#when they start criticizing the ships it always gets me

[shappoxs]

You guys just can't acknowledge the actual reasons people dislike TimBer and exaggerate or cherry-pick specific obviously stupid arguments.

I'll start by saying, ship what you want. There's nothing inherently immoral about TimBer. I make jokes, but I'm definitely not "Anti-Timber," but it gets to a point where you guys are just going-

Most TimBer "haters" are not these caricatures you guys like to paint us as. There are genuine reasons to dislike the ship.

1. It's genuinely bad for both characters. Queer men are allowed to have flaws, too! Yet they've stripped both Tim and Bernard of all of them and brushed any past mistakes under the rug.

Tim and Bernard were not good friends before 2020, and instead of giving them an interesting character arc, the writers just retconned all that and are trying to convince us they were besties.

2. Having Tim and Stephsplit up off-panel is already a disservice to a decades old relationship and Steph as a character. Especially because almost immediately her next appearance is as an accessory to TimBer, to tell the audience, "Actually, you should like them because she would want you to." When that's bullshit!

I'm not saying she should be jealous, but she has every right to be upset at Tim. The fact they did the exact same thing to Ariana, another one of Tim's exes who he hurt, turning her into a one-dimensional TimBer fangirl, feels very misogynistic.

They don't have to be jealous, but don't minimise them, and allow them to have reasonable reactions.

3. The way TimBer was handled feels more biphobic than the average fan reaction. This may be a personal interpretation, but so many moments feels like they're trying to belittle Tim's past relationships with women because he's with a man now. Which pisses me off. TimBer's chemistry comes from us being told about it, but I'm supposed to believe it was more meaningful than what he had with Steph?

I want to see my bisexual characters BE bisexual in ways that aren't stereotypical, but there are ways they could've done that without throwing Steph into a trash bin. As a TimKon shipper, I would be just as pissed if this same scenario played out with Kon instead of Bernard.

Honestly, I don't even want TimKon OR TimSteph if that's how the writers treat these characters. Let them bastardise Tim and Bernard just leave Kon and Steph out of this 😭

4. Most of the "he should cheat" takes are jokes or coming from people who haven't actually read the comics/comic where he actually cheats. Tim only cheated once iirc, but there is still valid criticism to be made about how flawless he's written now that he's with a man.

TimSteph's greatest strength is that we get to see them be a real teenage couple, they both make mistakes but it's watching them grow from them that matters most.

5. I'm fine with platonic TimSteph, but they clearly don't actually value their friendship. I'm also bisexual and grew up a Tim Drake fan, I am the last person who'd want his bisexuality to be erased, but I'd rather them actually do it justice than shrug my shoulders and slurp up any slop they feed us because it's gay.

Finally, I'm sorry if any of this came off as mean. I always try to be respectful even when I'm making jokes or disagreeing with someone, but I'm not perfect. Know that this is a critique of the ship and certain writing choices, not people who just innocently like TimBer.

The mental gymnastics people do to hate timber should be studied under a microscope.

The fuck you mean he is bad bisexual rep because he is dating a man… and how does that makes him gay???? Have you ever talked to a bisexual person???

“Oh it makes less of his past relationships” how?? How?!? Is he not allowed to be infatuated with his current partner? Should he continue pining after his past relationships even tho he is dating someone else???

[mihai-florescu]

This was one of the funniest stories in !! *himeru voice* Tatsumi you will never understand what a yume feels like

[itspileofgoodthings]

idek why but this is Peak Romance(TM)

[elvesofnoldor]

.

[stormythalamus]

agatha finale rant

so I’ve been seeing a lot of people complaining about the finale of Agatha and I wanted to give my two cents on their main points: 

1. “they used agatha’s show as a way to promote a man!!” well yes! that’s how marvel tv works im afraid. or any tv, really. wandavision was used to introduce agatha and monica, which led to their projects in the mcu (aaa, marvels). agatha introduced billy, leading to his future in visionquest or his solo series, which will introduce tommy and vision, which will lead to children’s crusade to reintroduce wanda. this is common for any tv show, but especially a big, connected franchise like marvel. i find it so concerning that even after all the promotion that showed us billy and agatha as co-leads, people were STILL shocked when the finale sets up a future story centered around him. like i hate to break it to yall but marvel wants money. and more shows means more money.

2. “they killed off a lesbian woman and not the gay man!” first of all, in the comics, agatha is a spirit guide for the scarlet witch. this form is her most comic accurate yet. also, did yall really think that was an unfair ending? or an ending PERIOD? all her death made me think of was the possibilities for the future with both billy AND rio. and again; rio was promoted as the ‘antagonist’ to agatha since the beginning. i don’t know how people went into this excepting a happily ever after for these two. they were always depicted as tragic lovers, and i honestly think the kiss of death was beautiful and poetic. i also don’t think this is the last we’re seeing of rio. and, as a side note, homophobia is still not okay! it doesn’t matter if you’re also gay; lesbians can be homophobic towards gay men, and gay men can be lesbophobic towards lesbians. and i’ve seen wayyyy too much of both in this fanbase. you can criticize characters and critique actors without bringing up their sexuality. we have enough incel homophobes doing that for us

3. if you’re still complaining about wanda not coming back i have no hope for you

4. this show, since day ZERO, was promoted as a show with billy and agatha as coleads. while i wish we had more backstory for how agatha and rio met, the salem flashbacks involving nicholas, the road scheme, and the song were much more important to the show. the parallels between nicky and billy were explored throughout the season a lot more than agatha and rios story (whether or not you like it, it’s still true (i personally wish we had a bit more on how they met 😭))

5. sending hate to actors about things their characters did is STILL not okay! and never will be!

6. this might be a hot take but if you’re only watching a show for a ship and don’t care about the story at all your opinion is irrelevant to me. like people who started watching after it was revealed in the show that agatha and rio were lovers (because, correct me if i’m wrong, this was never revealed before the episodes dropped) have no right to be upset when the show focuses on other things. and this is coming from a MASSIVE fan of agathario. and a lesbian. i loved the fact that i was watching characters who just happened to be lesbians have their own story. yes, i wish there was more agathario in the flashbacks. but i’m really not upset at all by what we got. and don’t get me wrong, people have every right to be disappointed, but they don’t have the right to hate on the creators and actors of the show. that’s not cool.

this is way longer than i thought it was gonna be 😭😭 hope everyone enjoyed the finale

[mangotangerine]

what if ozzie created hell's version of ao3 and then radiostatic became one of the most popular ships but alastor didn't find out because ew, technology, until one day he did, but the top 69 fics are written by the same person & have incredibly realistic aspects that only one other person in hell would know

well, i wrote it. see below the cut for what i have so far

vox writes fanfic (and his username is alastors_babygirl)

Alastor goes nearly a century without acquiring any of those ridiculous, overdesigned electronic devices that the rest of Hell rots their brain with.

×

Things have been odd as of late. Angel Dust has been giving him strange looks—not the usual objectifying leer meant to evoke discomfort, but something more inquisitive—and Niffty has taken to giggling every time he walks past that tacky television they keep in the lounge. It hadn’t bothered him at first, as Angel Dust has always been a strange fellow, and Niffty is… well, Alastor isn’t sure if even she understands her own whimsy, sometimes.

But now, it’s getting a bit out of hand.

“Niffty, my dear,” Alastor says, “I have a question for you.”

She giggles, likely because he is standing next to the television. She manages to get it under control, though he can still hear the laughter in her voice as she says, “Yes?”

He glances pointedly at the television, then back at Niffty, and her grin widens. She kicks her feet and covers her mouth to hold back the giggles that threaten to erupt, and Alastor sighs. He is not going to get satisfying answers from her. “Never mind,” he says, weary. “Perhaps Charlie knows.”

×

Charlie blushes a bright red and flips her phone face-down in a panic, when he finally asks her in her office.

“Um—um, well…” she trails off, body language broadcasting her discomfort.

“This is getting tiring,” Alastor says, letting irritation bleed into his voice. “Despite my confidence that it is not the case, because who would be so foolish, I feel as though I’m being mocked. It is quite unpleasant.”

“No! No no no!” she squeaks. “No, it’s not that, it’s just…” she takes a deep breath. “The fan fiction.”

“The what now?” Alastor asks, eyebrows furrowing.

She bites her lip, glancing down at her phone. “Asmodeus um… launched this new website,” she starts, and Alastor wrinkles his nose in disgust. Ugh, not this nonsense again. “And, well… people write stories on it about... about media or things they’re fans of. Like—like use the characters and setting, and… andyou’rethemostpopularship,” she says in a rush.

Alastor looks down at himself, and then back up at Charlie. “I didn’t take you for the type to be critical of somebody’s figure, regardless of the inaccuracy of your statement,” he says, clearly disappointed, and Charlie gasps.

“No! Ship—ship, like relationship! Not—I would never.” She’s offended now, frowning at him. “Why would you think I’d—”

“Please, Charlie,” Alastor says sharply, “Explain to me in plain language.”

She bites her lip, then shrinks a little in her seat. “Sometimes people… um, write stories about people, who they think would be good in a relationship… like romance stories.”

“What does this have to do with anything?” Alastor snaps.

“You’re the top—you’re the um, most popular, uh, ship. Relationship. Well, not just you, it takes two—anyway.” She stops, and smiles at him nervously.

“Who is the second party in this ‘relationship’ involving myself?” he asks, eyes narrowed.

When she tells him, he very politely demands to be shown this website, and she meekly flips her phone over and slides it toward him. He looks through it, smile fading slowly until it’s just a barely-there quirk of the lips. “Who?” he asks, unable to hide the venom in his voice. “Who is writing these?”

“Many—many people, Alastor. It’s—there’s—I, I mean, you see how many stories!” she squeaks.

“Do you read the ones where I’m involved with your father?” he asks, suspicious, as he points at the device. She gasps.

“No!” Charlie practically yells. “No, I do—I do not read sex stories about my—”

“Sex stories?” Alastor asks, voice thick with radio distortion, and she covers her mouth in horror at her own mistake.

