and find comfort and confidence in the card.

Act 5 Mirror:

And lastly, I have the Act 5 mirror picture. I haven't quite figured out how to make the normal ones work yet, however, I couldn't let go of the idea that Isa would not want to be in the picture.

The idea of seeing himself at all makes his head hurt and his stomach squeeze. The memory haunts him as he stands to the side and says the word. He didn't think the mirror would catch him.

AAAAND THAT'S ALL THE ART STUFF FOR NOW!!

I still have quite a bit of it to post, especially about Roboro, but I'm gonna leave it here for now.

I still gotta figure out the hangouts and potentially the dagger equivalent- but I have ideas for Bad Touch, the glass equivalent, and some extra little things that didn't happen in Siffrin's loops.

I needed to yap about this, because I've been slowly stacking up ideas and writing and I needed to share it at some point- If anyone read all this and has questions and stuff I fully welcome 'em!!

[joycrispy]

One thing I love about Crowley --never stated, but consistently shown-- is that he is, at heart, an engineer.

I have a few different things to say about that. Let's unpack them.

As the Unnamed Angel, we see his designs for the Pillars of Creation are millions of pages long, comprised of cramped text, footnotes, diagrams, schematics, etc. It's very...Renaissance polymath, in the way it implies a particular intersection of artist and inventor.

Also: in the naked romanticism with which he views his stars.

We already knew he made stars, but in s2 we learn that he did NOT sculpt each of them by hand. He designed a nebula ("a star factory," he says) that will form several thousand young stars and proto-planets, and all --aside from getting the 'factory' running-- without him lifting a finger. We also learn that these young stars and proto-planets stand in contrast to those made by other angels, which are going to come 'pre-aged.'

...I'm reminded of Hastur and Ligur's approach to temptations. Damning one human soul at a time, devoting singular attention to it over the course of years or decades, and how that stands in contrast to Crowley's reliance on, quote, 'knock-on effects.'

Ligur: It's not exactly...craftsmanship. Crowley: Head office don't seem to mind. They love me down there.

Hm.

I'm also reminded of the M25.

The M25 may not be as grand as a nebula (sentences you only say in GOmens fandom...), but LIKE his nebula it's an intricate, self-sustaining engine that does Crowley's work for him, many times over. Again.

That's some pretty neat characterization --and so is the indication towards Crowley's disinterest in victimizing anyone tempting individual people. It takes a considerable amount of planning and effort (and creeping about in wellies), but in accordance with his design the M25 generates a constant stream of low-grade evil on a gigantic scale.

Cumulatively gigantic, that is. Individually? Negligible.

But no other demon understands human nature well enough to parse that one million ticked-off motorists are not, in any meaningful way, actually equivalent to one dictator, or one mass-murderer, or even one little influential regressive. That's the trick of it. Crowley gets Hell's approval (which he NEEDS to survive, and to maintain the degree of freedom he's eked out for himself), and at the same time ensures that any actual ~Evil Influence~ is spread nice and thin.

It's some clever machinery. And he knows it, too:

The Unnamed Angel and Crowley are both proud of their ideas.

(musings on professional pride, Leonardo da Vinci, the crank handle, and 'the point to which Crowley loves Aziraphale' under the cut)

In the 1970's Crowley gives a presentation on the M25, projector and all, to a room full of increasingly impatient demons. Maybe the presentation was work-ordered; the 'can I hear a WAHOO?' definitely wasn't.

Before the Beginning, the Unnamed Angel can barely contain his excitement about his nebula. Aziraphale manages a baffled-but-polite, "....That's nice... :)"

11 years ago, Hastur and Ligur want to 'tell the deeds of the day,' and Crowley smiles to himself because (according to the script-book) he knows he has 'the best one.'

(Naturally, his 'deed' has nothing to do with tempting anybody, and everything to do with setting up a human-powered Rube-Goldberg machine of petty annoyance. Oodles of 'Evil' generated; very little harm done.)

Hastur and Ligur don't get it, of course. That's also consistent.

Nobody ever knows what the hell he's talking about.

It didn't make it on-screen, but, in both the novel AND the script-book, Crowley was friends with Leonardo da Vinci. The quintessential Renaissance polymath. That's where he got his drawing of the Mona Lisa --they're getting very drunk together, and Crowley picks up the 'most beautiful' of the preliminary sketches. He wants to buy it. Leonardo agrees almost off-the-cuff, very casual, because they're friends, and because he has bigger fish to fry than haggling over a doodle:

He goes, "Now, explain this helicopter thingie again, will you?" Because he's an engineer, too.

(It is 1519 at the latest, in this scene. Why the FUCK would Crowley know about helicopters, and be able to explain them, comprehensively, to Leonardo da Vinci?

