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planetamarte · 11 months ago

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i'm going to be mean and nitpicky to this show. sorry. 2k word wall of text and spoilers incoming

i havent fully rewatched most episodes since they aired i just rewatched like. the first half of season 1 sometime last summer. so my memory is foggy due to this + the gripes i have with the pacing that i will get into. this is not a coherent review or anything im just going off the top of my head. do not take my word as gospel plz form ur own opinions <3 maybe we disagree thats the magic of media analysis

the premise of the show is a fun concept. like. many iterations of sonic have existed forever and ever. a multiverse concept with sonic isnt just jumping onto the multiverse "trend" that spiderverse influenced, sonic as a franchise has its right to use the concept imo. WHICH IS WHY i don't understand why they tried to make this series fit into the mainline game universe instead of being its own thing like sonic boom. like. what? you have not just SONIC living in green hill (overusage of it aside, game sonic has been stated to be houseless and wanders from place to place, and why is it just Green Hill? it's on south island?) but also KNUCKLES, tails, rouge, amy, big, and SHADOW. if this is the game universe, where the hell is the master emerald? why the fuck does knuckles live in green hill? tails is from west side island and has workshops in mystic ruins, central city, etc etc? rouge and amy have been implied to live in central city and station square or whatever? big just goes wherever the fuck as well. i dont think shadow had ever been to green hill in his life before this. where the fuck is omega. when i first watched s1 i still considered myself a casual sonic fan and i was like huh some of this isn't right.

one thing other people have criticized that i disagree on is sonic's characterization. prime sonic fits pretty well at this point in the timeline i'd say (being after advance 3, as ian flynn stated). like if we're gonna go basing characterization on time, sonic at this point is very much still a kid who makes mistakes and is growing. throughout the gameverse timeline he's subtly gone from having high energy and impulsive decision-making to a cool older teen brother type, i think; but this is more due to brand marketing for a mascot character rather than in-universe growth, i'd argue. (also sonic characters don't... age.) i do have gripes with trying to write sonic, a static character, into a big character arc with development just for the sake of conflict. i guess you could make an argument about the target audience of kids seeing themselves in him but i don't care enough to get into this that much, really. (also to me prime sonic is PEAK adhd and shows a lot of non-empathy and i think the hatred for him is rooted in ableism and general hatred for kids but anyway.)

the little sequences with sonic and shadow in the first couple episodes. sonic is collecting rings, cool! something from the games we all recognize. but then in new yoke when he's all distraught and in an unfamiliar place, he goes Wheres my fuckin rings ... and it never comes up again? like it was an odd thing to bring up and then not use within the story, considering the franchise this is. SAME GODDAMN THING with shadow and the chaos emerald. the whole bit where he first shows up and is looking for a chaos emerald and then it gets lost in the void later on made me think it'd be an important plot point. but then we just never see it again until (spoilers) the timeline is reset and shadow chaos controls the paradox prism to fuck knows where. also why does sonic seem surprised at robots having no flickies too?? if this is after advance 3 that just doesnt make any damn sense eggman has done this before

the shatterverses are kinda. insanely boring to me. they're fun concepts! i love the idea of fucked up worlds that happened as a result of sonic not existing, new yoke especially (i still think it should've been written new yolk). nine is a really fun villain and one of the things i consistently liked throughout the show - a version of tails that never met sonic, fell into the doom of it all and closed himself off because of it, and now that he's met him he sees what good there could be and he's so desperate to keep it that he becomes destructive about it. come ON. rusty rose and thorn rose are super cool too! i love the character arcs they go through as fucked up versions of amy. rusty rose being a cyborg serving eggmen and going through the feelings amy goes through when she gets left behind, thorn rose wanting to protect nature SO much that it's to its detriment. and the three roses calling eachother sisters by the end was super cute.

everything else though. like a pirate world and fucked up overgrown jungle are fun in concept, the jungle especially since it's an antithesis to new yoke but still touches upon sonic's environmentalism factor. these worlds are SO. EMPTY though. i know there's like environment budgets and stuff regarding animation, i'll give them that. at least there's other pirates in no place, but there's really nothing else going on in boscage maze? no other people? how fucking big is this jungle? im being nitpicky i feel like cinemasins. i just can't remember anything else about these worlds to really care and give more criticism. a lot of things are so repetitive that theyre forgettable, as happens in this show. some of the character dynamics from the fucked up worlds are pretty cool though i think. like in s3 for example when dread knuckles has a chance to get to the prism but helps black rose instead and declares her captain - that made me sick to my stomach. my god. knuckles and amy acting like siblings in every universe.

i hate that rouge was the only character (besides big but he does even less in this series) to not be the "main" one of a shatterspace. rebel rouge is kinda just girlbossy to get the story going, prim rouge COULDVE been good since boscage maze's theme of selfishness couldve put an interesting twist to that element of rouge but All Of Them are selfish and not just her, and i still dont remember much of what happens in no place to have anything to say about batten rouge. just the fact that the one obsessed with beautiful jewels is dread instead of rouge.

i also cannot STAND. the fucking horde of eggmen. these are the worst villains in the sonic franchise right next to the deadly six. how do you have nine and the fucking chaos council in the same show. i don't even remember their goddamn names but these arent even characters theyre just Archetypes. the main mister doctor eggman is whatever he's kinda just eggman but then we have the Old Man, the grown ass samurai weeb man, the edgy teenager with videogames, and the fucking baby. abort that thang. and theyre focused on for SO. LONG. throughout season 2. by the finale of the show i was so fucking glad to just see normal eggman again even if it was 5 seconds like i'm so sorry they slandered your image like this doctor.

another continuity criticism - why does sonic seem surprised at the idea of having a robot copy of himself? you can't just tell me this series is canon to the games, make chaos sonic, and then pretend metal sonic (edit: and all of eggman's other robot sonics) never existed?? hello?? also the fact he just existed for one episode is sad to me. like what the

the fight scenes are fun i guess. this is a show to sell action figure toys. the choreography is cool and i did enjoy the references to the unleashed intro and shadow's brawl render n shit, i do love the animation of the show overall and i wish the games used more squash n stretch and were as expressive as this. but MY GOD do the fight scenes drag on. i remember watching one episode in s2 when it aired and having to run it back a couple times cause i didn't process what the fuck just happened. so much of the fight scenes feel like they were just there to fluff up the episodes. maybe cause i just watched it but s3 is especially bad with this i feel. like we're standing in this fucking battlefield discussing a plan for the 5th time. oh they're winning the battle. oh they're losing. oh they're winning again. ARE WE DONE. WHERE IS SHADOW

(this show is paced like it was supposed to have weekly episode airings, in fact! what the fuck is up with that! why is there so much repetition about plot shit i already know, i don't think kids are that dumb! why are there huge-seeming cliffhangers to the episodes that i can keep watching and see the resolution to in less than 5 seconds! i hate what the emphasis on bingewatching has done to tv shows. i had so much fun with the weekly fandom discussion and theorizing that happened when fionna and cake was airing, and it couldve been SO COOL to have that with this series for what it's worth and we did get Some between seasons, but instead we got a situation where i could open twitter in the morning and see a clip of s2's ending right when i woke up on the day it aired. like okay.)

speaking of shadow. i love him so much in this show. i cannot emphasize this enough he's one of the best parts about this show right next to nine and rusty rose. ian hanlin is right up there as one of my favorite shadow voices with david humphrey. i could go on and on about shadow's characterization forever but i love him here. he has Reasons to be angry (and he's right to be fair, it IS sonic's fault) and has his own ways of dealing with things that he Explains so people get why he does it, but then he understands when he's wrong and overall has a pretty calm demeanor. he's not just trying to one-up sonic, he's protecting the world!!! as he vowed he would!!!! but it also feels like they wanted to have him in this show Really Bad and at the same time wrote him out as much as possible?? which has been something a lot of sonic writers have done with him due to all the infamous locks on him as a character, to be fair. but half the time he'd just Disappear and i found myself thinking more often than not WHERE IS SHADOW. it feels like metal virus in idw, in a sense, where he's just conveniently written out cause if he were there a lot of plot shit would be over a lot quicker. another iteration of shadow beating tails' (nine's) ass wouldve happened in record time if shadow could go in the shatterspaces, i'm sure of it.

(also what the hell was that thing when he tried to enter one of the portals and was pushed back and the slowmo sequence focused on him with the glitch effects made it seem like there was gonna be different shatterverse shadows but nothing came from it? hello?? i'm telling you the amount of theories we had from moments that amounted to nothing is so disappointing)

(edit like 5 minutes after i posted: that "so retro" sequence with sunset green hill from advance 3 made me fucking sick WHY WAS GEMERL STILL IN THE EGGMAN SPRITE. WHY WAS IT A CLASSIC SONIC SPRITE WITH GREEN EYES. WHAT GOES ON!!!)

that's all i have to say i think. i did have fun watching this show!! don't get me wrong!! it just frustrated me the more it went on. as i said i wish i liked it as much as i did in the beginning lmao. it would've been a lot better as 1) its own thing rather than trying to fit into the gameverse and contradicting that a shit ton and 2) executing the multiverse thing a lot better. which is kinda just the whole show. well thats it from me

i wish i liked sonic prime as much as i did when it started but wow this show kinda sucks LMFAOOOOOOO

#talking #sonic prime spoilers #spent like 2 hours typing this out. something is wrong with me

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paraemu · 2 years ago

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which of the main riders should NOT be a parent

godai: canonically kids love him and we know he's good at household chores and he's just a great guy all around so he'd make a wonderful father. however its unlikely that he would have kids cause he's always traveling around, but if he ever settles down i can see foster kids coming in and out of his and ichijou's house all the time

shouichi: i havent seen agito but all i know about him is that he's basically a housewife so i assume he could take care of a kid. he seems to have some baggage that would stop him from becoming a parent tho

shinji: i dont think the thought of having kids has even crossed shinji's mind. can't really imagine him as a parent

takumi: he'd probably have to think long and hard about it first but i can see him warming up to the idea of having kids in the future (i will NEVER forgive inoue for robbing him and kiba of a future together i hope he goes to hell)

kenzaki: for obvious reasons kenzaki can't have children and actually its making me sad just typing this im skipping this one

hibiki: him being a dad is like the whole premise of the show

tendou: tendou is the perfect mary sue which means he's immortal and will never die and as such reproduction is meaningless to him

ryoutaro: he canonically has a grandson so congratulations on reproducing. i hope it was with yuuto. the idea of all the imagin pitching in and helping ryoutaro raise his child along with his sister is rly cute i love den-o

wataru: ok listen i KNOW inoue just threw in wataru's child from the future as a joke but i think wataru having a child 2-3 years after the show completely unprepared to be a parent and having a rly hard time with parenting all around is unfortunately very in-character for him. i believe in him tho i know with some therapy and a couple of parenting classes he can power thru

tsukasa: tsukasa would be a shit ass fucking dad and i dont think we should allow him near children. however it would be insanely funny if he and daiki were sougo's awful deadbeat parents who left him in a wet cardboard box all alone as a baby so now i am married to this au

philip and shoutaro: can't imagine either of them having kids

eiji: after the ooo summer movie i am convinced that eiji REALLY wants to have kids but his trauma prevented him from ever giving any serious thought to it. and then the whole ankh situation happened, so it'll probably remain an unfulfilled desire. he'd make a great dad if he ever had the chance tho (the ooo vcin doesnt exist to me)

gentarou: he has the vibes of someone who will have 5 kids by the time he's 30. in his case they're all most likely adopted but still. also probably houses and rehabilitates troubled teens

haruto: he wouldn't be half bad at parenting but i don't think it's something he wants. even after he's let go of most of his emotional baggage he's just the sort who likes to keep to himself and live independently

kouta: if he wasn't a god he would probably marry mai and have 2.5 kids with her

shinnosuke: HE DOESNT DESERVE KIRIKO SHE SHOULD BE MARRIED TO ME AND HAVE MY CHILD NOT HIS

takeru: i heard he has a child in the novel? ok i read the novel summary and nvm thats not canon to me. he should marry akari instead. the 3/3 on normie het marriages is concerning gaim-drive-ghost truly was the dark ages

emu: fast forward 4 years from the end of ex-aid and you'll find emu entering his milf era. he's going to have 3 kids separated by 2 years each. he's had like MAD baby fever since college so he's got it all planned out already

sento: realistically? banjou and sento are definitely not having children. s/o to ppl who write kid fic of them where their baby is also a science genius tho i think thats cute

sougo: no. just no.

aruto: i.... honestly dont know. hes too busy looking after the company and fighting for humagears and stuff i guess

touma: i havent finished saber yet but i think kento and touma should have two kids one boy and one girl I DONT CARE WHAT TRIO OF DEEP SIN SAYS

ikki: probably also getting normie het married and having 2.5 kids idk hes not important

ace: complete wild card we're still on episode 3. will update this when geats is over

#kamen rider

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ectonurites · 4 years ago

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so i want to read red robin but uh. i'm missing a lot of context so do you know which comics i should read before starting it?

Okay. So. Red Robin

Ideally, Red Robin comes after reading through Tim’s Robin run in general, as it’s basically a continuation of that comic. It’s not like you need to read every single comic he’s appeared in before or anything like that... but I just definitely wouldn’t recommend this being like... the first major Tim-focused story you read, if that makes sense? The way he acts in Red Robin hinges upon a lot of previous things having happened, as opposed to him acting like his more normal self.

But lets go into some specific things that are important for understanding what’s going on in Red Robin assuming you’ve got some basic Tim info/understanding under your belt already:

Final Crisis - What happened to Bruce during Final Crisis is essentially the main driving force of the first bit of Red Robin, in general I’d recommend reading the whole event to understand it because just part of it without context would probably be really confusing (this is the reading list I used) but it can definitely be... overwhelming, it was a huge thing. The parts with Bruce are what’s most relevant: Batman #682-683, Final Crisis #6-7 and Superman/Batman #76

Robin (1993) - As I said above, in general Red Robin is the continuation of Tim’s Robin run. Events from the last major arc ‘Search for a Hero’ (Robin #177-183), which has the same writer as the second half of Red Robin, are especially relevant. In general though, reading through Tim’s Robin run helps you to... understand Tim more, and kinda see how the things he’s going through in Red Robin are a change for him, he’s acting a lot darker and edgier than normal because of all the things he’s been going through basically since War Games happened. (Steph’s death during that event was kinda the kickoff of his traumas in the 2000s, as it was followed by his Dad’s death in Identity Crisis, Kon’s in Infinite Crisis, and Bart’s in The Flash: Fastest Man Alive. While these don’t all specifically get referenced in Red Robin necessarily, and aside from his Dad they do all come back, these incidents along with Bruce’s apparent fate during Final Crisis are all things that have been weighing on him heavily and contribute to his mental state)

Battle for the Cowl - While this is kinda a hot mess of an event (particularly for Jason), it’s extremely important for context. Here’s a reading list, although personally I’ve just read the TPB for the event that I physically own that just has the main BftC comic & the two Gotham Gazette issues, which is what’s most relevant for Tim specifically.

That’s the like, most important context stuff going into it I think? There’s definitely a few other things potentially worth checking out like the rest of the Batman: Last Rites tie-ins (Batman #682-683 & Robin #183 that I already listed above are part of that, those are most relevant for reading Red Robin but for a general understanding of what else is happening in Gotham at the time consider checking out the rest), which all lead into Battle for the Cowl.

After Battle for the Cowl, the Batman: Reborn event is what establishes the new status quo in Gotham. (Red Robin #1-4 is considered part of this event. While you don’t need to read every other Batman: Reborn thing to understand what’s going on in Red Robin, certain little details and questions you may have about characters who are now in different positions than before are explained in the other titles so it’s worth looking into. But all of these were coming out around the same time as Red Robin so it’s not so much a ‘read before’ as a ‘read alongside if you’re interested’ ya know?)

Then I know you didn’t ask for this but I’d like to add a few specific things I think are helpful to read during Red Robin, some the Red Robin comic itself will tell you about as they crossover but some it won’t!

Adventure Comics #3 - This one it’s kiiinda hard to tell exactly where it fits into Red Robin, some time during the first arc when Tim’s on his search still, my best guess is just sometime before Red Robin #4. This is essentially Tim & Kon’s first real reuniting since Kon came back to life during Final Crisis: Legion of 3 Worlds. This issue also references things with Tim that happened during the One Year Later part of Teen Titans (2003) in issues #34-37. It doesn’t necessarily do too much to the plot of Red Robin but I think it’s relevant reading, and it later gets referenced in Red Robin #9.

Blackest Night: Batman - This one... also kinda hard to figure out exactly where it fits in, I think right after Red Robin #5 makes the most sense since it’s definitely before #6 (because Tim references the event during that issue) but it has to be after he finds what he finds in #4, and #4 kinda goes directly into #5. This is a tie in for the Blackest Night event but as long as you get the basic premise of ‘Black Lantern rings make zombies’ then it can be read pretty independently.

Batgirl - It’s very clear where this crossover happens in the comic, After Red Robin #9 read Batgirl #8, then the rest of the arc is continued in Red Robin #10 and on.

Batman: The Return of Bruce Wayne - So, this book builds on Tim’s findings earlier in Red Robin as well as what Dick and Damian discovered/pieced together in Batman and Robin (2009) Issues #7-12 in regards to what happened to Bruce during Final Crisis. I’d recommend reading the first two issues of this (Batman: The Return of Bruce Wayne #1-2) before Red Robin #16. Then after that issue, read the rest (Batman: The Return of Bruce Wayne #3-6). Alternatively you could just read all of it after #16, before the next thing I’m about to list, it doesn’t make a huge difference. It’s just that in Red Robin #16 Tim references that the events of this book had already started, but he hadn’t become involved yet, and he gets involved in #3. Regardless, read this before The Road Home: Red Robin.

