#which imo is worse

[thedailyshitpost]

Just a reminder, fuck you @staff for silencing trans women, even during FUCKING PRIDE MONTH.

[knockknockitsnickels]

I think this is one of my favorite lines from the Wraith route because of (imo) how much the meaning changes depending on if you got there via Spectre or Nightmare. For Spectre, it honestly strikes me as a genuine question. Why are you doing this to her? If you're on the Spectre route, you presumably already know the Narrator can't really be trusted, since you had to reject his reward to get here. What are you hoping to gain from continuing to hurt her? For Nightmare, it honestly just makes me sad. As the Shifting Mound describes her, "She desires only companionship, but the only thing she knows is how to hurt." This line feels like a plea from someone who genuinely doesn't understand why you keep rejecting her. She wants to be with you, but she just can't understand how to do that in a way which doesn't hurt you.

[nydescynt]

Thematic Analysis of Hades II: Why You Can Never Go Home

(At some point I might make a video on this, but for now sharing my thoughts via textpost. Spoilers ahead!)

So the text of the story of Hades and Hades 2 are Zagreus breaking out of the House, and Melinoë breaking in.

But the wild thing (and the reason Hades 2 is much more interesting to me) is that both games actually have almost inverted themes from that text. Zagreus is intent on uniting a household; Melinoë is discovering the home she's fought to return to is rotten to the core.

Zagreus, despite his entire textual goal being to leave his home and family, is narratively & thematically working to bring the family and household together. His mother comes back and is reunited not just with him but her husband, mother, and entire extended family. Achilles and Patrocles, Orpheus and Eurydice, Asterion and Theseus: Hades is a story of people metaphorically coming home and making peace with where they are (Sisyphus, Thanatos, Orpheus). Everyone basically gets a happy ending, credits roll, problems all resolved or en route to be solved. Everyone is home.

(Important to note: we never see a human in the first game. We see shades, and gods, and monsters, and the closest you get to a mortal living thing is the satyrs. This is a story concerned with the realm of the gods.)

In contrast, Melinoë has no home - besides being estranged from her childhood home, she literally lives in a tent. In case the theme was too subtle, presumably.

Now, she has been fighting her entire life to become powerful enough to return home and reclaim her family - that seems Zagreus-adjacent on its face. However, there isn't a home to return to- Hades is in shackles, the rest of her family trapped in time. At this point in Early Access, on both a metatextual & diegetic level she quite literally can neither make it to Mt Olympus or into Zagreus' room - she cannot go home, she cannot meet her family.

Consider the others: Odysseus' presence seems to tie into the idea of a long journey home, but this is an Odysseus who lived and died and now has other (inhuman) priorities. He loves them, but has no interest in reuniting with Penelope and Telemachus at this point. Nemesis dislikes her siblings, and is more concerned with the equal application of "justice" than whether it has any reforming effect. Narcissus and Echo eventually talk and part more amicably, but that's the best that can be said about their relationship.

Hecate refuses to be called Melinoë's mother: she will not distract from the "true" family that Melinoë has no memory of ever meeting.

Instead of Ares and Dionysus (enjoyers of chaos and least affected by the toxicity of the family in Hades 1) we have Hestia and Hephaestaus- a goddess who helped murder her father and a god constantly belittled by his own family. Their tense and frequently bitter interactions with the other Olympians are evocative of the central theme being explored: what if there isn't a home to go back to? What if your family is unforgivable? (What if you want to forgive them anyways? What if you need to?)

This theme is why Arachne is in the game, and Athena is not: likeable, first-helper-of-Zagreus Athena turned Arachne into a spider out of petty anger. How do you reconcile that?

Moros (lovely, kind Moros, who gushes at Odysseus like a fanboy) and his sisters the Fates did horrible things to mortals out of boredom. The same mortals whose bodies you can see stacked up like cordwood in Ephyra, who you repeatedly claim you are fighting to protect from Chronos. Moros can neither confirm nor deny that the current events could have been set in motion by the Fates. How do you reconcile that?