...Well. I choose to believe he got bored one day and worked it out. Look, if you know how to build a nebula, you can probably handle aerodynamics. And anyway, I think it's telling that this is his idea of shooting the shit. 'A drunken mind speaks a sober heart,' and all. He probably babbled about Aziraphale long enough to make poor Leo sick)

Apart from Aziraphale, Leonardo da Vinci is the only person Crowley has any keepsakes or mementos of.

Think about that, though. Aziraphale's bookshop is bursting with letters, paintings, busts, and personalized signatures memorializing all the humans he's known and befriended over 6000 years (indeed: Aziraphale has living human friends up and down Whickber Street. He's part of a community).

Crowley doesn't have any of that. It's just the stone albatross from the Church (for pining), the infamous gay sex statue (for spicy pining), the houseplants (for roleplaying his deepest trauma over and over, as one does), and this one piece of artwork, inscribed, "To my friend Anthony from your friend Leo da V."

To me, at least, that suggests a level of attachment that seems to be rare for Crowley.

...Maybe he liked having someone to talk shop with? Someone who was interested? Someone engaged enough to ask questions when they didn't immediately understand?

...Anyway.

There's also the matter of the crank handle.

This thing:

This is one of the subtler changes from the book. In the book, Crowley knows Satan is coming and, desperate, arms himself with a tire iron. It's the best he can do. He's not Aziraphale; he wasn't made to wield a flaming sword.

The show, IMO, improves on this considerably. Now he, like Aziraphale, gets to face annihilation with what he was made for in his hand. And it's not a weapon, not even an improvised one like the tire iron.

He made stars with it.

[both gifs by @fuckyeahgoodomens]

If you Google 'crank handle,' you'll get variations on this:

Crank handles have been around for centuries. Consisting of a mechanical arm that's connected to a perpendicular rotating shaft, they are designed to convert circular motion into rotary or reciprocating motion.

Which is to say they're one of the 'simple machines,' like a lever or a pulley; the bread and butter of engineering. You'll also get a list of uses for a crank handle, archaic and modern. Among them: cranking up the engine of an old-fashioned car... say, a 1933 Bentley. That's what Crowley has been using his for, lately. But he's had it since he was an angel and he's still, it seems, very capable of it's angelic applications.

Stopping time. For instance.

(This is conjecture on my part, but, I like to imagine that Crowley has the ability to stop time for the same reason I can --and should-- unplug my computer before I perform maintenance on it. Time and Space are a matched set, after all, and in his designs in particular, one feeds into the other.)

I know everyone has already said this, but: I REALLY LIKE that when he needs to channel the heights of his power, he does so not with a weapon but with a tool. Practically with a little handheld metaphor for ingenuity. One from long-lost days when he made beautiful things.

(And he loved it. Still loves it --he incorporated that metaphor into the Bentley, didn't he?)

Let Aziraphale rock up to the apocalypse with a weapon: he has his own compelling thematic reasons to do exactly that. Crowley's story is different, and fighting isn't the only way to express defiance. And if you've been condemned as a demon and assumed to be destructive by your very nature, what better way than this?

He made stars. They didn't manage to take that from him.

Neither Crowley nor Aziraphale are fighters, really --they have no intention of fighting in any war. They'll annoy everyone until there's no war to fight in, for a start. But between the two, if one must be, then that one is Aziraphale. Principality of the Earth, Guardian of the Eastern Gate, Wielder of the Flaming Sword... all that stuff. Even if he'd prefer not to, it's very clear that Aziraphale can rise to the occasion, if he must.

Crowley was never that kind of angel. He wasn't a Principality. He doesn't have a sword.

...And yet.

It's Crowley who protects. He's the one who paces, who stands guard, who circles Aziraphale and glares out at the world, just daring anyone else to come near.

In light of everything else I've said here, I think that's interesting.

Obviously part of it is that Aziraphale enjoys it and, you know, good for him. He's living his best life, no doubt no doubt no doubt. But what about Crowley? What's driving that behavior, really?

Have you heard the phrase, 'loved to the point of invention'? Well, what if 'the point of invention' was where you started? What if where you end up involves glaring out at the world, just daring anyone else to come near? What is that, in relation to the bright-eyed thing you used to be?

What do we name the point to which Crowley loves Aziraphale?

...Thinking about how an excitable angel with three million pages of star design he wants to tell you all about...becomes a guard dog. Is all.