The Road Home: Red Robin - This one is specifically mentioned to take place after Red Robin #16, but I’d really really recommend reading Return of Bruce Wayne first and then this. Afterwards go back into Red Robin #17.

Teen Titans - This crossover technically is first teased at the end of Teen Titans #91, but primarily starts in Red Robin #20 and then continues into Teen Titans #92.

Judgement on Gotham - This event starts in Batman #708, crosses over into Red Robin in Issue #22, Gotham City Sirens #22, and ends in Batman #709.

There are a few other things Tim shows up in around this time (The Gates of Gotham series is the first thing coming to mind, as well as after the crossover with them he rejoins the Teen Titans, but he also just shows up occasionally in the other bat books based in Gotham during this time) but they don’t really have any effect on the plot of Red Robin specifically.

I hope this makes sense and isn’t too confusing! In general like, this era between Final Crisis and the New 52 had so much going on in the Bat books that there’s like... lots of moving pieces to keep track of. Hopefully this can at least point ya in the right direction.

#Anonymous

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adultswim2021 · 3 years ago

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Harvey Birdman: Attorney at Law #9 “X, The Eliminator” | June 9, 2003 - 12:00 AM | S01E09

X, The Eliminator, a dorky villain from Birdman’s crime-fighting past, attempts to reignite a decades-old contract kill after finding out Birdman is a lawyer. Meanwhile, Birdman is shit shy after eating a volatile sloppy Joe.

Sorry, I don’t mean to make Birdman sound good, and the truth is this one is okay as far as Birdman goes. I’m a broken record when it comes to my distaste for this show. The wackiness kills me because that’s all there ever is. I guess if I have to hand it to Birdman in one regard it’s that they tend to make sure there are visually interesting gags going on almost at all times. When Birdman tells his assistant Peanut to “cover for him” Peanut is inexplicably holding up a cheerleader in the air as if he’s helping her practice a routine. It’s silliness. I respect it on a certain level. But I still don’t laugh at Birdman much.

So X, The Eliminator is going after Birdman 26 years after being instructed to kill him for a million dollar bounty. He does this by simply visiting Birdman’s office and lugging around a huge silver control console that shoots lasers. It’s a reasonably funny bit, he has to find a place to plug it in and let it warm up every time. It’s that joke that Birdman does so... uh, not “well”, what’s the word I’m looking for? “much”. The undercutting dramatic cartoon tropes with mundane realism thing.

Side Note: X, The Eliminator is in the first episode of the 60′s Birdman. I forget if he’s in the first cartoon, but he’s definitely in the first half-hour episode. His role in this is definitely very much the same as he is in the action show. Also, there’s some significance to him watching the Galaxy Trio; that was the “B” segment for the original Birdman show. Hanna Barbera used to package shows with unrelated segments in hopes of scoring enough popularity points for a spin-off.

The subplot is Birdman can’t shit because he requires privacy. This subplot yields one laugh: Peter Potamus annoys Birdman in the bathroom stall, so Birdman runs out. As the scene ends another guy enters the bathroom and Peter just goes “hey-ey! There is is!”.

Is this a good one? There are better Birdmans. And I don’t really like Birdman. So, not really. But boy, do I like that one joke.

MAIL BAG

Okay, new MAIL BAG policy: No more than 5 messages per post unless I can’t catch up. I am simply getting too many messages, all clearly from different people, none of whom I know in real life. Here we go:

At this point in Sealabs life, the high-concept pisstakes are all the show has to really offer. They exhausted all their halfway decent comedy premises at this point so I kind of like the uh ohs. Also anything with Pro-Shop Murphy is a true classic as far as this show goes.

I’m not sure if I overtly stated that I respect the uh-ohsode, so let me do it here: I respect the uh-ohsode.

Of the shows you are watched so far which one would you say you are craving for more episodes. Also: What are you craving for dinner.

I've spent way too much time with these early episodes of these shows, so there is a small part of it that is chore-ish. I wanna get to like, 2005 when I sorta stopped watching Adult Swim so much cuz of college. But for actual pleasure, Aqua Teen is the best. Plus, it makes me hungry for Hamburger French Fry!

Considering Mr. Potatohead can be a guy anymore they will probably make Master Shake remove the "Master" from his name. Probably can't do Mr. Shake either for the reason above. Fucking awful.

They will probably make Meatwad be MeatWAS, and he’ll be made out of grass clippings or whatever they make those limp-wristed Impossible burgers. You know why they call them Impossible burgers, right? Because it’s IMPOSSIBLE to have heterosexual sex after you eat one! HAHAH!

Actually I had one it was okay

Is there any adult swim show you haven't seen and are you going to cover it?

There’s a bunch I’ve only seen bits of, like real recent ones. The earliest one that I don’t think I’ve ever seen before is........... (wikiing it hang on) KING STAR KING, from 2014. But there’s a lot more I’ve only seen like one episode or less of. I will cover all of them, and the blog will stay bad.

You should call your fans "uh ohs" like how Rush would call his fans "dittoheads". God I miss him.

May he RUSH in Peace :D

#adult swim #harvey birdman attorney at law #adultswim2021

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nellie-elizabeth · 5 years ago

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Queliot Fic Recs - Master Post (March 11, 2020)

Hi everyone! I’ve been meaning to do this for a while, but now that we’re staring down the barrel of the show’s official ending, I thought I’d finally take the time to post a master fic rec list!

A couple of notes:

This is by no means comprehensive; I’m sure I’m forgetting several lovely fics, and will be updating this list as I remember/find more.

This list will not include WIPs (the only exception being where I rec a completed story that is part of a series, and mention that sequel(s) are still in progress). I will add the WIPs I’m reading once they are complete!

I am open to suggestions from others, so please reblog and add your own recommendations! I would love to add to this and make it a one-stop-shop resource for people looking for something new to read.

When I know the tumblr handle of the author, I have included it. But in several cases I don’t know the author’s tumblr, if they have one - if you have this information to fill in, please let me know and I will update the master post. (Also, if you notice any broken links or mistakes - I did my best, but this thing is hefty and I’m sure there are errors!)

This took me… forever to put together, so if you find it useful, please reblog - and more importantly, please leave comments & kudos on the stories you read!

Link to the Google Doc, if that’s easier for you to read.

https://docs.google.com/document/d/1sIUMZcIcpnZ1_9T3o7dkqUaqEw0miwNTfTuZjvjGto4/edit?usp=sharing

Hefty rec list under the cut.

Season Three Gapfillers/Deviations from Canon

These stories usually deal with the aftermath of the mosaic in some way. Many of them were written before the revelations of 4x05, but some were written later, and either comply with canon, or deviate from it from that point.

shipping it by Mizzy (@mizzy2k). Mature. 16,344 words. The Muntjac “ships” Queliot and is trying to help them along. What else can I say? There’s angst, there’s love, it’s silly and it’s sincere.

Sense Memories by mtothedestiel (@summersteve). Explicit. 2,616 words. This is an ABO fic, which is not something I would typically read. But I love this author so much that I decided to give it a try. The thing I like about it is the idea of the mosaic timeline leaving a tangible, physical impact on Quentin and Eliot, and how they might deal with the fallout in this more extreme scenario. If ABO isn’t for you, though, proceed with caution.

throw your shadow over me by peacefrog (@lizardkingeliot). Explicit. 8,187 words. Okay I’m going to recommend basically everything peacefrog has written, but this one is probably my favorite. It’s a super angst-y sex scene between Quentin and Eliot during season three, where Eliot believes this is his last chance to be with Quentin, and is basically dreading the emotional fallout even while it’s happening.

i start spinning (slipping out of time) by peacefrog (@lizardkingeliot). Teen. 2,570 words. Before Eliot goes to Margo to discuss the god-killing bullet, he and Quentin have a conversation about Quentin’s choice to stay at Blackspire. Features a heartbreaking memory of their life together at the mosaic, and just generally gorgeous canon-compliant angst.

Promises by Rizandace (@Nellie-Elizabeth). Explicit. 7,751 words. Eliot and Quentin have it out about Quentin’s decision to stay in Blackspire, and hash out their feelings for each other. This one is canon-divergent (and is probably the one-shot I am the most proud of!)

Overthinking It by Rizandace (@Nellie-Elizabeth). Teen. 3,581 words. Eliot finds out about the abyss key, and it prompts a discussion about Quentin and Eliot’s relationship.

Honey You’re On Fire, Let Me Help by sirfoxheart (@sirfoxheart). Explicit. 5,857 words. Quentin accidentally picks up the abyss key… Eliot finds him and does what he can to distract him. This is hot, of course, but also so desperately full of feeling and love. As the summary implies, there is a good deal of depression and talk of suicide in this story, so take care.

Can’t Let Go by sirfoxheart (@sirfoxheart). Explicit. 5,384 words. UGH. This is what SHOULD have happened after Eliot and Quentin remember the mosaic time-line. This is so satisfying and gave me some catharsis in the aftermath of the direction the story has taken in canon.

~~~~~

Post-Season Four Fix-Its

These stories maintain the canon of season four, and continue on from there. They generally involve bringing Quentin back from the dead.

What Matter Where by achray. Explicit. 28,782 words. Eliot becomes Prince Consort of the Underworld. He gets to be with Q when he’s back home, though. This is almost tough to read, because my brain doesn’t want to accept any half-happy endings, any reality where Eliot can’t spend all of his time by Quentin’s side. But on the other hand… Eliot has to make a big, big sacrifice to bring Quentin back, and you definitely feel the gravitas of that.

life ain’t fair (so i guess we’d better cheat) by micksgotkicks (@lovelyquentin). Teen. 1,137 words. This is more of a pre-fix-it. Eliot rages against the heavens for taking Quentin from him, and resolves to get him back. Short and painful. Cathartic.

Being Alive by miss_whimsy (@bambiesque). Gen. 7,022 words. Eliot sends the letter to Quentin with the magical stamp. And when that doesn’t work, he sends a bunch more. This is one of the very few fics on this list that has any connection to season five canon, which I’m not watching. I did watch 5x03, however, and this fic is borne out of Eliot Waugh never giving up - the way we all know it should have gone.

What kind of man (loves like this)? by destielpasta (@queliotpasta). Explicit. 3,160 words. Eliot and Quentin go out dancing. This fic has a certain quality about it that’s difficult to describe - I could just really feel their love for each other jump off the page, specifically in how badly they clearly want to care for each other. This fic also straddles the line between categories - the author describes it as a “fix-it” and it does deal with Quentin’s resurrection in a more immediate way, but the subject matter itself is much more about the aftermath, rather than the actual “bringing Q back from the dead” part.

You’re a Story (I Can Follow) by Page161of180. Mature. 19,695 words. I think everyone’s read this, but how could I not include it? This technically isn’t a fix-it, because it was written before the season four finale confirmed the theory of Quentin’s death. This author, like the collective fandom, assumed that death would be temporary… and thus, this is the story of Eliot being the Orpheus to Quentin’s Eurydice. It is stunning - a gold standard in writing intense grief with a happy ending. Eliot is undone by Quentin’s death here, and has to fight through obstacle after obstacle to get him back - the biggest one being, his own lack of self-worth. There’s also a somewhat-connected sequel/prequel called And Remember What You Were Before (Not Rated, 6,998 words), which is completely worth the read.

(like a perfect picture) in a broken frame by PanBoleyn (@eidetictelekinetic). Not Rated. 20,631 words. Another resurrection/fix-it fic… Really great group dynamics as everyone works on bringing Quentin back, but also a focus on Eliot’s despair. Kind of your standard fix-it, exactly what the characters should have tried to do, in a world where canon hadn’t betrayed us so badly.

life fades (but you remain) by peacefrog (@lizardkingeliot). Explicit. 62,735. Stunning. STUNNING. Eliot finds a way to get Quentin back, but it comes at a cost. The two of them have to work it out. This features some incredibly good angst with a happy ending, scorching sex, a really intriguing OC in an early chapter, and some nice screen-time for the lovely Alice Quinn, to boot.

as it was by peacefrog (@lizardkingeliot). Mature. 3,913 words. Short and sweet - Penny-40 leads Quentin to where he needs to go, and that’s back home to Eliot.

In the Woods Somewhere by pineapplecrushface (@pineapplecrushface). Explicit. 15,528 words. This is the most creative take on a fix-it I’ve seen! The summary outlines the premise best: “Alice being unable to wipe younger Quentin's memory during the timeshare spell had a ripple effect.” Eliot is so desperate for Quentin in this one, and Quentin, from the afterlife, is having to work out how he feels and where he wants to be.

In Which We Grieve by portraitofemmy (@portraitofemmy). Teen. 3,413 words. I hesitate to call this a “fix-it” really, since Quentin doesn’t come back to life. But despite that, he and Eliot make it work. This is sad, but cathartic too.

(this is not a) Temporary Love by rizcriz (@sadlittlenerdking). Teen. 20,684 words. A fix-it that includes some intense mosaic feels too, as Margo and Eliot read over some letters/notes written during the mosaic timeline. I also like this one for how the rest of the gang finally notices how sick and worn-down Quentin is, and forces Q and Eliot to take a mental health vacation once Quentin is back in the land of the living!

~~~~~

Post-Season Four/Post-Possession - Not Fix-Its

These stories take place after the events of season four, or, in some cases, after an imagined ending of season four (written before the series finale aired), ignoring season five canon. They are not fix-its in the sense that either a) they ignore Quentin’s death in canon and proceed like it never happened, or b) Quentin’s resurrection happened “off-screen” and is not the focus of the story. These fics often deal with the aftermath, both physical and psychological, of Eliot’s possession. They also usually deal with Quentin and Eliot’s reconciliation after the events of seasons three and four, and sometimes continue through their time as an established couple.

your body (your heart) in his hands by Allegria23 (@allegria23). Explicit. 18,636 words. This fic follows Eliot and Quentin into their future. I’m recommending it specifically for the way it deals with Quentin’s discipline - I’ve never seen a fic tackle the subject in quite this way, and with so much care and gentleness. If you are not a fan of kid!fic, don’t be put off by the premise - Eliot and Quentin are great fathers with amazing kids in this future universe, but the focus really does remain on their romance. This story is part of a series called second time around which is all worth a read, especially the latest part, entitled The Special Dish. The whole series really embodies the romance of effort, and how putting in the time to nurture and grow a relationship is what makes it work.

Be still my foolish heart (i’m almost me again) by Butterfly (@butterflydm). Explicit. 3,754 words. A birthday fic for Quentin - he’s a little overwhelmed by the party held in his honor. He sneaks off to be alone, Eliot follows him, and Q tells Eliot about his discipline.

Living Room, NY by cartographies (@honeybabydichotomy). Teen. 11,254 words. Eliot goes to therapy. I’m recc’ing this specifically for Eliot’s rambling confession of love to Quentin in chapter two. The whole thing is lovely, but that part really knocked me the fuck out.

Imagine being loved by me. by destielpasta (@queliotpasta). Explicit. 11,225 words. Holy moly. This is a top-tier fave for me. It’s about sex, it’s about love, it’s about working through a relationship after trauma. Eliot is touch-starved but can’t be touched - so Quentin and Eliot must get creative.

Yes and Yes and Maybe Yes by hetrez (@hetrez). Mature. 5,542 words. The author describes this as “consent porn, with feelings,” and that’s a pretty good descriptor. Quentin has PTSD because of the Monster, and Eliot’s touch can be triggering for him. They work together to get through it. This is hot, yes, but it’s hot specifically because of how badly Eliot wants to take care of Quentin and make him feel safe.

The Dreamers by hetrez (@hetrez). Teen. 10,143 words. Post-possession, Quentin and Eliot are together but things aren’t smooth sailing. The scene from this story that always sticks in my head is Quentin asking Eliot if he wants to have a family again, like they did before with Arielle and Teddy - and Eliot’s horrifically wrong-footed response: “You’ll get a wife again and we’ll have another baby.” As might be predicted, Quentin doesn’t take that very well… and this story is at least partially working out where they stand, what they both want.

The Drum Beats Out of Time by HMGFanfic (@hmgfanfic). Mature. 68,605 words. This series features two stories: Suitcase of Memories and I Fall Behind. Both are amazing, but I Fall Behind in particular is one of my top-tier favorite fics in the whole fandom. This fic does not pull its punches in terms of the effects of Eliot’s possession, and it makes things really rough for Quentin and Eliot’s relationship. Quentin does a reckless thing, Eliot panics, they hash it out - but it’s not easy, and it’s not so clear-cut. These fics also features glimpses of their life together at the mosaic, and a lovely epilogue that shows how they’ve made progress and are still healing as a couple.

the right time and place by impossibletruths (@impossibletruths). Teen. 3,675 words. Eliot trying to propose to Quentin. It’s sweet and fluffy and good for the soul.

hearts like houses by impossibletruths (@impossibletruths). Explicit. 11,888 words. Quentin and Eliot celebrate Eliot’s birthday, post-possession. They get away for a trip, to try and put their worries behind them. This story is full of so much intimacy and gentleness that it just melts my whole heart.

five times my writing was better than the magicians by micksgotkicks (@lovelyquentin). Teen. 6,019 words. These are just… soft. It’s five different short fics, all with slight variations on the simple concept of Quentin and Eliot reuniting post-possession. There’s no intensive deep-dive, nothing too grim or challenging. It’s just the two of them finding their way to each other again and again. Very healing to read, in light of canon’s (inferior) version of reality.

struck from a great height by mtothedestiel (@summersteve). Explicit. 4,517 words. “Life affirming sex” is the most telling tag on this thing. Post-possession, Eliot and Quentin find their way into each other’s arms. Really hot sex, lots of feelings… everything we deserved at the end of the Monster story-line.

And So Lift Your Spirits by OrchardsinSnow (@orchardsinsnow). Explicit. 3,437 words. This was one of the first fics I remember reading in the aftermath of my desperate post-season four feelings, and it hit the spot in the best way. Eliot’s POV - he loves Quentin, but has doubts that he’s actually deserving of something so wonderful, that Quentin could really reciprocate and want to stay. Quentin finds an insanely hot, insanely romantic way to reassure him.

