#which also are two ships that fall in the category of king and guy who is helping run his kingdom which is such a top notch ship dynamic

[clearancecreedwatersurvival]

Good: character in a fanfic doesn’t know they’re in a relationship.

Great: character in a fanfic doesn’t know they’re in a relationship AND they end up planning their own wedding without realizing and spend the entire time seethingly jealous of themselves.

[retvenkos]

Grishaverse Deep Dive: The Darkling is a Character that lives in a Society.

((spoilers for ALL of the grishaverse))

Ah, yes, Shadow and Bone season 2 is gearing up, the birds are singing, I have a cup of earl grey tea before me -  it is finally time to sit down to talk about the Darkling, and explain his tenuous relationship with the Grishaverse.

The Darkling is a character greatly contested. When simply looking at his motivations, we see a rift in the fandom. Add in his backstory and it fractures even more. When you pepper in the third ingredient of his relationship with Alina, you get an entire war. The Darkling is a divisive character. He gets under our skin and lingers for days afterwards.

I am going to take you on a deep dive of the Darklings character, and try to tease apart the problems that lie within the creation of his character. Why were so many fans betrayed by his ending? How did he muddle the messages of Shadow and Bone, and why is his ending so complicated that it satisfies very few? Today, we’re going to look at��The Problem of the Darking: An Essay in Six Parts.

A little history lesson;

So first, allow me to take you back in time, to 2012, when Shadow and Bone was first released.

Two years prior, The Hunger Games Trilogy had finished coming out and, in a rather stunning turn of events, shifted the popular Y.A. category from the genre of the paranormal romance (thank you, Stephanie Meyer) to the dystopian society. 

Now, this is not to say that there weren’t dystopian stories prior to The Hunger Games, or that there weren’t paranormal romances in the Y.A. genre afterward. Both have survived, but the boom of dystopian stories and the whimper of paranormal romance was definitely felt.

So 2012 hits. In comes Shadow and Bone, in a time where we have some interesting precedents that our Y.A. forefathers created: 

Firstly, let’s talk about themes.

Carried over from both genres, is this idea of duality. There is light and there is dark, and whether or not there is a middle ground is up to the author. As the Y.A. target audience is quite large, there’s a lot to be said for how nuanced this idea can be. In many stories, it’s a nail on the head. In others, the lines are a little more blurred. In most stories, you get some semblance of Good = Light, Bad = Shadow. In the end, the ultimate goal is to embrace one or the other. At the end of the series, we’re either in the midday sun or the midnight darkness. The peak of the story leaves very little middle ground.

Then, brought over from the dystopian genre, we have the idea that The Current Regime is Bad for insidious reasons, and it needs to be torn down and built anew. This is often the main focus of dystopian stories, and our main characters are revolutionaries that see the world in a new, free light.

Finally, a trap of the Y.A. category is it’s simplistic idea of good and bad. Again, we hark back to the vast target age range, and you can see why this would be so prevalent. There is very little by way of morally grey, in the Y.A. category, and if there is moral greyness, it almost always falls into two categories: (1) it is held by the main character alone, and that is why we root for them, or (2) it is martyred and killed. Moral greyness is either the Ushering of a New Era, or The Ideal that Could Not Be. If greyness is to survive, it must exist in the main character who, readers hope, will usher in a new dawn of peace (and light moral greyness) either through their small acts of love (the angel loving the demon) or in large displays of change (the morally grey character rising to be ruler).

These are all themes we expect to be present in Shadow and Bone. And for the most part, they are!

But now let’s talk about character tropes.

Carried over from the paranormal romance, we have the introduction of the “Othered” love interest. This character has a condition that sets him apart from others, and (whether it be vampire, demon, werewolf, etc.) is so prevalent that he cannot fit in. And because of his differences, he has been shunned by Society. This character, notably, is not the “light” or “pure” paranormal figure - he is not the angel - but rather, the demon. The angel would be able to slip into society (presumably because his goodness grants him some kind of godly camouflage). The demon cannot. He doesn’t fit in, and he never can. This creates tension in him, and so he shuns others just as hard as they shun him - he has done so for a very long time until he meets our main character, who gets close to him and breaks down his walls. This character is often the eventual love interest, for reasons that will become apparent later. 

Sometimes carried over from the paranormal romance is the idea that the main character is secretly an “other in hiding” (an angel without her wings, etc.). This creates a bond between the “Othered” love interest and the main character - a bond that can’t be deteriorated once it’s been made, because the main character can’t be un-Othered. They can’t take back the forbidden knowledge they’ve obtained. If this character pops up, the “Othered” love interest is almost always chosen, if he exists.

The dystopian genre has a branching version of this trope, as there is almost always a healthy amount of othering. The main character usually comes from a group of people that is Othered from Society, but our main character is even more unique/different from their “Othered group.” This “specially Othered” character is superpowered in that they can navigate both “Othered” Society and “normal” Society. They can be the go-between.

Sometimes found in the paranormal romance is the “normal” or stereotypical character. This is the average human - the character that doesn’t understand the “Othered” love interest, and wants the main character to go back to the way things were before. This character can sometimes make up the other leg of the love triangle and become a love interest. Other times, it’s a family member or a friend or even an abstract ideal. The point of this character, however, is to show the main character that they can’t go back to the way things were. Too much has happened. Too much has been discovered.

All of this is to say that when Shadow and Bone came out, audiences had expectations with long standing. It is safe and fair to say that the Darkling was set up as a character to be viewed in a certain light, and then the rug was pulled out beneath fans, who had already invested so much in his character.

Shadow and Bone: The characters that Don’t Fit;

So now let’s look at Shadow and Bone in the scope of history and audience expectation. Let’s look at the characters as well as the Grishaverse, in broad terms.

The Darkling is, in the first half of Shadow and Bone, the stereotypical “Othered” love interest. He can summon shadows, which is remarkably different from the other powers of Grisha, and his “forefathers” have done terrible things with this power, making him not only an other in talent but an other in animosity and fear.

In comes Alina, and she is a perfect fit for the main character being an “other in hiding” as well as a “specially Othered” character. She was otkazat’sya before she realized she was Grisha, and she is seen as the go-between for these two different worlds - she can bring them together. Furthermore, she is stronger than your average Grisha - distinct from all others, excepting the Darkling.

Alina is understood by the Darkling. She is discovering parts of herself that she didn’t know she had. This is all decidedly Good, and the romance that is forming is living up to reader expectation.

We also have an interesting occurence of duality. Alina, with her light, is the equal and opposite to the Darkling and his shadow. Together, they have limitless power, a common goal, and perhaps a purifying dynamic as Alina can “save” the Darkling. Her light can banish his shadows. 

History is leading us to believe they are the endgame ship.

This is only inculcated when you have Mal, who is the “normal” character. Through the framing of the story (not seeing Mal, holding on to him only causing Alina to not reach her full potential), we see that the love story with Mal is the Romance That Cannot Be. They are fated to be apart due to the tropes that readers know and understand.

But then the second half of the book kicks in, The Darkling is proven to have been manipulating Alina, things go South, and readers are left unaware of what’s coming next. In this moment, the theme of The Current Regime is Bad slaps readers across the face.

So let’s take a second to look at The Current Regime is Bad, because how the Darkling and his motives exist in that tempest is thought provoking, to say the least.

The Darkling is, decidedly, a part of The Current Regime. He is a general and close to the King, after all. He is a part of this life... and yet he is not. Remember that The Darkling is our “Othered” character. He cannot be a part of The Current Regime because he is shunned by it. And yet, he is tied to it like a prisoner. 

The reader thinks: is the Darkling bad? He is shown to be a part of Society. He wants the war to continue - he doesn’t want to tear down the Fold.

As the reader is grappling with this revelation, we are told (in the same book!) that the Darkling is actually not a part of The Current Regime (which is Bad), but rather, had been working against it. 

Okay.

So now the reader thinks that since Society is Bad, and the Darkling is against it, he and Alina do have a common goal, and his status as a love interest can be saved. He can be redeemed as a character because Alina can purify his methods, then together they can get rid of the current regime, and they can be Others together.

It’s a solid thought process. After all, the “Othered” characters have been consistently good at heart, and Alina can redeem him. We still have a bad guy to take down - and it’s not the Darkling.

But...

Leigh Bardugo decides that is not the story she wants to tell, and she has to pull out some literary gymnastics to give us an explanation. The idea is, no, the Darkling is Bad and his “Othered” status is not relevant because it doesn’t justify his actions. He is a part of a radical portion of The Current Regime and is just as Bad. 

Enter Nikolai Lantsov, who can take over The Current Regime, because as the reader is constantly reminded, Alina no longer wants novelty - she wants normalcy (which is represented by none other than Malyen Oretsev).

So, what does all of this mean? The Darkling decidedly Doesn’t Fit into any of the currently accepted (and expected) tropes of the Y.A. genre. This, on its own, is not inherently Bad or Wrong, but you can see how readers were thrown and consistently, ideas were stretched to fit the simplistic ideas of good and bad that run rampant through the Y.A. category.

The Darkling: What We Left Behind;

We have all heard the critique that the most frustrating thing about the Shadow and Bone Trilogy is how the treatment of Grisha is never fixed. It’s mentioned, but it’s never addressed.

To play the Devil’s Advocate, I am going to tell you all that this problem was never fixed because it was never part of Alina’s Narrative. As I will now attempt to point out, The Darkling is an ill suited antagonist for Alina’s story.

As I like to joke with my friends, the Darkling is an Adult Fantasy character inside of a Y.A. Fantasy story. He cannot be properly served because the story does not fit him, and it doesn’t really try.

Y.A. stories are incredibly focused. There is usually a lot going on in the wider story, but the reader is confined to one point of view and one narrative. This is why the main character is always leading rebellions and fighting in the thick of things. In order to address the problems of the wider narrative, the main character needs to be pretty front and center with the problems.

Alina is at the center of an inner conflict of power vs. normalcy. She is not at the center of the Grisha’s problems. 

Time and again, we see that Alina largely doesn’t care about how terribly Grisha are treated, as a whole. She has moments of clarity where she is angry (notably the scene in Ruin and Rising where the nations’ treatment of Grisha is described in detail), but her remorse doesn’t really extend past sympathy. In the end, she still does nothing to save Grisha.

Alina is a terrible hero when matched to the problems the Darkling is trying to solve. She doesn’t understand their full breadth, having not grown up with them, and she doesn’t want to fix them.

The Problem of The Darkling is that he is a character with problems and motivations that get shrinked and discarded because they do not fit into the Alina Narrative.

Alina’s story is about three things: (1) learning that a lust for power is bad and only corrupts; (2) tearing down the Fold, which is the representation of lusty power; and (3) returning to normalcy. (If you’re wondering why Mal is a rough™ character, it’s because he’s supposed to be the ideal of normalcy, that Alina both wants but can’t have as long as she seeks the amplifiers.) The Grisha don’t factor into that equation.

Alina doesn’t have a solution for giving the Grisha a safe existence where they won’t be sold into slavery, won’t be persecuted by the world, and won’t be forever Othered. She stumbles upon the vague promise of fixing the last of those problems when she runs into Nikolai (purely by chance, or, if you want to stretch it, The Darklings machinations). Furthermore, she doesn’t want to do any of that - she wants normalcy, remember? Her story isn’t going to be saving the Grisha - that’s not what it’s about.

The Darklings entire character motivations focus on all of the plot points that Alina doesn’t hit. He wan’t to make a safe existence for Grisha, he wants Grisha to no longer be persecuted and Othered. How is he going to do it? By ugly means, yes, but he’s going to achieve it nonetheless.

The Darkling has motivations that are not addressed in the Shadow and Bone Trilogy. They aren’t what the story is about, or what the story chooses to focus on. His story is a braided narrative that is too complicated for the simplistic, black and white story that the Shadow and Bone Trilogy is. 

So here’s the problem: the story insists the Darkling is the bad guy, but he can’t possibly be the bad guy if his intentions are Good, and there is no other way. Until Alina finds another way, he is a martyr - he is the Starless Saint. The Saint who was misguided, sure, but the only Saint who tried to solve things.

The Darkling is not fit for Shadow and Bone. His story and what he advocated for isn’t resolved by the end of the trilogy. So when he dies, it feels unearned. It’s tragic - and perhaps there is some beauty in that tragedy, or some lesson to be learned about how you cannot justify evil means for a good end - but it feels undeserved. His problems aren’t addressed. He is defeated, but his cause and his essence aren’t put to sleep.

King of Scars: A Cause Without Its Martyr;

Which leads us to the Nikolai duology.

Like I said - The Darklings’ problems are forgotten in Alina’s narrative. So what happens when we break out of that point of view? After a brief (and iconic) interim with the Crows, we are back in Ravka and the Grisha are still struggling with the problems that Shadow and Bone failed to address. Ravka is still dying, but now that we have gotten rid of a reluctant cast of characters and have made distance from the trope-heavy Shadow and Bone, we are better equipped to save her.

But here’s a question - can we ignore the man who pioneered these problems in favor of a more palatable cast? Can we not address the Darkling while picking up the sword he used?

Leigh Bardugo needs to reclaim the Grisha Problem by stealing it from the Darkling’s grasp. That proves to be difficult, given that we’ve killed him and have given him a tragically beautiful death. Absence has made the heart grow fonder, and in his final moments, the Darkling was not the evil Shadow Summoner but rather Alexander Morozova - the boy within. Readers (even those who didn’t like the Darkling) might be more endeared to him now that everything is said and done.

We need to separate the Darkling from his cause.

Enter the Cult of the Starless Saint and the Condemnation of the Starless.

To remind readers that the Darkling is bad, Leigh Bardugo does a few things. Firstly, she has her characters repeatedly condemn the Darkling. On one hand, it makes sense and feels genuine. On the other hand, it can be a little excessive. Sometimes, the vehemence reads like what it is - Leigh Bardugo is giving us reasons to hate the Darkling again. Add on the fact that Nikolai’s monster is Bad and one of few remnants of the Darkling still surviving, and you get a lot of hate.

Except, ah! The more we talk about the Darkling, the more we are reminded of what he stood for!

So we have to strip him of that - we have to take his legacy and drag it through the mud. Thus, we create The Cult of the Starless Saint. They represent the Darklings legacy and status in history - were his intentions Good Enough to grant him mercy? To give him Sainthood? 

Spoiler alert: They are not. Not as portrayed by the Cult of the Starless Saint.

The Cult is a laughing stock. They don’t have a stance of the Grisha, they’re worship of the Darkling is meant to be seen as mocking Alina’s sacrifice, and the main priest readers interact with is the receiving end of a slew of jokes. They don’t care about anything the Darkling cared for, and they don’t really want to help Grisha. This is done to muddy the waters - if the people who emulate the Darkling are selfish and without cause, well... the Darkling clearly wasn’t Good. They just think his shadow powers were cool and want him to be a Saint. They exist to slander the Darkling.

So now we have separated the Darkling from his cause, and the story continues. The Darkling is Bad. He doesn’t have a legacy. His cause is passed on to others.

But (because we’re Delta airlines and life is a f*cking nightmare) it doesn’t end there. We bring the Darkling back from the dead.

*long sigh*

Resurrection? The Curse of a Second Life;

I have wracked my brain for many an evening, trying to give reason as to why we brought the Darkling back. The obvious answer is for his role at the end of Rule of Wolves - we need him to hold the rift of the Making at the Heart of the World together. However, when Leigh Bardugo introduces real Saints, he’s not needed. Suddenly, we have a slew of characters who could do the same. Furthermore, part of why this rift exists is because the Darkling was brought back. If he is both the cause and the solution, the conflict didn’t need to be there in the first place - especially considering how inconsequential it was to the narrative.

If I had to pin a reason as to why we brought the Darkling back, it was simply to further push the Darkling from his original motivation. He comes back and... doesn’t do much. He doesn’t seem to have the same care for Grisha, he has watered down character traits, and he largely does nothing. The Darkling in the Nikolai Duology is Not The Darkling because he’s a shell of the character he used to be.

Bringing him back from the dead was unsatisfying, and it weakens his original ending. As I have mentioned in other posts, the Darkling coming back cheapens whatever meaning readers gleaned from his ending. The Darkling is resurrected and he doesn’t truly seem to care about anything - which is the direct opposite of what the Darkling has been shown to be.

The Darkling has been bastardized in any appearance he’s made after The Demon in the Wood, and ultimately, it leads to a rather anticlimactic end for such a distinctive, hallmark character.

But let’s really quick establish why the sacrifice the Darkling makes at the end of this book is unfulfilling.

Because, in the final moments of Rule of Wolves, the Darkling gets his moment of penance and sacrifice - he chooses to hold the rift. It’s said he will have to hold it for eternity. You would thing that this would leave an impact! 

However, as is, this ending leaves much to be desired for a few reasons:

The Darkling has been so far removed from his character, that when he states, “Everything I did, I did for Ravka,” it feels... incorrect? It sounds like the hollow, misguided claims of a tyrant king, because for an entire Duology, the Darkling has been bastardized and has been the cause of a blight that is killing Ravka. His presence is actively killing the country he claims to serve, and as for actions, he has done very little for Ravka, and nothing for the Grisha. The last time he did anything of substance was before Six of Crows!

None of the characters present for his sacrifice have any sympathy for the Darkling. The Darkling chooses to sacrifice himself, and we get no emotional closure. Alina isn’t there to whisper his name and mourn him, and while Zoya gets the glimmer of weak pity, we have much reason to believe that Zoya mostly feels disenchanted because he will be praised as a martyr and not hated as the evil man she knew him to be (more on that here). There isn’t sympathy so much as there is bitterness and the semblance of the remnants of tattered respect shining in the dim light.

The final chapter of Rule of Wolves tells us that it’s all going to be made inconsequential in the coming books, when they are going to replace the Darkling with something else. The Darkling won’t even get his full sacrifice, because he is undeserving of a redemptive act of selflessness.

So now, where do we leave the Darkling? For two books, we have separated him from his initial cause, watered down his character and motivations, and given him ends that are largely unsatisfying. 

We’ve actually started to fix the Grisha problem, and there’s something interesting to be said in that it’s fixed by Zoya Nazyalensky, who goes up through the chain of command in a very similar fashion as to how the Darkling planned. She was a General, and then she became Queen of Ravka - the acting monarch, no less - with a beloved public figure on her arm (which, in the Darkling’s case,  would have been Alina).

So I am left to wonder - was the lesson, then, indeed, that you cannot justify evil means for a good end? Was the moral of the Darkling all along about how you must be good throughout - with good acts and good intentions - in order to make change and be revered for it? If so, why did Leigh Bardugo slander the Darkling retroactively, the way she did?

If the problem was his actions and not his intentions, why insist that his intentions were devoid of meaning, as well?

Aleksander Morozova: What We Buried;

Now, you all knew I was going to get here eventually, and if you’ve made it, congrats. We are now talking about the emotion behind the deed, the man behind the monster, the boy swallowed by the shadows.

I believe it is pivotal to understand that Leigh Bardugo has always wanted us to struggle with our feelings over the Darkling. She wanted a character that you could sympathize with, she wanted a character with humanity, and she wanted a reason for his villainy. I think that Shadow and Bone, for all of its failings, gave us that. There’s a reason why there is such a big divide over the Darkling in the original trilogy. He was a compelling character! Somewhere along the way, Leigh Bardugo lost that nuance of her own character. At some point, she resorted to stripping him of his meaning and slandering his image. 

Perhaps I am playing the Devil’s Advocate again, but I believe this was intentionally done.

Because one has to ask - why slander the Darkling? A large portion of the fanbase already hates him, so cheapening his character is doing nothing for them other than giving them sweet vindication, which is unnecessary and only disenchants the other half of your audience. There has to be some deeper reasoning. Leigh Bardugo wanted this character to be sympathetic, so why, now, does she want him to be two-dimensional?

Once more, I am asking you to think back to the original trilogy. What was the main moral? That power, no matter how good-intentioned the pursuit of it is, corrupts. What is the Darklings purpose of coming back again if not to simply have power? He certainly shows no other motive than lusty greed, after being resurrected.

And even if we ignore his lust for power, as he so willingly gives it up to Zoya Nazyalensky in the end of Rule of Wolves, we have two other corrupting forces that could account for the degradation of his character - time, and  death.

We know the Darkling to have lived for eons, and he would have continued to live on for an eternity more. There is nothing like time to truly corrupt a character’s vision, and there is nothing like death and resurrection to husk a character.

