#where they talked about norman and his needs and personality ;__;

[ahappydnp]

i'm pretty new to the phandom so sorry if it's a dumb question. but did they really get their fish from a rescue? where did they talk about it?

not a dumb question at all!

(x) instastory where they announced they were adopting a rescue fish they also mention at the end that they hope no one else has adopted the one they wanted while they were preparing the tank

[p0lyn3sian]

how would the slashers react when their jealous or sulking?

THIS ONE IS GOING TO BE INTERESTING YALL!!!

(Ahem, this drabble was definitely not rushed 🌚)

Slashers: Norman, RZ Michael, Thomas & Bubba, Chucky (Charles) & Tiffany, Billy & Stu, Jason, Sinclair Brothers (Bo, Vincent, & Lester), Carrie, Brahms & Billy Lenz, & The Lost Boys (David, Dwayne, Paul & Marko)!

S/O reacting to slashers when they're jealous/sulking!

Norman:

You love helping Norman around with the motel! You decided to be a receptionist, since Norman is going to take a break talking for a little while. While being the receptionist, you have to deal with rude, nice, and drunk people.. One of your customers was drunk, he decided to flirt with you right in front of Norman.

Most of his flirting was just sexual stuff at you. You were going to tell him to back off, but Norman took care of it. Instead of taking care of it the normal way, he smacked the man's head with a standing hanger for coats, leaving him on the floor with a bleeding spot on his head. (DRUNK MAN GOT K.O. BY NORMAN 💀.)

Realizing that it was his mother's personality that killed the man that was on the floor. You immediately calmed down his mother's persona and then Norman came back to you! He also saw the man on the floor, and looked back up at you and asked if it was his mother that did this. You nodded your head and you both then started to take the body somewhere in the forest. You both then head back into the motel, and Norman makes a hot tea for you to calm your nerves down, and that made you relaxed!

RZ Michael:

You are Michael's nurse, since none of the nurses wanted to be his caretaker. Michael has grown fond of you, because you don't care what anyone says and what you do! You would always give him praises of his arts and crafts, like his masks, drawings, etc!

Sometimes guards call you a weirdo for falling the likes of Michael, which you didn't give a single fuck. You mostly just ignore what people would say to you about Michael, even Dr. Loomis.. His book that he made about Michael is just full of shit, and just makes people more scared of him too. Some of the pages are true about Michael, but most were just pulled out of his ass! Like where did this old doctor get, "He likes to drink toilet water when he is young.." like you know damn well that those words came out of his ass and out onto his book like it was nothing.

There was this guard that likes you, but only sexually because he leaves so many women/men behind and finds new women/men to be his little toy. Which in no way in hell that you'll be his "toy" to play around with! While you were in the lunch room with Michael, Michael would always look at the guard that had been staring at him and you. Sometimes Michael tries to speak to you, but he decides not to, so you then turn around to see the same guard looking at you! You calmed down Michael saying that you could handle it.. (You full on kicked the guard in the nuts, put your hands on his neck and whammed him to the ground 🤣!!)

Thomas & Bubba:

You love these two so much, because of their personalities and their hands! Their hands are bigger than yours and you would always want to hold their hands or most likely squeeze their hand like it's a toy! You love to hangout with bubba by doing his makeup, dress up, or just doing something that he likes! You also love to hangout or help out with Thomas and his chores, sometimes he doesn't need your help with carrying the two big hays onto his shoulder for the cows to eat, it'll always make you blush because of his broad shoulders!

When these two are together, it's like a big scary dog and just a happy little dog! Thomas and Bubba would go with you and Mama Luda at work, because sometimes at home they have nothing to do. You and Luda work at the little gas station where you'll see people that are tourists/people that pass or mostly bikers that live here.. One of those bikers thought it was OKAY to flirt with you right in front of Thomas and Bubba! This biker must had some balls to do that right in front of these two!

While he was flirting with you, you then looked at Thomas and bubba, and those two were sharing looks at each other. You knew what was going to happen to this man, and it was going to be really painful for him.. You shoved the man to Thomas and Bubba, and did a little wave at him. These two immediately took him outside somewhere behind the gas station and started beating the fuck out of him. (After work, these two then got so many kisses and praises from you!!)

Chucky & Tiffany:

These two would be giving death glares at the person that's talking to you. The person decided to start flirting with you, after you helped them with the directions to the bathroom.. Unfortunately the man thought you were by yourself, which you were not at all, until Chucky and Tiffany came from behind the man.

Chucky put one of his hands on top of the dude's shoulder in a tight grip. He dragged the dude into the bathroom for a little "pep" talk. Tiffany then asked you questions if he was weird or if he was touching you, etc. One of you and Tiffany's favorite song came on, and immediately you and Tiffany danced together on the dance floor! (Meanwhile, Chucky did a full on martial arts on the dude, in the bathroom 💀.)

Chucky then came out of the bathroom, and saw that you and Tiffany were dancing together. He loved watching you two have fun, just smiling and laughing with no care at all! The song then ended, which you and Tiffany were breathing heavily and just laughing from all the dancing you both did! Chucky then walked to both of you and asked if it was time to go. You nodded and Tiffany answered with a yes. All three of you then walked out of the bar and headed home, laughing and smiling!

Billy & Stu:

With Billy and Stu, if there was a dude that decided to make flirtatious comments about what you are wearing. Billy would start giving him death glares and Stu would stop being goofy and give him death glares too. It sometimes scares you that Stu isn't laughing or goofing around anymore and acts like a twin of Billy.

These two are always jealous of someone talking to you. They pulled you away from the dude that was still flirting and walked over to the cafeteria for food. While you were busy eating and not paying attention, Billy went to where the dude was and started walking up to him. Stu grabbed your attention to make you laugh or talk about school and stuff.

Stu didn't get lunch, because he was in the negatives and he hasn't even paid a single penny on his lunches. So, Stu ate a big bite of your food and ate it in front of your face! Which made you sad and angry at him, you then didn't want to give Stu your attention anymore, because he ate your food! Stu poked and called your name, but you wouldn't even budge! Stu then started poking you at your sides, because that was where your ticklish spot was! You laughed and laughed and told Stu to stop, but he wouldn't so you smacked his hands for him to stop. You and Stu then laughed together, until Billy came out of nowhere and scared you two! (It scared you and Stu, and you knew it was a good scare because Stu screams like a girl if the scare really got him 🌚!!)

Jason:

Jason doesn't talk, only in sign language or through his body! You were glad that he had books of ASL so you knew what he was saying through his hand signs. There was an upcoming date where there was a party throwing here at camp crystal. Young adults these days don't understand that people are dying and being missing here at camp crystal, but their brains decided to say 'Fuck that, I just want to party and have fun!' and they die anyways once Jason kills them.

You told Jason that you wanted to see what the party would look like, and Jason then started shaking his head 'no' really fast. He hated the thought of you making out with another person, and it always makes Jason jealous! Jason would say some things about parties from his mother in sign language, and you thought it was really wholesome for Jason to look out for you! Instead going to the party, you told Jason that you would help him with the killing since you went to the store to buy some stuff for the cabin. You overheard a group of three girls that were in probably college, saying that the party will be a really big party. Almost a 100 of those students wanted to go, maybe a little more than that..

It was really cold outside, so everyone was inside the big cabin for the big party. You went around the big cabin locking all doors and windows, so that no one will get out once Jason goes and kills everyone in there. Jason already went inside before you did all the locking, you walked to a nearby window where no one could see you, and saw that Jason then struck at the first person he saw. Screams are being heard everywhere in the cabin, some people tried opening the door to run away, but it wouldn't budge so they ended up dying. After all the killing, you made hot chocolate for Jason and made snacks for him too!

Sinclair Brothers:

You would help Bo with the "tourists" that are coming by and just talk to them about the house of wax or something else. You'll also be with Vincent while he's waxing people, and you mostly just want to see his beautiful waxing! You also love hanging out with Lester and his dog, Jonsey! You and Lester will be driving around somewhere to get more stuff for the house, and come back to ambrose.

You and Lester left Ambrose to get more food for you guys, early in the morning. Coming back to ambrose, there was a group who were standing outside of their car. You and Lester realized their car was broken down, so the group asked you both if they could come with you both and make a phone call for a mechanic. You knew what Lester was going to say, and it was a yes. The group hopped into the car, 3 people in the back and one person that was sitting on the right side of you. It was a lady that was sitting by the right side of you, and the other 3 were all men. (You kinda wanted to ask her what she was doing with 3 men, but you also realized that you are with 3 men too, so you didn't want to ask her that 🌚.)

Driving back to ambrose, one of those 3 men started flirting with you. His flirting was starting to get on your nerves and Lester's too, you looked at Lester and saw that his hands on the wheel were gripping, which means that he is getting annoyed and mad at him, and also jealous. You didn't respond to his questions, so he lost interest in doing so. While arriving in Ambrose, Lester got out of his car and held his hand out for you, the girl on the right was jealous because of how Lester is a gentleman, instead of her own boyfriend. The other 2 are her boyfriend's friends and they don't act like a gentleman either. Lester whispered into your ear that he'll be right back, and he walked to get Bo. You lead them to the gas station for them to "call". The same man before started flirting with you again, and he's asking for his ass to be killed, because Bo walked inside and saw him flirting and touching you! (You and Bo killed the other 3 and you left the man that flirted with you to Bo, Vincent, and Lester to torture him.)

Carrie:

Carrie is so sweet to you! You love hanging out with Carrie, because she's not really loud or annoying. She would also listen to your problems whenever you talk to her! Your friends always like to talk to you and not pay attention to Carrie and socialize with her. So, Carrie stays silent and listens to what your friends say.

You get angry at them for not including Carrie! You include people that walk behind your group of friends or when they're not in the conversation. You walked away from your friend group for not including Carrie as you specifically said to include her! Your friend group kept on calling your name to come back, and that they will include Carrie! Well, they haven't.. because some days when you don't show up to school, you would always tell Carrie if they hangout with her, but she would reply with a no.

So, you had enough of your friend group's attitude. They were all a bunch of assholes anyways, because they've lost some really good friends in the group, just from not really talking to them and acting like they don't know them either.. and you decided to do the same thing they've done too. Carrie was really surprised that you ignored your friend group, she asked you where you were taking her. You told her that you are taking her to another group of friends that you have. In that group were the good friends! They saw you immediately and waved at you as well as Carrie too! Carrie then started hanging out with your new friend group and you! She's really happy that she found friends that are really kind just like you!

Brahms & Billy Lenz:

You live in Brahms mansion with Billy too, so seeing Malcolm the grocery boy, makes these two really jealous. Malcolm likes chatting with you about other things instead of groceries. Chatting with Malcolm could lead to things for Brahms and Billy, killing him in front of you or torturing him, either one.. You always feel their presence, like how they give off their stares at you and Malcolm!

You would try and get Malcolm to start talking a little bit faster than usual. You would have to make up things, saying that you have to vacuum the big living room or something else than that. So, Malcolm would try speaking a little bit faster, until Brahms started to bang on the walls. Brahms is an impatient man and Billy is kinda in between. Either way, it freaked out you and Malcolm, Malcolm wanted to investigate what it was. But, you pushed him away from the bangs and pushed him outside of the mansion.

