#which i know is lacking a little because the things ive discussed about her HERE are not characterization

[bitegore]

Got to dream about being Erica last night, which was cool. Specifically in like, a no-Haven AU but when I finally got to break out all of the poisons, dose literally all the food, and start smashing people's heads in with crochet mallets, my GOD that shit was satisfying.

[une-sanz-pluis]

Contrary to popular assumption, Pope Boniface IX did not retrospectively render the Beauforts legitimate in the eyes of the Church when their adulterous parents eventually married. His apostolic letter explicitly states that he declares legitimate any offspring ‘received and to be received from this marriage’ [of Gaunt and their mother]: prolem ex hujusmodi matrimonio susceptam et suscipiendam (my emphasis). The Beauforts were born before their parents’ marriage.

I saw ANNETTE CARSON's article??? Their history is different from what I know. If Beaufort had not been legalized, why would Henry IV have deprived them of their inheritance rights? Why was Suffolk imprisoned during the reign of Henry VI on charges of wanting to inherit the throne?? I know this lady's paper is not very reliable, can you explain it?

I'm assuming you're talking about Annette Carson's self-published essay "The Beaufort Legitimation", which I couldn't do more than skim read as I could actively feel my braincells die as I started reading it. I'm never read Annette Carson's work before, mainly because her reputation as a crank has always preceded her (my lack of interest in Richard III also helps). This... does not convince me her reputation is unearned.

So: if a historian with a dubious reputation suddenly declares they have proof of something that upends a centuries-old accepted fact, they need some really good evidence. Carson does not have really good evidence. She has nothing new. Her "proof" is the assertion that the translators of the Calendar of Papal Letters have translated the letter legitating the Beauforts wrong and she (who, as far as I can make out, is not a trained historian), has translated it right.

I can't read Latin so I can't comment on her translation work and honestly, I think her argument is so specious that I don't think it's worth bothering my friend who does. I will note that both Carson and the Richard III Society insist she is the only one to have translated Mancini's De Occupatione Regni Anglie (again, self-published by her) properly so it seems like a trend.

I also wonder why, if the evidence is as clear-cut as Carson says it is, why no one has ever questioned it before this. The Beaufort's legitimation has been the subject of some pretty intense scrutiny, both because of what it meant for the Tudor claim to the throne and because of it's connection to the love story of John of Gaunt and Katherine Swynford. The explanation cannot be "Tudor propaganda" or "historians are too dumb to recognise the truth" or "historians are actively covering it up" because those are deeply unserious explanations.

It also just does not make sense. Why was there the "mantle ceremony" performed in parliament when the Beauforts were legitimated if they weren't actually legitimated? Why does Froissart state the legitimation of the Beaufort children was a motivation for Gaunt's marriage to Katherine? Why did no one make plain that the Beauforts held no rights to the throne at an opportune moment? As you point out, the marriage of Suffolk's son to Margaret Beaufort raised fears he was trying to effectively claim the throne for himself. Why did no one point out that the Beauforts had no claim then? How do we explain why Henry Tudor was seen as a potential threat by the Yorkists? Why did Richard III make no use of this to nip support for Henry Tudor in the bud?

And why doesn't Carson discuss these things? Probably because it would undermine her argument and because she has no explanation for it beyond asserting that the Lancastrians and Tudors covered it up, though there was little reason to.

Her other "proof" is a highly speculative argument about Richard II and John of Gaunt's motives and relationships. It is... not good. Her bias against Gaunt is also very clear, especially since she characterises him primarily as a covetous villain. There's a lot of things here that people who specialise in Richard II's reign would take issue with. It's a very simple narrative that demonises Lancaster and sets the stage for the Glorious Yorks Correcting A Terrible Wrong. In other words, it's the prequel to the Ricardian view of the Wars of the Roses.

We don't know what Richard II really intended when he legitimated the Beauforts. Likely, it was a reward for Gaunt's assistance in the Revenge Parliament. We do not know that Richard was always planning to banish and disinherit Henry (which I believe Carson gets from Ian Mortimer - if Mortimer told me the sky was blue, I'd need a peer-review before I believed him) and that he would have never, ever have allowed the Beauforts to be in the line of the succession because he hated Gaunt that badly.

Here's some things we do know. The story Richard banished Henry for life is only, iirc, found in one account with a clear Lancastrian bias so it was probably not true. We know that he did not attaint Henry or his line - I believe there is some evidence that Richard left the possibility that Henry and his heirs could claim the inheritance open. IMHO, it seems likely that what Richard was doing was using Henry's absence as an excuse to take the duchy lands into his own hands and grant them out as he pleased in a similar way that a king could hold lands while the heir was a minor. We also know Richard had a positive relationship with Henry of Monmouth, the future Henry V, and it is entirely possible that Richard was doing this with the intention of having a Duke of Lancaster that was loyal to him. In short, the picture is a lot more complicated than Annette Carson allows.

The theory, although novel, fits in a certain pattern. Ricardians have been salivating over the thought that Henry VII had no real right to the throne for a very long time now. They've promulgated theories that Catherine of Valois's Tudor children are secret Beaufort bastards based on such poor evidence like "they had a border around their arms!" and "Edmund Tudor has the same name as Edmund Beaufort?!" They've theorised that John Beaufort was actually Hugh Swynford's son and not John of Gaunt's and thus the Tudors had no right to the throne because they had no royal blood. They've declared the Beauforts to be Not Lancastrian because they weren't descended from Blanche of Lancaster and then brought up the story about Edmund Crouchback being the elder son of Henry III as proof that the Beauforts had no right to the throne at all. They happily point to the story that John of Gaunt was a changeling because it means neither Lancaster nor Tudor had a claim to the throne... a

There is not a shred of real, definitive evidence for any of this. All of it is just a Ricardian fever dream of speculation upon speculation that basically comes back to the same old thing: proving that Henry VII had no right to the throne, none at all, and Richard III was wronged!

Deeply unserious history.

[fubuwu]

Fuck it. Since I'm being spat on and tarnished by jc antis I'm unashamedly doing call out posts as they have harassed me on all my posts and got their little friends to gang up on me. Starting with this "lovely" person

Calling me an abuse apologist just because I said that madame yu had tough love methods..... I was in no way excusing her abuse towards wwx with that FYI. Wwx wasnt even mentioned in the og post.... Never once denied she was abusive in the post either (in fact i ackowledged her abuse numerous times in the post and how her children act around her. But apparently you willfully missed that part). I said she had tough love methods towards her children. NOT WWX. Wwx was not her child or have you forgotten that? She has a tough love attitude in the sense that she toughens up her kids, expects no nonsense, wants them to strive to do better, get on with it, stiff upper lip attitude etc. This does not mean it's a good parenting tactic.

---

Using tough love to describe her parenting technique isn't a compliment. Apparently some of you don't know what it means because tough love, whilst there is love and good intentions behind the actions, it can also have unintended bad consequences on your children and is not a form of love you should expose your child to if you want them to become normal, emotionally stable people.

---

It can lead to unhealthy coping mechanisms and suppressing emotions amongst other things I won't go into. I was in no way complimenting her. It was a critique. That should have been obvious. But in your words, ig some of you don't have reading comprehension.

---

To accuse me of something so extreme as excusing abuse over a FICTIONAL CHARACTER and trying to get all your friends to agree and jump on my posts because I never explicitly made the above points obvious is what a bully would do. You know nothing about me and decided to make such allegations over a single post. I will not stand for this bullying.

---

YOU should be ashamed of your behavior. I've seen your other posts and how you talk about and to REAL PEOPLE.

---

You acting all morally superior whilst attacking me and many others like this makes you an abusive person FYI. And I won't sit there and take it from you or your friends.

---

Moving on to specimen number two

This person has been spamming my notifications jumping on EVERY post, being disrespectful and pretty much accusing me, an ace person, for being ignorant about MY OWN IDENTITY and using ace stereotypes just because I surmised that jc could be ace due to his lack of interest in romance.

---

Echoing the words used by another user in the thread, but denying that such ace persons exist is acephobic in itself. I'm an ace person who isnt interested in relationships outside anything that is close, platonic but meaningful. Many others in the jc fandom say the same thing which is why they see themselves in him. A large portion of the jc fandom are actually ace in fact and we love to see him used in ace rep posts. We're already made to feel like freaks, so to have that thrown in my face is very hurtful. Above all twisting my words and making out I said every ace person hates romance is very disingenuous. I NEVER once said that in the post. I wont have my character attacked and lied about like that.

---

Also, once again TWISTING my words, implying I was pissed off about the incel claims when it was so obvious that I was merely asking out of curiosity where these claims come from?? Because it was never implied in the canon text. There was no anger or malice behind my questions. It was all open discussion. I can see now that this was mental gymnastics at play here to justify your hcs that you know are not canon and use it as an excuse to attack my posts with your friends, all because you were proven wrong. You lashed out on what was an otherwise polite discussion. That behavior is all entirely on you.

---

Ive only ever been respectful in my posts and they were never done to provoke arguments or hate on others opinions. So to wake up and be accused of all sorts over a fictional character is very hurtful and just shows how terribly low your side of the fandom has to stoop just to prove a point and hate on jc.

---

Im not tolerating it and these blatant LIES any longer. I hope other jc antis read these posts and see how nasty you all are. And if anyone thinks this sort of treatment is okay, then you need to look inwardly and step away from the computer. I'm done here.

[thelizardperson]

okayyyy seeing barbie the second time and some things i noticed that i think push more into the critique of barbie - on the first day where barbie has a perfect day and gets the perfect breakfast, she sips the milk but doesn’t eat the waffle, in fact barbie doesn’t actually eat. ever. and its not because she cannot as a doll, again she does the action of sipping milk, and in fact does even drink actual tea in the real world, but she doesn’t even pretend to eat. now i do think its a stretch but i think this could be greta’s nod to how barbie being an unrealistic body type can lead to unhealthy eating habits

-  even barbie world where everything is perfect and women rule the world, they still carry the harmful social dynamics girls experience when they don’t do femininity “right” - weird barbie is still ostracized and exiled for being weird. The Barbies still worry about having perfect hair and Barbie’s flat feet are considered unequivocally gross.

- something that im still thinking about is that at the end of the mom’s double standards speech, she ends with “i dont know” and i dont know if its intentional but both times ive listened to that and gotten to the end im like okay wow. but uh. what was the point? and that i dont know at the end makes me feel like it is a critique on like, feminism that is just about pointing out the things wrong with the patriarchy without offering a real solution ? (im still trying to understand my own take on this tbh) and how like this sort of rhetoric managed to snap the barbies out of their patriarchy trances and magically solve everything but like. that doesn’t work in the real world. the real world is aware of this dichotomy, take sasha, the politically correct middle schooler, who is portrayed not just as an exception, a nerdy sjw, but in fact as a cool girl, leader of the intimating middle school girl posse - she knows that women are mistreated, but that doesn’t solve that companies “still do patriarchy very well, but just know how to hide it better“. Like i guess its that the message is here. everyone knows we Should treat women better, but how do we institute that kind of change? As we see with the way barbies treat each other and approach beauty as a necessity, even just putting women in power doesn’t necessarily solve it? im not sure, but i think somewhere in here is the heart of the movie, this movie which says only men in power doesn’t work, but neither does just women in power. - ordinary barbie... who is she? are we able to glamorize and idolize a regular woman? I think “mattel” says she will sell because she is relatable, and that is what people are clamoring for atm, especially youth who want accurate representation and to be seen. but like, idk the consequences of that are not discussed. Will she stay relevant? Will she ever be as iconic as stereotypical barbie is? Can she be? - The way mattel is portrayed in this movie is ... interesting. I think a lot of it must be censored/restricted by the actual company’s influence on the film, but like... hmm. They’re portrayed kind of as an “average corporation”, boring office, all male executives, the quip at the end being like oh if ordinary barbie sells we’ll make her. But also the ceo not caring that ken is making money, and only “caring about little girls and their dreams” was a weird, unexpected line for me. is this them trying to protect their image? like an oh we do only really care about making money but we can’t just outwardly sell patriarchy because that would look bad? or was that genuine? Is he too lost in the corporation sauce that he sold himself on that idea? Also because the executives are portrayed very de-humanized and lacking in autonomy (honestly some of the least human-like characters in the movie about dolls).

[voidsumbrella]

i think the thing is. there is a precedent on the internet for people using the term pro-kink, which has a loose definition at best, to mean that everything that gets you off is completely above critique, no nuance needed or wanted, if you're uncomfortable wittnessing every single fetish anyone has in any context you're basically the same as conservative lawmakers. so it's understandable to see decontexualised discussions of the subject with no clarification and go "hm."

but like. the real problem here isn't so much the kink part as it is the lack of nuance part, and that can veer in any direction- even statements that seemingly broker no argument like "pedophila is bad" can contain the footnote that "pedophila" also includes shit like "informing a child about gay people" and "trans women existing in public". since social media is an open forum where the original poster has very little control over who sees their content, it's not really reasonable to expect everyone to make that nuance blunt in every single statement they make; you aren't going to use language playing to the lowest common denominator if you're talking with your friends, you're going to talk with the assumption that they know what you mean, because they do. esp since this is the piss on the poor website and there's a good chance your words will get taken in the worst possible faith anyway.

what this means is that if you see a post that raises a red flag for you, the appropriate response is to check their account to receive that additional nuance*, use your brain cells to interpret what you find there so you maybe understand what you're looking at BEFORE you baselessly accuse a trans woman of being a pedo for not including a fifteen page manifesto clarifying every single stance she's ever had on her post discussing nuances in sexuality. especially if you're only seeing the post because you're backreading the blog to get dirt on her because she- *checks notes* -posted a video game opinion you didn't like.

*or just block everyone involved and move on with your life. ive certainly done it before. the important part is that you keep scrolling.

there is a major precedent for running trans women off the internet for by accusing them of sex crimes entirely based on a deliberate misinterpretation of their words/actions that is 100% rooted in transmisogyny. don't fucking do that. i shouldn't have to elaborate why. c'mon now.

[peachscribe]

peach’s summer book list

i had a lot of fun compiling the list of books i read during the 20-21 winter, so i decided i would do a summer one as well! i still have a lot of books i own but haven’t read, so im definitely not lacking in material

if you didn’t see my winter list, how my book list works is basically like this: i read a book that i own but have not previously read, write a short summary immediately after finishing the book, write down my thoughts on the book, and then provide a rating for the book. i also might include background info on why i read this particular book/feelings about the author, but that depends on the book. that’s how each entry works

without further ado, let’s get started!

1. Grasshopper Jungle by Andrew Smith

okay so i absolutely adore another book by andrew smith (written after grasshopper jungle) called the alex crow. it’s one of my favorite books of all time, so naturally i wanted to see if grasshopper jungle would make me feel similarly. just like the alex crow, grasshopper jungle’s plot is. so fucking weird. it stars austin szerba, a teenage polish kid who lives in ealing, iowa, and is often sexually confused regarding his girlfriend shann and his best friend robby. and in ealing, iowa, austin and robby accidentally and unknowingly unleash an unstoppable army of huge six-foot-tall praying mantis bugs that only want to do two things: fuck and eat. and i just have to say: andrew smith’s got an absolutely dynamo writing style. alex crow is similar, where it’s a book about kind of everything all at once, framed in a moment centering around teenage boys. it’s fantastic, and it’s more than a little gross, and i love it. this book made me feel so many things, and i thought austin was such an amazing narrator and main character to identify with. this book has it all: shitty teenage boy humor, fucked up science experiments, and poetic imagery that will make you want to cry. and explicit lgbt characters.

412/10 andrew smith what do you put in your water i just want to know

2. Burn by Patrick Ness

patrick ness has written a plethora of some of my favorite books (such as a monster calls, the chaos walking trilogy, and the rest of us just live here) so when i saw this one in the store i knew it would be a great one. burn is an alternate history fantasy that takes place in 1957 frome, washington, during the height of the cold war, and it begins with a girl named sarah and her father hiring a dragon to help out on their farm. but there’s not just dragons, farm living, and cold war tensions; there’s also a really shitty small town cop, a cult of dragon worshippers and their deadly teenage assassin, a pair of fbi agents, and a prophecy that sarah’s newly hired dragon claims she’s a part of. i think eoin colfer’s highfire was on my winter list, which also featured a story that included dragons and shitty cops, so when i first began burn i thought it was funny to have two books that had both things. you know, if you had a nickel etc etc. but that’s really where the similarities end because burn is entirely it’s own monster (dragon). burn is entirely invested in its world, and its fascinating. not only that, i had no clue where the book would take me next. there were so many surprises and amazing twists that honestly just blew me away. this book also includes beautifully written complicated discussions on family, race, and love - it features interracial and queer romances as the two most prominent romance plots which was such a nice surprise from a book i wasn’t expecting to have that kind of representation. this book is witty, fast-paced, and a very heartening read - i absolutely adored it.

9/10 dragons and becoming motivated by the power of love and friendship are so fucking cool

3. As Meat Loves Salt by Maria McCann

i hate this book! as meat loves salt is a historical fiction novel which takes place in seventeenth century england, which is going through a grisly civil war. the protagonist, jacob cullen, is a servant for a wealthy household and is engaged to another servant in the house. but due to certain events that are almost entirely jacob’s fault, he flees the house and is separated from his wife. from there, he joins the royal army and meets a kind soldier, ferris, and the two become fast friends. jacob and ferris’s relationship begins to bridge past friendly, and jacob struggles with his homoerotic feelings as well as the growing obsession and violence inside him. also, they try to start a colony. listen, i don’t know how to describe the book because so much happens, but it basically just follows jacob and all the terrible decisions he makes because he is, truly, a terrible person. ferris is kind and good, and jacob is scum of the earth. he sucks so bad. the entire time i was reading this book (which took absolutely so long), all i wanted was for jacob to just get his ass handed to him. i wanted to see him suffer. and it’s not like i just personally don’t like him - i believe the book purposefully depicts him as unsympathetic even though he is the narrator. i did enjoy the very in depth and accurate portrayal of what life would’ve been like in seventeenth century england, and i think it was interesting to read a character that is just the absolute worst person you’ve ever encountered and see him try and justify his actions, so if you enjoy that kind of thorough writing, then this book would be perfect for you. however, i did not see that bitch ass motherfucker jacob cullen suffer enough. i’d kill him with my bare hands.

2/10 diversity win! the worst man on earth is mlm!

