#which at this point i would believe lmao

[prideprejudce]

also not sure how I’m feeling knowing that thousands upon thousands of dollars and manpower have been spent on a rescue mission for four days straight when the submersible probably imploded as soon as contact was lost and has been sitting on the ocean floor this entire time lmao

[kimdokjas]

@animangacreators challenge ⟡ spring 2024

↳ WIND BREAKER

You haven't given up on others yet. And you don't need to give up. At the least I'm looking your way, Sakura. So why don't you look this way as well? If you do, I'm sure… you'll become what you want to be.

[seagull-scribbles]

Turtles of Time

<prev [2/7] next>

[starry-bi-sky]

i have... ✨Danyal Al Ghul Headcanons✨ but specifically for my yaelokre danyal oneshot

There's also the tumblr post here but I recommend the link in the title because its the ao3 version, and that one is edited and has some stuff in it that's not in the tumblr post, and will be the version I'm using.

So for summary: this Danyal is also from a Demon Siblings Au where Danny is five years older than Damian. However, things turned out a bit differently, and Danny and Damian had a fantastic relationship with one another. Danny loved music and regularly came up with songs to sing to Damian with. Specifically the folk band Yaelokre's EP "Hayfields" (seriously go fucking listen to it its sooo good. Harpy Hare is the second song but its my favorite. Special shoutout to @gascansposts for introducing the band to me)

He falls off a train when he's twelve and Damian is seven while the two of them and Talia are on mission. He ends up with magically induced amnesia and wakes up in Arkansas while the Fentons are on their yearly Divorce-iversary visit to Aunt Alica, and since he can only remember his name, he ends up being taken into their care.

---------------

Yaelokre Danny has the same facial scar as Things in Threes Danyal, since he was initially another version of him where things turned out better. I'm debating on whether or not I should take it away however, and give him a different scar (maybe from when he fell off the train?), just because the scar is a pretty key identifier for Ti3 Danyal.

-----------------

Danny frequently visits Aunt Alicia in Arkansas! Well, only after he gets settled in and stuff. He doesn't really like the city that much and prefers the countryside where Alicia lives. I know she lives in a cabin but I'm changing it to a farm, so she puts Danny to work and gets him to help her.

I don't want to confine his hobbies to only being star stuff, because people tend to have more than one hobby and I feel like it reduces him to one-dimensionality, so he likes to garden, and learns guitar. His room becomes filled with plants, and he turns their roof into a rooftop greenhouse right below to OPS Center.

He has a complex relationship with the weapons from his past, but he's not... like... appalled by it? When he finds his weapons in the Fenton attic all he thinks is that they're his weapons, and he starts carrying a knife on him afterwards. Essentially he becomes fascinated with weaponry because its one of the few physical ties he has to his past, and while he's not training like he is in the League, he allows his strong muscle memory to guide him through his katas.

Danny likes climbing things. This causes Problems For Everyone Else.

----------------

Danny was not the "kinder Al Ghul" in the League. His kindness extended to his brother and family, and that's it. To everyone else he had high expectations out of them, and the pride you'd expect from the grandson of Ra's Al Ghul and trained by its top members. While he wasn't like, unnecessarily cruel or anything, he wasn't merciful either.

This transfers post-train fall as him coming off as no-nonsense and unforgiving. He's not fond of the idea of giving people second chances, and is skeptical of the idea. He's disgusted by incompetency and views it as an unforgivable offense, especially if he thinks that the person should know better, although he's not sure why. Some egocentrism for the soul.

He doesn't like being touched by anyone who isn't family, and gets irritated when anyone grabs him or holds onto him for extended amounts of time. Dash has gotten hit so many times. With Jack Fenton's tendency for abrupt physical affection, it doesn't make it any better. I'd argue it'd make it worse because Danny doesn't want to be touched more often than not.

------------------

Danyal had a red scarf in the League that he wore on his last mission, it came off before he fell off and caught itself on the roof. Damian still has it and took it with him to Wayne Manor. He's got it locked in his room and takes it out when he's alone and missing Danny the most. One time he forgot to put it away before leaving his room, and Dick was visiting the manor for something and found it. Damian found him holding it and freaked out.

Dick could only say "I've never seen you wear this, Damian, this is really pretty--" before Damian shoved him to the floor and stole it out of his hands, before screaming at him; "Don't touch this! You don't ever touch this! This is mine! You hear me!?"