[sharklovingaquarist]

Sooooo as someone going into fields that contain biology I think it's time we talk about how we see it from a fully male perspective. It's gotten to the point for me that I cannot listen to men talk biology, specifically reproduction. When we talk about male competition, we talk about it as "the right to mate". However this sees reproduction as a sentient, default specimen (male) doing to the secondary, inanimate vessel (female). In reality males fight for the CHANCE to win female attention. Females will forever be more selective sexually in the majority of animals. This is because females expend more energy in reproduction (the simple fact eggs are the larger gamete). Even in most fish, where care is commonly paternal, you will find heavy selection on the female side. Females are not fought over like an object to earn or "inseminate" the pure attention we give is what's fought over. Females almost always control their species. Look at tiger endlers. It may seem like the males harass females, but females actually CHOOSE exactly which sperm they concieve with and retain sperm for up to a year (trust me I have SEEN it myself). There's also this notion that males are all about genetics while female is about love or is about being a vessel. That's laughable. Females want their genetics to succeed just as much as males. They just dont have to fight as much because they have the limited gamete, its not a competition to be chosen when the other sex is unlimited. And the way we talk about paternal vs maternal. Paternal animals are all about "self preservation" but maternal animals are robots to their love. Dont get me started on how people act when I tell them my betta males do the incubating. We like to see it as a male competing to spread his genes and not a female choosing to complete her genes with the perfect individual. Every time someone tries to symbolize sex this shit comes into play. Male is the default that uses female as his tool. Be it describing it as penetration, fertilization, and much more. On the topic of "fertilization" did you know that the egg chooses the sperm? Did you know eggs are more complex than sperm? Did you know that eggs are not infertile without a sperm they just arent a embryo? We see female as defined by male, made valueable by male. A vessel filled by male. I think it's time for females to realize that nature is actually quite female centered. Hopefully as we get more women in this field, that will change. Because right now I'm starting to learn that a lot of science is worded in a way so males can cope with actually being quite lesser than females and at our disposal.

Edit: thanks for all the attention everyone! I've always wanted a space I could talk about this sort of thing. Glad to know I'm not alone on this. Trying to be in this field as a feminist can be insufferable

[nanaslutt]

The wrong place at the wrong time

snopsis: you walk in on a particularly interesting facetime between gojo and geto in which gojo tries to convince geto that the prostate is magical thing, but he needs your help in convincing him

contains: fem reader, sub!gojo, geto is on the phone while you and gojo fool around, dirty talk, prostate milking, anal fingering, hand job, masturbation, bisexual satosugu

MDNI

°❀⋆.ೃ࿔*:･°❀⋆.ೃ࿔*:･°❀⋆.ೃ࿔*:･°❀⋆.ೃ࿔*:･°❀⋆.ೃ

..."You what?" You stopped in your tracks in the hallway in front of Gojo's bedroom, staring incredulously at the white-haired man lying on his back, one knee propped up, his arm outstretched above him, Geto's face filling up the phone screen. "Oh? Were you eavesdropping on our conversation?" Gojo asked, covering his mouth as he snickered behind his hand.

"Your door is wide open and you practically just screamed at the top of your lungs that you've fingered yourself before, was I not supposed to hear that?" You asked, your face scrunching at your own words as if you couldn't even believe what you were saying.

"I don't care if you hear~" Gojo cooed, his hand dropping back down to his chest. "Is it really that surprising?" Geto's voice chimed in through the speaker on Gojo's phone. "What's that mean?" Gojo chipped, turning his neck to pout at the dark-haired man, his soft hair falling graciously against the sheets around his head.

"I think he means you're shameless, Satoru." You said, crossing your arms over your chest, leaning against his doorframe. Gojo smirked, unable to deny your words. "You always have been one to talk brazenly about your endeavors in bed... like you were just doing." Geto agreed, his deep voice coming out smooth and sultry through the phone.

"Well, you asked if I had any ways to spice up your alone time... since you're too scared to go find a hookup~" Gojo outted the man, resulting in a tsk from the speaker. You shouldn't be standing in the doorway still, but this conversation was too intriguing to walk away from.

"I didn't mean fingering my ass, save that for the people who really love it. Like you, apparently." Geto deadpanned. Gojo sat up in his bed, his hand placed behind him as he held his phone out in front of him, pouting at his best friend. "It really does feel good, I'm telling you It'll change your life~" Gojo cooed, raising his eyebrows at the dark-haired man.

"I bet my roomie can attest too, I hear you whimper through these thin walls late at night when you think I'm asleep," Gojo revealed, turning his head to look at you. Your jaw dropped, words failing to find your tongue as you stared at him dumbfounded. Yeah, you absolutely should've minded your business.

"W-what the fuck?" You stuttered, feeling your cheeks heat up at Gojo's unexpected words. You heard Geto laugh through the phone, followed by a quiet "Does she really~?"

"Since when was this conversation about me now?" You said, your face scrunching in displeasure as embarrassment flooded your body. How was all of the attention suddenly on you? "It's okay, everyone gets horny, so no need to feel all shy about it~ You sound really cute anyways, you have nothing to worry about."