Polyphemus raises sheep. He genuinely loves and cares for them, is protective of them. He also eats them, and is confused when Melinoë implies a contradiction.

How can you love someone and be willing to kill them? For survival? For fleeting satisfaction? For vengeance?

Is Chronos' willingness to eat his children so morally heinous that it makes him worse than every cruelty the gods have wrought? Worse for who?

[saintaviator]

CORRUPTS ABSOLUTELY.

[comradeboyhalo]

sorry im just rambling rn but sometimes i think back on how so much bbh content in dsmp was borderline unwatchable purely bc it was the same recycled jokes of him saying language. or getting mad. and then the dsmp after-hours hit with puffy and foolish where they actually let him banter and it was so entertaining and so funny to listen to. and guess what? they got him to say more innuendos this way too.

its just. the weirdly specific pain of being in the dsmp fandom and knowing your streamer is actually funny but none of the bigger ccs were actually doing anything with it. painful. PAINFUL. qsmp fandom may have treated him worse (imo) but at least they actually saw his personality !!!

[agalychnisspranneusroseus]

Imagine you're Mr. Wu and your weird gay daughter runs away in tears after destroying some unespecified object while yelling about you ruining her life. Because you told her you'd be moving to another state. This is the last time you see your daughter in half a year, and when she comes back, she comes back... wrong. She's wearing a light leather armor, a fur-lined cape, and a green flower crown. She has two long scars, one alongside her spine and the other along her chest, the tissue around them covered in burn scars. Doctors say she shouldn't have survived. Doctors say she didn't. Yet she's right here, in front of you, hospital gown clinging to her small, fragile, trembling frame. She fidgets with her hands. Getting her to stay still has always been difficult, but now it seems impossible. She won't let go of her phone. She's always texting her two friends. When you take it away, she gets anxious. You always knew those damn phones cause kids to act weird, but your kid having a panic attack seems too extreme, even for her. Then again, she's always been odd. Nowadays, she wakes up crying and screaming almost every night, and you realize she's been stealing her phone from your bedside drawer every night to text her friends, returning it before you wake up. You catch her once and decide to give her that damn phone back. It's the only thing that calms her down, as if she were a baby with a pacifier. She spends her last weeks in LA clinging to her friends, having sleepovers and playing her weird board games with them. Everytime they drop her back at her house, there's an excessive amount of hugs and tears. But the moments when they call her, or when she leaves to meet with them, or when they show up at their door to pick her up... those are the only moments in which you see her happy. One of her friends, the rude and disobedient one, came back with a big scar on her face. She's been acting a lot nicer, though. The other one too. She acts a great deal more adult now. You doesn't know what happened or where your daughter went. She won't tell you. But you can tell this friendship is the only thing keeping her afloat right now. Maybe you know, deep down, that no one else would understand.

And then you decide to move anyway because fuck her amirite

[sapphicwizards]

I've been thinking a lot about Wyll and how his character arc is a tragedy no matter what choices you make because he's a Hero who must always Do The Right Thing.

How could he put his own self-determination over the lives of everyone in the city he loves so much? It's a painful decision, but not a difficult one. Not for him.

He knows the consequences of letting Karlach live, but how could he not? He can't put his looks above her life. That's not what a hero should do.

Then when he's only months away from being free from Mizora, she puts another ultimatum in front of him. And this time, the decision isn't clear cut. Yes it's his father's life, but in exchange for his own soul? What parent wouldn't give their life for their child's soul? But the choice is Wyll's. Maybe he signs the contract, giving one of the few things he has left for the greater good. Or maybe he says no. No more. His father wouldn't want this if he knew all the details. Does his choice finally take him off the path?

If you're playing as him, the choice to turn into a mindflayer gains several dimensions. On one hand, let Orpheus do it and he never fulfills his destiny to bring peace to his people. Let Karlach do it and what was the initial sacrifice worth? She deserves to live all the life she has left.

