#where did all this characterization come from?

[two-entire-bits]

I have a confession. I do not care for the soc boys. I'm sure they have very interesting character traits and lore the actors and fandom have come up with and that is so fun and great and I know none of it and I am perfectly content with that. Shout out to all my mutuals who love the soc boys I hope you are having fun with your Ken dolls but I will not be joining you. keep slaying.

[mamawasatesttube]

action comics #677

gonna be real mae just really frustrates me sometimes. like. there are some times when i just want to reach into a story and shake a character like GET OVER YOURSELFFFF and unfortunately this happens just about every single time mae is on page. clark (and lois) are so sympathetic to her in this issue but they are both so much nicer than me bc i just wanna smack her. like getting super offended that someone might ask "hey are you clear on how extremely important keeping this secret is" and then going "well its YOUR fault that that guy died!!!!!" is so out of pocket. girl you are so righteous im so tired of you and i Know this never ends

[jerichogender]

thinking about the time they actually gave joey dialogue in the new teen titans: games…

“He could be role-playing with us. Art represents civilization. Maybe he’s showing us his end game?”

this says sooo much about him: his deductive reasoning skills, his appreciation for art, his understanding of other people’s psychology. i need more stories where joey gets to play detective, especially in an art or music history context, and i NEED him to have proper dialogue

[moe-broey]

Snippets. Makes you look at them.

[bitegore]

Got to dream about being Erica last night, which was cool. Specifically in like, a no-Haven AU but when I finally got to break out all of the poisons, dose literally all the food, and start smashing people's heads in with crochet mallets, my GOD that shit was satisfying.

[cluescorner]

There's no feeling stranger than knowing that something is bad but liking it anyways. Not in a 'it's so bad it's good' way. Because that implies that it has become good. I'm talking like this thing is just kinda bad in the normal ways things are bad, but i like it anyways.

[dangoulains-devotion]

every time I have to wade through inane ship wars where people are willfully ignorant to the depth and facets of cloud strife's character, circumstance, and story just so I can find some cool screenshots or fanart my 'cloud is ace' agenda simply grows more potent out of spite

[bamsara]

I think that one thing people fail to understand is that unsolicited literary criticism coming from an online stranger who is reading with no knowledge of what the authors intended goal is, is not going to be received the same as say: the authors beta reader or friends who know what the authors intended goal and has the sufficient knowledge and input to help the author reach that desired outcome.

"But I'm only trying to be helpful" How do I know you have the knowledge and literary skill for you to be able to actaully do that when we don't know each other and you are essentially a stranger to me? Are you applying this criticism based out of personal biased experience and desire to see the story or characterization be driven in another direction or tweaked, or do you know the author's intentions for the character? If the story is incomplete, are you basing your criticism of a character on the incomplete narration with only partial information available of them or are you building up a report until the story's completion? Did the author provide you with the information needed to make a fully informed criticism?

Have you discussed with the author what their plans are or are you assuming them based off the narration, especially if the narration is proven or implied to be unreliable or missing key points of the plot? Are you unbiased enough to help them reach their desired outcome for the characters and story regardless of your personal feelings towards the characters/antagonists and setting? Can you handle being told your specific input isn't wanted because you're a reader and/or have no written anything relating to their genre or topic? Do you understand and respect that the author's personal experiences might influence their writing and make it different than how you would have done it personally? Do you understand if an author only wants input from a specific demographic relating to their story?

If it's for fanfiction or other hobby media, are you holding a free hobby to a professional standard? Are you trying to give criticism because you feel like the author has produced 'subpar job performance' of their fic? Are you viewing their work as a personal intimate outlet or something that must conform with mass media? Are you applying rules and guidelines when the fic is shared for simple sharing sake? Is your criticism worded appropriately and focused on the parts where the author has requested input on rather than a general dismissal and or disapproval?

Have you put yourself in a place where you assumed you have the input needed for the story to evolve better, or have you asked what the author needs and what they're having trouble with? Can you handle having your criticism rejected if the author decides their story doesn't need the change and not take it as a personal offense against your character? Are you crossing that boundary because you think you are doing the author a favor? Are you trying to be helpful, or do you just want to be?

I think sometimes when people hear authors go 'please don't give me unsolicited writing advice or criticism' they automatically chalk it up to 'this author doesn't want ANY constructive feedback on their stuff at all' and not "i already have trusted individuals who will help me with my writing goals and- hey i don't know you like that, please stop acting so overly familiar with me'

[waywardsalt]

deciding to write bellum in a context beyond and different from what he's shown in in ph is kinda. something. because there's not a whole lot to him and there seems to be an intense focus on having things be 'in character' so it creates the interesting dilemma of. what even is 'in character' for bellum in the first place and are the conclusions i draw about him based off the little bit we get in game things that can be considered 'in character' or w/e, or is (almost) anything fair game since i'm working off of a list of concepts and actions rather than an actual written character

[motomamita]

viking!könig × female!villager!reader

warnings: smut, +18, possesive!könig, breeding kink, kidnapping, mentions of rape and virginity!!

Viking!König who, along with his warriors, disembark in a small village located by the sea. Dressed in animal skins, swords and armor, they enter the village to loot and destroy everything within their reach.

It is then that he manages to spot a small house at the top of a small mountain, not far from all the others. Upon reaching the field, he notices a female figure coming out of the small garden with a basket of tomatoes. It was you, dressed in a long white skirt, a beige shirt and a scarf around your head. You look like an angel fallen from heaven, so harmonious and calm, totally different from König's rude figure.

It doesn't take you long to notice that tall, burly man at the entrance to your home, who seems anything but pleasant. You recognize their clothing and the bad intentions that characterized the vikingos. An expression of terror was marked on your face and you immediately ran into your home, shouting your father's name and without letting go of the basket of tomatoes.

Konig's stomach twisted in a feeling of excitement at your reaction, feeling powerful at the fear of the rest of the people seeing him. With his long, muscular legs, he followed your steps to the interior of the home where a series of murmurs welcomed him.

In the humble living room there was an adult couple who looked somewhat sick and next to them was you, who covered 2 small children no more than 6 years old with your body. König was tall and in good shape compared to your family, who apparently barely had enough to eat.

"Please, don't hurt us.." sobbed your mother, who brought her skinny hands to her chest, begging.

"We don't have anything valuable, you can check for yourself." Your father spoke now, pointing around you. König began to walk around the room, observing everything around him and verifying that there was nothing there that would be useful to him. "The only thing we can offer him are vegetables and fruits from our garden. Daughter, give him the basket of tomatoes!" Your father ordered, hoping that König would agree and leave as soon as possible.

You stepped forward timidly and held out the basket with the tomatoes to him, taking a distance and with your hands trembling. König looked down at you, smiling slightly at your fear and how you couldn't maintain eye contact with his cold blue eyes. He reached his hand to the basket and took a tomato, it had a good size and color. Without thinking he brought it to his mouth and tasted a little of it, not caring how the juice fell from his lips to his bushy beard.

"And then? What do you think? If you want, you can take the whole basket, it's all yours!" Your father insisted.

To tell the truth, that tomato was delicious but you were even more so. "I'll take everything from the garden... And your daughter too." König spoke for the first time, generating a shiver throughout your body.

"No problem. Girl, put on some shoes and go!" Your father spoke coldly, capable of doing everything possible to defend his family, even if it meant giving you away to an unknown Viking.

You sobbed and screamed that they wouldn't let you leave with him, with König, but your father did nothing but raise his voice even more and even try to hit you. Your mother and your brothers cried in silence, observing the situation with sadness but without intervening on your behalf. The decision was already made, you were now König's property.

It was widely said that the Vikings came to the villages not only to plunder but also to rape their women and then return to their more 'relaxed' ways. Luckily for you, or not, that had not been the case for you. No, König didn't just see you as a hole to fill with his powerful semen. But as his property, as something to take care of and defend from the other Vikings who had no intention of formalizing with any woman. He wanted to be the only one with something to fight for and stay alive. And, soon, with whom to form a small family of warriors.