Malcolm was surprised why you pushed him outside, you said your goodbye to Malcolm and closed the door immediately. Brahms and Billy got out of their hiding spot, and both of them looked at you because it was your fault for letting a guest inside, especially Malcolm.. You had to deal with Brahms tantrum, and Billy's ranting saying that you'll leave him and Brahms, etc. You calm down Billy first and deal with Brahms' tantrum next. After these two have calmed down, you then wanted to go to sleep, even though it was the afternoon, but you were really tired trying to calm down Brahms and Billy. They both got in bed with you, snuggling too close and closing their arms around you tightly, so that you wouldn't leave..

The Lost Boys:

You and the boys decided to go to the boardwalk on a Friday night! All the boys were hungry and needed to eat, so they decided to go to the boardwalk with you! While the boys are looking for their next food, you decided to walk to your favorite place for food since you were hungry too. Walking to your favorite food place, you have caught someone's attention. That someone started to follow you, asking weird questions that just makes you cringe..

The man kept on asking you questions, like "are you alone", "do you need someone to cuddle", all that weird shit. You ignored the man, because those questions just make you cringe. The boys definitely knew that somebody was close by their mate, and could hear far away from where they were. They all flew, once the coast was clear, to you. You got your food and sat down, realizing that you could sense the boys. The man still kept annoying you with those questions, until the boys came by.

The boys gave a scary look at the man that was bothering you, and they already knew who their dinner was for tonight. You got up and took your food and walked with your boys back to the cave, because you wanted to eat peacefully without any questions coming out of an asshole's mouth. You all arrived in the cave and you settled in and ate your food, the boys said they'll be right back, and you knew that they were going to eat that man. (They definitely did eat him, and probably made his bones out of necklaces, etc 💀.)

[blackwidownat2814]

Pairing: Tyler Owens x female reader, Tyler Owens x shy!reader, Tyler Owens x insecure!reader

Word Count: 1408

Summary: You begin your new job as a Tornado Wrangler (remotely), and meet most of the team. It isn't until you suffer a little mishap that you meet the man himself.

A/N: Thank you all so much for the wonderful response to the Prologue!!! I didn't think it'd be that much of a hit, so I was surprised with all the love. After finishing this chapter, I feel like it could've been part of the Prologue, but oh well. It's been a while since I've written as well, so bear with me. As always, thanks to my awesome beta, @buckysdollforlife, for their help with this and for creating the header for this story (I LOVE IT!!!!) and bestie, @13braincellsonly, for allowing me the use of their son's name and personality when I needed to come up with a horse. **All descriptions of Ziggy the horse were approved by his momma.** And as always, I will be cross-posting this to AO3. If you see this story anywhere besides AO3 or Tumblr, it's stolen.

City Girl Knows Her Stuff

You became a Wrangler near the end of the season that first year.  Kate picked you up at the airport with two members of the team: Lily and Dani.  Lily immediately pulled you into a hug, chatting a mile a minute about how excited she was to have you on the team.  Dani (perhaps picking up on your shyness) offered a handshake and big smile, welcoming you to Oklahoma.  Kate was more than happy to let Dani and Lily talk your ear off on the drive to Sapulpa, where you’d be staying with Cathy until you found a place.  She knew it was somewhat difficult for you to make friends, so she was happy to see you enjoying a conversation with two new friends.

You got to meet Dexter when he came by in the van to pick up Lily and Dani.  You thought he was funny and enjoyed some very science-centric conversations with him.  Before they all left, Lily let you take her drone for a spin.  You enjoyed it so much that for your birthday later that year, she gifted you a smaller drone that wasn’t quite like hers, but it had a small camera and small, tinny sounding speaker.  She even had it painted in your favorite color.  That would become one of your absolute favorite gifts.  It made you cry.

Like most storm chasers, you had to have a job in the off season, so you got a remote data analyst job with the NOAA offices in Norman and moved out to a place just out of Sapulpa.  This would allow you to visit Cathy at the farm and work on data in the barn workshop the Wranglers had set up.  You even got yourself a cat.  Abandoned due to his looks and runt status (according to the shelter), you snatched him up the first time you saw him.  Black cats didn’t scare you.  Life with Roach (you’d spent quite a bit of time watching The Witcher) was idyllic and you were happy.

By the time you met Boone, the Wranglers felt like family…and Boone felt like the brother you never had.  Like Boone, you were an only child and didn’t have much of an extended family and it was a bit lonely in the beginning.  The difference, however, was that Boone was an outgoing guy and it was easy for him to make friends and talk to people he didn’t know, whereas that scared you half to death most of the time.  You loved his boisterous way of being, but you also appreciated that he (like Dani) could tell when your social battery had run down and turned it down and would sometimes sit with you in a quiet environment.  Sometimes he’d sit and nap while you read or he’d pick up the latest meteorological article (or sometimes the latest comic he picked up at the shop).  He didn’t even make fun of your nickname like others had before, so you trusted him.

The day of Cathy’s pre-tornado season bbq, while cleaning some dishes, you confessed to Boone that you were nervous about meeting the head tornado wrangler himself, Tyler Owens.

“T’s a sweetheart B, you got nothin’ to worry about.  Why are ya nervous?”

“Boone!  He doesn’t know me, what if he doesn’t think I’m a right fit for the team?  What if he doesn’t like how I do work?  Y’all are famous ‘round here, what if he gets irked by the fact that big crowds make me nervous and it takes me forever to become comfortable with people?  You know it’s not easy for me to talk to people I’ve never talked to before”, you cried in exasperation.

“B, imma need you to take a breath, okay?” Boone reassured you as he placed his hands on your shoulders.  “If Ty thought any of those things, I would definitely not be workin’ with ‘em.”

You were so busy trying to get yourself to relax that you missed Kate wandering into the kitchen.

“B, are you freakin’ out about meetin’ Tyler again?” she asked.  You and Boone nodded.  “Well, you don’t have to worry.  He won’t be able to come today, said he had to drive down to Texas to see his parents.”

You breathed out a sigh of relief, sending some of your hair floating up.  “Good, I have time to relax about it.  Thanks Kate.”

“Thank Tyler’s parents.”

“Thank you, Mr. & Mrs. Owens!” you said to no one in particular and dried your hands, as you looked over at your friends.  “See you two out there!”

Kate and Boone followed, but stayed on the porch, both taking twin sips from their beers.

“You think either of them has any idea what’s about to happen to ‘em?” Boone asked.

“Meaning that Tyler is going to become enamored the second she opens her mouth?”

“Yup.”

“And that she’s going to have the same thing happen to her the second she comes into contact with that cocky cowboy swagger that he exudes when you meet him the first time?”

“Yup.”

“No, I don’t think either of ‘em knows what’s coming.”

A few days before the chasing season began, you brought Roach down to Cathy’s, where he would be staying while you were out with the Wranglers for your first season on the road.  

While there, you asked Cathy if you could saddle up your favorite of her horses, Zig, nicknamed Ziggy.  He wasn’t the brightest of the bunch; he was the type of horse you’d see in a video because someone thought he was dead but in actuality, he was just sleeping.  You swore that his mother, a horse named KJ, rolled her horse eyes every time someone caught him playing dead.

Ziggy may not have been the sharpest pitchfork in the barn, and may not have enjoyed doing much of anything besides looking dead when he slept, but he enjoyed riding through fields with you.  He knew whenever he saw you approaching with a bowl that he was about to get one of his favorite snacks: ice cubes with apple bits in them.  You put Ziggy’s snack bucket down so he could munch while you brushed him and got him saddled and ready to go for a ride.

When Ziggy let you know that he was done with his snack, you popped in your earbuds and shuffled your favorite classical music playlist on Spotify.  You found it was one of your favorite ways to relax.  After you climbed on Ziggy’s back, and kicked him into gear, you took off for the open fields near the road leading up to the farm.

You’d been out there for a while when you started hearing the faint rumble of an engine, but ignored it because trucks passed near this area all the time.  You probably shouldn’t have ignored it though, because when that modified-to-withstand-tornadoes red Dodge Ram 3500 turned on to the road and took off towards the main house, Ziggy took off after it.  By now, you shouldn’t have been surprised that he recognized the truck or the person in it, but you were…and because you were so thrown off by it, your hands (stupidly) had not been holding the reins.  And because you had not held on, you went flying off Ziggy’s back while he just followed the familiar truck.  Lucky for you, the fall didn’t cause you to go unconscious, but it did knock the wind out of you after you landed hard on your back.

As you attempted to take deep breaths, you heard someone yelling and running towards you, so you tried to sit up.  The voice yelled for you to not move, so you listened and stayed on the ground, with your eyes shut.  You just lay there, waiting.

All of a sudden:

“Are you okay?” the voice asked.  You knew that you knew who the voice belonged to but you were so thrown by being thrown that your brain wasn’t focusing.  You blinked your eyes open, and your vision swam before focusing on the most beautiful face.

“Wha-”

“Are you okay, darlin’?” he asked as he helped you sit up.

“Uh…”

“Did you black out?”

“No.”

“Do you know where you are?”

“Cathy’s farm, in Sapulpa.”

“Do you know your name?”  He smiled when you told him.  “Where’d you come in from?”

“New York City.”

“Why are you here?”

“I’m the new data analyst for the Wranglers.”

“Well…looks like we got another city girl that knows her stuff.”

Tagging: @ladybirdbeetle7 @omgbrianab @itsdesiree86 @avengersfan25 @keyrani @thedonswife13 @lonelyghosts-stuff

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[dixons-sunshine]

⋆✮⋆ You can just call me Krys.

⋆✮⋆ I’m a woman, and I go by she/her pronouns, although I don’t mind she/they!

⋆✮⋆ I’m old enough to legally buy alcohol.

⋆✮⋆ I love reading and writing, although sometimes I can get into my own head about my writing skills.

⋆✮⋆ I’m bilingual. English isn’t my first language.

⋆✮⋆ I love The Walking Dead, Stranger Things, The Last Of Us, Marvel, and a lot of other things.

⋆✮⋆ Daryl Dixon’s sunshine (confirmed).

⋆✮⋆ Steve Harrington’s princess (also confirmed).

⋆✮⋆ Joel Miller’s sweetheart (once again: confirmed).

⋆✮⋆ Richonner for life.

⋆✮⋆ My favourite season of The Walking Dead is season six.

⋆✮⋆ I have kinemortophobia, which is ironic, considering my love for The Walking Dead and The Last Of Us.

⋆✮⋆ I have a dog. I love him more than most other things in my life.

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⋆✮⋆ I tend to stay up way later than I should. I’m a night owl.

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𝐓𝐡𝐞 𝐖𝐚𝐥𝐤𝐢𝐧𝐠 𝐃𝐞𝐚𝐝:

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𝐓𝐡𝐞 𝐋𝐚𝐬𝐭 𝐎𝐟 𝐔𝐬:

↬Joel Miller

𝐀𝐝𝐝𝐢𝐭𝐢𝐨𝐧𝐚𝐥 𝐍𝐨𝐫𝐦𝐚𝐧 𝐂𝐡𝐚𝐫𝐚𝐜𝐭𝐞𝐫𝐬:

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𝐎𝐭𝐡𝐞𝐫 𝐂𝐡𝐚𝐫𝐚𝐜𝐭𝐞𝐫𝐬:

↬Connor MacManus

⋆✮⋆ I always try my absolute best to keep appearances regarding the reader neutral so that everyone can enjoy my stories. However, if I slip up, I apologize!