In fact, if Mal’s character did anything of importance when it comes to effecting the Darkling, it lies in the epilogue of Ruin and Rising, where it is stated that “the boy and the girl had both known loss.” Mal’s loss is equated to Alina being stripped of her power - that is the power of having died, and being forcefully brought back to life. That is a vague basis for which we readers can compare what it must have been like for the Darkling to come back - even if he is so desensitized to feeling, that he doesn’t remark on it himself.

But let’s keep chugging on.

When we first met the Darkling in 2012 Shadow and Bone, he was unfeeling. He was cold and harsh. There was something beneath the surface, yes, but there were thick sheets of ice in the way. You had to mine for it. Time had already warped the actions of his intentions. It’s expected that time would continue to do its damage, and when he is revived in King of Scars, his intentions are warped as well. He is nothing of the person he used to be other than memories and power. That is why, at the end of Rule of Wolves, when he states that he did everything for Ravka, it feels hollow - that was once true, but the Darkling has even lost that. He has the vague impression of it, but nothing you can sink your teeth into.

I think, had this idea been looked at in deeper depth, it would have been a far more compelling story. Had Rule of Wolves really dedicated itself to showing the Darkling’s conflict of his current apathy, and the knowledge that there was once a time he possessed meaning, we could have found the marrow of his arc. If the book had made an allusion to this concept, his character would have been more satisfying. But as it stands, the Darkling is just degraded in the later books, and unless you really search for meaning, there isn’t any.

And perhaps, if the Darkling had been a different character - a character who, at his core, was more unfeeling - the way we left him would feel okay.

But while The Darkling was harsh and cruel, Aleksander Morozova wasn’t, and that’s what has us all hung up on his character.

If you haven’t read The Demon in the Wood for whatever reason, do yourself a favor and read that instead of revisiting the show’s version of his villain origin story. The show made the Darkling far less compelling by showing him as the grief stricken Black Heretic, rather than the boy within. When we meet Aleksander, he is a boy who is afraid of the world, who has never belonged in it or with others, and who is, ultimately, afraid of himself. With his mother, Baghra, he has taken on a thousand names and traveled a thousand places, and all the while, he is afraid of getting too close to others because he is an amplifier and he knows that if any Grisha were to find out, they would kill him for his power.

Thus, there is so much nuance to his relationship with the Grisha. He is one of them, but he is not. To hark back to our history lesson, he is the exact opposite of the “specially Othered” character that is so often given to protagonists. Instead of acting as a go-between, he is the one person that everyone - Grisha and otkazat’sya - can come together to kill.

And as a little boy, he knows that. He knows he has to stay in the shadows, and yet, he is deathly afraid of the dark - afraid of that which sets him apart, and that which he cannot escape.

This is poignant because at the root of every great character is a singular, vulnerable emotion, and for the Darkling, it is fear. And most importantly, fear of the shadows.

When he meets Alina, we truly see the strength of their duality. We truly see why he was so drawn to Alina - why he could so easily fall in love with her, despite the years and despite the tide, and despite his fear of letting others in. She is his equal and opposite - with her, there are no shadows. There is no fear. The fact that he lets Alina use him as an amplifier is so telling of his deep feelings for Alina.

Where each reader draws the line between their dynamic - either him truly loving Alina, or him simply loving and obsessing over the idea of her - is for the individual to decide. The wonderful thing about the Darkling in his current state in the original Shadow and Bone Trilogy is that he still has good intentions within him, no matter how corrupted by his evil actions. Whether or not they truly could have been is up to each person because the question over whether or not Alina could “purify” the Darkling was never deeply explored. We will never know if she could save him, or if it would have destroyed her in the end. Whether or not you want her to try is personal preference.

Again, Alina didn’t want to fully commit to that act, and so we readers will never truly know. Luckily, fanfiction exists.

But, I didn’t name this section “what we buried” for nothing, and I think it’s important to note that even in the beginning of The Demon in the Wood, the Darkling was already on his way toward a darker, harsher existence.

Baghra, from presumably the moment he was born, groomed the Darkling to be a certain way - the same way as her, a survivor with little hope, living for the sake of living and fighting for the sake of a meal. She had no plans to save the world - it was only after the Darkling had a run in with the possibility of death that he unearthed a deep desire within him - the desire to save the Grisha. Before that, it was buried.

Before that, the Darklings' desires were buried beneath his mother’s words and buried beneath the dirt that settled over his heart like a shallow grave, because his connection to others was buried as well. Baghra did that, and whether or not she was misguided or if she was the smarter of the two is an essay better tackled by looking at her, specifically, which we won’t do here.

As we’re reaching the end, I feel like I have earned the right to be cliche and quote the Darkling’s thoughts from when he was still a boy, but already a shadow. In The Demon in the Wood, he thinks:

“My father is dust. You all are.”

At such a young age, the Darkling has already lost his grip. Already, he knew he would outlive and outlast anyone, and this heavy knowledge was already piling up, and he was slowly being buried alive in his own infinence.

It was only ever inevitable that his story would end like this - with a detached man who was once a hopeful boy, but could no longer recall what such confidence tasted like - so perhaps the tragic beauty in the end of Ruin and Rising was not that he died, it was that he wasn’t given an end.

— Special kudos to @onceupon-a-decembr​ who let me scream about this with her, and another kudos to @musicallisto​ who introduced me to a book series that I will never stop screaming about. Ever.

— tagging: @maybanksslut, @musicallisto, @catsbooksandmusic, @thefifthweasley, @thegirlwhocriedwerewolf, @amirahiddleston, @lachichapequena, @mrs-brekker15, @amortensie // add yourself to the taglist here!

[janiedean]

@seethemflying I think Sansa is in the next bracket down of important characters (with Jaime). In the outline, they weren't named as one of the big five, but in the process of writing have grown more important. No way is Sansa's ending going to be anything like Show Sansa's, though (and same with Jaime tbh).

agreed but lemme take a second from cramming to rant about this because I honestly have An Issue

in the sense: I 100% agree that both jaime and sansa are next bracket/secondary main (speaking as someone whose top five is made by ppl who are either secondary main or tertiary main if they have a pov like.... I'm not gonna argue that theon is a main fiver bc he's in my top three) but like what I can't deal with is the following as in that the main five are the main five bc they have in between them all the main themes george wants to tackle + the main plot stuff except for the 'romance is my #1 sense of existing in the plot', as in:

jon is azor ahai + has the chosen one deconstruction trope going on + most likely has the 'I never wanted to be Important™/have a throne but I'll have to for duty' ending + identity arc ie if he's not jon snow first of his name i'm eating my hat

dany has the dragons + the targ ancestry deal + 'I thought I wanted to rule but actually I don't I just want to help ppl' storyline (which is the hill i'm dying on)

bran has the oH WAIT fisher king deconstruction going on + the magic™ storyline + he's most likely kitn + he's tied to uh the literal rebirth of the continent so + how to deal with disability storyline

arya has the I NEED TO REALIZE WHO I AM storyline + the learning to be yourself as a gnc woman storyline + revenge is shit storyline + I'll become a skilled assassin and choose not to act on it unless absolutely necessary storyline + trauma/ptsd storyline tied to losing your own identity

tyrion has the shakesperean hero thing going on as in I have to make peace with the fact that I killed my father/did mistakes + overcoming the societal issues/problems/the prejudice most ppl have for him that’s caused by his disability storyline + he's the only one of these five who doesn't have any magical stuff in his background/only has his brain to rely on + overcoming his family's legacy and making it better storyline

now: a bunch of other minor/secondary characters have all of this (I mean idk theon and jaime have identity + learning to deal with/overcoming societal scorn given by them being disabled/having become disabled in various ways + ptsd, brienne has the gnc woman thing etc) but like each single one of these characters only lacks the OH I HAVE A BIGASS GREAT ROMANCE WITH MY BACKGROUND (I mean gendry exists to be arya's LI but idt it's gonna be important in her future storyline the way it'll be in brienne's to say one).. which oh wait SANSA JAIME AND BRIENNE HAVE, because guess what that's the next secondary bracket where those three characters have it as a main part of the story which is exempt from the politics angle (bc none of them is tied to the iron trap by the plot no none of them jaime doesn't want it, brienne isn't a contender and sansa was supposed to be queen in the beginning so she's obviously not going to be that later no not even qitn that's gonna be bran) and here falls the entire shebang because what half of this fandom doesn't seem to get is that *drumroll* george's favorite angle to tackle when it comes to romance is... THAT EXTERNAL BEAUTY IS NOT WHAT YOU SHOULD BE LOOKING AT IN PEOPLE AT THE END OF IT AND GUESS WHAT THAT'S THE MAIN POINT OF ALL OF THEM PLUS THE KNIGHTHOOD DECONSTRUCTION THING and with that I mean:

not counting that sansa's reaction to trauma is written to be specular and opposite to arya's as in arya tends to lose sight of herself/becomes someone else/resorts to violence to survive sansa never loses track of herself/her innate kindness which... is smth I wish dnd remembered, the thing is: sansa is presented in the beginning as 'i'm a twelve year old with all the issues with shallowness a 12yo brought up like me can have and everything I want from life is a good love story', which... guess what she's 100% going to get except

characters need to have an evolution, if sansa wants a handsome pretty guy who'll make her queen in the beginning and she has to realize joffrey was The Worst, do we really think her endgame is being queen of a handsome nice king when her entire schtick is liking songs about knights and wanting true love and someone gentle and brave blah blah? no, and that's exceedingly obvious when the text throws at you in the face that her only two actually viable choices for LI - sandor and tyrion - are.. guys who are either disfigured or disabled or traumatized or all three of them but are actually good people and she has to learn to see beyond looks, and no one else fits that bill period - sansa isn't getting with a pretty guy who'll make her queen, sansa will find love with a guy who's nowhere near pretty or handsome but will love her for who she is and that she will see the good behind the not-handsomeness dot and she'll prob go back north with him and be happy advising bran bc she learned stuff in court at most and I'm dying on that hill, bc again the entire point of her sl is having the nice good love story where she sees beyond external beauty which has been clear from page five of her first pov imvho

never mind that again she wants to be a queen in the beginning and then she realizes it's shit so why would she be one in the end? like not to be that asshole but george isn't exactly pro monarchy and it's obvious he's not going to paint it as an inherently positive thing

this attaches back to the fact that there's a whole knighthood deconstruction happening for which sansa has to realize that the gallant/true knights are not the ones who seem that/look like it/flaunt it around

which brings us to the fact that oh wait sandor and jaime in themselves are true knights in spite of the fact that sandor refuses to even consider himself one and jaime thinks he fucked it up and no one sees them as such

and that the truest knight in westeros who will get recognized as such is brienne

who doesn't look standard hot either

and has the love story with jaime right on page

and jaime also has the love story right on page where he has to realize he's into people that aren't c. especially brienne and so on which is what's happening right now like jb recognizing themselves as true knights™ is part of their whole thing like... it's... important

(this counting that san/san is beauty and the beast played straight with sansa as the beauty while jb is the same trope except reversed on itself five times because both j and b are both of them)

and this would also like make utter sense if oh, wait, jb weren't in the riverlands where sandor also is and if oh wait who has sworn a vow to find sansa like again I'm dying on the hill that brienne kills stoneheart, they go on the quiet isle to recover, sandor is like AH YOU'RE LOOKING FOR SANSA and sansa gets rescued in the vale by the only three true knights in these series including the one that's her actual love interest at least the way I see it and where do you think that's going to end yeah exactly

as in: she'll have the umpteenth proof that all the true knights in these books don't look like the songs and she'll get the one she wanted

(also brienne is way more like sansa than arya in personality so like... parallelism of two girls into romantic stuff getting with the guys they like? except that for b. it's relevant bc she's ugly and she gets with hot guy who's into her and for s. it's relevant bc she's hot and she goes with guy-everyone-considers-a-lost-cause showing that they're not exactly a lost cause)

like sansa is there to a) have half of the main love story plot b) as the resident song expert witness what knighthood actually means, jaime is the resident person doing things for love and finding ways to do it that aren't toxic/finds someone who'll actually love him and not what he represents, brienne is the resident 'I never thought anyone would be into me and I'm pursuing my dreams without a shred of hope they'll go well' and she gets all of that and sandor is there to be sansa's LI and to tell ppl that you can go to rehab and have a decent life even if you were used and abused to hell and back (jaime too tbh) and like none of that has to do with the iron trap, the magic, the zombies and whatnot but it's okay because it's their point in the plot and is2g I just wish people would take characters for what they represent instead of shoehorning them into others's themes/stories just because it's what they want for them, the end

(I could rant about the third bracket of characters ie theon & co & getting over trauma/ptsd without the Love Story™ but I have to get back to study if I wanna fill some prompts later so it's not gonna happen for now but... sorry for the rant I'm just really tired of the whole sansastark will get the iron trap and the north and be the ymbq and get with a guy that looks good for her depending on what we ship not considering the overall reaching plot or her book plot and everyone else will have zero relevance in the story because we said so especially when it means giving all of that to a character who is uh not belonging to any of the categories represented by the main five which are actually kiiindaaaa relevant rep but I'mma just gonna shut up here)

[revchainsaw]

Nausicaa and the Valley of the Wind (1984)

Prayers and Salutations Cult Members! I am your mysterious minister Reverend Chainsaw and this is another nights revival service at the Cult Film Tent Revival. I bring you a special word tonight. Tonight's word is about a person who roamed the earth, in a time where people were backward and warlike. A leader emerged into a kingdom full of eschatological expectation. This leader came preaching peace, and was killed for the sins of the world, but was resurrected. In that resurrection a new hope was brought to the planet, and true healing through the power of love in the face of violence is made possible. I am talking of course about Princess Nausicaa from the Valley of the Wind.

The Message

Nausicaa and the Valley of the Wind is the film that put studio Ghibli and Hayoa Miyazaki on the map. No animated feature this grandiose and epic had been achieved by 1984, as much as Disney may beg to differ. The tale may be simple, and it may feel super 80s to us today, but Nausicaa is a masterpiece, and the fact that Howl's Moving Castle is brought up alongside Princess Mononoke and Spirited Away more often than Nausicaa is a farce and a tragedy.

The film takes place on a fantastic planet that seems to have suffered the ravages of an apocalyptic war. A war that involved gigantic warriors with powers so devastating they about made the entire planet inhospitable if not uninhabitable; save for a few areas. The fall out of this ancient war has left the earth in a state of repair, where the natural processes of a planet healing has creating giant toxic jungles.

Beyond these jungles lie two imperialistic factions, they seem almost to be city-states but it's not terribly clear. The Kingdom of Tolmekia, a militaristic proto-fascist society of almost Spartan sensibilities. Tolmekia is governed by the ambitious and cynical Princess Kushana, But I like to call her Furiosa. Just like Furiosa, Kushana is physically missing parts of herself, a visual metaphor for her metaphysical lacking and the parts of her humanity she has cut away. Kushana's world view is one of fear, a fear that can only be quelled by waging a genocidal campaign against her enemies.

Speaking of enemies, the Athens to Tolmekias Sparta would be the Pejite Kingdom. The Pejites might like to view themselves as simply responding to Tolmekian aggression, but the narrative of the film, and the story told quite visibly on the body of Kushana, is quite different. The Pejites are just as bloodthirsty if not more palettable in their approach, but like the Tolmekians, they believe only their own lives have any value. And thus, in this theatre of war, a Giant Warrior from the ages before is unearthed by the Pejite Kingdom, Stolen by the Tolmekians, before the forces of nature themselves, seem to conspire to drop the Giant Warriors "egg" right into the Valley of the Wind.

The Valley of the Wind is populated like the world of Avatar the Last Airbender, that is mostly of children and the elderly. The people of the Valley have been able to remain untouched by the ravages of war and the toxic jungles of the damaged world primarily due to geographic luck that's explained in minor exposition in the film. They are ruled by a King, and they are all deeply enamored by their beloved Princess Nausicaa.

Nausicaa is a gentle soul. She is kind to animals, she is empathetic, unreasonably patient, and bears pain and grief inflicted on her out of cruelty with a saintly understanding. She really is a thinly veiled Christ figure, scratch that. There is no veil. But she's also my favorite Christ figure. She does not preach a message, as much as she tries to save everyone from their own short sighted goals. She is not perfect, she does lash out and do some fantasy sword fight murder, but she regrets her actions so deeply that it seems to have played a part in motivating her to become even more compassionate and patient with the evils of the world.

Nausicaa discovers yet another plot by the Pejites, who are afraid of the possibility of the Tolmekians awakening the Giant Warrior, to use animal cruelty to enrage a group of almost invincible giant insects known as the Ohm. By luring the Ohm into the Valley of the Wind where the Tolmekians have become an occupying force, they hope to completely wipe out everything that threatens them. The Tolmekians DO awaken the Giant Warrior and pure pandemonium ensues. Nausicaa manages to save the Baby Ohm and calm the rage of the bloodthirsty Ohm swarm, and to defeat the warlike tendencies of both the Pejites and the Tolmekians. All the while fulfilling a prophecy fortold about a messianic savior figure called the Man in Blue.

Now that you have heard the Gospel of Nausicaa, please stand to receive The Benediction.

Best Character: Half a Person

Now that I've spent the better part of this review gushing about our Lord and savior Nausicaa. I have to admit, she's at times a bit too perfect, a bit too saccharin. Even her flaw, or her one weakness and her failing to be perfect, just adds to the perfection. I can't even say she never makes mistakes cuz she made one, and that's infuriating. It's even more infuriating that I still think she's a great character. Normally this kind of thing really kills a hero. Most Chosen Ones are the most boring and least likeable characters in their narratives. I don't know how Nausicaa avoids this trap, but she does. I'll have to do some meditating on that.

However, just like in your typical Chosen One fantasy narrative, the hero is a lot less fun than the villain. I'm going to say the best character in Nausicaa is Kushana. I want to be like Nausicaa, but I don't understand her. She's almost alien, even though we learn all about her. Kushana is mysterious, secretive, and enigmatic, yet I understand her. She barely has an arc, she doesn't really change. She's cold and cynical to the bone, but I don't need to see much of her situation to completely understand why she is the way she is. I usually hate totalitarian bad guys, but Kushana I like. Sue Me.

Also fun fact, did you that Nausicaa means 'Sinker of Ships'. That's kinda fun.

Best Scene: Spoiled for Choice

I'm going to be lazy and say take your pick. There is really not a bad seen in this movie. If the action isn't going, then there's intriguing dialogue. If there's no dialogue then you may be about to get hit with a forceful burst of whimsy. There's horror, there's swordfights and aerial dogfights. The only thing in Nausicaa I don't like to see, is the bloody tortured Ohm Baby. It's like a god damned Sarah Mclachlan commercial.

Best Creature: Foxy Shazam!

The Ohm are so simplistic yet so detailed. The number of eyes is alien, but the way they are used is expertly expressive. Who'd think you could get me to love what basically amounts to a silverfish with the intensity that I love a kitten. How did Miyazaki pull an Okja with a creature that should be haunting our dreams? I don't know.

And what about the Giant Warrior! If you are an Evangelion fan then you probably already know that Hideaki Anno designed and animated the melting goopy biomechanical beast. Surely a sight that would make both H.R. Giger and Clive Barker giddy with excitement. Just the image of the silhouettes marching amidst the desolation of the old world is burned into my brain.

So which of these is the best creature from Ghibli's first outing? It's fucking Teto. It was always gonna be Teto you idiot. Just look at Teto, he's adorable. He's too cute to exist. I'm so alone. I need a pet.

Best Character Design: Tolmekian Regalia

I originally included this category to talk some about Kushana, however, at that time I also thought I was going to say Nausicaa was the best character. I thought hard about deleting it, but I think it's a different category and you can't accuse me of playing favorites because my favorite character is clearly Teto. Just to keep it simple. It's the two costume shift from full military regalia in white and gold, to the one metal arm, warrior princess get up. It's a great costume and a great look. Get on this shit cosplay nerds. It's great for Cons in Canada, you have to think about layers, and you can't keep going as Mr. Plow. It's lazy.

