#when we got showed the scene of them running into each other in the season trailer i was getting the romantic Vibes but i was like surely

[thewistlingbadger]

I'm annoyed that the many issues with canon Timebomb due to the rushed way the show handled the pairing have started to seep into the fanfic sphere too - namely, Jinx's mental illness being downplayed, Ekko having no personality, relationships or individual motivations outside of his relationship with Jinx and the Firelights being non-existent.

It's got to the point I actively seek out fics published between S1 and S2 over newer ones. They are more likely to nail Jinx and Ekko's characterisation and their dynamic where even the show's writers couldn't.

As someone who doesn't ship timebomb I completely understand your take and it is VALID. Timebomb as a concept is very interesting because theoretically you have these two childhood friends that lost each other only to be reunited later in life as enemies on opposing sides. That is some really compelling groundwork for a romantic relationship! However, the show doesn't really do anything to actually frame them like this. We rarely get to see Jinx and Ekko interact in the whole show, let alone exchange any dialogue with each other.

The timebomb "content" in season two feels misplaced and undeserved because it IS. The only time we've seen these two actually together in a meaningful way in s1 is their fight one the bridge. That fight made it clear that these two have a history that the audience isn't privy to and this one scene is the entire foundation for arcane! timebomb. Ekko has an entire episode in season two that is NOT dedicated to expanding his character, NOT dedicating to elaborating on his relationship with Jinx, but an episode that is dedicated to exploring an alternative reality where Jinx grew up to be a different person. We spend all this time with Ekko and Powder and then the show acts like their dynamic is somehow transferable to Ekko and Jinx by showing us that somehow when Ekko went back to Jinx he was able to reconcile with her and save her life and get her to fight one last time.

To me this makes no sense because episode 7 really didn't show us anything illuminating about Ekko or his relationship with Jinx. It didn't explain what happened between them, or why Ekko would have romantic feelings for Jinx. We go the whole show without ever actually getting any context as to what happened between them, so the nature of their relationship is truly a mystery. Ekko doesn't go through any major development in that episode, he stays consistent throughout the whole time. Ekko in general is unfortunately a character that goes unexplored throughout the whole show. We don't know much about who he is as a character and his goals, motivations, or reasonings. This same issue occurs with The Firelights. We know they're a group of rebels, but what do they ACTUALLY want and what are their plans to achieve their goals?

Ultimately it was decided that none of this mattered because instead of using the groundwork laid out in season one, season two only had one thing in mind: their end goal. And that end goal consisted largely of fan service, which is why we got a timebomb kiss. Not because it added to Jinx and Ekko's story (the kiss wasn't even between Jinx and Ekko lol) but because the ship is popular and they knew a kiss would make fans happy. A large part of the fandom is very happy with the fan service they received in this season and now they are, predictably, running wild with it. Timebomb has become even more popular than it already was and most of the content is very sweet in nature. I'm glad that shippers are fed and enjoying themselves. However, I cannot look past how the adoration for the ship has made people turn a blind eye to what was established prior to season two. The Firelights are important to Ekko, and Jinx killed many of them over the span of several years. Jinx was born with mental illness and her illness impacted her everyday life. Ekko and Jinx seemingly have a complex history that needs to be unpacked before they can even ATTEMPT to be on good terms again. The last time we saw Ekko and Jinx in s1 they LITERALLY tried to kill each other! This is a relationship that deserves and NEEDS time to be understood.

As for Jinx's mental illness being downplayed? 100% true. In season one Jinx's mental health was vital to the story the writers were trying to tell. They didn't want Jinx to seem like a manic, Joker-type character. They wanted her to be someone the audience would simultaneously pity and fear. But in season two, the end goal was to have Jinx reconcile with Vi and be a hero. To the people behind season two, this wasn't possible without stripping Jinx of everything that made her a fan favorite. Season one was all about rejecting the past and embracing who you truly are and what you've become. Jinx's final action in season one is sitting in the Jinx chair, proclaiming she has changed, and then nuking topside. But in season two, Jinx answers to the name Powder and says "Jinx is dead." In season two, Jinx becomes completely pacified and is no longer a murderous criminal who struggles with daily hallucinations. The erasure of her mental illness and identity has led fans to come to the conclusion that she was never really "that messed up" to begin with, all her problems were because of Silco and now that Silco's gone, she's better. This view is incorrect because we see Jinx have meltdown before she even meets Silco AND arguably Jinx reverting back to Powder isn't inherently a good thing. Powder isn't inherently the "better" version of Jinx. The fact that she even reverts at all goes completely against the message of season one and Silco's dying words, "Don't cry. You're perfect."

[brzatto]

​i have some Thoughts about the claire plotline obviously and i actually genuinely like her as a person but i dislike her character wherein i don’t like the fact that they introduced her with the sole purpose of being carmy’s love interest and posing as a conflict for the restaurant? considering she’s supposed to be a childhood friend of carmy’s and grew up with the rest of the berzatto family i wish she had gotten the chance to be developed and fleshed out as her own character instead of just being used as a plot device. the buildup of her and carmy’s relationship was definitely very abrupt but in a show that revolves around (found) family it just felt very out of place for us to be introduced to a character with explicit romantic intent like that

[kaivenom]

Party Animals

Summary: you were drunk on a party and doing crazy things, next morning you think you made a huge mistake, but ends up being that it was the push you needed.

Pairing: Spencer "Spider" White x reader

Warnings: drunk people

A/N: conmemoring the release of season two of this amazing show (Heartbreak High) i have the need of writting about Spider and Ant, so expect about them the next days.

Masterlist

Like always, Spider was being the soul of the party, drinking, dancing, laughing and being an absolutely pain in the ass. He was going around with Ant while you were in your corner drinking. He had been giving you small glances all night, it was frustrating because he will surely get to you and be an absolute asshole.

As if he had read your mind, Spider started to get close to where you are. You can't deny that he looks really hot with the lights of the club and that look on his face. It looked almost like he was possesed while he walks towards you. His eyes didn't leave yours once he notices you watching him.

After what looked like an eternity, he laid himself on the wall next to you, he was probably drunk, just like you... maybe that's why you can't decide if you want to go and ignore him or stay here and see what happens.

"Hi." what a gentlemen you thought.

"Hi, why are you here?"

"Ant is my friend, he throws the party."

"I mean next to me, asshole, you don't quite like me."

"That's not right," he is looking at you so serious that you feel he is looking into your soul, "I may treat you a little bad but i treat everyone like that, the other thing is that you are different."

"Wow, that's your strategy to try to have sex with me?" clearly alcohol is kicking you both.

"Maybe."

"And why do you think i will be with you?"

"Nothing, but trying it's free and i know you wouldn't do it in any other situation."

His face is closer to you every second, looking to your lips with a dreamy glance. For the first time you considered kissing him, you already thought about it but know you were starting to see it as a real posibility. You both were now really close, you can almost feel Spider's heat body, he was radiating an exciting warmth.

You don't know why but started to lift your hand and touch slowly his face, he closed his eyes almost instantly, savoring every second of your touch. Suddently his hand wrapped your waist and push you fully on to his body, now your lips are brushing and your breaths start to mix together.

"Tomorrow we can forget about this," he said before smashing his lips to yours.

His lips were soft and tasted sweet, you didn't spected that at all since you two were drinking for so long. Your hands running all over each other's bodies. Suddently you were trapped between the wall and Spider's embracing body. His lips traveling all the way up and down your neck, you were thankfull that the music was drowning your sounds.

You continued like that for a bit longer, lips pressed and bodies grinding onto each other, you didn't want that to end but suddently Darren appeared on scene.

"(Y/N)!!! we have to go, Amelie got us in problems," both of you were slow at processing what Darren said, "let's go, if you go now i won't say about this."

Darren's face showed their disgust really well, but hearing those words made you restart you breain and realize your actions. You got out of Spider's grip while he was still in shock and runned with Darren. At the end you didn't know if you run because of Amelie or because of your actions.

-----------------------------------------------

You spent all weekend coping with the embarrasment of what you've done and when the monday came, you decided to avoid Spider. That worked for three hours until he cornered you outside class.

"Hi."

"Hi, i need to go," this time you couldn't get away from him.

"No, we need to talk."

"You said we could forget it and i hope to do that, because we were drunk and we made mistakes."

"I don't consider it a mistake," you couldn't believe him but he was looking at you again, with those glowy eyes, "I know what i said but it was mostly to get you to kiss me but i... i can't forget about it and i don't want to do it because i dream about it a lot."

"You are saying you already thought about it?" his face was really red.

"Ye-Yeah..." he apparently doesn't know how to continue, you kissed his cheek, that was the only thing you thought of doing.

"I dreamed about it too." his face lightened up, before passing to a prideful smirk.

"So we can go out and take it where we left off."

"No, we will take it right and slow, and if we are going to start dating or something, you need to stop being a pain in the ass."

"I will do it if you give me a incentive to do it."

The bell rang and you surely know that your friends will be seeking for you, you kiss his cheek again and give him a little peck on the lips that left him static on place.

[twilightcitysky]

Everything Is Meant (long S2 analysis, part 2)

Part one here

Okay, so that's how I think the pre-creation scene and Gabriel's arc connect to Aziraphale's choice. I also think the ineffable bureaucracy speedrun exists to prove totally different things to Aziraphale and Crowley: Aziraphale loves that they can love each other but notes they have to run away to be together; Crowley sees this and immediately thinks "hey, we can do that too!", forgetting that running away is not a solution Aziraphale has ever been interested in. It's the mentality of an individualist vs a group-oriented mind, and neither of them is necessarily wrong, it's just that their priorities are different and they HAVE TO TALK ABOUT IT, which they don't.