4. This Savage Song by Victoria Schwab

i know ive had a friend tell me how great one of schwab’s other book series is, but truthfully i bought this book because the cover is sick as hell and it was on a table in the store that advertised for buy two get one free, i think. something like that. anyway, this savage song takes place in a future in which monsters, for whatever reason, suddenly became real and out for blood in a mysterious event nicknamed the phenomenon. august flynn is one of these monsters, but he takes no pride in that fact and only wants to feel human. kate harker is the daughter of a ruthless man and is trying her hardest to be ruthless, too, but deep down she knows it’s just an act. their city, verity, stands divided, and kate and august stand on either side - but when august is sent on a mission to befriend kate in the hopes of stopping an all out war, the lines begin to blur. this book rules. august and kate are such interesting and dynamic characters, and the narrative is familiar while still being capable of twisting the story around and taking the feet out from under you in really compelling ways. this savage song is part of the monsters of verity duology, and i can’t wait to dive into how the story continues and finishes.

11/10 sometimes you can judge a book by it’s cover

4a. Our Dark Duet by Victorian Schwab

this is the sequel and finale for this savage song and i’d figure i’d update everyone: fantastic ending, beautiful, showstopping, painful.

12/10 loved it and will definitely be keeping an eye out for schwab’s other books

5. White is for Witching by Helen Oyeyemi

oh boy. okay. white is for witching is about a house, and it is about the women who have lived inside of it. when her mother dies abroad, miranda silver begins to act strangely, and there’s nothing her father or her twin brother seem to be able to do about it. she develops an eating disorder and begins to hear voices in the silver family house, converted to a bed and breakfast by miranda’s dad; and she begins to lose herself in the house and the persistent presence of her family legacy. white is for witching switches perspective dizzingly and disorientingly between miranda, her twin eliot, miranda’s friend from school named ore, and the house itself. this story is a horror story as much as it as a tragedy as much as it is a romance as much as it is a bunch of other things. oyeyemi brings race, sexuality, nationality, and family into this story and forces you not to look away. this book is poetry.

(like i mentioned briefly, this book heavily deals with topics of race and closely follows miranda’s eating disorder. read responsibly, and take care of yourselves)

15/10 this book consumed me and i think i’ll have to read it another 10 more times to feel it properly

6. These Violent Delights by Chloe Gong

okay. okay. strap in for a ride. these violent delights is a romeo and juliet style story, taking place in glittering 1920’s shanghai. the city stands divided - not only between the foreign powers encroaching on chinese land, but also between the scarlet gang and the white flowers, who are at the height of a generations-long blood feud. juliette cai, heir to the scarlets, has recently returned from four years abroad and is determined to prove herself ruthless enough to lead. roma montagov, heir to the white flowers, is standing strenuously on his place as next in line due to a slip up four years prior and is desperate to keep hold of his title. and in the midst of juliette and roma’s burning history with each other threatening to combust, an unnatural monster lurks in the waters of shanghai, loosing a madness on scarlets and white flowers alike. this book has it all - scorned ex lovers, political intrigue, deadly monsters, and all set on a glamorous backdrop of the roaring twenties. i absolutely was enraptured by this book and the way it plays around the story of romeo and juliet so well that it easily became it’s own monster, but with the punches and embraces of something classically shakespearan. gong does just an absolutely breathtaking job of fitting this fantastical story amid the larger world of shanghai and the real life historical events that had shaken the city to its core. completely immersive and outstandingly heart racing.

17/10 i was chewing on my fingernails for the last thirty pages and will continue to do so until the sequel is released (our violent ends, 16 nov 21)

7. The Antiques by Kris D’Agostino

you ever heard of the american dysfunctional family story? this is most definitely that. at the same time george westfall’s cancer takes a turn for the worse, a hurricane hits the east coast, and suddenly all at once the issues of his health, the hurricane, and all three of his children’s achingly dysfunctional adult lives are crashing into each other. reunited by george’s death, the westfall siblings have to face their grief, each other, and the problems in their own lives they attempted to put on hold while planning their father’s memorial. this is a nice story about grief and loss and love and somehow finding the humor amidst it all.

(this book does include a depiction of an autistic child who does experience several pretty bad meltdowns due to ignorant people around him not understanding how to cater to his needs. im not an authority on what depictions are or are not harmful, but i do believe this depiction is ultimately loving and well-intended.)

7/10 it made me laugh and cry and was generally one of those books that somehow hit you close to home

8. Fierce Fairytales by Nikita Gill

fierce fairytales is a poetry anthology that reimagines classic fairytales from a modern, feminist viewpoint, acknowledging that the line between hero and villain, monster and damsel, are not as clear cut as the classics try to make you believe. this book also includes illustrations done by the author herself, which i think is really cool. my personal favorite story reimagining was the story of peter pan and captain hook, called ‘boy lost’ which looked at how peter and hook’s relationship began and rotted. all in all, i think this collection of stories had a lot of important things to say and said them in frank, easy to understand poetry and prose.

7/10 beautiful message and pretty prose, but at times a little cliche

and that’s all from the summer! my fall semester starts tomorrow, and overall i feel very good about all the reading i did this summer. i even read four other books not on this list for work! so i definitely feel like i made the most out of my time, and im really glad i was able to read so many stories that made me feel a variety of different things

thanks so much for reading this list, and let me know if you read or have read any of these books and tell me what you think of them!

happy reading<3

[ncssian]

A Favor: Part Twelve

Nessian Modern AU

Masterlist

a/n: this took so long bc ive been reading chain of iron and in general agonizing over things i cant control instead of being productive 🥴 that being said, absolutely none of the events in this chapter were planned in my outline, but here we are with something new!

***

December brings more snow and bone chilling weather, to the point where Cassian has to drag Nesta out of bed, either physically or by phone call, to get her to therapy appointments on time. 

She’s in the waiting room one freezing morning when, in her utter boredom, she musters up the nerve to turn to the girl sitting next to her. “What are you in here for?”

The girl blinks her large blue eyes, taking notice of Nesta for the first time. Nesta uses the opportunity to take in her freckle-painted face, a little wan but beautiful. Reddish brown hair hangs around her face and shoulders, creating a thick curtain from the rest of the world, and Nesta’s curiosity piques like she’s just found a shiny new toy.

It probably isn’t right to compare people to toys, but then the girl says, “This isn’t prison, you know.” Her voice is deep, almost sultry— completely at odds from her huddled-in posture and sickened expression. “I didn’t commit a crime to have to be here.”

Is she insulted by Nesta’s question, or is she poking a joke? Nesta decides to play it safe by murmuring, “Sorry, never mind.”

She starts to turn away when the girl says, “We’re trying a new type of trauma therapy today. I had to get here half an hour early because I couldn’t swallow my nerves.”

Nesta might lack many social skills, but she isn’t stupid enough to ask what kind of trauma the girl is being treated for. Instead, she nods casually as if she understands the struggle. “I’ve been coming here for weeks now and I’ve barely discussed shit. That’s mostly on me, but you know…” She actually doesn’t know where she’s going with her train of thought. “It sounds brave to do whatever you're doing,” she states finally. “I don’t think I’ll be able to open up that much about myself, ever.” 

The girl gives Nesta a weird look that she immediately recognizes. Nesta uses it every time she doesn’t know how to respond to someone who takes her by surprise.

The door to Lana’s office clicks open, and the woman herself pokes her head out with a plain smile. “Ready, Nesta?”

Nesta bites down on her frown. She has a feeling today won’t be as easy as her past sessions.

She’s about to leave without another glance at the girl beside her when that low voice speaks up. “I’m Gwyn.”

Nesta looks back at her as she gets up from her chair, and says the first reply that comes to mind: “Good to know.”

***

Nesta is contemplative hours after she gets back from her therapy session, bundled up in her bed with a coloring book. The repetitive motion of filling in the mandala drawing lets her mind wander, picking up and dropping different thoughts like she’s inspecting stones. 

She keeps her wrist light as she colors in with red. She finally said Tomas’s name in therapy today, though the action left a slimy feeling in Nesta’s stomach that lingers even now. She also spoke about her sisters, which somehow ended up leading to a discussion of her uterus. 

“How have you been dealing with the endometriosis news?”

Nesta shrugged. “I’m getting treated, and my last period was more bearable than usual—”

“I mean mentally, how are you doing? With how your condition could affect your future?”

Nesta narrowed her eyes. “Affect me how?”

“Have you never considered the impact it could have on your ability to bear children?”

“Not everything in life is about bearing children, you know.”

“We’re humans. It’s definitely something to consider.”

“Not for me. I’ve never wanted kids.” A mistruth at best. “I don’t care what endo does or doesn’t do to me on those grounds.”

In a way, Nesta told herself, the health risks were actually for the best. If she ever did, by some stupid loss of sanity, try to have children, then her body would act as a safety net from her decisions.

Lana only said, “You’ll never know how much you care or don’t care until you talk out your feelings.”

“Then I guess we’ll never know.”

Nesta lets the memory of that conversation drop like a stone on a shore. That’s not something she has to face for a good long while. No, right now she has to face her past. 

Her sisters, and her ex, and even her father— 

I wonder if I came off too strong with Gwyn today. 

Her hand stops drawing, and she switches out her red marker for an orange one. This thought she doesn’t mind inspecting for a little longer: she and Gwyn ended up leaving their sessions at the same time, which meant they were forced into stilted conversation on the way down to the parking lot. 

Not forced, Nesta self-corrects. She willingly initiated a conversation, and it didn’t go terribly. She wonders if making friends in therapy waiting rooms is a real thing.

Her phone vibrates beside her, breaking her hours-long mental bubble. Blinking dazedly, she answers the phone call.

“How are you?” is the first thing Cassian says to her. He makes sure to ask her that at least twice a day, like a gauging of her temperature. It makes Nesta wonder what she’s ever done in her life to call for such… attention to her well-being. 

“I’m good,” she answers honestly. “My head’s a little loud right now, but I don’t mind it.”

“Wanna talk about it?”

“No, I’d rather hear you talk.” She slumps back against her pillows, coloring book forgotten. “What’s up?”

“Ah...” Cassian sounds hesitant for the first time since their relationship started. “It’s just that I haven’t gotten my Christmas decorations up yet, and I was going to ask if you wanted to help.”

Nesta takes a moment to absorb his words. “It’s December fifth,” she says.

“Yeah?”

“You just seem like somebody who does their decorations the day after Thanksgiving.”

“Well, this year is a little different, with you moving out and being busy with school…” He pauses. “I was waiting to do it with you.”

When she doesn’t reply, Cassian adds, “I don’t even know if you care about Christmas. I know you and your family sort of ignored holidays. It’s fine if you don’t want to—”

“I’ll be over right now,” Nesta blurts. 

Half an hour later, Cassian swings open his door with a smug grin on his face; a vast difference from the stammering hesitance he displayed over the phone earlier. Nesta’s own lips want to pull up into a smile just at the sight of him, but she holds back and narrows her eyes instead. “What’s got you so worked up?” she questions as she steps into the warmth of the cabin and out of the freezing cold.

“The way you ran over here as soon as I asked.” He looks her up and down, still amused. “You didn’t even bother to change, did you?”

It’s true: she’s in the same sweatpants and long sleeved tee she wore around home, and her socked feet are shoved into slippers. 

“Get that smirk off your face.” Nesta flicks his nose before tossing her coat off. “If this is a competition about who’s got a bigger puppy-crush for whom, you already won when you delayed putting up your Christmas decorations for me.”

“Fair enough,” he grins. The words send an unexpected pang through Nesta, because it’s partly true, isn’t it? He cares more openly for her than she does for him. 

She looks away in guilt, not knowing how to fix the imbalance. Her eyes land on the living room coffee table, where their half-finished jigsaw puzzle sits. It’s been stored under the couch for the past few weeks, forgotten by Nesta and Cassian alike as they moved on with their lives, but now it’s sitting out again.

“Have you been working on the puzzle without me?” She raises an inquisitive brow, about to feel— hurt.

“Never,” Cassian promises, saving her from that irrational hurt. “I just brought it out because I figured we should get to finishing it one day.”

She pads over to the table, picking up a puzzle piece and turning it over in her hand. “I don’t know if you remember, but we had a terrible time working on this,” she scoffs lightly.

“Oh, I remember,” he says, coming up behind her and stealing the piece from her grasp. “I think it’s safe to say those evenings were the worst fights we’ll ever have together.”

Nesta leans back against Cassian’s chest and hums. “It made us a stronger couple, don’t you think?” She turns her head up and back to meet Cassian’s eyes, finding that he’s already looking down at her.

Hypnotized, she leans into his warmth. She only manages to land the smallest kiss against his lips when his hand squeezes her ass cheek. “You’re here for a job, remember?” He taps her butt before pulling away, gesturing to the Christmas tree in the corner of the living area with his chin. It stands bare. “You do tinsel, I’ll do lights.”

Tinsel is harder to work with than Nesta remembers. She only manages to get half the tree done before plopping onto the Persian rug, exhausted and covered in silvery material. She doesn’t mind laying there while Cassian continues working; it’s her revenge for when he napped on her bed while she moved in.

“You know the stair railings still need to be wreathed, Archeron.”

Nesta declines to respond, tilting her head on the carpet for a better view of her boyfriend’s ass instead. “All this decorating,” she starts. “Is it just for you?”

Cassian turns to her, surprised. “Well…”

She pushes up onto her elbows, catching her mistake. “Are we doing Christmas together? Or are your friends coming over?” She hasn’t bothered to celebrate Christmas in years now, and she doesn’t care much what Cassian’s plans are either way.

“I was hoping for both?” He sounds hesitant. “Christmas Eve is all the way over in Velaris, but I was thinking we could go together, open some presents, and come back and spend Christmas here.”

Nesta purses her lips. She doesn’t actually hate that plan. Both Feyre and Elain have been pestering her with the annual texts asking her to visit for Christmas, and for once, she feels like responding to them. The invitation is more of a formality than an actual request at this point; she doubts her sisters want her there after years of rejections, but… what’s the harm?

“Is that a yes?” Cassian asks at her unreadable face.

“Yes,” she states unflinchingly. She refuses to overthink the possible consequences of this choice and chooses to focus on the broad grin overtaking Cassian’s face. “Really?” he says.

“But there has to be rules.” Nesta sits up fully now. “No one can know we’re together, no matter how much you trust or love them.”

“We already agreed to that, baby.”

Yes, but Nesta knows the secret weighs on him heavier than he shows— even if he agrees with her that it's for the best. “It’ll be different when we’re together in the same room as everyone else,” she says. Cassian wears his beating heart on his sleeve, and she doesn’t think he’s ever had to hide it before.

“You’ll also be different,” she adds. “It’s a huge change of pace.”

Cassian drops the remaining strand of lights and smiles confusedly down at her. “What do you mean, I’ll be different?” He sits across from her, before the blazing fire. 

“You know how you get around your friends.” Nesta shrugs without a thought. “Like your personality readjusts to mirror the people around you. I used to find it a mix of sad and adorable, like a neglected puppy desperate for love, but now I— okay, I still feel the same way.” She waves a hand in a dismissive gesture.

By the look on Cassian’s face, he does not find her words so easily dismissed. 

Coldness curdles in the pit of Nesta’s stomach, the realization that she’s said something wrong. She can’t fix it until she knows where she fucked up, though.

“Is that what you think of me?” Cassian finally says lowly. His usually expressive mouth is drawn tight and narrow. 

“Um… What would you rather I think of you?”

His eyes widen in disbelief. “Seriously, Nesta?”

Nesta’s back stiffens, refusing to cower. “I only described what I’ve observed in the past.”

“And what you observed was a desperate puppy?” His voice is cold in a way she’s never heard before.

Okay, she’s starting to see how that might be offensive. She forges onward, “Tell me what you think about yourself in the presence of your family, then.” It’s a private victory that she says family instead of clown circus. But she’s not trying to turn this into a fight.

Cassian is silent, but his stare continues to rage at her.

“Tell me,” Nesta repeats.

His hands curl into fists on the rug. “I think I’m empathetic, easy to talk to, and easier to be around. Is it a problem if I’m likable?” Unlike you are the unsaid words.

Nesta inspects the space between them like it’s a chessboard. “And what part of yourself are you giving up to be so likable, Cassian?” she says quietly.

“Nothing.”

Nesta disagrees, if only because she’s been watching him out of the corner of her eye for years. “I think you base your personality off of those you love, and you lose a little bit of your true self every time you put others’ needs before your own.” 

She shuts her mouth, not having expected such honesty to come out of it. Cassian is taken aback, too, she can tell.

“And I guess it’s natural that you’d see all of that as a bad thing, considering your history of being closed off and self-serving to a fault,” he fires back with the flatness Nesta utilizes so often.

One for one. Fair enough. “We’re both right then,” Nesta says. “You work for your best friend because you have no ambition beyond serving your family, and I have no such family because I can’t bring myself to care about those things. Are we even now?”

Cassian furrows his brows, those defensive walls melting away as he realizes she’s completely serious. “What? No, Nes—” He shakes his head. “Okay, so maybe you’re right about me. Maybe I agree with you a little bit, but… If we see flaws in each other, then we should be working to overcome them instead of weaponizing them.”

Now Nesta’s the one shaking her head, quickly lifting a hand to stop him. “Relax there, sweetheart. I have no expectations from you or myself to go on some self-improvement journey now that we’re together. Talking about my feelings with a professional every week is hard enough.” Yes, agreeing to go to Feyre’s Christmas party is improvement. Slow, barely there improvement, but enough to wear her out for the rest of the month. For Nesta to fully let people into her life, to treat them as lovingly as she treats Cassian— that’s a long way away. She can’t envision it, doesn’t even know if she wants it.

Cassian must understand some of what she’s thinking, because he nods and backs off. He gets back up and returns to stringing lights, tossing a handful of tinsel at Nesta as if to say Get back to work. 

She stands and obeys, thinking their not-argument is officially over when Cassian says, “You’re wrong about one thing.”

She looks up from where she threads tinsel through fir leaves. He doesn’t take his eyes off his work as he says, “You do have a family. And deep, deep down, you care about them as much as I care about mine.”

***

Nesta catches Emerie’s eye as the dark-haired beauty walks into the pub. Raising a hand and waving, she gestures Emerie over to the booth she’s sitting in. 

“Look what I found,” Nesta says with a hint of pride, pointing to the redhead sitting beside her. “A third girl for girl’s night!”

