#when people say to me oh I can't draw

[ancharan]

this is a really nice guide! I like it a lot! I feel like it also bears mentioning that each of these stages theoretically be the final step in your process.

what I mean by that is that when I was in Middle School I drew hundreds of comics with stick figures. for years and years that's all I drew... then for years following it I only drew les mis chibi comics. the things I wanted to do and represent with my art got more complicated, so my art had to evolve to become more complicated with it. like, if I wanted a dramatic close up in my comic if somebody's eyes, I needed to learn how to draw eyes.

the point at the end of the day is to have fun doing. it you don't have to draw a fully-fledged person to complete something. if you have a funny fanart idea - or even literally any kind of idea that can be represented artistically at all - you already have the tools to communicate it. there is value to be gained from doing hundreds of stupid stick figure comics. sure, practicing anatomy and shape language and doing targeted exercises all have very clear value - I'm not saying don't do them in the slightest - but don't feel pressured, or like you're not learning if you're not doing anatomical drills lol. you're still training the muscles in your hand, you're still developing a familiarity with the tools you're using.

@dimiclaudeblaigan asked for a tutorial on how to begin drawing. Good news! If you can draw a funky looking stick man, you have already started!

I think that stick people are a great starting point for artists because of the things you can learn from them that will be important later on.

If you are able to draw a circle and a couple of lines, you can easily put together a stick person.

Congratulations! You have started to draw. :)

A stick person is a very minimal artistic representation of a real life person. It is simple yet recognizable, and is widely used in art, media, and signage.

But what can a stick person teach us about drawing people that look more like… well, people? Lets have a look!

By simply adding a few more lines, we can add a pair of eyes and a mouth. Maybe even a little triangle nose! Or half circles for ears. We can now draw a face, which provides a basis for all sorts of expressions.

These simple additions can allow us to explore the wide range of human emotion and individuality.

This may seem like the basics of the basics. But that is what we want! In order to get to the point where we are able to draw complex, elaborate representations of humans and objects, we will need to start with simple shapes like lines and circles and build our understanding from there.

For instance, lets give our stick person some cool new features, such as hands and feet. I chose little squiggly circles to represent hands, and triangles to represent feet.

We can go a step further and modify the body of the stick person to include shoulders, hips, elbows and knees. These parts of the human body are quite complex in real life But here, all we need to do is add a few simple lines and dots to our stick person.

The lines provide some additional structural elements to our stick person's body, which are the shoulders and the hips. The dots indicate the points of articulation - elbows and knees, the places where the arms and legs bend!

Now we can use our stick person to show us an even wider range of human movement, action, and expression.

Our little drawing of a human being is evolving! All it took was adding a few more lines and shapes here and there.

By elongating some of the existing lines and making the head an oval instead of a circle, we can give our stick person proportions that resemble that of a real life human.

By this point, we have managed to add more complexity to our stick person simply by using our ability to draw lines, circles, and other basic shapes!

These basic ideas are the building blocks that will enable us to create more complex shapes.

The next part may be a considerable step up if you are absolutely new to drawing, but I have decided to include it in order to show you how complex objects like the human body can be built from shapes that are a bit more complex than circles and lines.

For example. Two ovals and a rectangle can be combined to create a cylinder.

Six squares can be combined to create a cube, or a box. Here, each square is distorted slightly depending on which way the cube is facing.

Note that the back faces of the cube and the bottom of the cylinder are hidden. These shapes allow us to visualize that which should not normally visible.

A sphere from all perspectives can be represented by a circle. But we can make it more like a sphere by adding lighting and shadow if we so desire.

Cubes, cylinders, and spheres are examples of 'solid shapes' because they consist of 3 dimensions.

Lets see how these solid shapes can be used to compose the human body.

By stacking three cylindrical objects, we can create a torso. Two spheres have been added to form shoulders, while a smaller cylinder forms the neck.

An arm is an alternating sequence of spheres and cylinders connected together. Note that the hand has been simplified for this example.

We can apply these solid shapes to the rest of the body to give us a more recognizable representation of the human form. It doesn't even have to be perfect. And just like that, our stick figure now has a silhouette that is unmistakably a person!

In the above examples, notice that we kept the stick person at the beginning while building up the shapes and solids around it. This is because the stick person serves as a guide for positioning the body and its various parts -> also known as posing.

You can do the same thing to everyday objects! Here, I drew a wine glass by stacking these three dimensional solid shapes.

The cup and its contents are two ovoid shapes that were cut in half. The stem is a very thin cylinder shape. The base is a cylinder with a slightly wider bottom.

Solid shapes help inform us how objects and parts of the human body may appear from different perspectives.

For example, a sphere can be used to demonstrate how the human head appears when looking up or down, turned to the side, or tilted at an angle.

With these examples, I hope I have managed to convinced you that if you can draw a circle and a couple of lines, you can draw a person! You just have to train your eye to recognize the simple shapes within complex objects. Try it with everyday objects as well! Or even your favourite media! A drawing subject can be as simple or as complex as you envision it to be.