Best Excuse to Talk About Patrick Stewart's Character: Lord Yupa

I just realized that I was about to write this whole review without talking about Lord Yupa. Lord Yupa is a sword saint and all around badass I think a lot of entertainment, especially in the west is lacking bad ass old men. Lord Yupa particularly shines in the early half of the film as a warrior and as a wise council to Nausicaa. If she's Jesus then Yupa is John the Baptist. He is also voiced by the elegant and eloquent Patrick Stewart. He also comes with 2 chocobos!

Worst Character: For Whom Asbel Tolls

This might also be the worst actor category as well. Actual Cannibal (haha meme) and actual monster (haha real life) Shia Labeouf doesn't so much act in the role as he read the lines and it was recorded. The good news it doesn't effect the film too much because Asbel is completely forgettable. He is a catalyst to some of the action, but besides that I don't really care for him.

Worst Aspect: To Be Fair ...

It would be unfair to completely ignore anything negative about Nausicaa. I have already mentioned in many places that there are some pretty corny, or pretty predictable tropes to this movie. But what I can't capture in words is exactly why it feels fresh when it's done in this movie. I suppose that's what makes it good. It's just so good that it's weak points are lifted up by it's strengths. Some people may bored of Nausicaa's unyielding goodness, or that she very rarely chooses to take action as much as she chases and pleads with her surroundings, but I mean, she does pay for that eventually. It's a fantasy story and it hits a lot of timeless themes that have been hit in stories for as long as human beings have been telling stories. Some people may feel that it doesn't do enough to stand out.

Summary

I have defined the S tier for myself as "near perfect and personal favorite" films. I like to think that Nausicaa and the Valley of the Wind is near perfect. Some may say that it looks like it might just be a personal favorite. In the case of Nausicaa, I'm having a very hard time telling the difference. I think it would be overly simple to claim that Nausicaa is just an ancient archetypal heroes journey with an 80s anime coat of paint. I think it's doing quite a few new and interesting things with that formula, those things are just playing out all around that narrative as opposed to being at it's center. For a first full length outing by the studio, you can really see Miyazaki's heart and the values he holds close to. I'll repeat myself so that we are completely clear on the matter. I think Nausicaa and the Valley of the Wind is a near perfect movie.

Overall Grade: S

[takerfoxx]

The Owl House, Season 1, Episode 1, First Impressions!

Let’s! Get! WEIRD!

Okay, so I’m noticing that all the kid’s cartoons I’ve been watching lately can be grouped into three categories sort by tone and style, with the main unifying feature being that they’re all adventure stories with casually diverse casts.

In one category, you’ve got the Netflix gang, where we have She-Ra and the Princesses of Power, Kipo and the Age of Wonderbeasts, and The Hollow. Here, things are a blend of traditional western animation with noticeable anime influences and take place in colorful fantasy worlds with hopepunk themes.

Next is the Avatar gang, which is of course ATLA and The Dragon Prince and maybe one day Legend of Korra, which is much more anime-esque and tends to take place in mythology-inspired fantasy worlds that are very epic hero’s journey focused.

And finally, we have the Disney gang, which has Gravity Falls, Ducktales, and now The Owl House, where things are more wacky and weird with a strong focus on episodic adventures.

Like, I was very much expecting something more in the vein of She-Ra, given how much crossover there is between their fanbases, but as I was watching, I kept thinking, “Wow, this feels a lot like Gravity Falls. Luz is basically Mabel/Webby on slightly less crack, Eda gives me strong Grunkle Stan vibes if Stan was a witch MILF who was actually legit with the powers stuff, and hey, King sounds a LOT like Bill Cipher...”

Wait a minute, thinks I, is that ALEX HIRSCH?

Yup, it sure was, and I’m getting better at recognizing voice actors, go me!

Anyway, our story is about Luz, and as I said, she’s in the same vein as Mabel Pines and Webby VanderQuack, only on slightly less crack than the former and with fewer insecurities as the latter, and unlike the other two, she is the main character, so this promises to be...chaotic. 

Anyway, her aggressive...creativity (i.e. super weirdness) keeps getting her into trouble, so her mom decides to send her to a summer camp about how to be normal, and I know that’s a joke, but DAMN are the implications disturbing! Like, there’s a lot of similarities to real-life institutions intended to hammer out things that society considers deviations and...

Surely I don’t need to say it out loud. Jesus, Mom!

Anyway, before getting shipped off to be lobotomized or whatever, Luz’s favorite book is stolen by an owl, and in following it she Narnias herself into basically Weirdmaggedon world and meets Eda, a witch who makes a living hocking human goods. Which, to the incredibly weird Luz, is a dream come true! Finally she’s in a world that celebrates weirdness!

Except no, since the world is actually under the control of its own equivalent of the Weirdness Inquisition, which punishes non-conformity. Well, okay then. And Eda and her adorable Demon King buddy named...King needs Luz’s help just eking by.

Anyway, this is the pilot episode, and it’s purpose is to introduce the characters, setting, and basic premise, so there’s not a whole lot to really dig into just yet, except to say I like what’s going on and am looking forward to further exploring this world. The Warden I think is the best representation of what we can expect from this show, as there was so much about him that was genuinely unsettling and intimidating, but he was also really, really goofy.

So yeah, strong Gravity Falls vibes, and I am here for it!

Another note: okay, this is kind of embarrassing, but when we met the vampire girl who was in jail for writing fanfiction, I had to take a moment and tell myself, “I must not simp, I must not simp, I must not simp...”

Hey, we all have our types.

Also, interesting to note that Luz learning magic is less of the high school experience and more of an on-the-sly apprenticeship, and the Owl House is literally just Eda’s house. I have seen a lot of school-related screenshots, so we’ll see how that pans out.

And, uh, is Amity Blight gonna basically be Pacifica Northwest, only gay? Because that’s very much the impression I’m getting.

And Eda’s body parts falling off looks like it’s going to be one of my favorite running gags.

And finally, lol at giraffes actually being monsters who were exiled for being too weird. Are these guys also responsible for platypuses? 

[sophieakatz]

Thursday Thoughts: Ranking Disney Villain Deaths (Part 2 of 2)

Halloween may be a time for celebrating villains, but seeing a villain get their comeuppance is all part of the fun!

Last week we took a look at Disney villains whose fates were either a slap on the wrist or a decent punishment, using the following categorization system:

Now it’s time to look at that third column. Some Disney films pull out all the stops to punish their baddies – whether they deserved it or not!

(Spoilers below for Mulan, Tangled, The Lion King, The Little Mermaid, The Hunchback of Notre Dame, Wreck-It Ralph, and The Aristocats. Yes, The Aristocats.)

Totally Brutal Fate

Falling to one’s death is brutal, sure. But in the grand scheme of Disney villain deaths, there are much worse fates.

First in the Totally Brutal Fate/Too Light category is Shan Yu from Mulan. He doesn’t fall to his death, folks – he’s carried away and blown up by fireworks. But it’s much too quick an end for someone who’s slaughtered hundreds of soldiers and civilians, adults and children alike. Likewise, Mother Gothel’s terrifying end in Tangled is to age to death in seconds – she falls off the tower and is dust before she hits the ground. Still, though, her crime is kidnapping a baby and abusing that child for eighteen years, and also murdering at least one person – so to me it seems too quick and painless an end.

When it comes to the Totally Brutal Fate/Fits The Crime category, I first thought of Scar from The Lion King. He could have simply fallen to his death like so many other villains guilty of murder. Instead, he survives the fall – and is eaten alive by hyenas. Brutal, but appropriate! In The Little Mermaid, Ursula ends up suffering as painfully as Scar, as she is not only stabbed in the gut but struck by lightning – but she was well on her way to taking over both the sea and the land at that point, so, she had it coming.

Another fate worse than falling is faced by Frollo of The Hunchback of Notre Dame. Like Mother Gothel, he abused a child-figure their entire life, contributed both directly and indirectly to the deaths of many Romani people, attempted to murder both Esmeralda and Quasimodo, and had half of Paris burned down. For his fiery crimes, he meets a fiery end, falling off of Notre Dame and into the very flames he set. It almost makes up for all the people he killed!

My favorite example of a totally brutal fate comes at the end of Wreck-It Ralph. In this film, Turbo’s need to be the center of attention drives him to dangerous stunts that get two games unplugged (which means an entire community ends up homeless at best or dead at worst). He nearly gets Sugar Rush destroyed as well, and if all that wasn’t bad enough, he tries to force Ralph to watch his best friend Vanellope die. His fate? Helplessly screaming while his own hypnotized, mutated body flies him straight towards a fiery death in boiling soda. Incredibly brutal – but after how many lives he’s destroyed, it’s satisfying to see his own life go the same way, and to see just how much time he has to recognize how totally screwed he is.

Now, you may be wondering, are there any Disney villains who face a totally brutal fate which is too harsh for their actions?

I can think of one – Edgar from The Aristocats.

For those of you who don’t remember The Aristocats, here’s what happens in this movie: Edgar the butler doesn’t like that his rich employer is leaving all of her money to her cats instead of to him. So, he doses the cats’ dinner with sleeping pills and leaves them in a basket on the side of the road. The cats manage to find their way home all the same, and when they get there, Edgar tries to put the cats in a crate and on a ship to Timbuktu.

He’s not a nice guy, certainly, and while he’s not above animal cruelty, he never tries to kill the cats, even though that would be a quick way to solve his problems, which puts him above Cruella de Vil in terms of morality. But how is Edgar punished for his behavior? The animals knock him out, plop him in the crate, and he is promptly sent off to the ship to Africa.

Is anybody going to check inside that crate any time soon? This is 1910. It’s a long ship ride from France to Timbuktu, without food or water. Edgar’s dead, y’all, and it wasn’t quick nor painless.

Where does your favorite Disney villain fit? Did they get their just desserts, or did they get to have dessert? Or do you disagree with how I ranked the fate of your favorite bad guy? Reblog, reply, discuss! And a happy Halloween to you!

[meta-shadowsong]

Quick response to Mandalorian season finale

Behind a cut because, well.

Okay, yes, I am in this show for Dadalorian and Found Family etc. But I am at least as invested in the plotline this season about various factions of Mandalorians and their, for lack of a better word, sectarian disputes. Which frequently result in barfights. Because Mandalorians.

(AKA that scene where they picked up Bo and her minion was. A Delight.)

(Also, I love my girl Bo-Katan. Even if she’s very much a blunt instrument/not a politician going at this in all the wrong ways and was Very Rude to Boba but tbh I wasn’t 100% sure she was going to show up in this episode and I would’ve been Sad if we hadn’t gotten to see them meet. Either here or next season.)

(Still Sad at the lack of Sabine, though :( )

Leaving aside anything re: Gina Caranno (because that has been discussed by people much smarter and better-informed than myself), I’m kind of thrilled that the strike team was Almost Entirely Ladies.

(On that note. Uh. Does anyone else kinda. That little “Anyone else, we can take” smirk. And I just. Uh. Bo/Fennec, anyone??????)

(I kind of already ship Bo with Ventress tbh but a) multishipping ftw and b) threesome??????)

(Hi I’m shallow sometimes lol)

Anyway moving on.

Also the sound/almost-music when the Cylons Dark Troopers were activating was Excellent I approve.

And that Visual of the one trooper Din set on fire. ...honestly that whole hallway fight sequence was pretty Brilliant.

And the sort of...almost casual layer of the scene in the elevator. Even if these women haven’t worked together before, just that, “sure you don’t need any help with that?” “I got it. Excuse me.”

And that whole thing where Gideon was trying to Manipulate Din and he was like “...dude, I legit just care about the kid. I’ll fight for/with Bo-Katan because she’s pretty badass and I Might As Well plus she gets me what I want but I don’t...actually...Care about her Greater Cause?”

(Side note, I’ve spent a lot of time writing Bo-Katan/figuring out how her head works and literally all she cares about is Mandalore and its survival. It’s why she broke away from her sister in the first place, and has informed every single thing she’s done since. A lot of why she makes the specific choices she does goes back to the Mandalorian Civil War and her experiences there--especially since all the evidence indicates she was not with Satine and Obi-Wan and Qui-Gon. The way that separation and their different experiences of that conflict probably contributed to the eventual destruction of what seems likely to have been a Very Close Relationship before that is fascinating to me. And the subject of a fic I’ve been working on off and on for a couple years now, lol.)

(...anyway, where I was going with this was--I mean, yes, Gideon knows everything in terms of facts, but he doesn’t always interpret them correctly. IMO, Bo-Katan’s desire to rule Mandalore is less about power (for herself) than it is about Mandalore. Especially given some of what she says to Sabine in Rebels--if there was someone else she genuinely trusted to take the throne and rule her world, she’d be willing to cede her claim and be one of their generals. Especially since she’s very much not a political animal. She’s an excellent war leader, but not so much in terms of actual Governance.)

(insert long ramble about the Parallels between her and Anakin, which I touched on in one of my fanfics, lol; and will probably do more with in my BB project which involves the two of them and Padme as the main characters)

(And, yeah, she does want to fight Din for the right, but if she thought Din would be a good Duke/King of Mandalore, I think she would seriously considering swearing allegiance to him? Again, witness how she handled things with Sabine. Also she would probs prefer to avoid a third (fourth?) civil war in her lifetime. But, I mean. I love Din but he is. He is not a Leader. Not like her people need.)

(And I think the way things played out with Sabine affects her decisions here, too--she did accept the Darksaber as a gift/tribute then, but proceeded to lose it. Maybe she does need to fight for it the way Maul and Viszla did (presumably; we don’t know how he got the Darksaber; it may be something he inherited/have been held by House Viszla for a while, even if they never used it to dethrone the Kryzes until now).)

(But, then again, I mean, this has been her life for at least a decade, so...well, maybe she wouldn’t quite step aside. Even if an Absolutely Perfect candidate came along. But WRT Din specifically--given who he is and what he’s capable of, while she absolutely wants him in her camp (and on a personal level isn’t super thrilled about having to fight him like this; she seems to genuinely like this kid), my guess is she doesn’t want him ruling. Not without some more actual leadership training/experience. Because, well, he’s been either a follower or a loner in everything we’ve seen him in, and given Bo’s opinion of (possibly experience with?) the Watch/the group who raised him, and the fact that he’s consistently shown himself to have super-narrow priorities and not really caring about much outside of them...yeah, she probs has some Concerns.)

(Plus, he clearly doesn’t want it. And you have to Want It on some level in order to be an effective ruler--that Wanting can be from genuine altruism/wanting to make the world better, like we see with Bail and Padme; it can be from single-minded determination to Make Things Right, like Satine and I would argue Bo-Katan (Leia falls into either the first or second category, depending on the point in her storyline); and it can come from a desire for personal power and advancement (as we see with Pre Viszla and, of course, Skeev Palpatine himself; to be fair, rulers in this third category tend to be bad in other ways lol). But someone who genuinely doesn’t want power generally kind of Sucks when they’re unexpectedly handed it. Which I could cite several IRL historical examples of. And, I mean, obviously, this isn’t the only factor in play for what makes a good ruler/leader (see above re: Palps and Pre Viszla), but it is a factor.)

(Also, to clarify: none of these are bad qualities/traits, necessarily? Like, traits are good or bad depending on whatever context a person/character finds themself in. And in Din’s current context, with his current life and mission--even in situations where he has to coordinate with other groups in the service of a larger goal--these are excellent traits to have. But for someone who’s responsible for an entire nation? Not so much.)

(One could argue that Bo has some Issues there, too, albeit different ones, which is why I think she might be willing to step aside and cede her claim to a Genuinely Good/Better Alternative, if she found one. She’s a war-leader, not a ruler, and the two jobs require overlapping but different skillsets.)

(..........honestly? I don’t think the show would go there, but I think the two of them as a team/partnership ruling Mandalore would actually be really effective? Either on an equal footing or with one as the Official Ruler and the other as a second-in-command/right-hand. She has the leadership expertise and the actual will and drive to pull this off, and he has the diplomatic skill, as we see with the Tusken Raiders, among others.)

(Not a romantic partnership, lol, that would be Weird, but a political and probably eventually platonically affectionate one. Especially with how Mandalore feels about family of choice/adoption, and the fact that they’re both kind of alone now (whatever happened to Korkie, anyway??) even if no formal adoption is likely in their case...)

(Anyway. Uh. Long tangent aside...)

(also if there’s anyone who didn’t see Gideon trying to decapitate Din when his back was turned...IDEK what you were expecting. Like. I am All About guys like Pellaeon in the Imperial ranks, and the fact that there might be a few people who would make that offer/deal and be on the level. To say nothing of my best beloved Alexsandr Kallus. But. Uh. Gideon is. Not one of them.)

(Also, I thought it was a Nice Touch when the spear started turning red--because, no, the Darksaber can’t cut pure beskar. But it does generate heat, as we’ve seen in, say, TPM. And beskar does melt.)

Also, called it on tossing the Cylons Dark Troopers out the airlock Not Working in the long term.

While it’s not Cool or Flashy like a bomb or slicing, the Cylons Dark Troopers pounding the doors down with their goddamn fists was Cool and Terrifying in all the best ways.

Side note--I think even if I hadn’t been spoiled (forgot to mute the spoiler channels on the SW Discords I’m on before going to bed, and checked on autopilot), X-wing + Grogu perking up would’ve probably clued me in and I would’ve been SHRIEKING. I was still vibrating super hard even though I knew who was coming, but it probably would’ve been slightly more XD

(and then a moment of HAHA GIDEON KNOWS WHAT’S COMING)

(and so does my girl Bo)

(and then the green ‘saber and the glove and other costume details and IF YA DIDN’T SCREAM BEFORE YOU SURE ARE NOW!!!!)

(Kind of cool that they waited until the last minute before showing his actual face though)

NO MY GIRL BO-KATAN!!!!!!!!!!!!!!

(IF YOU DIE WHO WILL GET DRUNK AND SWAP WAR STORIES AND MAYBE HAVE VICTORY SEX WITH FENNEC)

(shut up i’m shallow)

(also I love her she’s legit one of my favorite characters in this series I don’t want her to die DDDDDDDDDDDDDDDD:)

OH GOOD SHE GOT UP

(yeah that was my actual real-time reaction to her getting shot lol)

“Talent without training is nothing.” ::insert Obvious/Tired joke about Luke having all of three months’ training At Best::

(also, I mentioned this in my last quick reaction, as well as elsewhere, but I’m...still kind of uncomfortable with the continuing implication that the Jedi path is the only option other than Darkness. Not because it’s a bad one, either in the PT-era or with Luke’s reconstruction. But the idea that the only way to achieve the mindset/emotional stability/whatever needed to wield the Force without Falling is through adapting the Jedi philosophy sits wrong with me. especially the implication that you can only do so from an early age/in isolation from other influences or bonds; which is a word I’m using very specifically because there’s a difference between Attachment as defined by the Jedi and interpersonal bonds which they clearly have and I don’t want this to get derailed by that particular Discourse(tm) That doesn’t even super hold up on Earth, with a single species, let alone in a galaxy with trillions of beings of multiple different species. Basically, people and the galaxy--and by extension the Force, which is in part created/influenced by living beings--are way too complicated for there to be only one right answer.)

(Also, it...doesn’t really hold up with the core message of Star Wars, which is about Choice? If the only way you can be a Good Force Adept is by meeting this extremely narrow set of criteria, most of which are outside your possible control......but I should probably save this for a separate post, lol.)

(The point is, I mentioned earlier in the post how much I’m LOVING the throughline in this season about different factions/sects among Mandalorians, and I think it would be Great if we got more of that with Jedi/Light adepts.)

(Anyway. Uh. Back to the episode...)

That FACE MOMENT had me legit crying omg

ARTOO!!!!!!!!!!!!!!!!!!!1!@@21!!!!!!!!!!!!!!!!!!!!!

omg had they MET

I...don’t know what I was expecting from the credits but Welp. I wonder who the body double was...

(And before you ask, I didn’t really get the Uncanny Valley effect from Rogue One, not even Tarkin, so.....yeah, I guess I don’t always pick up on that, or it hits me from weird directions, lol. Because I sometimes get that from the Rebels animation, especially in stills/gifsets, because everyone’s faces are all so Smooth...)

.........Jabba’s palace, okay.

.......Bib Fortuna, Okay.

(those fingernails, however, are Not Okay)

YAY RESCUE THE GIRL.

Good on you, Boba, just shooting him in the face instead of letting him posture!

although why you want to rule Tatooine is...okay then.

LOL at Fennec perching on the arm of the chair, sipping her booze all casual-like.