Continued analysis under the cut:

3. Let's take the Job minisode. Why include it? We already mentioned that it proves Aziraphale remembers Crowley as an angel, since he mentions it. And he believes Crowley is the same person he always was, and that he doesn't want to harm Job's crops or animals or children. Crowley tries to convince him he's a Big Bad Demon who is all in on this assignment, but fails utterly to kill even a single goat, soooo... Aziraphale comes to the conclusion that he knows what Crowley wants. Alert! Alert! This is a big problem! Crowley says, "What do you know about what I want?" Aziraphale: "I know you." Crowley: "You do not know me." But because Aziraphale got it right this time, he goes ahead assuming he'll always get it right, which is a crucial failure when it comes to the final reckoning. He doesn't ever ASK Crowley what he wants, he just assumes. When you assume you know what someone wants, you usually assume their priorities align with yours... he couldn't be more wrong about that. The Job minisode sets up this dynamic for them, and they never really manage to change it.

The other thing happens at the end of the minisode. Crowley acknowledges two crucial points: 1) he's lonely ("But you said it wasn't!" "I'm a demon. I lied"), 2) he doesn't think Aziraphale would like Hell. Aziraphale DOESN'T like Hell. Aziraphale hates Hell for what they've done to Crowley. He doesn't see Heaven as innocent or benign, but importantly, Heaven has never tried to hurt Crowley directly. They never threatened his safety. They never tortured him (as it's heavily implied that Hell did). Fast forward to the last ten mins of season 2: Aziraphale excited to tell Crowley that he can be an angel again BECAUSE: he never has to go back to Hell. They can never hurt him again, not the way they did before. And he doesn't have to be lonely anymore.

Last point before I leave Job: Crowley has the chance to cause Aziraphale to Fall, here, probably. ("I lied to Heaven to thwart the will of God!" "You did, but I'm not going to tell anybody. Are you? ...good, then nothing has to change.") He doesn't take it. He doesn't want Aziraphale to be a demon. He loves Aziraphale as he is. "Angel" as an affectionate. Aziraphale certainly doesn't use "demon" as a pet name for Crowley. I think they set up this scene to contrast the final one, and show how deeply hurt Crowley is that Aziraphale suggest he change.

4. Moving on to Victorian Scotland. This one confused me at first. I was delighted that they brought back the "the lower you start the more opportunity you have to rise" dialogue from the book, but apart from that I didn't really see the point of it. It seems like the statue of Gabriel and the fact that he and Beelz ended up at that pub in the present were more or less coincidental.

The point, I think, is actually not the girl, but the doctor. He's a person who is trying to do good by working in a system that's deeply flawed, and engaging in questionable moral practices for the greater good. (Cadaver dissection is still an essential part of medical school. You need dead bodies to understand living ones.) He shows Aziraphale a tumor he removed from a child who died, and Aziraphale clutches it to his chest. The camera zooms in and lingers to tell us that this is a guardian through and through. He wants to protect people. He wants to do good with every fiber of his being.

To Crowley, it's enough to just "be an us" with Aziraphale. He doesn't really want anything more than that. That's an issue! For one thing, it fosters unhealthy codependency, and for another, Aziraphale would never be happy without the opportunity to help and protect people. It's an essential part of who he is. Metatron knows that, and he plays Aziraphale like a fiddle. The doctor showed Aziraphale that you can make a difference even in systems that are flawed, and even if you have to do things you'd rather not do. Aziraphale doesn't want to go back to Heaven, but he truly thinks he can change things; thinks he can be a guardian with some real power. In his mind, that's the right thing to do.

Last thing that happens in Scotland: Crowley saves a soul from Hell, arguably, by preventing a suicide. He gets in Big Trouble. Whatever happened to him downstairs resulted in him coming back up, leaning on a cane, and asking Aziraphale to give him holy water. Go back and watch that scene knowing what we know now about the Victorian minisode. Ask yourself how Aziraphale must have felt. He likely blamed himself for what happened, because if he hadn't meddled then they never would have been there in the first place. He knew where Crowley was, and why he was there, and he had to sit with that knowledge for years. He desperately wants Crowley to be safe; is perfectly willing to push him away to keep him safe-- which is what he does do, the minute Crowley gets back.

Now think again about what Metatron offered him. A chance to keep Crowley safe forever. He'd never be harmed again. Aziraphale is going to take that offer, no matter what else is asked of him. He's shown over and over again that he'll sacrifice his own happiness to make sure nothing happens to Crowley. And he'll do it without talking to Crowley about it first, because he is a moron who doesn't know how to use his words. Leading Crowley to assume that Aziraphale doesn't love him. The idiot angel is doing it all out of love, but because he doesn't make himself clear Crowley doesn't know that.

Part 3: Maggie and Nina, and their roles as mirror couple/ Greek chorus!

[barblaz-arts]

Found out about you and your chaggie art on twt and decided to check out more of it on here! I’ve heard about hazbins hotel before and have seen the pair and fanart of them but haven’t made the decision to watch the show.

Wanted to ask from your perspective, what is it about chaggie that you like? Could be anything about their relationship dynamics, wtv representation that they portray, anything! Should I watch hazbins hotel for them 🤔

Gosh! What do I love about them??

Oh man, welll... On a surface level? The dynamics they display are just so delicious to me, and I especially love that it's always a little subverted with them, yunno? It's angelXdemon, but the demon is the precious sunshine while the angel is the grump with a body count. The princessXknight dynamic they display is subverted too because although Charlie is the one born in the worst realm in Creation, she's still the privileged princess, meanwhile even though Vaggie is the one who came from literal paradise, she's the one who lived a life that wasn't exactly luxurious. They just present dynamics I've already always loved but with a fun little twist.

But on a deeper level, I think I love Chaggie because they're already so far along in their relationship, and you can see it in how comfortable they are with each other, which was such a surprise for me. You see, I'm not very good at fixating on ships when they're already canon. Like, I'd think it's cute, but I wouldn't be itching to find fics about them. And if a ship I've liked finally gets together, I actually... usually... Kinda sorta love the ship a little less... I'd still like them! I just wont be as giddy about them.

But omg Chaggie still manages to give me butterflies, and I think it's because they're way past the honeymoon phase, something that I barely see represented for sapphic couples who are such important characters in a story. Lotsa people didnt like how it wasn't initially obvious that they were a couple, but I actually really loved how the writers and animators showed how deep their bond is without having them making out ang grope each other all the time. God if they were like that, it'd probably give me the ick.

It was just lowkey, because they've been together for years. Charlie would casually rest her arm on Vaggie's thigh and Vaggie isn't flustered because it's probably a habit of Charlie's by now. Vaggie would tuck Charlie's hair out of her face while she's worried about something and it isn't framed as a special thing, but you can tell by how Vaggie looks at Charlie that it wasn't done with any less love than it did over the years. And when Charlie's stressed about a phone call, Vaggie wordlessly offers her hand and Charlie takes it with a quick appreciative smile before holding on tight and bouncing their joined hands up and down like it's a stress reliever.

Their interactions weren't uber sweet with heated physicality, but the show had them display familiarity and comfort instead. And idk i just love that. I love that you can clearly tell they're best friends. Like, the very first scene they appear in for the Pilot, Vaggie is tying Charlie's bowtie for her while Charlie stares at her with a smile on her face. So cute...

Also. I just think both of them are hot lmao

So. Do I think you should watch the show for Chaggie? Idrk. I personally watched for them, but I came into the show expecting not to get much shipping fuel bcuz they were already in a relationship in a show that has a whole dang lot more going on in it. So some people who wanted to get into the ship expecting maybe a lotta smooching felt unsatisfied. But honestly, what did they expect from a 8 ep season that only had a run time of 22 mins per episode, in a show that wasn't even a romance? 😭 I personally thought we got a decent amount without taking away from the actual plot.

I think you should try to watch with the mindset of just having plain ol fun. Try the first 2 episodes, which is only 40 mins of your day. If it doesn't jive with you, that's totally fine. But pls do check out the songs if you dont like the show. The songs are so good. My favorite song from the season has plot stuff, but this one is my second favorite

And since we're talking about Chaggie, here's the reprise of that song sung by them. It's short, but they promised more chaggie songs will be in season 2 so im not too sad about it. Charlie and Vaggie's VA harmonizing is just beautiful.

Edit: for those who saw this post when i accidentally prematurely posted it before adding the links and photos, no you didn't 😐

[fallenrocket]

My god, Cassian is just so young in season 1 of Andor. On this last rewatch, it kept jumping out at me everywhere. Especially at the start of the show, which makes sense--he goes through a pretty intense education over the course of the season and transforms before our eyes. But there's just so much in Cassian that comes from being young, traumatized, and desperate.

We see it in his moments of unabashed fear, like when he's stopped by the two corpos in the pilot, the first time he sees the TIE fighter fly past on Aldhani, or as the prison transport takes off for Narkina 5. Even when he tries to hide it, we can see it in his eyes, the parts of him that are still that scared kid from Kenari.

We see it in the chip he has on his shoulder, like the attitude he cops with Luthen in their first meeting: "I don't know you." He's not just guarded and distrustful, he kind of actively resents this guy trying to get too familiar with him. When he's scared, uncertain, or guilty, he tends to push others away, a product of having to fight most of his life and of losing many of the things and people he's cared about. I also think of him coldly telling Bix, "You won't have to worry about me anymore," at the end of their argument in "Announcement."