A loud groan fell from your lips, your hands uncrossing to cover your face, your displeased noises becoming muffled from how hard you pressed your hands to your face. Geto's laughter became hysterical at your dismay. You felt a headache start to come on.

"Heh~ further proves my point though, fingering yourself feels good Suguru~ I don't want you to come crying to me when you're 80, complaining about how you wish you would've tried it when you were in your prime," Gojo said, raising his chin smugly.

"With your eating habits, you'll be lucky if you break 60." Geto quipped, "Anyways, I wouldn't even know where to start." He confessed, Geto's voice coming through softer, honest. A sinister smile formed on Gojo's face as Geto's words reached his ears, an idea popping into his head. His eyes falling on you made your body tense where you stood, wondering why he was looking at you again. You thought you had successfully escaped being the center of attention.

"Wanna help me show Geto how good your prostate can feel?"

The words fell from your roommate's lips as nonchalantly as he had just asked what you wanted for dinner. You kept your hands over your face, your fingers cracked over your eyes so you could see him. You felt a blossom spread in your tummy at his proposition, what did that even mean? How would you have any involvement in this? You didn't even have a prostate.

You felt your heart rate pick up, the organ beating faster in your chest as you stood underneath his awaiting gaze, trying to wrack your brain for the right words to say. Your eyes darted around the room as you tried to escape his eyes long enough to think of a reasonable reply.

You and Gojo have lived together for 2 years now. The two of you practically joined at the hip, courtesy of Gojo who had no concept of personal space and hated being alone. Gojo liked to refer to your personal space as 'our personal space' you had grown used to it.

The childish man could be obnoxious and crass sometimes, but he also had a strange sort of charm to him. He was very observant of your needs, and somehow always knew what you were thinking. Not to mention he was undoubtedly easy on the eyes, no matter how annoying he was--and you would be lying if you said a few of those nights you spent alone in your room with just your fingers to keep you company that Gojo had referred to; hadn't featured said man in your fantasies as you fucked yourself.

After going over these facts and losing yourself in your own mind as you did so, you decided on what you were going to say back to Gojo. Snapping back to reality by dropping your hands to your sides and making unsure eye contact with Gojo, you spoke. "H-how would I help?" You didn't realize that those very words had sealed your fate.

—

"D-deeper cmon~ touchin' me like you're scared I'm gonna break or something." Satoru teased, wiggling his ass back into you. You felt your face heat up at his words. Well sorry... I've never exactly fingered someone's ass before, excuse me if I'm a little tentative... you shot back in your head, opting to just bite your lip and take his jab in the world outside of your head.

Gejo had placed his phone on his five-foot tripod on the side of the bed, giving Geto a perfect view of Gojo who was laid face down ass up, with you sitting on your knees behind him, a bottle of lube by your thigh, the cap was still undone in case you needed more. Your finger was about halfway into Gojo's ass, slowly and shallowly pumping into him. He was right, you were afraid he was going to break, afraid that if you moved too suddenly, you would hurt him.

The camera was angled near the end of the bed so Geto could also see Gojo's hungry little hole swallow up your fingers, making him palm his large hand over his cock at the sight of it pulsing around you. "You listening Suguru?" Gojo breathed, his head lying against the sheets, and turned to the side so he could see Geto staring at him, and a little sliver of your blurry, shy face.

"Oh, I'm listening," Geto responded, squeezing his hand over his tip as he spoke. He didnt want Gojo to know how much this was affecting him; watching his best friend get fingered by his cute roomie; so he kept his camera on his face for now, keeping the minstrations on himself to himself.

"G-good... you better take it all in for when you try this later~" Gojo cooed, confident that Geto would actually try this. Geto nodded, jerking his hand over his clothed cock harder as he pretended to listen to his words. A choked moan from you brought the attention you detested so much to be centered on you once more. "You okay there?" Geto's voice chirped teasingly through the phone, his eyes taking in your flustered face.

"It's... It's in." You whispered, your words barely being loud enough to be heard through the phone. "Your finger?" Geto asked you, keeping his voice and face monotone as he slid his hand underneath the band of his sweats, his growing arousal needing more than over-the-clothes touching to be satiated.

You nodded, a deep blush spreading across your face as you relished the feeling. Gojo was so tight around you, even tighter than your cunt felt when you touched yourself. "Yeah, I can feel it too, so stop teasing me and move it already~" Gojo groaned, pushing his hips back against your finger, slick from the abundance of lube you used.

You swallowed hard watching Gojo fuck his hips back against you, the motion only resulting in your finger jolting around slightly, not enough to give him any real stimulation. "O-okay." You mumbled quietly, before you pulled your finger out, and screwed it back in. Gojo breathed out through his mouth, relieved you were finally moving.