During the short time you had to gather your few things, your father took it upon himself to inform König of all the good things you had to offer. You knew how to wash, cook, heal, and, best of all, you were a virgin. That last one excited König even more, who was excited by the idea of ​​being the first (and only) to be between your legs.

You boarded a large ship with your wrists handcuffed to prevent you from escaping and an old cloth bag with some items of clothing. According to König, none of that would help you in the cold climate of traveling over the sea, plus he wanted you not to wear underwear.

"Look guys! König brought us this sweetness to share!" one of the Vikings exclaimed, making all the men's hungry gazes turn towards you. You sobbed at the idea of ​​having to serve as a sexual slave for all those scary Vikings but that idea quickly disappeared when you noticed how König approached the man and growled: "don't go near her." Reporting that you were not a common asset to the crew, but his alone.

That same night you slept next to König in a more exclusive room than the rest of the men, who all slept in the same crowded place. You noticed that he had a higher rank than the rest, therefore you had certain advantages over the others. Luckily for you, König explored your body externally, caressing your breasts, ass and pussy but without trying anything else.

The weeks passed and with them you managed to get used to the lifestyle of those men. König had already warned everyone about your exclusivity only with him, so no one ever tried anything with you. Your routine was based on washing and cooking König's clothes, cleaning his war wounds and cooking for him and his men. During the nights, you only had to be in charge of helping him bathe and dress the times when he arrived very exhausted, then both of you would just lie down and sleep.

Inevitably you managed to appreciate him and desire the closeness of that massive man. König, for his part, also wanted you, demonstrating it in the way that during the night he would rest his big erection against your ass, or how he would sit you on his lap and take advantage of the movements of the boat to obtain a pleasurable friction.

That night, the sexual tension between the two was unsustainable and it didn't take long for both of them to achieve what they had longed for. Due to your tightness and the large size of König's member, his first thrusts were painful and uncomfortable. However, he took care of reducing your disagreement by sucking and biting your breasts.

"My little wife- ah I love your breasts and how tight you are.." König growled, bringing his hands to your hips, using you as his personal fleshlight.

Slowly, his long and thick cock entered completely inside of you, feeling a sensation of simultaneous pain and pleasure. His hot breath and masculine scent made your walls wrap even tighter around him, causing him to moan loudly.

"Mine, only mine. This pussy belongs to me, your breasts belong to me, you belong to me completely..." he murmured, bringing his mouth to your ear and lightly biting your lobe.

His thrusts increased along with his grunts, you sobbed with pleasure at the way his hair pubes touched your clit. "König- I want more.." you stammered, not quite able to formulate words.

"Huh? You want my cum? You want me to fill you up inside?" He asked as his pace became more clumsy, announcing that he was about to finish.

And so he did, filling your entire interior with his powerful semen that, after 9 months later, took shape into 2 chubby and healthy warriors.

[bitchface24-7]

COYOTE UGLY - VIKTOR X READER

synopsis: When you’re not at the lab researching and developing Hextech, you’re in Zaun at the BDSM club Coyote Ugly as the bartender. Having this job ensures your team has enough money to continue working without any headaches. Well you’re in for a massive migraine since the man you’ve been in love with since you were kids is gonna find out about your dirty little secret.

warnings: secrets, bdsm etiquette, dom!viktor, love confessions, abelist comments (Viktor refers to himself in a negative light twice, referencing what others have called him) traffic light system, spanking, afab terms used for the smut section, dirty talk, vaginal sex, unsafe sex (wrap it before you tap it), creampie, squirting, I’m gonna write this as a 5 + 1 kinda deal. Ok? Ok. Grammarly is my beta

genre: m/f

p.s. This fic very obviously references Coyote Ugly (2000), and I know it is a bar in the movie but I didn't want to do a whole plotline on The Last Drop vs Coyote Ugly; and I didn't have the energy to write and characterize Silco LMAO. So I hope none of y'all are mad I tweaked it to be a BDSM club/bar instead. I've loved this movie ever since I was a kid. Now I'm tempted to do a Practical Magic (1998) fic too 😭😭

The Five Times Viktor Gets a Clue About You, and the One Time His Suspicions are Confirmed

One.

Viktor’s known you for almost two decades by this point. You’re well into your twenties and can do whatever you please. But Viktor’s got suspicions regarding you. Your excuses, your secrets. He knows you better than he knows himself.

So when you walk into the lab one day with a stack of cash, both Jayce and Viktor can’t help but look at you as if you were a project they were working on. You’ve peaked their curiosity and suspicion.

“So,” Viktor starts as you give the money to Jayce, and walk back to your desk, “Where did that money come from?”

You lightly scoff, “Don’t worry about it, V.”

“Of course I’m going to worry about it! That’s a lot of money miláček! Please tell me you got it legally.”

You whip around with a snort, “Don’t worry Viktor, it’s all legal. I just got paid from my second job. I already took a cut for myself; the rest I’m donating to the lab for our research.”

Viktor’s lips thin at that. You already took a cut for yourself and still had that much money to just… give away?

“Whatever you say, miláček.”

You’re gonna regret that. You’ve just peaked Viktor’s curiosity; and what’s the saying?

Curiosity killed the cat… but satisfaction brought it back.

· · ─────── ·𖥸· ─────── · ·

Two.

Viktor’s curiosity is peaked once more when he sees a glimmer of sparkle at your navel as your shirt rises, as you try to get something off the shelf for him.

Viktor hums as he puts his pen on the hem of your shirt to lift it a bit more. You gasp as a fresh breeze brushes against your abdomen.

“Whats this, hmm?”

You sputter a bit before dropping your arms and tugging your shirt down quickly, “Nothing.”

“Nothing? Your belly button is magical and shimmers on its own?”

You sarcastically hum, “How’d you know?” you add a dramatic gasp, just because you can. Viktor quirks an eyebrow at you, “You can just admit you got a piercing. Its quite common down in Zaun.”

“Whats the fun in that.” You pout, “I got it forever ago, a bit before we left for the Academy actually.”

“You got your navel pierced when you were seventeen, and I never found out about it until you were twenty-six and I was twenty-eight?”

You playfully shrug, “Guess you aren't as observant as you think you are.”

Viktor clenches his jaw, “Don’t tease me miláček. You won't like where you end up.”

“Try me.”

With that, you walk away with a sway to your hips as Viktor's grip on his pen tightens to the point he thinks it's going to snap in half.

You're going to regret that.

· · ─────── ·𖥸· ─────── · ·

Three.

“What is that?!” Jayce exclaims as you lounge on the couch, taking a small nap. “What? What! What're you screeching about Jayce?”

“That!” he squeaks, “On your lower back! Is that a…”

Viktor finishes the thought, “A tattoo?”

You twist your torso and look down. There's the perpetrator, a small tramp stamp that kind of looks like the Hexcores magic, and in the centre is a heart.

“Yeah.” you casually state as you go back to nap.

“Why does it look like the Hexcore?”

You take a quick peek over to Viktor before muttering, “Why not? I care about you guys and decided to get a tattoo to commemorate it.”

Jayce awes a bit but Viktor just narrows his eyes at you. There's more to it than just that. Because if not, then why did you put it in such a… risque place? Unless you wear low-rise pants or extremely cropped shirts; no one would ever see it.

Unless you're completely naked.

Viktor rubs his nose as you reposition yourself, your hip jutting out as your top rises even farther.

Viktor casually stands up and walks over to where you're resting on the labs couch. Lightly touching your lower back, he feels you flinch as he presses his hand harder onto the fully healed tattoo, “You must be cold, here. Let me fix that.”

And with that, Viktor pulls up the fleece blanket to cover your torso.

You look to Viktor and your eyes have darkened, your lids slightly narrowed. Your lips are lightly pursed as you examine Viktor. Viktor just smirks at you.

The longer this goes on, the more clues Viktor gets.

