#which helped a little

[ottiliere]

are the pills on lynn's microwave prescription or something else? if they are perscription then what does he take and why?

He is currently prescribed a sizeable dose of venlafaxine (took paroxetine when he was an adolescent -- this was before they age-restricted it to 18+, and he mainly switched due to diminishing positive effects), hydroxyzine as-needed, and trazodone before bed. He has struggled sleeping since he was a kid, and is a very light sleeper. Even with the trazodone he often cannot make it through the night, but it does help.

...why do you think he takes them?

[puppppppppy]

filipina miku!! my mom helped me with her outfit ^_^

[robingivesmemagic]

[ pls dont tag as ship ]

[biggest-gaudiest-patronuses]

why aren't there more mysteries that take place in nursing homes & retirement communities. i want to watch a group of deranged retirees-cum-amateur-detectives combine their powers of:

decades of life experience

boredom-fueled busybody shamelessness

access to the most gossipy next-door-neighbors in existence

"I am too old to be arrested and/or give a shit" attitude

and solve crimes. this should be an enormous subgenre.

[dclovesdanny]

DcxDp prompts

Dan/Danny/Dani additions 1/5

Danny is adoption bait to the Gotham rogues.

Danny only went to Gotham university because it had a lot of ambient ectoplasm and he could fast track to the arrow space department in Wayne enterprises if he worked hard enough. He didn’t need adopting, he was already 19 years old and had a (strained, very distant) relationship with his parents. When he moved to Gotham, he expected to have to deal with people wanting to make him a new Wayne, not with all of the Gotham rogues immediately trying to adopt him.

So what if he defended Killer Croc from some asshole cops, accidentally exposing his fangs and had a conversation about being dehumanized with him that led to them having dinner on Wednesdays?

So what if he got into a serious conversation about the green gas effect and pollution (Sam had taught him well) with Poison Ivy that result in him coming over for dinner and Harley Quinn declaring him a ‘sweetheart’?

So what if he directed Frostbitw to help Mr. Freeze and now Nora invited him over for brunch on Sundays?

So what if he had a wonderful conversation with the Riddler in which they traded space themed riddles which lead to Riddler seeking him out sometimes for a game?

So what if he helped Mr. cobble pot by making him intangible when some people were driving by in about splash mud on him and he now had a part time job there as a bouncer?

So what if Grundy played tag with him every other Thursday and called him Little Death and offered to eat his chemical engineering teacher who gave him a low grade because he didn’t follow safety precautions?

This didn’t mean he was adoption bait. Shut up Sam.

[mohntilyet]

still i think the one of the more fun differences drawn between illario and lucanis that was lost would be illario's ability to endear himself to others but serious lack of empathy, vs. lucanis' (self perceived) inability to be charming but how much he cares. it's interesting that the game has gone with the "lucanis' ability vs illario's lack thereof" because i think illario being the dellamorte 'best in show dog' vs. lucanis' attack dog would have made me so unwell.

lucanis is... awkward. he's not unlikable, because he is usually very polite, but he doesn't speak much and only seems to care about the other dellamortes. he once sent viago de riva a knife with no note (who knows what he could have meant by this). he does what caterina asks of him, and by his own admission, cannot say no to her. he is a dramatic and prolific killer, and that makes how untouchable he is even worse.

and the crows like illario, sure, AND he's a good assassin! he's even a good crow! he's so good that he can make lucanis smile, and so he is the charming, sociable one. he's the one that stays in treviso and can be relied upon to care, illario's even the one people prefer over caterina and lucanis!

but illario is decoration. he's the prize poodle, and even if poodles were bred to be working dogs, nobody will ever pick him to protect the house over the german shepherd that regularly mauls intruders. anyways the analogy is getting away from me. the point i'm trying to make is that i want illario to have a different kind of jealousy/hatred that's not just over 'being bad at killing' but also an arrogant loathing for everyone around him that is getting harder to hide, because they've forgotten he can bite and is just itching to rip someone's jugular out. illario is very good at hiding his family resemblance to caterina, while lucanis suffers under his grandmother's, and his own, reputation.