"How's it feel?" Geto chimed in, his hand now tentatively stroking over his cock, his sweats and boxers alike pulled halfway down his thighs. Gojo grumbled, pouting dramatically against the sheets before he spoke, trying to angle his head to look at you the best he could from his current position. "Feels like I have a finger in my ass," Gojo replied with a short giggle.

Geto hummed in response, tilting his head at his companion through the phone. "Though you were gonna show me how good your prostate feels?" Geto teased, slowing his strokes over his cock as he waited for the real action to happen, not wanting to blow his load too soon. "I would if my cute roomie started listening to me~" Gojo cooed, disguising his jab at you in his teasing words.

You knew he was immediately referring to how gently you were being. Curse you for being curdious of his most sacred place in all of his body. "Fine, you want it harder? Don't come crying to me if you get hurt." You said with a sigh, shaking your head. You placed your free hand on his ass, giving yourself some leverage before you started fingering him properly.

"Yeahhh~ Cmon, give it to me~" Gojo cooed, that annoyingly cocky tone laced throughout his voice. His unaffectedness to having your finger in his asshole made you want to wipe that smirk off his face and replace it with a more desperate look. You tried to be nice, but clearly, that wasn't what he wanted.

Geto watched you carefully as you pulled your lower lip between your teeth, readjusting yourself on your knees closer to Gojo before you pulled your finger out of his hole and grabbed the lube, spreading it across two fingers this time. "Hey, I said give it to me not pull out complete- ahh!" Gojo's complaint was short-lived when you thrust both of your fingers in his ass to the hilt all at once.

Gojo gasped against the sheets like the wind had just been punched from his lungs, his eyes wide as he stared at the wall in shock. "You're so impatient Satoru." You shot back, starting up a decent pace on his ass, your fingers colliding against him causing the fat of his ass to ripple under your hand as you held him steady. Geto laughed at how fast Gojo's expression changed from cocky to desperate, the sight making his cock twitch in his hand.

"A-ah- ah-" Gojo softly whimpered, his hands curling around the pillow under his head for comfort as you fingered him. Your pace now felt words better than your sloppy, slow one just seconds prior, but something was still missing. He needed you deeper, lower. Your fingers just barely ghosting over his prostate was not nearly enough, he needed you to jab directly into it, to abuse it with no remorse.

"Deeper baby, a little deeper," Gojo instructed, the teasing in his voice long gone, now replaced with a carnal need. "Angle your fingers down, curl them down like you're trying to touch my stomach." You quickly took his words into action, wanting to see him crumple under your hand. "You know all the tricks, huh?" Geto chimed in, wishing so badly he was there right now.

What would be his role? Would he be the one fucking his fingers into Gojo's ass while you sucked him off? Maybe he would have you lean forward so he could eat your pretty pussy out while you fingered Gojo, both options sounded delicious. His hand sped up as he lost himself in his fantasies, his free hand curling into the sheets as his eyes stayed glued on the two of you.

You angled your fingers down, towards his tummy like he had instructed, and jabbed your fingers in, curling them when your fingers fucked into his ass to the hilt. The guttural moan Gojo released sent shivers down your spine. "Oh fuck- right there, do that again-" He begged, his arms tightening around his pillow as he shamelessly wiggled his hips back against you, trying to get your fingers to hit that spot inside him again.

Your face scrunched in pleasure as you repeated the motion, feeling a walnut-shaped ball under your fingers each time you curled them inside him. "Ohmyfuckinggod-" Gojo grits through his teeth, his teeth clicking together each time his jaw opens and closes in pleasure. "That looks like it feels good, Satoru," Gojo smirked, the only tell of his arousal being how a light blush spread across his face. Pretty impressive considering how much he was leaking on his fingers from how hot he felt watching the show the two of you were putting on.

Gojo tried to open his mouth to respond but you had gotten more confident with his unabashed moaning, your fingers pistoning in and out of his tight ass, drilling straight into his prostate. "Ah- ah- ah-" The white-haired man moaned so prettily, all the sounds coming from his body being music to your ears. "Does that feel good, Satoru?" You ask, your words coming out more timid than you would've liked.

Your roommate nodded profusely, an adorable red blush spread across his cheeks as his eyes rolled back in his head from how good he was feeling. "So f-fucking good- Ngh- feels so- intense! Nghhhh-" Gojo whined, his words coming out choppy and slurred from the whines being fucked from his body.

“Oh fuck baby- fuck- fuck my ass baby ohmygod- harderrrr-“ Gojo slurred, whimpering into the sheets like some slut. You pressed your thighs together, your clit throbbing at his desperate show of his need for pleasure.

Geto pressed his lips together as subtly as possible, trying to appear unaffected as he rapidly jerked his hand over his cock, matching your pace inside Gojo's tight hole. His camera was shaking slightly with his movements, but he was feeling too good to care. The both of you were quite preoccupied anyway, it's not like you would notice his camera shaking anyway.