“I—I mean, not all of them are—I mean, there are a ton that are just—and not just with my dad, but with—you know, him, and they’re—they’re so sweet, Alastor!”

The exhaustion is settling in his bones now, his ever-present smile twisted into a sardonic grimace. “I fail to understand how there can be any stories involving me and that—that walking billboard that are sweet.”

“Well, um…” she hesitates, nervous. “You could… you could read some?”

“I will most certainly not be doing that,” he says. “I will be going now. I appreciate your transparency, as painful as the information was to extract from you.”

Alastor leaves with his signature flourish, melting into the shadows.

×

He goes a week before he folds, though he has one of those egg creatures Sir Pentious left behind procure an electronic device for him instead of trying to find one himself. He then commands it to demonstrate how to navigate to that vapid archive of obscenities everyone seems so enraptured by.

Though there are a lot of these creepy little stories, and just as many writers, the most popular of these ‘fan fiction’ novellas are all written under the same pen name and have very specific personal details that only one other person in Hell would know.

Well, he supposes it has been quite a while since he’s gone to terrorize that tower in person. Why, he’s been positively angelic since his return to the public sphere. It’s time to pay his old friend a visit.

×

He could go in the front door, cause a scene, really ham it up for Vox’s pervasive cameras, but that’s too easy. Too predictable, and what sort of performer would he be if he didn’t improvise and change things up a bit?

Alastor materializes in Vox’s office, behind his chair. He is, unfortunately, not alone, as Alastor had hoped. Startled, Velvette screams, and Alastor turns to blink at her owlishly.

“Was that really necessary?” he asks.

Vox spins around in his chair so fast it keeps spinning, makes 3 revolutions before Vox manages to stop it. Alastor looks Vox up and down, nose wrinkled in distaste.

“I just greased it!” Vox says defensively. “It doesn’t do that all the time, I can—I can control my chair!”

“Why is he here?” Velvette hisses, and Vox points menacingly at Alastor.

“Yeah! Why is he—why are you here?”

Alastor inhales deeply, and lets out a slow, disappointed sigh. “We need to talk.”

“Get out of my fucking tower,” Vox snaps.

“I’d love to,” Alastor says, “as soon as you answer some questions about the creepy little love stories you’ve been writing online.”

Vox blanches, as much as a television screen can blanch—that is, his face turns greyscale, reminding Alastor very distinctly of the picture shows his mother used to take him to as a child. It’s very amusing, on Vox.

“Velvette, get out,” Vox orders, voice sharp. The color slowly bleeds back into his face, one pixel at a time.

Velvette gets up, looking like she’s about to argue, when Alastor turns to face her directly, twirling his microphone in hand as his smile grows.

“Fine, fuck you,” she spits, and makes her way out.

Then it’s just Alastor and Vox. Vox and Alastor. Two old friends. Two old buddies. Pals. Former pals. Ex-partners.

“I can explain,” Vox says, panicked.

“Oh,” Alastor says, sounding delighted. “You’re admitting to it so easily? Usually you’re more difficult than that.”

“Fuck,” Vox groans.

[badgalsasuke]

My thoughts on the Naruto ending

So I had said I was gonna post about my feelings and thoughts regarding the Naruto finale that might contain a few hot takes for some people, so here it is.

THIS IS GONNA BE A LONG POST.

The Naruto ending is universally disliked, there's not doubt in that. Veteran SNS shippers don't like it because Naruto and Sasuke end up with women they don't love and aren't attracted to, and believe Naruto and Sasuke could've end up "single" with no ships confirmed; younger SNS shippers that weren't there when Naruto was still coming out believe they should've ended up together even though that could have not been plausible due to the manga industry quite conservative practices. Het!shippers on the other hand, believe the ending is bad for two different reasons: the first being that some believe that Narusaku and Sasukarin would've made more sense than SS and NH (some say just Narusaku and Sasuke should've stayed single); the second being that although they like SS and NH and the potential they believe these ships have "but wasn't explored further", Kishimoto can't write romance so he messed up both ships, making them bland and barely romantic.

Another reason why the ending is disliked for non-shipping reasons and mostly by Sasuke stans, is that even though in the couple chapters before the 700th one Naruto and Sasuke talk about changing the shinobi system, we see in Boruto that the system has not been changed at all and instead Naruto and Sasuke are reinforcing it despite all the oppression and suffering they were put through it in its name. We even see Itachi, the man who committed genocide being lauded as a hero for his actions and zero reflection on Konoha as a genocidal State. Oh and the Hyuga clan still practices slavery.

So here I come to say the following: Naruto's ending makes sense.

Now before y'all tear me to pieces let me explain myself. The first time I read the finale I thought it was stupid, one reason being that the ships make no sense no matter the angle you try to look at them and the other reason being that Sasuke was now working for the same State that murdered his clan with Naruto now as the head of that same State and making no changes to the Shinobi system (not a very good look on him, right?), so I thought for many years that the ending sucked.

Then The Last, Boruto and Sasuke Retsuden came out and all I could think was "woah this is all really shit from the butt".

But then one day when I was thinking about the manga as a whole, mostly because I was starting to realize that Kishimoto was being intentional in his writing of Naruto and Sasuke's romantic bond and it wasn't accidental like most of the fandom thinks, I just started connecting dots and trying to make sense of the whole story and seeing how the ending fitted into that. I'm someone that whenever it comes to literary analysis and criticism always tries to think about what was the author intention before I label something as bad because it wasn't my personal preference how something was written.

And that's how I realized what there was theme to the Naruto ending is. It's all about conformity.

Now, don't get me wrong the Naruto ending still has flaws, two big ones in my opinion, which I'll point out further down the post, but what I want to do is show you the forest because I feel the fandom is mostly focused on a couple of trees when it comes to the finale. I want you to see the thread of events Kishimoto created and how he was trying to keep it as in character as possible.

So first things first. If you've read Kishimoto interviews over the years then you would know what was the ending he had envisioned: chapter 698. He talks about how he wanted Naruto and Sasuke to have their final fight, make ammends and change the shinobi system together. He achieved two out those three things he intended.

In a quite controversial interview that most of the fandom likes to ignore, Kishimoto stated that he had no emotional attachement to Naruto and Hinata as a couple and it was Studio Pierrot who had pitched the whole thing about The Last movie. He also states that he decided to make NH endgame after Shippuden had started and he had also considered Narusaku as well, but then in another interview that came later he started saying he had intended to make NH canon since the very beginning. He was constantly contradicting himself in these interviews over the years. Kishimoto has also expressed his distate for SS and Sakura's character in general in different interviews.

So what I personally believe is that Kishimoto's editorial, Shueisha, made him change his statements because saying he had no plans for NH and it was Studio Pierrot idea was quite damaging to the franchise (no wonder the interview got kinda buried too, lol).

I think the biggest challenge for Kishimoto was giving the editorial, the studio and most of the fandom the het!ships they wanted without compromising as much the characters the story of his manga revolves around, Naruto and Sasuke.

So we get to ch. 699 where I believe Kishimoto is laying the ground for the finale we ended up getting.

In ch. 698 it seemed like Naruto and Sasuke had been able to resolve their issues and been able to talk about their feelings for each other. Something Sasuke repeats in ch. 699, a chapter entirely narrated by him. However right at the end of ch. 699 we get what seems to be a regression of what we had seen in the previous chapter.

It is implied that Naruto and Sasuke had an argument off-screen hence why Sasuke thought Naruto would not come to see him and bid him farewell before his atonement journey. What was the argument about is never really explained, some fans speculate Naruto was upset about Sasuke going on an atonement journey considering Naruto had pleaded for Sasuke to not be imprisoned and saw no reason for Sasuke to go on a redemption trip. I personally believe it had something to do with Naruto failing to come to terms with his feelings for Sasuke because, as we see right away, Naruto gives Sasuke back his headband and Sasuke says he'll keep it until they have their real fight which is interesting, to say the least, because didn't we just see their real fight the literal prior chapter? basically, we're being told Naruto and Sasuke haven't been able to truly talk about their feelings and put into words what their relationship really is about hence why Sasuke keeps the headband. As long as Sasuke has the headband, it will mean Naruto hasn't been able to truly accept what he feels for Sasuke. In essence, ch. 699 is Kishimoto retconning ch. 698 to give way to what comes later.

After chapter 700 came out we started getting so much content, both filler and canon, that tries to explain how we got there. Let's start with The Last, the movie that tries to explain how the heck Naruto ended up with Hinata.

The Last is sort of a hybrid, it's written for the most part by Studio Pierrot employees who had the idea in the first place and Kishimoto corrected a few things here and there and is also what for me, makes the ending flawed for one big reason: Naruto's character assassination.

Naruto is a shonen manga that's more focused and concerned on it's emotional battles and communicates it to the audience through it's physical battles rather than the powerscaling stuff Naruto dudebros would have you thinking the manga is actually about. So this means that Naruto, its main character, spends the entire manga learning about his feelings and putting them into words. That's what his story is mainly about; learning to love and to be loved.

The Last undoes this in the stupidest way possible. To give Naruto an excuse on why he always ignored Hinata they intend to make the audience believe it's because "Naruto doesn't know what love is" by writing Naruto not being able to differentiate between loving someone and liking ramen. This is absolute nuts. We know that Naruto understands what is love, what is not love and that love doesn't come out of nowhere, we see that when Sakura fake confesses to Naruto, he's able to spot right away she's not being genuine because he understands those three things. So this is the first flaw of the Naruto ending for me.

The second flaw is the dismissal of Kurama and Naruto's status as a Jinchuuriki. I find the most embarrasing thing about The Last to be that they had to put Naruto through a genjutsu so he could hallucinate "memories of Hinata being there for him but he was too dumb to notice" but it's even worse once you remember that Naruto canonically should not be able to be put through a genjutsu in the first place. Studio Pierrot had to break rules of Kishimoto's universe in order to give NH some mediocre development and to me this will always be the worst part of the finale. If you can't make a ship work within the universe rules, then why make it a thing at all?