· · ─────── ·𖥸· ─────── · ·

Four.

Jayce keeps pacing in the lab. Back and forth, back and forth. Viktor is worried Jayce is going to wear the floor down to the baseboards.

“Are you okay?” Viktor quietly asks, looking at Jayce in concern. He's never seen him so… frazzled before.

“No. There's a small gathering happening later today with the council members and high-level individuals. There was supposed to be a bartender to make the meeting not as mind numbing but the one Mel booked previously is sick. Now we need to find a replacement for…”

Jayce looks at his watch and runs a hand through his hair, “Three hours from now.”

Before Viktor can put his two cents in, you pipe in, “I can do it.”

Jayce whips around to look at you, a manic gleam in his eyes, “You’re not joking, right? You can actually bartend.”

You nod once, “I can actually bartend.”

“Shes not lying Jayce. She was a part-time bartender at the Last Drop when… when Vander was the owner.

Both you and Viktor look down, Vander was a good man. He took care of everyone as if they were his own kids.

Jayce clears his throat, trying to dissipate the mournful aura in the lab, “Wow, you're like a wolf in sheep's clothing. Many hidden talents.”

You snort, “More like a coyote prowling in the forest. Challenge brings mastery, dear Jayce.”

Viktor quirks an eyebrow at you. That's an… odd choice of words. No one ever refers to themselves as a coyote unless they frequent…

Oh.

Oh.

Everything is slowly piecing together, he just needs one more piece of proof before he pounces. Viktor almost feels like he's insane; he's a frequent member of the well-established BDSM club down in Zaun; Coyote Ugly. He's sure he would’ve seen you before. But there's the off chance you work when he's not there. He only goes on Saturdays, on a bi-weekly schedule.

Maybe you knew that and planned your schedule around Viktor's desires.

For this last bit of proof, Viktor’s gonna bring his attitude from Coyote Ugly to the lab. Hopefully, he doesn't traumatize Jayce (or you if he's wrong.)

· · ─────── ·𖥸· ─────── · ·

Five.

Viktor is good at what he does. Many people look at him and assume he's a virgin due to his disabilities. They think he's submissive due to the fact he's more lean and lithe as a man.

He's not.

He can get anyone down to their knees. He can get anyone to listen to him. He doesn't typically use this power in his day-to-day life, but he's going to bring it to the lab today. Luckily for him, Jayce had a mandated meeting to go to and couldn't weasel his way out of it.

He sees his target in the corner of his eye.

You.

You're standing by the blackboard, wobbling in place. Viktor isn't sure how well you've slept, if you've eaten anything today, or if you've even taken a break.

Viktor gets up from his own spot, and makes his way to the small kitchenette in the lab and prepares a basic sandwich and sweet milk for you. He places the items onto your desk and you're none the wiser.

Its not until Viktor clears his throat do you look away from the blackboard.

“You can barely stand straight. Here, come take a small break. Eat something.”

You smile lightly at the care, “Oh Viktor, I’d love to but I can't. I'm on the verge of a breakthrough; I can feel it! If I stop now, I wont ever complete this runic sequence!”

“I insist.”

“No, I really can't—”

“Sit.”

With that, you sat down at your desk immediately. You've never heard Viktor's voice go like that. So dark, so commanding, so… sensual.

You feel almost ashamed. Here Viktor is, making you food, a drink, and worrying about your health. And you were too much of a brat to see it.

You take half the sandwich and bite into it as your stomach growls at you. Shit, he's right. You haven't eaten in several hours and now your body’s catching up to you.

Viktor tilts his head, observing you.

“You were right, thank you.”

Viktor puts his hand on the nape of your neck and squeezes. You shiver and lean into the touch.

“You’re welcome. Don't make me have to do that again.”

You look up at him, your eyes wide and glossy. Your lips pouted lightly. Viktor's grip tightens on your nape and you somewhat successfully suppress a whine.

That's the final puzzle piece.

“I wont.”

“Good girl.”

And with that, Viktor can see you blue screen.

· · ─────── ·𖥸· ─────── · ·

Plus One.

Viktor's changing up his routine, visiting Coyote Ugly on a Friday rather than his usual Saturday. The trek down to Zaun wasn't too bad, but the difference is air quality was highly noticeable.

Slowly but surely, Viktor makes his way to the club. He's in his usual outfit for this scene, an all-black ensemble with the buttons of his shirt undone almost dangerously low. He can feel the looks of desire shot his way. He's always on the top of the submissive’s lists at Coyote Ugly. And every coyote he's taken has been incredibly satisfied.

But ever since this theory of his sprouted, he's been hyper-focusing on it. On you. So he hasn't been able to take any of the coyotes to bed. They're desperate.

But there's a certain coyote that's already caught his eye.

He sees you working the bar as if it were second nature. Mixing drinks, pouring shots, opening beers, and chatting up the patrons. You seem so at home here.

Viktor gets a lovely eyeful of your outfit when you hope up on the bar with a megaphone, “Same shit, new day! We follow the rules and—”

All the patrons echo your words back to you, “We don't touch your girls!”

You smirk, “And with that, let the party begin!” a bell is heard ringing in the background but all Viktor can do is appreciate your sexiness.

You're in an all-black outfit as well, but its all leather. Your top is closed by a single button, so Viktor damn near gets an eyeful of your breasts. He can see your abdomen down to the top of your navel, your belly button piercing glittering in the club's lights.

Your leather pants are skin tight and low enough that Viktor's worried you can't bend over in them without flashing someone. He sees you turn around to hop off the bar and there it is. Your hexcore inspired tattoo.

Viktor feels his pants tighten at that. Its almost like a branding in his mind. Look at that. She's mine.

A few girls get up onto the bar and dance to the songs playing on the jukebox. With a distraction in place, he makes his way to the bar to order a drink.

Your back is to the bar as you clean some glasses, “What can I getcha?”

Viktor ensures his voice is loud enough so that you can hear him, “A whiskey sour, miláček.”

The sounds of cups almost breaking puts a smile on Viktor’s face. He's got you just where he wants you. You whip around with a deer-in-the-headlights look, “Vi—Viktor! What're you doing here?! You usually come on—”

“Saturdays. Yes, I know. But I've heard wonderful things about a certain bartender and wanted to see her for myself. The only bartender I've ever met is Thomas.”

You inhale sharply, “What gave me away?”

“Little things. The money, your body modifications, referring to yourself as a coyote.”

You hit your forehead with the palm of your hand, “I'm an idiot.”

Viktor shakes his head, “No, you just got too comfortable. Besides how you reacted a few days ago when given an order sealed the deal.”

Your face feels hot, almost unbearably so. Goddamn it.

“Does this… ruin anything between us?”

Viktor scoffs, “Absolutely not! Do you know how long I've fantasized about a scenario like this happening?”

“I have an idea…” your tone is breathless as your eyes are as wide as saucers. No way is this happening. No way are your dreams coming true.

Before anything else can happen, you do a special knock on the bar. Thomas whips his head over to look at you and seems shocked.

“This is officially a Code V. I need you to man the bar tonight.”

Thomas just smiles and takes over no problem, you hop over the bar and stand next to Viktor, a beaming smile on your face.

“A Code V?”

“When I officially get the man of my dreams, I get to have a shift off. No ifs, ands, or buts!”

Viktor smiles sweetly at that.

“So…” you add before your confidence dissipates, “Wanna go upstairs?”

Viktor knows that private rooms are located upstairs if you want to… have some fun. He just nods, a sly smirk on his face, “Lead the way, miláček.”

· · ─────── ·𖥸· ─────── · ·

You and Viktor rush up as best you can to one of the private rooms. Before anything happens, Viktor enquires if you know about the stoplight system. You do. And with that, you two touch each other in a way you’ve been dreaming about since you both started puberty.

A bit of kissing here, a bit of groping there. Before you know it, Viktor’s fingering open your pussy as you whine and pant at the pleasure Viktor is presenting your body with.