Ten Twenty-Eight by Page161of180. Not Rated. 5,974 words. This is slice-of-life about Quentin Coldwater and how he’s spent Eliot’s birthday, October 28, over the years. It’s told through notes from the Library branch of the Underworld, with added comments from Alice and Penny. It’s weird, but rewarding. I love the record-keeping aspect. This author has a real gift for outsider POV, and this is one of my favorites!

Nights and Mornings by Page161of180. Mature. 6,734 words. Two connected stories, in the aftermath of possession. Quentin doesn’t die, but he does still get back together with Alice, a la 4x12. These stories deal with Eliot’s thoughts on that, and… spoiler… Quentin/Alice is just not meant to be. Quentin makes a different choice.

The Honor of Your Presence by Page161of180. Mature. 18,117 words. Quentin and Eliot get married, and we hear the story from three different POVs… Todd, Rafe, and Marina 23. Random? Yes. Brilliant? Also yes. I love how each POV has a different and distinct literary style. And how even the people who aren’t closest to Quentin and Eliot can see how insanely in love they are with each other.

The Wanting Then, the Needing Now by Page161of180. Not rated. 3,799 words. Alice’s POV, as Eliot is saved from possession, and Quentin falls apart. Basically, Alice realizes where Quentin really belongs. I love the way this author does justice to Quentin’s love for Alice - it’s not a footnote, it’s not an insignificant blip. It’s real, and that doesn’t invalidate the fact that Quentin chooses Eliot. This has a much longer sequel which is also very good - but that story is more Alice-centric and not really focused on Queliot as much, even though they definitely play a part.

Lay Me Down (Pockets Full of Stones) by PanBoleyn (@eidetictelekinetic). Not Rated. 10,024 words. Post-possession, Eliot realizes how badly Quentin has been dealing with things. He’s angry at their friends for not keeping a better eye out - but all that matters right now is finding Quentin and making sure he’s alright. I love this story for how messy their reunion is - how all of their feelings just come spilling out of them without finesse.

(one kiss) it all comes down to this by PanBoleyn (@eidetictelekinetic). Not Rated. 6,391 words. True Love’s Kiss… the boys need to talk about their feelings, and a curse forces the issue. This is so entirely my jam.

box of chocolates by peacefrog (@lizardkingeliot). Mature. 9,256 words. This short series begins with the Teen-rated for love (if it finds you worthy) and features Eliot asking Quentin to be his valentine. Because Quentin and Eliot are… Quentin and Eliot, it still takes them a little while to get their shit together, after that.

when lips and skin remember by peacefrog (@lizardkingeliot). Explicit. 6,163 words. This is for the monthly prompt challenge - “blindfolds” and features Quentin helping Eliot through some sensory issues, post-Monster possession.

an end (but the start of all things that are left to do) by peacefrog (@lizardkingeliot). Explicit. 2,388 words. Birthday smut! Q is alive and gets a blowjob, as the universe requires.

the one with the dog by portraitofemmy (@portraitofemmy). Explicit. 80,517 words. If you haven’t already read this series, what are you waiting for?? It is IDEAL for soothing the soul. Eliot and Quentin deal with the aftermath of their trauma, both physical and mental. They hang out at the condo in New York, they take care of an adorable dog named Lady Desdemona, they have lots of hot sex of course. They heal. Every single one of the twelve stories in this series is worth reading, but my favorites are probably (this is) the beat of my heart (Explicit, 11,700 words), Five Card Draw (Explicit, 3,531 words), all the way home I’ll be warm (Explicit, 15,640 words), and Come What May (Teen, 3,352 words).

5 Scenes from a Road Trip by portraitofemmy (@portraitofemmy). Explicit. 16,218 words. In the aftermath of season four (sans Quentin’s death), the boys need a change of scenery to begin healing and finding their way back to one another. I love how this fic shows their closeness, and how the boundaries of their relationship often defy description. They love each other beyond sex, beyond conventional romance - although they achieve those things, too, as they definitely deserve.

did you know my baby loves me? by portraitofemmy (@portraitofemmy). Explicit. 7,776 words. Quentin tops Eliot on his birthday. What it says on the tin. But as always with this author, even something that should be ostensibly a PWP is filled with so much feeling and love that you could just drown in it.

To Learn to Be Again by portraitofemmy (@portraitofemmy). Explicit. 18,295 words. “I don’t think- I can’t be anyone’s boyfriend right now, Eliot.” Eliot loves Quentin, Quentin loves Eliot, but that’s not always enough to give them a happily ever after. Quentin goes to therapy, deals with his trauma and his mental health, and Eliot is right there beside him with no expectations. This is so, so lovely and every ounce of their happiness feels earned and all the more precious for the pain that’s mixed up with it.

do not go gentle by portraitofemmy (@portraitofemmy). Explicit. 10,260 words. This is almost a fix-it, in that Quentin imagines the events of 4x13, but they don’t actually happen. So be warned if any depiction of Quentin’s death is a trigger for you. I love the way this story deals with the Alice of it all, and also the way Quentin and Eliot talk through their situation and find a way back to each other once again. (Also shower sex happens). This author has written multiple versions of this same reconciliation, but each one is so lovely and I’ll never get sick of it.

the strange act of living by propinquitous (@propinquitous). Explicit. 13,632 words. So there are a lot of fics out there that deal with the aftermath of Eliot’s possession of course. A lot of fics that feature Eliot and Quentin slowly, painfully, finding a way to reconcile. This one holds a special place in my heart for this particular moment, where Quentin walks past Eliot without saying anything, grabs a muffin from the counter, and leaves the room. Later, Q finds Eliot crying in the shower, and Eliot asks him why he just left, taking the food Eliot had made for him, and then ignoring him. That one moment has stuck with me ever since I read the fic, and I keep coming back to it. In all, this captures a very specific kind of hurt that both Quentin and Eliot are feeling, and gets them on the path to healing. Gorgeous.

the safety of others by propinquitous (@propinquitous). Teen. 8,122 words. Quentin doesn’t die in 4x13, but he does get injured. And Eliot keeps vigil. This is - so powerful. I don’t even know how to describe it. Just read it, please.

Magic Curses by Rizandace (@Nellie-Elizabeth). Explicit. 134,886 words. This series includes six stories, each dealing with Quentin and Eliot’s relationship as they undergo external threats from creative and somewhat evil magical curses. It’s my attempt to write in some more hurt/comfort to the fandom, and also to indulge in some established-relationship goodness! The first story, Lover’s Touch (Explicit, 24,781 words), is summarized thusly: “Q gets cursed, and Alice can’t help. Magic forces Q and Eliot to cuddle and talk about their feelings.”

Coming Home by rizcriz (@sadlittlenerdking). Not Rated. 2,958 words. Short and sweet. The author succinctly describes this as: “Eliot gets to be brave.” And he does. He says the thing he wants to say to Quentin, and Q eventually believes him.

Enough by SabbyStarlight. Teen. 2,746 words. This was written just before 4x13 came out. If only if only this is how it had gone instead… basically just Quentin and Eliot talking about their feelings, negotiating their relationship.

Boyfriend by sirfoxheart (@sirfoxheart). Teen. 6,727 words. Quentin is sensitive about the fact that Eliot isn’t introducing him as his boyfriend. This is just… the sweetest. I love that there’s some jealousy and insecurity, but it’s a manageable, reasonable type - Eliot and Quentin are able to talk about it and get past this small bump in the road.

Hunger by sirfoxheart (@sirfoxheart). Explicit. 4,327 words. Quentin gets a birthday blowjob. The end. :)

~~~~~

Mosaic Timeline

These stories are ones that take place almost or entirely within the mosaic timeline - both in keeping with, and in deviation from, what we see in 3x05.

help me hold onto you by ameliajessica (@ameliajessica). Explicit. 14,768 words. This one will hurt your heart, but it’s so rewarding. Featuring Eliot being ridiculously turned on by talking about feelings during sex… and Quentin loving Eliot while grieving for Arielle.

‘Cause my baby’s sweet as can be by destielpasta (@queliotpasta). Teen. 645 words. Tiny fic - maybe the shortest one on the list. Quentin and Eliot are bad at talking about their feelings. Who’s surprised?

flowing all this time by mtothedestiel (@summersteve). Explicit. 5,488 words. This is one of those fics where Arielle isn’t an obstacle for the boys… but rather, Eliot is an obstacle for Quentin and Arielle, in a way. It has some bittersweet moments, but I love how much Eliot loves Quentin here. This is also (spoiler) the rare fic where Arielle chooses to leave, rather than dying.

a cure i know (that soothes the soul) by peacefrog (@lizardkingeliot). Explicit. 4,857 words. Little snippets of Quentin and Eliot’s life through the years at the mosaic. Recc’ing especially for middle-aged Queliot, which we see all too little of in this fandom!

measure in love by portraitofemmy (@portraitofemmy). Explicit. 51,827 words. This is a series about Quentin, Eliot, and Arielle’s lives together at the mosaic. I don’t know if the author plans to write more in this series or not, but each one can stand alone. I am particularly enamored with The Ways We Fit Together (Explicit, 11,661 words), which is summarized succinctly as “sex and love in the mosaic timeline”, and You Steer My Heart (Explicit, 25,217 words), which follows Eliot’s mindset as he watches Quentin and Arielle fall in love with each other, while Quentin and Eliot continue to love each other as well. It’s stunning, and probably my favorite take on the three of them and their polyamorous relationship. This series has everything - the best combination of smut and feelings you could hope for.

Running All This Time by Rizandace (@Nellie-Elizabeth). Explicit. 179,478 words.The story of the mosaic timeline, built on the foundation of love and communication. To my knowledge, the only completed mosaic long-fic in the fandom thus far! Includes Fillorian nonsense, a quest within a quest, plenty of sex, lots of hurt/comfort, a different take on Arielle, and happy endings for everyone.

Reciprocal by Rizandace (@Nellie-Elizabeth). Teen. 8,259. Eliot is an idiot about his feelings (what else is new?), and he tries to make things better in the worst possible way. This fic imagines a world where Eliot and Quentin find happiness together without Arielle as a part of their romantic/sexual lives.

my heart is thrilled by the still of your hand by sirfoxheart (@sirfoxheart). Explicit. 9,586 words. This is the porn-iest version of “Quentin and Eliot don’t know how to talk about their feelings.” Basically, the boys keep jerking off next to each other in bed, and they don’t talk about it because they’re IDIOTS.

you know that’s my love (bursting loud from inside) by sirfoxheart (@sirfoxheart). Explicit. 11,904 words. Another fic where Arielle decides to leave. Eliot is so good at taking care of his family.

tomorrow past tonight by vegansheilseitan. Explicit. 7,676 words. Okay - if you’re only going to read one gap-filler for 3x05, that’s basically just the missing sex scene and nothing else, make it this one. It’s hot, and it’s aching with everything Quentin and Eliot aren’t saying to each other. This is one of my absolute favorites.

~~~~~

Brakebills Alternate Universe / Season One

These stories are generally, but not always, pure relationship fics where the plot concerns of canon (i.e. the Beast, and time loops) do not exist, and instead Quentin and Eliot get to be magical grad students together, and fall in love.

Every Blessed Thing by achray. Explicit. 7,795 words. Quentin turns himself invisible. This fic is complex in how Alice and Quentin’s relationship is portrayed, and the resolution isn’t clear-cut. I really like this characterization of both Quentin and Eliot.

saturate the atmosphere (wake me from a dream) by Allegria23 (@allegria23). Explicit. 7,394 words. This is some good ol’ sexy times with a healthy dash of feelings. Eliot involuntarily levitates them while Quentin’s giving him a blowjob, so… that’s honestly all you need to know about this one. Go give it a read.

i feel it in my body, know it in my mind by ameliajessica (@ameliajessica). Mature. 11,817 words. Let’s pretend that this is what happened in 1x03, okay? Kady doesn’t interrupt when Eliot pours Q a drink, and sex ensues. I love how flabbergasted Eliot is by everything that happens - especially his reaction to the news that Quentin isn’t straight, and isn’t going to be squeamish at the thought of sleeping with a man. So hot, so cute.

if being him is who you are / say it loud say you know you are by ameliajessica (@ameliajessica). Mature. 5,293 words. Okay, holy shit. Mike’s POV - he decides that he and Eliot should have a threesome with Quentin, so Eliot can get it out of his system. Uh. Yeah, that backfires. Poor Mike. But also - the sex in this is the epitome of tenderness and love. Eliot is so careful with Quentin, so awed and desperate and shaky at the chance to be with him. There is a sequel in the works, too, so watch out for that!

Hedonism for Beginners by ceeainthereforthat (@ceeainthereforthat). Explicit. 20,730 words. A series of filthy sex, basically. Eliot is teaching Quentin about what he likes in bed. I don’t know if the series is abandoned or not, but in any case, each of these works on its own as a PWP but with a deep undercurrent of feelings.

Something Good by HMGFanfic (@hmgfanfic). Teen. 162,260 words. The Gold Standard slow-burn rom-com AU! Seriously, I know everyone’s read this, but if you haven’t for some reason… please do. The slow-burn is so slow you’ll be tearing your hair out by the end, but it’s all worth it when you get to the catharsis. How oblivious can Quentin be about Eliot’s feelings? This fic asks and answers that question, and the answer is - very. There are also two fics that accompany the main story: Someone Good (Eliot’s POV of the main story) and Somewhere Good (future one-shots of Quentin and Eliot’s life together). Both are on hiatus but the author plans to return to them. You can read the existing chapter of each without feeling like anything is unfinished, though.

Not Always Folly by HMGFanfic (@hmgfanfic). Explicit. 262,583 words. Another amazing romantic… comedy? but this one is from Eliot’s POV and is in some ways more a character study of Eliot Waugh than it is simply a romance. Although the romance… you guys… the pining levels are off the charts. Eliot ends up hurting Quentin, and really everyone else he cares about, in this story, but he puts in the work to make it right. I admire this fic for diving deep into Eliot’s psyche while also delivering on an amazing slow-burn of a different sort. Bonus points for Alice and Eliot getting to be friends like they deserve!

Be kind by longnationalnightmare. Explicit. 10,069 words. It’s the highest kudo’d fic in the fandom! I assume that means you’ve all read it? This is a PWP, but I love it specifically for how much Eliot loses his usual control when he’s with Quentin.

to be unbroken or be brave again. by milominderbinder (@disasterbiquentin). Teen. 14,135 words. Hey, it’s a 10 Things I Hate About You AU! Kind of! Josh asks Quentin to pretend to date Eliot to cheer him up after a breakup, so that Margo will go out with Josh. But Q tells Eliot what’s up right away - so they’re fake dating but real feelings happen. Super cheesy, of course, but it hits the spot!

in the world full wrong (you’re the thing that’s right) by Mizzy (@Mizzy2k). Explicit. 5,307 words. Eliot tries to hook up with Quentin Coldwater and gets more than he bargained for. I love this for how matter-of-fact Quentin is, about the fact that Eliot wants to seduce him… and then hpw he ends up doing some seducing of his own.

If You Haven’t Yet by OrchardsinSnow (@orchardsinsnow). Explicit. 5,828 words. Obviously we all love confident Eliot Waugh totally rocking Quentin’s world… but I have a soft spot for oddly confident Quentin who really knows what he’s doing, and this fic has the perfect blend of both dynamics. The best part is Quentin slowly and methodically undressing Eliot and not letting him help. It’s… whew. *fans self*

the heat that drives the light by peacefrog (@lizardkingeliot). Explicit. 9,296 words. Quentin and Eliot have an antagonistic relationship, until Eliot realizes Quentin might be what he’s looking for in a sexual partner. Sub Eliot, new-to-being-a-Dom Quentin. Super hot.

it started out with a kiss (how did it end up like this) by portraitofemmy (@portraitofemmy). Explicit. 7,896 words. In the aftermath of a bad breakup, Quentin and Eliot find their way to each other. This is super amazing all on its own, but the author is also working on a sequel that I’m really enjoying thus far. Either story could probably be read without the other, too.

the bridge between us by portraitofemmy (@portraitofemmy). Explicit. 16,201 words. Dom Eliot, Sub Quentin. Quentin and Eliot navigate their BDSM sex life, but also their feelings. Eliot is so tender and soft with Q, and Q learns to take care of Eliot in return. This is one of my absolute favorites from this author. Also, as a note, there’s a “prequel” to this fic called paint it red (Explicit, 7,197 words) that could totally be read as a separate piece, but is worth checking out as the origin story of how these two got together and started shaping their dynamics, sexual and otherwise.

(Everyone Has) That Drawer by ProofOfConcept and wilddragonflying. Explicit. 5,782 words. Eliot finds Quentin’s stash of sex toys. It’s enough to get him to finally act on their mutual, unspoken attraction. Hot!

Wake Me Up by rizcriz (@sadlittlenerdking). Not Rated. 4,000 words. Quentin has sleep apnea, but Eliot doesn’t know that… and he gets a little - alarmed. This is objectively an odd premise, but it’s incredibly sweet. rizcriz has about a million stories and I’ve read a lot of them, but I’m a fan of the ones like this, that take a specific concept and run with it, sort of like slice-of-life. Check out more of their work, though, I can’t possibly put them all on the list!

Migraine Mastery by SabbyStarlight. Not rated. 2,012 words. Short and sweet - Quentin has a migraine and Eliot helps.

Between Friends by sirfoxheart (@sirfoxheart). Explicit. 15,019 words. This is the quintessential (Quentin-sential?) Brakebills get-together fic. It’s a party, Quentin and Eliot end up going to bed together… both of them are a little uncertain about what this means, but they work it out. Recc’ing for the hot sex, but even more for the “wake up in the middle of the night to have a tender round two without talking about what it means” sex.