But Wyll... he has sacrificed parts of himself over and over again. There's so little of him left that he wouldn't be giving as much as the others... maybe. And maybe as a soulless mindflayer, he's out of Mizora's reach.

[beneathsilverstars]

siffrin post-canon h/c is like "dw you're not actually mean, we love you!" and loop post-canon h/c is like "yes you are mean, and we still love you!"

[xxplastic-cubexx]

what is your favorite thing about charles and your favorite thing about erik? separately, as in what you like most about their characters :]

a devious question this one is, my friend!!! it's hard enough for me to explain my thoughts cohesively, but having to pick ONE thing i particularly love is difficult. with characters like charles and erik, theres been so much done with their characters over the decades and so they have so many components to them that make them so interesting and fun to observe. BUT I TRY FOR YOU TODAY. under the cut i kinda ramble and the size of this text box makin me anxious

i think if i were to be simple and broad, what i enjoy most about charles is his determination to help others, even if he isn't really thanked and/or if people don't even like him. ofc, this isn't to say he hasn't done wrong- to be honest, the fact he does wrong/questionable things at times is another aspect of him i really enjoy, maybe because- broadly speaking- he's meant to be altruistic (intent vs outcome and all that). i don't know if that's super exciting to most people, but it is for me

as for erik, my reason for liking him is easier to explain tbh. To Be Simple And Broad, his progression from villain to antihero over the decades has been fun to observe (as much as i have so far anyhow) and analyze. i think to be a bit more specific, him using his rage and pain as justifications for his villainous actions is definitely what compels me the most: hurt people hurt and the sort, an idea i've always found interesting (something something vicious cycles and the like). yet now, he recognizes this wasn't really. A Just Thing To Do and is beginning to change that, which i enjoy

[merethicera]

Which intellectual property do we think Bethesda's done the most damage to over the years?

[fairyroses]

— SMALLVILLE, “Rogue” (1.09)

+ the relevant ‘TalkVille’ discussions

[comikadraws]

Whats tobirama's beef with the Uchiha?

An Analysis of Tobirama's Prejudice

EDIT: If you have headed here via another user's post, here is a note. That user has never interacted with me. They clearly also haven't read any of my previous or linked posts, as far as I can tell. They simply just blocked me and then made that post to harass me afterward - completely out of the blue. My post has since been edited to better combat bad-faith takes and bullies like her.

Oh boi. More Tobirama. Once again, I am probably biased but these are my thoughts on him.

First of all, the guy definitely had beef with the Uchiha Clan, but I personally find the "racist" allegations he often gets to be... difficult, to say the least (not that I necessarily disagree with them). It is just that there are some very oversimplified, black-and-white takes out there with zero nuance.

Not that I am necessarily better but I'm definitely trying xD

Tobirama's Prejudice

Tobirama doesn't "hate" the Uchiha Clan but considers them to be a danger to Konoha. That is because

The Uchiha were more loyal/attached to the concept of "clan" rather than the concept of "village" (which stood in conflict with one of Konoha's main philosophies). Hence Tobirama sees them as "rebellious".

The Uchiha are more likely to lose themselves to intense hatred (aka "Curse of Hatred"). And, in the world of Naruto, hate is one of the main motivations of war, ever since the Warring States.

Combine that with the several bad experiences Tobirama and other Senju have had with the Uchiha (centuries of recurring battles, the death of Kawarama and Itama, Madara leaving the village) and you can see why Tobirama would think the Uchiha Clan is dangerous. Beyond that, Tobirama's character actually makes a lot of sense - more so than if he didn't have any prejudice. The prejudice he has is realistic.

He also personally does not believe that he "hates" the Uchiha and describes his bias as "caution".

The Racist Allegations

As I have already covered in this post about the Curse of Hatred, there might be parallels to our world's definition of racism, but Tobirama is not intended as a racist by Kishimoto.