It’s wet, slick, and so hot. Viktor’s hand is slapping against your clit, causing a loud schlick sound that makes your ears burn in embarrassment. Viktor just revels in the sounds and faces you make; he never thought you could get any prettier. Looks like he was wrong.

“Please… Please… Put it in.” You beg, your eyes watery at the constant assault Viktor is giving your g-spot. Viktor kisses his teeth, “Put what in?” He cockily asks.

“Y-your cock. I want your cock in me. I want to fuck you into the bed. Please Viktor, please? I want it so bad… I need it…” You beg, your voice wobbly in your desire. Viktor growls low in his chest as removes his fingers from your pussy. “You're such a good girl, begging for me. C'mon sweetheart, I'm all yours.” With that, you ensure Viktor is comfortable as he sits up against the headboard, you saddle him and slowly sink onto his wonderful cock.

You gasp out a long drown out moan at the feeling. Viktor’s pushed right up against your g-spot, he’s stretching you out. Your pussy is moulding itself to Viktors cock, nothing else in this world will satisfy you now. One hand holds your waist as the other rubs your back.

“C’mon.” In a low, throaty voice, you moan. As if you had to use additional effort to get the words past your parted lips. Your voice is whiney and breathy. As if putting Viktors cock in you knocked all the air out of your lungs. When you lower yourself more, Viktor, who is rubbing your back with his free hand, feels something deep inside his gut tighten up a little more as you persistently try to fit the final few inches of his cock inside. You feel dizzy at that, you're so stuffed… and there’s a few inches more.

Needy. You're so fucking needy; and Viktor loves it.

He squeezes, quickly prickling your flesh beneath his fingertips into a supple hue. Viktor wishes he could mark you like that for good, wishes that squeezing hard enough would leave bruises and indents to last a lifetime. Last several lifetimes. Even if you aren't aware of it, you still attract admiring looks from other people, which irritates Viktor. Ever since you two were teens, people would look lecherously at you. And you never noticed. But at the mere thought of everyone seeing you so marked up, something wild, primal, and almost startlingly possessive gets hold of him. Even though Viktor would know who did it, they wouldn't.

They would question who defiled you so throughly; and not once in their tiny minds would they think Viktor “The Cripple” “The Weirdo” fucked you so good you're bow-legged for days. With a trail of hickeys down your neck and chest, red marks on your wrists and a glazed look in your eyes. Viktor needs to calm down, he’s getting ahead of himself.

Before he can stop himself, Viktor tangles his fingers into your sweaty, untidy hair. You shiver at the feeling. His hands are so strong, so beautiful to look at.

“Viktor! Please! Please let me move! I need it…”You beg. You've needed this since you were fifteen and you noticed how handsome Viktor was becoming.

You lean closer to Viktor, your tits close enough to his face he can easily suck a nipple into mouth. This small shift caused his cock to press even harder into your g-spot; making a long whine and a few tears to slip out of you. Seeing that causes Viktor to freeze a bit before asking, “Colour?” At that you desperately cry out a pathetic, “Green! Please!”

If Viktor had shown even a tiny bit less restraint, the pitiful little "please" that slips from your mouth might have killed him right there.

You start to bounce, a nipple still firmly in Viktor's mouth. One hand stays on your hip as the other tweaks your other nipple. You use the headboard as support to ride Viktor to your heart's content. Fuck his cock is huge, you swear you feel it in your lungs. You could've been doing this for ages. You pitifully whine at that thought; so much time wasted.

“You look so pretty like this, you know,” Viktor mumbles appraisingly as he lets your nipple go, rocking back and forth at an almost painfully slow pace, trying to give you even more pleasure. Your thighs are trembling, splattered with lube, sweat, and an unprecedented amount of wetness from your arousal. You make a tiny, barely there noise in response, pushing weakly back against him. Viktor holds you still. “So fucked out, just for me. So cock-drunk aren’t you? My little fucktoy. My good girl. My prettiest girl” Viktor showers praise on you, who just groans at the sweet attack.

You pull up as far as you can against Viktor’s strength, the head of his cock catching on the entrance to your pussy, before dropping back down aggressively and picking up a steady rhythm. Viktor lets out an appreciative moan at that. Fuck you feel so good. He's gonna become obsessed with your pussy after this. Viktor's head tilts back to rest against the headboard as he moans, you pepper hickeys all across his pale neck. He's not the only one with possessive tendencies.

You go faster and faster, rougher and harder with each bounce, but you still take into account Viktors weaker leg. You're both moaning, yours goes up a pitch when Viktor starts to rub your clit.

Viktor whispers into your ear as he ravages your pussy, “You like that? You slut. Do you like having my big cock stretch you out? Do you like me abusing your g-spot, moulding your pussy into the shape of my dick? Nothing else will ever satisfy you again, will it Pretty Girl? No. It won’t. You’ll be desperate to have my dick rearranging your guts again.”

You just moan and starts to cry at the whispered words alongside the pounding your pussy is getting. The knot in your stomach is getting tighter and tighter, you instinctively know you can’t cum without permission. So you ask,

“Viktor… Can I cum? Please? Can I cum?

Viktor just snarls at that, nipping your ear and slapping your ass with a heavy groan, “Oh fuck… you’re such a good girl aren’t you? Asking for permission to cum without me even having to telling you. Cum. Cum right fucking now.”

And you do. With a gush of liquid, you cum hard. Your body jerking, eyes rolling into the back of your head, with your mouth ajar in a silent moan that trickles down to a pleased whine. Viktor starts to fuck into you, wanting to cum too. You start to overstimulate yourself, desperate to feel Viktor cum.

Little “Uhs.” are punched out of you at each thrust due to the painful pleasure. In no time, Viktor cums too. His hips pressed flush against yours; his sharp hipbones causing a nice bruise to form. You both simultaneously moan at the feeling of Viktor pumping you full of his cum. The two lose their strength and flop down onto the bed.

You're cuddled up, now efficiently cockwarming Viktor. You're both our of breath, and immensely pleased.

“We should clean up.” Viktor pants, you giggle breathlessly, “I don't think I can move.”

The silence is comfortable, enjoyable. You’ve almost fallen asleep when Viktor casually states, “I love you. I've loved you since I was sixteen.”

You look up at him and give him a sweet smile, before pressing your lips together in a loving, passionate kiss, “and I've loved you since I was thirteen. Looks like I've got you beat.”

Viktor just chuckles as he runs a hand through your hair, “I'm exhausted. We’ll get cleaned up when we wake up.”

“I couldn't agree more. But I want a round two before that.”

“Seriously?!”

You slap Viktor's chest playfully, “We could've been doing this for a little over a decade. I'm making up for lost time!”

Viktor kisses your forehead and contently sighs, “Can’t argue with that miláček. Can't argue with that.”

With how vigorously you two went, it’s no surprise you fell asleep in a few minutes. Wrapped up together, as content as can be.

· · ─────── ·𖥸· ─────── · ·

That's a wrap! Please be nice to me, I haven't written smut since like 2022-2023. Hope y'all liked it!

For the tattoo, search up “cybersigilism heart tramp stamp tattoo” on pinterest to see what kind of tramp stamp you got LMAO

[3verythingiknowaboutlove]

first fall of snow

how spencer guesses you're pregnant before you actually tell him

fluff word count: 1390 warnings & tags & stuff: pregnant reader, slight issues with mother mentioned?, non-graphic vomiting, mentions/allusions to winter holidays being celebrated, kinda spencer's pov but still 2nd pov, reader is scared spencer will leave her lol, anxious!reader in general, mentions of death?, probably medical inaccuracies ive never been pregnant author's note: hiiii i'm forcing myself to post this because if i don't then i'll never post and i'm being BRAVE. i hope it can be a little comforting maybe. i've realllyyyy been struggling with my take on spencer's characterization lately soo this was kinda like a bootcamp/exercise situation into his mind and less an expression of my writing skills, iykwim. let me know your thoughts if u have any! i love you & have a splendid day!!