Sex Magic by sirfoxheart (@sirfoxheart). Explicit. 42,006 words. Uhh… what it says on the tin. Every one of these is scorching, but my favorite is probably the first one: How Easy You Are To Need.

All Of You A Verb In Perfect View by sirfoxheart (@sirfoxheart). Explicit. 6,398 words. PWP where Eliot distracts Quentin while he tries to do his homework.

You Can Devastate Me by sirfoxheart (@sirfoxheart). Explicit. 9,018 words. Marqueliot sex scene - Quentin and Eliot are a couple, but Margo is running the show. Just… hot, but of course Eliot’s love for Quentin still permeates the whole piece. So much tenderness, with so much filth.

~~~~~

Alternate Universe (No Magic)

So many of these seem so completely random in premise, but they’re all amazing!

Our Sublime Refrain by destielpasta (@queliotpasta) and mtothedestiel (@summersteve). Explicit. 233,929 words. It’s 1836, Eliot is a pianist. This one is Marqueliot, y’all, and let me tell you - it is a journey. If you are somewhat put off by the idea of an AU so far removed from canon, about a topic you know very little about… please give this a try. I was a little hesitant too, but I promise it will not disappoint.

Pretty Good Year by Hth (@spiders-hth-is-an-outlier). Explicit. 175,728 words. I’m not going to lie - this is a difficult fic for me. It’s stunning, but getting through it was an incredibly emotional, challenging journey. While many fics in this fandom deal with Quentin’s mental illness, I’ve never seen a fic talk about it quite like this one. That’s not to put you off from trying it if you haven’t already - this is one of the most achingly real stories I’ve ever read, and it will reward you for giving it a chance.

opening doors by impossibletruths (@impossibletruths). Mature. 52,230 words. Quentin is a playwright! Eliot is an associate director who used to act! This is a slow-ish burn, and the worldbuilding of the characters in a theatrical setting is so fun!

couch party verse by marcel. Mature. 33,725 words. These two stories feature Quentin, Eliot, and the rest of the gang at a non-magical grad school. The thing I love about these stories is how slow and realistic the escalation of the relationship feels. It’s not a hot hookup right away - they clearly like each other, but circumstances sometimes get in the way, and there’s also no big rush to the finish line. This is a softer, gentler universe that still has its own realism and trauma, too. I hope the author chooses to add to it someday!

Saltwater by mtothedestiel (@summersteve). Explicit. 35,560 words. It’s a pirate AU! What more could you possibly need to know? I love how all of the characters and locations are cleverly repurposed here - the Whitespire and Our Lady Underground are ships, Quentin is a ship’s doctor, Eliot is a captain, etc. And the slowburn between Quentin and Eliot is masterful. This is actually a series - part one is complete, and part two is in progress.

A (Gingerbread) House that we can Build by mtothedestiel (@summersteve), with art by eliotsvests (surprisegents). Explicit. 28,189 words. I am not a cheesy Christmas movie person, and I am not a kid!fic person. So I thought this might not be the story for me, at first. But I’m so glad I clicked on it - this is a story about second chances, and finding happiness when you aren’t even looking for it. And I love the way little Teddy is written here. He’s got all the sweetness of Quentin Coldwater’s son, without tilting over into being saccharine. This is just the right amount of sweet if you want to put yourself back in the holiday spirit.

I’ll Follow My Secret Heart by OrchardsinSnow (@orchardsinsnow). Mature. 17,613 words. I don’t really know how to describe this one… it’s weird! It’s a meet cute, Eliot gets in an accident, there’s a blizzard, bed (floor) sharing so as to prevent freezing to death, Eliot is kinda famous and Quentin doesn’t know. All I can say is, this is precious, and odd, and I got totally swept up in the world.

I Need You So Much Closer by OrchardsinSnow (@orchardsinsnow). Explicit. 14,436 words. I love this story. Eliot is a musician, he and Quentin are exes from years ago, who fell apart because of Eliot’s alcoholism. But he’s sober now, and he’s touring where Quentin lives - so they reconnect. Eliot calls Quentin the “smoke show love of [his] life” at one point in this fic, and that phrase just… stuck with me in the best way. Don’t miss the mini-sequel, You Need Me So Much Closer (Explicit, 3,874 words), either. I really hope the author writes more in this universe!

Experimentation by portraitofemmy (@portraitofemmy). Explicit. 4,812 words. PWP where Eliot meets Quentin at a sex shop and Eliot teaches him what he’s into. Hot hot hot.

(i just might) remember that night by portraitofemmy (@portraitofemmy). Explicit. 4,732 words. This might be crack, I don’t know. There are dick pics, and it’s silly, but also Quentin and Eliot feel this amazing connection to each other right off the bat, and that is honestly my jam.

and if tomorrow it’s all over (at least we had it for a moment) by sirfoxheart (@sirfoxheart). Explicit. 45,461 words. Quentin and Eliot were a couple in high school, but they haven’t seen each other in years. They run into each other again at Julia’s wedding, and everything comes rushing back. I like the fact that this fic features very little (if any) angst. The idea is that these two people missed out on their chance to be together, but they haven’t been desperately pining for years. But once they’re back in a room together… their connection is undeniable. Also, the sex is great.

hold me like a (liar) lover does by sirfoxheart (@sirfoxheart) with art by Doomkitty25. Explicit. 80,812 words. A holiday fic! Fake dating! Mutual pining! So tropey and excellent. Really hot sex, as is the norm for this author! Warning for Alice being something of a villain in this piece, although there’s a potential reconciliation implied right at the end. I love this fic for going beyond just the romance, and also telling a story about Quentin and Eliot’s careers, and what they want out of their lives - in terms of romance, yes, but in terms of their work lives as well.

Ask Me, I Won’t Say No by vegansheilseitan. Explicit. 22,616 words. A… pub trivia AU? Which is a thing I didn’t know I needed? Mostly this is about widower!Quentin, with a kid, meeting Eliot Waugh. They fall in love. The sex in this is incendiary, but the growing relationship between these two is what really makes it worth the read.

~~~~~

Alternate Universe (With Magic)

These stories feature roughly the same worldbuilding as the show’s canon, but the character’s journeys deviate significantly. Maybe Quentin and Eliot don’t meet at Brakebills, or their journey to getting there is different in some other way!

fire and life by everytuesday. Teen. 7,060 words. This is a high school AU, where Eliot discovers his magic, and accidentally kills his father. Quentin helps him to bury the body. It’s a little bit dark, obviously, given that description… so take care.

First Year by peacefrog (@lizardkingeliot). Mature. 11,957 words. Quentin is a Brakebills student, who also happens to be a sylph from Fillory. He has wings, and Eliot is more than a little intrigued. The author may have plans to write a sequel!

push me (further than i thought i could go) by peacefrog (@lizardkingeliot). Explicit. 15,036 words. Quentin and Eliot meet at a game of Push, and then have their own private contest later on. Mostly recommending this one for the sex, but also for Confident Quentin Coldwater, and for the fact that no matter the circumstances, these boys are gone for each other pretty much right away.

Hedges, Bitch by portraitofemmy (@portraitofemmy). Explicit. 56,568 words. This series has four works, the longest “main” story of which, theón kai andrón, is another personal favorite of mine. It features Eliot as the leader of a coven of hedge witches, and Quentin as a magical novice who didn’t make it into Brakebills. I love the dynamic between Quentin and Eliot in these stories, as they fall naturally into a dom/sub relationship, but Eliot works to make sure the power differential between them doesn’t adversely affect things, either on the job, or in their personal lives. Eliot is just so soft for Quentin in these stories, while also admiring him and depending on him as the gang gets themselves caught up in a dangerous threat to hedges all over the world.

~~~~~

Fillory/Royalty

These stories are sometimes canon deviations, and usually deal with Eliot as the High King, and his relationship with Quentin from there.

oh this is us, this is love and this is where I sleep by buckybunnyteeth. Explicit. 4,360 words. Quentin is jealous of Idri! Eliot is way, way too delighted about it. Really hot. I probably shouldn’t be as charmed by jealous!Quentin as I am. But this is amazing.

Make a list of things you need by longnationalnightmare. Explicit. 10,264 words. Eliot and Quentin are getting married, but Eliot’s okay with keeping it platonic. Quentin… is not. Hot, hot, hot.

i’d be the last shred of truth (in the lost myth of true love) by milominderbinder (@disasterbiquentin), with art by gilestel. Eliot and Margo are made the High Kings of Fillory, and then later Eliot meets a cute Brakebills professor Quentin Coldwater, who is staying at Whitespire for research. There’s a truth curse! Eliot is set to marry Idri, but uh-oh, feelings happen! Tropey as hell, super cute.

and this is the map of my heart by peacefrog (@lizardkingeliot). Explicit. 14,033 words. Eliot is High King, and he is expected to marry. Quentin magnanimously offers himself for the position, and of course there’s angst about that. And scorching hot sex. And Eliot struggling to be emotionally vulnerable. One of my absolute favorites from the author.

whitespire by peacefrog (@lizardkingeliot). Explicit. 1,529 words. Eliot sits on his throne, Quentin drops to his knees and calls him “Your Majesty.” So… yeah. Yum.

~~~~~

Brian and Nigel

This is an area where more content needs to exist! Send me a note if there are some I’ve missed.

A Little Disguised, or a Little Mistaken by Page161of180. Mature. 17,807 words. Brian and Nigel find each other, and fall in love. This is gorgeous. Quentin and Eliot are recognizably themselves, but also just different enough that when their real selves start poking through the memory wipe, you can feel the change coming. Another story where canon comes along and steals happiness right out from under them. They were so close!

Shine Through My Memory by PanBoleyn (@eidetictelekinetic). Mature. 61,311 words. This one starts as a fic about Brian and Nigel meeting and falling in love… and then the Monster still possesses Nigel/Eliot, and the events of season four continue from there. But with memories of Brian and Nigel’s love in Quentin’s head, things play out a little differently. We follow the story all the way through to Eliot getting saved by Margo and Quentin, and the reconciliation/reunion afterwards. This fic has a little of everything, and it’s really the only re-telling of season four I’ve seen that covers the canon plot while adding something new and unique to the story!