Some people didn't like that Hinata is totally useless in the movie, but for me this is not a flaw, as it is entirely in character with who she is in the manga. Making her a mary sue out of nowhere on the other hand, would be a flaw of the story.

Now that I've talked about what I think are the flaws of the Naruto ending, let's talk about the things that work in The Last (and I believe is where Kishimoto put his input) to make the finale make sense. The first one being that Sakura is the one that pushes Naruto to be with Hinata. In the manga we see several times Sakura is insecure about Naruto and Sasuke's bond and being jealous of Naruto's spot in Sasuke's heart. Even Hinata is baffled by Sakura wanting to help her and asks her why she's doing all that because she knows they're not friends. We then see Sakura think about Sasuke (who's also conviniently excluded from the movie) and simply say "we, girls, should support each other", she wants Naruto out of the picture so she can have Sasuke for herself and she succeeded. It's also important to note that once Sakura got what she wanted she no longer pretended to be a friend of Hinata, she didn't even kept close contact with Naruto either as we see in Naruto Gaiden, Sarada and Naruto don't know each other like that at all, if Sakura was being a genuine friend to Hinata and Naruto, she would've kept her family close to Naruto's but she didn't.

One more thing that I find works about The Last is that Naruto doesn't passionately fall in love with Hinata, but instead is constantly guilt-tripped into liking her, which is more true to his character. You have a man already struggling to accept his sexuality, who also has his deceased mother's expectation of marrying a girl and on top of that is a pathological people pleaser, of course he's gonna marry the first girl that tells him she loves him. It makes sense this all happened while Sasuke was not in the village. Naruto panicked about his sexual identity and rushed to marry an "acceptable woman" in the eyes of the people whose approval he craves, as we see in the special chapter Kishimoto wrote that came out after The Last: the villagers fawning over Konoha's hero dating the Hyuga heiress.

Likewise, Sasuke not attending Naruto's wedding helps the ending not be as contrived or out of character of them. Kishimoto never wrote anything on why Sasuke skipped the wedding as far as I can recall, but in the episodes that Studio Pierrot made dedicated to Naruto's wedding we see a Sasuke completely absent and detached from the event, something Naruto dudebros use to dunk on him because that made him a terrible friend from their perspective, but as usual they're not paying attention to the full narrative Kishimoto is creating here.

Making Sasuke be happy for Naruto and attend his wedding and give him a gift and all that crap, would've made het!shippers and Naruto dudebros happy but it would be at the expense of his character and the story Kishimoto was writing. Remember, Sasuke had kept the headband all these time until he could have his real fight with Naruto, meaning he was waiting for Naruto to be honest about his feelings for him, so him not attending Naruto's wedding is a way to communicate to the audience (at least the part that's paying attention) that Sasuke is heartbroken by the news.

I believe this is why Kishimoto designed adult Sasuke the way he did and makes him dress the way he does as an adult. All black and depressing. I also believe that Sasuke will stop dressing that way the minute he and Naruto have their real fight, if they ever have it, that is.

Additionally, Kishimoto nailed making NH canon before SS would be canon. Naruto, as I stated before, is the one that struggles with his identity and feelings for Sasuke and the one that has the expectations to marry a woman so it makes sense that he would be the one to marry a woman first. SS becoming canon first wouldn't make sense because not only is Sasuke more outspoken about his contempt for Sakura, whereas Naruto remains polite and neutral to Hinata's feelings, but Sasuke also has no reason to be with Sakura if Naruto is still available, in fact, Kishimoto making Sakura be the one to chase Sasuke after Naruto's wedding because Sasuke never came back, as we see it stated in Naruto Gaiden ch. 10, is also in character for both Sasuke and Sakura, instead of writing it the other way around like SS shippers wished, y'know their whole thing about Sasuke coming back to the village for Sakura and apologizing to her because he didn't realize how much he actually loved her because he was trapped in the darkness blah blah blah (I think this is what happens in filler novel Sasuke shinden lol).

If Naruto is not available, then Sasuke is in a very emotionally vulnerable position and Sakura took advantage of that. You see the narrative Kishimoto is creating here? There's a thread to follow on why stuff happened they way it did.

Now, I mentioned before that the theme of the Naruto finale was conformity. Here's where I explain how:

The first thing is Naruto's physical appearance. Kishimoto liked to draw a young Naruto all punk and grunge. He even had already made a design of adult Naruto where Naruto looks, well, cool and HOT.

Yet, for the actual finale he gave us an ugly Naruto, but also a Naruto that looks tired and exhausted. How does this tie with the conformity theme? when Naruto was young he used to go against the rules, defy expectations people had of him, tell authorities to fuck off. Like, when he was told to give up on Sasuke when he was 12, Naruto responded "If giving up on Sasuke makes me wise, I'd rather be fool my entire life", this man was a rebel. But as an adult we see him become the head of State that continues to reproduce the status quo that had once oppressed him. Naruto turned apathetic, his appearance reflects his attitude.

And this is consistent with the narrative Kishimoto's been crafting. Just in the same way Naruto conformed to society's expectation when he married a woman he doesn't love and barely knows, he also conformed and succumbed to the shinobi world status quo. It would *make zero sense* for Naruto to revolutionize the shinobi world while married to princess slaver Hinata Hyuga, that'd be an oxymoron, completely contradictory narrative wise. Certainly, Naruto always struggled to find an ideology, to put it in some way, when it came to Konoha and its ninjas practices and had a messed up perception of its villagers (see: the whole Dark Naruto mini plot) but he still wanted to change the shinobi world WITH SASUKE by his side, once the story established they don't end up together and Sasuke isn't by his side, Naruto doesn't care anymore.

This is why I don't find strange that Kishimoto wrote Naruto oversleeping in the eve of his name day as Hokage, a day Naruto had once dreamt about when he was a child. The spark is gone.

But the spark isn't just gone for Naruto, it's also gone for Kishimoto. Naruto didn't even attend his name day because he was knocked out by Himawari. This is Kishimoto being petty. He spent 15 years writing a story where the goal was to see Naruto become Hokage and he knew how anticipated this moment was and he still went and ruined it for the fans anyway. Naruto dudebros were furious about this, but not once did they stop to wonder about the implications of this, what it said about Kishimoto's relationship with his work if it had gotten to the point he went and "fucked it up".

Naruto cared about the state of the world before he became indifferent to it. This is why when Sasuke stans complain about Naruto not actually caring about Sasuke's trauma but can never really explain why Naruto is like that as an adult. They try to pretend Naruto never cared but this is a lie, kid and teenage Naruto was compassionate to Sasuke's trauma and pain even if he didn't always managed it in the best way possible. So, I always feel like they're missing this particular piece of the puzzle: if Naruto can't be his true self then he cannot change the world and neither can Sasuke.

Because the same thing occurs to Sasuke. One blog once posted that Sasuke not caring about his child is out of character, but Sasuke not caring about Sakura's child is very much in character and I feel that sums up Kishimoto's writing of both adult Sasuke and Naruto. This passiveness you wouldn't imagine from their younger selves, takes a hold of them once they become adults and gradually "get in line" to be a part of the real world. Sasuke doesn't care about his child because he had her with a woman he doesn't even like or respect. Sasuke is stuck in time still holding onto that headband, hoping he and Naruto will one day have their real battle.

Sasuke uses the forehead poke, a gesture he always hated, on his wife and child because he, just like his brother to him, wants to distance himself from them. Sasuke now serves the same village that plotted the mass murder of his clan and family because why not? his brother is lauded as a hero for killing his entire clan after all. Sasuke too, has conformed.

I actually wonder if this is in some way linked to modern Japanese culture. Japanese culture and society are deeply conformist with everybody is always trying to fulfill roles imposed in them, always trying to achieve what is expected of them. It could also be about how adulthood sucks the passion and hopes out of the youth (Kishimoto started writing Naruto when he was 24 and finished when he was in his forties). And of course, the closeting of queer people leading miserable lives as pretenders.

If Sasuke is meant to end up with Sakura and Naruto is meant to end up with Hinata then Kishimoto cannot make them happy marriages and give them happy families, he also cannot keep Naruto and Sasuke as revolutionary outcasts that stand up against the status quo, that fanservice would be out of character and out of theme.

This is what I mean when I say the ending makes sense, once you see the finale is all about conformity the thread of events becomes understandable and more heartbreaking too. You don't have to like it, but I do think we have to understand where is Kishimoto coming from when he wrote it the way he did.

The Naruto fandom wanted black and grey from Kishimoto and that's exactly what Kishimoto gave them, black and grey.

EDIT: I've written more on how the conformity theme starts to become present in the series as far back as in Neji's death, check it out HERE

[ohnoitstbskyen]

Hi Skyen, hope you're well! I'm seeking some advice and since you used to work doing mainly art commissions I figured asking you was worth a shot.

I'm a furry artist and I'm looking into doing commission work as a side gig while I finish animation college, and hopefully acquire enough experience/clients/notoriety to turn it into a full time job once I graduate.

Do you have any advice for someone literally just starting out with fresh accounts and zero following? Especially when it comes to reaching people and getting your first clients, and anything that one should take into account when working with NSFW specifically. Also advice for pricing your work is always useful 😅

No need to answer obvs but I'd appreciate your viewpoint if you want to share!

Got 2 asks on this exact subject so I'll write up what advice I can. One big caveat: I haven't worked as a commission artist for like half a decade at this point, and this job has a tendency to change fast, do not take anything I say as gospel. This is advice from a limited perspective, be critical of what I say and trust your peers and the people you are in community with before you trust me.

building audience

Step one is getting people to notice the artwork you create. Literally nothing else can happen until you have eyeballs on your work, and the most consistent and reliable way to make that happen is fanart. Ideally you'd want to produce fanart in a fandom you are personally engaged with and passionate about and familiar with, and which also has a sizeable community whose attention can help you build recognition and a base of followers.

This isn't always possible, and there's many a working artist who creates work for fandoms not out of deep personal connection, but because the fandom is large and relevant and a good way to capture the goodwill of algorithms and content feeds.