Spencer is walking—speed walking—toward his car, away from the case he just finished, away from serial killers and guns and geographical profiling and death.

He places his feet carefully on the snow-covered sidewalk with each step, the cold air biting at his face. He barely notices it, absorbed in the path ahead, as the snow provides a satisfying crunch underfoot—a nice background to his perpetually racing mind.

He doesn’t like the winter. It’s always too harsh outdoors, and too stuffy indoors, and he’s trapped in a suffocating haze no matter where he goes. 

His phone starts to vibrate gently in his pocket, interrupting his racing thoughts for a split second. His pace falters as he pulls it free, a quick smile tugging at the corner of his lips when he sees it’s your name on the screen.

“Hi. How are you?” he asks after picking up, watching his breath come out in puffs of vapor in the cold air.

Winters, however, have gotten progressively better each year he spends with you.

“...I’m okay,” you say, though the crack in your voice reveals the all-consuming ache in your bones and mind.

“No. You’re overwhelmed,” he guesses in his matter-of-fact way, voice gentle. You huff out a soft laugh at his ability to read you, never getting old.

“Yeah, I guess. A little. The holiday season, you know. Are you on your way home?” you ask, voice softer now. You’re sitting on the couch of yours and Spencer’s cozy apartment, wrestling with a blanket to cover your lap, and bouncing your leg relentlessly.

“I’m walking to the car now. Hey, have you done the crossword today?” Spencer asks, words a familiar, tender remedy for your nerves. You told him a long time ago that hearing his voice makes you feel better, and there are times, like these, where he just knows it’s what you need. You rest our head on the arm of the couch, curling up.

“No, I didn’t have the time. Why?”

“There was an interesting question about causes of death in Shakespeare plays, but they completely messed up the part of speech. It read, ‘Popular ways to die by the hands of England’s national poet’. I thought it was ‘poisons’ at first, but it was actually ‘stabbed’, even though the correct answer grammatically should’ve been ‘stabs’ or ‘stabbings’,” he says, his car now in sight through the steady sprinkle of snow coming down. “Do you think I should send an email to let them know? I guess stabbing does make more sense, though, versus poison, because throughout his works, thirty characters out of his 74 that died were stabbed compared to only four that were poisoned. Three were stabbed and poisoned. Did you know that two were actually baked into pies, which is a-”

“Oh my god, the pie,” you groan, cutting him off mid-sentence, sitting up hastily, the blanket falling to the floor.

“Pie?”

“Yeah. My mom coerced me into making it to bring tomorrow.” You pad over to the kitchen and crouch down to peek through the hazy glass of the oven, inspecting it. “Oh,” you murmur. “It’s…not pretty.”

He sandwiches the phone in between his ear and shoulder, gently opening the door to his car to sit down as he listens to you. He turns the heat on, exhaling in an exhausted relief, hovering his hand over where the air comes out. 

“Can you tell me what it looks like? Maybe I can help,” he suggests, leaning back against the headrest and letting his eyes close for a second. You put the phone on speaker, setting it on the counter as you bend down to take it out. “Don’t burn yourself,” he adds, hearing what you’re doing.

“I’m not going to burn my-” you cut yourself off with a huff. “Whatever. It’s just really messy. There’s like… liquid overflowing where the lattice should be.”

He hums. “How long has it been cooking for?”

“45 minutes. My mom sent me this one ancient recipe that I had to use written on parchment paper from like 70 years ago, and it does not have a bake time listed, so I’m just eyeballing it.”

“Okay. You could either put it back in the oven in hopes that more of the liquid will evaporate, or you can leave it out to cool down and hopefully thicken,” he says.

“What do you think I should do?”

“I think you sound exhausted and need your sleep.” 

You sigh, staring at your mess of a pie, hopes that you’ll appease your mother this year slipping further and further away, soon to be completely buried by the snow.

“Hey. I’m sure it’ll taste really good. Besides, people still liked Shakespeare, and he wrote about much worse pies than you could ever make.” 

A smile pulls at your lips.

“Yeah. Okay. I’ll just leave it out to cool and head to bed. Will you stay on the phone a little longer?” you ask, padding over to your shared bedroom.

“Of course.”

He doesn’t start driving as you talk, not when nearly 2000 people die per year due to driving on icy roads, and two thirds of them were people who were reported to not be paying close enough attention.

And especially not when 54 hours ago on your last phone call, he noticed a drastic shift in your behavior, and was quickly able to tell that you were pregnant. 

He had too much waiting for him at home to be spinning out on black ice because he was talking to you and not watching the road.

He chooses instead to look outside at the falling snow, blanketing the city, his city, the very first for D.C. to have this winter out of the septillion snowflakes planet earth receives each year.

…

Spencer gets home a little later that night, holding another pint of cherries in his hands. Not for the pie—which he turns to see resting on the stove and winces slightly at—but for you. 

Cherries, with their 342 mg of potassium per cup, help replenish lost electrolytes and can soothe nausea.

He’s expecting it to start any day now.

He quietly steps into the bedroom, setting his bag by the door to be dealt with tomorrow. The soft glow of the lamp that was left on, presumably for him by your endlessly considerate heart, provides just enough light so he can get changed. He then finally clambers into bed next to you, one hand reaching out to lace in your hair, moving his fingers to gently scratch by the nape of your neck. He lifts the other to rest, like you're made of a delicate china, on your lower stomach, sighing in pure relief the second it makes contact.

You turn sleepily, humming when you’re met with the sight of him. “Spence,” you murmur, contented.

“Hi. I really didn’t mean to wake you up. I’m sorry,” he says, so quietly.

“I'm glad you did. I like it when you wake me.” You tuck yourself closer to him. “I love you.” His hand comes to trace gentle patterns all over your back and arm, and he gives you a little kiss, adoringly.

“Go back to sleep. I love you.”

You let your eyes shut once again, this time much easier now that he’s with you. You inhale his scent, which you swear could repair anything broken or lost in this world. You exhale, wondering if he’d still hold you the same way after learning that you’re carrying his child. 

It’s a scary thought, but you’re comforted by his warm touch, pushing you farther out into the deep sea of sleep.

Once your breaths get steady and your mouth parts slightly, he adds, in a whisper, “Both.”

…

The next morning, when you’re hunched over the toilet bowl, Spencer is there with you, rubbing your back and wiping your teary eyes. You look up to him after brushing your teeth, and no words are exchanged. He tugs you into his arms, silently quelling any of the countless anxieties swarming your mind, at least in this moment.

His hand comes up to tuck a strand of hair behind your ear. He lets it rest there, cupping your jaw.

“Let’s go shopping after breakfast today, okay? You need prenatal vitamins.” He presses a soft kiss to your forehead.

“And a new pie.”

[joycrispy]

One thing I love about Crowley --never stated, but consistently shown-- is that he is, at heart, an engineer.

I have a few different things to say about that. Let's unpack them.

As the Unnamed Angel, we see his designs for the Pillars of Creation are millions of pages long, comprised of cramped text, footnotes, diagrams, schematics, etc. It's very...Renaissance polymath, in the way it implies a particular intersection of artist and inventor.

Also: in the naked romanticism with which he views his stars.

We already knew he made stars, but in s2 we learn that he did NOT sculpt each of them by hand. He designed a nebula ("a star factory," he says) that will form several thousand young stars and proto-planets, and all --aside from getting the 'factory' running-- without him lifting a finger. We also learn that these young stars and proto-planets stand in contrast to those made by other angels, which are going to come 'pre-aged.'

...I'm reminded of Hastur and Ligur's approach to temptations. Damning one human soul at a time, devoting singular attention to it over the course of years or decades, and how that stands in contrast to Crowley's reliance on, quote, 'knock-on effects.'

Ligur: It's not exactly...craftsmanship. Crowley: Head office don't seem to mind. They love me down there.

Hm.

I'm also reminded of the M25.