[nebulanightsky]

Someone asked to see the bonus, and I'm giving them the bonus..

YALL GETTING CROSS WEARS A FAIRY DRESS DOODLES

[sabreurs]

sokka trying to get katara to give up on her waterbending bc it could get her killed. and katara refuses to give up and continues to practice anyway. bc sokka and katara represent the survival of both the people and the culture. sokka had the safety of their people thrust upon him by his dad, while katara is the only one in their tribe that can carry the weight of their culture. both are heavy burdens, and they're struggling with their roles bc they're just two kids trying to rebuild in the wake of genocide. but they refuse to give up, bc that's what the story is about.

holding onto hope, regardless of what you face.

[cosmos-kitty]

Do you have any tips for painting with gouache? like how do you get it to stay a nice solid color over a large swath of paper? and how do you blend it so seamlessly?

Of course, here's a few pointers off the top of my head:

1. I've used gouache for this in the past so it's possible, but the flat backdrop on my latest WIP is actually acrylic! A nifty thing I've found about putting a layer of acrylic down, is that it creates a barrier once dried and essentially makes the paper waterproof. This means you can work in gouache on top without it mixing with the background, and you can wet a section and completely wipe it clean with a cloth/tissue and it won't disturb the acrylic layer underneath. It also makes the paper more resilient, and you don't get as much pilling/tearing from the moisture

To get an even wash it's mostly getting the right consistency, I add just a little water - enough that the paint is less "tacky" as you drag your brush along paper, but not so much that it's runny or translucent. It takes a couple of attempts sometimes!

2. Also for the current WIP that I posted earlier, like the vast majority of my traditional pieces, keep in mind that it's mixed media. So I assume you're referring to the blue-green gradient on the bird and wondering how I got the gouache to blend like that - it's actually colouring pencils! I'll often switch between dry and wet media, even layer them back and forth, whatever makes the most sense to get the effect I want 😁

3. On that note, when you're working with paint, or any medium really, I can't recommend enough having a "test" sheet that you do both before and during a traditional piece. It allows you try out different medium combos, see what shade your gouache will dry into, and catch any issues before it ends up on your artwork. I often see artists being encouraged to just Bob Ross their way through a piece, the idea being that you'll just have happy little accidents that you'll naturally work into the piece - maybe, but you'll also possibly irreversibly wreck your hard work and have to start again. I don't know, I'm just a methodical person I guess, but seeing someone just directly apply something to the page when they're not sure what it's going to do makes me wince - no two art supplies are the same! All of those paints and pens have different chemical makeups, there's an unlimited number of ways what you're using could interact, good or bad.

Since it's already there, I usually reuse one of the leftover failsons from the process of making the wash background, then test everything on top of that. That way you can see exactly what shade the paint will dry on top of whatever colour the background is:

Doesn't need to look good, nobody sees it (usually) and you can also test the thickness of your brushstrokes while you're at it.

Anyway, I hope this helps!

[crow-quet]

*You tell a joke about two kids who played in a muddy flower garden.

*...

*You tell a joke about a kid who slept in the soil.

[spideysatan]

i just dunked half of my arm in really cold water with ice to see if it would help with the excruciating pain i was feeling on my wrist and let me tell you: that shit worked like fucking magic

[the-barefoot-hatter]

Pyramid Steve's favourite treat is pre-1982 pennies

(Ford slooooowly starting to realize his muse of infinite knowledge might, in fact, be a dumbass.)

[bloobydabloob]

Holy shit I love your Dirk interpretations, it's so true and I could talk about this shit forever. I feel like another part of his character that people seem to forget (along with Roxy for some reason) is that he's from the future in solitude in an apocalyptic wasteland. I just see that part of his character always removed which is disappointing because I feel like that's a pretty big part, especially regarding his themes around technology, his brother's theme of Time, his own isolation, and how he plays in the vastness of the universe and spacetime.