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⋆✮⋆ Other than that, I hope you enjoy my writing!

⋆✮⋆ You can find all of my works under krys writes .ೃ࿐.

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Bluesky

(Profile picture by @dixondystopia)

[blue-sadie]

can I request avatar with a reader who is hard of seeing and needs a seeing the animal and they all freak out because reader somehow managed to find with a rather large group of viperwolves?

I hope this is what you were looking for, I made it platonic to make it more cute but I'll do a romantic one if this isn't what you were looking for.

The Blurriness

Sully family x blind Reader

Summary: the baby of the family is always protected

Warning: kinda yandere?

Yn/3rd person pov

You were the baby the little princess everyone adored even though you weren't the youngest, neytiri knew something was different when she was pregnant with you, she felt it.

They didn't figure it out straight away, neytiri was scared at first not knowing what is wrong with her child so she did everything in her power to figure it out, even your siblings knew something was wrong so they did everything to protect you but still include you in everything they did.

Norman was the first one to ask them because he watched as you would have your hands on everything and feeling along as you moved, when someone called you you would twist and turn looking for them intill they came closer to you.

Jake and neytiri refused at first but as they watched you more they saw it to and then their feelings of protectiveness increased they would tell your siblings not to take you to the cliffs or on trees because they were scared you'd get hurt, they'd also forbid you going off by yourself because they don't think you'd find your way back.

I listened to my mom hum as she prepared food I could feel her gaze on me every so often from my perch on a few of the boxes that layed around our home "is something the matter" she asked I could see her blurry form move around the small fire the shadow of it darkening my vision.

"Nothing everything is fine" I murmured closing my eyes and leaned my head back against the woven wall "are you excited for your outing with neteyam today" she said and I could hear her footsteps getting closer "yeah I am" I smiled it's been a few weeks since I've been down in the forest.

"Where's my baby sister" I cringed as I heard neteyam call me my nickname "logically tuk is the baby" I mumbled as mom grabbed my hand helping me to my feet "you'll always be a baby to me" he teased and took my hand from mom and slowly lead me out the tent.

He helped me onto his ikran and flew the both of us down to the ground "so how's trainings" I inquired as I slid off his ikran with him right behind me "it's.... challenging" he sighed taking my hand and leading me off into the forest the blurry colors of purple, blue and orange filling my gaze it made me smile.

"Oh I'm sorry" I whispered lightly squeezing his hand in a comforting manner "I'm here for you if you need me" I added making him chuckle "I know you are it's what siblings are for" I could hear the smile as he talked, we fell into a calm silence the ambiance of the forest taking over.

He took us to our normal spot which was by the glowing waterfalls, he sat me on the ground just far enough for my feet to reach the water "I just need to get some stuff for mom stay here and don't move" his voice became a bit stern as he spoke he always said this when we were out.

"Where am I supposed to go" I teased gesturing my hands around me "I can't see anything" he laughed at my words "you know what I mean" he called out as he walked away, I started to hum to myself enjoying the forest air as I waited, neteyam usually took about 3 to 6 minutes but if longer he would come check on me every now and then.

"Neteyam" I called out after hearing a few twigs creak but I knew I was wrong when I heard the chitering of the viper wolf's, I looked around furiously seeing a view black sploges move across my vision my breathing hitching as I felt the wind of one of them moving behind me.

My stomach dropped as I waited for an attack or anything but nothing came I could still hear them moving around me but they weren't attacking my eyebrows frowned in confusion what's wrong with them, I jerked as I felt their cold skin brush against mine as they walked past, my body sat frozen and the only noise I made was my soft breathes I need to stay calm.

They circled around a few times "yeah" neteyam yelled charging from the woods, I could hear the viper wolf's scatter as he ran toward me their chitering fading as they ran into the woods "what the hell was that" he asked breathlessly and I just shrugged, he quickly pulled me to my feet and back to his ikran "I'm gonna get killed" he muttered climbing on.

"What happened" my dad asked as neteyam told him and mom the story I could feel their protectiveness radiating off of them "oh my poor baby" mom cooed as she came to sit at my side pulling my body into her and kissing my forehead.

"I'm not letting you outside again"

[traincat]

What are your thoughts on your friendly neighborhood spider-man?

I'm probably not going to watch it. Like, it looks fine, it's just that I know the Peter characterization is going to annoy me beyond reason so I'm not putting myself through that. I think the choices surrounding the Osborns are interesting -- I've previously talked about how I think there's an interesting interpretation of Norman and Harry as either Black or Jewish, because those are basically the only ethnic groups where the famous "Osborn hair" curl pattern shows up, but that with Norman in particular you need to balance it on Peter's side by admitting some things canonically, which I don't see YFNSM doing. But I do like the decision and I think Norman's role in it seems interesting. It's just Peter where I'm like I'm not doing this to myself. It's always just Peter.

I'm standing by these comments. I was just trying to watch gay tomb raiding nonsense and I was assaulted.

But I'm trying to do this thing where I'm not endlessly bitter about recent Spider-Man so instead I'm going to rec Friendly Neighborhood Spider-Man (2005) (NOT 2019 that was a disaster) (you want Peter David you don't want Tom Taylor) as a comic because I think it does some really fun stuff.

Really interesting arc looking at what would happen with Peter if May had died instead of Ben! Really exploring May's influence on Peter and how she's the person who made him as good and kind as he is! (Friendly Neighborhood Spider-Man #8)

Interesting fallout from Civil War! The revenge of Deb Whitman, the woman Peter drove to a mental breakdown just by being himself! Flash defending Peter! That's his man! Betty is here! (Friendly Neighborhood Spider-Man #16)

"I thought you were wholesome!" okay gay boy.

Also note Flash's clothes -- they're the same clothes Peter is wearing at the start of Back in Black, which means he was crashing at Flash's place when he was on the lam after switching sides in Civil War. I love them.

The cuffs are even rolled up on the pants! Peter's either 5'10" or 6' even depending on what canon source you trust, and Flash was 6'2" before he lost his legs, so that's a fun detail with the pants. (ASM #539)

Peter and Betty being freaks about each other! Betty getting to know, even if only just for a bit, that Peter is Spider-Man! She never stopped loving him, not ever, no matter who else she was with! Not ever! Freaks! (Friendly Neighborhood Spider-Man#20)

Also an otherworldly spider monster tries to lay eggs in Flash. Because that's a thing that happens.

Why are the three of them like this. (Friendly Neighborhood Spider-Man #22)

I have my issues with Peter David but he is a very solid Spider-Man writer and there's some really good fallout from Peter's Civil War identity reveal here. Jonah gets to punch him in the face and it's deserved.

[starshipsofstarlord]

Pretty Eyes

Summary -> throughout the outbreak, after meeting Daryl Dixon the two of you had always clashed heads. However when you reach the CDC, convinced you had been saved, you decide it’s time that you get along (1.4k)

Warnings -> 18+ minors dni, smut, oral sex (fem receiving), nudity, swearing, fluff

There will be a part 2 to this piece, for all that wonder

daryl dixon // norman reedus works main masterlist

His hands tousled your hair as you straddled the tracker, lips encompassing in a starved bliss. You weren’t entirely sure how you had ended up in a room together, you had suddenly appeared in the white walled confines after having one too many drinks with your group.

Never had you expected to ever be this close to Daryl, let alone have his tongue down your throat, he was always short and tempered, however you certainly weren’t complaining.

It had been a time too long since you could recall getting laid, but it was definitely before the end of the world. But you were in a haven now, the CDC had taken you in, and the scientist had provided a meal for you all. It was nice to relax rather than just survive out in the wild of Atlanta.

The two of you had hardly spoken, apart from when you’d previously clashed heads over Merle and his crude antics and comments. But he was gone now, leaving sparse conflict between you and Daryl, the only task that he was battling was with his fiddling fingers struggling to undo the back of your bra. He was undoubtedly too distracted with the rhythm of your breathless kisses.

“You need some help archer?” You taunted at him, batting your eyelashes in his direction, causing him to roll his irises in reply and grunt.

A spark ran up your arm as your hands touched, and you aided him with undoing the teethed clasp, slipping the straps off from your shoulders, leaving you half bare for his eyes to drink in. “My eyes are up here Dixon.”

“Well I ain’t gonna wanna look in yer eyes if yer tits are out, am I?” He reached his rough hands up, chewing distractedly on his bottom lip as he ogled at your breasts, pinching your nipples with his forefingers and thumbs, causing your back to arch against him.

As your mind ran through random thoughts, you realised that you’d hardly had a mundane conversation with the burly man. If it wasn’t about your differing opinions on his vacant brother or surviving the horrors of the dead, the only other things you had spoke of were food and water.

And now he was talking about your tits! It was quite the escalation, but it finally a relief to release some of the tension that you’d pent up for one another in a safe reside, and with privacy none the less.

“I dunno Daryl. I have pretty eyes don’t ya think?” Another grunt escaped his broad chest, to which you placed your hands across the exposed skin from where you’d tackled the first couple of buttons open, and bit your tongue until he finally made eye contact with you.

It felt intense, and you cocked your head to the side as his pupils directly aimed into your own. They fluttered around as he took in each shade of pigment in your irises, and gulped. This was the most emotionally intimate he had been with a person, and he felt like shying away, although he didn’t want to.

And so rather than crawling back into his defensive shell, he skimmed his hands down until they were positioned unto your waist, dragging himself to be sat up more upright against the pristine couch.

“Ya do, they’re real pretty.” He seemed caught in the moment, however was pulled out from it and his invasive thoughts as you began to pepper small yet innocence lacking kisses down his throat to distract yourself.

He, despite his better judgement of getting close to people that would no doubt eventually die in the apocalyptic mess that the earth had become, brought back the memories of not long ago at the quarry. Even when you were angry and standing out in the sun beaming daylight, remembered the pissed off glares that you would give him, and how the heated ball in the sky would accentuate the colours in your eyes.

It was a foolish thing to remember, however he was extremely turned on, and when you’d either yell at him or make comments that he did not appreciate about his sibling, he still thought you were hot. Most men would if they were on the other end of your aggression, and not many people had the guts to stand up to Merle.

He sure as hell didn’t.

“Wha’ the fuck woman!” He gasped as you bit him, it was only quick but your teeth had pinched him to his surprise. He was frowning but you could only chuckle and stand up from his lap, spinning around to his confusion.

“I was just wondering when you were going to fuck me Dixon, otherwise I’m more than happy to take care of myself.” You raised a brow at him before turning away again, sashaying your hips teasingly as you shoved off your boots and bent over, undoing your jeans and pulling them off of your legs.

Before you could face him again he wiped the drool from the corner of his mouth with the back of his hand, instantly grabbing you and shoving you down on the couch, trapping you underneath him, completely nude which only made him harder.

“Stop being a bitch, otherwise I’ll fuck ya and won’t let you cum.” In retaliation and warning that went along with his threat, he bit your neck from the side, much gentler than you had to him, as he groped your ass.