And yet, by the same token, he can also be surprisingly open and earnest in his affections. For me, this is most apparent in his scenes with Maarva in "Announcement." There, we see his naive optimism that the money he got from Aldhani can solve all their problems. He's so buoyant and hopeful and loving as he suggests running away, saying, "What do we need but the three of us?" Later in the episode, we see that same naivety when he insists, "We'll find a place they haven't ruined yet." But it crops up in other places too. On Aldhani, he chooses Clem's name as his pseudonym, even though he already realizes Luthen has a lot of intel on him and will probably recognize it--in that moment, his distrust of Luthen is outweighed by his desire to go into this dangerous mission carrying a small piece of his dad with him. Then there's that beautiful hug with Brasso in "Rix Road," especially those few extra beats past when you'd expect them to part. When he hugs Melshi in the previous episode, Cassian is rushed, on the brink of falling apart and not wanting Melshi to see. But with Brasso, Cassian needs that touch for a few extra seconds, and he's not afraid to hold on a little longer.

Most of Cassian's dumbest mistakes in the season are very youthful ones. He's an incredibly smart and observant guy, so he's not dumb very often, but when he is, it tends to come back to being young, traumatized, and desperate. We see this especially in the opening Ferrix arc: insisting on bringing an unsecured comm to his meeting with Luthen (oh my god, the way he bickers with B2EMO about them beforehand!) and trying to go back for the starpath unit when the shit hits the fan, even after Luthen repeatedly tells him to leave it. With the starpath unit, part of it is naivety--"What if it's just one guy left?"--and part of it is growing up poor and scrappy. This box represents more money than he's ever had at any one time, and he simply can't process the idea that his buyer would just leave it behind.

Finally, every now and then, Cassian has this subtle but impeccable "little shit" energy. We definitely see it when he messes with Timm in the pilot, deliberately goading him instead of trying to defuse the situation when he sees that Timm is jealous. It's a dumb, petty moment of cheap satisfaction that winds up with some intense blowback when Timm IDs him to Pre-Mor. And I love Cassian's refusal to give up on Kino on Narkina 5, always believing he can be brought into the fold no matter how many times Kino tells him to forget about it. It's a great reflection of how Cassian rejects the Empire's attempts to divide the inmates by pitting them against each other, but part of why he's able to keep at it is his annoying-kid tenacity. I love the scene where Kino brushes him off by saying how many shifts he has left and Cassian immediately responds with, "So...tell me what you know before you go."

It's simply wild to compare the Cassian we see in "Kassa" to the one in "Rix Road." He goes through so much in twelve episodes and really comes into his own, and it's fantastic to see some of the qualities he displays in Rogue One starting to peek through. He's already come so far in his character growth--I cannot wait to see how season 2 gets us from "Rix Road" to Rogue One!

Oh yeah, and Diego Luna is simply stunning. You can really feel how he traced Cassian's life backwards to this point, see how different the Cassian of "Kassa" is from the Cassian of Rogue One and yet still fully believe that this is the same character. All the little hints he drops, all the tiny moments where you can see Rogue One Cassian starting to gestate. It's such beautiful, brilliant work!

[sillyandquiteawkward]

sillys (not so) lil info dump about how to be a human being. smiles

htbahb is an album from glass animals, of which notably, all the songs align with different people's lives, perspectives, and feelings, also of which are shown on the (various) album covers. so the easiest way to go thru the story is song by song. but i will show you the album art so you can get a gist of things before we go into details.

these are just some of the various album covers for htbahb, theres a bunch of them, but we dont need to see all of them to see the different lives of our characters.

1, Life Itself

this is our main character for life itself. you can call him a bit of a nerd if youd like. apparently his name is chuck rogers. they dont all have names.

hes an inventor, loves ray guns and strange technology, but as noted in his song, feels like he was raised with expectations hell never be able to achieve. his father as a child said he would be a superstar, but nowadays, he cant get a job and he lives with his mom. hes struggling with finding himself and his place in society and hes doing drugs and feeling like hes absolute rock bottom with everyone being against him. he feels alone and attacked and retreats back into his car or grandmothers basement and keeps folding back into himself.

in the music video for life itself, hes only seen in a few scenes, leading the charge against [popular st] with a smoke bomb as [mamas gun] watches knowingly from the sidelines as perhaps the real leader behind the assault. they seems to be accomplices with each other, as they ride in the car together and seem to be specifically looking for [youth].

2. Youth

now the main character for youth is tricky, it seems like we have two characters for youth, the small child, and assumedly, his mother the waitress. i think i like the interpretation that the mother is the main character for this song, and the child represents the album as a whole. alternatively i also like the idea that the child is youth, and his mother represents [premade sandwiches]. but for the most part, they are just both the characters for youth.

youth is a mother talking about her child, and to her child, almost in a detached sort of way as if they arent able to see each other. a mother speaking her hopes and dreams to her child. somehow these two have been separated when the child was young, perhaps through giving up to adoption, or hinted in the music video, abduction. she wishes best for the child, urges them to feel their mother at their side, and notes that theyve got her eyes. she lists off her wishes for them to be happy and have friends, and be silly. this perhaps is for the best, that they can be happy even without her. i particularly like in this song, the wordplay makes it sound like the singer is counting one, two, three, four, five, when they are singing other words like boy, to, free, funny, and fly respectively.

in the music video for youth, the child is seen almost haunting the mother as she works as a waiter, appearing in several locations playing and running around as she remains dutiful to her job. they briefly sit looking at each other in the same hotel room he had been taken to in life itself's music video.

3. Season 2 Episode 3

this is the main character for season 2 ep 3 and i think one of the cool changes between album covers, as we see a fully done up girl all put together with her make up on, and in the other, someone a bit more silly with her makeup removed. this might be the way she sees herself vs how other people see her.

the song is the lament of a boyfriend to his girlfriend, who seems to be glued to the couch, watching shows, getting high, not changing her clothes, and eating day old leftover food and most notably, mayonnaise straight from the jar. at the beginning of the song, the two of them are high together, however he soon sobers and realizes she refuses to get sober along with him. he tries to convince her that their relationship wont work if she keeps being like this and doesnt try, but she wants him back the way he was (high as well) and views him as a nag. she still makes him happy, but sometimes she makes him sad to see how she lives. even after an acceptance from the boyfriend that she wont change and will never be vertical and golden like he wants and that the relationship will never work out, the song ends hinting that hes picked up getting high with her again due to her calling him a killjoy and wearing him down.

in the music video we watch the girl splay out on the sofa, surrounded by her mess watching tv and doing nothing. halfway into the video, we are brought into the game she plays, as she battles [life itself] [cane shuga] and [the other side of paradise], all of which are men who could possibly be the boyfriend figure.

4. Pork Soda

this is our main character for everyones favorite pork soda. hes an older man, who for the most part seems pretty happy. wonder if hes harboring some long lost feelings or something.

the song opens with a street performance unintelligible to a normal listener, its like passing by a conversation, you are only able to hear bits and pieces of the spoken words. once the song starts you hear a story about this guy's girl who used to be fun and adventurous and would take him along with her. in the same breathe hes begging to go back to the days they were happy together. it seems like they fell out of love, or are in a struggling relationship bereft of communication or the passion it once had. shes only happy when theyre having sex together, and just looking at each other causes him heartache. the song talks about pineapples in my head, and being brain dead, as well as other references to diminishing mental facilities, that perhaps in their age, theyd forgotten about each other.

the music video gives us probably the most clear story line, as we see the wife prepare a meal before sending it through a dumbwaiter into the basement for the husband. there he sits alone, watching tv. up above the wife plays with their dog, imagining the dog is the younger version of her husband. all of her time is dedicated to the dog, and all of his time is dedicated to the tv. they have forgotten they love each other and live in the same house, but live in separate worlds. only after the dog destroys his tv and the husband destroys the floor above him and under her feet, do they finally get back together as he catches her as she falls, surprised and exhilarated for the first time in forever. and things seem to be better as they finally occupy the same room together again.

5. Mama's Gun

This is the main character for mamas gun. shes a victim of the perception of her mental illness. i think this is my fav song of the album.

during the song, the woman initially admits that she took her gun and made her husband go to neverland. however she also says she loved him a lot and he was perfect. through bits and pieces of the lyrics you can come to the conclusion that she has some sort of psychosis, or perhaps schizophrenia in particular as she notes many different voices and figures talking to her. the song references dr swango, a doctor who killed his patients, however he insists to her that him and all the other voices in her head are too from neverland, and that she was a murderer just like him. is she really guilty of murder? what really happened? the flute played during various instrumental parts of the song is a sample from the carpenter's mr. guder, a song about a man who does what hes supposed to in society and his job and gets nothing from it. karen carpenter herself was a victim of her own mental illness and they say that theres a specific purpose for the sample chosen. once the lyrics pick back up, the voices again pipe up and tell her she was a murderer, even the voice who had never spoken says so, so he must be telling the truth right? during the final bit of the song, it seems like her husbands voice joins into her collection of voices, as he bears a cheshire smile and asks her to lay with him once again, and that hes waiting for her. in the end, its unclear what happened with her and her husband, as she goes back and forth saying she was violent, she was doing nothing. this song was inspired by a story they heard of a woman going into a drug induced black out for a month and reappearing in another state with no memory, and the lingering fear that shes done something terrible wrong, and never being able to have the closure of knowing what happened.

theres no music video for this song, but we see her appear in life itself. she and [life itself] drive to the hotel where [poplar st] is holding [youth] captive and attempt to break into the room hes in.

6. Cane Shuga

this is our main character for cane shuga. hes exactly how he seems, a rich white guy who is, of course, using that cane shuga all day everyday.

cane shuga presents a dialogue from two parties, two people in a relationship. the singer promises he wont do coke anymore, that he wont be a john doe in the hospital. the chorus however is the high he rides on, where he thinks hes hot shit, hes 007 james bond, hes as powerful as kim jong, with a popped collar as he looks into the glare of the mirror and hypes himself up after using in the bathroom at work. hes untouchable. the second chorus is his partner, giving up on him, their love has burned up, just like his drugs. theres a humorous line of putting their foot down saying ive had quite enough, but corrects themself and sarcastically says or lack there of, that they arent being given anything anymore by him. regardless, their verses and conversation is short. the chorus of his high is the main focus of the song, and repeat over and over as the days continue.