Art I drew related to the subject because I like to respond to asks with art.

But absolutely. I certainly understand where the lack of discussion over his isolation + upbringing comes from, considering a majority of the fanbase that I have seen builds their ideas based on their own version of postcanon. I’m not entirely sure how that would be fixed, but certainly even in the somewhat recent past I would see a lot more content regarding his upbringing both literally and symbolically. I don’t have much to add regarding the things you’ve mentioned, because they just are what they are. Dirk being confined to a singular room left to him by a father figure he never met, in a future where the only other person left on the planet is someone he cannot pursue a relationship of because of himself, with purely 3 robots to keep him companion, one being an exact replica of his own brain who is *also* trapped inside a pair of glasses, is about as literal as it gets to me.

The contrast to me involving the flooded, organic world in comparison to the little speckle of Dirk’s apartment packed with the dude and his technics is not only a representation of his isolation and entrapment within himself, but also of his lack of control. I think his obsession with & themes of control are a direct product in the case of Dirk specifically *of* this kind of upbringing. His themes of technology are also related to his themes around control. So much of his character is actually revolved around this to me like so much. Dirk is so deeply disconnected from humanity in every way and so much of his character + symbolism is based around that.

It doesn’t even have to be about the symbolism or anything though. It’s just pretty *interesting* in the literal sense that he lives in the middle of the ocean in the future. There’s not only a lot to theorise on to do with his young life there, but on how it might affect him in the way he acts for the rest of his life. The latter part is probably what I see mentioned the most by people talking about Dirk regarding this, I’m surprised I don’t see more discussion on the former too though. I really ought to actually talk more about Homestuck stuff on here. I will do it myself.

Roxy & Dirk’s relationship is largely ignored though because there is a narrative a certain demographic spreads that Dirk resented and blamed Roxy for her interest in him, and thus too many people believe that their relationship was or would continue to be an abusive one. Realistically, I believe it’s important to acknowledge that the way Roxy treated Dirk regarding his homosexuality wasn’t right while still acknowledging the obvious amount of respect and admiration Dirk had for Roxy. I mean we have a huge piece of dialogue from their post trickster mode conversations on the quest beds from Dirk purely stating how he feels about Roxy that people completely ignore somehow. I think this usually happens to characters that are women though. I know everyone says it, but it is true. Jane gets the exact same treatment of boiling her down to solely her negative aspects. The things I see completely mischaracterising both of them are horrific.

I mean how much more explicit can it get that their relationship is obviously very important to Dirk? But I digress. I think the best or I should say “most interesting” interpretations of their relationship usually come from DirkRoxy shippers actually.

I would be interested to hear about Dirk’s relation to his brother’s theme of time though. I don’t have any thoughts on this and I don’t recall ever hearing anyone talk about it before. If you or anyone else would be willing to enlighten me I’d be thrilled.

[zu-is-here]

During the post dark cream arc where Cross was pregnant with Aim, is it possible for Aim to mive and kick while in the soul…? And if so is it painful for Cross+

continuing @clownyclowns' comic's topic <3

[misstoodles-doodles]

Safe & Sound 💙

I just really wanted someone to give Echo a blanket so why not let it be Rex

Closeups T-T:

Bonus Doodle:

[cubbihue]

Peri was very upset about a lot of things that happened. Within a span of a week, he felt like his entire life has changed for the worst!! He had a dumb bulb on his wand, Timmy was still moving away, and he had to go to a school far from everyone he knew!!!

Of course, the cause and trigger of those emotions was Timmy. But Peri can’t blame his older brother for any of that. So the next logical conclusion for a small child to reach was to blame his parents instead!!! And boy did he blame a lot on his parents.

Many of Peri’s actions in his childhood stems from misplaced grief and anger. By the time he was old enough to know better, Peri got a mixture of stubbornness and a bruised ego to admit he was wrong for how he reacted.

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