It caused such a commotion that the rest of the family present came to see what the fuss was about, and Damian kicked them all out of his room. Dick is the one brother Damian's the closest with, so the fact he reacted so strongly shocked them all.

This is likely what leads to the "Danyal" conversation.

[moreaugriffins]

Every day i just want to write a post that just says "The Brigadier is so damn autistic."

but I then worry about what other people might say if I do that

but fuck it

The Brigadier is so fucking autistic, and nobody can change my mind

[blueskittlesart]

POST MORE SWORD OF FATE PLS IM BEGGING

i have very little in terms of actual art LMAO but i CAN explain the sword thing because i checked and i did in fact never make this plot point public. i struggled for a while with creating a villain for this story until i realized that. i put "sword" in the title of the game. of course it has to be about the fucking sword. DUH.

so i want SOF to deal very heavily with religion, specifically the way in which hyrule's religion forms post-sksw but pre-reincarnation. i've placed it on the timeline directly after sksw, making it the first actual reincarnation in hyrule. what this means is that there's no actual proof yet that the reincarnation thing is real and not just an insane bluff on demise's part, and so several key characters including link and zelda barely believe in hylia or demise at all when the story starts. my thought with this setting's version of ganon is that he's the polar opposite of the nonbelievers. The gerudo don't really exist as of now, but he DOES come from the desert region of hyrule--specifically, he was raised in a cultlike offshoot of the sheikah religion which interpreted the hylia/demise myth completely literally and believes that a doomsday is coming, heralded by the foretold return of demise. Because of this, he knows more about the cycle and how to set it in motion than basically any other character. Crucially, he and his people are some of the only ones at this point aware of the existence of the master sword.

ganon finds. a sword. a sword which he THINKS is the master sword. and this theory is only reinforced when the sword begins to speak to him about his destiny and the salvation of hyrule. unfortunately it is not the master sword and he ends up basically a pawn in the greater plans of what's left of demise & ghirahim within that sword, manipulated into attempting to revive demise and destroy the reincarnated hero and princess. he remains in denial until basically the very end of the final battle, completely convinced that he is the true savior of hyrule and LINK is the one being misled. ghirahim is a very good manipulator lol

[m00n-pr1sm]

Amy Dunne Character Analysis

Disclaimer

This analysis will be of Amy’s character from both the book and the movie, although the 2014 movie adaption takes greater precedence with only some additional details and quotes included from the book as it does delve deeper into Amy’s psyche and add further characterization. Thus some traits may be accentuated further than they are in the movie, not being completely faithful to either story. It’s an analysis of Amy in her totality across mediums, of course being entirely my opinion. There are of course adaptational differences but I will not include the major ones from the books (ex. her relationship with Hillary Hand). This is an analysis focusing primarily on Amy’s neuroses she demonstrates and the childhood links to them, it doesn’t cover in-depth the events nor themes of Gone Girl.

Amy Elliott Dunne, the ever enigmatic dual protagonist- antagonist of Gone Girl is one of the most iconic female villains in modern memory, and one of the paragons of the “good for her” trope in media, is, frankly, one of my favorite characters of all time. As such I have been dying to write a full analysis examining her neuroses and characterization. Beneath the cultural perception of just another “crazy psycho” for girls to claim “she did no wrong” or “she just like me fr!”, lies a fascinating character who is masterfully written and developed by Gillian Flynn, as well as perfectly portrayed by Rosamund Pike. Amy Dunne is a character with a deep, complex psychology that I will do my best to thoroughly explore in this analysis.

From Amy’s childhood we first see the emergence of a literal high ego ideal, Amazing Amy. Of course this is the children’s book series created by her parents with a fictionalized version of Amy being the eponymous protagonist. This was a version of herself that rectified her own personal failures. Amazing Amy became a prodigy at cello, when Amy quit at 10, Amazing Amy made varsity volleyball, Amy got cut freshman year. Even in the (at time) final book in the series, Amazing Amy got married, a task Amy had not yet done. The entire book series revolved around Amy always making the most virtuous, the most selfless, the most perfect decisions.

>”With me, regular, flawed, real Amy, jealous, as always, of the golden child.”