[cane shuga] appears in season 2 ep 3's music video as [season 2 episode 3]'s potential lover. their stories do seem to entangle, they both are drug users dealing with partners who want to stop using. some people say that he is her partner, that he stops using for her, but falls back into the habit. however this doesnt exactly line up with her song, as she doesnt want him to stop. i think its part of that unreliable narrator theme weve seen in previous songs. people have different experiences with each other and get different messages due to the issue of communication. im not exactly on board with these two being together, but i do understand where people are coming from with this take.

7. [Premade Sandwiches]

this is a spoken word interlude, sped up and pitched down. there doesnt seem to be a character paired with this song, and on cd this song is simply a bonus track hidden behind cane shuga. on first listening its very difficult to catch what is being said, but over and over the speaker is talking about standing in line for various things. this song discusses mindless over consumption of drugs, of buzz words, of natural foods for your dog, watches, new clothes made to look old, the junk drawer filled with phones you dont use, with pens that dont work, with random shit you never needed just piling up. people stand in line and they dont even know why.

8. The Other Side Of Paradise

this is our main character for the other side. hes gonna be a basketball player and make it big babyeee.

so its a bit unclear and vague in the lyrics, but it seems our narrator and the basketball player used to be close friends. he even seems to be in love with the basketball player, calling him my love. but the basketball player leaves their home in new orleans to go chase his dreams out west and make it big, leaving our narrator's side. he told the narrator not to worry but after phone calls, it seems like basketball boy got a girlfriend. hes gloating to the narrator, hes got a girlfriend now, hes got a gold camaro, hes made it big, meanwhile our narrator is at the payphone hearing all this and his world turns in slow motion. no longer is the basketball player his baby blue anymore. hes moved on, hell never have another chance to love his friend. hes so angry and hurt, but he balls up his fist almost in a fight or flight reaction, and settles for the ghost of his love. hed always hoped for a paradise where they could be together but it seems like fate had other plans. he laments the basketball player for ditching them, saying here in new orleans people dont leave and ditch their lady (him). he wants to be loved and pampered by him, not her. heres where the vagueness comes back, the narrator seems to be so distraught that he rather kills himself, or finds that his body looks wrong, perhaps that hes not a girl that couldve been loved by the basketball player.

he only ever appears in the music video for season 2 ep 3 as one of the bosses [season 2 episode 3] defeats, claiming ball is life. there is a music video that was recently released for this song, however it does not depict the basketball player.

9. Take a Slice

this is our main character for take a slice, hes a bit of a slut but he makes it work :) the spoken intro to this song is the real recording the band took while talking to a male fortune teller, so the sausage candle is rather real or a lie from the fortune teller.

take a slice regales the story of a young man who finds pleasures in the sultry sexual aspects of life. hes sucking on cigarettes in a way freud would roll in his grave, hes painted his nails dark, has piercings, hes asking for another slice of cherry pie, cherries being a symbol for all things sex and lust. hes smitten with the idea of being a prize to be sought after, and after trying sex work for the first time, realizes this is the job for him. hes going to fuck his way through college, and sleep during class dreaming of you. wink. hes rolling in the dough, hes got a gold car, hes maybe dabbling in drugs too, and hes filthy and he loves it.

10. Poplar St

ms moore is the main character of poplar st, and shes a cougar, and not the good kind.

a young boy lives a typical suburban life. hes got bandaids on his knees and hes climbing trees. but one day, he sees mrs moore and mr keats have sex. immediately this drags him out of his childhood, hes such a man now that he knows what sex is. this is the first step of her grasp around him. as he gets a bit older, his mother calls her prosti-tits and looks down upon her. but the boy looks up to ms moore, despite his mothers words. mrs moore sees his desperation and pulls him into her clutches. theres a very specific voice crack when her teeth sink in deep and the note hes singing falls flat. this bit of pain expressed is highly contrasted with the chorus coming back in, the boy once again considers himself a real man, a true romantic, this is what all men dream of, isnt it? but there are dead flowers in the sand, hinting that these roses arent just romantic. the next bridge plays and interesting word switch up. it starts out with her begging him for more as she sits in her underwear, and then switches to him begging her for more in his underwear. theyve both wasted their days, but when it comes to his youth and her age, the only one wasting their childhood is him. the song concludes with mrs moore calling him up collect (so he has to pay for the phone call, not her) one day and breaking up with him. and then it all gets pulled out from under him and hes just a boy again. this tells the sad tale of how men and boys' sexual assault and grooming often is pushed to the side because they think this is how things are supposed to go, that they are supposed to have sex and to be used and abused from a woman is supposed to be an achievement. but really all it is, is abuse that leaves him feeling terrible.

11. Agnes

this is agnes :) i think it was mentioned at some point that he takes pictures of people when they arent looking, so to me, i like to think hes the one capturing everyone pictured in this album. bear witness to other humans.

the song starts out where the singer is appearing to try and comfort agnes. how did it get this bad, agnes used to just take pills and smoke a little, somethings changed perhaps. the singer notes agnes is just going through the motions every day, numb, and nervous, but hes swelling with emotion all the same. here the singer laments he wants to hold agnes like hes mine. theres a longing sadness in the lyrics. the next verse confirms the worst, while agnes was perhaps a genius when it came to the romantic, he was a deeply depressed and lonely person. he started to rely on the drugs and the alcohol he used to use recreationally, just to live a normal life. and he ultimately commited suicide. the singer wonders where the agnes he used to know went. however the singer reconsiders, and accepts that agnes did his best, life must feel so unbearably long when its soaked in sadness, living a false life filled with depression. so it goes, the singer thinks, but cant help but to feel lost. the only thing he can think of is agnes, perhaps considering all the art agnes made, all the photos he took of other people, perhaps just thinking about his friend in any aspect. grief is funny like that. on the vinyl record, this song's last seconds repeat over and over until you stop the machine from playing, like a lingering memory you cant stop thinking about.

the agnes music video is much different than the others, as it focuses on the singer, dave bayley as he sits in a centrifuge and attempts to sing the song. this causes a very physical reaction and he struggles to even lift his hand, by the end of it hes sweating profusely and unable to catch his breath, but he persists and continues singing. he mentions this was a mere fraction of what someone going through depression could feel like. during the music video as well, he appears to be looking across from a mannequin, perhaps the stand in for himself once hes put himself in agnes' shoes.

thanks for reading if you did i love being insane. all of these are my personal thoughts on the album, and might not exactly match up with your interpretation, but i have tried to keep to what we believe is what glass animals had in mind for the album and these characters.

[fuckyeahgoodomens]

David and Michael in the interview with Ali Plumb for BBC Radio 1, 10th July 2023

I compared it with it's podcast version and there are some bits that are cut out in the video 👀 but I added them into the transcript ❤ 🐍😊 .

AP: If you're thinking I'm the kind of guy that rocks up to a Good Omens interview with...

Michael: With the book.

David: Oh, well done.

Michael: We'd be correct.

AP: Yeah.

[GOS2 Promo]

AP: So after such a successful and well received first series, what gives you guys?

David: Why risk it?

AP: Why risk it.

Michael: What gives you the right?!

AP: What gives you the cojones to do another one?

Michael: I know.

AP: How dare you?

Michael: It's terrible. When I wrote it.... Well, no, I mean, that's the thing, really, I mean, it's Neil and Terry's baby. And we'd always known that they'd gone beyond the world of the first book. In fact, there's stuff that's not in the first book, in the first series. So Gabriel is a character, you know, who's not there. So we'd always known that there was a lot more.

David: The ideas, the threads.

Michael: Exactly. And they even had a name for a sequel. 668: The Neighbour of the Beast. Which is hilarious.

[A cut out part that is not in the video, but you can listen to in the podcast version of it:

AP: Just take, write the joke and then work it out later.

Michael: The best Good Omens joke isn't even in the Good Omens book.

David: Yeah.

Michael: And so we knew there was all that. So I think given that, that gave certainly us the confidence to know that we were in, you know, safe hands.

David: Yeah.

Michael: And I think gave Neil the sense that it was worth exploring, going further, because I think without that, he would never have done it. If he didn't feel that Terry was part of that ride as well, then I don't think he would have gone on it.

]

AP: At the risk of reading from the scripture, this is what's in the hardback copy of Good Omens: 'Why isn't there a sequel? Neil: Well, we know how the sequel goes. We played around with the idea whilst we were on tour. We even discussed a few scenes, but we could never quite work up the enthusiasm. It'd have been fun. We'd split the cash. But we both had other things to do'.

Michael: Yes. It's very much how we felt, isn't it? We'll split the cash.

David: Yeah.

AP: And run.

Michael: You know, and if we got nothing else on.

David: Well, yeah.

Ap: And you kind of enjoy each other's company?

Michael: I mean, enjoy is a strong word.

David: We're very good at faking it.

AP: Actors. I love it.

David: Yeah, exactly, exactly.

Michael: Yeah, exactly.

AP: When, outside of a show's context or the film's context, have you felt physically, visually the silliest? Because I think in this show there have to be moments. Green screen, full orange wig hair, that you go, no one take a photo of me right now.

David: The opening scene of Season Two is set in space and we're dressed as sort of old fashioned-

Michael: That makes it sound like sort of an episode of Blakes 7 or something, it's not Sci-Fi space, is it?

David: There's nothing wrong with that.

Michael: No, there's nothing... I mean I love it.