This approach has some downsides. For one, genuine fans can usually tell when someone's engagement with Their Thing is shallow, and for another it can be deeply creatively exhausting to chase the algorithm. I don't recommend this approach, but it is a valid means of building a business.

Another important consideration, especially when you are early in your career, is that volume tends to trump quality. Every artist will eventually learn that their shitty joke-doodle they sh*t out in ten minutes on a whim will get a billion reposts, and their complex personal work that took eight weeks to finish gets 2 likes from their closest mutuals and a comment from a bot saying "wow!"

In the age of the algorithm, what machines and for you pages value is a consistent, high-volume of output that generates user engagement. You will generally get further, faster, by producing a lot of work than you will producing great work. Again, this can be rough on your mental state, and a fast way to burn the fuck out, so please be careful and mind your health before all else.

The best way to build something that will last is to build your audience in communities and around fandoms and themes and ideas you genuinely care about and enjoy exploring and interacting with. Being your authentic self and creating work from your authentic interest is generally both healthier and long-term better for your career than trend-chasing. Treat trend-chasing and volume > quality output as tools in your toolbox, as creative and business decisions you can make to achieve a specific purpose, never ever EVER let them become the center of your praxis or your philosophy. Never ever EVER allow the Numbers™ to be your source of validation and accomplishment.

building business

Ok, so you've got eyes on your work. You've got some followers. How the hell do you get them to commission you?

Well, again, by demonstrating a capacity to create kinds of art for which there is demand. In the furry community, there's brisk trade in things like ref sheets and character design, for example. For most fandoms, ship art is a product which tends to be in demand. Being able to do really good expression sheets is a marketable skill. Being able to create compelling and clear emotes for streamers and creators is a marketable skill.

Showing the capacity to work in a wide range of styles is valuable. Showing the capacity to work in a wide range of genres is valuable. If you can do both comedy and romance your appeal expands. If you can do shonen-like action and angst as well, it expands again.

Equally, being incredibly good at a specific niche is valuable as well. Focusing hard on an under-served niche of work can give you a lot of opportunities to be the Go To person for that specific kind of thing.

Perhaps the hardest part of all of this is marketing yourself. Not only showing that you have the skills, but actively informing your audience that you are available, eager and willing to practise your skill for a fee. You have to sell yourself. It sucks, but you have to do it. You have to advertise what you can do, and you have to suffer the rejection and annoyance that comes along with doing that.

You have to ask people to commission you. You have to raise your hand and demand attention. It's not fun, but it's business.

Walking the line between self-promotion and being a person is hard. I can't help you that much with it, it's a very personal balance to find. Stay in touch with your soul, but kill the part that cringes at yourself.

Ultimately, you best marketing asset is your portfolio. Every time you do work, show it off. Repost it, retweet it, spread it around. If someone is happy with what you've made for them, do your best to make sure that other people see that happiness. Ask your clients (politely) to tag you when they share your work.

Oh, and for the love of god, sign everything you create, slap watermarks on anything that's likely to get reposted, and make it impossible for someone not to find your business email on your profile.

building network

If you're a commission artist, you are in community with other commission artists. You share interests, you share experiences, you share needs.

Practise solidarity. Absolutely seek out professional peers to help your business, but equally seek out opportunities to help them with theirs. If someone comes to you for art and you don't have commission slots open, point them at a colleague who you know can do the work too. Gas up your peers and spread their work.

Be a symbiote, not a parasite. Respect the craft of your peers, and don't chase celebrities and big names in the hope of coasting on their coattails. It will fail.

smut

If you're a working artist, at some point you have to reckon with smut and r34.

These genres are excellent sources of income, and fertile ground to build a business and network of customers. BUT. Do not ever make the mistake of thinking that they are "the easy way" or a shortcut. Do not ever make the mistake of thinking you can simply offer to draw tiddies and rake in the cash.

It's work and graft same as literally any other form of labor, it's challenging on both a technical and creative level, and the audience can sense if you're looking down on them. If you approach this from a position of shame, of "eugh, I'm debasing myself by doing this for rent money," it will not work, and you will lose standing and respect in the eyes of every peer whose support you need to succeed.

Just as in all other forms of creativity, if you treat the audience as morons who will slurp up whatever slop you serve them, then you will attract clientele that agrees with you, and you will deserve the misery they will inflict upon you.

If you are going to work in smut, establish your boundaries and enforce them. Know that good clients will feel safer and more comfortable with an artist who clearly states their red lines and earnest interests than they will with someone who tries to attract more clients by pretending to be open to work that they are actually uncomfortable with.

Never, ever, EVER let a client push you to create work you are not comfortable creating. It scars your soul in both the short and long term.

Also, when working with this kind of content, know the rules of payment processors and know how to hide the nature of your business from them. PayPal should never, EVER know the details of the content you sell with their service. Frankly, neither should your bank, most likely.

Look to your peers for advice and best practises about this. And be meticulous about your bookkeeping.

money

I want to tell you to charge at least minimum wage for your time. I want to tell you to charge substantially more than that, because your labor is specialized and highly skilled.

But the economic reality of commission work is that there is a crushing downwards pressure on the labor price of art, which has only been made more devastating by the rise of generative AI, and especially when you are a young artist just starting out, you're going to find yourself in a position where charging even minimum wage for your time will turn away a huge proportion of your potential customers.

Again, your portfolio will be the greatest argument for the value of your work, but you have to build that portfolio first, and very often that means doing a f*kton of work for not remotely enough pay until the pressure of demand finally works in your favor.

I don't condone or justify this state of affairs. It is horrid and I hate it, but I don't know how to fix it either.

Making a living from content creation of any kind requires you to get lucky, on top of working obscene hours and foregoing rest and vacations. It's not a safe or sensible plan for a career or paying your bills.

My sensible advice is to get a "normal" job you can survive doing, and do your creative work on the side, and resign yourself to the possibility that the creative work may never actually pay your bills.

And that is soul-crushing, but I cannot stomach pretending that hard work and gumption will guarantee anyone a decent living if they just try hard enough.

There are people who are better at every aspect of my work than I am, and they struggle harder and work for longer, and they will never see half the success I have, because I happened to get lucky, and they happened not to. It's wretched.

I'm not telling you not to chase your dreams. I'm telling you to do it with your eyes open, and with compassion for yourself first before all else.

All of this to say: I can't tell you what to charge for your work. It depends on everything from your competition to your niche to your genre to your community to your economic situation. You have to figure it out on your own.

All I can tell you is never forget that your work is worth more than the market will let you charge, and to raise your prices as soon and as much as you can. Try to reach at least minimum wage for your time as fast as possible.

in conclusion

Again, I haven't been a commission artist full time for a long time, please do not take any of this as gospel. Listen to your peers before you listen to me.

But trust me about the solidarity. It will save you when all else fails.

[bonefall]

bones. bones they made moonpaw a schizophrenia and plurality stereotype. bones. bones help us

OH NO IS THAT WHY THERE'S 16 MESSAGES

I TURNED MY BACK FOR 5 MINUTES GREAT GOOGLY FUCKELING MOOGELY

I still have to finish reading Star (you have to forgive me for being a capital G Gamer who's been uber distracted) to gather together my final fair assessment, so I can start putting down the fragments for BB!ASC. But I WILL tell you this;

The whole Moonpaw Discourse from a couple of months ago really opened my eyes to just how pervasive intersexism and plurality stereotyping is, even in this space.

Not all of it is malice-- like many other cultural biases, people often just pick up negative stereotypes passively and don't realize they reflect poorly on real people. "Scary evil head voice" is one of them. Yes, intrusive thoughts exist (they are something I deal with), but it's about the snap, subconscious association between "voice in head" and "mental torment."

As the case and point; Look at how FAST the fandom conversation changed when the team first teased it. What was a fantastical, equal parts sincere love and horror exploration of shipping a cat with a magic pool morphed. Overnight, The Voice was an abusive thing, an expression of a dead baby who wanted to live, or a reincarnated monster, or another evil Ashfur-esque posession spirit.

Something bad, malicious, unwanted. By contrast, the voice of the moonpool was mostly portrayed as a supernatural yet good thing. Genuinely asking her for help.

(Part of me also ponders the religious angle of it. "Voices in my head" that come from God are generally much more socially acceptable than "Voices in my head" that come from the self. Regardless,)

So, as always, I Don't Rewrite Arcs Until They Are Done (I DRAU TAD, if you will), BUT... I know for certain that I will want to subvert this.

If Canon!Moonpaw must be a system, and we're all ready to buckle up and bunker down through how the Erins handle this one, then for BB!Moonpaw I'll try to do the same. But for my portrayal, I want to write her relationship with her headmate to be generally positive. Or at least more complicated and multifaceted.

One idea in particular I like is the thought that she absorbed a twin... but writing it as a chance the twin GETS to live, NOT a life denied. Death would have claimed them if they didn't become part of her. So, they love her-- of course they do. They're two souls with one heart.

The specifics will have to come with time. I need to see how her plurality impacts the plot, the overall story being told, plus wait to assess the criticisms that real systems and fusion chimeras in our fandom will have. But I can say with certainty that I would like to attempt my redux with the sad truth in mind that headmates in media are almost never approached as non-malicious. I'd like to do what I can to make a difference.

[mormshaw]

I HAVE to address this MHA leak. This is getting out of hand. I think you guys may actually like this chapter if you pause and take a deep breath.

First, I rarely post about this kind of thing as I hate getting caught up in fandom drama- very few things take the enjoyment out of something quicker than people being pissy to each other (and to creators) because something didn’t go how you imagine.

BUT.

I need to say a few words in the defence of this new chapter, and I think there are a lot of really positive things going on that can be chalked up to character GROWTH and not character ASSASSINATION as everyone has been yelling about. Things that actually really tie up three really great characters in healthy ways, and in ways that also highlight the themes of moving forward and reaching out hands that the author has been pushing. I’m not going to address Ochaco’s growth here, which is also good, but I need to discuss the Baku-Deku stuff.