“I was kidnapped,” Gwyn speaks up. “Jumped on the way to my car.” She’s out of her usual hoodie and in a tight-fitting blouse, looking stunning even while seeming out of place in the dim bar.

“She came here consensually,” Nesta retorts. “Emerie, this is Gwyn. We met at therapy.”

Gwyn offers Emerie an awkward smile.

Emerie slides into the booth across from them with raised brows. She looks between Nesta and the new girl and back again. “You invited her here? All by yourself?” she asks.

Nesta nods firmly.

Emerie breaks into a wide grin and reaches over the table to grab Nesta’s hand. “I’m so proud of you!” If Emerie were anyone else, she’d be squealing in excitement, but Emerie does not squeal.

Nesta waves off her friend’s praise, though a part of her wants to beam at it, too.

Gwyn glances between the two of them with slight amusement. “I mean, it’s not that impressive,” she says. “She came on a bit too strong, probably a five out of ten on the asking-someone-out scale.”

“‘A bit too strong’ is all you’re gonna get with Nesta,” Emerie says, lifting her hand to order drinks. “She’s all-or-nothing, and most people would pray she doesn’t give them her nothing.”

Nesta doesn’t know if that’s a compliment, but she supposes there are worse things that could be said about her.

“So, Gwyn, what do you do?” Emerie leans forward. “All our friends are law students and it’s starting to get boring.”

Gwyn goes off about her librarian job as Nesta orders their drinks, and Emerie rests her chin in her hand and listens eagerly. Christmas music plays softly in the background and snow flurries gently outside. Nesta thinks she can’t be doing that bad in life, if she’s managed to carve out this little slice of happiness for herself.

***

a/n: i promise shit actually happens next chapter! we're getting christmas with nessian and the ic in the same room for the first time

taglist: @ladywitchling @sjm-things @thewayshedreamed @drielecarla @valkyriewarriors @superspiritfestival @aliveahaahahafuck @cupcakey00 @sayosdreams @rainbowcheetah512 @claralady @thebluemartini @nessiantho @missing-merlin @duskandstarlight @lucy617 @sleeping-and-books @everything-that-i-love @cassianscool @swankii-art-teacher @awesomelena555 @julemmaes @wickedqueenoffantasy @poisonous-bloom @observationanxioustheorist @gisellefigue08 @courtofjurdan @theoverlyenthusiasticwriter @wolfiixxx @cass-nes @seashade @royaltykxx @illyrianundercover @queenestarcheron @monstrousloves-explodinggalaxies @humanexile @that-golden-lyre @agentsofsheilds @mercy-is-alive @cassiansbigwingspan @laylaameer01 @verypaleninja @maastrash @bow-dawn @perseusannabeth @dead-on-the-inside666 @jlinez @hungryreadingaddict @anidealiveson

[eldritch-araneae]

Sparkpulse IV: Sleeping Beast Within.

Summery:

Bumblebee and Cheetor are chilling together on a nice quiet evening :3

It’s a nice and calm evening today. No Decepticons activities. Bumblebee and Cheetor are relaxing on a random ledge above the cafeteria, watching everyone chilling with their energon. Cheetor is currently in their spotted ray-cheetah alt form, laying with their limbs tucked underneath the body. A position which everyone lovingly calls a “loaf form”. Bumblebee is beside his feline friend, pressing onto their side and mimicking the same position.

Both Special Operations agents were talking about random stuff, from patrol and mission discussions to random shenanigans that happened to other Autobots. Life is never boring in their department, even during the night, considering a lot of agents are nocturnal cybertronians, including Bumblebee himself.

Bumblebee slightly nudges Cheetor to make them look at him. Cheetor is hard-of-hearing, and their hearing can vary from moderate to severe. They have hearing aids, but sometimes they are not much help. So everyone quickly learned that they must make sure that Cheetor sees them before talking to make lip-reading and signing easier.

“How was your patrol, by the way?” Bumblebee asks his diurnal friend.“Did you find any interesting stuff among the ruins?”

“Nope, whatever was in that building eroded long ago.” Cheetor sighs, but then grins a second later. “I still can’t believe you found that super old board game intact!” they exclaimed, lightly bumping the minibot with their nose.

Bumblebee giggles at the display of affection. He loves little things like this. He bumps Cheetor back with his forehead. “I know right! It was in such good condition that even acid rain and stuff didn’t eat it.”

At that moment, Jazz enters the room and as he sees the pair of “cats” on the ledge above, he bursts into laughter.

“I must admit, Cheetor, I never expected you to teach our youngest member the way of the cat!” the head of Special Operations Department chortles, “Bumblebee, please be honest! Can you purr already?”

Cheetor wheezes at Jazz’s question, while Bumblebee grins widely.

“Well, I tried, but apparently I can only growl.” the minibot answers with all his honesty. “It doesn’t feel like I am supposed to be a feline.”

“Well, it doesn’t stop you from being a cat anyway!” Jazz grins, gesturing at Bumblebee’s current “loaf” position. Cheetor wheezes, making a sound like a kettle from Wheeljack’s lab. That caused all three to burst into laughter. After that, they exchanged a few words before Jazz went to grab his energon cube. The minibot and the beastformer keep chilling on the ledge, observing everyone below them.

Imitation is an interesting thing indeed. It’s a natural process that allows a living being to fit better in their social environment.

It’s not like Cheetor was teaching Bumblebee feline behavior on purpose. It just happened because the minibot spent a lot of time with them and other Autobot felines after he made amends with Steeljaw.

Bumblebee adopted some cat mannerisms. This is when his beast protocols surfaced. Both Perceptor and Botanica are absolutely sure the minibot was bound to be a beastformer, but lack of resources forced him to take a vehicle-type alt form. This leaves a lot of questions, but it’s not possible to answer them for now.

Still, this explains a lot of things: his quadrupedal mode could be an attempt of his body to compensate for the lack of beast-type alt form. Or how he feels like he’s missing some parts, like additional limbs.

Bumblebee is sure he’s supposed to have wings! Every time he swings with his cables, the overwhelming nostalgia makes his spark ache and his back feels abnormally light. After a while, this feeling grew into an itch, and just swinging around the stronghold wouldn’t satisfy it anymore.

Windblade could see the pained look on his face, so she indulged him and took him skydiving. Just flying up with her already feels so much better. And the moment Windblade turns off her engines and they start falling is pure joy, making him tear up every time.

The wind rushing past him, the feeling of flying, the stimulant rush. Bumblebee forgets about all his insecurities and worries, feeling that he belongs in the sky.

This is the closest to flying he ever got, or will ever get, as sad as it sounds.

Bumblebee shakes his head. There is no reason to wallow about things he can’t have, he has to work with what he’s given. That’s why he can’t wait for Windblade to come back from her mission, so they can go skydiving again.

The anticipation quickly fades as the door opens to the cafeteria, revealing Sideswipe, and Sunstreaker going in. The minibot tenses upon seeing them. Those two are not buddies, not at all.

“Bee, are you okay? Your optics have slits.” Cheetor’s voice pulls Bumblebee’s attention to themself. Pupils turning into slits, another feature of a beastformer, that happens when one is angry, exposed to light, or in alt mode.

“I’m okay, it’s just... well him.” He hisses at Sunstreaker below, who seems like he didn’t realize that Bumblebee is in the room too. “I still don’t know what I did to him to receive such treatment.”

“He’s always been such a slaghead as long as I remember.” Cheetor sighs. “But it’s undeniable that he’s really out there to get you for no reason. Don’t worry, I will eat his shins if he tries to do anything to you!”

Bumblebee smiles at support. He really appreciates it. Though this smile fades quickly because the problem is still there and he does not know what to do with this.

Sunstreaker hates the minibot for unknown reasons and will grab any chance to harass him. Thankfully, his friends, especially Windblade, made it crystal clear that if he hurt Bumblebee, Sunstreaker won’t come out in one piece.

Still, Bumblebee feels that animosity directed at him from the yellow gladiator’s spark.

That’s just so unfair that it hurts!

Thankfully, before Bumblebee could start fully seething about this, Blaster, with his cassettes, entered the cafeteria. Cheetor greets the fellow Special Ops members, which pulls the minibot out of the spiral of negative emotions.

Suddenly, the optics of Bumblebee, Cheetor, Steeljaw and Nightstalker are locked onto each other. For a few seconds, they stared. Everyone who noticed this stopped doing what they were doing because they knew what would happen next.

Who will run first?

Who will start the game?

The next second, Nightstalker bolts from the spot they were standing into the stronghold corridors. Steeljaw jumps after them, followed by Bumblebee and Cheetor jumping from the ledge.

The chase has begun, leaving laughing bots in the cafeteria behind!

The stomping is so intense that someone might think it’s Dinobots, not three cats and Bumblebee running through corridors. He never said it out loud, but those games helped him to be more confident with his quadrupedal mode, making him even more agile.

After a few more turns of running, Steeljaw catches Nightstalker. Now it’s their turn to be chased. He turns around and runs in the opposite direction, into the medical wing.

A medbay door opens, and Ratchet almost got thrown on the floor if he didn’t see Steeljaw coming. With a yelp, he quickly jumps back into the room, and the rest of the group runs by him. He can only shake his head as he foresees someone getting hurt. But he cannot deny that cats need to get their zoomies out... though he still can’t believe they dragged Bumblebee into their games.

The three beastformers and the minibot keep running until Bumblebee finally catches Steeljaw.

“You’ll never catch me!” the minibot proclaims, as he takes an instant sharp turn and starts running at full speed.

“Hey!” Cheetor yelps, not expecting such a fast reaction from the minibot. Being the fastest quadrupedal out of Autobots, they quickly catch up with the minibot, almost being within their reach.

Bumblebee feels ‌Cheetor is getting close to him and takes another unexpected turn to avoid being caught. But surprises won’t end here.

Just ahead of him, the door opens and Optimus Prime steps into the corridor. Bumblebee sees it too late and slams into his leg at full speed. Optimus loses balance and falls onto his back. Cheetor, who was right behind Bumblebee, couldn’t stop in time and stepped all over their leader, including his face, before sliding into the wall. Steeljaw and Nightstalker, who were much farther behind, heard the commotion and slowed down, only slightly bumping into Optimus.

“What happened?! Are you okay, Optimus?” Prowl rushed from the same room to help his friend sit up.

“I am alright.” Optimus reassures the second in command and looks at the yellow culprit, who is laughing on the floor right.

“I’m sorry, Prime! I didn’t see you!” Bumblebee somehow utters the apology between laughs. He was so focused on getting away from Cheetor on his tail that he didn’t even pay attention to what was in front of him.

“I’m sorry too, for stepping on you!” Cheetor, who is giggling, apologizes next. “Looks like we got carried away.”

This earned a fit of giggles from everyone. Bumblebee’s laugh is simply contagious. No one can resist, not even serious bots like Prowl.

“This was bound to happen, I feel. Though, I wouldn’t expect Bumblebee to be the one throwing me off my feet.” Optimus chuckles. He turns to Bumblebee, who, despite the laughing fit, is cradling his left arm. “Are you alright?”

“I’m okay!” Bumblebee exclaims, trying to throw his arms up, but his left arm quickly responds with pain from sharp movement. “Ow, ow, ow!” he grimaces. “Okay, maybe I’m not. Looks like I dislocated my shoulder or something.” he corrected with a giggle. Sure, it hurts, but this entire situation is too amusing to him to focus on the pain.

“Oh no!” Cheetor feels bad for their friend. “I will make sure he’ll make it to medbay!”

“Good. So what did we learn today?” Prowl asks the youngest member of Autobots.

“I learned that if I slam into Prime’s leg hard enough --” he didn’t even finish as everyone erupted into laughs again.

After everyone calmed down, Cheetor with the cassettes helped Bumblebee to get to the medbay.

When they entered Ratchet’s domain, the medic already could guess what happened. But he would never guess who fell victim to their shenanigans this time.

“Let me get this straight.” Ratchet slightly pinches the bridge of his nose.” You, Bumblebee, tripped Optimus Prime? And damaged your left arm in the process?”

The only answer he received was another row of laughter from beastformers, which served as confirmation.

“Aright. Bumblebee, you get into the berth, and your three are out.” Ratchet said. The minibot nodded to his playmates, and they went back to their game, chasing after Cheetor.

Then he walks over to the berth. Ratchet helps him to get on it with his magnetokinesis, before proceeding to inspect the injury. The medic carefully popped Bumblebee’s shoulder into the socket. The pain is lifted.

“Thanks, Ratchet.” Bumblebee says sheepishly.

“You should be more careful with their games. You are not as durable as they are, Bumblebee, and they tend to play rough.” Ratchet grumbles.

“C’mon, they never hurt me, and it’s fun!” Bumblebee protests. He doesn’t like to be reminded of his condition, though he knows this comes out of concern. “Alright, alright I will.”

Ratchet nods, satisfied with the answer. “Hold still, I will check if your arm sustained any more injuries.”

Bumblebee decided to check radio channels as he waited. Maybe he can hear if Windblade is coming back soon. After swapping multiple channels, Bumblebee stumbled upon a strange signal.

The signal is transmitted through a channel that he never saw before. As if it was turned off until someone began using it recently. And the signal itself is something he never heard Autobots or Decepticons using. It sounded like a series of beeps, short and long.

“Is something wrong?” Ratchet asks, noticing the minibot’s confused expression. Bumblebee opens the radio channel with the medic, letting him listen to that signal.

“Did you hear something like this before?” he asks the medic. He’s one of the eldest Autobots. Surely he heard something like this, right?

But Ratchet is confused as much as Bumblebee, “I do not know. We should notify the High Command about this. Who knows if Decepticreeps invented another way of secret communication… after I finish with your arm.”

The minibot nods and continues listening to the signal. He can’t help but feel it seems oddly familiar to him. After multiple passes, Bumblebee notices it has a specific pattern that looks like this:

... .... .- -.. --- .-- .-.. ..- .-. -.- . .-. --..-- / .-- . / -. . . -.. / - --- / - .- .-.. -.- .-.-.-

After he got the pattern, much to Bumblebee’s surprise, his system recognized it and began deciphering. When he saw the meaning of the message, his spark almost jumped out of his chest.

“WHAT?!”

[itsclydebitches]

RWBY Recaps: Volume 8 “Dark”

Welcome back, everyone! Can you believe it's been six weeks already? I can't. Something something the uncomfortable passage of time during a pandemic as emphasized by a web-series.

But we're here to talk about RWBY the fictional story, not RWBY the cultural icon. At least, we will in a moment. First, I'd like to acknowledge that shaky line between the two, growing blurrier with every volume. A sort of good news, bad news situation.

The bad news — to get that out of the way — is that we cannot easily separate RWBY from its authors and those authors have, sadly, been drawing a lot of negative attention as of late. This isn't anything new, not at all, but I think the unexpectedly long hiatus gave a lot of fans (myself included) the chance to think about Rooster Teeth's failings without getting distracted by their biggest and brightest production. There's a laundry list of problems here — everything from the behavior of voice actors to the quality of their merch — but as a sort of summary issue, I'd like to highlight the reviews that continue to pop up on websites like Glassdoor, detailing the toxic, sexist, crunch-obsessed environment that RT employees are forced to work in. A lot of these websites requires a login to read more than a page of reviews, but you can check out a Twitter thread about it here. 

Now, I want to be clear: I'm not bringing this up as a way to shame anyone enjoying RWBY. This isn't a simplistic claim of, "The authors are Problematic™ and therefore you can't like the stuff they produce." Nor is this meant to be a catch-all excuse for RWBY's problems. If it were, I'd have dropped these recaps years ago. I'm of the belief that audiences maintain the right to both praise and criticize the work they're given, regardless of the context in which that work was produced. At the end of the day, RT has presented RWBY as a finished product and, more than that, presents it as an excellent product, one worth both our emotional investment and our money (whether in the form of paying for a First account, or encouraging us to buy merch, attend cons, etc.) I'll continue to critique RWBY as needed, but I a) wanted fans to be at least peripherally aware of these issues and b) clarify that my use of "RT" in statements like, "I can't believe RT is screwing up this badly" is meant to be a broad, nebulas acknowledgement that someone in the company is screwing up, either creatively (doesn't have the skill to write a good scene) or morally (hasn't created an environment in which other creators are capable of crafting a good scene). The real, inner workings of such companies are mostly a secret to their audiences and thus it's near impossible for someone like me — random fan writing these for fun as a casual side hobby — to accurately point fingers. Hence, broad "RT." I just wanted to clarify that when I use this it's as a necessary placeholder for whoever is actually responsible, not a damnation of the overworked animator breaking down in a bathroom. Heavy stuff, but I thought it was necessary (or at least worthwhile) to acknowledge this issue as we head into the second half of the volume.

Now for the good news: RWBY has reached 100 episodes! For any who may not know, 100 is a pretty significant number in the TV world because, when talking about prime time programming, it guarantees syndicated reruns. Basically, networks don't want audiences to get burned out with a show — changing the channel when it comes on because ugh, I've seen this already, recently too — and 100 episodes allows for a roughly five month run without any repeats, making it very profitable. RWBY is obviously not a television show and doesn't benefit from any of this (hell, modern television doesn't benefit from this as much as it used to, not in the age of streaming), but the 100 episode threshold is still ingrained in American culture. Beyond just being a nice, rounded number, it is historically a measure of huge success and I can't imagine that RT isn't aware of that. Regardless of what we think of RWBY's current quality, this is one hell of a milestone and should be applauded.

All that being said... RWBY's quality is definitely still lacking lol.

Our 100th episode is titled "Dark" — keeping with the one word titles, then — and I'd like to emphasize that, as a 100th episode, it definitely delivers in terms of plot. There's plenty of action, important character beats, and at least one major reveal, everything we'd expect from a milestone and a Part II premiere. The animation also continues to be noteworthy for its beauty, as I found myself admiring many of the screenshots I took for this recap. There are certainly things to praise. The only problem (one we're all familiar with by now) is that these small successes are situated within a narrative that's otherwise falling apart. It's all good stuff... provided you ignore literally everything else surrounding it.