David: Jesus,

AP: Are you stepping up saying Sci-Fi's rubbish at this-

Michael: No, no, no! Of course not! No. But what I'm saying is-

David: I don't know who this is

Michael: David is making it sound like it's like Aziraphale and Crowley are in a rocket ship.

David: It is set in space!

Michael: Well, yeah.

David: First series set in space! You can't... it's just factual.

Michael: But not like space 1999.

David: Just space.

AP: It's pure, undiluted space.

David: It's set in space. In fact, it is undiluted space. And for that, we were dressed as a traditional angel in a sort of nighties...

Michael: Yes, we weren't in silver spandex.

David: We were in nighties.

Michael: We were.

David: And we were strapped to make this floating in space - and they didn't have this on Blakes 7 - we were strapped onto these gurneys and moved up and down.

[hehe bonus pic :)]

Michael: I had a jetpack.

[again, cut out in the video but present in the podcast version

David: I mean, it looks beautiful. The finished, the finished piece.

Michael: It was very odd, wasn't it? Yes. We were both sort of just like.

David: Yes.

Michael: Hovering around each other.

David: And it was, it was ignoble. Some of the being strapped in and out.

Michael: It was. Yeah.

]

AP: At least it's not Jon Hamming into a room... full Hamm.

[GOS2 Promo]

[again, cut out in the video but present in the podcast version

David: The naked Hamm? The naked Hamm was... yeah. He seemed pretty...

Michael: He seemed very relaxed.

AP: He insisted on spending more scenes in that costume.

]

Michael: That was never in the script.

David: No, he just turned up on set.

Michael: That's how he showed up.

David: I had an idea, guys!

Michael: Yes. No, there's lots to look forward to.

AP bursts out laughing: Sorry.

Michael: And lots to look back on.

AP: This second series, having a little bit more wiggle room in terms of where you might be able to take the characters, I think it's fair enough to say. Do you feel more active input.

[again, cut out in the video but present in the podcast version

AP: Into where they might go? Because to me, they strike as having a very strong Woody and Buzz factor of...

David: Right.

AP: Bear with me here. You're both not very good at your jobs.

David: How dare you?

AP: It's true. One's no angel. One's far from evil.

David: That's true.

AP: And you kind of are fudging it constantly.

]

AP: Do you feel you have more room to kind of fudge here and fudge there and really muck about with the characters now?

Michael: I mean, I every day when we start, I like to first of all say, Neil, I've got no interest in hearing what you're going to say. This is what I think should happen.

David: Yeah.

Michael: I mean, the thing is, when you've got Neil Gaiman writing it-

David: Yeah.

Michael: -you should have just go, off you go, mate.

David: The last thing you want to do is start putting in your ideas. You don't want to limit anything that's going to come out.

Michael: It's like brain. It's like when Ringo says, no, no, no, no, no, no, no, no.

AP: Yesterday, I have notes.

Michael: Listen, listen to what I've come up with.

AP: There's too much guitar in this.

David: Yeah.

AP: More drums.

David: Yeah.

Michael: Yeah. I think one of the things about Neil that is so wonderful is that he is so open and generous with ideas,

David: Yes.

Michael: and he's so not precious about what he's written. He is very respectful of what he and Terry created and is probably a bigger fan than any other fan, but he's not precious about it and he's very open to collaboration. In fact, he's probably the most collaborative

David: Yes.

Michael: I'd ever come across in my life.

David: Yes, absolutely.

Michael: So he loves watching what other people bring to the table, not just actors, but, you know, designers, everyone. And then I think he takes from that and is influenced by that. So it's very collaborative in that sense.

David: Yes. But if we influenced where the characters went in season two, it was sort of circumstantially.

AP: Right.

Michael: Yeah.

David: It was sort of by the act of what happened during season one and getting to know Neil and getting to know each other. But the great joy for us is turning up to these wonderful scripts and going, oh, I get to take this character here now. What a lark.

[again, cut out in the video but present in the podcast version

Michael: I mean, I wrote some very stern emails to him.

David: Yeah.

Michael: Which I was glad to see that he totally ignored.

AP: Screen time for me.

Michael: Yes, exactly.

AP: I like to think the 'I was right, or rather, you were right and I was wrong' dance was organic in the moment, not in the script. And could you give us a quick how might I recreate that beautiful...

David: Absolutely not. No. I worked with the choreographer for some days.

Michael: It's true.

David: Yeah.

Michael: It's true. And am I right in saying that... I wonder if this exists? But when we were filming it, didn't I, on the last take, I made you do it once with you thinking that you were doing it for real, but actually it wasn't for real. It was just so I could do.

David: It was so you could have-

Michael: So I could Strictly Come Dancing [british dance contest]-

David: Exactly that. Does it exist? I think it does exist.

Michael: It must have actually built... I had cards made with scores on them and David, God bless him, came in and did the whole thing again, thinking that he was doing it for the filming. And in fact, it was literally just so at the end I could go, 'SEVEEEEEEN'! [It was filmed, hehe, see here :)]

David: Yeah. But I don't want Amazon to think we're wasting your production...

AP: Money and time. No.

David: And it will show up on a blooper reel somewhere.

Michael: There was no film. There was no film.

AP: It was definitely not a waste of time. No, absolutely not.

]

AP: What would you say the fans have responded most to from the first series when you meet them at comic cons or on social media or what have you? Are there moments from the first series where they love talking about that scene?

Michael: Well, I think people really enjoy the going through history stuff, don't they? I mean, we thoroughly.

David: We certainly do. There's just something about the characters and their relationship, though, that seems to have just caught fire. I mean the amount of...

AP :I won’t read some ot the stories I’ve glanced upon.

David: Right.

AP: Yes. Fanfiction is quite….

David: Oh, I see. Oh that is not for us to read.

Michael: Oh I read it all.

AP: Oh you should. You write most of it, right?

Michael: I write most of it.

David: But it's lovely to see. And I have seen more than I can count. Aziraphale and Crowleys showing up. People dressed and always in twos, always in pairs.

Michael: Yes.

David: You know, and that's lovely. And that seems to absolutely encapsulate what the whole show is about, I think.

AP: Tattoos, fan art.

David: Definitely, yes. Seen a couple of tattoos.

Michael: Yeah.

AP: Yeah. Do you get fans in the street quoting lines or just pointing and staring? Because you two together can't really walk down the street.

David: Michael doesn't walk anywhere.

Michael: Those days are long gone.

AP: Jackpack.

David: Yeah.

Micheal: Yeah.

AP: Yeah, that's fair.

Michael: Well, I get a lot of ‘To the world’.

David: Oh, yes. Nice.

Michael: People like to… yeah.

David: Yeah.

Michael: And 'You go too fast, Crowley.’

David: Ooh.

Michael: There’s a lot of that. That gets jumped around.

AP: What about... and this is a kind of BAFTA winning question, so just send it my way.

David: Wow.

AP: Would you say these characters are in your top three most fun characters you've ever played? Because they strike me as being... I'd probably play these characters forever if I could.

Michael and David: Yeah.

Michael: This is like on what's that show when people have to say whether they want to date each other again? You go first. Top three?

David: I mean...

AP: Number two...one?

David: It'd be a weird scenario to say it wasn't.

AP: Yeah, I agree.

David: In this situation.

AP: Yeah.

David: To start something: well, I mean, it's sort in the little twenties. But... No, we did have an irresponsible amount of fun.

Michael: Yes. Not really like working.

AP: No.

Michael: I mean, I very much hope that we eventually get to, in one way or another, in one form or another,

David: Yeah.

Michael: get to play them just very, very old. And it may well be... I mean, we joke about doing a theatrical tour.

AP: And swapping.

David: I'm not joking. I'm not joking about that.

Michael: No.

David: It's a lovely little retirement plan.

Michael: I know.

AP: I'm dead keen on Good Omens 666. I think...

Michael: Oh!

AP: It's just there.

Michael: Yes.

David: Yeah, yeah, yeah.

AP: Think about it. Post apocalyptic...

Michael: Part, like Good Omens 1, 2, 3, all the way up to 666. I mean, that's a long running series. That's longer than Frasier.

AP: Big words. If a bad joke's worth telling. 666.

Michael: Telling over and over again.

AP: Over and over and over.

David: Yeah.

AP: Guys, I'm going to ask you one last favour as I wrap things up, which is I have at the front of this book, one Mr. Neil Gaiman.

[shows a copy of Good Omens signed by Neil Gaiman].

AP: He signed it and he said as he often does: Ali, have a good doomsday. Would you care to deface?

Michael: I heard the other day that someone went to interview George Harrison and the person who interviewed him said, would you mind signing this record? Whatever it know, the white album, whatever. And he went, do you want them all? And they used to all write each other's name, all sign each other's names.

David: Wow.

Michael: Because they had to do it so much.

David: Do you want to do mine?

Michael: Just get Neil to do that.

AP: Could you please sign as your man? I'll be very lucky.

Michael: On a different page.

AP: You pick your own page, deface as you will.

Michael: Yeah. Look at that. I do a little halo.

David: Oh, that's given me an idea.

Michael: Oh look at that, yeah.

AP: And then while I'm here, I'm going to do the super unprofessional thing of asking for a photograph, if that's allowed.

David: Yeah.

Michael: Oh, look at that.

David: That's perfect.

Michael: That's nice, isn't it?

AP: Beautiful. Would you mind helping me out?

David: Do you see what we've done there, Ali?

AP: Oh, thank you!

Michael: And yours is D for...

AP: I'm going to kneel behind you.

David: Sure.

Michael: I thought I should turn my M into wings.

David: Oooh.

Michael: This is, this is...

AP: Guys, as you may have worked out, big fan.

David: Cheers, Ali.