An interesting detail in the book that is omitted from the movie is Marybeth’s numerous miscarriages and stillbirths (which totaled 7). All of these girls were named Hope, until Amy was born. Amy expresses her jealousy towards them, as they were always seen as perfect without ever living; meanwhile Amy herself has to live life everyday knowing that she will never truly live up to the Hopes. That she has to try everyday to be the best she can be. Her very birth was mired in the expectation of a perfect child; given that she was practically a gift from the heavens to her parents.

This sets up Amy’s perfectionism, as the childhood experience of never living up to a projected ideal led her to want to be perfect (and as we’ll later see, the expectation that everyone else is too), to live life always through the gaze of another. Evidently this leads to a loss of one’s inner essence, one’s individuality and sense of self.

>“-I’d never really felt like a person, because I was always a product” (Book Quote)

Amy’s obsession with personas can be seen as emerging from this, as she adapts a personality depending on who she’s interacting with, as to always be the most appealing she can, she is Amazing Amy after all.

>”I’m not sure, exactly, how to be Dead Amy. I’m trying to figure out what that means for me, what I become for the next few months. Anyone, I suppose, except people I’ve already been: Amazing Amy. Preppy ’80s Girl. Ultimate-Frisbee Granola and Blushing Ingenue and Witty Hepburnian Sophisticate. Brainy Ironic Girl and Boho Babe (the latest version of Frisbee Granola). Cool Girl and Loved Wife and Unloved Wife and Vengeful Scorned Wife. Diary Amy.” (Book Quote)

This general attitude leads to people trying to impress her as she places herself as someone special and especially someone to keep around. She entices both the characters and viewers of the film through her manufactured charisma and enchantment. However, we’ll see this dramatically backfire in her relationship with Nick, just you wait!

For now we can focus on the beginning of their relationship as well as what I believe to be Amy’s view on romance.

I believe that Amy has an impossibly high standard of love, one that stems from her perfectionism and general inability to let down her guise of being amazing. Not to mention how her parents were a perfect match, Amy even referring to them as soul-mates.

>”They have no harsh edges with each other, no spiny conflicts, they ride through life like conjoined jellyfish—expanding and contracting instinctively, filling each other’s spaces liquidly. Making it look easy, the soul-mate thing.” (Book Quote)

In her childhood it’s implied that she was into romance novels, specifically Jane Austen’s Pride and Prejudice, which obviously contributes to the idealization of romance, of a literal scripted love.

>”You were an alienated teen and only Elizabeth Bennet understood you”

I think this little quote is incredibly indicative; it establishes a sense of alienation, of Amy never quite fitting in and blending with others.

>”So many lessons and opportunities and advantages, and they never taught me how to be happy. I remember always being baffled by other children. I would be at a birthday party and watch the other kids giggling and making faces, and I would try to do that too, but I wouldn’t understand why. I would sit there with the tight elastic thread of the birthday hat parting the pudge of my underchin, with the grainy frosting of the cake bluing my teeth, and I would try to figure out why it was fun.” (Book Quote)

Back to the topic of romance, through these stories it allowed her to imagine her perfect romance: if Amy could find that one person that truly understood her, beyond the illusion, that then would constitute a perfect union of love. She does deep down (whether consciously or not) want to be loved for who she is; not the idealized, palatable, literal marketed version of herself. Thus she holds trust as a premium, expecting that if she does the Herculean task of unspooling and revealing herself to another, that the other person would love her no matter what.

>”Can you imagine, finally showing your true self to your spouse, your soul mate, and having him not like you?” (Book Quote)

However all of this culminates in an impossibly high standard of a lover, of a practically divine mythical love; where one loves totally and absolutely. Of course where this neurosis is most demonstrated is in Nick and Amy’s relationship.

Amy comments that after meeting Nick she finally felt like a person as he brought out a side of herself that hadn’t been seen, in her own words “a lightness and an ease”, something that Amy enjoyed. In her eyes they had the perfect relationship in the beginning, Nick was her compliment with the witty banter, with their inside jokes, and charm.

However this doesn’t just vanquish her childhood neuroses, through her desire to be seen as perfect, she modifies herself to be a “cool girl” for Nick, complying endlessly to standards to maintain this perception.

>” When I met Nick Dunne, I knew he wanted a cool girl and for him, I’ll admit, I was willing to try.”

Amy essentially became Nick’s image of a perfect girl, witty, fun, and most of all easy-going and forgiving.