But let's dive into some examples. We open on Qrow starting, awoken by the thunder outside. Robyn has been watching him and makes a peppy comment about how none of them will be sleeping tonight, followed by a more serious, "Sounds bad out there." Yeah, it does sound bad, especially when they all know — thanks to Ruby's message back in Volume 7 — that this is due to Salem's arrival. I think a lot of the fandom has forgotten that little detail because people often discuss Qrow as if he is entirely ignorant of what is going on outside his cell. Even if we were to assume that he's forgotten all about the pesky Salem issue (the horror of Clover's death overriding everything else, perhaps) he still knows that Tyrian is running loose in a heat-less city with a creepy storm going on and, from his perspective, the Very Evil Ironwood is still running the show. So it's bad, which begs the question of why Qrow (and Robyn, for that matter) hasn't displayed an ounce of legitimate worry for everyone he knows out there. Thus far, their interactions have centered entirely around Qrow's misplaced blame and Robyn's terrible attempts to lighten the mood, despite the fact that a war is raging right beyond that wall. It's another example of RWBY's inability to manage tone properly, to say nothing of balancing the multiple concerns any one character should be trying to juggle. Just as it rankles that Ruby and Yang don't seem to care about what has happened to their uncle, Qrow likewise doesn't seem to care about what might be happening to his nieces. When did we reach a point where these relationships are so broken that someone can be arrested/chucked into a deadly battle and the others just... ignore that?

So Robyn's otherwise innocuous comment immediately reminds me of how badly the narrative has treated these conflicts and, sadly, things don't improve much from here. We are thankfully spared more of Robyn's jokes when Qrow realizes that what he's hearing can't be thunder. A second later, Cinder blasts through the wall — called it! — and Qrow instinctively transforms. 

The only downside to this moment is that the whole ceiling falls down on Qrow and the others because APPARENTLY these cells don't have tops on them. Seriously. As far as I can recall we don't see the stone breaking through the forcefield somehow and this looks pretty open to me.

If it is... you're telling me these crazy powerful fighters who practice landing strategies and leap tall buildings in a single bound —

— can't just hop over this mildly high electric fence to get out? Qrow can't just fly away?

We're, like, two minutes in, folks.

We transfer to Nora's perspective as she wakes up, seeing Klein giving her the IV. He tells her not to worry, that "you and your friend are going to be just fine." What friend? Penny? Klein went upstairs prior to Weiss hugging Whitley or Penny crash landing outside. I had thought them bursting through the door with another unconscious friend was the first time he learned what the big bang outside was, but apparently not.

Penny is, obviously, a mess. While I now understand the choice to make her blood such an eye-catching color when that's crucial to the Hound's hunt, I still think it looks strange visually. Like someone has taken a copy of RWBY and painted over it. It doesn't look like it fits the art style. More than that, it implies some rather complicated things about Penny's humanity, especially in a volume focused around her being a "real girl." Real enough for Maiden powers, but with obviously inhuman blood that isn't even referred to as "bleeding." Penny "leaks" instead.

Toss in the fact that she's literally an android who is made up of tech — recall the running gags about her being heavy, or it hurts to fist-bump her, to say nothing of keeping things like multiple blades inside her body — yet Klein says that her "basic anatomy" is the same and he can "stitch up that wound."

I'm sorry, what? Whatever Penny looks like on the inside, it's not going to resemble a human woman's anatomy, and Klein might be able to stitch the outer layer of skin she's got, but that won't do anything to fix whatever metal bits have been broken underneath. Penny isn't a human-robot hybrid, she's a robot with an aura. Penny has knives in her back, rockets in her feet, and a super computer behind her eyes. When our clip introduced that Klein would be the one to help Penny, my initial reaction was, "Seriously? He's a butler and a doctor and an engineer?" But RWBY didn't even try to get away with a Super Klein explanation, they just waved away Penny's very obvious, inhuman anatomy. Yeah, I'm sure "stitching up" an android wound is just like giving Nora her IV. I hope the surgical sutures he used are extra strong!

In an effort to not entirely drag this episode, I do appreciate that Whitley is allowed an "ugh" moment about the non-blood covering his shirt without anyone calling him out on it. That felt like the sort of thing the show would usually try to make a character feel guilty about and I'm glad that, for once, he was just allowed to be frustrated without comment.

Then the power goes out and May calls, which raises questions about what state the CCTS is in and when scrolls are available to our protagonists vs. when they're not. But whatever. She's checking in because she just "saw another bombing run light up the Kingdom" and —

Wait. Bombing? Salem is bombing the city? I know we've seen explosions in the sky, but I'd always just attributed that to evil aesthetic. Why does this dialogue sound like it's from a World War II film and not a fantasy sci-fi show about literal monsters launching a ground attack?

May looks pretty against the sky though. I like her hair color against that purple.

I'm admittedly grasping at positives here because we finally return to her "You have to choose" ultimatum and — surprise! — May has pulled back completely. Ruby says that once they've helped Penny, "We'll...we'll do something!" which is once again her avoiding making a decision. Ruby still refuses to choose, instead falling back on generic, optimistic pep talks. They'll figure out how to stop Salem later. They'll think about the impact of telling the world later. They'll choose who to help later. Ruby keeps pushing these problems into the future where, she hopes, a perfect, magical solution will have appeared for her to latch onto. When that continues to not happen, others pressuring her to actually do something and stop waiting for perfection — Ironwood, Yang, May — she panics and continues stalling for time. Wait an episode and the narrative supports her in this.

Because initially May was forcing Ruby to decide. Now, May enables her desire to keep putting things off. "Don't beat yourself up, kid. At this point, I don't know how much is left to be done." That's the exact opposite of what May believed last episode, that there was still so much work and good to do for the people of Mantle. This is precisely what the show did with Yang and Ren's scenes too, having people call Ruby out... but then return to a message of, 'Don't worry, you're actually doing just fine' before Ruby is forced to actually change.

None of which even touches on May calling her "kid" in this moment. That continues to be a convenient way of absolving Ruby of any responsibility. When she wants to steal airships or Amity Tower, she's an adult everyone should listen to, the leader of this war. When the story wants to absolve her of previously mentioned flaws, she becomes a kid who shouldn't "beat herself up." I said years ago that RWBY couldn't continue to let the group be both children and adults simultaneously, yet here we are.

So that was a thoroughly disappointing scene. Ruby gets her moment to look sad and defeated, listing "the grimm, the crater, Nora, Penny" as problems she doesn't know how to solve. Note that 'Immortal witch attacking the city I've helped trap here' isn't included in that list. Ruby is still ignoring Salem herself and no one in the group is picking up where May left off, challenging her to do more than wring her hands over things others are already trying to take care of: Ironwood is fighting the grimm, May has gone off to help the crater, Klein is patching up Nora and Penny. Ruby, as one flawed individual, should not be expected to come up with a solution to everything, but she does need to stop acting like she can come up with a solution to everything when it matters most (office scene) and rejecting others' solutions when they ask for her help (Ironwood, May).

If it feels like I'm dragging the flawed, traumatized teenager too much, it's not in an effort to ignore those aspects of her identity. Rather, it's because she's also the licensed huntress who wrested control from a world leader and violently demanded she be put in charge of this battle. Ruby, by her own actions, is now responsible for dealing with these problems, or admitting she was wrong and letting others take the lead, without purposefully derailing their plans. She doesn't get to suddenly go, "I don't know," cry a little, and get sympathetic pats.

But of course that's precisely what happens, courtesy of Weiss.

During this whole scene I kept wondering why no one was celebrating Nora waking up, especially when Ruby outright mentions her. Have they just not noticed given all the Penny drama? Because Nora absolutely woke up.

Aaaand went back to sleep, I guess. What was the point of that POV shot? No worries though, she'll wake up again in a minute.

Willow arrives and announces that they can fix the power (and Penny) using the generator at the edge of the property. I'm convinced RT doesn't actually know what a generator is because the characters are acting like it's some super special device that only richy-rich could possibly have. Whitley says that it's the SDC executives who have their "own power supply" and that it's "extremely unfair." Now, don't get me wrong, a good generator powering large portions of your house can run you 30k+, but you can also get one that plugs into your extension cord and powers your fridge for a couple hundred. There's absolutely a class issue here, just not the one Whitley and Weiss seem to be commenting on. They make a generator sound like the sort of device that only a politician-CEO could possible have and it's weird.

Likely, it sounds weird because it's a choppy way of getting Whitley to bring up the wealth disparity so he can then go, 'That's right! We're crazy rich with a company housing tons of ships! We can use those to evacuate Mantle.' Awkwardness aside, I do like that the Schnee wealth is being used for good purposes, but... evacuate where? To the city currently under attack by a giant whale? In a RWBY that wasn't determined to demonize Ironwood, this would have been a great plot point during the office scene instead, with Weiss offering her services to Ironwood, even if the group decides that a continued evacuation still isn't possible.

Instead, we get it here from Whitley. Do I need to point out the obvious? That Whitley is the MVP of this episode? He's done more good in an HOUR than the group has managed in a year. Give this kid some training and make him a huntsmen instead.

We're given a (very pretty!) shot of the shattered moon because it wouldn't be RWBY if we weren't continually reminded that gods once wiped out humanity before destroying part of a celestial body... and absolutely no one talks about that lol.

Blake's coat might not make any sense for her color scheme, but it does make her easy to spot as she and Ruby run across the grounds. Oh my god, they're actually doing something together! It only took eight years. They even get a lovely talk where Blake admits how much she looks up to Ruby, despite her being younger, and once again I'm struck at how much more I would have loved this scene if it had appeared elsewhere in the series. It is, indeed, as sweet and emotional as all the RWBY GIF-ers are claiming... provided you overlook that this is the exact opposite of what Ruby needs to hear right now. She doesn't need to hear that she's more mature and reliable than her elders when she's functioning under a "We don't need adults" mentality. She doesn't need to hear that not knowing what to do is totally fine, not when that led to her turning on Ironwood, despite not knowing how to stop Salem. She doesn't need to hear that "doing something" — doing anything — is a strength, because Ruby keeps avoiding the big problems for smaller ones she's comfortable with, like standing by Penny's bedside instead of deciding between Mantle and Atlas. Blake's speech is heartfelt, but it's a speech that suits a Beacon days Ruby who is having some doubts about her leadership skills, not the girl whose impulsive — and now lack of — actions is having world-wide repercussions. Everyone is babying Ruby to a staggering degree. It's like if we had a med show where the doctor is standing by the bedside of a coding patient, fretting between two treatments. 'Don't worry,' their colleague says, patting their shoulder. 'I've always looked up to you. You'll do something when you're ready' and then they continue to watch the patient, you know, die.

Also: who does Ruby look up to? Everyone talks about how much they depend on and trust Ruby, but who does Ruby look to for guidance? A number of her problems stem from the fact that she has rejected the advice of everyone who has tried to help her improve: Qrow, Ozpin, Ironwood, even Yang. Ruby is presented as the pinnacle of what to strive for in a leader, rather than a leader who has only been doing this for two years and still has a great deal to learn.

Anyway, they get the generator on and the Hound shows up.

I am begging RT to just make RWBY a horror story. All their best scenes the last three years have been horror I am bEGGING —

Anyway, while Ruby waits to be eaten we cut to Willow and Klein, the former of which is reaching for her bottle, pulling back, reaching again, all while her hand shakes. This is good. This is what we should have gotten with Qrow. Which isn't to say that their (or anyone's) addiction should be identical, but rather that this is a far more engaging and complex look at addiction than what our birb got. Willow tells us that she doesn't drink in the dark despite bringing the bottle with her; tries to resist drinking when she's scared and ultimately fails. Qrow just decided to stop drinking after decades of addiction, seemingly for no reason, and that was that. Why is a side character we only met this volume written better than one of the main cast?

Blake manages to call Weiss about the Hound and she asks if Whitley can handle the airships without her. I mean, I assume so given that Weiss is looking at the bookshelves while Whitley does all the work lol. He makes a teasing comment about how he can if she can handle that grimm and she comments that they still need to work on his "attitude."

No they don't. Weiss stuck a weapon in her kid brother's face. Whitley made a joke. Even if Weiss' comment is likewise meant to be read as teasing, it's clear that we've bypassed any meaningful conversation between them. That hug was supposed to be a Fix Everything moment even though, as I've laid out elsewhere, it didn't even come close.

We cut back to Ruby getting thrown through a wall into the backyard and the Hound creepily coming after her. She's freaked out by this clearly abnormal grimm and Blake is weirdly... not? "It's just a grimm. Just focus!" Uh, it's obviously not. Have we reached the traumatized, sleep-deprived point where the group is sinking into full-blown denial? I wouldn't be surprised. They've been awake for like... 40+ hours.

Because the Hound knocks Ruby out with a single hit. Just, bam, she's down. "Focusing" is not the solution here.

Weiss calls to warn the others about the grimm, telling them to stick together. Willow (understandably) starts freaking out and flees the room (classic horror trope!). Klein is left alone when Penny wakes up with red eyes. Oh no!

Don't worry. You know nothing meaningful happens.

She shoves Klein before (somehow?) resisting the hack, her Maiden powers going wild in the process. Just when it looks as if Penny might cause some serious damage, Nora wakes up, takes her hand, and says, I kid you not:

"Hey... no one is going to make you do anything you don't want to do... It's just a part of you. Don't forget about the rest."

Okay. I want to re-emphasize that I love hopeful, uplifting, victory-won-through-the-power-of-love stories. Istg I'm not dead inside, it's just that RWBY does this so badly. I mean, what is this? It has similarities to the character shouting, 'No! Resist!' to their mind-controlled ally, but this is not presented as a desperate, last-ditch effort by Nora. She just speaks like this is the most obvious truth in the world. If you don't want to have your mind taken over... just don't! It's that simple. The problem definitely isn't that Watts has changed her coding and has implemented a command she can't override, it's that Penny has forgotten about the "rest" of her personhood.

And this works. Granted, not for long, but we leave Nora having successfully calmed Penny down and until her eyes unexpectedly go red again scenes later, we're left assuming that this is a permanent solution. That, imo anyway, is taking the Power of Love too far, overriding the basic reality of Penny being hacked. It’s not a personal failing she must overcome, it’s an external attack. I would have rather had Nora react to the scars she saw on her arm, or have a moment with Klein, or get some love from the group. Not a wakes up, falls asleep, wakes up again to save Penny with a Ruby level 'Just ignore reality' pep-talk, then back to sleep again.

So Penny isn't attacking her allies, or mistakenly hurting her allies with wild Maiden powers. Not that the group doesn't have enough to deal with, but still. Weiss arrives to help with the Hound and attempts a new summon, only to fail when two minor grimm burrow up into her glyphs. I really enjoyed that moment, both for the wing visual and the knowledge that Weiss' glyphs can fail if you break them somehow (which makes sense). Also, I just like that she failed in general? Weiss is, as per usual now, about to demonstrate just how OP she is compared to the rest of the team, so it was nice to see her faltering here.

The Hound tries to make off with Ruby and Blake does an excellent job of keeping it tethered. Ruby finally wakes, only to realize that the grimm is actually after Penny since it's staring at her power up through the window, no longer trying to escape. Moments like this remind me that there's someone on RT's writing team that knows what they're doing, at least some of the time. The assumption that the Hound is after Ruby as a SEW, the surprise that it's actually Penny, realizing it holds up because Ruby is covered in Penny's blood and Blake is not... that's all nice, tight plotting. More of that please!

The Hound drops her and Ruby's aura shatters when she hits the ground. I want everyone to remember this moment as an example of how strong the Hound is. The group may be tired, but unlike YJR they've been sitting around in the Schnee manor for a number of hours, regaining strength. We saw the Hound hit Ruby twice — once through the wall and once to knock her out — and then she falls from a not very high distance for a huntress, yet her aura is toast. That's the level of power and skill the Hound possesses. Decimating YJR, knocking Oscar out, same for Ruby, avoiding Blake and Weiss' hits, soon to treat Penny like a ragdoll. Just remember all this for the episode's end.

Blake tells Weiss she'll take care of Ruby, you go help the others. Yay breaking up the duos more! Bad timing though as the new acid-spitting grimm pops out of the ground and Blake is now left alone to face it.

Weiss re-enters the mansion, knowing the Hound is somewhere nearby, but not where. Suddenly, Willow's voice sounds through her scroll with an, "Above you!" which... doesn't keep Weiss from getting hit lol. But it's the thought that counts! Willow has accessed the cameras she's set up throughout the manor, watching the Hound's movements, and I have to say, that is a WAY better use of her separation from Klein than I thought we were getting. I legit thought they'd have Willow run away in a panic, meet the Hound, die, and then Weiss could be sad about losing her mom.

It does say something about RWBY's writing that this was my knee-jerk theory, as well as my surprise when we got something way better.

The Hound runs off, uninterested in Weiss, and she asks Willow to keep tabs on it. It heads for Whitley next (also covered in Penny's blood) and very creepily stalks him in the office with a, "I know you're here." Whitley is seconds away from being Hound chow before one of Weiss' boars pin it against the wall. He runs, then runs BACK to finish deploying the airships, before finally escaping assumed death. Goddamn this boy is pulling his weight.

I assume all these ships are automated then? I hope someone takes a moment to call May. Otherwise it's going to be super weird for the Mantle citizens if a fleet of SDC ships just show up and hover there...

I don't entirely understand how Weiss saved him though. She's nowhere to be seen when Whitley leaves and he runs a fair distance before he and Willow encounter Weiss again. We know her summons don't have to keep right next to her, but are they capable of rudimentary thought, attacking an enemy — and an enemy only — despite Weiss being a couple corridors down and unable to see the current battlefield? I don't know. In another series I'd theorize that this was a deliberate hint, a way to clue us into the fact that Willow, someone who we currently know almost nothing about, had training in the past and summoned the boar herself. Weiss and Winter certainly didn't get that hereditary skill from Jacques. Hell, we might still get that, Weiss reacting with confusion next episode when Whitley thanks her for the boar, but I doubt it. That scene with Ruby and the Hound aside, the show isn't this good at laying groundwork and then following up on it.

Case in point: Weiss says, "I didn't forget you" to Whitley after he gets away from the Hound, the moment trying to harken back to her promise to Willow. Key word is "trying." Because she absolutely forgot him! Weiss threatened and ignored Whitley until he proved his usefulness. I also shouldn't need to point out that, "Don't forget your brother" does not mean, "Don't let your brother die a horrible death by abnormal grimm." Weiss acts like her saving him is a fulfillment of her promise, rather than just the most basic of human decency. And also, you know, her job.