Reaching in the Dark by sirfoxheart (@sirfoxheart). Mature. 53,040 words. Eliot remembers who he is, but Quentin thinks he’s Brian. Eliot and Alice work together to protect Quentin from the Monster. This is so complex and difficult and sad and challenging, and when you reach the end, you’ll feel so frustrated about how close they were to figuring their shit out. But ultimately, canon comes back to snatch that happy ending away.

~~~~~

Other

The few fics that I couldn’t categorize neatly into any of the above sections.

So It May As Well Be Me by achray. Explicit. 14,596 words. There was only one bed. Trapped in a closet. Sex pollen. Sex magic rituals. Every fanfic trope becomes manifest. Quentin seems oblivious; Eliot is freaking out. This is just the epitome of fun.

our place in the family of things by greywash, with art by yourtinseltinkerbell (@yourtinseltinkerbell). Explicit. 208,582 words. This is sort of a Brakebills AU, I suppose, but it takes place after Eliot has graduated. Quentin comes to visit over the holidays. So here’s the thing about greywash’s prose - they are stunning. They are dense, and complex, and almost hard to read - but I mean that as the highest compliment. This story, and really all of this author’s work, rewards careful study. This story has so, so much to offer. So if you haven’t given it a shot, or you’re intimidated by the length, please give it a try. Featuring Eliot’s complex relationship with his mother, with religion, with his sexuality, with Quentin, with Margo. Featuring a story of queer love that transcends time and convention. Featuring some excellent worldbuilding, especially as concerns Quentin’s family, and Eliot’s career. Featuring beautiful accompanying artwork. Featuring a proposal scene that knocked me the fuck out. Featuring love, in every way.

To Give You Hope and a Future by Page161of180. Not rated. 4,374 words. I couldn’t put this in the fix-it category, or in the mosaic category, or really even in the post-season four category. It’s all and none of those things. Eliot, in the aftermath of Quentin’s death, goes to the mosaic and talks to old man Quentin, who is grieving his husband. This is sad, y’all. But cathartic, too.

Cheat Day by peacefrog (@lizardkingeliot). Explicit. 1,624 words. Set during season four. Quentin misses Eliot, and does something sad and dangerous. Short and… well, sweet is the wrong word. This one will punch you right in the gut.

Movement by pineapplecrushface (@pineapplecrushface). Explicit. 17,036 words. These are three stories that are only loosely connected in that they are about sex, and introspection. They fit into lots of categories - parts of them take place in Eliot’s happy place, parts at the mosaic, parts in the aftermath of possession. All three stories in the series are scorching hot and full of so much feeling. I really admire how they weave through time, following the changing dynamics through the events of canon in a really unique way.

darkness, welcoming by portraitofemmy (@portraitofemmy). Explicit. 17,748 words. I almost put this in the Alternate Universe (With Magic) section, but this is not the same world as canon. Eliot is a vampire! He saves Quentin’s life and then… uh… well, they fall in love, and there’s some blood play. Eliot is super smitten, and it’s precious. Also really hot.

What Was and What Will Be by ProofOfConcept and wilddragonflying. Mature. 35,996 words. This is part mosaic-fic, part post-possession fic… it’s basically just another story of these two idiots being so bad at communication, but finally getting it right. A really satisfying journey, encompassing so many elements of what we all wished for in canon. I especially loved the long and difficult conversation they have during their reunion. The line that really punched me in the gut was: “fuck you for saying ‘I love you’ for the first goddamn time when you’re breaking up with me.”

kiss me harder, you’re better than you know by propinquitous (@propinquitous). Explicit. 4,633 words. This could easily take place in a nebulous post-season-four world, but it exists in its own little bubble and could really slot into any given universe. It deals with Quentin’s depression in a really direct, really devastating way, but also features Eliot being there for Quentin as best as he can. As the tags say, “not the healthiest of coping mechanisms.” But it’s filled with so much tenderness I can hardly stand it.

To Feel the Same by Rizandace (@Nellie-Elizabeth). Teen. 1,725 words. A small gap-filler at the end of the “I think you should probably hug me right now” scene in 2x01.

#the magicians #queliot #fic recs #my posts #this took me forEVER #so please reblog and add your own suggestions!#also yes i did put my own fics on here... i'm proud of them and want more people to find them!#117 fics & series (and counting!)#the links seem to be working on mobile #but not desktop #which is annoying?#but that's tumblr for ya

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drshebloggo · 4 years ago

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how to make WW84 a stronger movie

As sort of requested, here’s a beefed-up version of the list of notes I made watching WW84 because I was getting cranky with the execution of this movie and couldn’t help but jot down ideas. I WANTED to love this thing but the script was not selling its ideas to best effect.

For me, I think there were a few challenges inherent in the movie they wanted to make. BUT with a few different choices here and there in the way the story was told, it would’ve improved its impact without sacrificing what they were going for with tone and characters.

CHALLENGE #1: this movie is set SO far in the future from the events of the first film. 65 years have passed, and Diana is still just gliding somberly through her life and that makes me SAD. All her friends are dead! She’s on her own and cursed with immortality!! She lives in an ‘80s decor sadness chamber surrounded by photos and memories of people she’ll never see again!!!

And yet the film gave us no real textual information about that. They did the laziest thing possible, which was pan the camera around a million photos on mantles and told us NOTHING. Literally WHAT has Diana done for the past, say, THIRTY YEARS since her Earth Friends all died without her??? Has she literally made NO OTHER friends? She’s still sad about Steve 65 years later and nothing else has progressed?

This lack of specificity leaves Diana fading in the lead role of her own movie despite the fact that there’s TONS of material there that they just... ignored. For me, she read flat, which bummed me out majorly. Her best stuff was with Steve because that actually MEANS something. But it’s all she’s got in this film. They didn’t bother filling in any other information about her life.

FIX IT: literally just make Barbara already friends with Diana at the beginning. Not only does it make Diana more interesting, it reduces the sheer amount of exposition that the film piles on in the first 45 minutes. This also means you can bring Steve back sooner than the 45 minute mark, which would help grease the wheels in the first third of the movie. And it also means that Diana losing Barbara to inhumanity would actually have a greater impact on Diana beyond “oh my kooky new friend turned into an evil cat; this is vexing.”

CHALLENGE #2: the tone is WILDLY different than the tone of the first. They went from WWI trench warfare to shopping malls and fanny packs. It’s a HUGE tone shift, and it takes some getting used to. But there are good things to it; namely it provides great comedy for Steve, who is a definite bright spot in the movie.

Overall I’m on board with doing a superhero movie that pivots away from grit and darkness and toward camp and comedy, and it’s cool to do something new rather than reiterate the same tone from the first film. But I think they could’ve done more to sell the tone shift.

There are HIJINKS inherent in the premise that I’m guessing were fairly unilaterally unexpected. There’s a vaguely historical magic WISHING STONE and three buffoons each made a wish and turned shit upside down. I myself wish that Maxwell and Barbara and Diana were rendered in triplicate, as equal collaborators in this batshittery. I don’t think you’re watering down Diana’s role as lead (no more than giving her no other emotions to play than sadness) by doing so, and it even works nicely to own the idea that Max and Barbara are on equal narrative ground as Diana.

As far as the villainy goes, Max is more recognizably a Bad Guy, but Barbara is NOT, and it’s fascinating to show at least Diana and Barbara working together but slowly falling apart as shit goes SIDEWAYS. Hijinks can be zany and also meaningful! What if a villain is just a friend who wants something different than you and you have to come to terms with that and stop them from doing dumb shit? There’s an element of screwball to this premise and I wanted them to lean in more. This would also give Diana more to do than cry and fight.

FIX IT: show Barbara getting her powers using the same tropes of other superheroes getting their powers and figuring them out. Play it like she’s Peter Parker finding out she’s Spider-man. Hell, do a montage with all three of them using/abusing their powers: Barbara beating the shit out of things, Maxwell manipulating people, Steve and Diana making the fuck out and enjoying the shit out of it. These are the joys of wish fulfillment!

AND, if they had set up the rules of the artifact beforehand (see Challenge #3), then the audience would know they were watching very happy people who are going to have their LIVES RUINED SOON. And that is good storytelling. (Maybe this is oversimplified, but honestly half of good storytelling is just making the audience feel two opposite emotions at the same time. The other half is dramatic irony, which would also apply to this trio montage.)

CHALLENGE #3: What the hell are the rules of this magic wishing artifact anyways??? The audience should know them before the characters do. The way this movie doled out information was bananas. They waited right before they were going to the tell the audience something to show us what they were about to tell us. Just show us earlier and tell the characters later!!! That way WE’LL already know because we’ve seen it, and THEY’RE not saddled with expositional dialogue to make sure the audience follows the idea.

FIX IT: For the love of humanity, nix the opening sequence with the horse race and make it about the damn stone!! Rip off Lord of the Rings and tell the history of the innocent but dangerous thing. Rip off Harry Potter and the Deathly Hallows and animate something about how it gives wishes at a cost. Hell, let Connie Nielsen and Robin Wright(’s unbelievably ripped arms) tell young Diana the story so they can still hang out and be a part of the film! Throw in some lore about the gods, just to remind us where Diana comes from and her belief system, and we’re good to go.

While you’re at it, toss in the whole point of the film into the moral that Diana’s moms impart to her at a young age. It’s not a spoiler. We don’t wonder if 1984 Diana will do the right thing. She does not need to LEARN this moral. She already knows the moral, but she still has to make the hard choice to let Steve go and of course it doesn’t come easy.

In summary: that horse race had little to do with the rest of the movie and it’s wasted story space, especially for setting up the entire magical premise that the movie hinges on, let alone the actual message of the film.

CHALLENGE #4: Do we care about Maxwell and his kiddo enough to rest the entire movie’s resolution on it? Ehhhh. The glimpses into young Max’s abuse is another example of showing information RIGHTBEFORE it’s important, rather than setting it up earlier to pay off later. It’s a far weaker choice.

FIX IT: Age up Alistair. If he’s a teen or preeteen, then the stakes feel higher because it seems more monumental to undo the trauma of neglect at that age. Much like in his business pursuits, the clock is ticking and Max is running out of opportunities for success in all realms of his life.

Maybe show Maxwell trying to reason with Alistair earlier in the movie, saying that he’s a good dad because he’s not as bad a dad as his own father. It shows us how he justifies his behavior, gives us the information that he had an abusive dad, and gives an actual interaction between father and son other than “daddy you’re not here” and “shhh son here’s a pony.”

Possible other fix-it which connects to other fixes: what if Barbara actually renounces her wish before Max does? It should be more painful to the audience to lose Barbara to her wish because we’ve technically LIKED her at one point. She means something to Diana, and so she means something to us. Honestly, the audience has rooted for her independent of Diana! The scene where she realizes she’s not powerless against her harasser but then completely loses herself in violence against him? One of the movie’s best. It’s pretty dissatisfying that she just goes completely off the deep end and then nothing with her is resolved after the wishes are broken.

But, with the way the movie is set up, the big emotional climax is the scene of Diana getting through to Max/the entire planet, so it’s hard to undo that and give it to Barbara instead, considering that it won’t wrap up the plot. But geez, do SOMETHING with Barbara that’s based in actual emotions. Don’t hinge your entire movie’s emotional resolve on a father-son relationship that’s two-dimensional and doesn’t have anything to do with the main character! You had emotional investment in Barbara; use it!!

At the very least, have Diana get through to Barbara in some way, either before Maxwell renounces or after, and maybe even intercut it with Max and his kid.

CHALLENGE #5: I experience great existential malaise at watching a mylar balloon drift off into the ether. Was there no better visual for the final moments of the film? Asking for myself, and also the planet. (This one is mostly a joke... but seriously, you guys, the PLANET.)

#ask box #spoilers #uhhhh I should probably keep this out of the tags #I wanted to like this movie a lot #but it came up short for me and it hampered my enjoyment a little bit #so I tried to take note of how it could've been improved with a stronger script #instead of complaining vaguely and dunking on it #WW84 #Wonder Woman

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aros001 · 3 years ago

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Going in blind: Watching season 3 for the first time. Random thoughts.

Episode 1: I know in the original series She-Ra was the sister of He-Man so I'm curious how much of that will be carried over to this series. Not saying He-Man has to make an appearance, same as how Batman didn't need to show up in Teen Titans. That was Robin's story, not his, and similarly this is Adora's story, not Adam's. Regardless, it makes sense why Hordak was so annoyed with the baby Adora in Shadow Weaver's flashbacks. To SW, there was something different and special about the baby, but to Hordak, whom seems familiar with the world before Mara separated Etheria from the rest of the universe, including Eternia potentially, Adora is just another "First One" child like he's seen many times before. Special in comparison to those who only know Etheria.

Great clap-back from Catra to Hordak, and not entirely unfounded. It's debatable how much he actually cares about conquering Etheria. He has others leading his forces in his war yet all his focus is on his portal creation.

According to Entrapta, productivity of the Horde is up 400% ever since Catra became Hordak's 2nd in command. I wondering how much of that is Catra's direct doing? Is she genuinely just that good of a commander? Is it because she's properly delegating and Scorpia has been handling most of the load? Or is this just because it's in comparison to Shadow Weaver? Entrapta said Catra's focus on First Ones' tech has been greatly aiding them and SW definitely focused more on magic, which was an aid mostly to herself since everyone else in the Horde seems to fight only with weapons and technology. And most of what she saw of SW while she was Hordak's 2nd was her being obsessed with bringing back Adora rather than fighting the war.

Episode 2: Let's see... Hordak's easily an adult and Entrapta is...[checks google] late twenties, early thirties. Oh good, then let's sail this ship!

But yeah, that was a heck of a backstory for Hordak. This reminds me of a video by a Youtuber named Savage Books comparing the villain Steppenwolf in the theatrical and Snyder Cut versions of Justice League and how, while he still wasn't a great villain, just a small addition made him a much better villain, that being a failure in his past and the desire just to go home. And in this case, Hordak is the much better, or at least way more developed, version of that. One of many clones of Hordak Prime but having a defect that labelled him a failure and had him cast out to Etheria, a "backwards world" as he's called it before. If he can conquer Etheria, perhaps by building a portal that'll bring forward Prime's army, he believes that'll prove to Prime that he is not a failure and that he can return home to rejoin his forces. Just this bit of backstory adds SO MUCH to Hordak, including new insights on his past interactions, and keeps him from being a flat character like theatrical version Steppenwolf. His lack of tolerance for failure makes sense when he himself is trying to prove that he's not. It gives him compelling motivation to want to conquer Etheria beyond just power and greed. Not motivation you're meant to agree with but one you can still understand.

I like the story with Huntara too. It's a nice little tie-in to something Adora was talking about with Glimmer and Bow last episode. Adora defected from the horde, not because she was different but rather very much in spite being very much like every other soldier there. She wanted to believe Shadow Weaver may have at least some goodness in her too and now we have Huntara as a fellow defector who realized the evils of the Horde, even if she chose to stay out of the war entirely after.

Episode 3: I legit thought Catra stabbed the goat lady for a second.

After Scorpia asking her why don't they just stay in the wastes I'm seeing a bit of a parallel between Catra and Hordak. They've both found a place where they can be the top dog, where they can do and have basically anything they want; her with the wastes and him with the Horde. They can be happy. ...But there's still this pull they're feeling to somewhere else. Catra back to the Horde and Hordak back to Prime. Because they feel they have to prove something; prove that they're not failures. They could be happy but they can't let go.

And that scene between Adora and Catra at the end. That was such a great line read from Catra's actor. "She left me for you. Everything that's happened is because of you." I got chills.

Minor note: While I'm only judging off the Mara hologram, which didn't have color, I do think the She-Ra outfit looks better with pants than shorts like Adora's She-Ra form. I think it makes it look sleeker, if that makes any sense.

Episode 4: Catra's spiral has turned into a drill and its taking her down as far as she can go. Though something I had to a laugh a little at myself over was that my biggest "Catra, no!" reaction wasn't to her wanting to open the portal but rather when she lied to Hordak and said Entrapta let the princesses in. She was actually a positive influence on Hordak's life and Catra with one move just destroyed that relationship and all progress Hordak had been making.

I'm guessing there's going to be some kind of long-term effect from Shadow Weaver continuously siphoning off Glimmer's magic. The woman is basically a parasite and the magic she uses is very different from the kind Glimmer does. I can't believe it never occurred to me that since Shadow Weaver trained Glimmer's father there might be a connection there between the two of them later in the story. While we don't know about anything that might've happened after she left, SW clearly had enough affection for Micah still to not kill him. I could see her trying to take Glimmer on as a student later like she did him.

Episode 5: There is something kind of hilarious about it being Scorpia's jealousy of Catra and Adora's closeness that causes her to be the first one after Adora to pick up that something is off.

11 is my favorite of the Doctor Who Doctors so naturally I'm comparing all this to the crack in Amy Pond's bedroom wall. Whatever goes in gets forgotten about and basically never existed. Though does that mean Bright Moon isn't going to remember the Horde? Basically that entire place got sucked up in the collapsing reality. There shouldn't be at war anymore because their enemy literally no longer exists.

Adora and Catra had their own little Star Trek 3 moment there.

Adora: "If we don't help each other, we'll die here!"

Catra: "Perfect! Then that's the way it shall be!"

Catra's just so far down her spiral she doesn't even care about getting her own win, just so long as Adora doesn't get one, despite just minutes ago clearly loving having Adora back in her life and on her side, to the point was trying to resist remembering the old reality. Her "perfect" world was them together again but when given the chance (another of many. I love those cuts to their past woven in there) she slapped the hand away.

I'm sure I'm wrong but I'm starting to theorize Madam Razz is actually Mara and just at some point went kind of crazy and started thinking as and Mara were two different people.

Episode 6:

"You are everything I ever wanted in a son. This... This is everything I ever wanted in a life. ...But I've got responsibilities, Van. And...I have to...go now."

-Superman, Justice League Unlimited: For the Man Who Has Everything

That was my favorite episode of JLU, where Superman is trapped in this world that isn't real but still perfect in every way, and the only way out was to give up everything he'd ever wanted, including a son he remembers watching grow up, even if it never really happened. With a similar premise, this definitely helped elevate Angela up a bit for me, whom I was kind just meh with before. I didn't dislike her but I didn't really care much for her either. This episode gave her a lot to work with though, with the heavy sacrifice she made. Not just saying behind to pull out the sword but just simply forcing herself to accept her husband is gone and not coming back. I was right that they wouldn't remember the Horde, but I definitely didn't think of the full effects of them never existing. They never exist, Bow never becomes a rebel instead of a scholar like his dads wanted. They don't exist, Micah never dies in battle against them. Glimmer gets to grow up with her father in her life. Everyone, most especially Angela, has to reject everything they would love to be real in favor of what actually is.

I'm guessing we're going to have Shadow Weaver taking advantage of this situation, trying to act like a teacher and mother-figure to Glimmer now that she's basically a orphan.

I talked before about how Catra and Hordak seem to have a parallel between them, especially regarding failure. Catra seems like she has a very hard time accepting her own failures and mistakes and thus why she more or less uses Adora as a mental scapegoat for all of it. Nothing is ever really her fault, it's Adora's, or Shadow Weaver's, or Hordak's. It makes for a great moment when Adora finally punches back, both literally and figuratively. She's not going to accept responsibility for Catra's actions anymore. She gave Catra every chance to make the right choice and she didn't, so now she has to finally live with the consequences. Heck of a glare She-Ra gave Catra at the end. Very much a "If I ever see you again..." and it certainly scared Catra, at least for a moment.