I’d like to preface all of the following with one important thing: when I read and watched MHA I never once incorporated SHIPPING into my enjoyment of these characters. It wasn’t the part of the text I was interested in. Did I think there were some cute moments between Izuku and Ochaco? Yep. But that’s about as far as it went for me. I also fully expected from day one that they would end up together because that’s how these kinds of stories in this genre go. I will also say that the character dynamics and growth between Izuku and Bakugo was something that is generally well done and a key aspect of why both those characters are so enjoyable for me-one of my favourite parts.

So, when I read these leaks, I actually found a bunch that I think tied up these characters really well.

I’m going to start with the big elephant-in-the-room one that everyone has been freaking out over. The: “Izuku would never turn down an offer to work in an agency with Bakugo that’s just so not him and he’s awful and I’ll never forgive him” thing that I just can’t…understand why people are angry about. This is a GOOD thing.

One of the things I actually sort of critical about in the INITIAL ending was that Izuku seemed like he still wasn’t putting himself first. One of the things that especially Bakugo KNEW to be the case about Izuku was he “never thinks of himself” and how self-destructive that was. We saw it time and time again- he was always sacrificing things for other people: his health, his time, even his QUIRK were sacrificed for OTHERS. He never put his own self-interest FIRST. He grew in strength, he grew and matured as a HERO, but part of saving people means also knowing how to save yourself.

The initial epilogue had this air of ‘he’s sacrificed something and he’s incomplete due to that’. Others (Bakugo and class 1-A) stepped up to help him fill that hole with the suit, and that thematically worked, but there was still a gap there for Izuku’s growth. I think this chapter completes his arc in the best possible way. Izuku did something purely for himself. He LEARNED that last lesson he needed to learn. AND he did it by ALSO helping Bakugo learn a lesson too.

Bakugo offers, in sort of a round about way, for Izuku to join his agency as a sidekick. He’s turned down other sidekicks because they thought he was amazing and wanted to be in his shadow. He wanted a sidekick that would say they would ‘surpass’ him. For Bakugo that has always been what he admired (and sometimes resented) about Izuku- Izuku wasn’t afraid to say that he would push himself to be better than Bakugo, and in doing so they both made themselves stronger.

But I’d argue that this rivalry was an endless cycle for both of these characters- not an opportunity for them to change how they saw each other. Izuku would surpass Bakugo and Bakugo would work to surpass Izuku on and on for eternity. Bakugo even mentions this in the hospital- that he hoped they would get to compete with each other “for the rest of their lives”. BUT that would also mean they would NEVER be more than rivals to each other.

When Izuku turns down Bakugo’s offer to be his sidekick, Izuku ISN’T saying “no, I don’t value you or what you did for me with the suit”. He’s saying, “I know what you did for me and I’m thankful for you, but I have to make my own choices separate from you.” Izuku is NOT Bakugo’s sidekick, or vice versa. They are adults that should have their own separate goals and lives. And, in a way, he’s also telling Bakugo, “you are your OWN person. You don’t need ME to be stronger. Keep pushing yourself forward on your OWN terms.”

And that’s the thing about Bakugo- from day one his growth has been DEFINED by Izuku. He’s pushed himself forward almost entirely because of how he sees Izuku, as a rival and, in some cases, as someone who he has to constantly try to live up to. That isn’t particularly HEALTHY. Bakugo sacrificed his LIFE to “catch up to Izuku.” Like, great acknowledgement of Izuku’s ability and moving on from being a bully, but not a physically healthy thing to do. There were a couple things about the initial epilogue that made me a little edgy because while Bakugo grieved the loss of OFA almost more than Izuku did (which was growth, and interesting growth), then worked tirelessly to get Izuku the suit, he did it because he wanted Izuku to keep being his RIVAL.

When Izuku turned down the offer to be his sidekick, but in the same scene also says he can’t wait to work as a hero again with his friends and see Bakugo MORE OFTEN as a guest lecturer in his Hero classes (which like, I don’t see why people are pissed about since that’s literally one of the biggest fanfic ideas people have been writing about since chapter 430 dropped), it actually shows how much more GROWN UP these two ARE. Izuku is acknowledging Bakugo as not only an EQUAL (not someone to chase after), but also a FRIEND. Someone he looks forward to seeing and working with. In fact, Bakugo saying “see you” isn’t a goodbye. It’s a PROMISE.

The panels of Izuku walking away are actual true character growth for BOTH of them. Izuku putting himself and his choices first, and Bakugo, for the first actual time in the ENTIRE SERIES feels like he doesn’t have to chase after Izuku. He can let themselves walk their own paths!

And, because the writing is actually better than you guys are giving it credit for, this choice actually does give them opportunity to still compete because Izuku will be on the chart now as an independent agent (because remember he’s not rejecting the suit and hero work, he’s incorporating hero work into a teaching career he’s ALSO grown to love and is good at). So now, as Izuku starts climbing the charts on his own (which he will because it’s Izuku we’re talking about), they can still push each other forward ANYWAY so like…that’s a GOOD thing. It’s like having your cake and eating it too, for BOTH of them.

Take off the shipper hats for a moment. And really LOOK at this scene. Is it kind of sad they won’t work together every day? Maybe. Does it mean they are growing apart and will never see each other? NO. They are closer than ever because now they are EQUALS and FRIENDS- neither is ahead of the other.

[ginnsbaker]

prophylaxis

Summary: The most powerful Avenger is afraid of one thing: dental appointments, or the one where you're a dentist and Wanda is a baby about seeing one

Word count: 2.6k | Warnings: None. This is just good ol' fluff

Ship: Wanda Maximoff x Fem!Reader

Author's note: This has been sitting in my drafts for some time, and while this is a one shot, I might follow up with more :)

Series Masterlist | Main Masterlist

Next part: the follow up

--

Steve and Natasha are barely done with their own routine dental check-ups when the notification of an emergency mission comes through. The Avengers' annual dental visit is typically swift and uncomplicated, but the arrival of their urgent mission turns the day into something far more chaotic.

“Where is Wanda?” Steve asks, scrolling through the mission details on his phone.

Natasha shrugs, sipping on her post-check-up glass of scotch. “I haven't seen her since breakfast.”

Vision appears in the room at that moment, his face expressing the closest thing to exasperation an android can manage. “She’s only now on the chair,” he says, glancing at Steve, whose eyebrows shoot up in surprise.

“Now? But everyone else is done!”

“I had to convince her to come,” Vision sighs. “I found her hiding in the back library. It took me the better part of an hour to persuade her to face the dentist.”

Natasha rolls her eyes at the revelation, trying to suppress her chuckle. The most powerful Avenger, avoiding a simple dental prophylaxis. “We don't have all day, Steve. The mission is critical.”

Steve nods, sliding his phone into his pocket. “We'll leave a note for her. She should meet us ASAP once she's done.”

Natasha gets up from her chair, glancing one last time at Vision, as she quips, “Good luck to whoever is the dentist working on her this year.”

As you approach the dental chair, you take note of the apprehensive figure occupying it. You've already seen a dozen Avengers today, each with their unique quirks and idiosyncrasies. 

But Wanda Maximoff, her gaze filled with clear distaste for the situation, seems to take the cake. She's curled in on herself, making her seem smaller than she actually is. The sight of her alone would have been enough to unnerve you, but the intermittent quivers of your dental tools due to an unseen force send a cold shiver down your spine. You can't help but wonder if you've drawn the short straw when they assigned you the patients for today.

You try your best to project an air of calm. Inside, though, your nerves are jangling like alarm bells.

“Wanda, right?” you confirm, trying to keep your voice steady.

She nods, her eyes wide as saucers.

“I promise this won't hurt,” you reassure her, even as your tools continue to rattle on the tray. “It's just a routine check-up.”

A skeptical glance is thrown your way but it's at least some reaction. Her gaze is piercing, and it takes every bit of your collected facade to keep from faltering. An absurd thought flashes across your mind: if you were to meet an untimely demise in your line of duty today, who on earth would inherit the numerous houseplants that have taken over your apartment over the years?

With a nervous smile that Wanda can barely make out behind the surgical mask you wear, you gently ask, "Shall we begin?" Your tone is soothing, carefully modulated to put her at ease.

The poor Avenger takes a deep, long breath before giving you the go-ahead to proceed with the checkup. 

For her part, Wanda begins to concentrate on anything other than the feeling of your gloved fingers in her mouth. Her gaze settles on your oversized prescription glasses that lend an air of professional yet friendly vibe. And there’s something about the clean, familiar scent wafting off your white coat that comforts her more than she's willing to admit.

She can’t help it when her mind starts drawing comparisons with last year's dentist—a gruff, no-nonsense man whose hands always seemed cold and who lacked any bedside manner whatsoever. You, on the other hand, are like a breath of fresh air with your calming demeanor and reassuring approach. Wanda blushes at the thought that, admittedly, you’re kind of a nice upgrade.

You begin the examination with meticulous care, your movements deliberately gentle to assure Wanda of your sensitivity to her obvious anxiety. As you carefully check her teeth and gums, you're acutely aware of how much trust she's placing in you, despite her apparent discomfort.

Glancing into her eyes as you angle your dental mirror to inspect her molars, you're suddenly struck by the piercing green of her irises. Even under the harsh clinic lights, they appear incredibly vibrant. Framed by the dark eyeliner she wears, her eyes are sharp and arresting. They follow your every move, staring up at you with an intensity that causes your skin to perspire under your uniform.

You've dealt with many patients over the years, some with eyes equally as fascinating, but something about Wanda's gaze is different. It's as if she's not just watching you but reading you, understanding you in a way that makes you feel exposed.

Your focus starts to waver under her scrutiny, and that's when you notice something strange. The dental tools on the tray beside you begin to quiver more violently, vibrating with an unseen force. Your heart skips a beat, realization dawning on you that Wanda's powers are reacting to her nervousness.