The M25 may not be as grand as a nebula (sentences you only say in GOmens fandom...), but LIKE his nebula it's an intricate, self-sustaining engine that does Crowley's work for him, many times over. Again.

That's some pretty neat characterization --and so is the indication towards Crowley's disinterest in victimizing anyone tempting individual people. It takes a considerable amount of planning and effort (and creeping about in wellies), but in accordance with his design the M25 generates a constant stream of low-grade evil on a gigantic scale.

Cumulatively gigantic, that is. Individually? Negligible.

But no other demon understands human nature well enough to parse that one million ticked-off motorists are not, in any meaningful way, actually equivalent to one dictator, or one mass-murderer, or even one little influential regressive. That's the trick of it. Crowley gets Hell's approval (which he NEEDS to survive, and to maintain the degree of freedom he's eked out for himself), and at the same time ensures that any actual ~Evil Influence~ is spread nice and thin.

It's some clever machinery. And he knows it, too:

The Unnamed Angel and Crowley are both proud of their ideas.

(musings on professional pride, Leonardo da Vinci, the crank handle, and 'the point to which Crowley loves Aziraphale' under the cut)

In the 1970's Crowley gives a presentation on the M25, projector and all, to a room full of increasingly impatient demons. Maybe the presentation was work-ordered; the 'can I hear a WAHOO?' definitely wasn't.

Before the Beginning, the Unnamed Angel can barely contain his excitement about his nebula. Aziraphale manages a baffled-but-polite, "....That's nice... :)"

11 years ago, Hastur and Ligur want to 'tell the deeds of the day,' and Crowley smiles to himself because (according to the script-book) he knows he has 'the best one.'

(Naturally, his 'deed' has nothing to do with tempting anybody, and everything to do with setting up a human-powered Rube-Goldberg machine of petty annoyance. Oodles of 'Evil' generated; very little harm done.)

Hastur and Ligur don't get it, of course. That's also consistent.

Nobody ever knows what the hell he's talking about.

It didn't make it on-screen, but, in both the novel AND the script-book, Crowley was friends with Leonardo da Vinci. The quintessential Renaissance polymath. That's where he got his drawing of the Mona Lisa --they're getting very drunk together, and Crowley picks up the 'most beautiful' of the preliminary sketches. He wants to buy it. Leonardo agrees almost off-the-cuff, very casual, because they're friends, and because he has bigger fish to fry than haggling over a doodle:

He goes, "Now, explain this helicopter thingie again, will you?" Because he's an engineer, too.

(It is 1519 at the latest, in this scene. Why the FUCK would Crowley know about helicopters, and be able to explain them, comprehensively, to Leonardo da Vinci?

...Well. I choose to believe he got bored one day and worked it out. Look, if you know how to build a nebula, you can probably handle aerodynamics. And anyway, I think it's telling that this is his idea of shooting the shit. 'A drunken mind speaks a sober heart,' and all. He probably babbled about Aziraphale long enough to make poor Leo sick)

Apart from Aziraphale, Leonardo da Vinci is the only person Crowley has any keepsakes or mementos of.

Think about that, though. Aziraphale's bookshop is bursting with letters, paintings, busts, and personalized signatures memorializing all the humans he's known and befriended over 6000 years (indeed: Aziraphale has living human friends up and down Whickber Street. He's part of a community).

Crowley doesn't have any of that. It's just the stone albatross from the Church (for pining), the infamous gay sex statue (for spicy pining), the houseplants (for roleplaying his deepest trauma over and over, as one does), and this one piece of artwork, inscribed, "To my friend Anthony from your friend Leo da V."

To me, at least, that suggests a level of attachment that seems to be rare for Crowley.

...Maybe he liked having someone to talk shop with? Someone who was interested? Someone engaged enough to ask questions when they didn't immediately understand?

...Anyway.

There's also the matter of the crank handle.

This thing:

This is one of the subtler changes from the book. In the book, Crowley knows Satan is coming and, desperate, arms himself with a tire iron. It's the best he can do. He's not Aziraphale; he wasn't made to wield a flaming sword.

The show, IMO, improves on this considerably. Now he, like Aziraphale, gets to face annihilation with what he was made for in his hand. And it's not a weapon, not even an improvised one like the tire iron.

He made stars with it.

[both gifs by @fuckyeahgoodomens]

If you Google 'crank handle,' you'll get variations on this:

Crank handles have been around for centuries. Consisting of a mechanical arm that's connected to a perpendicular rotating shaft, they are designed to convert circular motion into rotary or reciprocating motion.

Which is to say they're one of the 'simple machines,' like a lever or a pulley; the bread and butter of engineering. You'll also get a list of uses for a crank handle, archaic and modern. Among them: cranking up the engine of an old-fashioned car... say, a 1933 Bentley. That's what Crowley has been using his for, lately. But he's had it since he was an angel and he's still, it seems, very capable of it's angelic applications.

Stopping time. For instance.

(This is conjecture on my part, but, I like to imagine that Crowley has the ability to stop time for the same reason I can --and should-- unplug my computer before I perform maintenance on it. Time and Space are a matched set, after all, and in his designs in particular, one feeds into the other.)

I know everyone has already said this, but: I REALLY LIKE that when he needs to channel the heights of his power, he does so not with a weapon but with a tool. Practically with a little handheld metaphor for ingenuity. One from long-lost days when he made beautiful things.

(And he loved it. Still loves it --he incorporated that metaphor into the Bentley, didn't he?)

Let Aziraphale rock up to the apocalypse with a weapon: he has his own compelling thematic reasons to do exactly that. Crowley's story is different, and fighting isn't the only way to express defiance. And if you've been condemned as a demon and assumed to be destructive by your very nature, what better way than this?

He made stars. They didn't manage to take that from him.

Neither Crowley nor Aziraphale are fighters, really --they have no intention of fighting in any war. They'll annoy everyone until there's no war to fight in, for a start. But between the two, if one must be, then that one is Aziraphale. Principality of the Earth, Guardian of the Eastern Gate, Wielder of the Flaming Sword... all that stuff. Even if he'd prefer not to, it's very clear that Aziraphale can rise to the occasion, if he must.

Crowley was never that kind of angel. He wasn't a Principality. He doesn't have a sword.

...And yet.

It's Crowley who protects. He's the one who paces, who stands guard, who circles Aziraphale and glares out at the world, just daring anyone else to come near.

In light of everything else I've said here, I think that's interesting.

Obviously part of it is that Aziraphale enjoys it and, you know, good for him. He's living his best life, no doubt no doubt no doubt. But what about Crowley? What's driving that behavior, really?

Have you heard the phrase, 'loved to the point of invention'? Well, what if 'the point of invention' was where you started? What if where you end up involves glaring out at the world, just daring anyone else to come near? What is that, in relation to the bright-eyed thing you used to be?

What do we name the point to which Crowley loves Aziraphale?

...Thinking about how an excitable angel with three million pages of star design he wants to tell you all about...becomes a guard dog. Is all.

[missbehavior0u0]

See the thing about Eridan and Feferi is they are a bit like sharks and dolphins. One of them is a lovely little smiley creature that makes chittering noises and does tricks and is overall very anthropomorphizable, and the other is a big nasty biting thing that you wouldn’t want in your entourage. Meanwhile Feferi is a nice young lady with sentiments about social justice that appeal to Homestuck’s exclusively (as far as I know) non-Alternian audience and very adorable mannerisms, and the other one is Eridan.

But then expert scientists start taking a closer look at the two species and start to spot some discrepancies with the general idea of what they should be. It turns out dolphins do all kinds of nasty things (ie: premarital sex, stockbroking, pyromania) and sharks are actually big softies who wouldn’t hurt a fly when you aren’t dressed up as a seal or making sensationalist blockbuster movies about them.

Similarly, upon closer inspection you realize that maybe Feferi isn’t really all that nice or even necessarily respectful towards lowbloods (re: conversations with sollux, VrIska, Jade) and that Eridan, despite having adopted his worldview because it puts him in a socially acceptable position of power, might not buy into those ideas and isn’t quite so awful or as much of a lost cause as first impressions might have him seem (re: conversations with Karkat, Gamzee regarding Sollux, requests for faulty doomsday devices, etc).