[daretolovemyrambling]

ARCANE: unreliable narrators (Silco and Vander focused) PART 1

I haven't really been in this tag/fandom before the season 2 finale, but can we talk about how both Vander and Silco are unreliable narrators? Especially when it comes to their flashback scenes?

I don't get why i've seen so many take the flashbacks we got in the show at face value. The show makes clear time and time again that when we get a flashback from the point of view of a single character, they are an unreliable narrator.

some examples of other characters:

on the left: biased/not the reality (character's memory/pov) vs on the right: unbiased/reality (our, the viewers, pov)

I'm going to use video clips and transcripts of the memories because I can't just gif like 5 minutes of scenes. Since you can only have one video per post, I will have to post this in several parts.

Let's start with Warwick's memories from 2x5:

We see that the memory of Warwick in episode 2x5 is all over the place, memories from the past 15-20 years come flooding back in bits and pieces. 

In the first moment of this scene we see Warwick running through the mines, then we see Singed who has experimented on him, we see the Monkey Toy aggressively banging it's cymbals against each other, then we see a younger looking Silco about to swing something at an enforcer, for a split second the Monkey's face replaces Silco's, we see that it was a bottle bomb and set that enforcer on fire.

I think this represents Silco's almost obsessive nature when it came to their fight for Zaun's freedom, the Monkey overwhelms you with it's loud noise the same way Silco likely overwhelmed Vander with his ruthless actions.

the next scene, Silco looks horrified at Vander and we cut to Vander drowning Silco, then back to the moment Vander (and likely Silco) discover Felicia's lifeless body. 

We see a moment of Vander punching an enforcer with his gauntlets from 1x1, cut to the Monkey's face again, then we see Warwick's perspective of the prison fight with the enforcers in 2x4 (we see him choke one of them out with his claws) and slashing several more of them brutally.

Finally, we cut back to the mines were he hallucinates a toddler-aged Powder crying her little eyes out (it looks like something that actually happened. I think this might be a moment shortly after he takes in the girls. Powder looks like she just woke up from a nightmare, her body language is shy and scared). He softly wipes the tears away with his left hand (same hand he used to choke Silco and an enforcer just a few moments earlier) 

Powder's face turns into Jinx and then pre-teen Powder and we follow Powder's lifeless gaze to Felicia dancing at the Jukebox, before finally, Vander images a Silco shortly after the murder attempt, this Silco is still dripping wet from the lake (and he uses his signature glass) but smiles at Vander invitingly (likely a moment that actually happend but was warped by the many nightmares Vander likely had about what he did).

The idea that Silco escalated the Bridge Riot and thus caused the death of many Zaunites, including Felicia and Connol, is definitely supported by this short memory, but it's *not* the only way you can read the scene. Vander's memories are evidently completely scrambled, he is remembering the worst moments of his life all at once.

It's just as valid to say that Silco was not there during the Bridge Scene in season 1 episode 1 as to say that he was!

That is what makes unreliable narrators so interesting, we can make assumptions to what happend, but if we don't get an unbiased view at a scene, we don't know for sure if it happend the way the narrator imagined it.

Examples where we have unbiased flashbacks would be flashbacks like Mel's childhood in 1x8 and the Bar scene with Felicia in 2x5. In these scenes we don't follow the pov of one character, of course information is still omitted from us to an extend, but we can make our own assumption instead of seeing the biased/narrow pov of a single character.

[thoughtfulchaos773]

Syd and Carmy communication 2

You know how I wrote endlessly about the table scene. Well, its the same thing with this scene in 3x09.

I recall some critiques about the table scene. It was that we couldn't see Carmy and Sydney's faces clearly. However, the camera work was meticulous, with a very smooth close-up shot as we got closer to Sydney and Camy without realizing it. Perfection!

But for this scene when Carmy and Syd have a chance to talk- they take on showing Carmy and Sydney closely. So we the audience could pay attention. In episode 3 of season 3, Marcus mentions unspoken communication during his mother's eulogy. The camera pointedly shows Carmy and Syd, and throughout the season, we see them subtly noticing each other. Sydney notices that Carmy writes in the margin, and Carmy notices that Sydney has a Coca-Cola every shift. Carmy also notices that Sydney is tired. There are cues that they see each other but are not saying what needs to be said.

But I love the scene from 3x09 because it portrays unspoken communication and shows how frustrating it can be. Carmy has been contemplating what he wants to say for some time. He avoids eye contact as he gathers his thoughts, with a hint of sadness present.

We're anticipating a real talk.

He slows down, and Syd is holding on, just like us, as he grows silent. The close ups! Sydney furrowing her brows and confused as ever.

Carmy was so fucking depressing this season.

Anyway he looks like what he wants to say is so heavy.

He settles on "I don't want it to be so hard to keep up with me", instead of revealing his thoughts with Sydney. Ugh!

The most hurtful part of this interaction is seeing Sydney looking so open and hopeful, expecting to have a conversation about their relationship. It's as if all the issues of the past month and the job offer from Chef Shapiro would disappear if Carmy just talks to her and they work on their relationship.

Carmy becomes quiet, withdraws, and looks up at Sydney. He gives a tiny nod as if telling her, "That's all I can do for now. You understand, right? Let's save it for later." It's like he's asking for understanding. (Sidebar: I'm not saying I'm agreeing or feeling for him, but that's what it seems like for now.)

It's why Syd says, "Got it. Great," because they do pay attention to each other. There's an unspoken connection, and although we didn't see it much this season, it was there.

When she looks down, she feels Carmy still staring.

Can't believe I'm feeling for this man! He just looks so sad that he can't talk about all that he wants to tell her right now. Then he looks away and withdraws completely.

But I'm also really frustrated for Sydney! Say what you need to say, Carmy. To be fair, she pushes her own talk to Carmy for later. This scene was so frustrating, but I loved the acting and cinematography - the close shots that make us pay attention to their expressions. But it's a different close-up from the ones with Claire. This is subtle and is more about focusing on Sydney and Carmy.

She gives it one more try before she leaves she turns to him- still hoping- still waiting.

But they settle for saying goodnight, and Carmy mentally disappears and gets fixated on his work.

Carmy misses his chance, and he's running out of time with Sydney.

I hope it's not too late.

[a-mel0n]

Okay, so I know we joke about the whole “Invisible String theory” thing a lot for Bucktommy, but this idea just hit me like a fucking train and I feel like I’m going to explode if I don’t write it down. So, hear me out:

A Bucktommy “Your Name” AU.

If you don’t know about Your Name (go watch it it’s a good movie), the basic synopsis is that two people keep switching bodies when they fall asleep. The switches are fairly common, but they’re random and not on a set schedule. When they “wake up,” they only have faint impressions of their time in the other person’s body— like it was a dream. To keep track of what the other person does in their body, the pair write small “diary entries” at the end of the day to inform the original owner of the body what happened, and to just talk to the other.

Throughout the film, the two people slowly fall in love with each other before the switches suddenly stop, and all memory of the experience fades, including the memos they wrote each other. All that’s left is the faint impression that they’re searching for something, for someone.

So. Here’s my idea. The switches can start at really any point in their lives, but my idea is that they start switching sometime in Season 6, at least from Buck’s perspective. For Tommy, the switches start when he’s still at the 118.

A crucial part of the swaps is that they’re not only switching places, they’re also switching through time, which prevents the pair from actually meeting, because any attempt to meet someplace would just get fucked over due to the time difference.

They write each other small reminders of things they set up while in the other’s body on the other’s phone or on their body; a small set of rules of things to NOT do while they’re swapped; the occasional back-and-forth; the whole nine yards. Maybe you could have a fun scene of Chimney showing up at the 118 for the first time while Buck is in Tommy’s body and he has to slam his mouth shut everytime he goes to instinctively call him “Chimney” instead of “Howard” or “Howie.”

(Maybe that’s how Chim got his nickname in this universe, a whole bootstrap paradox situation.)

The swaps continue all the way up until Buck gets struck by lightning while in his own body, and that three-minute-eleven-second period where he’s dead is enough to prevent the swaps from ever happening again. Once he wakes up from his coma dream, he’s lost all memory of the swaps, and all the little notes that Tommy wrote on his phone are gone.

Despite that, he can’t help but feel like he’s missing something, or… someone. Someone dear to him, someone he couldn’t have possibly forgotten. And yet, no matter how hard he tries, he can’t remember anything about them.

(Actually… maybe there is a moment where they can talk to each other. While Tommy is passed out due to the gas leak in that mall, Buck is still in his coma dream, and they actually speak face-to-face for the first time. Maybe they promise each other to meet up after they wake up. But, once they do— they’ve forgotten all about the other.)

Tommy continues to live his own life, with this faint feeling that he’s waiting for something. He transfers out of the 118 and over to Harbor in order to satisfy that feeling, and while it does provide some relief, that feeling doesn’t go away. When Howie calls him to help the 118 out with that residential fire, that feeling of “waiting waiting waiting searching” blazes to life again, pulling him towards the ground and the people running around beneath him. It recedes fairly quickly, though, in fact— as he’s flying away from that neighborhood after preforming the water drop.

Buck, on the other hand, is in that post-lightning-strike state. He’s got his super math powers and the newfound appreciation for life, yet the feeling that he’s looking for something (a feeling he’s had all his life, independent of the swaps), has gotten a whole lot stronger and he can’t pinpoint why.

Then the cruise disaster happens, and he has to push those thoughts out of his mind, for Bobby and Athena’s sake. And then… Chimney calls in an old friend for a favor.

(“You and I… haven’t we… haven’t I met you somewhere before?”)

[poge-life]

Interview where reader’s character is taken to singh’s mansion instead of kiara and reader and drew talk about how interesting it is play enemies even though they’re dating irl

This was the final interview of the day and you couldn’t wait to go home and change out of the dress you were wearing. You and Drew had been in Interviews since 8 this morning and you were running on very little sleep. You and him just got done doing the ‘20 questions with MTV’ and now it was the interview about the new season.