But it's not just her nervousness; Wanda's face takes on a look of surprise, her eyes widening momentarily. You can almost feel her presence in your mind, a subtle brushing against your consciousness. 

She's read your thoughts, albeit accidentally. 

She knows how captivated you are by her eyes. 

Catching yourself, you quickly shift your thoughts to a safer topic–your plants. The vibrant green of Wanda's eyes morphs into the various shades of green gracing the leaves of your beloved indoor jungle. Your Monstera, your string of pearls, your peace lily–

And yet, none of them are a match for the pair of green orbs that your mind keeps going back to. A flush of embarrassment creeps up your neck as you meet her gaze, the unspoken understanding between you making the air in the room feel charged. Wanda's cheeks take on a hint of color, and her control over her powers seems to falter, your tools–and a chair behind Wanda–now levitating a couple of inches from where they originally sat.

“I'm sorry,” she stammers, wide-eyed and apologetic. You barely make out what she’s saying with her mouth still wide open. “I didn't mean to…”

“It's okay,” you reply in a comforting murmur, pausing your examination. The room fills with the soft humming of the overhead light and the subtle scent of sterilized equipment. “I'm here with you. We'll go at your pace. Just breathe.”

Giving Wanda a few moments to calm herself, you pull back, placing the dental tools on the tray beside you. You keep your eyes on Wanda, a soothing smile hidden behind your mask. Her chest rises and falls steadily as she follows your instructions, taking deep, calming breaths.

However, you can't help but glance at the floating items around you, fearing that one of them might go straight for your heart that’s thudding loudly in your ears now. They seem to be suspended in mid-air, almost like a magic trick. Wanda catches your gaze, following it to the levitating objects. The already present color on her cheeks darken, and with a flicker of her gaze, your tools reintroduce themselves to gravity once again.

You don't comment on it. Instead, you simply offer another encouraging smile, masked by your surgical mask, but visible in your eyes. You extend your gloved hand towards the once again earthbound dental tools, feeling the cool metal against your palm. 

“Are we good to proceed?” you ask in a soft voice, patiently waiting for her agreement before picking up where you left off. 

Wanda doesn’t move, seemingly hesitant to say yes or no.

“Will it help if I talk to you?” 

She gives you a small nod in response this time.

“Alright,” you say with a hint of a chuckle. “Don't judge me if I start to sound silly, okay?”

And so you start to speak as you get back to work, recounting random memories and thoughts as you continue with the examination. You talk about funny incidents at work, share stories about your beloved plants, and even admit to that time you almost killed your favorite fern with coffee instead of water. At first, you feel slightly ridiculous, babbling about the care of succulents to an Avenger, one of the most powerful beings on the planet. But as the minutes tick by, you see a change in her. The initial terror in her eyes fades into curiosity, her body relaxes, and she even smiles at some of your sillier anecdotes.

You get lost in talking to Wanda, feeling both delighted and somewhat ridiculous that you're enjoying this one-sided conversation. You're fully aware that she can't respond with an excavator in her mouth, but it doesn't feel like she's just tolerating your chatter. Her eyes are attentive, following your movements, reacting every now and then. Her body language is open, receptive, almost as if she's hanging onto every word.

As for Wanda, something unexpected is happening. She finds herself liking your voice more and more, feeling an unfamiliar pull towards it. It's warm, comforting, and filled with a sincerity that she didn't expect. She even finds herself slightly attracted to it. But it's a foreign feeling, one she doesn't quite understand, especially in this setting.

As you conclude your examination, you realize that one of Wanda's molars needs a filling. It isn't urgent, a situation that could be deferred to another appointment if she wishes.

“Looks like you have a small cavity,” you inform her, meeting her eyes. “It's not of immediate concern, but we should schedule another appointment if you'd like to have it filled.”

To your surprise, Wanda agrees, not just with a polite nod, but with a subtle hint of anticipation lighting up her eyes. She agrees to another date, another round of you poking around her mouth with your scary dental tools. And yet, there's a hint of eagerness that surprises even her.

As you finish your work, you lean back, pulling off your surgical mask and gloves. For the first time, Wanda gets a full view of your face. It's like a silent reveal, one she hadn't been expecting, and it takes her aback.

She finds herself caught in a subtle admiration, a feeling that quickly intensifies as she takes in your features. There's something about your face that she finds herself drawn to, the warmth of your eyes, the curve of your lips, the soft contours of your cheekbones.

And when you smile, her breath hitches slightly. It's a simple gesture, but one that lights up your face, reaching your eyes and causing them to crinkle at the corners. It's genuine, open, and a little bit contagious.

“Thanks for your patience, Doctor...?” Wanda voices, feeling a tad awkward. It occurs to her belatedly that she didn't have the foresight to ask for your name before you started the check-up. 

“Just call me Y/N. It's my pleasure,” you reply, your smile deepening, unaware of the effect it's having on the Avenger before you. “I'll see you for that follow-up appointment, then?”

As soon as Wanda is escorted outside by Vision, you release a breath you didn't know you've been holding. Leaning against the counter, you try to calm the racing of your heart, which beats as if you've just run a marathon.

Wanda Maximoff is... quite a surprise. Her beauty, her vulnerability, the way she seemed to really listen to your inane chatter–it's all unexpected, disarming even. You find your mind drifting back to the way her eyes softened, the almost shy smile that graced her lips.

You quickly shake your head, trying to dispel these thoughts. This is unprofessional, you think. She's your patient. A patient who just happens to be one of the world's most powerful individuals. It's nothing more than that.

You glance at the clock on the wall, realizing you've spent more time with Wanda than any other patient today. You should be moving on to your paperwork, getting ready to call it a day.

But as you sit down at your desk, the fluttering feeling in your stomach doesn't subside, and Wanda Maximoff's haunting green eyes remain etched in your mind.

Walking down the corridors of the Avengers compound, Wanda finds herself in step with Vision. As they pass various agents and fellow Avengers, Vision turns to look at her.

“Wanda,” he starts, his voice taking on that concerned lilt that she's grown accustomed to. “I'm detecting unusual signs in your vitals. Your heart rate is elevated, your body temperature has slightly increased, and your pupils are dilated.”

Wanda blinks, feeling an unexpected heat crawl up her neck. Her palms are also feeling slightly clammy, and she has this weird fluttering sensation in her stomach. She tries to brush it off. It must have been the anxiety, right?

“Are you not feeling well?” Vision probes further, halting in his tracks to face her. His eyes scan her face, looking for any visible signs of discomfort. Wanda's mind races, trying to figure out how to downplay her seemingly irrational reaction to a denti–a dental appointment.

“No, Vision. I'm... I'm just fine.” Her voice sounds surprisingly steady to her own ears. She forces a smile onto her face, aiming to reassure her friend.

Vision doesn't seem fully convinced but doesn't push further. They resume their walk, but Wanda can't shake off the feeling that something has changed, something she doesn't quite understand yet. And for some reason, her thoughts keep drifting back to a certain dentist with a soothing voice, warm eyes, and a love for plants.

How did it happen that a dental appointment, of all things, has turned into the highlight of her day?

The kitchen is dimly lit when Vision enters, the only illumination coming from the withdrawn overhead lights. Natasha is there, assembling her favorite late-night snack, a peanut butter and jelly sandwich. She looks up as Vision approaches, her eyes curious.

“I trust the mission went well?” Vision inquires, noting the subtle signs of fatigue in Natasha's posture.

She offers a half-smile, nodding. “It did. It's all sorted now. How's Wanda after the check-up?”

Vision's eyes narrow slightly, and he hesitates for a moment before responding, “She is... well. The new dentist was quite effective in putting her at ease.”

Natasha smirks, spreading the jelly onto the bread with precision. “Told you a change would do the trick. I still can't believe you managed to convince Tony to switch dentists.”

“And find the perfect replacement,” Natasha adds after some thought, licking the jelly from the knife.

“It was a logical choice. The previous dentist was less than satisfactory, particularly with Wanda.” He pauses, considering something. “But this one... she seemed to have a rather profound effect on her.”

Natasha raises an eyebrow, looking up from her sandwich. “Profound effect?”

“Yes,” Vision says thoughtfully. “I detected unusual signs in her vitals afterward. Increased heart rate, heightened body temperature, a certain... excitement in her demeanor. It was quite unexpected.”

Natasha's eyes widen slightly, and a mischievous smile begins to form on her lips. “You don't say?”

Vision gazes at the digital interface on his palm, a soft hum of approval in his voice. “Indeed, she has also filed for a leave of absence a week from now. She has another dental appointment, but this time at the doctor’s private clinic.”

Natasha pauses, her sandwich halfway to her mouth. 

Vision meets her gaze, uncertainty flickering in his eyes. "Do you think it could mean something?"

Natasha shrugs, her eyes twinkling with mischief. “Who knows, Vis?” she says, taking a huge bite of her sandwich. “Maybe it's just a good dentist.” And then with a wink and a knowing smile, she adds, “Or maybe…”

She leaves the thought hanging, deliberately ambiguous, and exits the room, her satisfied crunching echoing down the hallway.

Vision is left standing in the kitchen, confusion etched across his synthetic features. He considers the day's events, attempting to analyze how Wanda suddenly managed to conquer her most irrational fear.

Humans really are something.

[anjellaufeyson]

Hate with attraction - Bellamy Blake

I hated Bellamy and despised him since the beginning. He always had to counter my arguments and disagree with me on every move I made. Every step I took–he criticized. The feeling of hatred was mutual, I never failed to return the remarks he made.

           Bellamy brushed past as if I weren't there, yet he still managed to whisper, “You're falling behind.” 

           I picked up my pace as we walked through the forest. The whole hunting group was filled with all my friends–besides Bellamy. I shoved him almost into a tree, “Catch up soldier boy.” 

My best friend, Octavia turned around while walking, and Bellamy glared at me. “I get Bellamy is an ass but why can't you guys just get along?”

I could feel his stare on me, “Your brother started it on day 1 of coming back to earth. The power must’ve gone to his hollow head, can’t say more than that–” My words were cut off at the sound of arrows flying past us. 