You wanted to retort back, or knock his weight from where it laid upon your own, but you could only rest your head on the cushioned seat and keep your mouth closed. There was nothing you wanted more in the moment than for him to make you cum, it had been months too many in your calendar, and you weren’t going to waste the opportunity of finally cumming around a cock.

“I like it when you’re quiet, but I’m gonna roll yer over so I can see those pretty eyes.” And he did just that, manhandling you to his wishes, his darkened orbs tracing down every crevice of your body. “If I’d a known sooner having ya like this would shu’ you up, woulda done it much sooner.”

“Daryl… please do something. Anything.” You whispered, and he momentarily caught your eyes, finding it difficult to look away to continue with his previous intentions.

His palms encapsulated your thighs, squeezing the flesh in his grip as he pressed haphazard kisses along the skin of your abdomen, until his breath fanned across your awaiting core. Your hands threaded through his hair, allowing him all control that he wanted, as he leant in closer and pressed a peck on your clit, resulting in the lower half of your body to keen towards his affection.

He did it again, until his tongue ran along the length of your core, tasting your slipping nectar on the nerves of the muscle within his mouth. The man groaned into your warmth, half of his face buried between your legs as his eyes flickered between being closed and staring at your face and into your soul.

If you were honest, you would have expected Daryl to have been much rougher within the situation, not that you’d ever thought about it prior of course… However you were pleasantly surprised, that was until he unlatched his lips from the most intimate place on your body and hovered above you, awkwardly shuffling to kick his jeans off from their encasing grip upon his legs and erection.

He’d decided to leave his shirt on, and whilst you were unbeknownst to the reason why, it was one of the farthest things from your mind.

You needed him, shirt or no shirt.

Your lips collided in a rushed pursue of erotic passion, your naked bodies intermingling in a starved embrace. There was nothing that could ruin the moment, except from the blaring of an alarm that shattered every cell of your body in panic.

There was no time to continue, and so you and Daryl rushed to redress yourselves, throwing each others garments to one another as you ran towards the door, poking your head out into the hallway to see your surviving comrades doing the same.

It was an emergency, one that held your lives at risk, and it was certain that you would not be releasing your frustrations any time soon…

You had to survive first. And that was always the thin thread that kept you from feeling like you were living rather than just scraping by. You and Daryl looked at one another, and you hoped that if you made it out, you could pick up where you left off.

[sadlynotthevoid]

Hey, I have an idea for a crack crossover AU.

Yesterday I was searching for funny doofenshmirtz images and came across a set of screenshots of him, Vanessa and Norman. And I thought "Doofenshmirtz has to be the best fictional father to ever exist".

Then, "I wish Jason had a father like him. Wait—"

Anyways, I think a crossover AU where Doofenshmirtz adopts post-resurrection Jason woukd be a good idea.

They're on a train or something at a foreign country,

Doofenshmirtz: —And that's how I ended up here. What about you?

Teenage Jason, absolutely confused by this guy who suddenly started talking about his life story but having no idea what normal socialization is: *blinks* I'm in a world tour training to kill a guy.

Doofenshmirtz: Kill?! ...Isn't that too harsh?

Jason: He killed me first. Slowly.

Doofenshmirtz: Oh. Well, I guess that's fair— Wait, you died? Are you like a zombie or more like time traveler?

Perry: *breaks through the roof* Krrrr.

Doofenshmirtz: Perry the Platypus!

Jason: What the fuck.

Doofenshmirtz: Hey, there's no need to be so rude. *Turns to Perry* This is Jason, there was a mistake and we ended up in the same cabin. Jason, this is Perry the Platypus, my nemesis.

Jason: Nice to meet you.

Perry: Krrr. *To Doofenshmirtz* Krr, krrrr?

Doofenshmirtz: Oh, no. He's not part of my evil plan. Actually, you arrive early. I haven't even started yet. We were just talking to kill time— That reminds me, he says a guy killed him once. Which is really creepy. I mean, look at him!

Perry: *looks at the teenage baby-faced Jason, sitting there reading his book*

Doofenshmirtz: He must be younger than Vanessa! And that was before now. What kind of person goes around killing children? Doesn't that sound like something you guys should take care of?

Perry: ...Krrr. *raises a finger and takes out his phone* Krr. Krrr, krr. Krr krrrr krrr krr, krrr?

[indistinguishable Mayor noises]

Perry: Krrr. *Hangs call* *back to Doofenshmirtz* Krr krr krrrr krrr.

Doofenshmirtz: What do you mean there's a jurisdiction issue with Gotham? There are people killing kids there!

Perry: Krrr krr. *Exasperated sigh*

Jason, behind his book: Yup, that sounds like Gotham. No wonder even spy organizations are wary to get near her. Some say she's cursed.

Doofenshmirtz: You speak platypus?!

-

Vanessa, entering home: Dad, I'm back! Dad?—

Jason, drinking tea in the kitchen: Hi.

Vanessa: Hi, you are one of dad's friends?

Jason: *shruggs* I dunno. He kidnapped me from my training trip. Says I'm too young or something. I don't think so, but the platypus took his side.

Vanessa: Ah. And where are they anyways?

Jason: They left an hour ago. Something about Gotham's jurisdiction issue. I'm waiting to see who wins, burocrats or a spiteful scientist and his martial artist platypus best friend.

Vanessa: Cool. ...$5 say dad tires them until they give up.

Jason: $10 say the platypus guy punches someone in the face.

Vanessa: Deal.

[g-on-ef]

Vivzipop has to make every character dumb in order to prop up Stolitz.

Let's start off with the grimoire okay if this book is as powerful as every single sin claims it is why on earth is it not under better protection ??? !!!

You would think the higher ups of Hell would keep a closer eye on it and make sure it is heavily guarded and that it doesn't fall into the wrong hands or gets stolen.

Like you mean to tell me not once did any of the sins or Lucifer caught wiff of what was going on that a powerful object was being misused to kill people ???

Not a single royal took notice that imps were traveling to the living world with a powerful object ??? !!!

Like Blitz knew where to find it and easily stole it you would think again you would think someone would've caught wiff of it if this object was so powerful and would realize it was stolen especially since it was shown on a commercial for all of Hell to see {and yes while he air it on a channel that no one watched you would still think the higher ups would keep track of their objects and at least have some type of tracker or something to let them know it was stolen !!!}

Like they made such a huge deal of the grimoire but honestly the book lost all its credibility when we knew about the crystals and when they themselves don't even care about it even if it's at the hands of a prince/royal they would still try to keep a better eye on it !!!

Now with the whole Stella and the other bird {I forgot his name} again yall mean to tell me they never realized that Blitz is using the book to gain access to the mortal world ???

Like how the freak did Striker knew about it but they didn't ??? !!! How did Striker knew Blitz had access to the book but Stella and her gross brother didn't ???

And if yall tell it was Millies parents why would they tell a stranger about it ??? Either way it makes no sense that Striker knew but two royals didn't !!!

Striker oh my baby you were such a manipulated suave sophisticated character and viv destroyed you !!!

I said it before and I'll say it again I would die on the hill if Norman was still voicing him he wouldn't be this dumb down nor would he be whatever the hell Viv has done to you.

But anyways back to the subject at hand.

The court room oh boy oh boy oh boy oh boy first of all I'm not gonna get into the sheer stupidity of Stella's Brothers plan others who can articulate it better have already spoke on it so imma just focus on how Viv needs to make everyone stupid for Stolitz to succeed

Now onto the case someone explain to me why Ozzie didn't tell the court the full truth ??? He knew about Stolas and Blitz deal so why didn't he defend Blitz when he had the chance ??? Why didn't he tell Satan that hey listen they had a deal but it's off because now he's using one of my crystals ???

Like why didn't he step in like he did when Mammom attacked Fizz and protected him ??? He knew about the deal and yet *makes hand gesture at the mess*

Now let's get to the world building

Imma talk about Striker and

Listen I'm bias on striker so what I'm about to say is my personal bias !!!

My own personal opinion Harvest Moon Striker is what Viv wants Blitz to be.

from Striker's introduction he hated royals he was the first to openly mock them he was the first to try and kill a royal {I know it was an Assassin job but it still doesn't change the fact he was the first to try and kill him} and he was the first to call out Hell and how the system was rigged against him and his people !!!

Not only that but it makes me laugh so hard that people were praising Blitz for calling out all the deadly sins in the courtroom but hated Striker for doing the same to Stolas but than again Blitz wasnt stabbing their beloved bird so I guess it don't count.

If Norman still voiced Striker Viv would've given Striker that storyline the one that involved Striker getting revenge for his people and actually tried to kill the higher ups !!! But he doesn't so Viv is giving him every mistreatment she can think of.

Also Viv you cannot call your character that's calling out how the system and how two of his kind basically became what Imps are expected to be {fiz a "pet" and Blitz a sex toy} a supremacist and than have your other character do the same calling out the system and how royals treat them !!! Like lady do you even know the words that you are using or are you just calling your characters every big word to sound smart ???

Like Viv just needs to kill Striker cause at this point every time she has him on screen she is either making him dumb or making him contradict himself like please just kill my snake boy off

Striker you deserve better and in a talented writer's hand you could've been one of the greatest villain/morally grey character ever written

Now back to the world building imma be honest mastermind and the whole court trial means jack shit because throughout the show we are shown that imps and all other hellborns are treated fairly !!! {Ironically the only time we saw them being treated badly was when Striker was first introduced}

Other than that they basically are treated decently !!!

Like if imps are treated so horribly why

Blitz and Co are able to run a successful company that they have "a shit tone of clients" and sinners already know about them once they are dead ???

Moxxie was able to not only get reservations at a high end restaurant but also preform there ??? {Let's also not forget Moxxie wasn't punished for disobeying a royal because Ozzie basically told him his club only allows derogatory things to happen there and the fact that after Ozzie told him to sing about it and chose to sing about romance and basically insulted a royal by not listening to him (yall can say I'm reaching but the fact that in other media if this happened the culprit would have punish) and he still sang it even after being told no

Millie got away with hurting Ozzies partner {in other forms of media if someone hurts a royals partner they would have been killed at the stake}

Fiz was not only able to quit working for Mammom but also insulted him and humiliated him in front of a large crowd and still got away with it {even if he was with Ozzie the other sins and royals would still punish Fiz}

Tex and Fiz are able to openly date royals

Loona was able to insult a royal and get away with it

Blitz was able to book an appointment at one of the best hospitals in Hell that they even treat Royals even if it takes years he was still able to book one.

And so much more like again the only time we the audience are reminded of the awful treatment of imps is when Striker is there like *makes wild hand gestures*

Octavia my sweet Octavia you deserve better you fucking deserve better !!!

I've seen a lot of people hate on this scene but me personally I love it

Stella didn't have to look for Via she didn't have to look for Via but she did she went to look for her daughter knowing she'd be hurt and comfort her.

Sadly I just know viv is gonna destroy this relationship so for now imma enjoy these little moments.