Now, someone go save Entrapta from Beast Island!

Season 3 verdict: Easily the best season thus far. I know this was technically the second half of season 2 but even in comparison to the full season 1 there was just so much that happened in this, so much that got revealed, and so, so many moments of emotion or tension. Weirdly I feel kind of disappointed that Hordak Prime is probably going to come in now and be the new big villain. I really like our Hordak's motivation and Prime seems like he might just be the generic conqueror for power that Hordak seemed like he was going to be at first. Not saying those types can't work. I love All For One from My Hero Academia and Frieza from Dragon Ball. Those guys are pure evil and selfishness, but they also have a captivating presence/charisma to them.

Naturally, since I bring her up the most out of all the characters, I'm very curious to see what happens with Catra now. She's basically nuked every positive relationship she had with anyone. Entrapta's gone, she threatened Scorpia, Hordak's not going to trust anyone including her anymore now that he thinks Entrapta's betrayed him, and Adora firmly sees her as an enemy. She has no one (those under her direct command don't count) and it's entirely her own fault.

Original Reddit post: https://www.reddit.com/r/PrincessesOfPower/comments/o0trfz/going_in_blind_watching_season_3_for_the_first/

#she ra #she ra spop #random thoughts #reddit repost

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jadelotusflower · 4 years ago

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March 2021 Roundup

Reading

Benevolence by Julie Janson - One of those books that caught my eye at the library (I’m a sucker for the “top picks” shelf) and I’m glad I picked up. The story of Muraging, given over in 1813 to the Parramatta Native School, but always trying to find a way back to her family and culture in the brutal early days of colonisation - resilient in the face of so much hardship. Janson is a Burruberongal woman of the Durag Aboriginal Nation, and Muraging is based on her great-great grandmother and Durag oral histories. An engrossing but often difficult read, about a period of history not often told from this perspective.

One Day by David Nicholls - A book that has been sitting on my bookshelf for so long I don’t even remember buying it. I vaguely recall seeing the movie adaptation on a plane once so must have enjoyed it, but can’t say I would recommend this book. Depicting St Swithin’s Day every year in the lives of two absolute character cliches, from one night stand, to friendship, romance and marriage. The concept is neat and the writing has wit, but I just couldn’t bring myself to care about Dex (insufferable twat) and Emma (not like other girls) or their love story. Okay, it’s not that bad. It kind of grew on me by the end.

Watching

Superman and Lois (episodes 1-5) - I’ve had reservations about this show because of this but am giving it a shot. I have not followed the Arrowverse/Crisis but a friend did her best to explain it to me, although honestly I found it this show works just as well as a standalone. The premise is simple - Lois and Clark return to Smallville with their twin sons for teen superhero angst part two. To be honest, it feels so much like a Smallville revival that...I kind of wish it was?

Tyler Hoechlin makes a good Clark, but that padded Superman suit is an embarrassment - get rid of those fake muscles and show us some super collarbones! Elizabeth Tulloch is growing on me as Lois - she’s very...subdued, but imo lacking that spark Kidder, Hatcher, and Durance had. Honestly, subdued it how I would describe the show overall. Also the colour palette is sooo drab because gritty realism I guess.

I enjoy the family drama aspect of it, although I wish one of the kids was a girl. I mean, I understand why they’re twin boys - the son becomes the father and the father the son and all that - complete with both sons being named after both of Clark’s fathers (is there a name for the trope of the hero’s kids being named after his dead family/mentors as if the mother had no input??). The Captain Luthor/Morgan Edge plots are still in the setup stage so hard to comment on them.

I sound harsh, I don’t dislike the show overall (and there’s some really good elements there). We’ll see, I guess.

Man of Steel/Batman v Superman/Zack Snyder’s Justice League - I’ve never really been a huge fan of the Snyderverse, and have been trying my best to avoid the Discourse about the Snyder cut over the past few years (from both sides). I have however been following what Ray Fisher has had to say, and can’t deny my interest was piqued by the idea that there was an entirely different film out there that did right by its characters. So I went back and revisited MoS/BvS before embarking on JL to give the franchise another shot.

While I still don’t really vibe with Snyder’s aesthetic (it’s just a bit bleak and muddy for me) I think these films are actually better when viewed together as one long story. I can appreciate that he made an effort to step away from the Donner nostalgia, and tell this epic modern myth of gods among men, and can enjoy it for what it is. The Snyder cut was entertaining enough, and I quite enjoyed aspects of it - Cyborg is indeed the heart of the film (but I honestly wish it had been explored in his own movie), and Wonder Woman, Aquaman, and the Flash break up the dreary tone.

It was nice to see the Amazons again (and I loved “Amazon’s, show your fear”/“we have no fear”). I like this take on Clark and Lois, even if most of the relationship happens offscreen, and there’s certainly more in the Snyder cut - even if I wish there was greater depth to Clark’s arc in particular, less of the god and more of the man.

I did however notice a pattern in these films in that I was interested/compelled by the first world building/character half, and having my eyes glaze over in the endless action cgi-fest of the second half (I have this issue with Marvel too). And the Snyder cut is indeed endless - it rivals Return of the King for number of endings but is much less cohesive, like Snyder was throwing everything at the wall since this might be his last chance. There’s a nice montage at the end with a bit of hope, and I was thinking well this is a nice uplifting note to end on, thank you! But nope, twenty more minutes of grimdark prophecising (in isolation, an interesting scene, but felt so out of place to show the team torn apart again immediately after we’ve just seen them come back together).

I also lol’d at David Thewlis getting a front credit for what amounted to his cgi face behind a massive helmet. Collect that paycheck, my man!

Coming 2 America - I watched the original as a teenager more times than I can count, truly iconic. Look, I dislike the sequel/reboot/remake merry go round when it dominates the scene, but to be honest I am a sucker for a sequel that’s lovingly made and really just an excuse to get the band back together and have fun. Worth it for the costumes and dance sequences alone (especially the En Vogue/Salt n Pepper/Gladys Knight mashup), but I really enjoyed this overall. There’s nothing groundbreaking and it doesn’t try to be. Was it necessary? No. But did I enjoy it? Absolutely.

Actually, scratch that. The costumes and hair are absolutely necessary.

The Prom (dir. Ryan Murphy) - Now I love a movie musical and this was...fine. It’s sweet and I enjoyed Meryl Streep doing her best Patti Lupone, and Nicole Kidman clearly having fun (even if she can’t Fosse to save her life) although I can’t say I found any of the songs memorable. James Corden, however, is pure cringe for reasons outlined here. But overall it’s light and fluffy, and not a terrible way to spend two hours of your life.

Superstore (seasons 1-6) - I’ve been binging on this for a while, and it’s a fun little show about the employees of a big box store - it’s nice to see America Ferrera back on screen (with producer credit). A great, diverse cast, but MVPs for me are Lauren Ash as Dina (you may recognise her voice as Scorpia from She-Ra), and Kaliko Kauahi as Sandra. While it did touch on some real-world issues - corporation malfeasance, unionisation, etc - ultimately it’s lighthearted and pleasant, especially the series finale that just goes full happy ending with a nice break from grim reality.

Allen v Farrow (dir. Kirby Dick and Amy Ziering) - I’ve never watched a Woody Allen film, and the clips I’ve seen of Woody Allen films haven’t changed my mind on this point. But what struck me seeing the clips of Manhattan in this documentary is just how young Muriel Hemingway was - this is not the Hollywood standard 22 year old playing 17 (which is problematic in other ways) but an actual teenager with a baby face and childlike voice, in bed with a 40+ year old man and I am baffled that this film is so highly regarded - if nothing else it’s right up there on the screen.

But of course there is so much else, which makes this documentary hard to watch at times. To those who have followed these events there’s not much new here, but it does an excellent job of compiling the sources together and giving a timeline of events, as well as refuting many of the pro-Allen arguments, and giving Dylan a chance to speak for herself. There’s also a companion podcast which is worth a listen for added perspective.

Writing

I actually finished something, finally! Posted Debrief, a Smallville one-shot (3920 words). 1670 words done on my other Smallville wip.

Posted chapter 41 of Turn Your Face to the Sun (1865 words). Now that the Obi-Wan show is actually happening, I need to get this finished before it all becomes moot.

Total: 7455 words this month, making 23,962 for the year.

#monthly roundup #reading watching writing #long post

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tfw-no-tennis · 5 years ago

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hunter x hunter thotz so far

soooo ruth and i started watching hunter x hunter woohoo finally! we’re like 10 or so eps in so i decided to collect some thots below on what i think so far (i havent rlly been spoiled so im interested to look back on this once ive watched more)

first off i love gon sm, hes immediately so endearing...hes just a baby!!!! just a little baby boy!!!! hes just so cute and good, im so not ready for him to get put thru the wringer later on as ive vaguely heard happens

the first few episodes were really fast paced which i enjoyed and thought was for the best. the characters came thru really strongly and i feel like we heard juuuust enough about the setting, premise, and what a hunter is

i wasnt expecting leorio and kurapika to show up in the FIRST EP lmao that surprised me. i love so much how the three of them like IMMEDIATELY became a family unit in like 3 eps lmaoooo it was like ok here are 2 parents and their son bam. also leorio and kurapika having a showdown on the boat (which didnt end up happening) was a wild ride

i have like zero fucking idea what a hunter is and the more they attempt to explain the more confused i get. its honestly kind of hilarious how little sense it makes. to be clear this doesnt detract from my enjoyment of the show at all (if anything it adds to it)

oh my god fuckgin hisoka is the worst he hasnt done much but i hate him so much already. good villain writing/design so far, hes so hateable

ruth every time hisoka shows up: WE HATE UR PUSSY BIIIITCH

the character design in this show is....a lot lmao. ruth and i decided its a cross between soul eater, jojo, and one piece in terms of aesthetic. the designs are certainly unique and so many of them are just so ugly hvbjafdbdskgs it reminds me of that post thats like ‘masterpost of jojo characters who look busted as shit’ lmao

i already love this show a lot tbh like the way its structured so far has been kinda atypical for a shounen, at least in terms of fights - we really havent seen a lot of fighting yet. also nen hasnt shown up yet and its reminding me of stands not becoming a thing in jojo until p3 lmao

anyways in litrally ep1 i already loved the 3 main characters we saw...leorio is a wild dude, i love him sm, especially as a fellow medical binch who wants MONEY. like, thats literally me. and kurapika is also wild, like damn they rlly just dropped their backstory in ep 1 huh. like we rlly are jumping right into this

also when leorio said he was a teenager i was like WHAT???? just like evryone else which YEA omfg. i cant believe hes that young lmao. kurapika too

so leorio is one of those 19 yr olds who looks 40 and kurapika is the type of teen who looks like a 12 yr old

and KILLUA i love him sm also....hes an adorable assassin catboy and hes perfect. i love how quickly he and gon hit it off (tiny bfs.....) and how hes just like, this extra as hell 12 yr old with a SKATEBOARD and ASSASSIN SKILLS and then he sees gon and is like guess im gonna fall in love

i gotta talk abt gon again i just love him. hes so polite and cute and kind and good, i just love him...wht a good protag. his motivation is just wild too, hes like well my dad abandoned me to go off and be a hunter (which he isnt even mad abt, what a nice lad) so im gonna do that to see what the deal is

i love how gon (just like the audience) doesnt really know what a hunter does/is and just goes into the exam totally blind lmao. also the fact that his skills seem to include jumping good, being speedy, having the energy typical of a 12 yr old, being a weather sniffer, being nice, and having good instincts/constitution as a result of having eaten random grass and forest shit growing up...amazing.

is this gonna turn out to be one of those things where its like, wow theyve been using nen this whole time without realizing! tht would honestly explain a lot lmao

i really enjoy how like....semi-normal the power levels are rn? while also being all over the place and wack as fucks obvs (like hisoka dissolving that guys arms in his first appearance was A Lot, as well as all the card stuff hes done..). like the part wher that blue guys (evil franky one piece) punches the ground and it leaves a crater and everyones like !!!! wow wtf thats unnatural! that literally threw me off bc that kinda thing is so normal in anime lmaoooo. but i like that thats the starting point bc it leaves a lot of room for power escalation w/out it getting too out of hand

specifially our protags are starting out pretty low on the Shounen Badass scale - especially gon (and leorio, tho i kinda predict he wont be as fight-y? what with him being premed)

i find it kinda hilarious how killua hasnt done too much (aside from murdering those 2 randos in like half a second) despite being so clearly skilled...like when they have to do the 5v5 fight thing in the tower, i wouldve thought hed be the first up cause hes so badass but nope

actually thats what i find interesting - i was expecting all 5 (or maybe 4, we’re in the middle of leorio’s ‘fight’) of the fights to be physical smackdowns but so far nope, theyve been very cerebral. that bodes well, w/how smart the fights have been, bc i doubt the fights will get stale tht way

tho they might be kinda frustrating sometimes - there are times when u DO just wanna see a good ole fashioned shounen beatdown yknow. but we do get enough of that now (and im sure we’ll get plenty more) to satisfy (like kurapika decking fake-franky)

oh also the opening. its so charming and cute and i love the song...its also so hilariously basic and classic - like one of those typical 2000s anime openings where theres stock run cycles of all the main characters and theres a little animation of all the characters fighting together (and that fight doesnt actually happen, its just for the op)

also love that leorios the only one who doesnt fight in the OP, instead getting saved from death by gon lmao. im curious if he’ll end up fighting at all (i assume a little?) and if he’ll use nen (probably healing type nen?)

also i already wanna fistfight ging for abandoning his perfect angel son. also leorio is literally gons dad already, they even look alike wow

that guy hanzo has done basically 0 things so far but i rlly like him already, im curious if thatll change. also sorry for calling u ‘hanzo overwatch!?!?!?!’ upon first viewing my guy

tonpa is str8 up so annoying pls leave u pathetic loser

tho it cracked me up when he and Evil Mr Clean were facing off and starting getting all detailed/shaded and i was like o shit is he actually badass. are we abt to see like a nen battle or st. but no....lmaooo

i found it interesting that leorio didnt really admit to wanting to be a dr at first...hes such a good dude, he kinda just let kurapika think that his motives were superficial and greedy when in actuality theyre selfless

also wanting to be rich can be a rlly interesting character motivation and i love when its done right

oh my god i cant believe it took me this long to mention the hilariously edge ED....like holy shit, its so 2000s, the song sounds like its been re-recorded like 40000 times bc of how bad the audio quality is, or something, idk how to describe music but its hilariously specific in tone and its rlly funny to see shots of the main characters smiling while this screamo whatever plays in the bg....wow.

also s/o to killua for being king of edgy with that ‘tear of blood’ shot

i rlly like how much of the plot, especially the early hunter exam stuff, is moved along simply by gon being a good kind polite boy.

love the fact that he and leorio and kurapika (and later killua) all team up without even saying anything...i love that, most shounen would have them be like ‘che, i cant team up with anyone, i have to prove myself ALONE or my victory wont be EARNED’ or w/e idk. who knows that might happen later but rn i love how they all effortlessly work together (and how they all contribute - without each other they would have all failed at different points)

oh man also killuas first appearence was so funny when he drank a bunch of tonpas poisoned drinks and was like [smirks] tch, loser, im immune to poison. get dunked on. [skateboard away] i love him so fuckgin much

omfg that part where killua looks all shoujo/kawaii and is talking abt how hes gonna kill his family or w/e and gon is just like ^_^? i love they

HOOOOLY FUCK I ALMOST FORGOT, BUT 65% OF THE REASON I MADE THIS POST WAS TO MENTION HISOKAS THEME LMAOOOOO his music being like fuckgin, spanish guitar/traditional mexican type music is sooooo goddamn funny to me for some reason, like the first time it played i was like ok whats going ON with this spanish guitar lmao but then i figured out that its his theme and god thats so funny

hisoka is also so fuckign jojo like he could so easily be in jojo. he and dio would be the fakest best friends ever and would constantly try to kill each other on the lowdown and shittalk each other constantly in private but be super sweet to each others faces. also they would hatefuck. no im not taking criticism bye

i rlly love everyones backstories also, and i find it interesting that weve gotten to hear/see at least some of all 4 of the MCs backstories. theyre all compelling and interesting and i cant wait to dive in further

also calling it now but kurapika is totally gonna get way too absorbed in revenge and get fucked up/disregard their own life (maybe in the style of robin in one piece?) we’ll see but i feel like it aint gonna end well. i could be wrong, i really havent been spoiled at all, thats just my guess

hbahjfbshjf the ep that was called ‘hisoka x is x sneaky’ was SO funny that reads like a dora the explorer ep title

also i had no idea the ep titles were formatted like that w/the x’s and thats rlly funny

ok but the part where leorio - who seems to be pretty bad at fighting - tries to fight hisoka - whose literal first appearence involved him effortlessly dissolving a dudes arms - is so fucking funny. leorio rlly b a premed w/no brain cells....same bro.

also i loved the Cutthroat Kitchen portion of the hunter exam and how not a single contestant was any good at it lmaoooo. do they not have the cooking channel in hxh-verse earth

ok i love how the main characters are all intuitive in different ways depending on their own skills, like how killua can immediately guess that kurapika has never killed anyone before after they didnt kill evil-franky

kurapika joined killua in the Edgy Corner during that part also. like, they both have legit reasons to be edgy, but the shots of kurapika sitting in the darker tunnel part was kinda funny

also killua, a literal 12 yr old, calling out kurapika for being a murder virgin was pretty hilarious

ok also i didnt know that madhouse animated hxh which is rlly funny but w/e i love the animation especially the occasional chibi parts and the facial expressions (like killuas ‘i love murder’ catboy expressions)

oh also when killua murdered those 2 guys and his hand was all vein-y and his nails were pointy, his hands looked like hisokas do...i wonder if thats a legit connection or it hisoka just b getting his nails did

kurapika talking abt how even seeing a regular spider makes them rlly angry was both very sad and kinda funny. kura u have so many issues god bless

kurapikas smackdown on evil blue franky was fuckin dope tho. and the red eyes reveal was SPOICY

rlly love how the individual fights highlights the characters strengths/morals/motivations/whatever....the writing is already really strong tbh

ugh ok ive ranted enough this is a Lot lmao its so disorganized but w/e

basically i love this series so far and im rlly curious whatll happen next. also everything seems pretty chill and upbeat so far (relatively) and i know this shit gets dark and im NOT FUCKING READY.

til next timeeee

#i think readmores are broken? sometimes? anyways i hope thats not the case and if so then im sorry everyone #im gonna schedule this for like 3 am this is just for me to ramble lmao #anyways i need a tag #uhhh #lj watches hxh #hxh #bam there we go

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areyougettingenoughoxygen · 5 years ago

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Guess Who Write Tonight’s Show?: Space Ghost Coast to Coast and a History of Stopping (or Starting) the Insanity

Hands down, I can attribute my sense of humor and possibly my love for pop culture in general to the Cartoon Network-to-Adult Swim television show Space Ghost Coast to Coast. I’m not sure if it’s due to the nostalgia I had towards the show, or if it’s just because it’s so damn funny, but SGC2C is a show that I could watch on repeat and never get bored of, and I get bored of things pretty easily. As a kid, I remember Cartoon Network not being available on every cable package like it is today, so pretty much the only time I would get to watch it was during weekend stays at my grandparents’ house. I’d sit in the downstairs area and play with my Legos, staying up way too late, and watch shows like O’ Canada (a show that was comprised of Canadian produced shorts), Cartoon Planet (another show featuring the Space Ghost crew), and of course, Space Ghost Coast to Coast. As I got older and Cartoon Network was more readily available, Space Ghost Coast to Coast went from Cartoon Network to Adult Swim, and my parents forbade me from watching anything during the adult-only programming block (although I do remember sneaking and watching Aqua Teen Hunger Force episode “Mayhem of the Mooninites”). Once I got to middle school, while I couldn’t stay up late when Adult Swim was on, I received the first seasons of Aqua Teen Hunger Force and Space Ghost Coast to Coast on DVD. My friends would talk about Adult Swim, and I’d try to insert jokes from Space Ghost, and they’d respond “Oh we don’t watch that, we watch Family Guy.” Even though I started watching Family Guy to fit in, I found myself more drawn to the absurdity that was Space Ghost Coast to Coast.