"Grab his cock pretty girl," Geto instructed, his eyes falling lower with his arousal, a warm heat flooding over his body. You looked over to the camera, making eye contact with Geto, who kept his unwavering eyes on yours, his eyes slightly glossed over with his arousal.

"Yeah- y-yeah, m-my cock, touch my cock-" Gojo jumped in, a drunken smile plastered on his face as he tried to look at you over his shoulder, his pink face nodding profusely. You looked away from Geto to look down between the white-haired man's legs, your eyes finding their target--being his long, thick cock that dangled heavily between his legs, a steady drip of pre-cum dripping from the tip of his cock each time your fingers hit his prostate.

"Been watching his poor cock leak since you started this, the tip is so red," Geto added, his voice failing to sound as unaffected as he would've liked. If Gojo was in the right headspace, he would've teased Geto at the fact that he just admits to staring at his cock throughout this whole endeavor, but alas, he was too busy drooling and whimpering against his sheets to tease anyone right now.

Blushing, you abandoned your hand that was placed on Gojo's soft ass to drop it between his legs. The second your lithe fingers wrapped around his neglected cock, his whole body jerked harshly, almost like it was trying to escape your hand. "Fuck-" Gojo grit, wincing at how sensitive his cock was from being neglected for so long.

"Oh shit, bet it's sooo much right now, huh?" Geto asked his best friend. Gojo's eyes found Geto's through the phone screen, tears welling up in his pretty blue eyes as you immediately fell into a quick rhythm, your hand jerking over his length at a pace that matched the one inside him. Gojo could only nod pathetically, his face scrunching in pleasure as your hand focused on his tip, jerking over the sensitive red head quickly, causing cute squelches to echo throughout the room.

"You're so wet, Satoru." You whispered in awe, your mouth dropping into a small o as you milked his cock, the pool of pre-cum on his sheets between his legs making it look like he had already cum several times--you had no idea how he still had so much to give.

Gojo's body jerked around, the tears that had welled up in his eyes finally fell down his rosy cheeks, over the slope of his nose, and joined together on his pillow. "Fuck- please p-please- Nghhh- A-ah-" He didn't know what he was begging for. He was unsure if he wanted you to stop, or give him more. All he knew is that it was all so fucking overwhelming; having everyone's attention on him.

"Talk to us Satoru, how's it feel?" Geto asked, his words coming out more like begs as he felt himself steadily approach his orgasm, his hand focusing on his tip just like yours was doing on Satoru's. "I- I don't know I- fuck it's so much- too much-" Gojo answered, his eyes twitching and rolling back in his head.

You showed no mercy, jerking your hand faster over the entire length of his cock you stood on your knees and pistoned your fingers into his prostate more directly with the new leverage, resulting in Gojo's ankles crossing and kicking up at the intense pleasure. "I thought you wanted it rough? Do you take it back? Want me to stop?" You asked teasingly, knowing you weren't going to let up even if he begged you to stop.

"No! Nonono don't stop p-please don't stop-" Gojo cried, his head jerking against his satin pillowcase as he fought through the intense pleasure, his body jerking and spasming without his permission. "He's a fucking mess, look what you did~" Geto laughed, his dick twitching with interest at Gojo's teary, drooling face.

"Ahhh- ah- right there- keep f-fucking me right there-" Gojo gasped, his hands digging into his pillow as his eyes squeezed shut, his orgasm welling up in his tummy. "I think he's gonna cum pretty, is his cock twitching?" Geto asked, knowing very well what the telltale signs of a man's orgasm were.

You nodded, Gojo's cock was throbbing profusely in your hand, and his tight hole was squeezing more consistently around your fingers as well, almost like a heartbeat--it was so cute. "Oh yeah, you're gonna cum aren't you Satoru? Gonna cum from a few fingers in your ass? Hmm?" Geto teased, taking a sharp inhale in through his teeth as his own hand sped up, his cock twitching in his hold.

Satoru nodded, unable to voice his thoughts. Unable to scream from the top of his lungs, "Yes! Yes, I'm going to cum!" Instead, his jaw fell completely slack, drool pooling out of his mouth and onto the sheets as you worked him right up to his orgasm.

"Me too, look at me Satoru, look at me." Just moments before Satoru was pushed over the edge from your merciless fingers, he cracked his teary eyes open and was faced with Geto's long cock filling up the expanse of the phone screen, his massive hand jerking quickly over his length, making it almost look blurry from how fast he was going.

The visual of his best getting off to his ass being pummeled was all Gojo needed to be pushed off the edge. With a high-pitched cry of your name, his shaky hand shot back to grip your wrist as the first rope of his orgasm shot out of his cock, adding to the pool of his cum already between his legs, soaking into the sheets.