So naturally you as the reader get very excited about all these developments and start wondering oh boy oh boy, where will the story push these characterizations next, given that it’s already managed to tell us so much with so little? Who will remain true to their ideology, and whose will crumble? And then Eridan goes and does that. Sad! Oh well, there’s other tools of a genocidal regime to unpack. Sometimes the shark really is just a big nasty biting thing, and there’s nothing sinister lurking beneath the dolphin’s adorable trick.

But you, understandably, are a little pissed off by all this. You were eager to see all the secret nice and nasty bits of these characters come to fruition, and as the reader you’ve been denied your delectable prize. Plus, it seems not everyone has caught on to how things could have gone. So in your analysis you push things a bit, maybe to bring them justice or to make things clearer. Dolphins are actually murderous rapists who delight in stealing candy from small children, while your average shark is on par with Mother Teresa. Feferi’s plans for societal rehabilitation were tantamount to genocide. Eridan Did Nothing Wrong. And so on.

However, it’s important to settle on a few things at the end of the day. Bits of nuance are usually intended to make characters more similar rather than push them further apart. It might be more helpful to see what those similarities are pointing to and analyze them on that basis. Eridan and Feferi are both troubled little soldiers of a fascist state positioned very close to its head. Similarly, when all’s said and done, sharks and dolphins are both large marine predators with very sharp teeth who humans would benefit from not getting close to.

[evermarch]

“like the geese, we really did mate for life.”

an interesting thing about the sotr epilogue is that, despite its placement in the early years post-war, where haymitch would be in his mid-40s, it feels like it’s set at the end of his life. his tone is reflective. he speaks often in past tense. he talks about lenore dove coming to him, and he uses her language, saying that he’s not sure he’ll be in the “old therebefore” much longer. how his liver’s destroyed and he’s not sobering up, even if he’s not drinking for the same reasons.

but this is the same book where we saw one poor little girl transformed into another. the same series where skin grafts grow easily in a lab. where “genetic manipulation” class is part of the core curriculum before university. where mutts with practically supernatural abilities are designed at will. where the capitol populace has a notable substance abuse problem. in my mind, there’s no way transplanting a liver, a regenerating organ, particularly in a district whose new industry is medicine, isn’t possible.

so, to me, haymitch isn’t near the end of his life unless he chooses not to pursue a future. which he very well could. as he says, “when my time comes, it comes, but i’ve no idea when that will be.” but i think there’s a lot of evidence that he would choose to stick around. or at least, to try. namely, his lenore dove telling him he can’t go to her yet. because he needs to look after his family. and geese, for one thing, have an average life span of 10, 15, 20 years.

whether haymitch is or is not at the end of his life, i think it’s clear that he has not and does not intend to marry or have children beyond katniss and peeta. but i think the wording of the line which best establishes that is notable. “lenore dove likes it best [in the meadow], and I’m content where she’s content. like the geese, we really did mate for life.”

when he reflects on the life he’s already lived, he uses past tense. when he talks about his life now, on his reasons for sticking around with katniss and peeta, haymitch uses present tense. lenore dove exists in both places. throughout the epilogue, she exists in the present. she grows older with him. so i think it’s interesting that haymitch uses past tense tense for this one line. “we really did mate for life.”

that’s not to say that haymitch ever “moves on,” because that’s a false characterization of people who lose their loves in the first place. however, i think this line is past tense because it makes this question, like the rest of haymitch’s life, ambiguous. it also opens up discussion on what “mating for life” means. it’s a statement which implies exclusivity, but i don’t think necessitates it. because it’s not true that geese mate for life. they mate until one dies, after which the surviving goose mourns and then finds a new partner.

there’s room for a version of haymitch, who lives many years past the epilogue, who finds romantic attachment again.

if he does, he would not be replacing lenore dove. he would not be disgracing their romance or defiling their love. and 16 year old haymitch, believing he’s about to die, caught in the throes of the exploding tank and grief over ampert’s death, knew it, too. he was “furious” with himself that he didn’t tell lenore dove to “move on” from his death, because he was terrified of her living out her life haunted by his death. even while he desperately clung to her as he faced his imminent end, he was hoping she’d go on without him.

to love someone like all-fire is to love them enough to let them be free to go on after death. and that’s how haymitch loves lenore dove. and that’s how lenore dove loves him, too, because she is his goose. except haymitch has never been free to go on. the life haymitch was terrified for lenore dove to live is exactly the life he does live. from the end of the book, we know that he is doomed to repeat the 16th year of his life over and over again for 25 years. there’s no reprieve until katniss and peeta come into the picture.

yet, the epilogue’s tone is entirely different. it’s melancholy, but hopeful. he is no longer the 16 year old boy living in a repeating cycle of his own tragedy. when he next revisits it, it’s on his own terms. from that point on haymitch is finally allowed to grow up. to live a life in the “after.” to truly enter his mourning period. for someone new to join him in this new life would not mean he leaves behind lenore dove, or that she’s no longer his mate. because we know lenore dove stays with him, and will continue to stay with him, always.

and it’s likely that anyone with whom he finds comfort in his remaining years would carry someone with them, too. there’s no shortage of people who lost their loves in panem, whether from the war or before. there’s no shortage of people who would understand that his love likes it in the meadow. because maybe theirs tells stories around the fireplace in a creaky house in the seam. or fashions snares in the woods around district 12.

maybe 5, 10, 15 years in the future, when his geese are all grown up and two new goslings hatch, he’ll be an example of a different kind of love. of how new love is not a dilution of the love that was lost. of how lost love never dies, even as life goes on. of how love is not finite.

regardless of whether haymitch finds something resembling romantic love again, i am at least comforted by the thought that his end is much more peaceful than we dreamed it could be. because he has a family again. and because lenore dove is with him, too. and, no matter how long it takes for him to leave the old therebefore, she’s waiting for him in the next world.

[theinsideofablackhole]

Dissecting the Watcher's story & characters

⚠️ BIG EDIT ⚠️ I want to share a much, MUCH more compelling reading of the DLC's primary ending, courtesy of @characteranalysisthethird. You can find it in this reblog, spoilers of course.

I've seen a number of people claiming that the Watcher DLC has no story and that the slugcat has no characterization, but I definitely think it's there.

(SPOILERS FOR THE WHOLE DLC!) There are no spoilers for the secondary ending until about halfway down, where there is a warning.

Adventurous...

Since this post gets a bit meandering, I will spell out the general framework of the story here:

The Watcher is a shy, lonely individual who desperately struggles to find companionship after their childhood was cut short. They will go to great lengths to achieve this connection.

Timid mouse

"And through the middle of it all, a lonely lost slugcat trying their best to outlast the ravages of a warped world."

Why are they called the Watcher? It's due to their nonconfrontational, withdrawn demeanor. This is immediately apparent in the intro dream:

When Watcher's parent steps up to fight the aggressive slugcat, Watcher's sibling joins in. But Watcher just hides away, afraid to confront the danger. It's unclear if their family survived the tussle, but they never reunite again. Watcher's shy demeanor has severed them from their family.

Time passes and Watcher grows a bit older, wandering around in what seems like a futile search for their family. Here, they meet Spinning Top, the child Echo.

A desire to bond

Within the DLC's story, youthfulness is tied to a fear of isolation & loneliness.

Spinning Top has been lost & drifting for a long time. When they ascended, they feared the loss of connection to their old life and their loved ones. So they remained on world, searching for a sign that their loved ones still miss them.

This desperate pursuit has led them to travel across reality for eons and eons. By the time Watcher meets them, Spinning Top is now combing through places that have no relation to their life. Spinning Top won't find any sign of grief or remembrance in Coral Caves or Rusted Wreck, so why are they drifting along these pointless locations?