So that part is frustrating. The entire Schnee dynamic is a mess, from Weiss making a joke of her father's arrest, to Willow (presumably) fixing their relationship by putting a hand on her daughter's shoulder. Okay.

Then Weiss cuts off the Hound by summoning a giant wall of ice. My brain, every time this happens:

YOU COULD HAVE FIXED THE HOLE IN MANTLE'S WALL.

Moving on, Blake's fight against the acid... thing has some great choreography, including Blake using her semblance which we haven't seen in AGES. 

I really like the fight itself, just not what Blake is shouting the whole time. "I need you, Ruby! We all need you!" This has really gotten ridiculous. Ruby is presented as everyone's sole savior despite failing time and time again. It's not that I don't think Blake as a character should have faith in her leader, it's that I don't think the writers should be crafting a story where everyone puts their unshakable hopes in an untrained, disloyal, impulsive 17 year old. I mean, Ruby is currently unconscious, yet Blake is acting like if she doesn't wake up — she, as an individual, if Ruby Rose does not re-join this fight — then all is lost. If Ruby doesn't save them, no one can. Which is, of course, absurd on numerous levels. Blake doesn't need the passed out, aura-less Ruby right now, she needs the still very healthy Weiss pulling out multiple summons and an ice wall! Use your scroll and call for backup again.

But of course, Ruby wakes up and kills the new, terrifying grimm with a single hit. It's a preview of what's to come with the Hound and it's just as ridiculous here as it will be there.

Speaking of the Hound, am I the only one who thought this was... cute?

I can't possibly be the only one. That head-tilt is exactly what my dogs do and my brain instinctively went, "Aww, puppy!"

Murderous puppy.

The Hound realizes none of the Schnees are who it's looking for and runs off. Penny, meanwhile, has been fully taken over because, well, that's just what's convenient now. She resists long enough keep Amity up, then succumbs, then resists to apologize to Ruby, then succumbs, then resists because Nora asked her to, then succumbs once it's time to knock her out. If RWBY was willing to commit to consequences, Penny would have been taken over and that was that. The characters would need to deal with whatever outcome happens as a result. Instead, the show very carefully avoids any of those pesky consequences by having Penny successfully resisting at key moments, despite no explanation of how she's managing that.

She shoves Klein again (Klein is having a Bad Time) and starts walking down the main steps. When Whitley wants to know where the hell she's going, Penny mechanically responds that she must "Open the vault, then self-destruct." I suppose the change Watts made was the self-destruct order? Ironwood obviously wants the vault open, though not necessarily Penny's death. Think what you will of his moral compass, she's a damn powerful ally — a research project, perhaps — and a Maiden to boot. At the very least, her death may give the powers to someone even worse.

God, please don't let them have brought Penny back and made her a Maiden just to kill her again.

The Hound arrives though and, as said, knocks Penny out. We're back to square one with her, then. Note though that this attack is near instantaneous. She grabs its hands one second, is hanging limply the next. Wow, the Hound sure is a terrifying antagonist!

Not for long.

"That's enough," Ruby says and one-shots it with her eyes.

Now, I want to talk for a moment about the implications of that line. "That's enough." Obviously Ruby is #done with this situation and emotionally unwilling to let the Hound kidnap Penny (congratulations, Nuts and Dolts shippers), but there's a meta reading here as well. Not intentional, but glaring to me nonetheless. Basically, the idea that the Hound has, from a plot perspective, done enough. It has served its singular purpose. It kidnapped Oscar and now it dies. Never-mind how insanely powerful we've established the Hound to be, never-mind how Ruby's eyes also work or don't work according to whether anything of actual import is on the line. From a plot perspective "that's enough" and the Hound can be disposed of instantly. It got Oscar and gave us an episode of filler creepiness. Move along now.

The idea behind Ruby's eyes isn't bad, but the execution absolutely is. RT has undermined a huge portion of the stakes by giving their protagonist an instant kill-shot that always works precisely when she needs it to. Starting with the Apathy, we have yet to get a moment where Ruby's eyes fail to save the day when she really needs them to, no matter how incredible the challenge. The Hound was very intentionally written to be a grimm outside of the group's current power level. It thinks, it talks, they literally can't touch it. This creates the expectation that the group will need to grow stronger — or at least become smarter — in order to surmount this new obstacle, yet Ruby's eyes undermine all of that. The group hasn't grown in years, the show just makes enemies weaker as needed (Ace Ops), or has Ruby pull out her eyes as a trump card. It wouldn't be that bad if we'd at least gotten a good battle out of it, one where the group gets close to defeating the Hound on their own, but needs Ruby's eyes to finish it off. Instead, she literally walks up without any aura, announces to the audience that this antagonist's time is up, and blasts it out a window.

Granted, Ruby's eyes don't completely finish it. The Hound pulls itself to its feet and we see this.

Yup, that's a guy and yup, those are silver eyes.

I would like to issue a formal apology to the "It's secretly Summer!" theorists in the fandom. I mean, I still think it would be ridiculous (and at this point highly improbable) that Ruby's dead mother has actually been a grimm mutant this whole time, just hanging out in Salem's realm while she waits for the plot to start before attacking the world, and then sends some no-name faunus dude after the group instead of their leader's mother for extra, emotional torture... but you all were definitely right about the “It's a person” part! I... don't know how I feel about this. Admittedly, it seems to be a logical continuation of the other grimm-human hybrids we've seen — namely Cinder and Salem herself — and it finally explains why Salem wants Ruby alive (even though it actually doesn't because WHY did she want more SEWs for Hound grimm when she wasn't even attacking back then? And already has all these other insanely powerful tools??), but at the same time, it feels like it's complicating a story that doesn't need further complications. The group fights monsters and has an immortal enemy. You don't need to add 'Some of those monsters are secretly human' to the mix.

It doesn't hurt that this twist is giving me Attack on Titan vibes, which, ew. A dark time in my fandom life, folks.

The Hound staggers a few steps before Whitley and Willow dump a suit of armor on it. That's all it takes to kill the most dangerous grimm we've ever seen: a single flash of silver eyes and some heavy metal. This also wreaks havoc with the implication that Salem wants SEWs alive because they create such powerful grimm. Obviously not. I mean yeah, normal huntsmen are going to have serious  problems, we’ve seen that this volume, but any other SEWs nearby will take a Hound out instantaneously. For a villain with so many other powerful abilities — immortality, magic, endless normal grimm, her nifty soup — Salem would be much better served just killing SEWs straight out. Clearly, creating Hounds isn't worth the effort.

The Hound leaves some bones behind and Ruby collapses to her knees, overcome with the knowledge that this was once a person. Again, uncomfortable Attack on Titan parallels.

We finish our premiere with Cinder clearing away rubble to reveal Watts. Honestly, I like that we ended on this because her rescue is hilarious. She just slings him over her shoulders like a sack of potatoes and blasts off with her magic fire feet. Fantastic.

Note though that with this scene we've seen almost everything from the clip and the trailer. What's to come in the rest of Volume 8? No idea. Outside of Winter leading the charge with the bomb, we got it all here.

Time to update the bingo board!

I'm crossing off "Introducing new grimm that are quickly abandoned." Between the Hound and acid-dude both falling to a single blast/cut from Ruby, we've more than earned this square.

It doesn't look as if we'll get another Watts-Jacques team-up now that he's left, but you never know.

Maria's got me worried. I feel like her Yoda fight against Neo is the one thing she'll be allowed to do this volume, but given that we didn't see anyone except Ruby's group this episode, we don't yet know whether the story is now ignoring her and Pietro, or if they'll re-appear in another episode like YJR.  

Qrow is free. Will he get a drink before trying to murder Ironwood? Perhaps.

Still no bingo :(

All in all, the episode was by no means horrible. I think there were lots of horrible parts, but also some legitimately well executed moments, fun action, and scenes that I can easily imagine as squee worthy if you lean back and squint. Everything is comparative and in the growing collection of bad RWBY episodes, this one isn't securing a top slot. Which doesn't mean I think it's good, just... not as bad as it could have been and primarily only bad due to long-running problems, not things this specific episode has done. That's my bar then, so low it has officially entered the underworld.

Still, RWBY is back and a part of me is eager to see where this volume takes us, for better or for worse.

Until next week! 💜

[Ko-Fi]

[honeycombalbedo]

So... Dainsleif, huh? || Theory/Discussion

Dainsleif appearing in the newest update was certainly a surprise. From the Teyvat story preview I had assume that Dainsleif would be in the final chapter as kinda like an end game character, like the girl from the Delta episode in ORAS.

Now, I’ve always wanted to be able theorise about things I'm interested in but I’ve either had nothing new to say or the story was an open and shut case. But I finally got something to say so here we are I am sorry.

First, his name:

Dainsleif is a name that’s from Norse mythology, it’s a sword. Which is pretty fucking cool. 

Dainsleif translates to “Dain’s Legacy”, Dain being the blacksmith who made it.

Side note: In More About Kaeya – IV, he mention’s Khaenri’ah’s legacy: “Khaenri’ah, huh? You sure know a lot! The legacy of Khaenri'ah is long gone, the sinners are all that's left, and they're not worth mentioning.” Dainsleif is from Khaenri’ah I think?? Probably doesn’t mean anything but it’s interesting.

(Ignore the 1) The sword is also magic. It won’t be able to be put away unless it takes a sword. So that’s a little concerning.

Secondly, his vision:

I have 4 ideas for the vision because I’m pretty sure he’ll be playable in the future.

Cryo: The domain you go into says you need a cryo character. That’s it really, also I love cryo so I’m biased.

Hydro: Just because of his colour palette really.

Anemo: I don’t really know why but he kinda has that vibe idk, also there’s like, 3 anemo characters not including traveller?? So just to get more anemo characters.

He’ll work like traveller, in where he does not have a vision and can switch elements. Listen hear me out:

He has no vision. The only other character who y’know, “looks like a main character” is Scaramouche who just got back from Inazuma, which doesn’t allow visions to be shown.

He may get his powers from lay lines like abyss mages which means he might be able to change it. 

Finally, his appearance:

I was chatting on Genshin and discussing his lack of a vision on Dainsleif when I decided to look him up. 

He has a similar cape as Paimon’s, minus the constellations. But I don’t think Dainsleif is a Paimon, because he questions who Paimon is. Something only Albedo has done to my knowledge. BUT, this does relate to an idea I have that Paimon is from Celestia, but isn’t unknown god. I don’t know what her relationship is but I’m pretty sure she’s from there, she just doesn’t have her memories. 

Why is any of this relevant?? You are probably asking. Well, I think Dainsleif is an opposite to Paimon in a sense. I have an idea that both Paimon and Dainsleif have been used by their respective place to gather information for whatever reason. 

But please take the above with a whole cabinet of salt, I just wanted to mention it.

Both him a Kaeya have similar diamonds in their eyes, honestly they both have a strong diamond motif in general.

His arm has something up with it(Along with on his face and neck, it’s just mostly covered). It’s like it’s been corrupted. Maybe it happened when his travel companion “stopped adventuring”. Or it may just be from being in the abyss, and while we’re talking about corruption in the abyss...

Childe’s foul legacy transformation has the same cape!!! And it has legacy in the title too (Dainsleif means Dain’s Legacy) If I remember correctly Childe gained this power from being in the abyss, so may he also have one?

Brain gone that’s all I got atm, this took way longer than it looks...

I’ll make a part 2 if it comes back

[floatinginwords]

Saved by the Devil (8/?) - Tommy Shelby

Summary: you go missing and a lot of people get worried

Paring: Tommy Shelby x fem!reader (Not romantic..yet)

A/n: I actually wasn't gonna post today but this chapter fell out of me. Its funny how some days are tougher to write and others its like riding a wave. I hope everyone has a wonderful day :)

The man with the busy eyebrows and mustache called himself Inspector Campbell. A fucking police officer. When you came too you found yourself tied to a chair, ropes around your wrist and legs, tight against the skin cutting off blood circulation. He didn’t ask questions first. No first, was the punching against your ribs and stomach. Then your face. He didn’t give you no breaks, not like he would give you any.

 “I think me and you have gotten fairly acquainted with.” The inspector say his foul breath reaching up your nostrils. Blood dribbled down your chin and nose. It was you could taste.

His men have left the room, on his orders of course. He leans on his cane as he stares at you from above. A evil smirk on his face as if he was some god looking down at his pitiful creations. You spit blood at his shoe.

 He grabs your face harshly, you face scrunching up like a fish. “Tell me what you were doing with Thomas Shelby. Or I can make this night a whole lot painful for you.”  He throws you back and all you do is glare at the man. Not saying a word. Not even huffing a sound.

 The inspector laughs. And walks out the door. You see him point to you with his cane as he talks to the other men that were abusing you moments ago.  You brace yourself for the inevitable. The torture last for hours.

 ******************************************************************************************

 No ones seen you for three days. Ada, the first night you didn’t comeback, called Trinity. but she hadn’t seen you since the morning. The next day Ada and James went out looking through the streets at your usual spots. You didn’t have any Ada just wanted to feel as though she was doing something. You didn’t have any family or any other friends. Except one other person who may know your whereabouts. So on the third day of no trace of you, with a little nagging and encouragement from James and Trinity, Ada decided to make a call.

 *******************************************************************************************

 Over at May Careltons mansion, Thomas Shelby listens half heartedly to the woman discussing the progress on his horse. He could care less at the moment. He’s just thinking of ways that he could stay the night. He wasn’t a fool, he knew of Mays attraction to him. It benefited him in more ways than one.

 “Excuse me, Mr. Shelby,” A maid interrupts May in the middle of whatever it was that she was saying, “You have a phone call.”

 “I’m sure they can leave a message.” His eyes not leaving Mays

 “Its your sister, she sounds urgent.” The maid says.

 With that thought in mind, Tommy excuses himself from May.

 “Ada this better be important.”

 “Where the fuck are you,” Ada screeches over the phone, “Ive been trying to contact you everywhere and Polly tells me your-“

 “What is it-“

 “(Y/n) is missing.”

 Tommy swallows hard. “I’m sure she’s around somewhere ada. How long its been?”

 “Three days. No ones seen her. Tommy please, Im worried.”

 Three days ago was when he last saw you. When you agreed to go to dinner with Alfie and Arthur You had left the car without another word. He wanted to follow you but decided against it. He was regretting it now.

 “Ada, just calm down. Ill ask some boys to go look for her okay?” He reassures his sister over the phone promising to find you.

He hangs up.

 “Is everything alright?” May asks from behind him. Her eyes were hopeful looking at him. She too was hoping he would stay though that was something she would never admit out loud.

“I have to go, family emergency.” He says. Turning his back on her without another thought.

***************************************************************

He didn’t have to leave. He knew that. He could have stayed with May have her fill that hole within his heart that Grace had left about a year ago. He owed nothing to you. He kept telling himself this over and over as he drove back, pushing the speed way past its limit. He begins to reminisce about your first meeting. You were nothing but a chess piece to him at the time but you surprised him a lot in that first meeting. Especially when you didn’t take that money he offered. He was confused to say the least. Everyone took free money. You didn’t. He remembers seeing you again at the Eden club. He though he would never see again. But there you were. He couldn’t not talk to you. He just had to. He knew he hurt you with his words. He didn’t apologize. He never apologizes. He remembers finding out Ada had a roommate. Imagine the surprise on his face when he realized it was you. Of course Thomas Shelby was always in control of his emotions so it never really showed. He was distrustful of you as he always is with people. But you showed something since your first introduction that most people didn’t show their entire lives; Honesty. And he liked that about you. He believed you when you said you didn’t work for Sabini anymore. (Of course he had his people look into it after to be 100% sure) He trusted you to go to meet his brothers, be in the same car as them, come to an auction. He remembers seeing you bloody and a mess. Guilt and rage had filled him up. He couldn’t hold himself back from shooting the guy. When he stitched you up, he liked that you tried to make conversation. You knew when to back up, you never pried. He didn’t know if that was fear of him or if that was just you. He hoped the latter. He liked the way you said Mr. Shelby, though he often wondered how his first name would sound falling off your lips. Thomas Shelby pushes these feeling aside as he drives. He tells himself he just doing this as favor to his sister and because you can be very valuable. But as he drives into the city, a piece of his mind whispers that that just might not be the only case.

 *****************************************************************************************

 Three fucking days. You couldn’t believe that that’s how long it lasted. The torture, the beatings. They released you on the thought that you really didn’t know anything. You never said a word. They drove you out to the fucking country side and dropped you off like you were trash. You were never more humiliated in your life. You walked, each step bring you pain and anguish. But you kept going.

 ‘Its Friday’ You think to yourself. You never got to call to confirm if you were going on that dinner. You laugh at yourself. Out of all things to worry about.

 You find a little pond as you were walking and attempt to wash your face off all the dirt and blood. You looked half decent.

 It took you till sundown to get back into London. People in the streets gawked at your face. You knew you were bruised pretty bad. Worse than before thanks to the inspector. The stitches on the right side of your body were now leaking. You can see the blood drip slowly through your hand. You sigh. Its always one problem after the next.

Once in front of the house, you see all the lights on. Something you knew Ada hated. You see multiple people moving about and you curse underneath your breath. The last thing you wanted was to interact with people. Someone looks through the window, a young boy you didn’t recognize.

 “Is that her Ada?” You hear the boy loudly say not keeping his eyes off of you.

 As soon as the boy says that, a multitude of people rush out to the window to look out followed by a rushing to the door. Ada being the first to run into you, bear hugging you.

 “Where the hell have you been?” She cries out.

 You stay silent, your arms limp across your sides. No energy left to pick them up or say anything. You wished at that moment to escape into eternal darkness forever. You see a bunch of people behind her mostly men. All in black caps and coats.

 ‘Peaky blinders.” You think. You step back from Adas hug and move up the stairs toward the house. The men spread apart not wanting you to push through them. You walk up the rest of the stairs to your room slowly. You can feel all their eyes burn into your back.

 Once you reach your bedroom, you sit on your bed and stare at the empty wall. You couldn’t get the inspector eyes out of your head. It was like he enjoyed watching the life get beaten out of you. He talked a lot.  You replay the last three days in your head trying to piece together what that crazy old man was talking about as he was ‘interrogating’ you

 ***************************************************************************************

 As tommy walks through Adas door the first thing he realizes is that it seems that everyone is fucking here instead of doing their jobs. He watches them lounge about, eating and drinking away his sister’s stuff. He’s about to yell at them when Ada puts a hand on his shoulder.