What is important to understand is that perceived themes of racism in fantasy settings (where made-up races can have all sorts of magical differences between them, even those that are undesirable) do not equal actual racism in the real world (where racial differences are purely cosmetic) and often make for a bad analogy.

What I have also covered in the same post is that the Curse of Hatred very much does exist and Tobirama was right to assume that there is something "wrong" with the Uchiha. (For all of you not interested in reading, the TL;DR is that Zetsu's been manipulating the Uchiha for centuries, hence the illusion of a "curse")

Whether his theory was correct or not, however, is up to the audience's interpretation. The problem here is that Kishimoto never contradicted Tobirama's theories and also that they were presented and treated as exposition by the narrative. I am basing my own theory specifically on the exposition given by Hagoromo (chapters 670-671) and Zetsu (chapter 681) who are both relatively reliable sources and seem to imply (emphasis on "imply") that the Curse of Hatred mostly just affects Indra's reincarnates rather than the entire clan (again, reference to my other post because it has nothing to do with Indra specifically but rather just with Zetsu being manipulative).

Not that Tobirama could reasonably know about that detail, though. What he saw instead were centuries of war and Madara's defection, leading him to believe that there must be something influencing the Uchiha's decision-making. (And yes, assuming that my own interpretation about Zetsu is correct, that would make Tobirama a racist as his theories are not based on fact).

Systemic Oppression of the Uchiha?

Another misconception that people apparently have is that Tobirama ostracized the Uchiha Clan, which is untrue. Yes, the guy was horrible, was far too wrapped up in his own trauma, and should not have become Hokage. Not even because I think he was a bad leader necessarily but simply on principle.

That being said, the Uchiha were not being purposefully isolated from the rest of the village. The police force is neither entirely comprised of Uchihas nor are Uchihas forced to join the police. Instead, it is implied to be a choice in the manga.

Somebody else pointed out Orochimaru mentioning that the Uchiha had their clan compound near the prison. But this is not a criterion of ostracization. All the other canonical information we have on the Uchiha's supposed ostracization is based on Obito, who is famously a liar and not a reliable source (therefore it is up to headcanon).

Tobirama also practically gave away permanent leadership of the police. The police are part of the executive branch in any government, just like the military or, in this case, the ANBU - with the only difference being that the police don't require Hokage orders for everything they do. The Uchihas working at the police are in a position of power rather than in a position of suppression. It is also implied that they are able to arrest anybody they want (except ANBU members) without a warrant (again, emphasis on "imply" because the context implies that arrest without a warrant is possible for all non-ANBU citizens).

Keeping this in mind, the establishment of the Uchiha Military Police Force was (most likely) indeed a gesture of goodwill and trust. It was not a slight and it was not an attempt at ostrachization. If anything, it shows that Konoha (and by extension, the police) was corrupt and abusing power on a regular basis (though that is not the point of this post but yes, Konoha's politics are no unchangeable gospel).

There are more misconceptions about Tobirama that are often twisted to fit people's agenda, but I'll leave it at that for now.

My personal conclusion is that Tobirama might fit our real-world definition of "racist". But that heavily depends on your interpretation. Either way, Tobirama was a product of his times.

[fallenangelontheceiling]

I’m breaking my No Tumblr For Lent rule because I really have to share -

I’m 65 pages into Mansfield Park and I can’t stand Edmund. He’s objectively a Good Person (which I can already tell is going to be a rarity in this narrative), but god is he insufferable.

The Crawfords are flakes, but at least they’re entertaining flakes so far.

Austen is always scathingly snarky but this is the first time I think she comes off a bit self-righteous??

[halffizzbin]

I've been watching old Project Runway episodes and my take is: whatever they were paying the fat models to participate in the "real woman" challenges just so the contestants could throw dramatic fits over how much they despise fat bodies? It was not enough.

[liquidstar]

honestly does anyone else think that the what:if routes are perhaps telling us that some sort of collision between subaru and reinhard is just inevitable in nearly every route