“Grounders,” Bellamy yelled. 

Clarke and Monty spread out of their spot because that’s where most of the fire was, “Guys we have to split up! We all have intercoms so once it’s safe we’ll come back together.” 

Octavia reached for my hand but missed me by a couple of inches, an arrow grazed my palm and cut me, “Just go,” I yelled. She ran away but was hesitant. I was about to reach for my gun before a hand stopped me–Bellamy. 

“We have time to run, don’t waste your bullets.”

I crouched down with him so no one gets hurt again, “If you keep ordering me around, I’m about to waste one.” 

He groaned as he grabbed me and we both made a run for it, “Keep this shit up and maybe I’ll throw you to the grounders.” 

I pushed him off me as we walked into a tiny cave for cover, “I’d rather be with them than you,” I mumbled. 

“What was that princess,” he asked knowing he heard every word I said. His anger was pissing me off. He ripped a part of his shirt off and began wrapping it around my cut.

“I hate when you call me that.” He only called me that because my father is Kane and he won’t let go that I’m “privileged” just like Clarke. “I didn’t make the rules on the ship, It’s not my fault that–”

He pulled hard on the tie he was making causing me to wince in pain, “Don’t finish that sentence.” Bellamy glanced up at me then annoyingly back at my cut as he wrapped it to perfection–I hated how good he was at helping when I needed it. “I know it’s not your fault but your father and every privileged person on that ship let her die for what reason? Because she had one more kid?” 

“You know the rules,” I spoke lowly. It was a sensitive topic and even though I hated his guts and wouldn’t mind if he got floated, I did sympathize. I never liked what happened and the fact no one could have siblings. “The more space taken by more kids would’ve left us overpopulated Bell–” I paused when talking, his nickname Octavia slipped out so easily. 

He looked up at me whilst still holding my hand even though the t-shirt bandage was as good as it was going to get. “I’m sorry she was floated, but it was the rules. And you know the Ark was already overpopulated enough. That’s why they sent us down here in the first place, the stupid 100 who had to risk their criminalistic lives for the others.” This topic always got me upset, not sad but mad. My father, Jaha, and Clarke's mom, Abby, were all willing to risk our lives as if we were all test subjects. 

“We mean nothing to them, that’s why I was so hell-bent on making sure all of the 100 could survive.”

I rolled my eyes remembering this wasn’t a friend I was talking to, “No, Bellamy you wanted all of us to remove our locators so that you could make sure they didn’t come down here because your reckless ass shot Jaha. I understand it was for Octavia but don’t act as if you’re some hero.” 

He pressed down on my wound before dropping his hand, “I never said I was. You always think you’re better than me.” 

I went to punch Bellamy but he moved out of the way, I was always good at hand-to-hand, my father got me a trainer, one of the guards. I knew how to fight, shoot, plant, etc. I was built to survive as if he’s been planning this forever. I smiled as I ducked the attack he threw at me, “You can only stand your ground because of the training you and Lincoln did together.” I went to kick him but he caught my leg, kicks were the one thing I couldn’t get the hang of. 

“Learn to be faster, princess,” he had a tiny grin on his face as he twisted my leg so I was hopping. 

I’d never give him the satisfaction of beating me, I kicked my leg again and got out of his grip. I elbowed him and punched him. His lip began to bleed, he had a smile on his face as his finger touched his lip. “Better,” he whispered. 

I went to hit him again but he blocked it and turned me around and kicked behind my leg causing me to fall onto one knee. He grabbed my hair, not too rough to hurt me but enough to move my head so I’d look up at him. “Train more and maybe you’ll beat me.” 

Slowly I rose and hit him at his throat causing him to back up. Not hard enough to hurt him but enough so he’d fuck off. I regained enough strength to cause him to lose his balance, then I got him to hit his back onto the ground. I kept my knee on his chest as I looked down at him, “You’ll never beat me, Bellamy. And I don’t think I’m better than you–” Our breaths filled the cave, “I know I am.” 

I stayed with my knee on his chest until he gave me a look that I couldn’t comprehend. His lips parted and he moved in to kiss me. I don’t know why but I didn’t back away, I took my knee off of his chest slowly. His fingers slipped into my hair and he pulled me deeper in. He kissed me roughly and I could taste the hate he held for me. Then he pushed me with a betrayal of a smile, “Never let your guard down, princess.” 

I made myself look hurt, he stepped closer and I pulled him in for a kiss. He seemed hesitant but easily fell into it. I bit down on his lip causing him to wince in pain. He dragged his tongue along his bottom lip, blood was dripping more than before. 

I pushed him away from me, I hated him now more than before. But God, I’d kiss him again with hate once more if given the chance. “Never let your guard down, Bell.” 

Suddenly Octavia ran into the cave looking frantic, “Jesus, did the grounders attack you guys?” 

Bellamy and I shared a glance, I turned back to Octavia and smiled as if I wasn’t in pain. “No, no we made it out. Well not without one price to pay,” I said as I held my hand up. 

Octavia looked shocked, she now realized our words were no longer threats, they were promises. “Bellamy,” she said in confusion but also her annoyance was beginning to focus on both of us for being stupid enough to fight each other. “O,” he said while walking past her. I stopped walking so I could talk with Octavia. He turned to me and whispered, “Next time you won’t get off that easily.” I paused, next time?

[castingspellsanddaisies]

TAROT READING: Jude Bellingham

(DISCLAIMER: Take everything with a graint of salt) - PS: It's all true but i have to write this disclaimer just in case. Anyway... Enjoy the reading!

How Jude Bellingham behaves in his romantic relationships:

Crossroads + Clouds + Child + Letter + Heart + Cross | back of the deck: Rider

Ace of pentacles + the high priestess reversed + ace of swords + the emperor + 7 of wands reversed + 7 of swords reversed | back of the deck: page of pentacles

In both decks I got this energy of indecisiveness from him. It can be because of his inexperience in relationships, but also because he is indecisive in his life in general, likes to take the place of the child, so he prefers to let his partner take the lead.

I see friends to lovers dynamic.

Jude will be talking, texting, calling his partner all the time, I'm not exagerating. Demanding of his partner`s time and attention. Also, he likes to improve the relationship, so always bringing new things to do, paying attention to the smallest details in his partner, he can be a little too critical for his own good.

He's clingy (touch starved), obessesive, controlling - but he tries to hide this the best he can (but is he good at that though? I'm not sure). On the outside, he really is giving his all to his partner and the relationship, but these controlling and obsessive feelings are more interior. He easily starts to overthink in relationships and gets extressed (why she did'nt replay yet? Where's she? What she must be doing right now? I better call her again just to be sure, why she did'nt laught at what I said this time? Oh no, she doesn`t love me anymore? - and so on, so dramatic lol).

I also feel like he tends to contain himself a lot when he`s single (emotionally and sexually), so he`s starving to meet someone, fall in love and let go of all his restraints. Jude has zero boundaries and zero self control when he`s in love, so God help his partner.

Again I picked up this energy from him wanting to fix his partner through his love. Cute.

How Jude Bellingham treats his partner in his relationships?

Letter + Garden + Sun + Snake + Heart + Ship | back of the deck: bouquet

The magician + king of pentacles reversed + 9 of pentacles reversed + knight of swords + the sun reversed + the star reversed | back of the deck: knight of pentacles

''Speak, woman!'' haha so Jude will talk with his partner about everything, anytime. He can't stop talking and listening to her. Open and sincere communication is very, very important for him.

Jude romances her, like a never ending honeymoon phase. He will love to show her off in public too - as a power couple. And they will fuck - sorry, make love - all the time. He just can't help it. OMG he's so attracted to her it's insane. Also coming up with suprise gifts, surprise voyages... Constantly surprising his partner.

Jude wants to act and be somebody his partner can count on 100%, but this comes from a place of insecurity. It's like he's saying ''please, don't leave me. look! I give you all this money, I give you all my time, my everything, so please don't leave!''. With that being said, he's a provider (emotionally, physically, financially, you name it).

Even with all of that, Jude has mood swings (cancer energyyyy), so sometimes he may retreat or not be so talkative, or seem very pessimistic about things - but it will pass.

Overall, if you're a little bit insane in the head, you can deal with his red flags just fine! lol

Thank you <3

[kj-beastboy]

Love you art. My favorite thing is definitely your coloring. Flug does give t boy swag. Hope to see more of your drawing soon. Out of curiosity what do you hope for season 2?

Thank youu🥺💜

I know what you meant but just the entire term "T boy swag" reminded me of my fav rapper who just goes by "T" and since I wanted to do that for a while anyway (his songtexts would resonate with Flug so much) I used this as an excuse to redraw one of his album covers, so I love that, I'm gonna steal that heheh

(relatively unrelated for everyone except me lol but I always throw in some art when replying to asks)

umm yeah so... we're not even done with the first season, so idk. from S1-B I predict more of what we've had so far; more or less episodic comedy, slowly easing us into a connected plot. 6th episode already kinda introduced that.

it's gonna be one of those cartoons like TOH who start off silly and episodic in the first season and develop into a melodramatic serialized show from 2nd season onwards.

this is going to be an unpopular opinion but I actually do not 100% vibe with that, I prefer episodic cartoons like SpongeBob or South Park without overarching plot; comedy over drama. but it was always obvious that Villainous is gonna have a fuck ton of lore so I'm not disappointed.

my criticism rn is that I feel it's already way too many characters I'm sorry. it's getting pretty convoluted. I'm just not a fan of that but again pretty subjective. I can't bring myself to care for absolutely any character that we haven't seen animated yet. it's been too long for me to throw too many new characters in the mix, I've been nonstop hyperfixated since 7 years so I'm skeptical about changes.

as for the plot, I have no idea. we're in so early that I can't even imagine where this is gonna go.

for the end I wish that no ship with the main 3 becomes canon. it's just going to create fandom wars, just leave it open

I just want to see Flug happy...