Helluva boss would've been a great show if Viv stuck to her original plan of them hunting down people and becoming a fou d family instead of turning it into the stolitz show sadly we are stuck with this shit show for as long as Viv wants it

[tavolgisvist]

The boat called Yoko and The boat called Paul

accidental - more or less - coincidences

1 To look in the eye

You dissolve into each other. But that’s what we did, round about that time, that’s what we did a lot. And it was amazing. You’re looking into each other’s eyes and you would want to look away, but you wouldn’t, and you could see yourself in the other person. It was a very freaky experience and I was totally blown away…

(Paul McCartney, Many Years From Now by Barry Miles, 1997)

“This is sort of what went on the ’60s a bit. You thought, Well if I’m going to go with this person for the rest of my life, like John and Yoko or me and Linda, I really ought to look them in the eye all the time. And John and Yoko really did spend a lot of time (stares manically). And it got fairly mad, they’d sit there looking at each other, going It’s gonna be all right, it’s gonna be all right. After a couple of hours of that you get fairly worn out.”

(Paul McCartney, interview with Paul Du Noyer, 1989)

2 David Bailey photo session January 1965

and

Susan Wood photo session 26 November 1968

3 White walls

'Paul had a nice idea about opening up white houses, where we would sell white china, and things like that, everything white, because you can never get anything white, you know, which was pretty groovy…'

( John Lennon , December 1970, Jann Wenner interview for Rolling Stone magazine)

It's difficult starting write from scratch with Yoko there. 'Cause I start writing songs about white walls. Just 'cause, you know, just 'cause I think she…I think John and Yoko would like that, you know. And they wouldn't.

(Paul McCartney, Get Back sessions)

.

4 Tittenhurst

"I knew the house, because John and I had been to look at it with the other Beatles couples a year ot two earlier. [...] For a crazy moment we's considered buying it and all move in together, in a kind of Beatles commune. How strange that now it was John and Yoko's home."

(Synthia Lennon, John, 1988)

5 Chalk and cheese / Cows and cheese

‘When I caught sight of him, when John brought him home for the first time, I thought “Oh-ho, look what the cat’s dragged in,”’ Mimi later recalled. ‘He seemed so much younger than John–and John was always picking up waifs and strays. I thought “Here we go again, John Lennon… another Shotton.”’ Even Paul’s immaculate manners could not thaw her. ‘Oh, yes, he was well-mannered–too well-mannered. He was what we call in Liverpool “talking posh” and I thought he was taking the mickey out of me. I thought “He’s a snake-charmer all right,” John’s little friend, Mr Charming. I wasn’t falling for it. After he’d gone, I said to John, “What are you doing with him? He’s younger than you… and he’s from Speke!”’ After that, when Paul appeared, she would always tell John sarcastically that his ‘little friend’ was here. ‘I used to tease John by saying “chalk and cheese”, meaning how different they were,’ she remembered, ‘and John would start hurling himself around the room like a wild dervish shouting “Chalkandcheese! Chalkandcheese!” with this stupid grin on his face.’”

(Paul McCartney: The Life by Philip Norman, 2016)

Q: "Why did you collaborate with Yoko on this LP?" JOHN: "It's like a play and we're acting in it. It's John and Yoko - you can take it or leave it. Otherwise (laughing) it's cows and cheese, my dear! Being with Yoko makes me whole. I don't want to sing if she's not there. We're like spitiual advisors. When I first got out of the Beatles, I thought, 'Oh great. I don't have to listen to Paul and Ringo and George.' But it's boring yodeling by yourself in a studio. I don't need all that space anymore."

(John Lennon, The September 29th 1980 issue of Newsweek)

6 Names

.

.

7 Two lovers on the beach

PAUL: ...We just write the songs first, and then uh, just shove ‘em in anywhere, as George said. Especially in the uh, sunset scene at the very end of the picture, where the two lovers – that’s George and Ringo – are coming towards each other on the beach… [general laughter] And they just finally meet – well, actually they don’t quite meet, they just run past each other, and both dive into the sand and as they do... JOHN: [in background] They both light a cigarette. PAUL: [laughs] Yeah, that’s it. The sun goes down

(May-June, 1965, Twickenham Film Studios, interview with Elliot Mintz)

gifs by thebeatlesordie

8 Paris

1961

John and I went hitchhiking. George and I did it a couple of times too. It was a way to get a holiday. Maybe our parents booked holidays, but we wouldn’t have known how to. So we would head out, just the two of us, with our guitars. John was older, but I was in on the decision about where we might go. He’d got a hundred pounds from his uncle, who was a dentist in Edinburgh, for his twenty-first birthday, and we decided we’d hitchhike to Spain by way of Paris.

(Paul McCartney, The Lyrics: 1956 to the Present , 2021)

John: "Paris has always been the object of English romanticism, hasn't it? I fell for Paris first of all, even before Hamburg. I remember spending my 21st birthday there with Paul in 1961 . . ." <…> Aunt Mimi told the Liverpool Echo that she remembered the time that John slipped off to Paris to "sell his paintings" and that some unsuspecting Frenchman has a Lennon original on his wall.

(The Beatles Diary. Volume1.The Beatles Years by Barry Miles, 2001)

Gustafson [Johnny Gustafson of the Big Tree] happened to bump into them the day they left, Saturday, September 30. “They both had bowler hats on, with the usual leather jackets and jeans. They said they were off to Paris, so I walked down to Lime Street station and watched them go. They were an incredible pair: always great fun, irreverent and so close.

(Tune In: The Beatles: All These Years by Mark Lewisohn, 2013)

I remember, we tried to hitchhike to Spain once, but we only got as far as Paris. We liked it so much, we stayed there, just the two of us. We were in this little hotel in Paris; it was so cheap it had fleas. My mum was a nurse, we were very hygienic, then you end up there – bloody hell! Those things bring you together.

(Paul McCartney, January 2021, UNCUT)

In October 1961 John turned 21. That was the big birthday then. Mater came down from Scotland to celebrate this special day with the family at Mendips. I remember her fussing over John, ruffling his hair and saying how wonderful he was. Her present was a gift of £100, which she told John was ‘from Mummy’. I had the same myself, on my 21st, and used it for a deposit on a house. John spent his on a trip to Paris with Paul. They meant to hitch-hike to Spain, but only got as far as Paris. They wore leather jackets and bowler hats to hitch rides, as a gimmick, to show people they weren’t ruffians. It worked. They got rides and had a wild, drunken time for ten days.

 (Imagine This: Growing Up with My Brother John Lennon by Julia Baird, 2007)

As Jürgen says, “It sounds conceited but it’s the truth: they really wanted to look like me.” At their request, he took them to the weekend flea market at Porte de Clignancourt, at the northern end of Métro Line 4. Searching through the racks, John bought a green corduroy jacket like Jürgen’s, Paul found an eye-catching patterned polo-neck, and they looked for—though didn’t find—the Vollmer style of shoes, “like half-boots.” Their most daring purchase was two pairs of flared trousers, similar though different to the bell-bottoms worn by sailors—but the first time John and Paul wore them was also the last. As John would explain, “They were flapping around, and we felt like fools in anything that wasn’t skintight, so we sewed them up by hand that very night’—a comment that conjures up the quaint image of Lennon and McCartney working away with needle and thread under a murky light in a Montmartre hotel room. But alteration was essential: they knew precisely how the trousers, if left unchanged, would be received back home. What was OK in Paris would not be OK in Liverpool; the Beatles’ audience was mixed male and female and they didn’t want to alienate either by, in John’s words, coming across queer.’

(Tune In by Mark Lewisohn, 2013)

PAUL: We went to Paris – we were supposed to be in Spain, but we couldn’t get past Paris, we enjoyed that so much – on the strength of his hundred quid [given to him] when he was twenty-one. We went hitchhiking. We kind of said, “Well, look, I mean, we can get to Spain on this,” you know, a hundred quid, and he was kind of um… I mean, I don’t think he was funding me as much as he was spending. JULIA: Yeah, yeah. PAUL: And I’d be there for the banana milkshake. [Julia and Paul laugh] You know, I’d just happen to be there while he was spending. I think I kind of paid my own way. But we hitched, we hitched out. And we used – we realised that in – hitching, in those days, was much safer, obviously, than it is to hitchhike now – and we realised that we had to have a bit of a gimmick. So we both had these leather jackets and we had bowlers, we got bowler hats. We thought that’ll take the edge of the kind of hoodie look, you know, that sort of ruffian look, in these bowlers. And you kind of go, “Hey!” and people would stop, you know, because this is just a couple of daft guys in bowler hats, they don’t look like a threat. So we hitched down to Hoek van Holland or somewhere, Harwich, Hoek van Holland or somewhere like that, got over to Paris anyway. Got a bit drunk on the French beer, which was great, ‘cause we’d been drinking beer, the British stuff, and we felt we could handle that, but it was this foreign stuff, it really went to our heads. So we had a quite fun crossing there… It was great, it was so adventurous. I’d never done anything like that, I know I’d never been out of Liverpool. I’d been to Pwllheli, Skegness, and Leamington Spa. That had been the whole of my travels, you know. So it was very exciting to get off on your own with a mate like John.

(Paul McCartney interview with Julia Baird, 1987)

We knew what it was like to go on the cross-channel ferry; we knew what it was like to try and hang out in Paris. We would walk for miles around the city, sit in bars near Rue des Anglais, visit Montmartre and the Folies Bergère. We felt like we were fully paid-up existentialists and could write a novel from what we learnt in a week there, so we never did make it to Spain. We’d been together so much that if you had a question, we would both pretty much come up with the same answer.

(Paul McCartney, The Lyrics: 1956 to the Present , 2021)

1969

'Between us,' Yoko says, 'we were very psychic. We knew all the time what the other was thinking, what was going to be said by the other, our responses, everything. It was sometimes unnerving.'

(Lennon: The Definitive Biography by Ray Coleman, 1993)

John and Yoko, still in Paris, had tried to get married on the cross-channel ferry but were refused permission to board The Dragon at Southampton because of “inconsistencies in their passports”. Peter Brown at Apple found that they could get married on the British-governed island of Gibraltar. <…> John: “We chose Gibraltar because it is quiet, British and friendly. We tried everywhere else rst. I set out to get married on the car ferry and we would have arrived in France married, but they wouldn’t do it. We were no more successful with cruise ships. We tried embassies, but three weeks’ residence in Germany or two weeks’ in France were required.

(The Beatles Diary. Volume1.The Beatles Years by Barry Miles, 2001)

"On March 19, 1969, I saw John Lennon again in Paris, late in the morning. He had arrived at the Plaza Athénée during the night accompanied by his new girlfriend, Yoko Ono. They left with me in a taxi to visit the Puces. Once on rue des Rosiers in Saint-Ouen, John asked me to show them this place that he found "magical". That was the word he used."

(Henry Pessar)

John and Yoko perusing the stalls at the flea market, Porte de Clignancourt, in particular purchasing jeans from an old lady who appears oblivious to the stature of the person she is serving (photo by Henry Pessar)

Their [John and Yoko] wedding was unconventional but romantic. Based in Paris for a couple of weeks in March 1969, they decided to charter a plane and marry in Gibraltar. <….> 'We are two love birds,' he said. 'Intellectually we didn't believe in getting married. But one doesn't love someone just intellectually. For two people, marriage still has the edge over just living together.' <…> They had their honeymoon, he explained, before the wedding. 'Just eating, shopping and looking round Paris. In love in Paris in the spring was beautiful. We're both tremendous romantics!' <…> Back in Paris after only a seventy-minute stay in Gibraltar, John and Yoko went to the Plaza Athenee Hotel. <…> John said that from then on they would do everything together, as artists and as husband and wife.

