#me big lesbian.

[justbackgroundnoise]

Chappell Roan, a lesbian, went on a national broadcast tonight and performed a song about dating a closeted woman who refuses to acknowledge their relationship and denies the fact that she’s a lesbian. Never in my wildest dreams could I have imagined that happening but here we are and it’s amazing.

As a lesbian woman, to have an artist go out and be so entirely herself in every way, to be so proud of her own sexuality and to perform a song like this and have it be broadcasted to millions of people…it makes me so emotional. All I have ever wanted as a queer woman is to have this sort of unabashed representation and we’re finally getting it in such an incredible way. What an era we are living in and all I can say is long may it continue and I am so proud to be a Chappell Roan fan.

[jijibaby]

😳

[tubbytarchia]

Liau drew such an awesome salmon merPearl that I couldn't help but do the same because I can't stop thinking about her (also I turned it into Gempearl of course)

[marsshadow]

Its pumpkin season 🎃

[otaku553]

New blorbo :)

Also a silly interaction with this piece

[imethirdperson]

What I like most about farcille is that I think its a perfect encapsulation of Ryoko Kui's signature mixture of the cozy and the horrific. Overall Marcille has this clean pristine aura that she breaks only for Falin's sake. She's uppity, rigid and idealistic almost childishly, then she shows this immense drive, gets her hands dirty, and bends and bends. Dungeon Meshi is about how all beings become objects of consumption, and Marcille wouldn't have arrived at that conclusion if Falin hadn't died. She also wouldn't have if she hadn't befriended her in the first place. The course for Marcille's life was set when she was just open-minded enough to follow the weird girl to the cave in the woods. Forever cursed to eat wildlife

It's that contrast between cleanliness and filth that interests me, the interactions between the comfort and the horror, the uncanniness of the familiar and the familiar in the uncanny.

Every bit of Marcille's characterization points to a type of immaturity (the picky eating, the detached romance obsession, the failure at foreseeing the obvious consequences of her actions, the ridiculous plans to equalize all lifespans, the death crisis). Even in her dream she appears as stuck in childhood due to her loss trauma. Her development throughout the manga consists of coming to terms with grime and disgust, learning where food comes from, learning her limitations, coming to terms with death and decay... And it's all powered ironically by her drive to save Falin

[dykealloy]

whatever. fem law be upon ye

[circusinarun]

We've all seen the new rottmnt comic, didn't we?

And let's be honest, Frida is slayin'

"welp... I guess I'll be on the kitchen then..."\jjjjjjjj

Don't listen to me, just some shit that people say

[seraphlover]

is it easy to maintain eye contact?

[jijibaby]

👀

[doesephs]

farcille is the only realistic lesbian couple ever. wdym your girlfriend doesn’t explode at mild inconveniences?

[lochlot]

i haven’t finished the show yet but they totally are gay and run away together and live happily ever after right? guys ? right? guys?

[surreal-duck]

some business to take care of

[hypfden]

The gayest sketch ever

My brain did a thing. Now both of em are two women. Enjoy genderbent gayness. Soon more gender bent.

Reblogs are essential :3

[notbecauseofvictories]

as much as I love history and Chicago history especially, I do sometimes forget how recent everything here is. I was at the Hull House Museum with a friend of mine the other day, and we had a wonderful time listening to the curator talk about the birth of social work, the women who drove it forward, and the ghost stories that haunt their stomping grounds despite no one really dying there.

As we were walking around after the tour, my friend pointed out that Jane Addams' dress (the one on display in that room, black and small and otherwise unremarkable) had an uneven hem. "Oh, good eye!" the curator, who was walking alongside us, exclaimed. "Addams' tuberculosis left her with some spinal curvature, even after corrective surgery. She had most of her dresses altered to ensure the hem would be straight when she wore them---but on a standard dress form, the hem looks uneven."

"I always forget that having a tailor or dressmaker was considered typical back then," I said.

"No, by that point it was much more common to buy a dress from Sears and have it altered," the curator replied cheerfully. "That's what Addams did."

The whole exchange was maybe a few seconds, but it sticks with me even now. The idea that Jane Addams bought a dress from Sears---where I have also bought dresses, where my mother bought dresses---makes me feel insane. And yet, we're only talking about a hundred years ago or so. Is it so unreasonable that I, as a disaffected teen, was drifting through racks of mass-produced garments, just as Jane Addams did a century before? The exact location of the hands making those garments has changed of course; the workers' protections that Addams' contemporaries fought for have resulted in offshoring that work to less-guarded parts of the world. But it gives me a strange sort of fellow feeling to think about it, all these many decades later.

[jijibaby]

When your biggest sleeping outfit shrinks in the wash… 🥺🫣