You let out a yawn as you leaned your head on Drew’s shoulder. He placed a kiss on your head before leaning his against yours, placing his hand on your thigh, “This is the last one.”

Lacing your fingers through his, you gave his hand a squeeze, “Any for tomorrow? Just wanna know how much sleep I’m getting.”

“None, I think.” Drew told you as the interviewer sat across from you. She gave you both a smile, which you returned as you sat up, still holding onto Drew’s hand. She had a sympathetic look on her face as she noticed your sleepy state, “I promise we’ll get through this as quick as possible.”

“So, your characters clearly have hostility towards each other on the show,” she started, “and yet, you two are together. Is it hard to act like you don’t get along?”

You looked over at Drew, thinking about your answer as he spoke up, “It was at first. Her and I got along really well when we started filming and since we had most of our scenes together, we spent a lot of time together. I think it’s harder for us now to act like we hate each other just because we know we could never actually be like in real life.”

You brought the microphone up to your mouth as you grinned, “It’s definitely more challenging for us to get through a scene without laughing just because we can’t ever be super serious with each other. I know I struggled a lot at the start trying to get myself to even remotely feel like I hated you just because you’re nothing like Rafe.”

“Thanks, baby.” Drew winked, bringing your hand up to his mouth and placed a kiss on the back of it

“Do you guys think your characters will get together on the show later on?”

“Honestly? I hope not,” you answered, “Only because I feel like it would be really random just because it’s very obvious Rafe and (y/c/n) hate each other.”

Drew nodded, “Our characters do better not being together. I would like to see them kind of work together, in the future. Whether it be to team up against the Pogues or just them working together.”

“I feel like (y/c/n) would try and kill Rafe in his sleep if they ever got together, just because of how much they don’t get along,” you added with a laugh, “Also, she could never have the same chemistry that Rafe and Barry do.”

[whateverisbeautiful]

I love waking up and reading your Richonne posts. You pretty much hit on every scene and I am so thankful for that.

Could you go over maybe a 2 part take of what you think had happened during the months of them getting to know each other during the prison times. Also, the months they got close together in Alexandria before they became official. Since, the show robbed of us seeing those scenes. I would love to hear your detailed theory on it because you know these two characters so well!

A 2-parter? You’re speaking my language, anon. 😋 Thank you for this message. 🙏🏽 And for some reason my mind read this ask and added in “a detailed play-by-play” of what I think happened and so that’s pretty much what I ended up writing. Starting with Part One - the time in between Seasons 3 and 4 at the prison that led to Rick and Michonne being like this in the season 4 premiere ⬇️💗:

I always like to think about what specific context from the actual show could most inform these type of unseen scenarios and then shape what I envision from there. So I first started thinking about where Rick and Michonne landed in the season 3 finale. 

If I remember correctly they both rode in the car together after saying their goodbyes to Andrea, and Daryl drove the bus. I feel like that car ride might have laid another small stepping stone toward growing Rick and Michonne’s fondness for each other. I don’t imagine that they even talked much in the car because it was a somber vibe after losing Andrea. But I can picture Rick seeing Michonne quietly emotional in the car, and for reasons he’s not fully aware of yet seeing her upset affects him and his want to comfort her is stronger than he’d expect.

I can picture something like when they pull up to the prison after Woodbury, Rick just lets her know that Andrea isn’t the only one who thinks it’s good that Michonne found them. And the silence after is so clearly his “I’m glad too.” But you know how back then Rick tended to say something that felt like it was almost going to be a profession about his fondness for her but then he’d sorta retreat - I think he’d do that and just add that they all are glad she’s with them. And Michonne would just give an appreciative smile and walk away because she’d still be pretty heartbroken over losing yet another person she cared about. 

Then I think going forward, that loss, on top of the loss of her boyfriend and baby, makes Michonne maintain a friendly distance from everyone in team family for a while. Like she’s always keeping herself busy by independently tending to tasks that help around the prison, going on runs, and trying to track down The Governor. But Rick still keeps an eye on her from afar.

And if I remember correctly, because it’s been a minute since I’ve watched these seasons, Rick and Michonne both weren’t members of that new committee that was formed. So I can imagine that maybe there were times when some of the other people closest to them were in meetings or away which may have prompted Rick and Michonne to chat a bit more - but still keeping it light and brief, not having extended conversations yet. Perhaps both would find themselves observing each other at times - Michonne seeing Rick out farming, Rick seeing Michonne out taking down walkers around the prison’s perimeter. Except maybe not watching her with binoculars this time lol.

Then, going off of info from s4, I think during these months that we didn’t see something that might’ve slowly but surely made Michonne lessen some of her lone wolf ways is when Daryl asks her to join him on runs. She agrees to go with him and they build a friendship.

And then whenever Michonne is back at the prison she starts getting closer to Carl too because they bond over things like books and comics. And perhaps Michonne and Carl especially bond when she brings back a bag of candy for him after one of her runs. They share some together and learn Michonne doesn’t mind the stale M&M's, and that becomes a running joke between them. 😊

So with Michonne getting closer to two of the people closest to Rick - Carl and Daryl - that starts bringing Rick and Michonne around each other more often too in a more social context. And this is where that crush we saw had clearly formed by the s4 premiere really starts taking root.

Like Michonne and Carl build this really natural, lighthearted, playful rapport and then it leads to Michonne lightly joking with Rick too. I picture that Rick is a bit bashful around her but they still occasionally have that flirty subtle-but-not-subtle “must’ve been something else then”/“you want to drive” type exchanges.

And Daryl definitely peeps these moments at times and knows you don’t even have to be an observant tracker to pick up on the stuff between Rick and Michonne. But he keeps those observations to himself...for the most part lol.

Michonne has playful banter with Daryl too but subconsciously she can feel that her exchanges with Rick feel different. And Rick loves it whenever Michonne spends time with them around the prison. It feels like family. 

Other TWD scenes that I think give a glimpse into what that time between s3 and s4 might've looked like are when Rick asks if she’s okay after she hurts her ankle, and when Rick washes up and asks if Michonne needs help with cleaning up those walker bodies. Lots of exchanges like that going on. Showing they care and like each other but are moving slowly toward really getting close.

And through these exchanges - of which it’s rarely ever just the two of them in private because Carl or people are usually always around - Rick and Michonne start to pick up on more and more things they like about each other.

I like to imagine that perhaps whenever the community had some downtime in the evenings or nights, it’d so often end up being Michonne, Carl, and Rick hanging around each other. With Judith there too sometimes, who Michonne seems to keep this subtle distance from as the baby triggers too painful a wound. 

But when Michonne starts to really care for them and feels herself getting closer to them - finding herself thinking about Rick and Carl while on runs and looking forward to their little exchanges - she starts going out further and further to look for the Governor - and subconsciously, part of that is to distance herself.

Rick isn’t crazy about her going off alone to find a certified madman but only really shows his disagreement in facial expression and maybe an occasional remark to Daryl about how he wants her to be safe. (And Daryl knows Rick wants that and more when it comes to Michonne, ijs.).

Maybe one time Rick does mention to Michonne that she doesn’t have to go out so much or so far but she’s adamant that it is something she has to do - hence why she makes that “It’s worth a shot" comment when she’s talking to Rick and Daryl in the s4 premiere.

She might already know Rick feels a type of way about her going on these missions cuz he briefly mentioned it before (and because he can't help but wear his emotions right on his face lol), but her subconscious also knows that staying around Rick too long is too vulnerable and wakes up too much within her that she thought died a while ago. 

Finally, I picture that there’s one night when Rick, Michonne, and Carl are just enjoying some downtime chatting together as usual but then either Carl falls asleep or somehow he leaves to talk with one of the kids around the prison and it’s a rare moment where it’s just Rick and Michonne together.

And that night they start talking on a more personal level. They don’t divulge their life stories or anything because I don’t think they really deep-dived into getting to know each other like that until the second half of season 4. But in this conversation, they do open up just a bit more and give more insight into how they think and operate, which they refreshingly find to be quite similar. And in the areas they learn that they’re different - they find that refreshing too.

And I like to think that their talk on this one night was one of those things where -  you know how people say they were conversing with their person in the early stages of getting to know them and they just never wanted the moment to end and they could have stayed talking to that person forever and damn near do talk to them for more hours than they realized? It was like that. 

Rick and Michonne both know in the deeper parts of their psyche that spending that time together just felt right. Falling for each other is still something they're doing subconsciously rather than cognizantly at this point, but what they are aware of is that they do enjoy each other a lot. And how right it feels to spend time with each other also subconsciously scares them a bit. Almost like it’s too right too fast. So those walls go right back up after that conversation ends and they don’t really get a chance to talk on that personal of a level again until the prison falls.

Even though deep down both of them really would like to have that time together again, and low-key Rick is so eager for another chance to just be around her like that, that just hearing her riding back from one of her outings has him springing up from his farming session with Hershel in order to run and greet her and ask if she’s going to stay a little while. 

And that’s my take on what I think happened between Richonne in the time between season 3 and season 4. 👌🏽😌

And Anon, you know you’ve tempted me with a good time by asking to have a part two about the time between No Way Out and Richonne’s canon episode The Next World. So I'll try and have a (possibly less lengthy 😅) Part Two on the way soon. 😊

[iamyourdailydoseofbi]

WHY ARE PEOPLE LEAVING FANDOM'S? WHAT I HAVE FOUND OUT.

So, I have noticed that a lot of my mutual's for many fandom's ( TUA, TWD, Z-NATION, WWDITS, Derry Girls, HOTD, etc. ) have been dropping like flies.