His hole squeezed tightly around your fingers, acting as if he was trying to snap them off, keeping them deep inside him. “Don’t stop- D-don’t stop” He begged pathetically, his wrist being dragged with you as you kept thrusting into him, working him through his high.

You moaned with him in awe as his body was wracked with tremors, threatening to collapse against the sheets. “I won’t, I got you Toru, I got you.” You consoled, paying special attention to his tip as you milked him for all he was worth.

Gojo’s thick cum made a mess of your fingers. Most of his hot cum landed on the bed sheets, but when someone cums as much as he does, it only makes sense that you got some on your fingers.

“Oh fuck- so pretty-“ Geto groaned, his jaw muscles clenching under the weight of his teeth as he came. You and Gojo both watched as white streaks of cum landed on Geto’s abs and thighs, the squelching on his own cock got louder as his cum acted as lube over his cock, increasing the already messy slick on his length.

“I didn’t realize you were getting off to this Geto.” You said, your chest heaving with your own arousal as your eyes flit back and forth between Gojo’s tight hole and Geto’s cock on the screen.

Through his groans, you heard him laugh as you watched him wring out his cock, making sure all of his cum had released from his cock. “How could I not? You guys are so fucking hot.” His gruff voice spoke, the camera flipping back to his handsome face.

You and Gojo both silently mourned the loss of the view of Geto’s cock. Although it was fairly hard to be disappointed when his pale face came into view his cheeks dusted in a deep pink, sweat beading on his forehead, his chest heaving as he tried to recover from his orgasm.

“H-hey-“ Gojo whined, his strength returning to his body as he gripped your wrist he had a hold of, signaling you stop moving inside him. You mumbled a quick ‘sorry’, you had gotten distracted watching Geto cum, forgetting you were pleasuring your handsome roommate underneath you.

You slowly pulled your fingers out of his ass, Gojo whined dramatically at the loss, his hole clenching around you in sensitivity. “You don’t wanna let me go, do you?” You giggled, your fingers finally slipping free of his tight hole.

“Fuck no~” Gojo giggled, the cloudiness slowly clearing from his brain, allowing his signature snarkiness to come back to him. Geto laughed as he set his phone down, you watched out of the corner of your eye as he wiped his softening cock clean with a towel.

“Suguru~” Gojo called in a singsong voice, his body collapsing on his side, his cock twitching limply against the sheets. Your hands rubbed along his thighs as he relaxed into the bed, noticing how a cute red flush was also dusting along his thighs and shoulders. Adorable.

“Were you paying attention? You have to admit that looked nice, right~?” Gojo asked teasingly, raising his eyebrows at the dark-haired man through the screen. Gojo’s ability to bounce back from even the most intense prostate orgasm was astonishing.

“I think it looks nice on you, sure.” Geto laughed, throwing the towel he used to clean his cock to the floor, grabbing his phone back in his hand as he laid back against his bed, throwing his arm behind his head.

Gojo pouted, rolling on his back to look at you for help with puppy eyes. “What are you looking at me for?” You asked, sitting back on your heels as you jerked your head back, looking around the room for anyone else Gojo could be looking at.

“I thought you were gonna help me convince himmm.” Gojo drawled, his arms pushing himself up to sit on his ass as he reached out for you. You blushed as you let him pull you into his arms, your hands falling on his chest with a surprised noise as you sat on his thighs, just under his cock.

“I could only do so much you know…” You said, avoiding his eyes as his hands made a home on your upper thighs, stroking the skin teasingly. “Maybe you should‘ve cried a little harder!” Geto chimed in, winking into the camera.

Gojo pouted, wiping his hands over his still-wet cheeks to rid the evidence of Geto’s teasing. “So all of that was for nothing then?” Gojo asked, looking between the two of you incredulously, his hand that had whipped at his cheek slapping back down onto the skin of your thigh.

“No, not nothing,” Geto said, looking smugly into the camera. You and Gojo looked to Geto confused, waiting for him to elaborate. “I discovered how bad I wanna fuck you both. That’s not nothing, right?” Geto revealed nonchalantly, making you and Gojo’s jaws drop in tandem.

You felt your face heat up at his confession. Maybe you hadn’t convinced Geto to play with his ass just yet, but you had unknowingly convinced him to play with something even better.

[fellthemarvelous]

Deny. Defend. Depose.

It is clear to those of us that live in America, the only people we truly have on our side are ourselves. The ruling class has made it clear we don't matter to them.

Luigi Mangione was arrested and happened to have every single piece of evidence on him that law enforcement was looking for, including the parts for the ghost gun, inside his backpack (that he also got rid of in Central Park containing the Monopoly money???). Either he was trying to get caught or that evidence was planted. And when he was being forcefully pushed into the jail, he hollered back to the press about "injustice" and "being an insult to the intelligence of American citizens and our lived experiences."