 “Tommy She came home.” She says, he notices a lack of smile on her face.

 He raises an eyebrow.

 “She looks like she’s been beaten all over. I mean I only saw her face but the way she was walking…” Ada trails off biting her lip.

 “Im gonna talk to her.”

 “Tommy I don’t think-“

 Hes already at the top of the stairs before she finishes her sentence. Its not hard to figure out which room is yours. For reason being your room is the only one open. He sees your figure sitting up just staring at nothing in the dark. He clears his throat, not wanting to scare you with his unknown presence. You don’t turn around. He takes slow steps around to sit next to you on the bed. You both face the wall.

 “Its Friday,” you break the silence, “I apologize for not calling about dinner.”

 Right, he almost forgot that Alfie and Arthur were meeting right now.

 “Never mind that,” You suddenly get up as he talking, limping around the room, “what are you doing?”

 You light a candle on the other side of the room. He sees how bad your bruised face is in the light. And the blood trail your leaving with your freshly open hand.

 “(y/n), you should go see a doctor.” Thomas says standing up.

 “I’ve been through worse, Mr.Shelby.”

 “Who did this to you?” You notice the look of controlled anger on his face.

“Inspector campbell. Know him,” You ask sarcastically,” cause he really doesn’t like you.”

 You laugh and wince, the action hurting your ribs immensely, ”oh and he sure talked a lot. Kept mentioning a general, if I knew him, if I seen him, if you told me his name,” you pause, “what are you planning to do with a general?”

 He doesn’t answer you. The clocks in your brain keep turning. “Cause there’s only one thought that comes to my head.”

 “Why did he question you?”

 “Cause you took me to the fuckers house. And your being followed by the way.” A pain strikes through your head the more frustrated you become.

 “You should lie down.”

 “What did you get yourself into?”

 “it doesn’t concern you.”

 “Look at me, how does it not?”

He stares at you and though to you he looks emotionless, inside the feeling of guilt and fear are swirling. You on the other hand cant decipher anything that going on behind those eyes.

‘maybe this what he looks like when he is lost.’ You think. You know you could lend a hand through this, whatever it is. You assume an assassination. One the police are having a hand in themselves. When inspector Campbell was ‘questioning’ you, you noticed how it didn’t seem like he cared for the generals life but feared of who got a whiff of the info. It seemed that Mr. Shelby was getting something from it, maybe with you helping so can you. A ticket out of here perhaps.

 “what do you want?” He says shrugging.

  “I want to help.”

read pt.9

Tags

@captivatedbycillianmurphy @evelyn-4034 @enamouravecleslivresetlechocolat

[laurelnose]

Very New to your blog and the posts are probably way old but I saw you do Witcher Biology (??) rants sometimes and Id love to hear your take, if you have one, on what monsters (namely "naturally occurring" ones like draconids and insectoids) contribute to the ecosystem if anything and whether or not they should be hunted into extinction. I was discussing it w/ a friend last night after dealing with Iocaste, the last silver basilisk, and now its smthn I'm Invested in

re monster ecosystems: I just figure theyve probably found a niche in the world by now and can eat anything smaller incl. humans but because theyve got no natural predators aside from eachother and arent hunted by anything but witchers , monsters are just breeding and eating and wldnt that damage the land? or have they made their own like, circle of life or whatever ? Ive little knowledge on the subject as a whole but the whole thing intrigues me

hi & extremely belated welcome, anon! my apologies for the length of time you’ve been waiting for this answer; I had to think carefully about how I wanted to respond to this ask, because: there’s a lot going on here. also, because I am a disaster, I ended up posting it to ao3 first while I was avoiding tumblr for a spell and then completely forgot to come back. oops. i’m sorry!! This one’s about 5000 words long, which is a lot for tumblr, so reading on AO3 may be preferable.

-

The two main thrusts of your first ask (how do monsters interact with the ecosystem and should they be eradicated from the Continent) are questions of invasion ecology, the study of non-native/invasive species and their effects on the environment. Monsters, having arrived on the Continent about 1200 years ago during the Conjunction of Spheres from entirely alien dimensions, are indeed technically non-native species!

However, invasion ecology is…somewhat controversial, to say the least—there are a lot of invasive species, who have a lot of different & complex impacts, and a lot of different ideas about what we might do about any of this, and it’s basically all arguing all the time, so I wasn’t really sure how I wanted to approach the topic. Not to mention that for reasons I couldn’t initially put my finger on, it seemed wrong to apply theories of invasion ecology to the Witcher monsters. We’ll get into it! There are also a couple of common misconceptions/oversimplifications of how ecology works in your second ask which I want to unpack. Hopefully I pulled this together into something that makes sense, and feel free to ask me for clarification!

Some important background facts:

Species have always been moving to and “invading” new places on their own; humans and globalization have accelerated this process into a Big Problem, as the sheer number of invasive species being introduced all over the globe strains ecosystems already under pressure, but “native ranges” are always shifting, sometimes more dramatically than you might expect. If you go far enough back in time, all species are “non-native”.

Because of this, the very definition of “invasive species” is hotly contested. This is why you’ll hear dozens of terms like introduced species, injurious species, naturalized species, non-native species, etc.; these all have slightly different connotations, but all refer to a species that did not originate in a particular location.

An introduced species is usually classified as “invasive” as opposed to “non-native” or “naturalized” if its presence significantly alters the ecosystem it invades; some people define this more narrowly as a species that causes harm to an ecosystem. “Harm” can take a lot of different forms, as every non-native species interacts differently with the ecosystem they were introduced to.

Aside from various potential impacts to human economic activity, most forms of ecological harm by introduced species involve the decline of native species, by a variety of mechanisms; invaders might eat natives, outcompete them for food, interbreed with them, carry novel pathogens, etc. Invasive species are primarily a threat to biodiversity.

Now, here’s my Hot Take:

The Conjunction of Spheres is analogous to real-life ecological cataclysms such as the Cretaceous-Paleogene extinction event, and thus monsters are not invasive species.

The Cretaceous-Paleogene extinction event saw the extinction of 75% of all species on Earth after the Chicxulub asteroid hit, including the non-avian dinosaurs. The Earth has had several disasters like this, of varying severity—the Great Oxidation Event killed almost literally everything on Earth except for the cyanobacteria who caused it. These cataclysmic extinction events completely upended existing ecosystems, altering habitats beyond recognition and leaving swathes of niches emptied of life that the survivors could evolve to exploit.

The most recent Conjunction of Spheres on the Continent is supposed to have thrown everyone living on the planet at the time into chaos and darkness; it wouldn’t be unreasonable to assume that the interpenetration of multiple spheres caused mass extinction of species living in the pre-Conjunction environment, similar to Chicxulub or the GOE!

But Socks, you might say, evolution works on a massive timescale! It took millions of years to fill the niches left open by Chicxulub, but it’s only been 1200 years since the Conjunction of Spheres! And you are absolutely right*, but the Conjunction of Spheres canonically came pre-loaded with new species. We actually have no proof that any of the animals we see originated on the Continent: if humans are a post-Conjunction phenomenon, why not also dogs? Why not bears? Who’s to say any of those were actually there before-hand? (The elves, I guess, but as they have not, actually, said so, there’s no proof!!)

* FTR, 1200 years is a shockingly short period of time to go from cataclysm that plunged the world into darkness and chaos to functioning medieval-era society considering how long it actually took humanity to build 13 century Europe (horses had been domesticated for at least 3000 years by that time), even if we’re not assuming that most of the ecosystem was destroyed, so, my timeline concerns here are minimal, lmfao. TIMELINE WHAT TIMELINE.

…and actually now that I think about it the three options for the origin of dogs are a) elves or dwarves domesticated them, b) humans brought dogs with them during the Conjunction, or c) dogs have existed for less than 1200 years, and I refuse to accept that dogs are practically a new invention in the witcherverse, wtf.

Anyways: we really have no idea which species are truly “native” to the Continent, or what the physical environment was like prior to the Conjunction. While monsters are not native to the Continent, monsters are also not invasive—there cannot be decline of pre-Conjunction biodiversity or harm to the pre-Conjunction ecosystem because there is no pre-Conjunction ecosystem anymore.

should monsters be hunted to extinction?

So, the thing is, I think we should try to eradicate invasive species from non-native ranges if we can; the biggest problem with that is feasibility, not morality. It’s much more difficult than one might think to eradicate an invasive species once it’s established, and we have to be very careful that the methods we choose don’t have other impacts, but invasive species are a huge threat to the biodiversity of Earth! If monsters are invasive species, then the answer is yes, they should be eradicated from the places they are not native to.

(Notably, on Earth this kind of eradication is not the same thing as extinction; it would be a local extinction, or extirpation, where the species is totally wiped out in the places it invaded but still exists in its native range. This does get way more complicated if the invasive is already extinct in its native range.)

However, I have just outlined a possibility that would make it plausible for monsters not to be invasive species. Let me also outline why I prefer this interpretation. Here is a book conversation between the sorcerer Dorregaray of Vole and Geralt:

“Our world is in equilibrium. The annihilation, the killing, of any creatures that inhabit this world upsets that equilibrium. And a lack of equilibrium brings closer extinction; extinction and the end of the world as we know it. … Every species has its own natural enemies, every one is the natural enemy of other species. That also includes humans. The extermination of the natural enemies of humans, which you dedicate yourself to, and which one can begin to observe, threatens the degeneration of the race.”

“Do you know what, sorcerer?” Geralt said, annoyed. “One day, take yourself to a mother whose child has been devoured by a basilisk, and tell her she ought to be glad, because thanks to that the human race has escaped degeneration. See what she says to you.”

–The Bounds of Reason, ch. 6

This is a, uh, incredibly unsubtle reference to a debate that has been ongoing for decades; Geralt’s stance here is one of the key arguments in opposition to wolf and bear reintroduction. What do we do about large predators that may pose a threat to humans? How do we balance preservation of the ecosystem with the safety of people who have to coexist with these predators?

I can’t fully agree with Geralt, because large predators are integral to the ecosystem, which I value for its own sake and because humans depend on healthy ecosystems. But I can’t fully agree with Dorregaray either, because Geralt is right: human life is valuable and worthy of protecting. This is an issue that India has been running into in the past ten years; as their tiger conservation efforts yield fruit, people become more likely to encounter tigers, and thus more likely to have a bad encounter with a tiger. It’s become a political struggle as rural people who have to actually live with the possibility of a tiger attack come into conflict with urban conservationists who just really want to preserve tigers (& in some incidents, some of those conservationists have been Western, which is a whole additional level of fuckery). The fact is, there isn’t a good answer to this yet! We certainly should not drive tigers, wolves, or any other large predator to extinction, but we also have to figure out a way to keep people safe. It’s something humanity still has to wrestle with.

Under this framing, which CDPR reinforced when they chose to have the Count di Salvaress defend Iocaste as an endangered species while making significant provisions to minimize the damage she could do to human life, there’s far too much baggage attached for me to say yes, monsters should be hunted into extinction. If you’re going to make monsters analogous to wolves, of course I do not think we should get rid of monsters entirely!

And frankly, Geralt doesn’t think so either, despite his hardline stance about monsters that eat humans. Sapkowski isn’t exactly an anti-conservationist; though Dorregaray is shown as out of touch in this passage, at another point the narrative sides with him calling Philippa out on exterminating a species of ermine for her fur collar, and it’s consistently put forth that Geralt’s best quality is that he doesn’t want to perform violence for the sake of it or destroy things without cause, and one of the representations of that is that he refuses to kill endangered species even at cost to himself:

“What should I say about you, who rejects a lucrative proposition every other day? You won’t kill hirikkas, because they’re an endangered species, or mecopterans, because they’re harmless, or night spirits, because they’re sweet, or dragons, because your code forbids it.”

–Eternal Flame, ch. 2

If monsters and other post-Conjunction creatures are invasive species, the nuance in this conversation is flattened, and Geralt’s refusal to kill mecopterans and hirikkas becomes a flaw rather than a virtue. Boring! I also think that one of the strongest themes in the witcherverse is the idea of all monsters being human ills; wraiths are manifestations of hatred, necrophages multiply because of human bloodshed, cursed ones are created out of malice, mages like Alzur and Idarran of Ulivo go out of their way to straight-up create monsters from scratch*, etc. Iocaste attacks humans and takes livestock because the traditional prey of the silver basilisk, roe deer, has been extirpated by human destruction of their habitat. The aeschna in Blood of Elves attacks humans because humans have altered and polluted the flow of the Pontar, hunting the aeschna’s previous food (seals) to extinction. The true monster is the actions of humans. Monsters that appeared unbidden from another dimension into a previously functional ecosystem to invade and cause problems undermines this theme; monsters that are integrated into the ecosystem and subject to the same social and ecological forces as other animals supports it.

* Idarran’s “idr” monsters from Season of Storms absolutely should be eradicated. Did the world not have enough man-eating arthropods, Idarran? Did you really have to mutate horrible new ones and release them in populated areas?? Mages are a scourge, lmfao

Additionally, one of the biggest reasons I felt like I couldn’t actually apply invasion ecology to monsters was that, whether you accept my Conjunction theory as sufficient biological justification for this or not, monsters just don’t really behave like invasive species. It’s hard to explain this because the setting is pretty brief about its ecological details, but aside from the fact that the narrative frames them like just part of the ecosystem of the world, there are never any details like “that type of flower doesn’t exist anymore because giant centipede tunneling destroyed the soil they needed to grow in.” When monsters are the aggressors, their victims are always humans, not the environment or other animals, and again monsters are themselves often treated as victims of human actions.

So I say monsters aren’t invasive species!

Which means that monsters are, regardless of their strange origins, now a part of the Continent’s ecosystem just as much as bears and wolves.

So let’s talk monster ecology.

what do monsters contribute to the ecosystem, if anything?

So, the phrase “contributing to the ecosystem” is actually super loaded, and I want to unpack that before we go anywhere else. Ecosystems are made up of organisms, and organisms interact with and impact ecosystems, but they don’t necessarily contribute to ecosystems! The implication of “contribute” is that it is possible for an organism to not contribute, and it follows from there that some organisms are not useful. This is functionally nonsensical, and also dangerous.

Conservationists talk a lot about “intrinsic value,” which in this context is the idea that we should want to keep species around just because their existence is valuable! Biodiversity is intrinsically valuable. This is important, firstly because I do believe that all species are intrinsically valuable, but also: ecosystems are so enormously complicated that we do not know the full extent of any species or individual organism’s impact, and we can’t predict what the consequences of removing any given species might be. Treating all species as intrinsically valuable is hedging our bets. All organisms affect the ecosystem, because it’s impossible for them not to, and while some species definitely have outsize impact, none of them are “not contributing,” and frankly even if some of them weren’t, it would be the absolute height of human arrogance for us to decide we could tell which ones were useless when we barely even know what most species eat. Mosquitoes are the base of the entire goddamn food chain, and you still get assholes claiming they don’t “contribute anything.” Of course, most people don’t really mean all of these implications when they use the phrase, but I don’t find it useful to talk about what species “contribute,” and avoid using that language if I can!

What I assume you mean by “what do monsters contribute” is a combination of “what roles might monsters play in the ecosystem” and “are monsters actively harmful to the ecosystem, i.e. do they cause loss of biodiversity?”

And this is difficult to answer! As I’ve said, I don’t think monsters are invasive species, and thus don’t harm the ecosystem, though we know that monsters can be harmful to humans. However, when it comes to the role they do play in the ecosystem, there isn’t enough in canon for me to do more than wildly speculate! Also, there are so so many of them, and the role of a hirikka is going to be wildly different from that of a draconid.

Just offhandedly, most of the big predatory monsters can be assumed to fill the same roles as Earth’s big predators, one of the big ones being overpopulation of prey species, which has ramifications throughout the ecosystem. Some of them are canonically ecosystem engineers, or animals that physically alter their environment (think beavers); for instance, shaelmaar and nekker tunneling. Additionally, the big insectoid colonies can’t be relying solely on naturally-occurring caves for their homes; they’ve gotta be constructing some stuff themselves. These tunnels can be repurposed as habitat for other organisms, from giant centipedes to sewant mushrooms. Necrophages, like corpse-eaters in our world, likely limit the spread of diseases from decomposing flesh (and really wouldn’t be as much of an issue if everyone would stop, you know, doing war and mass murder, lmfao). Arachasae use tree trunks and organic plant material to conceal themselves, which is likely contributing to plant reproduction in a few different ways—but the arachasae decorating essay is a different topic that I swear I will finish one day oh my god—

…anyways, feel free to ask about any specific monsters or niches if you’re curious, but if I tried to go into detail with every single potential niche/ecosystem service all of the monsters we know of might fill, we would be here all day!

Let’s talk about a couple specific things you brought up in your second ask.

> theyve probably found a niche in the world by now and can eat anything smaller incl. humans

I mean…maybe! That is, yeah, they’ve definitely settled into niches by now, but feeding is way more complicated and interesting than that.

For instance: orcas can eat basically whatever the fuck they want—orcas are fully capable of bringing down everything from fish to seals to gray whales to great white sharks. But they don’t. In the Pacific Northwest, the resident orca pods almost exclusively eat salmon, while the transient pods largely feed on seals. Orcas are kind of an extreme example, but this is something called resource partitioning and it’s a big part of how animals limit competition with one another and what enables lots of predators to coexist in one place!

We see a big fuck-off dragon thing and we assume that it’ll eat anything it can fit in its mouth, and definitely some predators work like that. But just because an animal is technically capable of eating something and deriving nutrition from it doesn’t mean that it will. Silver basilisks made roe deer the staple of their diet before the destruction of beech forests meant they had to turn to humans—which is a pretty specific dietary restriction when there should be multiple species of deer running around, not to mention everything else a draconid could be killing! And given how many types of draconid there are…I have to assume there’s some kind of resource partitioning going on to prevent them all from conflicting with each other! For instance, if basilisks prefer roe deer, maybe forktails prefer wild goats, while wyverns are mostly kleptoparasitic (stealing other predators’ kills).

And of course, not all monsters eat humans at all; harpies steal from and attack humans, so they’re a dangerous nuisance, but they don’t seem to eat them. And in the books Geralt mentions plenty of monsters which are totally harmless.

So yes, there are lots of things monsters could be eating, but it would strongly depend, and there’s a lot of interesting places one can take monster diets! Netflix decided their strigas only eat specific organs, leaving the rest of the body untouche, & I love that for her. More monsters that need a particular kind of nutrition that leads them to take only specific body parts from some kills!