[ I love you my beautiful friends, and I hope one day you will feel comfortable and safe to come back 😘 ]

It got me thinking, why? Why? WHY IS THIS HAPPENING?! But, after talking to a few of my mutual's on other apps, it came down to mainly three common things with these mutual's. ( note, this is not for every fandom / fan, this was just the mutual's that I talked to, okay? )

1. The TV show ended, so there isn't much reason to stick around anymore. ( Umbrella Academy, The Walking Dead, Derry Girls, Z-Nation, What We Do in the Shadows, etc. )

Which is valid. If there are no more ( Ex. Sunday episodes for HOTD or Sunday episodes for TWD ) not many fans wanna stick around.

Then, after so many fans leave. It kind of becomes a 'dead fandom'. Where people sometimes goes back to time to time and be like, "Oh, I remember that show.." for nostalgia.

2. Their interests have changed.

Like any common trend, some people just say, "Nah, I don't like *insert show* anymore. I liked the 5th season and 2nd. But, I'm just not that into *insert genre* tv shows anymore." Again, valid.

Everyone had gone through one kind of phase before. It could have been books ( PJO, HP, etc. ) or fashion ( Skinny jeans, graphic t-shirts, etc. ) or music ( MCR, Blood on the Dance Floor, etc. )

It's fine to grow and change.

3. The fandom doesn't feel like a fandom anymore. This is a BIG one that many have told me.

People are clashing together, book vs tv show fights, character x character ships are constantly hating on each other, death threats are being sent to actors / fans / fanfic writers, you can't share your opinion without someone sending hate, etc.

The best example is HOTD. A fandom that I am in / write for.

Now, now, here me out! I have been very open about the hate in the fandom. You can check. I've gotten hate for writing about highly requested character's ( Aegon, Aemond, etc. ) and I have called out how fans are acting towards each other / actors.

What I don't get is this. We are all in the same fandom.

How did we go from, "Oh, Tom Glynn-Carney is really cute in Aegon's wig. It suits him.", "I have a fan theory that maybe in the next episode they'll do this part from the book because the teaser at the end of the episode it shows..", and, "I hope they put this scene in the show!"

To "Oh, you think Tom Glynn-Carney is cute as Aegon? Well you support r@pe and deserve death threats!", "Oh, you wrote a fanfic / oneshot / etc. for this character? Oh, it has a trope that it being used by a lot of other writers? Here's hate for that!", and, "Tom Glynn-Carney says that Aegon is a complex character...so clearly he supports..."

The main point is that this is why soooooo many of people are dropping out of fandom's. And when people call it out, they either get run out of the fandom as well or blasted for it with death threats.

Fandom's used to be places where people could go to geek out with others. A safe place. It's why there is comic con, etc. People want to know other fans, the want a safe place to go to.

Now, it's become a place where you have to mostly keep your head down low and not say a thing to avoid being run out because you share a different opinion.

In conclusion? I hope that fandom's can be kind to each once again so that people feel safe / comfortable to come back.

To all my beautiful fans who were run out / felt like they had to leave a fandom, I love you and understand why you left. I hope one day you will come back and find joy in the fandom that you once did.

To those of you running out fans / sending death threats. It's you that ruins the fandom. Fandom's were safe places for people, now you've ruined it for those people.

If you don't like a fandom / other fan, you have other options :

1. IGNORE THEM AND LEAVE THEM ALONE!

2. BLOCK A TAG / ACCOUNT YOU DON'T LIKE!

3. DON'T SEND DEATH THREATS!

4. FIND A PART OF THE FANDOM THAT MATCHES YOU AND STICK TO IT!

5. Block their account / tag, ignore them, not send death threats, leave them alone and enjoy the parts of the fandom that matches you.

It's that simple!

----

hopefully i can get this out there. so i am tagging some of the bigger people i know / follow..

@lovelykhaleesiii

@danytar

@lady-ashfade

@targaryen-dynasty

@cayenne1

@perfinn

@two-white-butterflies

@youraverageaemondsimp

[teeny-tiny-revenge]

Reason #38751 why OFMD is a masterpiece of television: they balance the emotions so well. The first three episodes of season two are absolutely devastating. Both our protagonists are really going through it. And every emotional scene with them hits, and it hits right where it hurts.

But at the same time, they managed to put little moments of relief into every episode. None of these devastating episodes is a constant wallow in sadness fest. We get bangers like Pete's "look, running water". We get the whole stealing from Jackie heist, complete with "fuck up those hammies". We get "I'm overqualified for towels". And several other moments like this.

I'm always surprised when I watch these episodes, because in my memory they are always Emotional and Sad (minus the final scene of The Innkeeper, because that one is a ray of hope, just like mermaid Stede). But they really aren't just sad and emotional. They are also really funny. They are funny in moments where you do not expect anything light or funny to happen, and these light moments startle laughs out of me even after several rewatches.

The funny moments never belittle the big emotions. And they never feel out of place either. I never got a feeling of "why are you laughing, this is sad". Yes I'm laughing, and yes this is sad, and a funny thing can still happen when things are sad.

OMFD in its entirety is really good at proving that comedy and drama do not have to be opposed genres but can complement each other, and I feel like the opening episodes of season two are the best example of this. They're dramatic, funny, heartbreaking, romantic, depressing, heartwarming and absolutely maddening. The reason they are so devastating is that they hit you with the entire spectrum of human emotions. You don't get to feel safe wallowing in sympathetic depression. No, here's a fun moment! And you'll laugh, helplessly, and then the next beat hits you even harder in the Devastatingly Sad. Truly the most show to ever tv.

[lookingfts]

Friday Fic Rec 10/4

Thanks as always for your submissions! Titles are links to each fic.

The Swap by VioletTimes

“It’s an AU with an almost Beauty and the Beast type of vibe. The writing is excellent and the slow burn is masterful.”

Description: Anthony Bridgerton is the most powerful Duke in England and likely its next king. But since he came back from the war his reputation is less than stellar. Considered to be both a brilliant strategist and a ruthless monster, all of England is afraid of him and the Sheffield sisters are no exception. So when Edwina is forced to be sent to marry the monstrous Duke, Kate doesn't even hesitate before swapping places to protect her sister from such a horrible fate.

WIP (9/39) - E - 43k words

loyal to what matters by @suitsusboth

“This fic is so well-written! The author is amazing at world-building. It’s a slow burn between Kate and Anthony, but totally worth it.”

Description: Anthony Bridgerton is an outlaw and had been riding with the Brunswick-Lüneburg gang for years now. They are his family-- a family that took him and his siblings in when they had no other place to go. But one big heist gone terribly wrong had them on the run, the law closing in on them like never before. Many forces work against the gang as they try to fix things in the aftermath as they are chased across the states-- gaining and losing friends alike. Loyalty is the cornerstone of their gang. But as things start to unravel, and as the alluring and equally infuriating Kate Sharma starts to shine light on aspects of his lifestyle, Anthony has to figure out what is worth being loyal to... and what it might cost in the end.

WIP (6/?) - M - 52k words

The Air I Breathe and The Bane of My Existence by the_loosest_moose

“Two separate stories, both creative modern takes on season 2's (not the book's) storyline. Also, these are textfics with accessible counterparts, so it took a hell of a lot of work to put these together on top of writing the actual story. I dream of this author coming back to write for this fandom.”

Description (The Air I Breathe): Anthony Bridgerton is a typical NYC hotshot attorney – self-important, tenacious, and highly promiscuous. He’s casually dated for years, but he’s getting older and is thinking about settling down. Enter Kate Sharma. She’s a brilliant special education lawyer, and though she’s entirely career-oriented herself, she’s trying to help her younger sister Edwina get back into the dating scene after ending a long relationship. Anthony and Edwina meet, and Edwina is immediately charmed. Unfortunately, Kate suspects that Anthony is not the kind, gentle person he pretends to be. Though Anthony and Edwina begin dating, things start getting complicated when Anthony and Kate realize they may have feelings for each other.

Complete - E - 61k words (accessible version 94k words)

Description (The Bane of My Existence): Kate Sharma and Anthony Bridgerton both have high stress jobs. When friends/family force each of them to attend a week-long silent meditation retreat to relax, neither takes it seriously (or is very happy about it). After a few flirty exchanges between them, things get steamy, and they try to make the most of their otherwise frustrating week. Though they part ways expecting their time together to have been no more than a fling, when they return home, it becomes apparent that Kate and Anthony aren’t the total strangers they thought they were.

Complete - E - 64k words (accessible version 104k words)

Remember the Time by Anonymous

Description: I read PonderRose's The Son Between Us and wondered how it would play out in the show.

WIP (12/?) - NR - 78k words

Trying not to love and We are family by HarnitBee

Description (Trying not to love): Anthony confronts Kate about their feelings, desperate to not feel anything.

Complete - G - 4k words

Description (We are family): What if the Sheffields weren’t horrible and agreed to the marriage and got Kate's father a post in England?

Complete - G - 10k words

hate to say I told you so by itsthebooks and KyBee1497

Description: A good old fashioned game of Truth or Dare mixed with Seven Minutes in Heaven brings Kate Sharma and Anthony Bridgerton a lot closer to each other than they ever wanted to be.

Complete - E - 9k words

LFTS rec: Weary Memory by @fitrahgolden

I have a difficult time reading divorce fics in general, but I gave this one a shot and I loved it. There’s a bit of angst, but the reasons for the breakup make sense and so does their coming back together. There’s something super sweet about this Kate and Anthony and I’ve revisited it multiple times.

Description: After eleven years of marriage, Kate and Anthony find themselves divorced and co-parenting their three kids.

Complete - M - 20k words

Thanks to those who submitted! This will be a weekly thing, so keep your recs coming! You can find previous weeks under the "lfts fic recs" tag.