Right! So that was an Experience! Overall, I liked it. Looking forward to how Din and Bo handle things moving forward, in particular! Because, like I said, I’m in this series for Dadalorian (so IDK how I’ll feel with it no longer being the Core Story since Grogu left with Luke) and in this season for the Mandalorian factions/sects and how they interact.

I’m also not sure how I feel about three interconnected series leading up to a Major Finale Event? Disney’s Star Wars has not had a super great track record with giving all the information needed to follow things in the core product (see: the ST worldbuilding lol, and also some of the cameos/appearances in this season, even), so I’m Skeptical of how well they’ll do explaining what is Necessary in each of the three series, in case someone only watches one or two.

What were your thoughts?

[hotchocolatefanfics]

Reboot PoTA Couple Theme Songs and their Meanings

Boy did this take me a while to finish! This is something I’ve been working on almost all of 2019 and I’ve finally finished it (2019 was not nice to me-my classes were, but everything else was a blur of getting sick and going from no anxiety to anxiety attacks happening daily. It was just a mess!)

Like the title says, it’s a theme song list for our favorite Planet of The Apes shippings and couples (I only did a few to save time but if this gets popular enough, I could do another involving any shippings and couples that aren’t present here (such as Will X Caroline or Malcolm x Ellie)).

Each couple have their own five theme songs (because one isn’t enough to tell their full story) and each song represents something unique about the couple dynamic or how the shipping can be interpreted and will include a description underneath (some may be longer than others (the more I know on that shipping/more I have to say, the more I write about them)-I apologize in advance for that!). If there’s any information that is missing or details that I overlooked (or even if you disagree with the description) please feel free to share! 

Please note that you are not obligated to listen to these songs and you are completely and totally free to add a song to these couple lists. Part of the reason why I made this was in hopes that maybe it would spark a conversation amongst us PoTA fans about our favorite PoTA shippings/couple and explore other shippings. 

Also, I didn’t include OC relations here but feel free to add them in your reblogs(you may also re-use songs that are already on these lists if you feel they could describe your OC x Canon shipping)! All love stories are welcomed on this post! (the only rule is there can’t be any underage or huge age difference couples).

My information sources are:

All three Reboot movies, Firestorm, Revelations, The Planet of The Apes Fandom Wikia and also reading a couple of stuff/peaking around on AO3, FanFiction.net, DeviantArt, and Wattpad.

With that said, enjoy the theme songs!

Caesar x Cornelia 

Stand by you - Rachel Platten

Better Together - Jack Johnson 

Say Something (I’m giving up on you) - A Great Big World

Kryptonite - 3 Doors Down 

The Call - Regina Spektor

Description: 

As this is a couples list, it only makes sense to start it with the king and queen themselves!

I think it’s more than safe to say that these two loved each other very much. 

We saw Caesar and Cornelia’s relationship grow from Rise, Firestorm, Dawn, Revelations, to War and during that time, we’ve seen them grow closer (I actually think that, as their relationship progressed, Cornelia made Caesar a better leader-as she pointed things out to Caesar that he either ignored/didn’t realize/know in Firestorm). 

When I personally think about this couple, I think about Caesar: The life he grew up with, the family he left behind when he chose to stay in the forest with the apes, the hardships he had to face in the earlier days/years of freedom and I think about all the stress and the anxiety that he had to have felt during those times. He had to have felt that he had to show strength in the presence of his followers-that would have meant not thinking/talking about Will, Charles or Caroline or letting it be known if he missed them at all. 

Then I think about Cornelia. As his wife, she had to have known everything about Caesar. From his childhood to anything and everything he feared and worried about as king and leader. If there was anyone in the whole colony that Caesar could have shown that side to him, that uncertain, missing his family side to him, it would have been Cornelia, and I would imagine that she understood that he missed his human home. That she listened to his worries and comforted him-possibly reassured him if he needed it.

I didn’t know if it’s talked about very much but, as king and queen they’re very similar in personality: Both being compassionate and kind, but also fiercely protective of both the colony and of their friends and as parents, both are (also) protective and loving towards Blue Eyes and Cornelius (examples being Caesar protecting Blue Eyes from the bear and later protecting both sons from Carver in Dawn and Cornelia keeping Cornelius safe in Revelations). 

This couple is featured in nearly every fanfic out there and every Planet of The Apes role-play that Tumblr has but I feel like we don’t talk about it enough. In War, Caesar was more than devastated by Cornelia’s death (and by the death of Blue Eyes) as he became vengeful, murderous and (pretty much) ready to kill because of it (remember that man with the wood at the oyster farm where they found Nova?). 

If you really want to go there, it says a lot about his and Cornelia’s relationship during the war. That (maybe) the war took such a tool on Caesar (mentally and emotionally) that she became his strength. That (maybe) Caesar was already on the verge of losing it well before the attack on that hill (like having a breakdown or panic attack)-and I wouldn’t be surprised, as he was betrayed by Koba, then by Red and other followers of Koba, and his apes were being attacked, threatened and/or killed by the soldiers.

Maybe Cornelia kept him grounded, reminded him of who he was and what was important and when the Colonel killed her, it broke something in Caesar and when he lost her, he lost part of himself and may have forgotten who he was (only remembering when he realized he couldn’t kill the Colonel). 

Blue Eyes x Lake 

Kiss The Girl - Ashley Tisdale 

Love Story - Taylor Swift 

Colors - Halsey 

It’s all coming back to me now - Meet loaf

When you’re Gone - Avril Lavigne

Description: 

Blue Eyes and Lake clearly loved each other in War. We know they grew up together and played with each other as children though their (romantic) feelings for each other likely came later (around the time of Dawn/Revelations). 

We didn’t get to see much of their relationship (due to Blue Eyes dying and/or being sent away in Revelations) but, considering that Blue Eyes was protective of his friends and family (and openly affectionate towards them in War), I think it can be assumed that he would have been a loving husband to Lake and would have protected her if she were in danger. 

Lake appeared to love children, so it is reasonable to imagine they would have had children together and she would have, more than likely, been a wonderful mother to them. Lake was also brave (as seen when she defended Caesar in War), which makes it likely she could have assisted Blue Eyes as his queen (if he had lived to become king). 

And now, the Fan-Made couples!!! 

Caesar x Koba (aka: ‘Caba’)

Little Do You Know - Alex & Sierra

Hold On - Chord Overstreet

A Moment Like This - Kelly Clarkson 

Breathless - Shayne Ward

Teddy Bear - Melanie Martinez

Description: 

Yes, I absolutely had to start with this one as it’s, if I’m not mistaken, the most common shipping in the fandom (and it’s also my favorite too!).

Caesar and Koba were obviously very close in Dawn (as best friends and honorary brothers) as Koba saved Caesar from that bear in the beginning and Caesar later gifted the pelt to him. This relationship was created when Caesar rescued Koba and other apes from Gen-Sys and continued in Firestorm.

I can’t remember if I got this far into Caesar’s Story, but I wanna say there was a part in the book where it talked about Koba having feelings for/falling in love with Caesar(?)(Please correct me if I’m wrong).

It all came crashing down when the humans showed up and Koba’s hatred of them was reborn and it became clear to him that Caesar still ‘loved’ humans (when Koba said “Caesar loves humans more than apes” he may have actually believed that-it is also possible he may have thought Caesar loved humans more than him). 

It eventually leads to Koba shooting him (which means he, essentially, abandoned his love for Caesar in favor of his hate for humans) and then declaring war on the humans-and later, resulted in Caesar having to kill him. Koba’s betrayal deeply hurt Caesar and so did killing him (let’s not forget that Koba’s ghost haunted him in War). 

What I’ve noticed with this shipping is it’s all about the vulnerable and damaged side of Koba’s personality and about Caesar’s protective and compassionate heart. 

Fanfics of this shipping sometimes follows the story of Dawn (with Pope as the bad guy or with Koba’s betrayal being deeper than just about revenge on the humans) and other times it’s completely different (nodding at the ‘Caesar and The Bonobo’ Beauty and The Beast AU on FanFiction and all other Caba one-shots(all deserve a read!)) but in all fanfics and fan arts of this shipping, there’s always a sense of heartache for the couple (either due to how Koba suffered before Rise or knowing how their relationship ended in Dawn).

Everything about this shipping is tragic and (when well-written out) heartbreaking but at the same time, it can be adorable and beautiful (I’m also tempted to call it irresistible for many fans-seriously, look on AO3, DeviantArt Wattpad, FanFiction.net-literally all of these sites has three or more fanfics/one-shots of this shipping (though I would advise you all to be careful as some of them may be, let’s say, ‘Rated R’)!).

I have not found any role-plays of this shipping on Tumblr (yet!) so I wouldn’t know how the shipping is portrayed in that category (Seriously, are there any role-plays of this? Cause I’d like to know!).

Koba x Stone 

I Still Love You - Josh Jenkins 

Yours to Hold - Skillet 

Grenade - Bruno Mars 

Hero - Enrique Iglesias

Immortal - Evanescence 

Description: 

I’ve, sadly, only seen this shipping on role-play blogs here on Tumblr so much of this is guessed (if anyone reading this has role-played this shipping before or have more experience with it, please correct me if I’m wrong!) 

Stone was one of Koba’s friends and first followers in Dawn (aside from Grey) but his motives for following Koba are never talked about (also in Revelations, it says he’s dead but he’s clearly seen alive in War…Does he have superpowers or did he just disappear and showed up again for War?) 

(Here’s my guess) Stone likely disagreed with Caesar’s role (to some extent but I doubt he was as extreme about it as Koba was) but what if, his main reason for following Koba had more to do with him having secret feelings for the bonobo than anything else? What if Stone saw and knew that Koba was still haunted by his past and comforted him when no one else would? And by the time the humans reappeared in Dawn, Stone developed his own hatred for the species that had hurt his love?

Meanwhile, Koba, who likely doesn’t feel comfortable talking about his past with anyone and felt betrayed and angered when Caesar disregarded his hatred of humans, probably would have resisted Stone’s affection for a long time before he finally let him in and fully accepted the comfort and love from the chimp (it is also possible Koba used that very sympathy to manipulate Stone into doing his bidding but I’m not sure if he would have needed to as, again, Stone would have already hated humans for torturing Koba in the past anyway).

Now about Stone’s death/survival: Let’s say that Stone survived Dawn (as seen in War). If he really did have feelings for Koba, it’s likely he would have felt guilty and somewhat responsible for his love’s death as he had chosen to agree with him that the apes should go to war with humans instead of talking Koba out of it (to be fair I’m not sure if Koba could have been convinced otherwise after the fight with Caesar in the dam but I think Stone would have had a better chance of reasoning with him anyone else).

Now let’s say Stone had actually died and Koba wasn’t defeated by Caesar. I think it’s more than safe to say Koba would be screwed if he was the one to have to go to war with the Colonel in War instead of Caesar (and it may be reasonable to suspect he may eventually realize the gravity of what he did and would regret it all as the war continues) but if this war took Stone early on, and if Stone and Koba were romantically involved, it’s also reasonable to assume Koba would have regretted that most of all-seeing Stone as the last (and by the time of War, the only) to love him and care about him and feeling lost and alone without him.

All in all, this shipping has a love lost and a sort of ‘dam(sel) in distress’ feel to it.

Koba x Cornelia

Sk8ter Boi - Avril Laringe 

When I was Your Man - Bruno Mars

Uptown Girl - Billy Joel

Bad Boy - Cascada 

Dear in The Headlights - Owl City 

Description:

I have the same problem here-total guesswork! 

Based on what little I know of this shipping so far, it reminds me of the ‘outcast falls in love with popular person’ scenario that is sometimes seen in high school movies. But this shipping could seriously work as a love triangle story! 

Koba and Cornelia have little to no interaction in the books (the ones I’ve read so far anyway!) or in the movies but it is known that they see each other as honorary brother and sister (due to Caesar and Koba being honorary brothers). It’s reasonable to assume they had mutual respect for each other and that Cornelia was just as betrayed by Koba’s actions as Caesar was. 

However, it is never revealed what Koba’s plans would have been for Cornelia had Caesar truly died (there is a chance he could have forced her into marrying him but I also think there's a chance she would have rebelled against him and Koba could have decided to kill her (or kill Cornelius as punishment and then kill her? I dunno know)). 

Also, what if Koba had wanted Cornelia as his wife all along and only decided to kill Caesar when he did because the humans ‘conveniently’ showed up (unlikely but maybe)? I think this shipping was born from the idea that Koba always had a secret crush on Cornelia but kept it a secret because she married Caesar and knew he had no chance with her.

Another thought (and this is highly unlikely but still): In the wild, chimps would have multiple mates (Rocket in Rise for example) so there's also a (tiny) chance that Caesar could (in theory) be married to both Cornelia AND Koba-I have never heard of this particular thing happening and I’m not sure if the Caba and/or the Koba x Cornelia shippings are popular enough to warrant that sort of dynamic but it would make an interesting fanfic. 

Koba x Pope 

Issues - Julia Michaels

Battles Scars - Guy Sebastian Ft. Lupe Fiasco

Love the Way you Lie - Eminem Ft. Rhianna

Next To Me - Imagine Dragons

Courage - Superchick

Description:

For those who don’t know, Pope is the main villain from the Dawn comics. He’s very similar to Koba (as they’re both apes that came from labs) but worse as he enslaved primitive apes and saw them as lesser beings-going as far as calling them ‘stupid animals’. 

Anyway, me and a friend made this one up a while back in our discussions and, from what I remember, we had two or three(?) different scenarios for this shipping. 

One being that since they were both abused and tortured by humans, they may find comfort in each other (finding it easy to show vulnerability to someone who’s equally damaged) and fall in love from their shared experiences. 

In the comic, Pope’s past is only hinted by Koba when he says: “He was like me…A lab ape. Bad Things, maybe worse.” and then his past is never mentioned of again however, Pope does say: “Never show weakness.” after the killing of a human later in the comic. Based on that, it’s reasonable to suspect that Pope may harbor a similar hatred to humans as Koba does and may suffer from demons of his own but keeps it well hidden from other apes.

Two being more about their personalities: Both Koba and Pope are capable of hurting people (as seen when Koba killed Ash and shot Caesar and Maurice in Dawn and when Pope killed the alpha, killed Fifer and Cora and enslaved all the primitive apes in the comic) and both are described by the PoTA Fandom Wiki as ‘cruel and tyrannical’ (with Koba being described as ‘belittling’, ‘unstable’ and ‘manipulative’ and Pope as ‘immoral’, ‘arrogant’ and ‘egomaniacal’). 

Considering these traits, it wouldn’t be too hard to imagine one of them to perceive the other’s vulnerability as ‘weakness’ and actually abuse the other (like Pope abusing Koba or Koba abusing Pope). Based on their personalities, it’s possible the kind of abuse they’d inflict on each other would likely be physical, emotional, or mental abuse (or all three).

Third (and this is more of continuation of the second one!), even if Koba and Pope weren’t abusing each other, their relationship would likely be argumentative, unhealthy, troubling, rough and just very dysfunctional. 

These are two very damaged apes with traumas that were not properly dealt with or given help for and full of pent up rage and hate towards humans (plus Pope hated Caesar and disrespected his rule). If they were to be a couple, their own traumas and hatred would feed off of each other and may, inadvertently, make it worse (this would likely not be a problem if Pope and Koba were with other people as a person who doesn’t have the same experiences or resentment as them would likely help ‘heal’ them). Maybe their relationship could work but they may need therapy (psychotherapy and/or couple therapy) before it gets there.

Red x Winter 

Sorry - Halsey 

Please Don’t Leave Me - P!nk

Accidentally in Love - Counting Crows

Secrets - OneRepublic

You Belong With Me - Taylor Swift

Description:

Eeeeeek! This one is my second favorite! I can’t wait to share this dynamic! :D 

Both gorillas are first seen in Revelations. Red being manipulative, defiant, aggressive and violent (as shown when he manipulated Grey, lead the soldiers to the building where the colony was hiding in, tried to kill Cornelia (twice and one being while she was trying to help another female ape give birth!) and also when he slapped Cedar) and Winter being fearful and timid (as seen when he faced the wall after the building next to the colony’s hiding place was blown up and when he failed to kill Cornelia (which Red manipulated him into trying to do anyway)). Both are seen again in War, where Winter proves himself as a coward and Red a traitor. 

Needless to say, both of these gorillas have very different personality types. The interactions they had both in Revelations and in War weren’t enough to say they were friends (let alone romantically involved) however, Red clearly knew Winter was easy to control. Why else would he consistently manipulate him? And Winter appeared to be afraid of Red. This could be because Red was more aggressive than him and Winter feared confrontation. 

However, there’s a lot about the two gorillas that were never revealed (backstory wise. I actually do have a backstory theory for Red but that’s a post for another day). For example, Red was shown to have a lot of anger built up in him and while it is believed to be due to Caesar killing Koba, it feels much deeper than that. 

Koba was only leader for a day and or two (or less, my math isn’t great) and Red was willing to kill Cornelia, manipulate and endanger other apes and betray the colony over that? No, this anger didn’t develop overnight. It had to have been there BEFORE Dawn (and it somehow has something to do with Caesar)!

Then there’s Winter. We know his father died before he was born but we don’t know how or what his relationship was/the whereabouts of his mother (this does open the door for speculation of whether or not the circumstances of his father’s death and the relationship he had with his mother could have anything to do with Winter’s fearfulness).

Finally, their relationship: What if Red’s anger and hate was all a mask? What if, deep down inside, he was actually a very hurt, troubled and damaged person and only knew how to show it through anger? And what if Winter’s greatest flaw was actually his strength? Winter was more open about his feelings in both Revelation and in War (whether it be fear, shock, or worry) while Red was very closed off. 

What if that difference was what originally attracted Winter to Red? What if Winter, despite being intimidated by Red, viewed him as mysterious and was drawn to him by that. Meanwhile, what if Red was secretly jealous of Winter being so open about his vulnerabilities-even if he knew others would look down on him for it.

With all that said (sorry it was that long!), Red and Winter’s relationship would be built on shared (either expressed or hidden) vulnerabilities and traumatic experiences. Both have flaws and neither of them are weak. They just depend on each other for strength and (in one-shots where they survive War) for belonging as they have no one else.

Blue Eyes x Ash 

Bad Day - Daniel Powter

Dark Paradise - Lana Del Ray 

Perfect - P!nk

Complicated - Avril Lavigne 

Count on Me - Bruno Mars

Description:

This is another shipping I’ve only seen briefly-I’m not sure if there are any role-plays of it on Tumblr (but then again I never really looked either!) but there is a fanfic or two out there of this pairing (again, if I miss something a detail regarding this shipping, please let me know!).

Ash is first seen in Dawn when he and Blue Eyes are fishing together. Right away, it’s pretty clear these two are close friends and likely grew up together (which would make sense as their fathers are so close). Based on the interactions between him and Blue Eyes in that scene and the council meeting scene, Ash can be described as humorous (such as when he poked at Blue Eyes) and confident in himself (like when he was teasing Blue Eyes over the bear incident) and Blue Eyes, is protective of him as he (presumably) protected him from Carver before Rocket and the other apes intervened. 

Blue Eyes is left devastated and deeply hurt after Ash’s death and, throughout Revelations, thinks about him constantly and later having a dream about him. 

Since I don’t know that much about this pairing, this is where the guesswork comes in: As these two grew up together, it’s more than likely they also knew each other on a deeper level than their parents did-for example, Blue Eyes could have told Ash all his secrets, whatever worries or fears he had, maybe ranted to him about his anger and frustrations with his father or about being prince. 

I don’t know if Ash had any issues with his parents (as he and Rocket appeared to be very close as father and son-and we don’t really see Ash interacting with Tinker) but if he ever had a bad day, he’d likely talk to Blue Eyes about it just like Blue Eyes would. 

This relationship would be founded on childhood friendship, turned best friends, into lovers. Likely turning into a ‘you’re the only person I trust with my secrets’ kind of relationship while also being a very supportive and protective kind of relationship too.

McCullough x Caesar

I Hate Everything - Three Days Grace 

Girlfriend - Avril Lavigne 

Hold Me Down - Halsey 

You Don’t Own Me - Grace Ft. G-Eazy

Hellfire - The Hunchback of Notre Dam

Description:

I dabbled on this one in my Whumptober one-shots but if anyone’s interested in more of this shipping, there’s a few on AO3 (it’s easily the black sheep of this list but I think it deserves a place here for clarification as to what this shipping could be versus what it sounds like). It’s a weird pairing but it’s worth checking out! 