I'll always just hope to get as much information about Flug as possible

definitely hope they explore Miss Heed's character too, as long as she doesn't end up with Flug l'm interested in her. I would like to see her getting worse (maybe switching sides?) before finally healing and learning to love herself

I want to know more about Goldheart and consequently about Flug's past

I wish for Demencia to snap out of her brainwash some day and learn about her past. I need Flug and Demencia to become real good friends and escape together with 505. I do NOT want them to become heroes but in order to find true happiness and peace they'll have to leave this place imo

but I think most of that is WAY in the future, this won't all happen in the 2nd season. but idk how long this series is gonna be, I doubt the crew even knows, so ye!

[naneun-no]

On “Insecure Jikookers”…

Alright. I might lose followers for this and that’s very okay; curate your timeline and protect your peace babes. But for YEARS, every time the phrase “insecure jikooker” has come up on my feed my eyelid has done a little twitchy twitch 🤨🤨

And I have always ignored it, because I’ve never wanted to be out here policing ppl’s language and we are literally supposed to be having fun and celebrating love, like for me that’s the whole point, but —

I’ve been seeing the phrase popping up again surrounding the release of AYS and I just gotta say it.

You guys the term seems so culty 😬🥲

Like I think I get the origin (maybe)? It probably started when some of the early jikook bloggers (if you are one I salute you, I am not worthy, trust me this is NOT a dig at anyone, jikook bloggers are by and large cool and kind af 🙇‍♀️) would get these sketchy asks that were antis or cultists in disguise just casting aspersions on jikook’s bond or being blatantly homophobic and/or in general being rude little anonymous internet gremlins. Or maybe it was people who did want to believe that jikook was real but kept nagging and begging for reassurance at every turn, which I can totally see becoming annoying as hell and prompting people to start using the term.

But it feels like it’s used now as like a catchall for anyone who expresses any doubt or asks any critical questions? Even like… reasonable ones? And I used to see a lot of “hey believe what you want to believe but this is what I believe” but now it seems like the sentiment around jikooker communities has by and large become “if you don’t believe you’re an idiotic dumb person who has never known love — you’re either a rival shipper in disguise or WORSE (dun dun dunnnnn) an Insecure Jikooker — and we don’t want people like you around.”

And idk it just feels weird for a community that has always seemed to kind of pride itself on being the “rational, fact-based” ship… like we LOVE to be smug about how jikook don’t need edits to be obvious, don’t need slo-mo zooms with red circles and arrows because their chemistry and fondness and affection is just plain to see in basic footage. We’re the levelheaded ones 😌.

But doesn’t that mean that we should always be encouraging critical thinking, and if someone comes to a different conclusion than us, so be it? Like it or not, none of us have foolproof confirmation that jikook are anything more than very close friends. That’s literally all we know. The rest is our best guess based on vibes, anecdotes, dot-connecting, subtext and body language observation, experience, perception (!!This is a big one because confirmation bias is real!!), and suspicion. That’s literally it.

Look maybe I’m just projecting 😅 but when you criticize people for expressing reasonable doubt over something that is literally not confirmed, it’s just a little too religious fundamentalist for me! (This is why I was a bad Christian, because I always raised my hand and asked questions the Sunday school teacher didn’t like.)

Feel free to ignore me. I never want to come across as pushy or trying to stir up anything, it’s just a phrase that grinds my gears and I’m sort of hoping I’m not alone in that… but if I am, so be it! 🤣 would love to hear people’s thoughts because maybe I’m missing something.

(P.S. If you’re a troll who spams jikook blog inboxes this is not me defending you. You’re still annoying and you need a better hobby. Have you tried yoga? Snowboarding? Fly fishing? Filming food vlogs and/or painting? You should try cooking. You should stop being an anonymous internet troll stomping on everyone’s proverbial sandcastles and instead write a poem. K bye ✌️ )

[minus-plus-zer0]

Beauty Pageant Headcanons

♡ Genre: Fluff ♡ Pairing: Bakugou x Reader

You entered the U.A. Cultural Festival's beauty pageant, with Bakugou acting as your coach.

How the hell did this happen? Well, you both lost a bet with Ashido, that's how.

The girl ships you two pretty hard, and although she doesn't always say it directly, it's obvious from her behavior. She rigged the bet in her favor just to get you together like this.

Bakugou's livid, but you hold him back from committing murder. You're really good at keeping Bakugou out of prison, it's like your second Quirk at this point.

So instead Bakugou turns his attention to you, and he starts ranting about how it's not TECHNICALLY murder if they don't find the body, but you're not having it and you're really just fighting for Ashido's life here.

Ashido knows not to invest in life insurance, but instead to invest in YOU. That's why she's letting you deal with this while she scurries into hiding for the foreseeable future.

Anyways, you and Bakugou are stuck together. Lucky you!

He's blaming you for this, since he knew it was a trap by Ashido. But you were just too cute and sweet, too willing to go along with whatever Ashido was planning, and that's what got you into this mess. He's really trying to convince you to not defend her at every chance, like you do with EVERY Bakusquad member he attacks, but it's hard to find his arguments persuasive when her life is in mortal peril, so you dismiss his anger pretty easily.

He HATES having his anger dismissed, and this only makes him more pissed. You try to calm him down, like you always do, all sweetness and smiles.

You're actually not even 100% against the idea of entering a beauty pageant, so it was easier to convince you than it was to coerce Bakugou into even being here. He can't understand your giddiness right now, it's more confusing to him than Ashido's.

But Bakugou is yelling your ear off while you check out the various clothes available on the clothing rack. You're trying to find something real cute and your style, but there's nothing that catches your eye. You're still looking through the racks and you're a little worried nothing is gonna look good on you.

Bakugou notices you worrying and he criticizes a lot of the outfits available here. He's got an eye for fashion, given that his parents work in the industry. But he usually doesn't pay attention to fashion magazines, models, beauty pageants, it's all stupid useless shit to him. That's another thing you disagree on.

But you're a bit embarrassed about wearing any of these outfits around him, knowing he's so critical. Regardless, he's grabbing some clothes off the rack and pushing them towards you and directing you to the changing room to try it on. Shyness be damned.

You put on the first outfit he gave you, but it's showing a bit too much skin and you're wondering what the heck was running through his mind while he picked this.

He's telling you to show yourself already so he can judge it but you're no fool. You say you can check it over yourself haha, no need to see this and to embed it into your memory forever haha!

Well he doesn't agree. "Stop being shy and get over here!"

"Make me!"

He can't exactly do that, now can he? He's flustered at the thought.

"...Can you please come out? I won't fucking judge you, alright?"

'Please' is a rare word coming out of his mouth, and you're one of the few he tells it to. So you do as he asks.

You emerge from the changing area, wearing the outfit he picked. He's checking you out in a thoughtful and not creepy way.

"That one doesn't work," he says, paying no attention to your offended expression. "Try the next one."

This goes on for the next few outfits. You didn't know what he was looking for, but he wasn't getting it. To be honest, you weren't really fond of how some of the outfits looked on you either, which made the whole thing more disappointing. Your earlier giddiness is gone.

"Can we stop?" you ask. "It feels like I'm ugly no matter what I'm wearing."

Bakugou opens his mouth to speak, then closes it. He looks like he's thinking his next words over carefully. Then, the words fall right out of his mouth before he can stop them.

"You're NOT ugly. They're all gorgeous, but none of them are the best. We need the best to win."

You're shocked he just called you 'gorgeous', but he's shoving you back into the changing room before you can keep looking at his embarrassed face.

After trying on some more outfits and being repeatedly shoved around by a red-faced Bakugou, you emerge one final time. Still red, Bakugou is now grinning like a serial killer and you hope that means good things.

"Perfect." Bakugou's grabbing your hand and he's pulling you out of the dressing room. "We gotta go practice your routine!"

Before you can even comment on his reaction, you're at an adjacent private training ground for contestants. You're distracted by trying to get him all tomato-faced again. You're pinching his cheeks saying "Where did that other guy go? The one whose face could change colors? You looked so similar, was he your cousin?" but Bakugou's warding you off and telling you to work on your form.

You spend a few hours perfecting it until Bakugou's finally happy. By the end, you're questioning Bakugou about why the heck he even cares so much, but he's telling you that it's getting late and you both should shower and get some dinner.

Post-shower and dinner, you're looking around for Bakugou who's been avoiding you all evening. You're a little hurt. You text him asking him why he's ignoring you. He finally texts back, saying he's not ignoring you and to come over.

You're allowed into his dorm room, and he's waiting for you on the balcony. He's out here alone in the dark, with the balcony lights on and with nothing but his phone. His screen shows your texts.

You take a seat beside him and then pinch his cheeks.

"Ow! What was that for?"

"For avoiding me like I've caught a disease! Bakugou, I thought we were buddies?"

He's grumbling to himself. "I wasn't trying to hurt you, dummy."

"Then what were you doing?"

He's looking away from you and you're trying to catch his expression. Then, he finally meets your gaze, embarrassed but determined.

"I know you care a lot about this crap, and it'd make you sad if I didn't even fucking try to help out. It's not my fucking thing, but I'll make sure you win."

He looks a little torn before he says the next thing.

"Because I love you, alright?"

You're kissing him now and he's shocked, you almost wish you could've taken a photo of that cute flabbergasted face before he pulls you in by the collar, kissing you back. It's his first kiss and you stole it right from under him, and he couldn't be happier.

The big day comes. You've prepared as much as you can with your (now) boyfriend the night before. Ashido is nowhere to be found, she'll likely in the crowd somewhere.

You complete your routine as planned, it's very cute and it's very you, but it wasn't a crowd favorite. Nejire ends up winning anyways. Bakugou doesn’t get it, all he’s seeing is you after the contest is over, happy as hell he picked out that outfit for you because you look great in it as he's kissing you passionately.

To him, he still knows you're the best in his heart, and that's what matters most. He's happy knowing that he got you and that Ashido's days are still numbered.

You enjoy the rest of the Cultural Festival, and you and Bakugou make sure to find some private alone time now and again…

Until Ashido texts you, saying "So have you asked him out yet?"