(Lennon: The Definitive Biography by Ray Coleman, 1993)

9 Number 9

He believed the sign of a marriage 'written in the stars' was that the names of John Ono Lennon and Yoko Ono Lennon together featured the letter 'o' nine times.

(Lennon: The Definitive Biography by Ray Coleman, 1993)

…And nine was a hugely significant numeral to the Lennons, a magic integer that seemed to mysteriously recur throughout John’s life. Yoko would rattle off the number’s many repeated appearances: John was born on the ninth of October. She was born on the eighteenth of February (one plus eight). The first home he lived in—his grandfather’s house—was at 9 Newcastle Road. Paul McCartney’s last name has nine letters…

(We All Shine On: John, Yoko, and Me by Elliot Mintz, 2024)

10 Two Virgins and Why Don't We Do It In The Road?

Two Virgins

recorded 3-4 (or 19–20) May 1968, released 29 Nov(UK), 11 Nov 1968 (US)

August 31 Private Eye announced that John and Yoko’s forthcoming album would have a full-frontal nude cover. September 15 Around this date, John and Yoko photographed themselves in the nude, from the front and rear, intending to use the shots as cover artwork for their rst collaborative album. November 11 John: “Originally, I was going to record Yoko, and I thought the best picture of her for an album would be naked. So after that, when we got together, it just seemed natural for us both to be naked. Of course, I’ve never seen my prick out on an album before.”

(The Beatles Diary. Volume1.The Beatles Years by Barry Miles, 2001)

Autumn 1968:

As the meeting was drawing to a weary close, John, not this day with Yoko, who hadn’t seemed particularly connected with what was going on, said he wanted to play us a tape he and Yoko had made. He got up and put the cassette into the tape machine and stood beside it as we listened. The soft murmuring voices did not at first signal their purpose. It was a man and a woman but hard to hear, the microphone having been at a distance. I wondered if the lack of clarity was the point. Were we even meant to understand what was going on, was it a kind of artwork where we would not be able to put the voices into a context, and was context important? I felt perhaps this was something John and Yoko were examining. But then, after a few minutes, it became clear. John and Yoko were making love, with endearments, giggles, heavy breathing, both real and satirical, and the occasional more direct sounds of pleasure reaching for climax, all recorded by the faraway microphone. But there was something innocent about it too, as though they were engaged in a sweet serious game. John clicked the off button and turned again to look toward the table, his eyebrows quizzical above his round glasses, seemingly genuinely curious about what reaction his little tape would elicit. However often they’d shared small rooms in Hamburg, whatever they knew of each other’s love and sex lives, this tape seemed to have stopped the other three cold. Perhaps it touched a reserve of residual Northern reticence. After a palpable silence, Paul said, “Well, that’s an interesting one.” The others muttered something and the meeting was over.

(Michael Lindsay-Hogg (filmmaker), Luck and Circumstance: A Coming of Age in Hollywood, New York, and Points Beyond, 2011)

Inevitably, many people bought Two Virgins for the cover alone: for some of the Beatles’ younger fans, it was to be their first ever glimpse of grown-ups in the nude.

(Craig Brown, 150 Glimpses of the Beatles, 2020)

Paul: So what’s the point behind Two Virgins? <…> Paul: Is there any need to do this in public, Mr. Lennon?

(Get Back sessions, January 14th, 1969)

Why Don't We Do It In The Road?

recorded 9, 10 October 1968; released 22 Nov (UK), 25 Nov 1968 (US)

designing the White Album poster during Sept-Oct 1968

I was up on the flat roof [in Rishikesh] meditating and I’d seen a troupe of monkeys walking along in the jungle and a male just hopped on to the back of this female and gave her one, as they say in the vernacular. Within two or three seconds he hopped off again, and looked around as if to say, ‘It wasn’t me,’ and she looked around as if there had been some mild disturbance but thought, Huh, I must have imagined it, and she wandered off. And I thought, bloody hell, that puts it all into a cocked hat, that’s how simple the act of procreation is, this bloody monkey just hopping on and hopping off. There is an urge, they do it, and it’s done with. And it’s that simple. We have horrendous problems with it, and yet animals don’t. So that was basically it. Why Don’t We Do It In The Road? could have applied to either fucking or shitting, to put it roughly. Why don’t we do either of them in the road? Well, the answer is we’re civilised and we don’t. But the song was just to pose that question. Why Don’t We Do It In The Road? was a primitive statement to do with sex or to do with freedom really. I like it, it’d just so outrageous that I like it.

(Paul McCartney, Many Years From Now by Barry Miles, 1997)

PLAYBOY: “Why Don’t We Do It in the Road?” LENNON: That’s Paul. He even recorded it by himself in another room. That’s how it was getting in those days. We came in and he’d made the whole record. Him drumming. Him playing the piano. Him singing. But he couldn’t—he couldn’t—maybe he couldn’t make the break from the Beatles. I don’t know what it was, you know. I enjoyed the track. Still, I can’t speak for George, but I was always hurt when Paul would knock something off without involving us. But that’s just the way it was then.

(John Lennon, 1980, All We Are Saying by David Sheff, 2020)

The song’s (very) slightly risqué lyric, all two lines of it, heightened the vague air of controversy surrounding the album. McCartney was already in trouble with the press for allowing a minuscule nude picture of himself to be included on the set’s free poster.

(The Beatles Diary. Volume1.The Beatles Years by Barry Miles, 2001)

“All this work, all this talent — and what [the press] fixate on is one small picture.”

(Derek Taylor)

To be continued, I suppose

[matan4il]

911 ep 701 first watch reactions

(I don't think I have the energy to write proper Buddie meta, so here's me randomly squealing instead...)

LMAO In case you were wondering whether s7 of 911 will be subtle about their gratitude/debt to ABC for saving the show, the answer is a resounding no.

Also, I have lost a lot of respect for Frank as a shrink, but gained a lot of love for him as a sass king. "Did she win!?" The murderous look Athena gave him was priceless. I love her, too. She doesn't even need words to rule.

Man, nooooo. Don't give me a mutual "I love you" between Bobby and Athena like that.

"Go ahead and cut the green wire." Everyone and their sister: "Green? You said Red."

9-1-1 is the superior comedy they slipped into our drink, while we were here for our weekly action, suspense, drama and familial love.

Buck broke off with Natalia, and the show really did it like that. XD Every single person who rolled their eyes at this pairing during s6, we were all justified, but wow. The show really is the only forum to respect the pair even less than fandom does. And of course we find out about it in the middle of a scene built around Eddie being half naked, Buck watching him, with the camera specifically turning so we can discover Buck was initially covered by Eddie's body, and the angle change reveals him, when the whole thing wraps up with Eddie welcoming Buck back to the land of the living... Yeah, wonder what made Buck feel alive again. Don't know. 'Tis a mystery. We were given zero clues...

"I want the honeymoon life." *cries* Chimney is just such a good, good man. And okay, expecting your whole life to be a honeymoon's a bit unrealistic, but Madney are living together and they have a child. They know this. Chim knows this, but he still wants to go for it. Aim for the moon, you'll at least land among the stars, right?

Bobby baffled by Athena's reaction to Norman and Lola is hilarious.

I like how Chim has a great idea, but it's still obvious that it's gonna go wrong, because he can't help going overboard with it...

OMG, that scene with Eddie recounting to Buck what Christopher's date was like... If I were to write my Buddie meta, I would serve a three course meal just from that. I mean, the fact that watching Chris hanging out with a girl he likes, makes Eddie compare it to "hanging out with his guy friends" (when there's no lack of interest in this girl... in fact, it turns out that if anything, Christopher's problem is the opposite of a lack of interest) is so telling. There's a reason why that's where Eddie's mind went.

But then also... Eddie's trust in Buck got to me, the way he went to his best friend (not his own gf) for help with Chris. But that was still played with half a smile. But then Buck sort of disses himself jokingly, and Eddie won't have it. "You didn't end up like you." He sees how Buck worked on being a better person, even when Eddie wasn't there for the worst of it, and he appreciates it, and won't let Buck forget it. Meeeep. I love them.

Oh Chim. I was giving you so much credit, and then you went and bought that outdoors jacuzzi. lol Still love him. That's what Maddie's reminding herself of right now, too. ;p

Poor Hen, she was great in this ep, but none of it was really about her, she was comic relief, both with Chim and with the red wire. Then again, she was amazing in this, like she always is with everything.

Eddie and Buck were both so good with Chris this ep, MY HEART. Buck with getting him to talk about what's really bothering him, and Eddie with realizing exactly what his son needs, and how to give it to him. They completed each other. Neither one would be helping Chris without the other one. Tell me again how they're not soulmates?

In conclusion, I love Bobby saying, "Let's go prove one of us wrong," when they're both right. Something WAS going on with Norman and Lola, AND Athena was using them to avoid him.

Argh. That scene of the ship and its passengers being hijacked was rough to watch. </3 I'll still be here to watch the conclusion of this. That's the power of 9-1-1 for you.

It def felt like a great kick to the new season. We had lots of comedy and fun, some great tension, some emotional moments (especially with Christopher), but all in all, it's still clear that the whole thing's a build up to next week. Are you excited?

[lover-of-mine]

Okay, so, this will be a stream-of-consciousness type post, because I am this close to starting to print screenshots and do a full murder board trying to make this make sense to someone who is not in my brain, so I'm gonna type this out, and if you're seeing this that means it worked or I just typed for too long to not post lol.

Buck, Actually. Buck, Bothered, and Bewildered. I am not the only person that desperately wants a callback, and I know I'm not the only one thinking about what this might mean for buddie. Well, I've been saying for a while now that I would try to type out something about how buddie has been planned and the answers are in Buck, Actually, and that's what I'm gonna do now, I guess.

We know Buck gets a lot of his ideas of love from Buck, Actually. Seeing Maddie and Chim in the early stages, his own quest with love while moving on from Abby, notably Mitchell and Thomas and the "you don't find it, son, you make it." Buck's quest with love now is at a point where Buck wants to be seen "I feel like she sees me" but he is still at a point where he doesn't want to actually be seen, he wants someone to see what he wants to show, but that's not what actual love is. But still, we start out Buck, Actually with Buck literally in front of a huge sign that says "See Me" (also just to add into my madness about the blue and green in other elements of the scene, love the clear divide of Eddie against the sky and Buck against the sign, and yes I know they can't change the color of the sky or the sign but shh just go with it) with Eddie right above it. Interesting scene composition I think.

But talking about the actual couple here, we have Lola, who feels like her husband doesn't see her anymore after a situation where she feels like she lost herself, their kid went off to college, she has more time to herself, is struggling, and goes nuclear until Norman proves that he does in fact see her, just not in the way she was looking for, dude just wasn't aware there was a problem that needed to be addressed. I know I make everything about the cemetery scene lately, but come on. The whole thing with being seen, Buck not knowing who he is after dying, the expectation he is putting on himself about being the person he was before but he doesn't know who that is, like, come on, it's there.