> because theyve got no natural predators aside from each other and arent hunted by anything but witchers, monsters are just breeding and eating and wldnt that damage the land? or have they made their own like, circle of life or whatever ?

Absolutely—invasive species whose populations rapidly increase once they’re away from their natural predators cause the decline of native species, often by eating natives directly or competing with natives for resources. And in fact, even native species who become overpopulated can seriously damage the ecosystem (see: white-tailed deer in the United States, whose overpopulation has such negative ecological effects that some people argue we should classify them as invasive, even though they have definitely been here this whole time).

However, even if we grant that monsters are invasive, it’s a little more complicated than that for a few reasons!

Despite the apparent preponderance of them in the witcher games, most monsters are supposed to be strongly on the decline, like witchers themselves. Geralt’s profession is falling out of necessity; human development of the Continent is going to be the biggest suppressing factor in monster populations in the future. Monster overpopulation is just canonically not a problem in this universe! But even in the scenario where the Inevitable March Of Civilization isn’t threatening monster populations, there are a lot of factors that could and would limit monster populations.

(TL;DR for this next part: yeah I definitely think they’ve figured out their own little circle of life—the term you’re looking for is ecosystem equilibrium, btw!—& I’m going to take the next 1.2k to talk about how.)

For starters, predation is only one among many limiting factors that affect populations & prevent them from ballooning out of control:

food availability: If there’s not enough food, there’s not enough food! It also matters how adaptable the animal’s diet is—silver basilisks moved from deer to humans, but if the eucalyptus went extinct koalas would not switch to eating cycads.

illness and parasites: Some people argue these are more important than direct predation for limiting populations, and I am often inclined to agree. Basically, if a population becomes very dense, illness and parasites spread more quickly, creating a natural limiter on how many animals can live in any one place. The greater susceptibility of some individuals to illness or parasites also winnows down populations. Non-native species often escape a good portion of their native diseases by moving to a new range—however, given how fast bacteria and viruses evolve, 1,200 years is a pretty decent amount of time for new diseases to arise. Also, just going to drop a link to my treatise on monster parasites here. It’s gross, mind the warning at the start of the post.

mate availability: If only a certain percentage of the population is actually able to reproduce, that’ll eventually bring the total number down. RIP Iocaste’s boyfriend 😔

territory/shelter availability: Animals need a certain amount of space and certain types of spaces to survive, and space isn’t infinite! It again depends on how adaptable an animal is; rats find ways to thrive nearly everywhere, but pandas can only live where there’s bamboo. If there’s not enough space to hide from predators, reproduce safely, store food, and avoid adverse weather, the population again limits itself naturally.

natural disasters: Wildfires, drought, flooding, tsunamis, storms, etc. pick off significant portions of wildlife populations. Disasters are sporadic rather than directly linked to population like most of the other factors but these periodic blows to population and the other impacts of fire or flooding are often integral to the ecosystem (see especially: fire regimes and fire ecology.)

Now let’s talk predation & monsters! (Genuinely, I think predation is one of the most interesting things in ecology; people tend to simplify it down to things eat other things, which—yeah, but there’s so much more going on there!)

First, I wouldn’t underestimate the effects of monsters eating other monsters! Even if it’s rare for a draconid to snatch up a nekker and carry it off, the threat of a draconid doing so can have dramatic impacts; researchers found that just playing the sound of dog barks on a beach stopped raccoons from foraging for crabs for over a month after the barking stopped, leading to an increase in crab populations, even though no raccoons ever encountered a dog. This is called the ecosystem of fear (which as a term is metal as hell) and it theorizes that just the fear of predators can lead to chronic stress for prey animals, decreasing reproduction and making them more susceptible to disease. Maybe draconids in Toussaint eat only a few dozen nekkers a year, but that might cause thousands of nekkers to have fewer offspring or fall to disease. When it comes to ecosystems the direct effect is usually only a small part of the story!

Second, when we talk about a species not having natural predators, we’re usually talking about an animal that would have a predator back in its home range—lionfish, for instance, have plenty of predators in their natural range (the Indo-Pacific), but no natural predators in their invasive range (the Caribbean), so invasive lionfish, suddenly freed of a limiting factor, can run amok. However, a great white shark has, aside from orcas (who do not actually eat white sharks, they’re just assholes sometimes) and occasionally other white sharks, more or less no natural predators anywhere once it reaches maturity, and that’s fine! Lack of predation of great white sharks did not cause their populations to explode and consume the ocean. White sharks are limited by other factors.

So: it is possible that wherever draconids originated (and it’s entirely possible that “draconids” came from multiple different places, tbh) there was something bigger that preyed on them, but it’s not unreasonable to assume they were also apex predators in their previous dimension (I mean…look at them), and that adult draconids were never really preyed on by anything else! It isn’t necessarily an issue for there not to be predators of certain monsters on the Continent.

(Though, of course, we also shouldn’t forget that most apex predators are prey when they’re young—baby white sharks are snack-sized for a lot of fishes, and bear cubs and wolf pups are similarly vulnerable. Based on the size of the eggs you see in TW3 draconid nests, a basilisk is hatched around the size of a little dog, which is the perfect size for small, ballsy predators such as wolverines to sneak into a nest and snap them up—predators such as more wolverines or raptors like eagles and hawks might also come directly for the eggs.)

When it comes to smaller monsters such as nekkers, who likely weren’t apex predators in their original dimensions and would thus be subject to that lack of natural predators—there are usually specific reasons why prey species manage to avoid predation in their introduced range. Lionfish confound Caribbean predators because lionfish are covered with huge poisonous spines that Caribbean predators don’t know how to deal with.

Drowners, on the other hand, are basically just man-shaped fish; they don’t have any adaptations or defenses that would really stump a bear or a wolf. Again, bigger monsters are still probably checking the populations of smaller monsters no matter what, but there’s really no reason a bear couldn’t figure out how to eat a drowner! Unless a monster has a unique defense (e.g. scurver spines), is actively distasteful to eat (rotfiends, probably), or is just difficult to take down (nekkers in packs), most of the non-monster predators* on the Continent will have incorporated various monsters into their diet by now, or suppressed monster populations indirectly with the threat of predation or by competing with them for food. It has been over a thousand years, which is nothing evolutionarily but is still a decent period of time for mammals, who pass hunting techniques down to their babies, to figure out how to eat ghouls—especially if we’re considering that the Continent’s mammals may also be a result of the Conjunction and would thus have to have been just as adaptable as the monsters to establish themselves. And I’ve also actually talked before about how wolves specifically might be preying on necrophages!

* For reference, the non-monster predators are, considering the Continent is more or less Europe, most likely lynxes, brown bears/polar bears (in Skellige), wolverines, foxes, badgers, and a variety of large birds of prey.

So—yes, if monsters were truly overpopulating, then that would damage the ecosystem. However, canon tells us they are definitely not doing that, and there are also many factors that would prevent that from happening!

(Though I will say that some of the reasons white-tailed deer are overpopulated are that we got rid of cougars and wolves and human development creates a lot of extra habitat of the type that deer like. Given that we know many of draconids are for sure in significant danger of going extinct, and the trajectory that Europe’s wolf and bear populations followed in real life, it is possible that the Continent will have to contend with an overpopulation of some of the smaller monsters at some point as they continue to try to eradicate the larger predators, both monster and non-monsters—you think the drowner problem is bad now, wait until the bears are gone and city development has tripled the number of sewers. Yet another of those humans-make-monster-problems-worse things I am fond of in the Witcherverse!)

…whew. that was a lot of words. In conclusion: ecology is really cool & there’s a bunch of ways monsters can fit into it!!

[mariuscomehome]

hi hey hello so //slides u a note of whatever currency you prefer. lau what are your thoughts on lesbian artem? i am immensely curious and intrigued

hooo okay this is INCREDIBLY self indulgent, and probably not THAT coherent but ill try my best here.

warning: this isnt a very nuanced take i literally only thought about it because i saw the words "artem" and "tits" in the same sentence and also happen to be a lesbian.

ESSENTIALLY what makes the idea of lesbian artem more compelling to me than, say, marius or vyn (although now that i'm thinking about luke there is some Potential there) is kind of everything about how he goes about romance, how he tries to connect with mc, and his relationships with others in general.

we've seen MULTIPLE times that when he tries to get close to her - and he often only builds up the courage to do this after a LOT of bullying from celestine who, and i CANNOT stress this enough, is definitely fucking his mom.

right so when he tries to get close to mc there's always this terribly awkward fumbling leadup to the most tame not-date you've ever heard of. one of his cards is them hanging out on a work trip. they studied together. they went to see a movie and ended up at a drive in (the most romantic of theatres) OUT OF NECESSITY. mc is generally pretty oblivious, but that is NEXT LEVEL with artem bc he (deliberately!! on at least some levels!!) tries to make it look like his every action is Friendly and Platonic, which i think also stems from how he thinks others see him - (borrowing from sr sparks here) especially in the workplace, as overly stern and unsociable and generally intimidating and uh. threatening, so he's constantly trying to counterbalance that and tipping the scale too far in the other direction.

but then on the other end, he IS incredibly repressed and shy about showing affection, like even as he's trying to open up and show her that he DOES care about her, he doesn't quite know how, he gets embarrassed and he thinks that even the smallest gesture is Too Much. he definitely feels that he kind of missed the boat on coming into relationships organically and is playing catch up compared to everyone else. that book! he has a relationships for dummies book that celestine got him at least PARTIALLY to make fun of him, and he was upset about it but he kept it and he READS it and even when he thinks the whole thing is ridiculous he keeps trying because he KNOWS just how over his head he is.

i was gonna talk about his general lack of close friendships and what ive kind of inferred about his mentorship with neil, and the close bond they formed etc etc but me projecting on all my english teachers isnt exactly Conclusive Lesbian Artem Evidence lol. the vibes are there and this is getting pretty long anyway,,

gonna cap it off with basically viewing artem through a lesbian lense is very interesting to me! it kind of brings a different perspective to his actions and mindset and i think tears of themis could use some more sexy lady lawyers! i am personally advocating for this.

OH WAIT i was gonna say also your post about artem being flustered by sideboob. VERY informative here, and then all those discussions youve been having about guilt irt luke in particular, but artem has his own little complex going on and. RIGHT particularly about him setting up benchmarks for himself in order to "earn" things, particularly things that shouldnt have to be earned, like setting himself to a ridiculously high standard to prove his worth so that he may partake in like. Joy. as a concept, and then of course the flipside of that where any misstep is pretty heavily penalized if not actively then just in his mindset and the kind of self-worth and self-image issues he has going on there. all VERY compelling. like (sr sparks again i just love everything it had to say about his character) deciding that he was going to learn to cook and then going out and buying all this specific equipment for it so that he could Do It Right and this level of meticulous self criticism that he brings to everything he does, even his hobbies! this man is insane. oh and hes a feminist so like jot that down.

pretty clear that weve kind of lost the original point here so i'm gonna stop. i hope this makes sense!!! if it doesnt i will edit it in the morning. for now ill leave you with this:

[lady-plantagenet]

What are your top ten novels about the Wars of the Roses? And why?

I think it’s obvious by the length how enthusiastic I was to answer this ask xx thank you for asking me and giving me also an opportunity to make a masterlist of some sorts of all my reviews xx. But you know? I speak like quite the expert but in reality I’ve read very little histfic about TWOTR because I just newly got back into this hobby (about a year ago) and have little time in general so tbh the last three books on this list I do not personally care for but since I’ve read so little novels of this kind they are here nonetheless hhh (so please people, give me no angry asks asking me why I am endorsing PG, I’m not).

1. The Last of the Barons by Lord Edward Lytton-Bulwer

This is quite possibly the best book I’ve ever read in my life. The gap between these books and the rest is a chasm the size of the world and I wpuld genuinely reccomend this book as an actual piece of literature to anyone, not just TWOTR fanatics. It is written in 1840, in quite old timey lingo and it centres around Richard Neville 16th Earl of Warwick, but in the true tradition of a real classic it is more than just a character drama, it astutely showcases the purpose of Warwick and what he did in the context of his wider world and doesn’t just chalk it up to personal greed. There is also this fascinating subplot about courtship, science and such. Hell, you even get this eccentric ‘natural philosopher’ guy called Adam Warner who tries to make something like a steam engine and gets employed as an alchemist by Jacquetta and Edward IV.

From a historical standpoint it is quite biased as the author himself was a politician (and an actual baron) and tbh I don’t completely agree with his interpretation of history and I can see some of the Victorian inluences slip in, but some of his takes are very refreshing and he clearly consulted the primary sources. I am much interested in his philosophy and life outlook though and while I don’t think his Warwick is the Warwick, I think he (Lytton-Bulwer) understood him like no other novelist could. As for the writing style... here’s an excerpt of a good reads review that I agree with and tells you all you need to know:

“Of course, such a style of writing no longer exists. The language used is essentially foreign to us. But the nobility, the pride of this story work their ways into your bones, your heart. You will yearn for honor once you have left it.“

Basically, go type it into google and see what I mean. You don’t even need to purchase this book it’s all online at the first click on Gutenberg.

Nevertheless, I’ve posted excerpts of it here, here and here =)

2. The King’s Grey Mare by Rosemary Hawley Jarman

This book (unlike the latter) has zero actual historical value. Actually, it sort of does in the way that it hilights certain real events that most people are unaware of when it comes to its protagonist: Elizabeth Woodville, eg the whole Cooke tapestry affair and the whole Desmond affair. Both things which I still stand on the fence about (if you don’t know what I’m talking about send em another ask or pm me). But like, it isn’t political, philosophical or such in any way like the first book, yet you still feel like you are *there* in the 15th century - by the time I finished reading it my heart was wrung dry and I kind of fell into a down for a couple of days because I just wanted to feel the magic again. If anyone would ask me I would give this 5 stars because it perfectly achieved what it set out to do (I can’t expect all books to go above and beyond like #1), it made me feel for the characters who were super complex, was accurate historically and even when it wasn’t it made sense, it got very creative with its themes (which I like to see because I am not interested in reading the exact same story over and over again) and the prose was absolutely magical and brought all the depth to this novel. I’ve read classics with less flowing and poignant prose, yes actual classics!

This book also switches POVs quite a lot (basically it headhops because it’s written in omniscient- but whatever, rules are meant to be broken), so you’ll get to see many of your faves in there, Edward IV, Margaret of Anjou and Grace Plantagenet feature quite heavily. One thing that disappointed me is that it wasn’t really Edward IV/Elizabeth Woodville (at the time I bought it for that), she never really likes him and his love for her kind of wanes towards the end. If you’re not too bothered about that then I say go buy it.

3. The Daisy and the Bear by K L Clark

I put this here because we are already going into shakier territory when it comes to this list. This is kind of the last *really* good, truly five star one. It is a long spoof about TWOTR but god it’s smart! Yet, It does not take itself seriously and has Margaret of Anjou/Warwick the Kingmaker as a crackship and centrepiece and had me in stitches the whole time. I’ve written a long detailed review for it here.

4. Death be Pardoner to Me by Dorothy Davies

This is a novel about George Duke of Clarence. Quite possibly the only novel ever written about him in existence and boy is it a trip - the author claims to have channelled him (she’s a medium). I’ve written a detailed review for it here. I read this last spring and my views have unfortunately changed, the thing is, I’ve come to find out through my research that this was quite possibly a hoax as there are some indisputable inaccuracies (Ankarette Twynyho’s age, the details of Isabel’s death - we *know* she did not die from childbirth, Isabel did not reunite with him after Tewksbury 1471, but right before Christmas 1470). It’s also quite Richardian (the author admitted) and she could have *had* me had she not chose to divulge it in the foreword. Nevertheless, I still like this book because it did get to me at certain points and it’s good quality as a novel, I remember shedding a tear at one point even which is extremely rare for me but I think that says more about my sentiment for the subject matter than the book itself.

5. We Speak no Treason by Rosemary Hawley Jarman (not yet finished, so ranking may vary)

I haven’t finished it yet, so I’ll leave it here for now. This book is a Richardian book about Richard III, but I can’t get enough of this author, I haven’t found anyone to replace her with. The prose is magnificent as usual and I must confess that I’m happy that this book is told through the POVs of three OCs and not Richard, he remains rather elusive and tbf I find the three OCs very interesting and at this point I’m more interested in their stories than anything else. Of course, Richard III is still a fairly prominent part of this novel (even when he doesn’t appear) and it has led to me getting annoyed quite a bit. Given who I am I fumed massively at that one aside that Clarence and Edward have bastards whereas Richard isn’t like that... like are you serious?? At one point the author reassociated the Games and Playes Chesse book to Richard when it was in reality dedicated to Clarence and I got even more annoyed. Leave the poor figure something ma’am? Whatever, as a book about three medieval commoners it’s fantastic and that’s what I pretend it is.

6. Wife to the Kingmaker by Sandra Wilson

Nothing more to add than what I wrote in my (super-long) detailed review on here. This is the case because I read it very recently. This is a novel about Anne Beauchamp 16th Countess of Warwick, it’s ranked higher than Sunne because though it’s less accurate it’s got panache.

7. The Sunne in Splendour by Sharon K Penman

I feel very strongly about this Richard III book and what it represents. I wrote a long detailed review about it on here and a follow-up post on the discussion is here ft my awesome mutual @beardofkamenev ‘s insights also thrown into the mix. Xx

8. The White Queen by Philippa Gregory

This is a step higher than the other two because this book pretty much changed my life. The thing is, I read it translated into my own language by an extremely talented translator and I was also only about 11/12 years old so it was all very impressive to me then. This book about Elizabeth Woodville effectively introduced me to the TWOTR; an interest that has never really left me these past ten years (though at one point (ages 14-19) it was quite wane). It’s not a good book by any standard (I was quite shocked when picking it up at a bookstore, I had found that when read in the original language it lost all its magic), but I owe a lot to it and some people who now endlessly discourse about how bad PG is need to recognise their debt of gratitude and be a bit more respectful, I think. That is of course unless you came into this era via different media, but you got to admit that a massive part of us got to this place through TWQ, though we outgrew it.