I think we all know Colonel McCullough as the most evil human in the reboot movies (as he is willing to kill apes and any human who is infected with the virus-his own son for example) and seeing how he treated Caesar in War (chaining him up, forcing him and the ape colony to work, having him whipped and tied to a cross with no food or water for days, killing Cornelia and Blue Eyes) it’s easy to see why this shipping would raise eyebrows but it all depends on how one looks at it. 

For example, I see the shipping as a possible twist on War: As the war between the apes and AO soldiers unfold, McCullough’s desire to capture and/or kill Caesar turns into something else. He becomes obsessed with the Ape King and decides the best way to defeat him and get rid of the apes would be to destroy Caesar’s life. So he deliberately kills Cornelia and Blue Eyes knowing it will provoke Caesar to go after him and later in the base when McCullough has Red and Preacher bring Caesar to his office, he blackmails Caesar into marrying him (saying that he’ll let the colony live if he agrees).

As a result of it, Caesar becomes McCullough’s “chimp-wife” and is a prisoner in this forced marriage, the ape colony thinks he’s abandoned and/or betrayed them, the AO soldiers and the Donkeys are confused by the whole thing and Red and Preacher (who witnessed the Colonel’s blackmailing marriage proposal to Caesar) are thinking “WTF is happening here?”.

Another way one could see this shipping would be as something funny. Yes, it’s dysfunctional but that could be the point! If one wanted to make a fanfic of this shipping, they could use the dysfunctional aspects of the relationship and make it funny. Think Marge and Homer Simpson for example.

For those who have an issue with this shipping, I 100% agree this relationship would be doomed from the start (if we decide to take it seriously). If McCullough and Caesar were to be married, I can picture the Colonel being abusive and predigest towards Caesar and his species, blaming him for all things wrong in the world (such as the virus, the fall of the human race), likely never showing any love or affection towards Caesar, and poor Caesar would become depressed and miserable from this awful marriage. 

Bon x Pope (from the Dawn comics!)

Bleeding Love - Leona Lewis 

Follow Him - Peggy March 

I would Do Anything For You - Foster The People 

Just The Girl - Click Five

All You Wanted - Michelle Branch

Description:

To be honest, I’m not sure if Bon was really this close to Pope as he only appeared once or twice in the Dawn comics BUT! he was one of his loyal followers and while it is possible he only disagreed with Caesar’s rule, there’s another chance that he may have had feelings for Pope (much like my description of the Stone x Koba shipping).

For those who didn’t read the comics, let me sum up the interactions between these two: Bon was one of Pope’s followers and is seen returning back to the zoo after (unsuccessfully) searching for an ape named Fifer who escaped them and informs Pope that there are humans nearby. Bon also took part in the battle between Pope and Koba and was later banished along with Pope’s followers while the primitive apes followed Koba back to the Ape Village. 

As this shipping, almost no leg to stand on (and is more made up than the others on this list) allow me to explain it here: Much like Grey and Stone towards Koba, Bon (and a gorilla named Rex) followed Pope-presumably because they also disliked Caesar and/or his rule. As Pope didn’t actually plan on killing Caesar until later in the comics and didn’t realize there were primitive apes, in the beginning, I don’t think there was any manipulation going on from him.

Now let’s look at Pope for a second: Pope was an ape who looked down upon anyone who showed weakness or was primitive and had no problem with enslaving, torturing, endangering or murdering other apes. Like I said in my description for the Koba x Pope shipping, Pope was also a lab ape (with fishnet scars on the left side of his face, shoulder and chest giving us a hint as to what he was put through-though it’s never actually discussed) so it is reasonable to imagine he may have his own demons and traumas, much like Koba does (unsurprisingly, Pope also hates humans). 

The thing about Pope that I’m curious about is if he is traumatized from what had been done to him at the hands of humans, does he show it? He likely doesn’t as he appears to dislike seeing it and other apes showing weakness but that would mean that, much like Koba, he’s holding things back, probably much more than Koba was (as Koba is seen in Dawn talking (briefly) about what he went through with humans to Caesar). 

Now looking at Pope and Bon, it makes me wonder if Bon could have picked up on that. Like what if Bon saw the pain that Pope was covering up and reached out to him? 

That, and it is also possible Bon was into the ‘bad boy’ type.

Phew, glad that’s over! XD

[jonsateaparty]

Let’s Analyse The Heck Outta This Playlist

I have listened to every single song in the Game of Thrones: The End Is Here playlist and hooo boy do I have shit to say.

Looking at all the songs, I found that I could seperate them into different categories. The categories were songs which fit certain characters or houses, or songs which fit the white walkers or war in general. There were also quite a few love songs, some of which could be easily interpreted as jonsa. Below the cut I’ve put together all the songs in their categories with some lyrics for each song and any notes I made while listening. 

HOWEVER since that shit is loong, I’m gonna add a preemptive TL;DR for some categories of interest before the cut.

JONSA

Overall, there were six songs that I could recognize as jonsa. The themes of these songs were that of a passionate and loving romance, with the occasional tinge of forbidden love and having to wait for their lover. These songs were also very, very blatant in their connection to jonsa. With most of them, jonsa was honest to goodness the only GoT interpretation for this love song. I really was shocked listening to how blatantly jonsa this playlist is guys.

J0NERYS

There were three songs in the playlist which I could call j0nerys songs. One of these songs I could argue belongs elsewhere and only there was one jonsa song that was ambiguous enough that it could be attributed to j0nerys. My absolute favourite song of these three is the song Little Monster by Royal Blood. In this song, a man who refers to himself as a wolf is the lover of someone who he calls Little Monster and betrays her. Yeah. They really went there.

D4NY/TARGARYEN

Three songs that are definitely about her, but I suspect a few of the “general” war songs are about her as well. Why, you say? Because Dark D4ny LIVES in this playlist man. These songs, which are mainly about fire and “black wings” (Drogon, anyone), talk about someone mad with powerlust, a “bitch” coming to take you to hell, and being haunted by demons in the fire. DARK D4NY IS COMING AND MY BODY IS READY FOR HR GLORY

STARK

In contrast to songs about fire being full of madness, the four “wolf” Stark songs that we get are about being free and victorious. One song in particular talks about the “Wolves of Winter” getting the better of someone who has “fits of paranoia”, someone who sees themselves as an exception but without people supporting them, they’re going to lose. Like. Holy shit.

TARGBOWL

Now, most of the other songs are either about the Greyjoys/Lannisters, generic war songs, power or dead things. However there is ONE war song that I think heavily implies targbowl. This song is called Go to War by Nothing More and seems to be about two groups of people who were once on the same side going to war.

That’s it of particular interest, however if you want to see a list of all songs and all categories, plus some lyrics and notes, check out under the cut!

Potential Jonsa Songs

Girl from the North Country – Bob Dylan - If you go when the snowflakes storm/When the rivers freeze and summer ends/Please see if she's wearing a coat so warm/To keep her from the howlin' winds Note: This song is either about Arya or Sansa. I honestly cannot see this song being about Arya, this is about a traditionally feminine girl with long hair. I say this is jonsa because I literally cannot think of any other thing this could be about.

Howlin’ for You – The Black Keys - I must admit/I can't explain/Any of these thoughts/Racing through my brain Note: Can’t explain their reasons (maybe because they shouldn’t be having them), wolf references, bird references? Very jonsa. Also could be general stark or gendrya.

Sister – Prince - My sister never made love to anyone else but me/She's the reason for my, uh, sexuality Note: OMG this SONG. Although this could also be about Jaime/Cercei… but considering that’s over, I’m going with jonerys. Especially since there’s a song about wolves right after…

Devil’s Spoke – Laura Marling -I might be a part of this/Ripple on water from a lonesome drip/A fallen tree that witness me/I'm alone, him and me Note: Honestly the only concrete reason I put this here is because I ship jonsa. It could be any ship. Also the first verse makes me thing of the Winterfell Godswood.

Winterlong – Niel Young - I waited for you Winter long/You seem to be where I belong

Furr – Blitzen Trapper - I brushed the leaves off of my snout/And then I heard my mother shouting through the trees/You should have seen that girl go shaky at the knees/So I took her by the arm

Potential J0nerys Songs

Mama Kin – Aerosmith - Well you've always got your tail on the wag/Shootin' fire from your mouth just like a dragon Note: Those line, plus the whole “Mama” thing makes me think this is jonerys. It could also be jon? I guess?

Little Monster – Royal Blood - I'm your wolf, I'm your man/I say run little monster/Before you know who I am Note: A song about a “wolf” in a relationship with a “little monster” who plans to betray them? HMMMMMMMMMMM.

Be My Fire – The Blue Stones - Baby, be my conjurer/And I'll hold you dear/Baby, be the visions in the night/And wait till morning light for you/To disappear

Dany/Targ Songs:

Sleep Now In the Fire – Rage Against The Machine - The world is my expense/The cost of my desire/Jesus blessed me with its future/And I protect it with fire.

Her Black Wings – Danzig - Demoness calls/The bitch is come/For those who wait/Cross the breach in hell Notes: I’m guessing another Targ song, what with the “black wings”.

Fire – Barns Courtney - Ghosts and devils come a-calling/Calling my name oh, lost in the fire

Stark Songs

Wolf Like Me – TV On The Radio - Got a curse I cannot lift/Shines when the sunset shifts/When the moon is round and full/Gotta bust that box, gotta gut that fish

Wolves of Winter – Biffy Clyro - We are the wolves of winter/We live in a kingdom of blood Note: Holy fuck the implications of Dark!Dany in this song!!! 

Dire Wolf – Grateful Dead - In the timbers to Fennario, the wolves are running round/The winter was so hard and cold, froze ten feet 'neath the ground.

Killer Wolf – Danzig - I'm the wolf/I'm the one you want/I'm the killer wolf

Potential Targbowl Songs

Go to War – Nothing More - I don't know what you had in mind/But here we stand on opposing sides/Let's go to war Note: Holy FUCK, this song seems to really foreshadow targbowl. It’s not a generic war song like some of the others, and it’s not about dead/evil/cold wars. This song seems to be about people who were on the same side then turned against each other.

White Walkers/war for the living songs

Immigrant Song – Led Zeppelin - How soft your fields so green/Can whisper tales of gore/Of how we calmed the tides of war/We are your overlords

The End – The Doors - Of our elaborate plans, the end/Of everything that stands, the end/No safety or surprise, the end/I’ll never look into your eyes again

Cold Cold Cold – Cage The Elephant - Doctor look into my eyes/I've been breathing air but there's no sign of life/Doctor the problem's in my chest/My heart feels cold as ice but it's anybody's guess

Burn the Fleet - Thrice - In this dark night we stand or fall/We are kings now, or nothing at all/Check your armor; Light up your torch

Dead Skin Mask – Slayer - Graze the skin with my finger tips/The brush of dead cold flesh pacifies the means

General songs

Seven Nation Army – The White Stripes - Don't want to hear about it/Every single one's got a story to tell/Everyone knows about it/From the Queen of England to the hounds of hell

War – Grandson - War up north/And war down south/Everywhere is war

Let Me Live / Let Me Die – Des Rocs - Tears don't stop the fire/It's killing time/Back from the dead/See your eyes, got nothing left/Kiss me, I am the colder Note: This is a song of ice and fire. This. Is A. Song. Of. Ice. And. Fire.

POWER – Kanye West - Life is a trip, so sometimes we gonna stumble/You gotta go through pain in order to become you Note: I’d call this a general song but this came right after a song about wolves so make of that what you will 😉

Let’s Have A War – Fear - Let's have a war/So you can go and die!

Powa – Tune-Yards - Rebel, rebel, no/Lightening dances in my head

No One Knows – Queens of the Stone Age - We get some rules to follow/That and this/These and those/No one knows

The Time Is Now – Atreyu - Flying high above the world/It's a new life, it's a new mind/And I will never fall Note: A Time for Wolves anyone? Especially since this comes right after a wolf song…

Rise Above – Black Flag - Jealous cowards try to control/Rise above, we're gonna rise above

Alternative Ulster – Stiff Little Fingers - There's nothin' for us in Belfast/The Pound's old, and that's a pity/OK, so there's the Trident in Bangor Note: ¯\_(ツ)_/¯

The Sickbed of Cuchulainn – The Pogues - And you heard the rattling death trains as you lay there all alone/Frank Ryan bought you whiskey in a brothel in Madrid/And you decked some fucking blackshirt who was cursing all the Yids

Power – AJ Ghent [j-ent] - You wanna take me down/But I won’t bend

Toxicity – System of a Down - You, what do you own the world?/How do you own disorder, disorder

Here’s Your Future – The Thermals - God reached his hand down from the sky/He flooded the land then he set it on fire

Love is Blindess – U2 - A little death/Without mourning/No call/And no warning

Greyjoy Songs

Flugufrelsarinn – Sigur Rós - Ég næ ekki andanum og þyngist við hverja öldu/Mér vantar kraftaverk/Því ég er að drukkna – syndir (I can not breathe and I am heavier with every wave/I need a miracle/Because I am drowning- sins) Note: Lots of talk about the ocean/rivers/boats along with despairing over your sins and struggling to be better and repent. If that isn’t a fucking Theon song I don’t know what is.

Bottom Of The Deep Blue Sea – MISSIO - The sweet surrender of silence forces me to live alone/Locked and loaded, where the hell is peace of mind?/I wait on you inside the bottom of the deep blue sea

Wave of Mutilation – Pixies - You'll think I'm dead, but I sail away/On a wave of mutilation

Jon Songs

Born for Greatness – Papa Roach - No we’re not nameless, we’re not faceless/We were born for greatness Note: This could be generic, but this gives me heavy Jon vibes

EDIT: @ward--runa pointed out to me that this song suited Jon better.

Mother – The Amazons - Friends wanna kill me/But I give them all my loving anyway/If God won't forgive me/I'm not the only one to make amends

Lannister Songs

Listen to the Lion – Van Morrison - All my love come tumblin' down/Oh, listen listen/To the lion

Hot Blood – Kaleo - You wanna prove you're the better man/You wanna reach for the things that nobody can/Oh all you need is to break away, yeah/Just keep telling yourself there's no shame Note: This was either Jaime or Jon for me, but I settled on Jaime. Partly because this came after a string of what I think to be Cersei songs. Also The idea of being a better man, “love is gonna get ya”, “turn your back, you’re a broken man”, “shake your hand”.

Gold Lion – Yeah Yeah Yeahs - Gold lion's gonna tell me where the light is

Cersei Songs

Queen – Perfume Genius - Don't you know your queen/Gleaming/Wrapped in golden leaf/Don't you know me Note: This gives me Cercei vibes but I honestly don’t know…

Cruel – St. Vincent - So they took you, and they left you/How could they be casually cruel? Note: ??? Maybe another Cercei one?

Crown of the Ground – Sleigh Bells - Set, set that crown on the ground and-ah

[81scorp]

My thoughts on Frozen

(An editorial originally posted on Deviantart Feb 9, 2015)

Frozen, an animated musical based on Hans Christian Andersen`s "The Snow Queen" made by Disney. It has been a critical and commercial success and some critics has considered it to be the best animated Disney musical since the studio's renaissance era. But is it really that great? Is it overhyped? Is "Let it Go" the most overplayed song in the world? Here are some of my (very subjective) thoughts on some of the things from the movie. WARNING: SPOILERIFIC SPOILERS OF SPOILERY SPOILERDOM. (That means that this editorial has spoilers.) Olaf When I first saw this character on the movie posters I got a bit of a Jar Jar Binks feeling about him. I thought: Why? Was this character really necessary? This was such an obvious case of a CEO saying "Let`s throw in a goofy, comic-relief sidekick to make this movie more marketable!" Couldn`t that job have been filled by Sven alone as a non-talking but emoting reindeer? Why can`t you leave well enough alone Disney? Then I saw the movie, and I didn`t hate him. Olaf works better in the world of Frozen then Jar Jar Binks does in the Star wars universe. The creators of this movie were well aware of what could go wrong with this character and managed to find the right balance between seriousness and humor. There`s something cute about a kindhearted, wellmeaning snowman who likes "warm hugs" and dreams of experiencing the summer, completely unaware of what it would do to him. Kristoff: I'm gonna tell him. Anna: Don't you dare! Even if he is just a character created to make the movie more marketable he`s at least a likeable one. Let it go Let it go, Let it go. The song that`s driving people maaad Let it go, Let it go. Some even say it`s baaad. From what I`ve heard this song has been played quite frequently on the radio in some countries. Others have kids or younger siblings that feel that they have to play it on repeat 100 times a day. That kind of thing can drive you from liking a song to hating it intensly. I can understand that there are people that feel that way about this song. I have myself heard songs played over and over and over again until finally "All [insert name of annoying song here] and no play make 81Scorp something something..." If it`s any consolation, the creators of the song has officially apologized for it`s earwormy catchiness. I have however been fortunate enough to not have gone through the same experience with it. I only saw the video twice on Disney`s official youtube channel and heard it twice on the radio before I saw the movie. And I have only heard it a few more times after that. So, from the point of view of someone who has NOT been exposed to it ad nauseum:... I like it. It`s a cathartic song about self-acceptance and testing your potential. You can also interpret it as a phoenix metaphor ("I'll rise like the break of dawn") (though in Elsa`s case it`s a rebirth in ice instead of fire). I read a comment somewhere on the internet that said that the song had a bad message, that it was about misantropy and isolating yourself from from others, and at closer inspection I can`t see I don`t see hints of those elements in the song. Then again, it`s understandable that it would have hints of those things since Elsa was originally going to be the villain. When the writers heard the song they realized how lonely Elsa must have felt her whole life and changed the story to add a little more emotional depth. I don`t know how much of the song was changed after the story rewrite (if it was changed at all). I agree that running away like she did was not a good idea in the long run, but an understandable reaction to her situaition at that time. It`s not as much aspirational as it is relatable. If you`re one of those who hasn`t been overexposed to it but still hate it, you and I are gonna have to agree to disagree. Sibling love and romantic love In the big climax Hans is about to kill Elsa but is stopped by Anna just before she turns into an ice statue. Elsa cries over the loss of her sister and her love saves Anna from an icy fate. This is something unusual for an animated Disney musical. It sends a feministic message that you don`t always have to rely on the man to save the woman in peril. Sometimes the damsel in distress can be saved by another damsel. Some people have also interpreted LGBT themes into this and others take this as a sign of a lesbian relationship between Elsa and Anna and love to ship them with each other. I want to nitpick a little here. First: Gay love and straight love are both romantic love. The writers of this movie wanted to explore the definition of true love. It seems to me that many are still stuck in the old mindset that it has to be romantic love that saves the day. What I take away from this movie is that it wasn`t that big love that everyone fantasizes about that saved them but the little love that we often take for granted. Second: Elsa and Anna are sisters. I have nothing against LGBT people or people interpreting LGBT themes into this movie (it`s easy to do that). I`m just not too crazy about this ElsAnna Shipping. If you`re gonna ship Elsa with someone I think it would make more sense if it is with someone she`s NOT related to. Like Disneys other ambiguously lesbian princess: Merida. (However, if you like to ship Elsa and Anna just platonically, as friends then I have no problem with that.) Which brings me to my next point. The LGBT themes** It`s hard NOT to see them in this movie. Besides Elsa and Annas moment that I`ve mentioned earlier, where two people of the same sex save each other through the power of love, there`s also the thing with Elsa hiding a part of who she is from others for most of her life. After she`s discovered and runs away she learns to accept this part of herself and just "Lets it go"*. Then there`s the shop owner (you know, the guy with "the big summer blowout"). When you see his family in the sauna there are a couple of kids and a grown up man in there. (Sure, it could be his brother or cousin, but it could also be his husband) Last but not least we have Olaf, a living snowman who, technically was created by both Elsa and Anna (at least the first version of him) which makes them his parents (Damnit! There`s that incest-angle again! Curse you ElsAnna-shippers! Curse you!). So it`s understandable why people makes these connections. Best Disney movie EVAR? I don`t think that Frozen is "so much better" than Disney`s other good movies as (I get get the feeling that) others seem to think it is. Sure, it has some new things that we haven`t seen before in a Disney animated musical. Like the earlier mentioned "girl saves girl" thing, quite unexpected for a movie company that follows it`s traditional tropes and formulas so strongly that it is pretty much mandatory. The revelation that Hans was the bad guy all the time instead of the more moustache twirling Duke of Weselton also falls under this category. Who would have expected him after he sang the love song with Anna? He even did that silly robot dance with her! (I didn`t expect him and Anna to end up with each other, their song was too early in the movie. But I didn`t expect him to be the bad guy.) Was it necessary for him to be the villain? Not really, it could have worked even without that twist. But still, it`s nice to see some variation in the Disney-villain formula. But besides these new things there are some of the old Disney tropes as well. One parent/ both parents dead? Check! The old "Oh no, they`re dead. No wait, they`re back to life again thanks to the magic of love." (Seen in Beauty and the Beast and Tangled.) There are also some other things that seem new but were used fairly recently. The possibility of LGBT and "Girl doesn`t need to end up with a man in the end.": Mulan. (Disney kind of had it`s cake and ate it too with Frozen by having two female leads.) "You can`t marry a guy you just met!": Enchanted. But nitpickery aside. At the end of the day, after weighing the good against the bad and adding it all up. What`s my verdict? I like it. It has great characters, songs and animation (just look at how they do the snow). It`s not above Aladdin, Beauty and the Beast, Lion King, Hunchback of Notredam, Mulan or Tarzan, but on the same level as them. It is as good as good animated Disney movies usually are. Is it overhyped? Is Let it Go overplayed? A little yes, but not so much that it ruined it for me. I like it, I`m just not onboard the hype-train Now, with all that said. Who wants to build a Snowman?