Spinning Top's loneliness and persistence arose because, as a child, they lacked the experience of maturing and could not handle the radical acceptance required to ascend. They are scared to accept the truth: their childhood has come and gone. Their loved ones eventually moved on and also left the world behind. Spinning Top is the only one holding onto this long-defunct family.

Shadow reflecting radiance

Watcher and Spinning Top are very similar characters. Both are lonely children that have been severed from their parents and siblings, and wish to revive the childhood that was ripped away from them. They're desperate to rekindle some kind of connection.

Throughout the campaign, Watcher continually searches for Spinning Top because they're the only individual that Watcher has seen who could bring a greater connection than chomping, fleeing, or stabbing. They even give Watcher the gift of infant godhood!

These childlike characters both find companionship in each other. In fact, Watcher's companionship is what gives Spinning Top the strength to return to the location of their actual memory, and confront the truth of their loneliness.

"All my mothers and fathers and crechemates who went along without me… Do they note my absence? I've traveled from the furthest future to the very seed of our past, and I see no evidence. Only echoes and strays. Aloof. Alone. Afraid."

Spinning Top accepts that it is best to grow up and move on, and so they disappear, finally ascending for real. Watcher, however, does not seem to learn the same lesson from this journey.

I NO LONGER AGREE WITH THIS READING! Instead, I believe that the ending shows Watcher having accepted their isolation in the same way that Spinning Top did, which is why they're content... and alone. I discovered this reading courtesy of @characteranalysisthethird, and you can find a reblog of it here.

While they may seem happy playing with toys, it's still a symbol of juvenility. Despite everything that has happened to them, they still embody a desire to recapture their lost childhood.

And now, Watcher is alone once more. Soon, they will seek out a new companion.

Ripplespace as a symbol of isolation

Before I discuss the second ending, I want to talk about Watcher's abilities and the symbols they embody.

The ripple-world that Watcher is (accidentally?) transported to by Spinning Top is a continuation of the aching, drifting nature of these two characters. They are unable to stay in place for long, constantly seraching for a sign of connection.

Watcher's "gift" of invisibility is a clear extension of their characterization. They tackle threats by hiding away, slipping past unnoticed. As their Ripple level rises, the cloak begins pushing Watcher further out of their typical plane of reality, creating tears into a wholly different plane. And when they reach the (as of now) maximum Ripple level, Watcher is fully pulled out of the material plane and into Ripplespace. Here, they are truly alone except for the primitive, gnawing voidspawn.

Every gift seems to give way to a curse of isolation. Watcher has to detach themselves from reality itself to survive, and the gift-giver Spinning Top leaves them behind.

Endless hunger

SPOILERS FOR THE SECOND ENDING.

SPOILERS FOR THE SECOND ENDING.

Here's a cool divider.

While the purple Throne Rot seen across the campaign may not play by the same rules as Five Pebbles' Rot, its behavior is equivalent. The Rot is the ultimate embodiment of primal struggle, a collective consciousness of brain meat that forever hungers to consume as much of the world as it can reach. It is not unintelligent, but it is very one-minded.

From The Throne itself, a giant flower blooms and gives birth to the Prince.

The Prince is a piece of the Throne Rot that has partially separated itself from its collective consciousness. It is an individual connected to the Throne Rot, but it has its own mind. "STARVING, pressing, grinding, SQUEEZING against... us? But now... I? A... SELF. And… an OTHER."

The Prince is an imitation of an Iterator puppet. This part of his identity causes him to believe that he was born to solve the Big Problem, by assimilating the entire world into the Throne Rot. "The imperative that was in THEM [the Iterators] remains in me." "Imagine: a single substrate… Life! (...) Nothing lost. No one lost. From bug to god, all as one. A TRUE end to the pattern."

I personally don't believe this was the original goal of the Throne Rot, but rather the Prince instinctually assigning purpose to his new life as an individual. He rationalizes his intrinsic hunger to consume in the lens of a "higher" ideal.

You can see how the Prince reflects Watcher's desire for connection in a deeply twisted manner. They're both in an endless pursuit to connect—Watcher offers itself to others as a companion, while the Prince takes companions and forces them into himself.

Opposing will

The Prince loves Watcher. He considers them to be a great friend, as they are the primary individual responsible for spreading the Throne Rot and the only one to have witnessed their genesis. "You have done so much for me, I will not burden you with my troubles. Please, rest here as long as you wish. You are always safe here, my dear friend. You, who were there for me."

Watcher has finally found it—a new companion, who showers them with praise and affection. Out of an acute desire to retain this friend, they go on to spread the Throne Rot across all the threads that connect the ripple-world. Every viable world is corrupted.

Unfortunately—or perhaps fortunately—something goes terribly wrong for the Prince. "I can almost feel... a will... at odds with my own."

Karma is antithetical to corruption. When the Throne Rot sufficiently engulfs the "fringes" of the ripple-world (Outer Rim and the Rotted vanilla regions), these regions become unstable and you cannot create a warp to escape them. However, there are pockets in The Throne where a bed of Karma Flowers allows you to exit. It's unknown if the phenomenon is natural or intelligent, but Karma inherently opposes the Rot.

When Watcher returns after corrupting all the regions, Karma Flower begin sprouting from the ground of The Throne. The Prince attempts to keep them in, but he ultimately fails—he freezes up, and countless Karma Flowers sprout from the corruption. The Throne Rot might not be outright dead, but its power has clearly been drained. The Prince has failed.

Karma Flowers are all over the map now. The "unstable fringes" have also been stabilized by their presence. You can create a warp to leave Outer Rim and the Throne from anywhere, and the same goes for the Rotted vanilla regions.

Going by the tone of the select screen art, Watcher just seems to mourn their loss. Another new friend, unceremoniously ripped from them.

Moving forward

Watcher cannot seem to find connection. Their family left and possibly died. They helped Spinning Top mature, but Spinning Top left—given that they viewed corporeal and primal life as absurd, they were bound to do this.

Watcher may have attained infant godhood, but their powers encourage them to hide away and detach themselves from the world, concealing them in the desolate Ripplespace with nothing but occasionally violent voidspawn.

It's almost scary how this godlet is willing to go such great lengths to secure companionship, falling for the Prince and corrupting the entire accessible ripple-world to make their friend happy. This friendship ends fruitlessly, too.

Watcher will eventually have a full conclusion to their story. So where will they go from here?

Narratively, I don't think Watcher will get what they want. Their next (and final, I believe) venture for companionship will end in ruin once again... but possibly, Watcher will recognize that while other people come and go, the only constant who will always be there for them is Watcher themselves, and they will learn to overcome the trauma and yearning of their lost childhood.

^ (I think this theme is actually what the Spinning Top ending is already trying to say, andWatcher realizes this very principle thanks to Spinning Top.)

That's my slightly blunt prediction for the overarching theme of the Watcher.

Extra thoughts

Scav Prediction

I personally believe the next arc will involve Scavengers. In the old pre-release Watcher concept, Watcher journyed with an enlightened Scavenger. While James Primate has stated before that Downpour kinda stole the old concept's thunder (i.e. with Artificer), I get a strong indication that the next arc will still involve Scavengers because of the new Acolytes.

Acolytes are Scavengers who are BRIMMING with attributes that reflect a knowledge of Karma and Ripples.

Acolytes wear glowing golden masks and clothes

A faint Karma symbol between 6-10 surrounds them, suggesting that they are already enlightened (or their armor is imbued with some kind of karmic concentration)

When they are grabbed by a predator, they initiate a crazy karmic retaliation blast to free themselves (which I failed to get a GIF of)

The blindfolded Disciple Acolytes emit a sort of karmic echolocation ping that detects entities from a distance

The definition of an "acolyte" is "a person assisting the celebrant in a religious service or procession". The celebrant is someone performing a rite; often a priest. This implies the acolytes are carrying something out for a leader who is almost certainly not the Chieftain Scavenger in Downpour.

Overall, these guys know something, and I think we're going to find out why.