The people have now turned against corporate America and the CEOs and billionaires are fucking terrified. Nothing the news stations are saying to us are changing our minds. The American people have finally united over this issue and there is no going back for us. Whoever did kill Brian Thompson (and theories abound on the game The Adjuster is playing because no one plays Monopoly alone) exposed the very real divide that exists between every day citizens and the extremely wealthy. Things were easier for them to control when they were able to divide us, but now that we are aware of how uncertain our future is in America and seeing just how little we matter to the people who take our money, we have realized that we have more in common with each other than the people who control every aspect of our lives. We are waking up.

There isn't one person in this country who hasn't been a victim to the predatory scam that is private health insurance. Medical debt is the leading cause of bankruptcy in America, and many of us are one ambulance ride or hospital stay away from homelessness. We all know people who have died because the insurance company denied them the treatment they needed or waited until it was too late for an approval of a medical claim to matter anymore.

Recently, I decided to be tested for autism and ADHD. Not life-threatening or anything, but my life is still in shambles and I want to know if I'm going untreated for something else. Before being tested though, I was informed that the insurance company (Aetna) has said that they were going to cover the full cost of the testing I was having (which was six hours of testing by the way). She even made sure several times that they were, in fact, going to cover it in full and they said yes.

The same day that Brian Thompson, CEO of another horrible healthcare company, was murdered in broad daylight, I received a call from that doctor's office with the woman telling me that Aetna was now telling her they never agreed to cover my testing and that they are going to bill me for $1600 (where the hell am I supposed to get that?) and she is fighting them, but considering our lives don't matter to the people who tell us what healthcare we are and are not allowed to receive, I don't think they will feel compelled to change their minds because they are bloodsucking parasites who only care about lining their pockets while I don't even have $6 lying around, let alone $1600!!

Corporate America leeches off our taxes. They take and take and take and we see nothing in return. They raise prices on insurance coverage and then deny us the very coverage that we pay for. They poison our food, price gouge our poisoned food, and then force us to pay for the treatment we get when the food makes us sick. Corporate America profits off of our hard work, our taxes, our health, our lives, our deaths.

I don't know if this will reach a larger audience or not, but I wanted to talk about it on Tumblr because this platform seems to be a crossroads for every type of creative soul. I initially brought up this idea on TikTok earlier, but I want to see if it can get traction in other places as well since I have fewer than 3,000 followers on TikTok (and I have seen a small few express interest in my idea in the hours since I posted the video.)

We're busy being lectured by politicians and the news media because while they are clutching their pearls at what happened to Brian Thompson, the rest of us do not give one single flying fuck about what happened to him. As CEO of a for-profit health insurance company, he signed off on denied claims and death for those of us who struggle to make it from one day to the next. The sicker you are, the poorer you are, the more they force you to struggle and pay. The love to deny coverage because regardless of whether we live or die, they already have the money we are forced to pay them.

I don't condone murder at all, but I also don't care that he was murdered because he was guilty of murdering so many more people in this country through legal means because it's profitable. The CEOs are scared and there are wanted posters with their names and faces popping up in places. Every CEO of every healthcare company is guilty of murdering Americans and they continue to go unpunished for it because "it's just business".

So (if you've read this far) all of this previous rambling is to say that I keep thinking about how I want to make an impression. I want to continue upsetting the billionaires and the CEOs because corporate America is full of murderers who are legally allowed to decide whether we live or die based on which outcome will give them more money.

I have thought about the idea of creating a wall/constructing a wall somewhere as an art piece or something (making a statement) that will somehow honor the memory of people who died because insurance denied them care.

I know I definitely want it to say something along the lines of "In memory of those murdered by for-profit healthcare systems in corporate America". Something blatant. Loud. Something they are forced to look at every single day. Somehow. The wall could have images of those who are gone, or names of the person who died with the name of the insurance company responsible for their death underneath. Just something to make it clear that we see them for what they are. Something to avenge those who were sacrificed so billionaires and CEOS and shareholders could brag about record profits. Something that shows the whole world that American citizens are waking up to who the real monsters are.

The Adjuster (whoever he is or is not) has fanned the flames of revolution in America. He managed to unite us in a way I can't even recall before. It's not over. We know what happened to Brian Thompson was just the beginning, and corporate America only just now realized how much we actually hate them. A single shooter has sparked an awakening in America that is starting to snowball into something much bigger.

So if there is anyone out there who might be interested in collaborating on something like this, please let me know. I know we are all tired and demoralized and we have no money. I want to make a statement though, and I love doing that through art or writing. Collaborating with other people who have been through this same shit will also probably help us unite even more.

This is a watershed moment in American history.

In the words of Kanan Jarrus, Jedi Knight,

"There is a future for us. One where we're all free. But it's up to us to make it happen."