(*: Sure, Let it go could be interpreted as a coming out song, but room for interpretation does not equal confirmation. For me it`s mostly a song about freedom in general.) (**Though technically it`s more of a subtext.)

[guardiandae]

I’ve been binging horror movies lately, because it’s August September and that means we’re already in phase two of Halloween!!! So I wanted to share some of what I’ve watched, and my thoughts on the films! 

Below: (Event Horizon, Thirteen Ghosts, Pandorum, The Mangler, The Graveyard Shift, I Am Mother)

Event Horizon (1997) - A crew ventures into space to retrieve an abandoned ship, but quickly realize they need to try to save themselves. Wow. I thought the acting in this was amazing, especially since I eyeballed the 27% rotten score before watching and assumed it was going to be pure trash. First half is rock fucking solid. Sadly, they could’ve done better later on, but I saw an in-depth youtube video on it beforehand which explained that a ton of the gore and hell scenes had to be trimmed out, and a director’s cut never emerged. That’s exactly what would’ve made this movie better... and also, frankly, if they cut out the monster-of-the-week gimmick towards the end and instead just let hell itself slowly be unleashed... now I wish they’d do this movie justice with a proper remake. Anna oop-.  Stars Laurence Fishburne and he is wonderful. Warnings: some disturbing gore/mutilation, but I (a very squeamish person) was able to handle it and wish there was more tbh, not actually much for jumpscares

Thirteen Ghosts (2001) - A ghost-hunting collector dies and leaves his house to his remaining relatives, but they realize quickly................ IT’S A TRAP. Pretty cheesy, but I love the way the entire house is like a giant, elaborate puzzlebox, I’m actually curious how they did that kind of effect. Plus the ghosts are neat and don’t get enough screentime and I’m gay @ the Angry Princess. If you watch, take a moment to google the ghosts and read their backstories (or look in the DVD extras, I think) because the movie doesn’t expand on them. Stars Tony Shalhoub and I stan him. Warnings: a lot of blood and body mutilation, titties on display, probably jumpscares but it’s all old hat to me and cheesy imo, I just wanted to revisit it

Pandorum (2009) - A crew is in space but the sleep pods malfunction and when they wake up, some terrible shit has gone down and there are cannibal monsters now. This one fully fucking deserves the 28% rotten score. I saw a review that it was underrated and the plot sounded interesting, but once I started watching I couldn’t handle the awful fucking audio balance. The characters whisper a lot, meanwhile the monsters SCREECH non fucking stop. I got so fed up, tbh, I just watched it on fast forward and jumped ahead. I’m not convinced the plot was done as brilliantly as the reviewer I listened to wanted to believe. It was pretty stupid, but that’s just my opinion or whatever. Warnings: umm idk. probably blood and the usual death. Audio that is jarring - not frightening but really fucking jarring and obnoxious. Don’t waste your time. Watch Event Horizon instead tbh.

The Mangler (1995) - I didn’t know industrial laundry press machines were a Thing but apparently they were, also I’ll never feel like my boss is an asshole ever again after watching this. When I was little my family rented a couple movies regularly, and I only ever wanted to watch horror movies, especially every single Stephen King thing I could get my hands on. I’m not such a staunch fan anymore, but I randomly remembered this one and wanted to see it again. I didn’t remember 99% of the plot. It stars Ted Levine (Captain Leeland Stottlemeyer from Monk??? I was SHOOK) and also Robert Englund (Freddy Krueger, guys). Warnings: blood and detailed gore. People get pulped up in this big machine, and they show the aftermath. The last death is pretty fun and creative, though. Don’t take the movie too seriously.

The Graveyard Shift (1990) - A shitty boss hires people to clean up his shitty factory and then they all almost get eaten by rats. This movie is ditto to The Mangler. The two mentally go hand in hand for me. Both involves imagery of machines + blood, but this one has more focus on the rats in the mill. It’d probably be a dry watch for anyone else, but it personally OFFENDS ME, A MAINER, because the actor who plays Warwick (shitty boss and rapist in the film) attempted to do a Mainer accent but ended up sounding like a cross between German and a few heavily stereotyped New England words like “CAH”. I mainly watched for the imagery that still stuck in my mind since my childhood -- the blood in the cotton machine and the rats feeding on it, them falling into a massive pool of blood, the guy getting his arm bitten off, and the monster’s death at the end. Honestly felt like the best part of the movie was the proto-remix song at the end which is just a funky beat overlaid with snippets of dialogue from the movie. And that’s not saying much 😂 Warnings: blood and gore, and uhhh a main villain who is a total asshole and also mentioned to be a rapist :/  Don’t bother, just listen to the end credits.

I Am Mother (2019, Netflix!) - SUPER GOOD GO WATCH IT RIGHT NOW. This one is a sci-fi film, but I’d also consider it a thriller/psychological kind of horror film? The plot is about a robot (Mother) that was programmed to raise human children after the extinction of mankind. It’s one of those movies where, for a while, you’re really left wondering what is real and that’s why I’d rec it as a horror, plus I feel like the philosophical angle is unsettling in its own way. The actors, including the voice actor for Mother, are A+++ Warnings: post-apocalyptic setting, death, I cried at the end???

I know there are better movies but I kind of wanted to binge old shitty ones tbh. I didn’t expect Event Horizon to be so good! Well, half good, but that half was a diamond in the rough imo. Maybe it’s just the fanfic writer in me that lives for the potential of how it could’ve been. and I Am Mother isn’t in that “shitty old horror” category, it’s new and just super fucking good and doesn’t pull punches and it takes the plot thread all the way through to its conclusion, please go watch it.

If you guys have any recs I’d love to hear some! I prefer psychological horror when I really want to be scared, tbh. I loathe jumpscares, and as I mentioned above, genuine blood/gore is bad unfun time for me, so I will not be watching any torture-porn like Hostel. But I’m thinking of watching some of the classics I feel I never really got to enjoy, like Nightmare on Elm Street, Halloween, maybe Alien. I also wanna rewatch some stuff like Hellraiser, The Thing, and Annihilation. And at some point I’ll probably seek out really, truly, good & scary ones and maybe later I’ll torment myself with some  infamously gory films. We’ll see!

Have you seen any of the above? Lemme know what you think! 😋

[gimme-more-caffeine]

This is from my old blog, I honestly LOVE lists (and writing in bullets for some strange reason). Random and sporadic on topics and the numbers have NO MEANING. I'm NOT ordering them from most fave to least fave, just how they come to mind.

Also keynotes: Favorites doesn't always mean Favorites just what I enjoy the most. And there will be duplication at times

(Side note: Let's update this list from before as it's been two years and see what has changed. * means updated)

-Me- (Just little stuff I figured I'd do. Wasn't even supposed to be a list XD) 1. I'm a Major Introvert, I don't like to socialize with others in real life and prefer to do so online 2. I'm a major procrastinator 3. I mainly work nights so I get to sleep during the day 4. I want to make more friends online yet I have a hard time reaching out. The last time I interacted online was on DeviantArt and FFN years ago 5. I'm pretty much online all day/night on my nights off 6. Eye doctors have told me I have a rare blue-grey-green hazel (Is it true that it’s rare I don’t know) eyes so they tend to change between these three colors or be a mixture at times. Lately I think my eyes are just grey which takes on different green and/or blue shades

=

-Books-

Favorite Authors 1. Nora Roberts/JD Robb 2. Jayne Ann Krentz/Jayne Castle/Amanda Quick 3. Gena Showalter (I mainly read her Lords of the Underworld series and only read one book that wasn't part of this series so she's not getting a Favorite list sadly) 4. Anna Windsor (I've only read one series of hers so I'm not including her in the books list) 5. Christine Feehan* (I mainly only like one of her series so she's not listed)

Favorite Series from Nora Roberts 1. Bride Quartet 2. McKade Brothers 3. In the Garden Trilogy 4. Dream Trilogy 5. Three Sisters Island Trilogy 6. Key Trilogy 7. Cousins O'Dwyer Trilogy 8. The Donovan Legacy

Favorite Books from In Death (Limiting myself up to Ten) 1. Divided in Death (My first ever In Death book so it holds a strong place in my heart) 2. Innocent in Death 3. Memory in Death 4. Visions in Death 5. Imitation in Death 6. Conspiracy in Death 7. Strangers in Death 8. Treachery in Death 9. New York to Dallas 10. Creation in Death

Favorite Books from Nora Roberts (Limiting myself to Fifteen) 1. Black Hills 2. The Obsession 3. The Witness 4. Carnal Innocence 5. River's End 6. Tribute 7. Carolina Moon 8. Birthright 9. Three Fates 10. The Liar 11. The Search 12. The Villa 13. Angels Fall 14. Time Was 15. Times Change

Favorite Books from Jayne Ann Krentz 1. All Night Long (The first I ever Read and thus holds a special place in my heart) 2. Sizzle and Burn 3. Running Hot 4. In Too Deep 5. Copper Beach 6. Trust No One 7. River Road 8. Witch Craft 9. White Lies 10. Light in Shadow

Favorite Books from Amanda Quick 1. The Third Circle 2. The Perfect Poison 3. Second Sight 4. Crystal Gardens 5. The Mystery Woman 6. Quicksilver 7. The River Knows

Favorite Books from Jayne Castle 1. Obsidian Prey 2. Dark Light 3. The Lost Night 4. Midnight Crystal 5. Canyons of Night

Favorite NON-Romance Books 1. Hope was Here 2. Z for Zacharia 3. Lord of the Flies (Yes, I actually like the chaos that happened. I'm probably messed up for that) 4. The Other Boleyn Girl 5. Harry Potter and the Prisoner of Azkaban (The ONLY book I like from the Harry Potter series) 6. 13 Reasons Why (I deeply enjoy the book and read during my teens) 7. By These Ten Bones 8. The Giver 9. Lovely Bones

=

-Disney/Animated Movies-

Favorite "Popular" Disney Movies 1. Mulan 2. Zootopia 3. Big Hero 6 4. Tarzan 5. The Lion King 6. 101 Dalmations 7. Bambi 8. Pocahontas 9. The Princess and the Frog 10. Frozen 11. The Little Mermaid 12. Lilo and Stitch 13. Lady and the Tramp 14. The Hunchback of Notre Dame 15. The Nightmare Before Christmas (Yes this is Disney as Tim Burton worked for them during this time. I checked to make sure)

Favorite "Underrated" Disney Movies 1. Treasure Planet 2. Oliver and Company 3. Atlantis: The Lost Empire 4. Home on the Range 5. The Black Cauldron 6. The Sword in the Stone 7. Hercules 8. Meet the Robinsons 9. Emporer's New Groove 10. Robin Hood 11. A Goofy Movie 12. The Fox and the Hound 13. Aristocats 14. James and the Giant Peach (Yes this is considered Disney, I checked) 15. The Rescuers 16. Descendents 17. Brother Bear 18. Dinosaur

Favorite Sequels 1. Mulan 2 (Yes I like this when everyone seems to hate this) 2. Lion King 2 3. Cinderella 3 (I consider this to be an actual sequel, the other one felt more like short stories) 4. Beauty and the Beast: An Enchanted Christmas 5. Bambi 2 6. The Fox and the Hound 2 7. The Rescuer's Down Under 8. Aladdin and The King of Thieves 9. Pocahontas 2 10. 101 Dalmatians 2 11. Lady and the Tramp 2: Scamp's Adventure 12. An Extremely Goofy Movie

Favorite Series (Expect this one to be long and I'm including Jetix too) 1. The House of Mouse 2. Dinosaurs (I never even knew this!) 3. Bill Nye the Science Guy (SERIOUSLY, This guy was DISNEY?!) 4. Duck Tales 5. Gargoyles 6. TaleSpin 7. Darkwing Duck 8. Quack Pack 9. Timon and Pumba 10. 101 Dalmations 11. Recess 12. Hercules 13. PB&J Otter 14. Teacher's Pet 15. Filmore! 16. Disney's Mighty Ducks 17. The Legend of Tarzan 18. Kim Possible 19. Pucca 20. Lilo and Stitch: The Series 21. Super Robot Monkey Team Hyper Force Go! 22. W.I.T.C.H. 23. American Dragon: Jake Long 24. Yin Yang Yo! 25. Descendents: Wicked World

Favorite NON-Disney Movies 1. Anastasia 2. All Dogs go to Heaven 2 3. Spirit: Stallion of the Cimmaron 4. American Tail 2: Fivel Goes West 5. Prince of Egypt 6. The Last Unicorn 7. The Secret of NIMH 8. Wakko's Wish 9. Quest for Camelot 10. Balto 11. The Pebble and the Penguin 12. South Park: Bigger, Longer and Uncut 13. Scooby Doo on Zombie Island 14. Scooby Doo and the Witch's Ghost 15. The Land Before Time V: The Mysterious Island

=

-Youtube-

Youtubers/Channels I mainly watch (Limiting myself to Ten): 1. MLP-Silver-Quill 2. Night Mind* 3. Rekaita Law* (Hey it's entertaining as hell and I love watching him rant) 4. FoundFlix* 5. joshscorcher 6. FOB Equestria 7. That Creepy Reading* 8. Top5s 9. The Theorizer 10. SuperHorrorBro*

Generalization of what I watch on Youtube 1. Let's Plays 2. Song Covers 3. MLP Analysis stuff (NOT the series, only the analysis community) 4. Horror/Paranormal/Urban Legend stuff 5. Movie/Game Theories 6. Anime/Movie parodies 7. Horror Explanations (Movies and video games lately)* 8. Abridged Shows/Parodies

=

-Music-

Favorite Disney Movie Songs/Scores (As in IN the movie, Credit songs don't count unless they're the same song as in the movie. LONG LIST AHEAD) 1. Hellfire - Hunchback of Notre Dame 2. Why Should I Worry - Oliver and Company 3. I'm Still Here - Treasure Planet 4. Colors of the Wind - Pocahontas 5. Savages - Pocahontas 6. Make a Man out of You - Mulan 7. What's this? - Nightmare before Christmas 8. This is Halloween - Nightmare before Christmas 9. Court of Miracles - Hunchback of Notre Dame 10. You'll be in My Heart - Tarzan 11. Son of Man - Tarzan 12. Strangers Like Me - Tarzan 13. Farewell - Pocahontas 14. Short Hair - Mulan 15. Eye to Eye - A Goofy Movie 16. Stand Out - A Goofy Movie 17. After Today - A Goofy Movie 18. Topsy Turvy - Hunchback of Notre Dame 19. Try Everything - Zootopia 20. I Wanna be Like Other Girls - Mulan 2 21. Good Doggy, No Bone - Fox and the Hound 2 22. Lesson Number One - Mulan 2

Favorite Disney Covers 1. Hellfire - Jonathan Young 2. Can You Feel the Love Tonight - Elton John (Yes I see that as a cover as it's not the one from the movie but the credits) 3. Can You Feel the Love Tonight - Sara Paxton 4. Hawaiian Roller Coaster - Penicillin 5. Heigh-Ho - CASCADE 6. Supercalifragilisticexpialadotious - THE KIDDIE (Hope I spelt the song right... It's too damn long) 7. This is Halloween - Marilyn Manson 8. Kiss the Girl - Ashley Tisdale 9. You'll be in my Heart - Celtic Woman 10. Be Prepared - Jonathan Young* (Jonathan Young covers a lot of Disney songs I like so I'll leave it at that instead of listing all the covers I like)

Favorite Parody Songs 1. Brooklyn Rage - YGOTAS (Yu-Gi-Oh: The Abridged Series) Parodying: Poker Face by Lady Gaga 2. Pharaoh's Throne - YGOTAS Parodying: Telephone by Lady Gaga 3. Make a Man out of You - DBZAbridge 4. Leather Pants - YGOTAS Parodying: Bad Romance by Lady Gaga 5. U Can't Touch Lani - Lanipator Parodying: U Can't Touch This 6. Without Yugi - YGOTAS Parodying: Without Me by Eminem 7. Paraboss - YGOTAS BBT Movie Parodying: ??? by ??? (Someone told me it was Lady Gaga's Paraboss song but I can't find that) 8. Stronger - YGOTAS BBT Movie Parodying Harder, Better, Faster Stronger by Daft Punk 9. It's Your Move - YGOTAS Parodying: Tik Tok by Ke$ha

Genres I listen to 1. 80s 2. Different forms of Rock (Alternative, Symphonic, Metal, etc) 3. Anime Music 4. Disney Songs (Usually more from the movies) 5. Dance/Techno 6. Covers/Remixes

=

-Movies-

Favorite Movies (Limiting myself up to Fifty) 1. Titanic 2. Harry Potter and the Prisoner of Azkaban (Again, the only movie I liked from the Harry Potter franchise) 3. Avatar (Yes I know this was like 95% CGI but it still had physical people in it so I'm not putting it in CGI category) 4. Jumanji 5. Fluke 6. Godzilla (98. This is my FAVORITE Godzilla movie. I just loved the design of Godzilla and the animated show that came as a result) 7. Alice in Wonderland (Tim Burton's version. I'm probably one of the few who enjoyed this) 8. SPEED 9.  13 Ghosts 10. Ghost Ship 11. Poseidon (The one from the 2000s) 12. Flight 93 13. United 93 14. World Trade Center 15. Iron Jawed Angels 16. How the Grinch Stole Christmas 17. Matilda 18. Mighty Morphin Power Rangers (A classic that shall never die) 19. Beetlejuice 20. The Dark Knight 21. Home Alone 3 22. Deadpool 23. Casper 24. Addams Family Values 25. The Hollow 26. Jurassic World 27. Dragon Heart (I cry like a bitch during the ending) 28. Angels in the Outfield 29. The Mask 30. Hocus Pocus 31. Mortal Kombat 32. The Grinch (2018 version)*

Favorite CGI and Claymation movies (Because I can't tell the difference between the two. And the CGI is for ALL Computer generation and WITHOUT physical people. This includes DreamWorks) 1. Rise of the Guardians 2. Megamind 3. Corpse Bride 4. Final Fantasy 7: Advent Children 5. James and the Giant Peach 6. Nightmare Before Christmas 7. Coraline 8. Dinosaur 9. Shrek 2 10. Kung Fu Panda 2 11. Sherman and Mr. Peabody

=

-Anime-

Animes I like before finding out they were Anime 1. Oban Star Racers 2. Shinzo

Favorite Animes (Limiting myself up to Thirty) 1. Kuroko no Basket 2. Fruits Basket 3. Yu-Gi-Oh 4. Yu Yu Hakusho 5. Samurai Deeper Kyo 6. Bleach 7. Gravitation 8. Junjo Romantica 9. Sekai-Ichi Hatsukoi 10. Princess Tutu 11. Slayers 12. Supernatural the Anime 13. Free! 14. Persona 4 15. Digimon 16. Inuyasha 17. Pokemon 18. Case Closed