Once you have mastered that, there are many aspects of drawing you can explore from here that may require you to seek additional resources or a fellow artist's advice.

Last of all, remember that drawing is an iterative process. Even if you draw something correct the first time, you will need to draw it again and again to get it right all times! And by making small changes like the ones we explored in this tutorial, your drawings will gradually transform!

I hope what I've demonstrated here are enough to provide the basics of how to get started with drawing objects and people, and also to help refresh more experienced artists. :) Hopefully I didn't go too off topic with what was requested, and let me know if there are any more questions I can answer.

Cheers :3

[sysig]

The brainworms are winning, clearly (Patreon)

[starlit-mansion]

getting so much validation listening to jarvis, jordan, ify and bdg talk about their experience with playing magic socially on last week's sad boys because. well tbh. i do feel both really excited to play and also like. embarrassed that i have a bad time matching against people and getting stressed about getting womped and struggling with the political dimension of commander. and if mtg content creators are fully bubblized/overly positive. then it does sort of make you feel like. there's just something that you're missing that everyone else understands. instead of just like. completely normal levels of social awkwardness among nerds

[spectascopes]

draw ONE short and fat character from a piece of media as a skinny miss thing and I'm side eyeing. do it to TWO and I know you're just a bitch

[goblin-enjoyer]

I swear why are half the things i like/fandoms im in made of mostly younger people while the other half are mostly older people? what are the zoggin odds with that?

How it feels being 20 in a fandom with a bunch of 30-40 somethings.

VS how it feels being 20 in a fandom with a bunch of 14-17 somethings.

like am do i just have extremely odd luck with things i like or is this just what being 20 is like?

[aroacewxs]

everybody gangsta until you realize you've internalized the aphobia you avoided like the plague despite approaching your aspec identity with such a positive outlook

[devildarlindumbass]

Who up finally realising why a bunch of friendships ended with friends awkwardly confessing to them

[iwakuraz]

"you'll be fine at school you just need to answer people when they talk to you!" yeah sorry its always my fault somehow isn't it

[angorwhosebabyisthis]

today on my When All You Have is a D10 project: Rolling a 6 with a D100.

-

1-16: Option 1

17-32: Option 2

33-48: Option 3

49-64: Option 4

65-80: Option 5

81-96: Option 6

97-100: Reroll

-

if you get that last one you can reroll the ones column, tens column, or both, up to you. tune in next time for so fucking help me i WILL find an efficient way to substitute dice for a deck of playing cards

[keeps-ache]

standing here in my star-patterned bathrobe holding a stylus while inscribing something onto my computer. it's wizard time baby

[harocat]

People really think that canonically HC is built like a tank.

Where are they getting this though. He's described as slender and lanky. He's certainly broader than XL, and it says as much, but XL is a small guy. He's one of the shortest characters in the cast (though he is ofc extremely physically strong, so he's buff in his own way).

Like there is only ONE version of the series; adaptation, official art, etc. where HC is BIG, and it's the one where he didn't start off that way but expanded into nineties yaoi proportions as the series went on. He's good in the early manhua and early manhua official art.

Like isn't this the first official art of HC??

That's not huge or swole or tanky. that's just a... tall guy. But over and over in this fandom you're 'ignoring canon' if you deny that he's huge like *Ember's HC.

[bibiana112]

I'm going to draw wktd fanart (to cope with a highly specific situation) while I still have the time for it (looming employment) and that is a promise to myself (I probably have something else I said I'd work on but whatever)

[giantkillerjack]

Thank you, younger me, for drawing so many things in which the lines were never quite right. It is quite literally the only reason I ever figured out how to get them right.

[archangeldyke-all]

I JUST WATCHED ACT ONE AND HOLY SHIT

Do you think sevika likes biting? Like when other people do it? Because when I saw caitlyn doing it to her I could’ve sworn there was a smirk on sevikas face.

Anyway could you do like headcanons on this? If that’s okay. I love you❤️

oh i KNOW she likes biting AHAHHAAHAH

men and minors dni

really, nobody's been able to make you cum like sevika can. not even your trusty vibrator.

so, it's not surprising to you that you're always scratching up her back and leaving bite marks on her shoulders, but it is concerning.

you confront her about it early on in your relationship. both of you are naked and catching your breath in bed, sevika lazily smoking a cigarette and rubbing your back as you lay on top of her, your finger tracing the indent of your teeth on her breast.

"sevika... am i too rough with you?" you ask.

sevika chokes on her smokes, then sputters a laugh. "what're you talking about?!" she cackles.

"i'm always tearing your back up with my nails-- you've got, like scars on your shoulders now babe. and i worry that i'll draw blood one day, with my teeth or nails--"

"--okay, shut up." sevika cuts you off. you huff a bit and pinch her nipple, and sevika shivers and giggles. "baby. if you recall, i'm not exactly gentle with you, either. just fucked you like a bitch in heat, love, 'n 'm gonna have to lotion your ass from how much i was smacking it."

you suddenly feel bashful, sevika's casual discussion of the mindblowing sex you just had giving you butterflies. you bite her again, much more gently, now, right on the collarbone. "shush." you demand.