Then the robbers and the two employees at the gas station, granted the robbers are a lot about Buck thinking about his own ways when it comes to sex and women considering he just had sex with Taylor in a bathroom, BUT here is when I start to go a little crazy. Because Ruth and Earl have that little moment of a relationship developing (hi blue scrunchie green cap 🫶), which we later see has developed, but Earl with his injured right shoulder is talking about how he's hurt but he was only thinking about her safety.

Does that sound familiar to anyone else? Just a thought. Yes, I know I'm crazy, it's fine, it will get worse.

Because another thing about the episode is the whole "till death do us part" thing, with the newlyweds who crashed their car, Mitchell and Thomas dying together, and maybe even Buck having to hold Lola back so she wouldn't fall. I'll come back to this in a second, but you gotta love a nice little crush injury involving a vehicle and a focus on handholding, huh?

But the thing is, Mitchell and Thomas make an impression on Buck, and Mr Self Destruct for Attention because that was the only way I was shown love as a child definitely takes the way they die together a bit too literally. Taylor being in this episode while being blatantly wrong for Buck makes an interesting point on that and the way bucktaylor evolves, because Buck gets the whole you make it, and decides he needs to kill himself to make it work, and it is what he ultimately does with Taylor, he thinks he loves her, he thinks she loves him, and he thinks that means if he doesn't give up he can move past his very obvious reservations about the relationship as a whole because "love is not supposed to be easy". But the whole thing is that Buck focuses on the wrong thing there because while Michell and Thomas died together, they had a whole life together, the point is not the death, it is the life. Yes, you need to fight to make it work, but the fight is not all you have.

Another thing about the episode is the concept of movement too, like, Lola's call on a freeway, both accidents involving a car crash of some sort, the robbery is a chase, even Buck and Taylor in the news van, Maddie talking about how slow being on the freeway is, and metaphorically too, with Madney starting to move towards something, Athena learning to deal with Michael's boyfriend. And Buck finally allowing himself to move on, and move on not going back to his old habits, sleeping with anyone for connection, but actually talking to his love interest for a change.

And we have relationships in all types of moments there, we have Buck and Taylor doomed to fail, we have Maddie and Chim in that nice early stage where you're falling in love with someone, you have Bobby and Athena and the whole when you know you know and the way Bobby proposes the next episode, we have the newlyweds, we have Ruth and Earl making the change in their relationship, we have Robber Guy and Baby Bear realizing that she's more in it than he is, we have Lola and Norman and the whole relationships take effort no matter how long you've been together, you have Mitchell and Thomas sharing a whole life.

There's also the whole layer of having the couple that shows Buck what he wants out of love be a gay couple, the way when Buck realizes Thomas is unresponsive he calls for Eddie first, because Chim and Hen are at the call, and they're not with Mitchell because Mitchell's body is there too, so like, the choice to make sure Eddie would be right next to Buck to comfort him is something.

Also, something else, the inmate who kidnaps them is also called Mitchell, and I cannot explain how I got here for the life of me. But Mitchell, Mitchell, Charlie, Charlie, Ambulance.

I don't know, something about the repetition of names, the ambulance as a key piece of the scene, the bonding, the comfort, the fear, the way Mitchell and Thomas died together, and Buck and Eddie could have died together in all of those situations. And the way Buck volunteers into the danger in all of those situations, he offers to help Eddie with the grenade, he goes to get Eddie without backup while actively being shot at, he runs toward the gunfire because he thinks Eddie is in danger, so like, it's a pattern of wanting to go together.

But also, the madney of it all, because while they are clearly moving towards something, they are not ready yet, but everything is acknowledged, which honestly is my main hope, because I don't think buddie is ready yet, but I would like some acknowledgment that where they're going, yk? And with the episode title possibly being a play with the song about being in love and not showing it, not knowing what to do with it, and the next episode being called "you don't know me" who could also be referencing a song about being in love with someone who doesn't know, we could be looking at real movement happening between the two of them yk?

I don't know if this makes a lot of sense, but if you read this I love you 🫶

[blakeswritingimagines]

Dating Yandere Norman Bates Would Include:

He's very protective and obsessive. He'll do anything for the person he's interested in. He's very possessive and jealous, and won't like it if you show attention to anyone else. He'll want to know everything about you. He'll be very clingy and won't like it if you try to spend time with someone other than himself. He'll be very controlling and protective, and won't like it if something bad happens to you.

He also has a tendency to act before he thinks he will do anything to protect and own you, no matter the consequences. If someone attempts to take the target away, he can become very murderous. He's always been lonely and never had friends or romantic relationships, so when he finds someone, he's obsessed with you and believes that you were meant to be together.

He's also very paranoid and will always think someone's trying to take you away from him. He's afraid of abandonment and will do anything for you to stay with him. So he'll try to make you stay and may even lock you up to make you stay with him.

He'll also be very clingy, needy, and possessive. He may stalk you, follow you around, and want to know your every move. He'll make sure to always know where you are. He'll get jealous very easily over little things, like if you talk to another man or don't pay attention to him. He'll always be possessive and jealous.

He also has a tendency to be controlling and manipulative. He wants to always be in control and will do anything to make sure you're his and no one else's. He can be very sweet and will shower you with love and gifts, and won't like it if you don't accept them.

In front of others he acts very nervous and shy, and he tends to stutter. He's very quiet and tends to have panic attacks when speaking to others. He can stutter a lot when he talks and can't talk to others well. He can get very anxious and nervous. He hates to be in social interactions and is very skittish and will look down to not have eye contact.

He's very dependent on you and will want reassurance that you love him and won't abandon him. He'll want and need you to reassure him that you're staying with him and that you love him. He needs you to say you love him and will get jealous if you don't constantly express your love for him. He needs to feel reassured that your love and feelings for him never change.

He'll constantly give you gifts, praise, and attention to make you like him even more and make sure he stays in your mind. He'll give anything so you stay and want you to be comforted by him. He rewards you to keep you with him and have you love him.

He'll punish you for not paying attention to him, not telling him your location, and not giving him constant reassurance. If he thinks you don't love him, don't pay any attention to him, or you don't let him control you, he'll punish you. He'll give you the silent treatment and act very cold towards you, or even lock you up so you can't leave him.

He's very jealous and will constantly accuse you of things that aren't true. Get paranoid even if you're talking to someone else, and will be very possessive over you. He'll fight with you if you don't pay him constant attention, give him reassurance, say you love him, or if he thinks you're in a relationship with someone else. He fights easily due to his paranoia and possessiveness over you.

He's very affectionate and will show his feelings with constant praise, hugs, kisses, and even cuddles and such. He'll want to always be near you and will try to find every opportunity to be close to you. He'll be very clingy and will love physical contact and will hold you whenever he has the chance. He'll always want to be near you and shower you with affection.

On dates, he likes to be sweet and clingy. He wants to make sure you're always near him and always hold your hand. He wants to take photos of you two constantly and wants to constantly talk to you and spend time with you. He'll act very sweet and want to please you every step of the way. He wants to be sweet and romantic with you and wants to make your dates special and unique every time.

He'd be extremely paranoid and do anything to keep you there with him. He'll get very anxious as he worries about you leaving and will beg you constantly to stay. He'll get very dramatic and even try to lock you up in case you try and leave. He'll get very controlling in order to make you stay and will get very desperate and cling onto you. He'll do anything to keep you from leaving and getting away from him.

He has a little spot where he keeps a collection of things related to his darling. It's like a mini little shrine for you, with gifts, pictures, and trinkets that mean something to his darling and him. He keeps it hidden, and it's like a secret spot for him and the things he loves. He always looks at it and can't sleep at night without it.

If he's extremely paranoid that you will leave him. He'll make empty threats like "I'll die without you if you leave" or "I'll hurt myself if you leave" to guilt you into staying with him. He'll try to keep you from leaving and to stay with him and will try to guilt you into staying. He's very dramatic, so he will say anything so his darling doesn't leave him.

He only acts like his mother only in private, and only when you are alone with them. In front of others, he tries to hide it but when it's only him and his darling, he can let his guard down and let his mother's personality take over. When that happens, he acts like his mother and treats his darling as his "plaything" and can be quite possessive and controlling to his darling and act like his mother would. If you ask him about it, he'll deny it was him and pretend he doesn't remember at all.

He's very passionate about marriage and wants to marry you as soon as possible. He's very eager to marry you and wants to be tied to you and have an item that can show everyone that you're taken and that you belong to him. He doesn't like other men looking at you and wants a ring on your finger to show that you're his and to show other men that you are taken. He'd get very happy and excited about marriage and really wants to show his love to you by getting married.

He's very willing to have kids with you. He wants to have a mini family of you two and be able to have children. He wants kids with you and is very eager to raise kids with you. He sees them as extensions of you and him, so he's very excited to have children and loves the idea of having kids you and him can grow together and raise as a family.

He wouldn't force you to have kids, his love for you is more important than anything else to him and he would accept you even if you didn't want kids. He'd understand it fully and still love you, even if you couldn't have his kids. He would be slightly disappointed but that wouldn't matter as much to him as his love for you. He just wants you and will accept your boundaries if you don't want kids or can't have any.

"I'm so in love with you, I can't get you out of my head. You're the first thing I think about in the morning and the last thing I think of before I go to sleep. I think of you every day and constantly. You're the light in my world, I'd be lost without you."

Temperature extremes - Exploring limits of pleasure and pain through temperature, like ice or fire play, adding an element of risk.

Sensory deprivation - Using blindfolds, earplugs, or enclosing a partner in a sack to heighten other senses during sex.

Sleep sex - Waking up in the middle of the night and taking advantage of you still half-asleep, forcing you to service him.

Role reversal - Switching dominant roles, submitting to you who takes control of his body. An exhilarating change of pace.

Ddlg dynamic - Engaging in a 24/7 age-play relationship where he's the Daddy and you're his Little girl/boy. Total power exchange outside of sex too.

[menlove]

now i'm curious .. why do you think john was gay?

disclaimer: this is not bi erasure & if anyone tries to start discourse w me about that i do not careeeee sorry. i care deeply abt bi erasure but he never labeled his own sexuality & as a figure of the past it's more than fair to speculate that when he talked abt his attraction to women it was from the pov of a gay man dealing w comphet. if he were alive today and saying he was bisexual i'd leave it alone but he's not so i'm not. sexuality can absolutely be fluid! and he very well may have been bisexual! this is just my personal theory & interpretation of things he's said through the lens of viewing him as a gay man. MOVING ON.

i need you to imagine all of this to the benny hill theme. let's go

with the beatles by alistair taylor pg. 98 (at least in the pdf copy i have- there's no actual page numbers so it might not match up exactly if you have the print copy)

and from the same book like a paragraph down- this one is not AS crazy bc there's a million explanations but also not being able to get it up for the one woman you've fantasized about forever...... oh brother

in a description of an auctioned off audio tape:

this :|

this from JOOOOAN BAEZ. JOAN BAEZ.