Favorite NON-Animes (That can pass for anime style, at least what I think could pass) 1. Teen Titans (Not that shit Teen Titans Go) 2. Avatar the Last Airbender (I have not seen Korra. Also on a side note, this used to be in the anime section on Fanfiction.net when it first came out) 3. Samurai Jack 4. Ben 10 - Ben 10 Omniverse (Basically I mean anything BEFORE Ben 10 Omniverse) 5. Generator Rex 6. Powerpuff Girls Z 7. Code Lyoko

Favorite Voice Actors (Doing Japanese and English since I know very few XD Forgive my spelling errors) 1. Todd Haberkorn 2. Dan Greene 3. Johnny Yong Bosch 4. Vic Mignogna 5. Daisuke Namikawa 6. Konishi Katsuyuki 7. Romi Park 8. Yuri Lowenthral 9. Steve Staley 10. Cam Clarke 11. Greg Ayers* 12. Jerry Jewell 13. Eric Vale 14. Dave Wittenberg* 15. Tara Strong

=

-Mythology/Supernatural

Favorite Myths 1. The Jersey Devil 2. Hades/Persephone Myth

Favorite NON-Humanoid Magical/Mythical/Supernatural Creatures 1. Unicorn 2. Qilin/Krilin 3. Dragon 4. Cerberus (I can't find the official name) 5. The Jersey Devil 6. Perryton 7. Pegasus

Favorite Humanoid Magical/Mythical/Supernatural Creatures 1. Mermaid 2. Harpy 3. Centaur 4. Siren (Both winged and finned kinds)

=

-Random/One Category stuff-

Favorite Comedians 1. Gabriel Iglesias 2. Jeff Dunham 3. Bill Engvall 4. Jeff Foxworthy

Favorite Animals 1. Cats 2. Foxes 3. Wolves 4. Dogs 5. Ferrets* 6. Stoats* 7. Bats*

Favorite Foods 1. Buffalo Chicken Pizza (No Bleu Cheese, ONLY RANCH) 2. Beef Fajitas 3. Crunchwrap Supreme (I love Taco Bell!!) 4. Triple Chocolate Cake

Favorite Drinks 1. Peach Tea Snapple 2. Cherry Coke/Pepsi 3. Shirley Temple 4. Pure Leaf Unsweetened Tea 5. Strawberry Lemonade 6. Cherry Lemonade 7. Pure Leaf Peach Tea 8. Pure Leaf Fuji Apple Ginger Tea 9. Pure Leaf Cherry Hibiscus Tea*

[liliisms]

👸 2 k 1 8 review 👸

001. What is your proudest accomplishment of this year? - Getting to make a speech about the power of body image at the Glamour Women of the Year Summit. As proud as I am of Riverdale (and I’m extremely proud), I have always wanted to use my voice for something useful. I’ve struggled with body acceptance my whole life, always self-conscious about my skin or thighs or boobs and it was only with the support from my family and friends that I finally learned how to become comfortable in my own body. Society and the media can be very damaging to young women and men’s self-esteem as they grow throughout the years and I wanted to use my platform to promote loving yourself for exactly who you are, imperfections and all. I’ve always tried to be genuine and true to myself and to get to be able to speak to so many people..well, it was truly a honor and I try to set an example everyday of what it means to love your body and your soul.

002. What is the biggest life lesson you learned this year? - I have the power to take control of how people make me feel. I don’t have to read the hateful comments. I don’t have to watch the videos insulting me and my friends just for them to get views. I can block people and turn away from spiteful people who think they have the right to talk about my life. I don’t owe anything anybody and the only person I should be trying to impress is myself. The minute I stopped caring about what people thought of me and started to live for myself, to make myself happy, is the minute a million of worries flitted away and I felt myself relaxing. I only get one life and I intend to live it the way I see fit.

003. What is one relationship (can be friendship) that has helped you survive this year? - I’m going to be predictable with this answer, but how can I say anybody but Cole @coleffs ? He’s truly been my rock. Not only in the sense of being there from day one of stepping into this crazy industry to learn how to handle the pressures that come with fame, but he’s also always been one hundred percent genuine with me. I’ve never had to be anyone but myself with him and to feel that love from him, to see how much he cared about me with no frills, no glitter, no pretending really helped me to also love myself even more. He’s taught me a lot - how to appreciate life a little deeper, how to take not take myself so seriously when I can get caught up in the little things, how to be patient and breathe when I feel myself trembling in fear of not living up to my potential. He sees the best in me, always and for that, he’s helped me to open myself up so many experiences. Falling in love is the scariest thing you can ever do and yet with him, he made is so easy and effortless. Cole’s been there through late nights, early mornings, crazy outings, quiet walks, and wild chaos and I’ve never seen him as anything other than imperfectly perfect. He’s truly my soul mate and the love of my life and I’d be lost without him.

004. Who or what do you need to let go of in order to make next year even better than this year? - I’m definitely going to focus less on social media and getting caught up in the drama that comes with comments and unwanted opinions, and focus more on the support that comes from the people I love. I also think I need to be more reckless - not in a bad way, but stop thinking about so much what will happen if I don’t make a certain decision and start thinking about what I could gain if I do.

005. What did you do this year that you’ve never done before? - Where do I start? Gone to Hawaii. Rode in a hot air balloon. Flew in a helicopter over mountains and had a picnic a thousand feet in the air. Was on a television soundtrack. I’m a very lucky girl.

006. What are three resolutions or goals you want to make happen next year? - 1) Bring Addy out to LA more, 2) Do more little things for Cole to surprise him, and 3) Try to get more product and business deals about ideas I support and care about.

007. Where did most of your money go this year? - Without a doubt, junk food and skin care products.

008. What song will always remind you of this year? - Can’t Help Falling in Love by Kina Grannis.

009. How will you be spending the last day of this year? - I think my friend Austyn and I are going on a little trip, but I’m not sure yet! I’ve yet to really set anything in stone.

010. Who is the best new person you’ve met this year? - Haley and Kiernan! They’ve really become two of my newest sisters. @hqhaleyluhoo & @keekshipka

–

001. What relationship (can be friendship) has been the most fun to write for your muse/s this year? - For Lili, writing SH with Vic has been incredibly sweet and I’m grateful she was willing to keep their relationship and that she’s stuck with me this long. I’m always waiting with bated breath for really amazing ship partners to drop me but she’s never made me feel anything less than wanted and appreciated, so it just makes the ship that much more precious to me. As for friendships, I always get a kick out of Lili/Saoirse. @irishxseahorse has such a great sense of humor and never fails to make me laugh.

For Keegan, the Treegan relationship wasn’t really a surprise but I was happy with how naturally it developed. You don’t always have chemistry even if your fc’s do in real life but Emily has been such a perfect Troian. Seeing as how I’ve played Troian for the majority of my RP years, I’m very picky with how people play her and Em fits the bill. ;) I love that it’s not rushed, it’s going at a very easy and natural pace, and how willing Emily always is to talk to me and to keep my muse high with cute muse inspo. And for friendships, Keegan/Lizzie! @ohlizzo Be prepared for 2019, Sadie. Keegan’s gonna worm his way into Lizzie’s heart.

And on Munro, I’ve been lucky enough to sort of ship with Vic again with Munro/Cristine. We decided to give them a shot and I love the messy friends with benefits plot. I can’t wait to focus on them more and hopefully do more with them next year. I also really love Munro and Natalia’s friendship. @itsnataliadyr Eena is the actual sweetest and I adore how immediately playful their interactions became. I always look forward to replying to her and love her Natalia.

002. In what ways do you connect to your muse/s? - Out of all of them, I think I connect to Lili the most not only because she’s the only female muse, but also because we’re both fellow Virgos. I’m a big astrology nerd and I believe your sign impacts your personality so I feel like she’s a kindred spirit to me in a way. She’s definitely as impulsive with her words as I am and we both share the same sense of humor. With Keegan, I relate deeply to his sensitivity and his love for cats because I am the biggest cat lady and would have a million cats if I could. He also wears his heart on his sleeve and I do too. And with Munro..he’s probably the muse I have the least in common with but we do share a love for geekdom so that’s fun!

003. What’s your favorite category to write for your muse/s? (angst, fluff, smut, etc.) - I haven’t been able to write much smut here because not everybody is comfortable writing it (which is totally cool) but smut & angst is probably my favorite to write because I feel like that’s where I shine. I don’t know what that says about me but..Those are my top two categories where I get the most compliments on my writing. Obviously fluff is great and we all know I can wax on forever with mushy and sappy stuff..

004. If you could give your muse/s one gift, what would you give them? - I can’t afford anything for them, but if I could, I’d give her the Chipotle black card because she seems to really want it. Or a sponsorship by Dominos. I’d also love to give her a big hug and tell her how much I admire her, and how much her words mean to me. It’s so nice to be a fan of a woman who isn’t afraid to speak her mind and who promotes loving yourself and not being ashamed if you’re a little different from everyone else.

For Keegan, I’d give him notebooks and demand he write more songs and scripts and cast Troian in all of them. I’d also give him another kitten friend because who doesn’t want more kittens?

And for Munro, I’d beg him to get Instagram just so I can know what he’s up to! Seriously though, Munro seems like a simple guy but I’d give him Lion King tickets and then make him go with me so I can hide in his arms when Mufasa dies. NOT READY, NEVER READY.

005. What was your favorite event/moment/memory in HollywoodlandHQ this year? - Is it cheesy if I say when we opened? I was really excited and so proud and I felt like I finally crossed something off my bucket list. I wanted a safe place for the people I loved to create and write. I also loved the Halloween event! Anything a little spooky, I love. 

006. What muse/s have you enjoyed most seeing on this dash this year? - Lizzie is one of my favorites simply because I think Sadie writes her perfectly, and I always love seeing my ship partners on the dash because my stomach gets all fuzzy and I know good things are gonna happen.

007. What is your favorite thing your muse/s have done this year in the group? (can be in the real world or what you made up) - For Lili, it’s been the gift of all the pictures she’s released. She’s gorgeous, she’s real, and I love all the content she blesses us with. I’m also so proud of her work on Riverdale this year. She stepped up her game.

Keegan hasn’t done much but Million Miles Away was a jam and his podcast was great! In the group, I obviously was happy when he finally kissed Troian. ;) @itstbellisario

And Munro seems to have booked a lot of new projects so I’m excited for them to come out. His performance in Knuckleball is INCREDIBLE and just proves how good of an actor he is.

008. What would you like to see in HollywoodlandHQ in 2019? - Apart from events that pair up people who don’t interact much (which seems to be the biggest want), I’d love more themed events. I’d love supernatural!week, AU!week, holiday events, even more events like the earthquake that affects the whole group and not a select group of people. I also love when memes are done, even if we still need to improve on everyone playing them fairly. Memes that set up plots and help further IC drama will be worked on too. And obviously, I really want the group to keep growing! 

009. What is a plot you would love to do with your muse/s? - I’d love to do something dramatic with Lili - she’s clearly got a steady head on her shoulders and I don’t want to make her too OOC, but writing her struggle with something whether that be a relationship with somebody or with herself would be great with character development. 

With Keegan, I’m excited to work out his growing relationship with Troian. I can’t wait to write out all the beginnings of a ship and see what comes from it.

And with Munro, I’d really just like him to have more connections. I’d love to see more Degrassi fc’s in the group but also get him involved with more people. He’s a really goofy guy and he’s also loyal af, so he’d be great for friendship plots. Also, him developing something with Cristine and maybe fucking it up a little would be good drama!

010. Tag somebody in the RP and say something nice about them. It’s the season of giving. - To my fellow admins @diannahq, @elizajanetc, @itsgenevievegnt, @ohlizzo, @sebffs and @hcurly - I love you. I appreciate you SO much. You guys do tireless (and sometimes thankless) work to make this place running and an accepting place for everybody. Thanks for the Discord chats, the support for real life and roleplay, and always willing to step up and make this the greatest damn group in the game.

Katie - Even when I’m married, you’ll have my Netflix and Hulu password. Thanks for being the Lucy to my Troian, the Goose to my Shmian, and the Manny to my Emma. I love you. You’re always there for me, and you’re always keeping me honest and inspire me to be a better person.

KJ - I love you too and thank you for always believing in me and loving me more than I do myself. I can’t wait for another year of friendship with you.

Eena - You’re the best advice giver and the best ear to talk to. You always make me smile and nobody’s softer or kinder than you. I love you, you gentle soul.

Sadie - You’re a woman of mystery but we love you anyways. You’re probably our group mama and you keep us in line. You’re also incredibly supportive and talented.

Laura - I hope to get to know you even better in 2019! You’re always a sweetheart.

Nikki - I love your big heart and your willingness to do whatever to make everyone feel comfortable. You’re too pure for us.

Sam @theflashgrant @yochriswood - I’ve known you for so long and each year, my love for you grows stronger. I love the person you are and the person you’re becoming. You truly inspire me with your strength and if there’s anyone worthy of good things happening to them, it’s you. Thanks for always making me laugh and being there for me. I’m ride or die for you, lady.

My ship partners @coleffs @crisprosperi @itstbellisario - you two keep me inspired to log on here every day and I thank you for putting up with me. I love the relationships we’ve created and I love that you love them as much as I do. Thank you for the muse posts, the songs, the memes, and the IMs. Thank you for also being my friends. I’d be lost without you two. I love our babies and I can’t wait to see what we do in 2019.

Ally @hqmaia - <333333333333 is really all I can say. We may not ship here but 2019 is gonna be great for our ships too. I’m so happy you’re in this group as well!

My fellow Riverdale-ians @hqcami @kjapayo @hqmads @coleffs @hqnessa @ulrichisms - You guys are the greatest pretend co-workers ever. Riverdale forever. <3 Thank you for letting me live out the friendships I love and being so amazing at all of your roles.

And to all of the members, who I consider my family - without you, this group wouldn’t work. You all belong here. You all are safe here. And you all are loved here. Thank you for doing this meme and giving us feedback and spreading positivity. I couldn’t be prouder to be your admin and to write with you. I’m the luckiest RPer ever.

@hwlandhqgossip

[sombrz]

Hello please talk about king explosion murder

THE BOY!!!!!

can you believe i spent months trying to be lowkey about my bakugou ships? it took me a while to even admit he was my favourite despite the fact i knew from the start i’d end up a bakugou stan. i never had a ‘oh no this kid’s a mean terrible person’ phase - it was a ‘oh, i can’t Reveal my character tastes like this. not like this.’ phase.

this got…..long. so uh. under the cut it goes:

ANYWAY: i ship bakugou with…..uh…….a lot of characters. kiribaku is the easiest to explain - dumbass jock boyfriends who do shit like baku using kiri as a hammer to make mochi. and kiri being gung-ho about testing his unbreakable mode (which, btw, was motivated by bakugou’s words!!!) by having bakugou fucking. use howlitzer impact on him. you know how i feel about bro ships (hint: i love them). how kiri went from ‘man this bakugou guy is nuts!!! we have to stop him!!!!’ to ‘wow bakugou is so manly and cool and i wanna be by his side’ in the span of (1) one-on-one convo. HE LIKES BAKUGOU SO MUCH. IT’S CUTE. LIKE, I DON’T THINK BAKUGOU GETS HOW HAPPY HE MAKES KIRISHIMA LMAO. how bakugou so readily accepted kiri as an equal - bakugou, who only had two categories for people [extras vs rivals], never thought to seriously think of kiri as anything but an ally and a friend, people always talk how kirishima was the first classmate bakugou even bothered remembering the name of, and with reason, since it says a lot. kiri’s got quite a bit of mlm subtext going on, tbh, and bakugou’s the source of almost all of it. soooooo there’s that too. 

but i’ve also fallen Deep into bakudeku. it’s the shared development, okay. the history and complex emotions and the slowburn to becoming partners. there’s just so much, and they’re so ENTRENCHED in each other. for better or worse, for how much they might dislike the fact they can’t stop thinking about each other, they just can’t help it. they couldn’t understand each other at all but somehow still knew the other inside and out. and deku’s been so smitten since he was like a baby 3 year old and it breaks my heart. it’s honestly one of my favourite shounen rival ships bc it keeps subverting your expectations. and every episode/chapter that deals with their issues and nudges them closer to the ideal - the endgame - is guranteed to be among the best. they’re the backbone of the series, and i love watching them grow together. the fact that they’re currently HEALTHY RIVALS AND TENTATIVE FRIENDS (like deku feels so comfortable gushing over bakugou to his face again and bakugou is so invested in deku’s improvement & is only snappy w/ him out of reflex lmao)….that bakugou is deku’s secret keeper and deku is the one person bakugou allows himself to be vulnerable around……HOO BOY. i just imagined bakugou holding out his hand for deku to take - or accepting deku’s hand at all - and died.

ALSO, TODOBAKU….my darkhorse ship, which hit me in the face one day when i realized how a) hilarious they are together and b) how the series keeps shoving them together (sometimes literally - thanks slidin’ go for giving them the group hug they deserved). i love how they’re so different yet similar - bakugou is loud and obnoxious while todoroki is stern and quiet, but they’re both rude prodigies who needed to be jumpkicked into realizing that they could become better people with the help of others instead of letting anger and bitterness swallow them up. and the provisional exam course made it so they were forced to hang out with each other 95% of the time for three whole months and i LIVE FOR THAT. i love how funny they are - todoroki is snarky & doesn’t even bat an eyelash over bakugou’s tantrums but genuinely tries to be nice and make friends with him! bakugou is so petty and wants todoroki’s attention soooo bad but don’t think i haven’t noticed that most times we’ve seen him genuinely smile has been in todoroki’s presence (ok, then todoroki reacts to it and bakugou instantly goes back to a snarl but STILL). also the fact that the narrative doesn’t want us to forget that bakugou eavesdropped on todoroki telling deku about his family, and bakugou is always Alert and keeping an eye on todo whenever endeavour is involved bc he’s sympathetic and y’know??? cares????? SO GOOD. AND THEY’RE SUCH A GOOD TEAM - SURPRISINGLY IN SYNC AND THEIR QUIRKS MATCH UP AND I LOVE THEM!

GOD, HORI…..BAKUGOU/URARAKA WOULD BE SO GOOD. like, can you *imagine* the sheer potential of a ship that you only really have them interact during one goddamn tournament fight and yet it becomes arguably the most popular het ship in your series (w/ only the main character and his canon love interest as real competition????) i love them though, like,,,,i find it so interesting that uraraka has shown, despite again - minimal onscreen interaction - that she understands bakugou better than most. she knows how he’d handle their fight and uses that to her advantage. (and while she still lost, she gained his respect and a new drive to get stronger!) she’s the one who brings up how HE’D feel about the plan to go rescue him - that his pride would prevent him from easily accepting help. i’m desperately trying to figure out a way they could animate that omake where uraraka plants herself in deku’s seat and demands that bakugou bury the hatchet with him while gently but firmly calling him out for his root issue of fear and his defense mechanism of violently pushing deku away. and it managed to calm him down and honestly, i wouldn’t be surprised if he ruminated on those words for a while. IT’S SO GOOD, WHY WASN’T IT IN THE STORY ITSELF!!! and like, the mere fact he respects her a lot and ended up *psyched* to continue fighting her - and after he’s told deku had nothing to do with her plan, i don’t think he’d make that mistake again, which makes it easier for him to understand her back. he knows she’s smart and talented and that everyone else was wrong to underestimate her. also, i love that uraraka thinks bakugou is like…..funny? he’s out there threatening to murder kaminari and uraraka’s like ‘hahaha :’’)))’ bc she has such a Bro/vulgar sense of humour. like, i think they’d have a lot of fun together. LET THEM TALK MORE, PLS!!!!