Yet one cannot live forever in images and ideas; and as such, the real, true Amy emerged. The Amy that cares too much, that’s hard to get along with, that is a controlling perfectionist. She also tests Nick through the treasure hunts, weaving in little details about their relationship as to challenge Nick and hope that he remembers the things they do together as deeply as she does. Combined with the 2008 recession and declining health of Nick’s mother (the consequences of which will be explored later). As well as Nick’s growing dissatisfaction in the relationship (evidenced by his worsening performances in the treasure hunts, the cheating, using her for sex and ignoring her otherwise, etc). The illusion both Nick and Amy were living in crumbled; they couldn’t possibly sustain their relationship as they were both striving to fulfill reciprocating images for the other.

One of the biggest parts of her character is Amy’s elitism and entitlement, in which she thinks of herself as someone superior, someone that deserves to be loved absolutely for who she is, although only to people she considers worthy.

>”She’s easy to like. I’ve never understood why that’s considered a compliment—that just anyone could like you.” (Book Quote)

Once again this stems from her childhood, in a seemingly contradictory way, she also sees herself as special for being the one that survived from her mother’s attempts, as well as the fact that her birth was so tumultuous that she would be an only child. From this also stems her entitlement for love.

Amy actively looks down upon women she considers “average”, whom she sees as coming from mediocrity and continuously perpetuating that in their lives. She scoffs at them with her wealthy parents and NYC background until her marriage with Nick crumbles. Only then does she realize that she’s become the very woman she would previously disdain. A woman with a failing marriage, the loss of her previous wealth following the recession, and moving to a failed development in Missouri (What the hell’s in Missouri?) for Nick’s mother.

I truly believe this, combined with Nick’s infidelity, and most importantly the loss of her idyllic love culminated in the iconic Gone Girl plan.

>”Nick took and took from me until I no longer existed, that’s murder. Let the punishment fit the crime”.

Nick took Amy’s identity, her sense of self that she so generously revealed to him and rejected her. Implying that she would only be loved if played the role of the “cool girl”; stripping her of who she really was, losing herself in yet another persona. Although Amy admits she doesn’t really have a personality and lives through personas, she still has a semblance of self that she holds dear.

>”-made me realize that there was a Real Amy in there, and she was so much better, more interesting and complicated and challenging, than Cool Amy”. (Book Quote)

Worse yet, Nick had cheated on her with a “newer, younger, bouncer Cool Girl”, leaving Amy in the dust, surely damaging her pride.

But Amy truly fell in love with her idealized version of Nick, believing that she was responsible for shaping that version of Nick. That she deserved that man in his entirety, of course what gets Amy to come back to Nick is the Sharon Scheiber interview, in which he promises to make up with Amy in just the way that makes her think that Nick is the one person who gets her. He makes the little references to their inside jokes (2 fingers on the chin when they’re not bullshitting the other) and a reference to the end of the treasure hunt (always a contentious issue in their relationship). She’s reminded of who he was, that he was once perfect for her, who else could know how to appeal to her heart in just the right way? With the same passion and conviction she reverses the judgment on Nick, clawing her way back to him. She does so in an especially brutal manner, slashing Desi’s throat with a boxcutter right after he climaxes. Putting aside my enormous personal bias against Desi, he was technically an innocent man, taking a great risk in sheltering Amy. However it’s clear that Amy sees him as merely an asset and something to be disposed of once he serves his value, as another prop in her ever evolving masterplan; she did string him along for years through their letter correspondences. He was just another casualty in Amy’s search for idyllic love. She comes back dramatically, literally falling into Nick’s arms while still covered in Desi’s blood like a dress; fabricating an elaborate story about a love obsessed former boyfriend kidnapping and violating her. Despite the glaring holes in her whole story (If Amy’s marriage was as bad as she made it out to be, why did she go back to Nick so easily? How did she get access to a knife and kill him so seamlessly? Why didn’t Amy do anything when she discovered the stuff in Margo’s shed? etc), law enforcement, media, and the public all fully believe it, infatuated with the persona and narrative that Amy’s created for herself. In the end she traps Nick into the marriage and eventually, the family. The last shot of the film is a haunting recall to the beginning shot of the film, as Amy has both revealed and secured herself to be the master of the narrative, finally obtaining her perfect love, no matter what the cost may have been.