Apparently, I wasn’t the only only one who didn’t have Cartoon Network in their home. It has been stated by the creators of Space Ghost Coast to Coast that during the beginning, they would watch the episodes at the office because none of them had Cartoon Network at home. The series was produced because Cartoon Network, a network originally comprising of archived cartoons, was wanting to produce original content for as cheap as possible. They wanted it to also appeal to adult viewers, with the idea that the market hadn’t yet appealed to this market. This became a reality by using footage and content from previous Hanna-Barbera series Space Ghost and inserting it over new backgrounds and imposing interviews over that. Matt Maiellaro, Andy Merrill, Khaki Jones, and Keith Crofford all wrote the earliest episodes while Mike Lazzo headed the program and Michael Cahill edited it. All of these people would be instrumental in the future Adult Swim block, but they got their first big start with Space Ghost Coast to Coast.

The premise of Space Ghost Coast to Coast is simple to explain, but things in the show never turn out to be as they should. Space Ghost interviews the guest, Zorak plays the music and antagonistically bounces off what Space Ghost says, and Moltar attempts to direct the show. At the beginning of the series, the show stays true to theme while placing various jokes within the shows. The first episode created, “Elevator,” sticks to having Space Ghost interview funny lady Judy Tenuta, my ex’s guide to taking shrooms Timothy Leary, and lover of baking chocolate pies Ashley Judd. You’d see hints to deviation in early episodes like in the first episode aired “Spanish Translation” where the cast’s proclamations would periodically be translated to Spanish and a faux evil nursery rhyme album starring Zorak and Moltar was advertised, or in “Batmantis” where Moltar had been kidnapped and Space Ghost attempted to have stars from the Batman television show help out Zorak’s alter ego Batmantis, but for the most part Space Ghost Coast to Coast operated in that there would be guests and comedic moments came from the interviews. It’s been said that the second season’s episode “Fire Drill” (which features an intro with Space Ghost complaining about sending gift baskets to Cartoon Network, created from simply taking voice actor George Lowe’s rantings from the voice booth) is when Space Ghost Coast to Coast’s premise took shape: making a comedic cartoon where interviews are taking place that becomes pure insanity.

While adult animation and humor was hardly new in the 90s with shows like The Simpsons and South Park being mega hits, Space Ghost Coast to Coast pushed the boundaries unlike any other program. The earliest example of this in my estimation would be the episode “Transcript,” in which the show deviates from its editing of interviews to present the interview with musician Jonathan Richman almost word-for-word how the interview actually went. The episode that aired a week after, “Sharrock,” was simply an episode that played the musical stylings of departed Sonny Sharrock, with the guest being Thurston Moore of Sonic Youth posing as a guest named Fred Cracklin. One of my favorite episodes of the series is entitled “Pavement,” named after the band who performs during the episode. The episode’s premise was that Space Ghost had written the show himself so it becomes more and more outrageous as the episode goes on (an example is Space Ghost promising that The Beatles would replace Zorak as the musicians of the show, only for Pavement to show up with Space Ghost claiming that they’re The Beatles because the people watching the show are too stupid to know the difference), but the story of the episode behind the scenes was that periodically the writers would just pass around the script after a few minutes had passed and had to continue the story that had already been written.

The longer the series was on the air, the more and more they tried to push the boundaries of comedy, with the fifth season of the show introducing several episodes like this. The winners of the Haiku In For Space Ghost contest ran by Cartoon Network got to be interviewed for the show and appear on an episode of Space Ghost, only for their episode (entitled “Joshua”) to be a long parody of a corporate instructional video with the interviews being presented in the last minute of the episode. “Warren” was an episode that’s ending was the exact same scene as the beginning, and when it originally aired it aired the episode three times in a row as a continuous loop of an episode, with the joke being the length of the episode. “Waiting for Edward” had an extended minute-or-so introduction that was simply a black screen with the word “Waiting” visible to the audience. These bits of anti-humor became the precedent for what was to be expected from Space Ghost Coast to Coast, as well as what was to be expected in the future Adult Swim block.

The sixth season had even more jokes based on this anti-humor movement. “Snatch” (written by the future creators of Sealab 2021, Adam Reed and Matt Thompson) advertised at the end of the airing that the ending would be sold at an eBay auction, with it being revealed in the future that the ending was simply a message with letter dancing around to a comedic tune and eventually spelling out “THE END?” “Curling Flower Space” was presented as the end of an episode supposedly named “Brilliant Number Three” with Jerry Springer being interviewed, only for the episode to be three different accounts of how a previous Sarah Jessica Parker interview played out. What may be the most outrageous display of special Space Ghost Coast to Coast humor would be the “Fire Ant” episode. A week before “Fire Ant” aired, an episode titled “Table Read” had aired on Cartoon Network, showing the voice actors rehearsing for the upcoming episode “Fire Ant.” That was it. Once “Fire Ant” aired, it was shown as a half hour episode, with the second part of the episode being over ten minutes of Space Ghost simply slowly following an ant to its home.

Almost two years later, Space Ghost Coast to Coast was moved from late night Cartoon Network to...well, still late night Cartoon Network, but a more edgy and adult late night Cartoon Network. Adult Swim, headed by the people instrumental over the years in making Space Ghost Coast to Coast, debuted in 2001 with shows similar to the Space Ghost Coast to Coast in that older Hanna-Barbera properties were taken and had new situations crafted for them. A more adult and edgy block seemed the perfect fit for Space Ghost Coast to Coast, but while a few curse words were added, the heart of the show remained the same. While only five episodes were created for season seven, eight episodes aired. This was thanks to “Kentucky Nightmare” being used three extra times in the form of the episode “Momentary” (an episode where the producers’ moms are providing commentary for “Kentucky Nightmare”), the episode “Momentary - Creator’s Commentary (an episode where the creators provide commentary for “Momentary”), and the episode “Momentary - Jellybean” (an episode where the creators just make a bunch of noise over “Momentary”). If it sounds crazy, that’s because it was crazy. But it was so crazy that it was hilarious.

Space Ghost Coast to Coast sadly didn’t receive many episodes in the Adult Swim era before ending (only 15 if you count the “Kentucky Nightmare”/”Momentary” rehashings), and its finale in true SGC2C fashion was promoted as an “Unfinished POS.” “Live at the Fillmore” is the only episode where not a single interview happens (the show has no budget, so Space Ghost suggests to interview the old Susan Powter interview from “Spanish Translation”), and as the episode continues it is obvious that it isn’t fully animated. The episode at the credits has no credits visible, and at the very end shows the credits for “Kentucky Nightmare.” The Adult Swim era of Space Ghost Coast to Coast ends where it begins. Sure, the series was revived later for website Gamefly and featured Space Ghost interviewing video game personalities, but the show that it was was dead and gone.

While Space Ghost Coast to Coast itself may be long gone, it has lived on in other Adult Swim programs. The Brak Show is a direct spinoff with Space Ghost appearing every now and then. Aqua Teen Hunger Force itself is a semi-spinoff of Space Ghost Coast to Coast, with the first idea for the team being seen in the SGC2C episode “Baffler Meal.” ATHF shows mention of its roots in both the episode “Carl Wash” in which the villains of the episode are Carl and Carl Jr. from SGC2C episode “Chambraigne,” and in the feature film where a missile launches and directly hits Space Ghost. Space Ghost cameos can be seen in every episode of Perfect Hair Forever, and in most episodes of Off the Air. A Robot Chicken sketch showed the counsel of Adult Swim being comprised of executives and included Space Ghost as a member of the counsel. While not directly tied, Eric Andre cites Space Ghost Coast to Coast as the influence for The Eric Andre Show. Various different advertisements over the years on Adult Swim have also featured Space Ghost interviewing a representative or mascot of a company.

Eric Andre has stated that Mike Lazzo is uninterested in ever bringing back Space Ghost Coast to Coast, and with the passing of C. Martin Croker (voice of Zorak and Moltar) in 2016, it seems as though a revival of the show is impossible. It’s a shame, as Space Ghost Coast to Coast is the grandfather of modern adult comedy in my opinion. Its redefinition of what comedy is and its forceful nature of making its viewers reconsider what is funny and what isn’t is the new standard of comedy. What made it a hidden gem during its length on television would make it a standout nowadays. When I think of something being beyond its time, Space Ghost Coast to Coast is a standout.

Should I be talking about a small cult classic like Space Ghost Coast to Coast as my first musing, something that several people reading this probably haven’t even watched? I believe it’s necessary to talk about Space Ghost Coast to Coast if I’m giving you a depiction of how I’m going to talk about things and why. I’ve been able to understand numerous cultural references and personalities thanks to the show (every time Carol Channing is referenced on Rupaul’s Drag Race my only point of reference to her is when she flirted with Space Ghost). The show has also taught me more about comedy than anything else, teaching me that the joke isn’t in what you say, but the context and how you say it. You all may not have heard of Space Ghost Coast to Coast before, but I thank it for the way I communicate and the way that I enjoy pop culture.

If you want to check out the show, it’s available almost entirely on adultswim.com for free now, and will be on the HBO Max platform when it launches in May 2020. The early episodes may be hard pills to swallow at first, but the roller coaster gets better and better the longer you ride it.

#blog #pop culture #video games #tv #movies #personal #space ghost #space ghost coast to coast #adult swim

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smolbeandrabbles · 5 years ago

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This Kiss - Phil Beckman x Reader (Knowing)

GIF CREDIT: X @memendelsohn

Author’s Note: So. This... has potential to come under Full Fic Mendo territory, I’m not 100% on that yet... We’ll see how Phil goes. But I love the whole idea...!

Disclaimer: Knowing characters not mine. I’ve also never been to an American University/College so... What I know is limited and drawn from American friends!

Premise: This relationship was dangerous... You couldn’t give a damn about that... All you cared about was having his lips on yours... If only for 5 minutes...

Words: 1890

Warnings: Student/Teacher Affair / Obvious sexual connotations.

________________ I went out last night I'm going out tonight again Anything to capture your attention...

And you, I always know where you are And you always know where I am We're taking it way too far But I don't want it to end This kiss is something I can't resist Your lips are undeniable This kiss is something I can't risk Your heart is unreliable Something so sentimental You make so detrimental And I wish it didn't feel like this 'Cause I don't wanna miss this kiss I don't wanna miss this kiss You know you're just my type And your eyes are lock and key, to my heart Tempting my confession (my confession) And you're a real hot thing... So can you feel the tension? But if you ask me to I couldn't, I couldn't, I You're leaning closer and I shouldn't, I shouldn't, I... I don't wanna miss this kiss

--- It was nearing summer again, which meant your dresses were beginning to get shorter. He obviously didn’t mind that one bit. But that also meant there would be at least one (likely new) professor who would pull you up in a corridor and lecture you about appropriate clothing around boys. Phil would rescue you as ever, with a righteous monologue about not telling girls what to wear and what should distract boys or not, steering you away with a glare. Even if he thought you might be doing it purposefully for that reason, it wasn’t the boys you were aiming to distract.

Because Phil was a man. A real man. Not some teen-turning-20-something that had no idea what he was doing. He watched the way you told your friends to leave. “I just have a question for Mr.Beckman.” He couldn’t help but smile down at his paperwork. Oh, he BET you would have a question for him… Phil waited for you to approach his desk, still smirking to himself “...You have a question for me?” You folded your arms across your chest at the way he expectantly delivered the question; “One day I won’t and you’ll be disappointed.” He sat back in his chair, still not looking at you “Will I now?” Phil steepled his hands and pressed his fingers to his lips before grinning “How can I help you today Miss.L/N?” You sat on the edge of his desk and the already short dress climbed a little higher on your thighs. He knew you were doing it on purpose but he couldn’t help his smirk. “Well. Mr.Beckman it would be the same question I always ask you...” If his smirk could get any bigger it probably did, and finally his eyes flicked to yours “Then I would ask you...” Phil stood; one movement, but slow. He was tall enough to force you to look up at him from where you sat “if you’re going to bother locking the door this time.” You raised an eyebrow “Mr.Beckman no one is going to come asking you questions in the ten minute lecture break. They’ll go to your office, not a tutorial room. Now, we both know that....” He placed his hands on either side of you and leant forward. His proximity left heat in your cheeks; “One day it’s going to happen. Someone will forget something... or someone will remember something... and then what will you do?” “I’m not the one who should be worried about things like that, Sir...” but you gave him a wicked smile “But if my favourite professor is going to get suspended, I guess I will simply have to leave the University in order to be with him.” He laughed; “You would do that... for me?” “Yes...” He didn’t ask it like he thought you were kidding. But he smirked again, “Ms. L/N, shouldn’t you be following your friends to your next lecture...? Won’t they be waiting? One day they are going to walk in and demand to know what’s taking you so long... and why you always seem to have questions for me...” He lowered his voice to a husky whisper and you didn’t think you could take that tone of voice for very long. “They wish this was them, they are too scared to ask you anything.” “Oh, do they now?” He sounded at least a little curious. Which made you give him a jealous pout. But Phil chuckled; “Too bad you’re my favourite student. I hope I don’t make that too obvious...” “I don’t know Sir. I think you do a pretty good job.” His lean into you was making you tilt back, but before long you couldn’t deny him his lips on yours. Your hands ran his shirt. Tight, black and showing off his more defined muscles. He groaned gently into the kiss at the feel of your hands upon him and gathered your body closer to his. As he slid you forward across the desk the dress you were wearing revealed even more of your exquisite skin to him and he growled into the kiss. Hands moving from your back and running down. His touch wasn’t forceful but it was strong. And his growl only made you sigh in delight, turning into a moan as his fingers travelled your thighs and under what remained of your dress covering your legs. He released your lips and went for your neck. You arched yourself to give him as much access to you as possible as your hands went to remove his overshirt; “MMm MMn” He hummed a warning into your neck – not now, not here – he still had lessons to teach. Well, you still had class to get to, so you half hoped he wouldn’t leave marks. Only half hoped; you liked smirking to yourself when your friend enquired as to which boy it was this time. For this was a sinful secret you could keep to yourself. His hands grabbed for as much of you as possible; and upon reaching for handfuls of your ass, he was greeted by lace. That made Phil pull away from your neck and bite his lip; looking between your eyes and your lips – his a considerably darker blue. “What are you wearing?” You gave an innocent little shrug “Guess you’re going to have to find out after class…” His eyes flicked to the cut of your dress and you knew exactly what he was thinking. He shook his head and traced his eyes back to yours; pulling you into his hips you couldn’t help but gasp at the friction; “You’re gonna regret that.” “…Not likely…” You couldn’t help but grin at him, and he went for your neck again – you ran your hands back from his chest up his neck and through his hair – relentless in the way you were sighing; “…Oh-! Phil-!” You liked using his name, you heard other students call him Phil instead of Mr.Beckman all the time, but there was something about you saying it. Instead of calling him the way you would call every other teacher here. “Sir-! Please-!” He almost chuckled into your neck at that, and bit into your shoulder gently for good measure. So you elicited another gasp to a husky whisper of “Good girl.” He pulled his fingers into your hair and pressed his lips to yours again; allowing you to wrap your arms around his shoulders and dig your nails into his shirt. Your favourite time and place to do this would be in his office; preferably just before you had a lecture or tutorial with him – so you could attack his neck yourself and listen to him try to control himself. So when you got into the period he would stand at the front with his collar popped; or in extreme cases with his jacket on. And you would smirk knowingly from the back of the room; offering a wink if ever his eyes happened to catch yours. He looked good like that. Hell, he always looked good. You may dress up for him on the days you were attending his classes. But it hadn’t escaped you that any time you happened to mention a shirt you liked, or that the particular set of layers he was wearing today looked incredibly sexy he would wear them again if he was lecturing you that day. And that sexy AF black jacket had become a particular favourite of yours. The bell rang for the 5 minute warning and Phil pulled away from you slightly breathless. You whined and attempted to steal one last kiss. He pressed a finger to your lips. “Shhh… Darling.” He shook his head “If we start again I don’t think I’ll be able to stop…” His voice was still husky and it was turning you on. That was a threat and a promise… How were you supposed to make it through your lecture now? He stepped back from the desk and pulled his shirt to brush out the creases, running his hands through his hair to make himself look presentable. You did the same and hopping from the desk you regarded him for a minute. Had you told him that tight black shirt looked incredible? If not, you would. “Do you have a free period now?” “Yeah, only for half an hour. Office hours. I’ll get a coffee… Then I’ve got a 1:1 – with a he, if you must know, I would hate for you to be jealous. – Then I have an hour where people can drop by but. By that time…” His eyes flicked up and down your body “…I think I’m going to be distracted by other… things…” You felt the groan rise in your chest but pushed it back – there was no way you could sit through two hours of John Koestler now. “So…” Phil collected his papers from the desk and escorted you from the room; “As ever. You ask excellent questions.” “Shame you’re not my actual personal tutor really isn’t it?” “John’s not a bad guy!” “John’s not a bad guy.” You almost laughed “He’s not you…” “Well, I can tutor you on all my lectures. You’ve always known that.” You raised an eyebrow; “…Of course I do.” “And you know if John isn’t…” “Stop calling him John!” “He’s my best friend!” “Oh I know that-! I get you thrown at me every time I have a 1:1!” “…As far as I’m concerned you’re not at all bothered by that notion.” “Mr.Beckman!” You folded your arms and pretended to be shocked “What? Where are you headed anyway? I do hope I haven’t made you late…” Even though you hadn’t told him anything, he stopped in the corridor and started looking for signs to any possible destination you’d be going to. “It’s only Mr.Koestler in Theatre B and he always starts a little late... he’s not going to mind. Especially if I tell him YOU made me late...” you winked “As I’m sure he will love it when I tell him you said its only Mr.Koestler. He’ll be very upset.” “Why?” Phil laughed “I’m not idiot enough to think that you’re only brilliant in my class for me... though… I do like the idea of it...” He was really too close to you to be out here in the open but… He didn’t care and neither did you… His eyes flicked to your lips again before he blinked and cleared his throat, turning, he pointed his folder ahead of him “…So, you’re going off that way…. And I’m…” He jerked his thumb over his shoulder “…Back to my office. BUT. I will see you later. Unless you would like me to escort you and explain to Mr.Koestler why you might be late?” “You don’t need to do that Sir.” But you thought it was sweet that he would offer. Phil nodded, that was probably the sensible choice; “Okay. Ms. Y/N… Until later. Enjoy your lecture.” “Oh. I won’t.” He smirked turning to go, but he turned back and caught your bag strap, leaning in close; “Try not to think of me too much…” His tone sent a shiver up your spine and you bit your lip. Well he’d really done it now. “…Yes, Sir.” He gave you a wink, and brushed his fingers dangerously across your arm “…Good girl.”

------

@dennismitchell @krnncsbtch @happyskywhale #MendoTagSquad.

#Ben Mendelsohn #Student/Teacher #Phil Beckman #Knowing #Sex & Math #Sex & Science?#Eh. Who cares.#GET him OUT of those layers girl!#Don't listen to him!!!#I had TOO much fun with this one #So I REALLY want to make it a full fic Mendo moment because DANG-!#Well see!#I mean if you like him I'll certainly write more of him!#48 #Linzi Writes #Skye

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aion-rsa · 3 years ago

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TV’s Most Confusing Episodes From Doctor Who to Westworld

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There has to be some confusion in a TV drama, a procession of things not-yet-understood. That’s the deal: accept temporary bafflement in the expectation that at some point, all will be revealed. Or even if it won’t be, at least there’s a reason it’s been left unsolved, like a Sudoku you’ve got jam on.

Enough, Scrappy-Doo! The TV Dogs Who Need to Chill the F Out