10. The Red Queen and The Kingmaker’s Daughter by Philippa Gregory

Exact same commentary as above, just objectively not good books. Flat characterisation, misunderstanding of the era, historical innacuracies which don’t add anything, lack of nuance in prose which often dances too close to *gasp* YA prose *shudders*. But these are lower because I don’t owe them a debt of gratitude as I do TWQ. Funnily enough, they are still better than the series.

[floralkittygambler]

RadioDust is the Healthiest Toxic Ship for Angel so far

@honesthazbinarchives​ Briefly. I’d like to go into this more in the future BUT these are the main points I said I’d do. Heh ‘stay tuned’ for why HuskerDust is toxic [haaaa funny fuckin reference n shit like Viv herself aint overdone it]. Yer dont even wanna know the lack of enthusiasm in tryna do a playful ‘cringetopia’ joke - wasnt as fun as anticipated. Anyfuckinways, the shit. Before we begin, disclaimers n whatnot, no hate intended, dni if you’re a bit of a knobhead [either stan or extreme anti], an all that nonsense. I dont own the characters no shit.  In this I’ll discuss how RadioDust aka SpiDEER (thats right, yer stuck w my shit humour now) is both the healthiest ship for Angel we’ve seen so far but still rather toxic. Idc if you hate me for it but dont fuckin waste yer time telling me. Great. I dont care. Yer fuckin hard n whatnot for harassin strangers online. Big dick energy to you. This will be slightly messy, my apologies, it’s a quick summary of many points.

Alright. Firstly, out of the entire male cast Angel interacts with over all platforms, Al is given a fair bit of mercy in terms of sexual advances. In fact, a swift ‘no’ and Angel doesn’t do it again - unlike most of the other cast [pent’s is covert, husks is overt]. One thing I like is that Angel himself admits to their chemistry (claiming that whilst he thinks Al’s a prick, he thinks Al dislikes him which saddens him as he’d at least like to be friends as he feels they have good chemistry - according to the VA via Hunicast’s 1yr anniversary), there’s no further efforts to jump on his dick but a clear curiosity/interest in what Al can do.  Lets go to the basics, both are of similar age [allegedly in their 30s, though Ive heard Al may be up to mid 40s] as well as created near the same-ISH time (as in, Viv’s oldest characters, at least for HH). Likewise, Viv admitted to knowing fuck all on either of their eras (and to make that public wasn’t really a wise choice BUUUT if you felt the need, it’s better worded with interest “Right now I’m working towards educating myself more on their time periods to improve their portrayals” <-- crucial if yer want that ‘realism’). Because of their real-world ages, Viv confesses they’re her favourites (even if you didnt know, she makes it pretty clear). It could be a nice ‘homage’ to their impact in her life but not too relevant otherwise. It could fulfil the need for self indulgence that she’s unhealthily leaking into the canon - which will ultimately make the series shit. No sugarcoating there.  As for their ages, a relationship can work whether the gap is large or small HOWEVER there are many ethics and conflicts to each. And being an adult into kids is always fucked up. With that being said, studies have shown that closer ages often work better due to the often similarities in mindset, maturity and life goals (older folks are more likely to want to settle, younger often have more ambitions), likewise there tends to be an unbalanced power-dynamic if the ages are too far, which can lead to various types of abuse. Dont get me wrong, being with someone much older (AS LONG AS NONE OF YALL ARE KIDS) very much CAN work - but rarely. There’s much more hardwork needed as well as being in the right mindset for both, otherwise it’s bad. More on that in HD. Long story short, both are closer in age meaning both are more ‘relatable’ to one another. There’s common grounds, even in the eras there’s some higher understanding of one another. Notice how Vaggie and Charlie are similar in age? (Even though Charlie is far older, her appearance and mentality for her race is on par with Vaggie’s, making it far more likely to work out positively) One of the most prominent out of all of this however is their actual interests. So listing; Both like action/chaos/having fun (often at the expense of others), both love cooking and can be food snobs in their own right, both have sadistic AND masochistic tendencies, Al likes performance and theatre whilst Angel loves *to* perform, on that last point Angel was very intrigued and enjoyed Al’s song number/performance naturally, both really enjoy pranks and both enjoy liquor (neither show an actual addiction, but rather an interest in social drinking - no dependencies on it). Again, close eras mean both have a higher probability of understanding the other and their lifestyles better. Both are high on appearance and love themselves, implying self confident mindset (healthy BUT the narcissism isnt) yet enough consideration for how they are viewed. On the parent system, one adores his mama whilst the other hates his pops.  Now Ive gone on about how they’re similar. But similarities ALONE is not enough. If it was, then fandom’s would be a lil more harmonious~ A HEALTHY relationship needs compatibility, POSITIVE conversation flow, common grounds, trust, openness and understanding. Even then, some people click and some just dont. It’s like how you can just hate someone for no reason. It just IS. Common grounds and similarity is scientifically proven to be attractive to someone - be it good or BAD. People are drawn to those like their parents in some way usually, likewise we look for people similar to ourselves (from our interests, to humour, beliefs, goals, etc). Science itself states that ‘opposites attract’ solemnly applies in the real world successfully. Though similiarity plays a large role, there has to be some differences too - that person is STILL an individual separate to yourself. Too similar and it’s boring. Too similar and you’ll do everything together without some ‘you’ time. Both Vaggie and Charlie have similar interests/hobbies in dance and music, yet still have enough differences to be identifiable when together. Vaggie is more grounded than Charlie. Charlie gives some optimism and fun to Vaggie. Remember, a partner does NOT complete you - that’s a toxic mindset when taken too seriously, You complete YOURSELF. Whether you have someone or not, you must feel complete in yourself as to not slip into toxic dependency on a lover - to become them, a shadow of them or feel like you’ve lost your identity without them. Sounds harsh but it’s true. Chaggie compliments each other without a dependency. You stand alone yet uplift one another. You don’t always agree but in the end you always have each other’s backs. Love is often butchered in a toxic light in the media.  So taking that into consideration, how does spideer work? Well, here’s some examples of good, bad and neutral: - Angel loves animals, Al fears/dislikes dogs. Perhaps Angel could assist him in overcoming this? - Al hates being touched, Angel dislikes being squeezed. Maybe this could help them reach an understanding... Or cause a rift? - Angel was the only one to break Al’s composure, either Angel is the *key* to delving further into Al’s more raw self... Or just another obVOXious pest? (yeah, I said it-) - Neither respect other’s boundaries, meaning both may fuel the other to be overly disrespectful in this area. Not good. - Angel is a sarky/sarcastic fuck, Al loves dry humour. Both seek amusement and chaos. In relationships one needs to see how conversation flows and in the hunicasts, both keep up some good as well as toxic banter. Both could roast the fuck out of an opponent however. - Al is acro/ace, Angel is hypersexual (appears like a sex addict - now I say this as his book has a crossed out ‘fun stuff’ with ‘work shit’ written on it. He’s always fixed on sex from his job to his humour), this could either aid Angel ease up on the sex stuff OR make him overly push it onto Al causing major rifts and discomfort (aces can have sex, ref to ace posts that real asexuals put to understand more but no one wants to be forced into sex is the point here). And we’ve already discussed their lack of respect for boundaries. The positive is that maybe this will make Angel understand how Val is rubbing off on his own behaviour towards men [again, more on that in the HD post]. - Both similar yet different in a way that does suit their compatibility chances but that doesnt mean they will click, it just improves the odds. - Both have similar enemies in Val and Vox, they’re on common terms. Likewise, Al is against the ‘sexual deviance’ of hell meaning he may be oddly supportive and protective of Angel in terms of Val. I dont even think his sadism will override this either. - Al dislikes modern tech, Angel seems to use it as his job requires it. A nice little menial difference. - Only ONE is an addict. Take it from an expert, you NEVER put two addicts together. They’re very vulnerable and prone to slipping deeper into their addictions as well as depending on each other too much that they essentially become very clingy, suffocating and toxic to each other. Seen it in action, it’s ugly.  - Both could have a lot of fun and calm moments with each other. - He isn’t immediately smitten with Al but immediately shows a natural interest in Al’s powers and performance, embracing it openly. Leads for a good friendship turned lovers plot. - In Viv’s patreon, she confirmed Angel loves confident guys [sounds exactly like Al] We need to think about where both are mentally. What benefits would a relationship give both? How would they be good and bad for each other? For Al, aside from his outdated views and being a fucking murderer and narcissist, he actually seems in a good mindspace for a relationship IF he opted to be in one. Angel however has a very immature mindset, likewise is in a phase of life where hes bed hopping. IF he were to be in a relationship, I’d say he needs a male equivalent of Cherri - someone with a similar mindset yet some differences, willing to have fun and in touch with their younger side, down to cuddle, open to share and receive love as well as not afraid to publicly be affectionate with him, someone who sees him as more than just for sex, someone fun, someone who’ll let him embrace his cutesy side publicly without shame - Cherri is younger so maybe someone who’s his age or slightly younger perhaps? I think Angel’s not retirement home ready to settle and needs someone on his level that can cuddle and chill as well as feels free and youthful enough to go wild with him. In one sense, he’s got a teen girl sorta mindset (dont put him with a teen though, it’s fuckin weird-). He needs someone positive and raw, someone to let him be himself as well as someone comfortable to be themselves around him. He has a habit of latching onto unobtainable men (in psychology, this is self sabotaging subconsciously): Travis the client, Val a pimp, Husk (emotionally unavailable and needs HEAVY self work - interestingly far more than Angel - plus he’s still onto his last relationship and an addict to gambling and alcohol), Pent who’s the enemy he was currently fighting (inappropriate timing), Alastor who’s not interested in another but his own needs [selfish, VERY bad for a relationship]. Subconsciously he’s self sabotaging on purpose. There’s many psychology books as well as sources online for this, if you’re interested. Either way, Angel is drawn to men either like his father [who dislike him, shun him, or are otherwise cold, abusive or just blatantly dislike or otherwise dont care about him] or anyone with money to fuel his drug addiction/’debt’ to Val. Going with any of these men isn’t a good idea.  Preferably, Angel needs someone who he doesnt immediately crush and obsess over. Someone who he doesnt sexually harass or assault. Someone he can build a connection with quickly that can bud into romance (think how Chaggie started as a friendship which clicked immediately). Maybe even someone he doesn’t expect to fall for but does so anyways. It would be more realistic as Viv wants as well as more healthy. That for once he isnt sex or money craved instantly, thus doesnt sexually harass/assault and is given a proper chance to develop and grow a friendship and love. Someone who isnt an addict.  Someone with an on-par mindset where they click. Someone open to love. For any chance of a good relationship, Angel needs to be with anyone BUT who we’ve already seen. There’s too much toxicity that’ll be swept under the rug and justified otherwise. Too much shit to fuel homophobes in terms of gay stereotypes. Even though Ive focused a fair bit on Angel, it’s NOT just about Angel. That’s something fans forget. Some he depends on or someone who depends on him in the long term wont last and will be very dangerous to both.  Just because you suffer, you dont then deserve to be rewarded with ‘something nice’. You dont get to have everything youve ever wanted. Giving him any of these blokes [minus Val] gives him a pass. Gives him what he wants. I get Viv loves him but life doesnt work that way. True lasting growth comes from learning that. Acceptance and growth. You dont get everything you want and sometimes thats a GOOD thing. He’s not a spoilt kid who gets everything he asks for, he’s YOUR creation. If you really wanted what your creations deserve then you need to research and be realistic with it. Because hes starting to feel like a shitty Gary-Stu at this rate. I live with an ‘Angel Dust’ like person. It used to feel like life gave her everything and most times it did. Everyone loved her and she could get away with murder if she wanted to. But now she’s had to struggle and grow, let go of some ‘wants’ because they werent good for her and she’s becoming better for it. She has a long way but she’s more humble for it now [still got self confidence but it’s less narcissism now, which is more healthy for her]. Also, they make the word anal lol

[trickstarbrave]

big hot topic on tiktok that has been talked abt often that i wanna throw my two cents in abt the discussion but will do so here bc its going to be way easier than condensing it in 60 seconds and ppl will get even more mad abt it on there. under a cut so you can just not look if you don’t want to as it’s probably long and no one likes this discussion 

disclaimer: im not jewish. culturally or religiously at all. so i do not have the best of insight of jewish folklore and i will mainly be repeating what i have heard jewish ppl say on it but you listening to jewish ppl on it will invariably be way more helpful. ultimately i am not talking to make an argument for or against lilith worship bc i can’t make that call, mainly just that arguments for it i see tend to be deeply flawed. ive seen jewish people who say they don’t care if people worship her and ive seen jewish people who are very much against it and frankly no one needs my non jewish ass giving them permission on it, i just don’t like some of the harmful arguments and at times BLATANT anti-Semitism i see in the discussions

“lilith isn’t a closed practice!!! she cant be closed!!! she’s a being/deity we can all recognize!!!”

this i feel starts with a misunderstanding of what “closed practice” means. a closed practice is a very broad term to describe any practices, typically spiritually in nature that are not freely shared 100% openly, usually due to trying to preserve cultural or religious practices. you can learn about most of them--if you go to a primary source. many people of closed practices are open about talking about it and teaching it to people who are interested, and some cannot due to years of oppression and theft of those said practices. some require initiation, and a lot of them are passed down with heavy cultural ties. and most importantly “closed practice” is a relatively new understanding of cultural preservation after colonization. 

judaism isn’t a ‘fully closed’ religion, but it does have a set conversion order in place, and typically while converting you will learn under a rabbi or teacher. a lot of jewish mysticism, magic, and folklore are passed down culturally, so even converts may take a very long time to learn all the ins and outs of it. and a lot of times jewish practices, beliefs, texts, and folklore has been wholesale stolen by western new-age spiritualists, occultists throughout the ages, and demonized by people who seek to harm jewish people as a whole. 

the pure fact of the matter is that unless you are learning from jewish people theres going to be a lot of things about lilith you don’t know. your understanding outside of the cultural jewish understanding of her is very different, yet you are the one who also constantly equates them as the same being with the same stories, with some modifications. yet time and time again whenever a jewish person would express anxiety over it (as she can be viewed as a very HARMFUL spirit to jewish people and not a deity for them) you talk over them and call them sexist, and when they try to correct you over misunderstandings of her stories you tell them you know more than them. 

with closed practices what doesn’t matter is your bloodline or your skin, it is about the information you have access culturally, and that information may be kept from people like you so that the faith in question can be preserved because it has been threatened. and yes, jewish people have had their cultural, spiritual, and religious practices threatened. it isn’t about keeping you out because they don’t like you, its about the fact that you don’t know everything and the way you are going to learn it will be difficult and very different. ive seen white voodou workers who are actual recognized practioners (sorry for the lack of proper terminology on this i know they have proper words/titles but i dont know them), and they didn’t just look up whatever they could find online, they had to seek out a priest to learn from, and it took a lot of time and training. 

there is a way to approach closed religious/spiritual practices, and someone saying ‘this is closed’ is not them saying ‘go away you cant even look at or be interested in this thing it is not for and never will be for people like YOU’. and ultimately HOW you go about approaching it will be decided by someone in that culture, and not however you feel would be the best way to do it as an outsider.

“how could so many people, if they aren’t actually contacting the “real lilith” be wrong? if shes from a closed practice she couldn’t reach out to so many people right? so they aren’t doing anything disrespectful” 

spirits, deities, and other entities from closed practices do reach out to outsiders on occasion and the correct course for dealing with that is to immediately find a person of religious/spiritual authority and trying to work with that person to better understand why. again the point above: you do not have the cultural knowledge to work with them, you do not understand how to identify them, what practices best suit them, the multitudes of stories around them, and history of them working with humans. if you actually value them as an entity it is imperative you understand from a PRIMARY source all of this information, not just second and third hand accounts of outsiders. 

and also a lot of colonizers have claimed to be personally connected or contacted by entities from a closed practice and use that as an excuse to not only not learn, but speak as an authority figure about them. there are people who claim to work with shinto spirits with absolutely 0 actual knowledge on shintoism yet feel like they have an authority to speak on it. there are people who claim to have been contacted by voodou, hoodou, and vodun spirits/entities and know nothing about it yet speak as authority figures on it. i’ve seen someone do it for a polynesian god. they did not care about actual learning, they cared about their own beliefs, validating those said already existing beliefs, and getting validation online. am i saying everyone is doing this with lilith? no. but saying “people wouldnt just lie/be wrong right?” yeah. yeah it happens all the time. 

“they don’t even like her, they fear her, she’s a demon to them and is actually from babylonia, we are NOT worshipping the same version as her and they don’t even want anything to do with her so why does it matter” 

in terms of actual cultural study a lot of jewish and christian stories are born from the cultures their people have had contact with. historically yes, jewish people have been in babylonia, assyria, and that area, and have made cultural exchanges with those people. a lot of cultural sharing has occured throughout history, but the jewish tellings of the stories have particularly jewish cultural knowledge and heritage in them. also we frankly do not have a lot of concrete surviving stories of lili, lilu, and lilitu, so i know you are not basing the meat and bones of your practice on those unless you have access to that cultural knowledge that not even archaeologists and anthropologists even know exists. most of it is on middle ages mysticism that developed her further based on jewish folklore and religious stories. 

also just because a culture doesn’t worship and revere a spirit doesn’t mean it is yours for the adopting and taking. we see this with the cannibalistic spirit i will not name from algonquin tribes and shapeshifting spirits/witches i also will not name from navajo. these are not spirits you’re supposed to mention or talk about, and even more so because their culture has such intense, negative stories around them means you should probably give it a little more thought. 

the last point i am going to make is the general, overt anti-semitism i see. stop comparing judaism to christianity. stop saying they are evil and misrepresent her because judaism is inherently sexist. stop saying they are oppressing your culturally christian raised ass. stop saying jewish people have no culture of their own and its “all stolen from pagan traditions” (which are somehow all equally open for you to take from too i suppose, as though middle eastern practices are exactly the same cultural weight as all white european ones)

again im not for the forceful closing of practices and i cannot give you fucking permission as i sure as shit do not know but i don’t think any of you even understand what “closed practice” means and why jewish people might have even the slightest misgivings about you working with or worshipping her and it really shows. if you have been heavily studying the occult, jewish traditions, and are doing so respectfully then i sure as hell am not here to argue with you about it so don’t come at me for it. what i am saying is a lot of people who do not have that and are absolutely disrespectful towards judaism and jewish people as a whole really keep making an ass of themselves on witchtok and are absolutely insufferable towards any jewish person who voices their thoughts and feelings on it, and i have a problem with that.