Conclusion

Through a constant demand in Amy’s childhood emerges a need for perfection, simultaneously bringing about a sense of superiority and entitlement. The use of personas and façades facilitate this, painting Amy as the most amazing cool girl for whomever she’s performing for, to feed her need to be seen as perfect and desirable. Yet there emerges a psychological detachment from others; as the need to perform inevitably leads to an internal hollowness. However underneath all these layers there also lies the true Amy who has the deep unconscious desire of wanting to be loved absolutely, to have a perfect union of love where she can reveal herself fully and be loved for who she is truly.

>disclaimer for tumblr lol, this is not me trying to claim Amy was innocent I am fully aware that she’s a terribly entitled and narcissistic person but she can still be complex and have relatable desires & be a person even if she’s massively fucked up!!

[unproduciblesmackdown]

Full Tech Day One pic today from kiko laureano (denizen of skid row / ensemble) & video (that's four seconds of "ya never know" playing over the static image) from & ft. marcia milgrom dodge (director / choreographer) double captioning "there might be puppets in this musical ;)" & "Well Shake my hand! Come see LITTLE SHOP OF HORRORS @guthrietheater featuring @actually_will_roland's hand!"

[misspermitted]

“Look for the strengths in yourself” this. “Your trauma doesn’t define you or make you inherently wrong” that. Do it out of spite. Value yourself out of spite.

What? Those douchebags told you that you weren’t worth anything? Fuck them! Treat yourself like you’re worth something! Get back at those fuckers!

Those assholes conditioned you into thinking you were terrible by treating you like shit? Condition yourself back! Keep valuing yourself and doing self care over and over until you drown them out. Until they’re as stupid and small in your brain as they are in real life.

Fucking win the emotional manipulation game! Win it! Draw something shit because it makes you feel happy! What, you can’t say no to people because you’re not worth as much as them? Fuck that! Say no all the time! Treat yourself like the most important person in the universe because they would hate it!

[akkivee]

i’m pretty sure the reason we got nagosaka’s second round of solos mimicking the og album art was bc kr was making a concerted effort to bridge the gap between the amount of music the ogs and nagosaka have lol

but those first solos for the og divisions were their beginnings as characters so maybe we can pretend round two solos for nagosaka is their true beginning lol

[apathyfairy]

me at 13: by the time im 30 i will probably be married and maybe have a kid but for sure i will be living in my dream city and have my dream job. and also a lot of money

me at almost 30: i think i will treat myself to a corn dog this weekend

[bijoumikhawal]

People discussing Israel's racist policies and Israel's policy of fucking over non Rabbinic communities and fucking up the transmission of diaspora cultures (such as the teaching of languages) is not the time to go "we don't need gentiles in our intracommunity politics". Foundational to Israel is "maintaining a Jewish majority". These communities are attacked in lathe part because they are seen as not being as Jewish as White, Ashkie, Western European Jews (with respect to how Eastern European Jews are also often mistreated), or their Judaism is otherwise seen as deficient. The maintenance of this majority is also why Palestinians generally, cannot really get an Israeli citizenship, even if they wanted to, and sometimes even if they can prove they are of Jewish descent. "Who is a Jew and what is a Jewish culture" is a constructed boundary: for the past 70 odd years it has been a boundary used for violence. If you want anti-zionists to have politics informed by the needs of Jews, they must be party to these discussions.

[encrucijada]

does watching a video essay on midnight mass (that i have not watched) count as research for haze dogs

[prophecydungeon]

15 for swordbearer?

15. Talk about the characters' struggles & how you decided on those

swordbearer explores hiyori's canon struggles, so that wasn't a terribly hard thing to pick; i wanted to dig deeper into what might be lurking behind how cartoonishly oblivious she is to zoro's utter lack of interest in her, and i wanted to draw a bunch of lines from that to the very genuine horrors she's lived through under a dictatorship that forces her to Perform nonstop. i also wanted to explore the hashtag asexuality of desperately wanting someone precisely because they'll never so much as look your way, especially through the lens of all the masks, literal and metaphorical, that she is forced to wear for twenty years and subsequently discards in a desperate gamble when she meets zoro. safety in rejection + the sting of rejection + masks shattering for good + you're fine until you're not.

[horrorvampirebatbite]

ok be honest. how many of us let astarion kill the gur in the swamp and then got the interaction of him coming onto tav while he looked like mega shit from getting his ass handed to him in the fight

[lord-squiggletits]

Onyx Prime = Shockwave time travel plot is such shitty writing I could and WILL (eventually) write multiple essays about it it's so fucking bad.