THOSE ARE MY MAIN SHIPS BUT I ALSO SHIP HIM WITH THE REST OF THE BAKUSQUAD! BOTH PLATONICALLY AND ROMANTICALLY! I HAVE NO SHAME! baku/kami is so underrated and great - kaminari is just as much bakugou’s bff as kirishima is, tbh, and he has absolutely No Chill which makes their interactions - especially the further the story goes and bakugou’s edges soften - so much fun. one moment, he’ll be casually commenting that bakugou is the worst and needs to change his whole rotten personality - then the next second, he’ll be sprawled all over him, calling him kacchan and defending his honour from actual haters. and bakugou just fucbdhfhd lets this happen. bakugou likes kaminari enough to just let him. do whatever the hell he wants. ALSO, THE BAND. admittedly, sero is the only one with enough common sense and actual standards to avoid dating bakugou (’HE’LL NEVER BE BEAUTIFUL’ ghdhfhd sero) but i still adore them. sero’s so tricksy and loves playing the reverse psychology trick on bakugou, who just constantly falls for it. i bet he was the first person bakugou let just hang out in his room, and he probably appreciates that sero actually gives him his space when he needs it! i can’t believe baku/sero is the Real ‘bakugou pining’ ship. @ hori: GIVE MINA AND BAKUGOU ACTUAL INTERACTIONS, GDI. i’m forced to headcanon their whole dynamic from near-scratch. whereas kiri and kami are more the type to glue themselves to bakugou’s back, i imagine mina’s the type to actively drag bakugou along places. she probably cried when she found out that a) his parents are rich designers (’BUY ME CLOTHES, BAKUGOUUUU’) and b) his glycerin-based quirk and taking after his mom means he usually has perfect skin and has never broken out in his life. she doesn’t speak to him for a week until he takes her out to dinner and buys her a cute dress. and i’m super fond of baku/jirou. i love that their dynamic is like…..while the rest of their friends are doing dumb shit For The VineTM, they’re on the sidelines waiting for shit to hit the fan. they’re punk buds and prob do that couples clothes switch thing a lot just to see if anyone notices. jirou bosses him around and he takes all her advice seriously and like, they trust each other! they have great team synergy! she was the first person bakugou both consciously protected and asked to protect him in turn!! DID I MENTION THE BAND?? i also ship him with camie! it’s just such a funny concept to imagine - like imagine you’re in class 1A and bakugou shows up out of nowhere with a hot girlfriend who talks. like that. and she makes him laugh??? and no, seriously, does he actually understand what the hell she’s saying???? WHAT’S HAPPENING. but yeah, she very casually teases him but also seemed comfortable w/ him right off the bat and i know in my heart that bakugou relented and let her have his phone number. also, i find it funny people started shipping him with shindou after bakugou was the one to call him out for being duplicitous. bakugou’s the type of character that just needs to interact with another character once and *someone* out there will be like ‘what if………..they were dating’ and that’s so valid of them.

good bakugou ot3/ot4s: kirishima/bakugou/uraraka, todoroki/midoriya/bakugou, todoroki/inasa/camie/bakugou. i reblog a looooot of kirishima/kaminari/bakugou and bakugou/uraraka/midoriya even tho i don’t actually ship either as an ot3 that much, oops? they’re good ships tho.

is there something i’m missing? I MIGHT BE MISSING SOMETHING.

[aikainkauna]

Fanfic trope meme

Apologies to those of you who see this for a third time, as I’ve crossposted it to both LJ and Pillowfort. Feel free to comment over on there (or my other posts) if you like. And of course, feel free to grab this one and do it yourself, if you like.

***

Grabbed this meme from a couple of people on LJ. It's... well, apparently about fanfic tropes. Some of them more terrifying than others.

I have written:

-Hurt/comfort (Yeah, baby! Most of my fic is this.)

-Body swapping (Sort of? Souls slipping into each other's bodies for a bit? Jaffar feeling what Yassamin feels? Sex swap, I've definitely done.)

-Soulmate identifying marks (tattoo, red thread of fate, etc) (I have! The Throne of Solomon. And maybe The Past Forgotten counts, in its way. I may have written more, but I forget.)

-Snowed-in cabin/isolated together for extended period of time (The Jaffar/Pwinzezz Cavefic!)

-Found families (I guess the Samarkand gang counts for poor old Fadl? Even if Jaffar *is* his brother, so technically it is his family. But he does have his religious congregation and Zainab, and is... well, he always does seem to be seeking something, so he's the kind of guy to go for this trope.)

-Fairy tale/mythology AU (And not just when I am  writing in *actual* fairytale/mythology fandoms. Which I am doing most of the time, what with Thief of Bagdad being a 1001 Nights fanfic anyway. So I'm writing fanfic about a fanfic of some age-old RPF (fantasy AU!) about historical figures from the late 700s/early 800s...)

-Enemies  to friends to lovers (Yes, please! Aplenty. I'm surprised that  enemyslash/FoeYay/Hero(ine)/Villain(ess), whatever you want to call it,  isn't mentioned on this list.)

-Characters swap roles AU (Uh... I've written sexual switching in some isolated chapters? Like when Laura  briefly doms Torsten in The Fall of Angels, to help him get over some traumas?)

-Friends to lovers (With RPS, Veidtbone in particular, and Theta/Koschei. This also seems to happen whenever I write femslash.)

-Magical  connection (telepathy, etc) (Doctor/Master basically ruined me for all  my other ships what with their telepathic ability. So that now, it feels less interesting for me to write love/sex that *doesn't* have telepathy.)

-Fake dating/fake marriage accidentally turns into feelings (see next trope)

-Royals/political marriage turns into feelings (These last two are pretty much the same thing in ToB, as I've had Yassamin marry Jaffar a couple of times--like The Past Forgotten and The King's White Falcon, but without him laying a hand on her for up to a year, until she finally grows a brain and realises how loveworthy he is after all.)

-Seemingly unrequited pining (Emphasis on the "seemingly." Jaffar's unrequited   pining is painful enough in the movie, so there's no point in making him  suffer any more.)

-Accidentally fell in love with the mission target (Well, *kind of,* what with Torsten. Lars-Erik was definitely his mission target in the original film, and at the start of Because The World Belongs to the Devil, he made no bones about having wanted to kill Laura Erika [the teenage girl version of Lars-Erik in this AU, to those of you just joining in] when she was born.)

-They break up (but then they get back together) (With Jaffar/Fadl. ��Fadl's stormed off in a huff at least twice in the past. And Doctor/Master is always the same old on-off car crash, isn't it? Although this is not a favourite trope of mine, as the setup would usually necessitate them being an existing couple in the first place,  and I tend to not write canon or "plausibly lovers" ships because   they're already happily together. What do Two and Jamie, Holmes and   Watson etc. need me for? They're already as good as married. Let them have their happiness.)

-Supernatural creature/human romance (Sort of. I've written Time Lords/humans, humans/djinn at least. And surely wizards count as supernatural romance, anyway?)

-Reincarnation/'25  Lives' AU (What's with the 25 lives? Is this some big fandom thing again? One of the darkest, most fucked-up fics I ever wrote was the Master killing the Doctor during sex and fucking him as he regenerated around him. As you do. And there's reincarnation in one of my Jaffar/Pwinzezz fics,  but I won't spoil it for the new readers by telling you which one it is.)

-Selfcest (possibly due to time travel) (I am scratching my head trying to remember when I wrote this and in which fandom, but I have the distinct feeling I've written it. I've certainly whacked off to  that World Of Simm!Masters clusterfuck what with the pink dress so many  times I... I think I broke two clit buzzers during that time. I've certainly drawn it. And drawn some Connies on Connies. And then there's, of course, Sarosh the Sexbot  who's a clone of Jaffar, looks-wise, but he is very distinctly just a robot, not a living character as such--not the sort with which you could  have a real, interpersonal dynamic. My problem with selfcest, in general, is that I like having that character dynamic--and that requires  the characters to be different from one another. If it's two characters  that are too similar--if they fulfill a similar role in the canons--it's hard to create a dynamic between them and to make it   interesting.)

-Polyamory (Swinging away ALL the bloody time with the Roses!Jaffar and Yassamin, and Torsten/Laura. Sometimes I miss the monogamous 'verses.)

-Amnesia (I've got a post-movie "Jaffar comes  back from the dead" WIP I'll probs never finish, because it doesn't seem to get off the ground. If I wrote this trope, I would have the characters gradually regain memory, though; complete mind-wipes are   horrid. I did have Handy lose the majority of his cognitive/motor/Timey skills in No More  and that was the main reason I had to... well, I'm not going to spoil it if someone hasn't read it yet, but it wasn't the cheeriest of fics. The Past Forgotten *sort of* has this, but I don't want to spoil as to how that happens.)

***

I could write:

-Daemons (Why the archaic spelling? I have written djinn, so I almost put this in the 'have written' section. I can't remember if I actually *have* written real demons, because I might have. Surely, Torsten counts...)

-'Everyone is evil'/mirrorverse AU (Well, mostly, if I want to explore "evil"   characters, I write about those types of characters in the first place, without having to turn anyone evil. Devilry is the 'verse for that. Hell, usually it's the other way around; I try to look for the human elements of the baddies, or at least explore their logic--what makes them tick, what makes them the way they are. So, IDK, I could've also   put this in the "unlikely to ever write" section.)

-And they were roommates! (This would be terrible and also hilarious, whatever characters ended up becoming my victims. Even if I'm more interested in those hurt/comfort plots, overall. And I have always found it *impossible* to live under the same roof with other people because I need peace and quiet and solitude too much. So this is almost a bit too much like the sorts of negative RL experiences I don't really want to get more of in fic.  But I *could* write it as a comedy for cheap lols, especially if the stress were resolved by hot bonking, ASAP.)

-'They  all work in an office' AU (Otherwise, I would've put this in the "just  no" category, but... the Barmakids were civil servants. So I *could*   write Jaffar and Fadl drowning in paperwork--"WHY DID WE EVER introduce paper into THIS EMPIRE?!?" and cursing their fates and Jaffar restraining Fadl from braining Harun al-Rashid with a paperweight. Same with Lina doing Zainab's books and trying to hold back The Fist of Death when Fadl carelessly drops a piece of his lunch over her perfectly calligraphied accounting.)

-'Falling for a coworker/teammate is a bad idea' except this is fiction so it works out (Maybe. Just maybe. But it'd also be in a medieval ToB context.)

***  

I will probably never write:

-'Groundhog  Day'/karmic time loop (I just never got the appeal of this. Sounds like the sort of thing experimental writers would like? The sorts who really  like filling in bingo cards and challenge lists?)

-Vampires/werewolves  AU (I'm not that big on either. Super-unpopular opinion coming up: I prefer sex to the sublimation of it that vampires are often all about; bloodsucking in lieu of sex, and/or being seen as way better than sex just always feel to me like a cheap cop-out from writers who are disappointed in sex, or afraid of it. I've never grokked it any more   than that stupid, stupid "chocolate is better than sex" quip from women who don't know what masturbation is--yes, it fucking well is sex, TYVM! I much prefer to make partnered sex better than it is IRL by adding supernatural stuff like telepathy to *that*. Immortality alone is interesting to explore, as are Gothic themes, but all the usual themes that vampires *specifically* usually represent just... either hold little interest for me, or then, I can explore them in other ways.)

-'Pride  and Prejudice' AU (I don't hate Jane Austen, but it's not my fandom. That kind of society stuff and being witty over teacups in bonnets has never really been my thing--if anything, I usually have my characters exist in their own bubble, isolated from society and its restrictive mores and social stresses.)

***

JUST NO!

-Coffee  house AU/food service AU (AUGH! Please, no coffeeshop AUs for me; the world is full of them already. Maybe I could write it as some terrible, short parody? Or doodle it? But no more than that.)

-Hogwarts AU (Haven't read HP. Young Adult isn't really my genre. I know, I know; I've just lost all my WLW cred.)

-High  school/university AU (I've done Time Lord Academy-era stuff with Doctor/Master, but I expect this means a sort of American high school/university AU with jocks and cheerleaders and shit. Hell, no. Again, the exact sort of horrid society stuff I would rather have my characters escape from.)

-Adopting/raising a baby (Erm, not unless you count Jaffar/Yassamin adopting a cheetah? They do have kids in some 'verses but there's none of that everyday baby stuff that this question/trope probably implies. I'm squicked by   babies, sorry.)

-Unusually specific occupation AU, like, the Author clearly has the same job (It worries me that this is, by virtue of its inclusion here, apparently seen as normal and acceptable..? When it's crap fanfic, inserting yourself into something that should be about the *established* characters instead. Jesus, I don't want to go in expecting a fanfic, and then find out it’s your diary instead! Unless you're Anaïs Nin. And even if you really *do* want to write about yourself, then just... write original fic? An autobiography? A blog? Write an OC that has your job. Don't do this false advertising where you insist it's fanfic when it's not. That's a dick move towards your readers.)

-Loyalty kink (see next trope)

-Alpha/beta/omega (Too creepy. I can write about piss, shit, incest, necrophilia and cannibalism, but not these last two. Any more than I can glorify the Nazis I've written about; I either take the piss out of them, as with Strasser, or just step outside of their politics and bring them into the land of happy sexings like with von Kolb, with the aim of dragging him out of that madness and leaving it behind.)

-Hot single parent(s) (Please. Rundvik: "You love children." Torsten: "I loooooathe themm.")

-Unrequited pining (Too much of an emotional squick. Has to be requited. I write fanfic to fix things, to avenge wrongs, to set things right. I don't write them to make the characters more miserable than they already are. Unless it's for temporary, character-development purposes, that is.)

[neverwatchedonepiece]

479-480: “The Scaffold at Last! the Way to Ace Has Opened!” and “Each On Different Paths! Luffy Vs. Garp!”

Right there with you, Luffy! Never thought I’d be so glad to see a scaffold. xD

Another two solid episodes, with a daring rescue courtesy of Mr 3 at the end! @supramp9000 asked me for a prediction to what he was doing, sneaking away and I GOT IT!

Sort of. I mentioned Mr 3 moulding wax inside a lock to create a key copy. I thought he was going to open a gate somewhere and let all the escaping pirates out (because who would guess Hancock’s key would snap?). Never thought he’d mould a skeleton key while falling. Oda and those damned curve balls. Always ruining my predictions.

Also, I want to watch more episodes a week (I haven’t done the math but if I don’t pick up the pace, Luffy will find the One Piece before I’m caught up). The last entry took me three hours to put together and, to be honest, it was way too long. Folk would have sprained fingers scrolling down on the app, so I’m going to try and shorten the entries a bit. I was too obsessed with trying to catch every little detail (so I could say, “Ha, I predicted it!”) but if I miss something, I miss something. That’s why you guys are here. :)

Conqueror’s Haki Fallout and Perceptions

Now I know Luffy didn’t execute a Shanks-scale mass fainting, the hype from 478 is not as strong. In a way, that’s better because it means Luffy has room to improve (which makes his development more interesting to watch, story-wise).

The reactions to it were interesting too.

Akainu and Ivankov both noticed Luffy’s use of it was unconscious. The law of shounen dictates he must train to now use it consciously. I’m in the middle of Boku no Hero Academia right now and it’s interesting that Luffy’s situation is the opposite to Midoriya’s. Luffy has all the natural talent and has to work to consciously use it, while Midoriya is very conscious of figuring out how to handle the unnatural power he’s been given and has to work to use it unconsciously. I’m guessing shounen heros fall into one of these two categories. But where would you place Gon from HxH? Is he both? (I’m a sucker for shounen anime. It’s an addiction. halp!)

Kizaru was surprised Luffy had so much power. As soon as he realised this, he ordered his soldiers to take out Strawhat nao, damn it! Does this show an increased level of respect? Will Kizaru stop shit-talking Luffy?

True to form, Aokiji didn’t say much at all (what is this man’s game?) Whitebeard didn’t say much either but you could tell he was surprised - and maybe pleased?

Whitebeard’s Legacy

It’s hard watching Whitebeard, who is the loveliest pirate ever to sail, suffering so much, though he would hate me for saying so because his Sea Dad Pride is strong.

Luffy’s haki seems to be a turning point. Once he saw that, he ordered his men to back up Luffy “with all your strength!” and said to himself, ”You have the middle initial D. Show me how the world will be in years to come.” Oda reinforced this by having Ivankov notice and say to Luffy, “The strongest pirate in the world his putting his hopes in you.”

After the haki, Whitebeard has faith in Luffy. I’d hesitate to say he’s passing the torch because if Ace does get out of this, Whitebeard cannot have placed his hopes in two people. He’d back Ace for Pirate King out of loyalty to his son. Luffy ain’t a son. But still... maybe this is a sign of Whitebeard’s respect for a new, Shanks-style rival who will take the Old Ways into the New Era.

Love how Jimbei disobeyed and defended Whitebeard. That fishman’s loyalty is unbreakable. Yes, he is there to defend Luffy, but his ultimate loyalty is to Ace and Whitebeard.

Help From Everyone

Now I’m neck deep in Boku no Hero Academia, I can make more parallels. Luffy does resemble Midoriya in a way. He accepts and is grateful for help if it gets him where he needs to go. I think Luffy, though, being on the grey side, would accept it from (almost) anyone. Maybe Midoriya is more honourable. Can’t make that judgement yet, as I’m only 29 episodes in.

The help list for 479 includes:

Crocodile and Daz Bones: cannot believe Daz Bones deflected Mihawk’s swipes. Even though he had to be bailed out by Crocodile, that was impressive. He’s stronger than I thought.

Boa Hancock: I love how cleverly she’s balancing helping out Luffy and retaining her status as a Shichibukai. More than any of the others, she has an entire nation relying on her, whom she has to protect. If she discards her status, a Buster Call might descend on her island. She’s found a way to protect Luffy and her people. Nice. Also, random observation: I know she can’t do this in battle because it would reveal her motives, but can Hancock turn the Kumas to stone?

Inazuma and Ivankov: Ivankov’s hair is like Mary Poppins’ bag except instead of hatstands, he pulls out revolutionaries. That moment when Inazuma cut a ribbon of concrete and made a path for Luffy was awesome. With Ivankov guarding the path below, Luffy had a clear run.

Grandpa Garp

Except Grandpa Garp stood in the way. Cannot lie, this was a tense moment. I wondered whether Garp would go full Lawful Good and actually fight his adorable, rubbery grandson. If he had, he would have lost character points from me. I mean, if he had, I would have understood why, but still... he’s Garp. Don’t think I’m hypocritical, though. If Luffy had killed Garp, he would have lost points too.

At it was, Garp did put on the show. He did try to steel his resolve. “I’ve been fighting pirates since before you were born! If you wanna pass through here, you’re gonna have to kill me first - because of the path you have chosen to live!”

That was the cliffhanger point, so I was left in suspense for a while. Must have killed manga readers who were caught up at that point. I can only imagine the mess of speculation on the forums.

Then, in 480, came the flashbacks. It was basically Garp’s Monkey Training Camp and Garp’s Gorilla Training Camp, wherein Garp worried if Luffy hated him because he was an intimidating Grandpa. Nah, Garp. Luffy has never hated you. You could see the fear in his eyes at the thought of having to kill or hurt you to reach Ace. Plus, you swiped food from the Marines to give him a post-training feast and carried him on your back when he was too sleepy to walk. Luffy knows you love him.

And he’ll definitely know now that you looked him in the eye and could not go through with your threat, choosing to take that punch rather than harm a hair on Luffy’s head. Sengoku noticed too. I hope he doesn’t blame Garp for it. (But in a way, I kind of hope he does. I’m holding out for a Monkey D. Family Revolutionary Reunion!)

And then... finally...

Luffy reached the scaffold and Sengoku lifted a finger! There was a point when Luffy grabbed onto the platform where I thought, Sengoku, if you kick him off I will flip a fucking table... But no! He actually revealed his power. Or a bit of it, anyway. I have no clue how it works. He stole rivets from the scaffold to aid his transformation into a bonafide massive gold Buddha. Enel would have been very interested in Sengoku, haha.

Funnily enough, Kizaru was the one who really hampered Luffy’s rescue effort. He sniped the key from a distance (that guy is hyper competent) and Luffy was left floundering for a moment.

Then Mr 3 stepped up. That was a masterpiece twist. I was not expecting him to appear, so I legit cheered. I liked how Oda gave him a motivation to help Luffy. Mr 3 is doing it for Bon-chan, whose friendship with Luffy never wavered and who never ran in the face of adversity. Now I come to think of it, Mr 3 and Bon-chan must have been pretty good friends, as Luffy and Mr 3 were the ones who were really left mourning on the ship post-Impel Down. Good for you, Galdino. Be inspired by Bon-chan. He’d love it if he knew.

There was a large KABOOM at the very moment of rescue. Then a moment of tension, obscured by fire and a smoke.

That moment when Ace, Luffy and Mr 3 emerged from a pillar of fire was worth the watch. Will Ace cut loose and fight his way out? How will the Whitebeards escape? I don’t think for one minute that Sengoku will let them walk away.

I KNOW, RIGHT?? ^_^