By Alec Bojalad and 3 others

TV’s Most Stressful Episodes From Battlestar Galactica to The Handmaid’s Tale

By Alec Bojalad and 2 others

What doesn’t work is when a TV show that’s supposed to be taking you along with it, leaves you behind. That could be your fault (Did you stay awake? Skip an episode? Were you checking your phone? Was your dog doing that weird thing with the curtains so you had to get up and miss a bit?). Or it could be the fault of a TV show either too ambitious or inaccessible or illogical for comfort. We’ve chosen the episodes that left us scratching our heads; you can judge who’s to blame.

Doctor Who ‘Twice Upon a Time’ (2017)

So named because twice is the minimum number of times you have to watch the 2017 Doctor Who Christmas special before you have the weakest grasp of what’s going on. Considering that most will have only watched it once, and that, from inside a boozy, gravy-based fug, it’s staggering how esoteric this one is – impressively so. As showrunner Steven Moffat’s farewell episode, it’s a distillation of the sort of clever, complicated, ambitious, self-referential writing he’s known for.

There are two Doctors (three if you count the post-Regeneration glimpse of Thirteen), two overlapping Doctor Who stories, a Dalek, an ancestor of The Brigadier, a ship’s pilot made of glass, a moving historical WWI moment and three companions who aren’t really there. (Or are they?) It’s about regret, or reminiscence, or saying goodbye. It’s definitely about something and is doubtless very meaningful and poignant once you crack its shell, but there’s the sense that, unless you’re one of the Who hardcore, it doesn’t really care for you to try. Why be so aloof? It’s Christmas. Let the rest of us play too. LM

Crazy Ex-Girlfriend Season 4 Episode 8 ‘I’m Not the Person I Used to Be’

This was a bold move from a bold show. When Santino Fontana chose to leave Crazy Ex-Girlfriend after his one year contract ended, the character of Greg – assumed by many to be lead Rebecca’s romantic endgame – was written out in early season two. Then in the fourth and final season, Greg returned but this time played by Skylar Astin. Instead of glossing over the casting change and pretending as though nothing had happened (like when, say, Ross’ ex-wife Carol on Friends or mercenary warrior Daario Naharis on Game of Thrones changed faces), Crazy Ex-Girlfriend hit it straight on.

This smart, innovative series had always been filtered through the unreliable perspective of lead Rebecca Bunch (hence the extravagant musical numbers that take place in her head). So when Greg’s character was recast, the show used it to comment on our impressions of other people. ‘I’m Not the Person I Used to Be’ lampshaded New Greg with a psychoanalytical reflection on changing perceptions and personal growth. It was brave. It was innovative. It was admirable. It was… really confusing and distancing. However great Astin was in the role, and however clever the idea was, New Greg was the point at which some Crazy Ex-Girlfriend fans began to peel away from a show clearly unafraid to leave viewers behind. LM

Westworld Season 3 Episode 8 ‘Crisis Theory’

The Westworld season one finale was confusing in a delicious, grinning ‘Oh, you clever devil’ kind of way. The Westworld season two finale was confusing in an exhilarating ‘Blimey. All right then!’ kind of way. The Westworld season three finale was confusing in a way that made you feel like you’d watched the entire Terminator trilogy on fast-forward while downing a 12-pack of Red Bull and trying to rewire the electrics in your house. It wasn’t a good feeling.

I still don’t know which world-dominating AI was which, who was fighting who, what the evil French guy wanted, how many people were secretly Dolores, whether Maeve still only existed in the Matrix, and why Jesse from Breaking Bad was the new Jesus. If free will still exists by the time season four comes, I’m using mine to either get a valium prescription or change channels. LM

Rick and Morty Season 4 Episode 6 ‘Never Ricking Morty’

“Never Ricking Morty” is a particularly divisive episode of Rick and Morty – even at this very website! Some of us loved it, while others weren’t big fans. One thing that’s undeniable, however, is that this midseason 4 episode is the show’s most complicated narrative endeavor yet. “Never Ricking Morty” takes place on a “Story Train,” meaning that the plot initially goes through your typical three-act storytelling structure.

Once Rick and Morty realize where they are, however, Rick understands that the only way out of the Story Train is to reject the conventions of storytelling altogether. This means that any natural storytelling inclination must be resisted. It also means that the show burns through about nine series finales worth of epic nonsense right at the end as Rick and Morty’s “canon” is sucked right out of them. It’s tremendously challenging to watch, much less understand, and the episode wants it that way. – AB

Russian Doll Episode 7 ‘The Way Out’

Like many other Groundhog Day-style “time loop” stories, Netflix’s Russian Doll goes out of its way to establish the “rules” of its sci-fi premise. Every time Nadia Vulvokov (Natasha Lyonne) dies (which happens with disturbing frequency), she returns to the night of her 36th birthday party, washing her face in the bathroom as Harry Nilsson’s “Gotta Get Up” plays. That much is easy to understand, and Russian Doll has fun seeing how far it can make Nadia last before perishing and returning to the night in question.

Once she meets another person stuck in a time loop, however, things start to get wacky. Russian Doll’s seventh episode, “The Way Out,” is about as off-the-wall an experience as you’ll find on television. Nadia’s loved ones start to disappear. Then she flashes back to memories of her mother. Before you know it, teeth are bloodily falling out. Russian Doll settles in for a relatively logical ending in its eighth episode, but this penultimate installment is pleasantly incomprehensible. – AB

The Nevers Episode 6 ‘True’

The Nevers’ premise is bold enough to begin with. The HBO series is set in a fictional Victorian era where a select portion of the population (most of them women) have been “Touched” or blessed with supernatural abilities. Apparently, however, bold wasn’t nearly bold enough. The Nevers’ sixth episode, which serves as a de facto season finale due to a COVID production delay, upends everything.

Sky Atlantic’s The Nevers Proves That Good Things Come to Those Who Wait

By Lacy Baugher

The Nevers Part 1 Finale Is The Most Surprising Hour of TV in a Long Time

By Alec Bojalad

This episode begins not in 19th century London like every other installment thus far, but in a far flung dystopian sci-fi future. Earth is barely habitable and humanity is on the ropes. The only possible hope that the human race has left is in the form of a powerful alien species known as the Galanthi. If this all sounds complicated, you don’t even know the half of it. “True” is notable for not holding the audience’s hand through this disorienting experience at all. The episode makes no attempt to tone down its futuristic jargon and it’s not entirely clear what’s even happening until halfway through. By episode’s end, it’s apparent how “True” connects to The Nevers’ original concept, but no one would be blamed for needing multiple rewatches to really get it. – AB

Farscape Season 4 Episode 7 ‘John Quixote’

Let it never be said that Farscape was a TV show afraid to take a big creative swing. In season 4, we get this trippy and confusing episode (written by series star Ben Browder), which sees Crichton and Chiana trapped in a virtual reality game based on the memories of Black-T Crichton (because, yes, this was after the storyline that saw the show’s main character split into two, equally valid humans) and a neural template from Stark. The game is designed to keep C & C trapped in the gameworld until they die so their consciousnesses will be trapped in the virtual reality—wait for it—forever.

This hour of TV actually holds up quite well upon rewatch, probably because it is packed to the brim with clever pop culture references, but an initial watch of this series installment is absolutely bonkers, featuring Aeryn as a southern belle, Rygel as a version of Monty Python’s Black Knight who can shoot fire out of his ass, and D’Argo as a lederhosen-wearing Hansel who, at one point, eats baked beans out of Jool’s intestines. I can only imagine what someone watching this episode out of context would imagine this show is actually about. – KB

Fringe Season 2 Episode 11 ‘Unearthed’

Some episodes of television intentionally challenge the viewer’s ability to interpret what the hell is going on, and some episodes of television are broadcast wildly out of order, seemingly bringing back a character killed off in the previous season for a humdrum monster-of-the-week installment. You may have guessed that I have a specific example in mind for that second category and, if so, you would be right. Written and filmed to be the 21st episode of Fringe’s first season, “Unearthed” was instead recycled to be a mid-season installment in the second season of Fox’s usually pretty great sci-fi drama.

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This might have worked—it’s a basic episode that sees the Fringe team exploring the mystery of a teen girl who is pronounced dead, only to wake up screaming an alphanumeric code while doctors are working to remove her organs—save for the fact that it features a Fringe team member who was killed at the end of the previous season. Honestly, I can laugh about this now, but, at the time, it was jarring and confusing, with the network (Fox, if you were wondering) offering no pre-episode or in-episode explanation offered for why the aforementioned deceased character might be up and walking. For this to happen in an episode that also features a guest character thought dead revealed to be alive is icing on the cake. – KB

The OA Episode 8 ‘Invisible Self’

The OA is one of the most aggressively bizarre shows in Netflix history. Created by and starring Brit Marling, this two-season sci-fi series is fit to bursting with strange, at times difficult-to-comprehend concepts. The storyfollows Marling as Prairie Johnson, a young woman who resurfaces after disappearing – only now she refers to herself as “The OA (or original angel)”. Prairie/The OA recruits several disciples who she promises to take to another dimension. In “Invisible Self”, the final episode of the show’s first season, it all somehow culminates into…well, into this:

Yes, what you’re seeing there is a group full of cult weirdos engaging in an interpretive dance to stop a school shooter. And mostly succeeding! The OA‘s second season gets even stranger in many respects but it’s hard to top the confusing majesty of this first season finale.

Twin Peaks: The Return ‘Part 8’

Legendary filmmaker David Lynch has absolutely no concerns about being dubbed “confusing.” In fact, when it comes to Lynch’s filmography, that’s kind of a feature, not a bug. In-between crafting mind-bending classic films like The Elephant Man, Blue Velvet, and Mulholland Drive, however, Lynch took some time to stamp his name into TV history with the surprisingly straight-forward Twin Peaks. Sure, Twin Peaks was frequently abstract and strange throughout its two-season run but it had a coherent plot, which is more than many Lynch movies can claim.

That sense of narrative coherence all ends during a particular episode of the 2017 revival Twin Peaks: The Return. “Part 8” is absolutely bonkers. Episode co-writer Mark Frost described it as “what you might describe as a Twin Peaks origin story, [showing] where this pervasive sense of darkness and evil had come from.” In Frost and Lynch’s world, that sense of darkness comes in forms including but not limited to: the detonation of the first atomic bomb in 1945, oodles of primordial ectoplasmic fluid, a frog/cockroach creature, woodsmen manifesting out of mid-air, and of course: a performance by “The” Nine Inch Nails. It’s one of the most confusing episodes of television in history…and one of the best.

Dark – Every. Single. Episode.

When trying to pinpoint one episode to highlight for this article, Dark fought back and I came to the conclusion that every single episode of German multigenerational sci-fi series Dark is borderline impenetrable. Just when you think you have finally wrapped your head around what’s happening in the small town of Winden, Dark will throw in another layer to this timey-wimey, multiversal story that assures that you, in fact, have no idea what the hell is going on.

That being said, unlike some of the shows on this list, the confusing nature of Dark’s narrative isn’t a bug; it’s an intentional feature. This is a show that asks a lot from its viewers, but gives us satisfying answers in return. And it’s OK if you only ever have half an idea of what’s going on—if that’s the case, you’re doing better than most of Dark’s characters. – KB

The post TV’s Most Confusing Episodes From Doctor Who to Westworld appeared first on Den of Geek.

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ayearofpike · 6 years ago

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The Wicked Heart

Pocket Books, 1993 244 pages, 16 chapters + epilogue ISBN 0-671-74511-5 LOC: CPB Box no. 1195 vol. 8 OCLC: 29202142 Released November 1, 1993 (per B&N)

When Sheila Hardolt’s best friend doesn’t show up for school one Friday, she’s worried and goes to her house to check on her. Her friend isn’t home — but on her pillow there’s a small white card with a swastika. The card connects Sheila with a detective conducting the investigation into the disappearances of other girls in the area. When it turns up at a house where two teenagers have been killed, Sheila fears but suspects the worst. What she doesn’t realize is that she already knows who the murderer is, and in fact she’s been asking him for help in solving the case.

I don’t remember much about this book, but I have a vague memory of not liking it. Maybe it’s because the premise of being compelled to do something against your will by the ghost of old relatives is so creepy. But just maybe it’s because I understood even as a teenager the thing that bothered me the most on this re-read: that dehumanizing Nazis to some degree delegitimizes the very real horrors that humans can inflict on others. I’m not going so far as to call Pike a Hitler apologist, but turning the leader of the SS into a literal devil and associating his party’s symbols with an unrelated evil fifty years on paints over the observable, physical evils and ills perpetrated by people in Germany and Europe leading up to and during WWII. And yes, painting over with black is still painting over.

Like, I don’t even really want to summarize this book, which will maybe make me keep it short. I’ll do the briefest rundown I can while sharing relevant points. First, Pike is back to multiple viewpoints, which he hasn’t done very much recently. We get Sheila’s perspective, but we also follow the killer, Dusty Shame, who is compelled by a mysterious whisper in his sleep to target and slaughter innocents. The book starts, in fact, with him killing Sheila’s best friend and burying her in a cave in the desert. This makes three murders, and each time the whisper eases up, but for a briefer and briefer respite until it returns. He somehow figures that if he gets to six, he’ll be done and can rest.

Sheila is Dusty’s friend and chemistry lab partner, and they comment on her friend missing class and how unusual that is, but she’s got another, bigger, problem. Namely, her boyfriend Matt thinks they should break up. And like, come the fuck on, but OK, Sheila doesn’t know the story yet, I’ll give her a pass. But she engineers “bumping into him” in the parking lot, and as they talk she gets so overwhelmed that he agrees to drive her home. Instead, though, she has him drive to her friend’s house, where they break in and find the card and call the cops. A detective immediately comes over, and even though he won’t say why it’s pretty obvious that the card is a clue connecting this house to other similar cases. He mentions two names that nobody recognizes, but Sheila is determined to help him crack the case. Pike’s kid detectives strike again!

Meanwhile Dusty already needs another victim. He uses an online service called Einstein (because Prodigy was already taken) to get close to innocent and inexperienced girls and track them down. He doesn’t mind talking to his mom about it — she’s got early-onset Alzheimer’s, and he’s pretty vague about his intentions, but it’s still creepy. The one he chooses for this particular night has let slip that her parents will be out late, so he sneaks into her house and nails the sleeping girl in the temple with a ballpeen hammer. Only the bedroom light flicks on and his actual target is standing in the doorway. He tackles her, but she bites him and shakes free, running for the door. He manages to stop her with words, and then stabs her in the heart with a switchblade which has appeared out of nowhere, and then scrams without cleaning up after himself because there was screaming and too much blood and he’ll get caught. Instead, he races as though compelled to an unmarked grave just outside an old cemetery, where he spends the night in pain and fear and terror.

Next morning, Sheila tracks down the parents of the first two girls, who let on about the Einstein membership. She calls the detective with this clue, and learns about the previous night’s murders. But the detective wants to know more about how the service works, and Sheila remembers that Dusty is a big time user, so she enlists his help to talk to the officer. They go to his house and meet his 14-year-old daughter, an innocent if there ever was one. Dusty hangs out with her while Sheila and the detective talk about an old case on the books with a similar MO: young girls missing from their beds with a swastika card on their pillow, six in all, just after the war. He wants her to talk to the detective who was on that case, because he had some mystical feelings about it and she might have a more open mind and get him to talk more freely than the modern police. But he dissuades her from taking Dusty, because he is sad and shy and might preempt the old detective from saying certain things.

So she takes Matt instead. And, yeah, the detective might get mad, but it’s probably a good idea to have a friend you trust when you’re an 18-year-old girl driving an hour and a half to meet someone new. What the hell, 1993. The detective is a WWII vet who actually met Heinrich Himmler and his (invented for this story) mistress Olga Scheimer. He tells this whole history of their rising through the ranks and manipulating power to be cruel, and how they reveled in the capture and death of innocents. The rationale, he says, is that they’ve opened themselves to evil and now only exist as empty vessels for the ills of whatever supernatural terror to act through. And, like, I appreciate the need to tap into something beyond the mundane for the teen horror book market, but like I said up top, this does something to undersell how horrible it can be when a group of human beings devalues another group so completely as to decide they should be exterminated. As though instead of a policy handed down and agreed to by so many involved, it was the subliminal efforts of one devil.

But anyway, the old detective encounters them only at the end of the war, when they’ve been captured by the Allies and are up for interrogation. Scheimer catches his eye and suddenly he wants to have her, kill the other guards and take her away, kind of like another evil vessel we’ve met before. But he prays for good and the urge desists, upon which Himmler kills himself with cyanide. And because he’s dead and she wasn’t officially affiliated with the power structure, the military lets her go so that she can safely take care of her daughter. Upon which she moves to Los Angeles.

A year later there are mysterious disappearances and swastika cards, and yet Old Detective is the only one who makes the connection. Maybe because he was the only American in the room when she was captured, coincidentally. He goes to talk to her, they shoot the shit, but he never formally accuses her of anything because they both know he has no evidence. At least not until she pulls a knife and tries to kill him in front of her toddler, which gives him no choice but to shoot her. He takes the kid home with him and tries to give her a normal life, but as soon as it’s learned that he shot her mom, he loses his job and social services or whatever it was in the 1940s takes the kid away. He was able to track her as far as an adoptive family, but after the dad killed the mom and then himself, she disappeared. Old Detective assumes that she changed her name to dissociate herself from the shame of her sordid background.

And as soon as he says the word, it all clicks into place for Sheila. She knows she has to find Dusty and she has to do it fast, so she jumps in her car and totally bails on Matt and Old Detective. And she thinks she knows who the next victim will be, and that it’s going to be tonight, so she doesn’t go right to Dusty’s house.

Young Mr. Shame is, in fact, hearing the whispers again already, in dreams of a cockroach who threatens to bite off his ear. It’s real enough to wake him — to find his actual mom biting his actual ear. He knocks her off and pins her down, smothering her with a pillow for a moment, before realizing what he’s doing. So instead of his mom, he needs to find an innocent, and he knows just where she lives already. The detective’s daughter is so psyched to be going out with a high school senior that she doesn’t notice the blood on his ear and hand. She doesn’t notice when they get on the freeway, or when they head toward the desert. In fact, she doesn’t notice much until he essentially flat-out says he’s going to kill her. Lucky for her, Sheila is already on their tail.

They end up at the desert cave, and Sheila gets Dusty to pause long enough to hear about his problem with the voices, including the cockroach who bit his ear and it tying to his mom. She’s actually met his mom, and realizes that the evil has another empty vessel to speak through — after all, Dusty only hears the whisper at home in his bed. She tells him about his grandmother, and tries to help him shake off the darkness that’s taking him over. But he doesn’t want to hear it. He just wants six. So she talks him into swapping her out for the detective’s daughter.

Before he can pull the trigger, Matt and Old Detective show up. They’ve gone to Dusty’s house and found his mother dead in his bed ... guess he was a little too vigorous beating her back. The live-in help isn’t surprised: she’s known Dusty is a bad seed for a while and has actually followed him to the cave in the desert, and is able to guide the others to it. Their arrival really only buys a few minutes, but it’s enough for Sheila to convince Dusty that she actually does care about him, that she wants him to find some help and get good again. And that — the simple validation of care, of having a friend — is what Dusty needs to apologize for his misdeeds and then shoot himself in the head, thus ending the cycle of the wicked heart and the empty vessel.

I have to admit that the book wasn’t as disturbing as I remembered it being. But I think maybe I misremembered the gore of the murders. Today it’s disturbing for a whole new reason. Like, remember when Nazis were bad? Now they’re coming out of the woodwork again, and I have to read this shit that says maybe they only did evil because they were possessed? Fuck you, The Wicked Heart.

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