(source)

"It’s a plus, it’s not a minus. The plus is that your best friend, also, can hold you without… I mean, I’m not a homosexual, or we could have had a homosexual relationship and maybe that would have satisfied it, with working with other male artists."

this infamous quote (source from the wonderful @amoralto who is a great resource for beatles archiving)

"He was completely open and uninhibited with her, as she learned to be with him, owning up to his deepest sexual fantasies—like one of making love to a woman in her eighties, or even older, whose veined and wrinkled hands would be covered in diamonds. Over time, she became accustomed to his particular style of backhanded compliment. 'Do you know why I like you?' he remarked on one occasion. 'It’s because you look like a bloke in drag. You’re like a mate.' Yoko laughingly replied that she thought he must be 'a closet fag.'"

john lennon: the life by philip norman (take him w a grain of salt. also the doc i have for this one is html so i truly would have 0 clue on what page number this would be) BUT this is also corroborated by a yoko quote herself in a 1981 new york magazine interview

no, no, no by yoko ono which. what do i even need to say.

"I remember it, vaguely. I was out of me mind with drink – when you get down to the point where you drink all the empty glasses, that drunk. And he was saying, 'Well, come on, John, tell us,' something like that, 'Tell me about you and Brian, we all know,' like that. And obviously, I must have been un– uh, f– frightened of the fag in me to get so angry at that. You know, when you’re twenty-one, you want to be a man, and all that. And for the first time I thought, 'I could kill this guy.' I just saw it, like on a screen, that if I hit him once more, I – that’s gonna be it."

this other infamous quote uploaded in an audio by @amoralto (source)

"John believed in my work as an artist wasn’t accepted in part because I am a woman. He got angry when people said about me, 'She’s not a woman, she’s a female impersonator.' John said to me, 'If I had been gay and gotten together with a guy who was talented like you, after ten years that guy would have become famous as an artist in his own right. Maybe we should come out and say, 'Actually, Yoko is a guy.' Maybe that will do it!' That made him laugh a lot. John learned about women’s oppression from me, but I learned a lot about men’s vulnerability from him. He expressed his vulnerability, unlike a lot of other men. I learned that it’s not just men oppressing women. Men also suffer, they feel fear and guilt. For example, I thought the fact that men buy prostitutes was terrible. It filled me with indignation. But John explained it differently. 'It’s humiliating for a guy to buy a whore,' he told me. 'It’s proof that he’s rejected, he’s just so desperate.' I had never thought of that: for me who go to prostitutes, sex is connected to being rejected and humiliated. I always hated people who committed sex crimes, but through John I tuned in to their pain. John told me that it was unfortunate for the poor guy whose sexual preference was a crime and something to be feared. John’s perspective was, 'I’m lucky I’m normal.'"

yoko interview with jon wiener in come together: john lennon in his time. just..... whatever the hell is going on here.

interview w lisa robinson in hit parader "a conversation with john lennon" 1975

"With his four months’ greater experience, Sheridan was an ideal guide to the Reeperbahn’s more exotic diversions, like the Schwülen laden. Stu Sutcliffe later wrote home in amazement that the transvestites were 'all harmless and very young' and it was actually possible to speak to one 'without shuddering.' Though raised amid the same homophobia as his companions, John seemed totally unshocked by St. Pauli’s abundant drag scene; indeed, he often seemed actively to seek it out. 'There was one particular club he used to like,' Tony Sheridan remembers, 'full of these big guys with hairy hands, deep voices—and breasts. But they used to make an effort to talk English. There was something about the place that seemed to make John feel at home.'"

another from john lennon: the life so take it w a grain of salt

so many excerpts from skywriting by word of mouth

and more!

and thats all i'm hunting down for now but he also like Continuously went on and on and and on and ON about how his relationship w yoko worked bc she was so much like a man/mate/what have you

[izzyyys-world]

Norman's Triptocaine Addiction Headcanons

1: Denial, denial, denial – Norman tells himself he needs Triptocaine to function properly, not just to avoid withdrawal, but to keep up with his demanding job. He convinces himself that he has it under control—until he doesn’t.

2: Knows it’s killing him but can’t stop – Every time he uses, there’s this voice in the back of his head reminding him that it’s just making things worse. But when withdrawal starts, that voice gets drowned out by the cravings.

3: Angry at himself for being weak – He absolutely hates relying on a substance to keep going. He sees it as a personal failure and won’t admit when he needs help.

4: Tries to quit, but the withdrawal makes him worse – He’s tried to go cold turkey before, but the combination of headaches, tremors, and hallucinations sends him spiralling back into using.

5: Guilt eats at him after every dose – Every time he takes another hit, there’s a moment of self-loathing. He’ll grip the empty vial a little too tightly before throwing it away, disgusted with himself.

6: Paranoia creeps in – Even when he’s sober, there’s always this lingering fear that people around him know he’s an addict, that they’re watching him, judging him, or waiting for him to mess up.

7: Nosebleeds are frequent and unpredictable – Sometimes they’re just a trickle, other times they’re bad enough that he has to tilt his head back and grab tissues fast.

8: Shaking hands make simple tasks frustrating – Trying to button up his shirt, hold a pen, or even load his gun can be a challenge when he’s withdrawing. He hates the loss of control.

9: Splitting headaches – Feels like his skull is being crushed, especially when he goes too long without a dose. He’ll press his fingers against his temples, eyes shut tight, trying to will the pain away.

10: Exhaustion, but also insomnia – He’s constantly running on fumes, but even when he’s dead tired, sleep doesn’t come easily. His mind races, and when he does sleep, the nightmares wake him up.

11: Sweats through his clothes – When withdrawal hits hard, he’ll wake up drenched, body aching, nausea rolling in waves.

12: Hallucinations make reality unstable – He’ll see shadows where there aren’t any, hear whispers just at the edge of his hearing, or feel like something is crawling under his skin. It’s one of the scariest parts for him because he knows it’s not real, but his brain makes it feel real anyway.

13: Uses work as a distraction – He throws himself into cases, thinking if he keeps busy enough, he won’t have time to crave it. It never really works, but it helps him hold off for a little while.

14: Keeps an "emergency" vial hidden, even when he says he’s quitting – Just in case. He doesn’t plan on using it, but knowing it’s there makes the withdrawal feel slightly less terrifying.

15: Avoids talking about it at all costs – If someone brings it up, he’ll either change the subject, brush it off, or get defensive. He doesn’t want pity, and he doesn’t want to be seen as weak.

16: Overuses ARI as a substitute – If he’s trying to stay off Triptocaine, he’ll throw himself into ARI, pushing his body to the limit. But this only makes the hallucinations worse.

17: Lies about how bad it is – Even if he’s shaking, pale, and barely holding it together, he’ll say he’s fine. He’ll always say he’s fine.

18: Thinks about quitting for good but doesn’t know if he can – Deep down, he knows he needs to stop, but the idea of facing withdrawal and the mental fog without Triptocaine is terrifying.

the end

[vvivacious101]

Abandon 'Ships

I wanted to make a post that led me to rewatch parts of season 7 and partway through, I decided to just rewatch the entire season. So, here I am rewatching 7x01 and I can't keep my commentary to myself. So, let's go.

First of all, I want to direct your attention to the name of this episode - Abandon 'Ships. Yes, it is actually written like that. Basically, "'Ships" is serving two purposes. Firstly and most obviously, it is about the cruise ship disaster headlining this season. Secondly, 'Ships = Relationships.

This entire episode is about relationships so they are not being subtle in the least but it was only on this rewatch that I noticed that that apostrophe even existed.

Abe & Edna - A couple of 35 years who could not hate each other more.

Buck & Natalia - Broken up.

Eddie & Marisol - Somehow still together but given the hints this episode is doling out, not for long. Also, they do break up at the end of this season.

Maddie & Chimney - Shaken but still going strong.

Athena & Bobby - Athena thinks that Bobby & she can't survive without the chaos that is inherent to their lives and surprisingly, this episode, or any future episode aired as on date, doesn't do anything to absolve her of the notion.

Lola & Norman - Lola & Norman and their relationship are going through the wringer in this three-part premiere. In fact, the episode titles are a really good indicator of what is going on in their relationship. This episode was all about abandonment, Norman being forced to abandon Lola as she gets kidnapped but it is also an instruction to Norman to abandon his relationship with Lola because as we will learn in subsequent episodes she is cheating on him.

Christopher & Penny - Definitely getting broken up!

I need to talk about Buck & Eddie in this episode. [But, before I do I need to give out a special shoutout to Maddie, Eddie & Buck all getting increasingly panicked and adamant as they concur, that he infact said red. That was a good moment.]

Anyhow, so Buck & Eddie are putting out a car on fire and as they do, they discuss Christopher's date and this happens -

Eddie: Well, it wasn't too much different than when he hangs out with one of his guy friends, to be honest.

Buck: Except only in one case is there underlying sexual tension.

This episode is really coming for Eddie's sexuality. I like how Eddie thinks it's no different (hanging out with boys as compared to girls) but Buck says there is only underlying sexual tension in one case but which one...?

Buck: Christopher is a player.

Eddie: I don't know where he gets it from. Not from me.

What is the implication here exactly? If it isn't obvious Eddie is going to clarify in a minute. Basically, Eddie has no idea where Christopher gets his player tendencies from and then requests Buck to talk to Christopher about said tendencies considering he was also a player. This is an insane assertion to make!

Christopher is Shannon and Eddie's son, he isn't getting characteristics from anyone else but the implication is that there must be someone influencing Christopher's upbringing enough to impact him. The only person that fills this bill who also was a bit of a player is Buck. Eddie is literally implying that Buck is where Chris gets it from and then he makes him fix it.

Buck actually does talk to Christopher about it and I loved how much thought he seems to have put into how to approach this conversation. But, unfortunately, Buck & Christopher's relationship seems a little strained this season, I feel most of it is because Chris is a teenager now and sullenness is a teenage rite of passage. So, that could be one reason but I kind of miss how these two used be.

Anyhow, back to the car scene.

Eddie: I married the first girl I dated.

Buck: Think you might mean slept with.

The implications make me insane. I have postulated that Eddie has never fallen in love because he certainly didn't love Ana or Marisol for that matter but it's harder to say the same for Shannon. Mostly, because if for nothing else he did love her for being Christopher's mother. There is a scene in season 2 where Shannon asks Eddie what he thinks about their relationship besides her being Christopher's mother and he doesn't give her a satisfactory answer which leads him to propose that they reconcile fully and for her to say that she thinks they should get a divorce which basically encompasses their relationship in a nutshell. Chris is literally the only reason this relationship has lasted as long as it has. Eddie got Shannon pregnant that's why they are here, love has nothing to do with it. There is this great Reddit post about Eddie not being queer coding but rather queer screaming and I quite agree.

Heading into season 7 after finishing season 6 was an insane experience because literally season 6A backtracked Buck & Eddie's relationship to the point that it took the entirety of 6B to get them to where they were when season 6 started but season 7 was open throttle on Buddie. It was refreshing.

Man whose car was on fire: Is it a total loss? Or is it...

Buck: Uh... Not Total.

As Buck points out all these failed relationships are not a total loss because they are all teaching you something and in Eddie's case it's high time.

Buck: You know, I don't think I have ever seen a man turn a woman off with such skill.

Eddie: It's a gift.

It surely is.

This is one of the weirdest things about Eddie, forget the fact that he is played by Ryan Guzman who looks like that and let's focus on the fact that this show has gone out of its way since Eddie's introduction to focus on how hot this guy is - to the point that Hen even agrees despite being a lesbian. He is hit on constantly. Pray tell then, why the hell is he so good at turning women off?