"what, you're shy now?" sevika teases. she takes a long drag off her cigarette before stubbing it out out and wrapping you up in her arms. "babe. i like it when you bite me. feels good to know i'm making you feel that good but... i also just like it. the feeling, and the bruises, 'n the way i get to show everyone you're fuckin' me... in fact, i'd like it if you did it even harder. 'n more. could probably cum in my pants from your teeth on my throat..." sevika admits, her voice trailing off and her eyes darting away from yours.

you chuckle and kiss her cheek. "who's shy now?"

sevika just smacks your ass.

so... you start biting her harder. in your time with sevika you've learned how to treat all kinds of wounds, so you aren't as hesitant as you might be to make her bleed. plus, sevika really fucking does love it.

she gets this excited little smirk going on her face when you start gnawing at her flesh, and when you finally really sink your teeth in (usually on her thighs, just a few inches away from her dripping cunt) she just melts. she whimpers and collapses against the bed and sometimes, if you're lucky, you can see her clit twitch in pleasure, despite the fact that you haven't touched her yet.

the first time she cums from it, it's an accident on your part.

you're at the last drop with her, drunk and grinding and making out sloppily in your little corner of the bar, and some woman across the room keeps eyeing her.

eventually, you pull away from her with a huff, smacking her shoulder a bit.

"w-what?" sevika asks, a little out of breath. you have to bite your lip to concentrate enough to get your words out, to resist the temptation of just kissing her again.

"d'you know her?" you ask, gesturing to the woman.

sevika quickly looks over her shoulder, a frown on her face. "w-who?"

"the bitch that's eyeing you like she's gonna be the one going home with you tonight." you growl.

a smile ticks up at the side of sevika's lips, and you scowl. "jealous, baby?"

"no. jealousy would be if you weren't mine. but you are. i'm possessive."

sevika's smile only grows, and she turns her back on her admirer to wrap her arms back around your waist. "i dunno her, love. even if i did, she'd be the last fuckin' thing on my mind tonight. first thing is your ass. second is your tongue. third and forth right here." sevika says as she squeezes your tits. you can't keep your giggles in.

"what about my teeth?" you tease.

sevika shudders, and before you know it, you're being pinned to a wall.

you groan in her mouth, wrapping one of your legs around her hips as she grinds against you. she shoves a hand under your shirt, groping your stomach and tits as you kiss.

you grab her lower lip between your teeth, and sevika freezes, hot little puffs of air hitting your face as she waits in anticipation for your next move.

you give her lip a soft nip before letting it go and ducking down to lick at her throat.

"ba-baby. please." sevika whines, her hips bucking against you in uncoordinated, sloppy little thrusts.

fuck. fuck. you don't have any real reason to worry, not when sevika's begging for your teeth in her throat. it's so hot it makes you dizzy, and you lose yourself for just a second as you clamp your teeth down into her flesh, hard.

sevika stiffens, squeaks, and then starts to shiver, her body collapsing against you and pinning you to the wall. you wrap your arms around her waist, groaning into her skin as she shivers against you.

"f-fuck!" sevika shouts. you pull away from her throat, blood and spit connecting your lips to her skin as you nuzzle her cheek. "fuck. fuck, i love you." sevika sighs.

you giggle, kissing her scars. "i love you, too, baby. can't believe you just came in your fuckin' pants for me."

sevika chuckles. "'s hot watching you get jealous, or possessive, or whatever." she says with a shrug. "'n i really fuckin' like your teeth."

you gently nip her cheek, then press your bloody lips to hers.

sevika moans at the taste.

taglist!

@fyeahnix @lavendersgirl @half-of-a-gay @thesevi0lentdelights @sexysapphicshopowner

@shimtarofstupidity @chuucanchuucan @badbye666 @femme-historian @lia-winther

@sevikaspillowprincess @emiliabby @sevikasbeloved @hellorai

@glass-apothecary @macaroni676 @artinvain @k3n-dyll @sevsdollette

@ellieslob @xayn-xd @keikuahh @maneskinwh0re @raphaellearp

@iamastar @sevikitty @mascdom @nhaaauyen

@mirconreadzztuff22 @veoomvroom @lushh-s3vik4s @katyawooga @lesbodietcoke

[joycrispy]

I wanna talk about The Angel Who Would Be Crowley.

Because I had a certain set of expectations, which got thoroughly trashed in the first five minutes of S2, and my genuine response is, "Oh, fuck, yup. You're right. That's WAY better."

Looking around at GO fandom, I'm not alone in this. So let's talk about it.

Basically, a lot of people (myself included) believed that he was a high-ranking angel, and therefore as chilly and remote as every other powerful angel we'd seen at that point. We pictured Crowley-To-Be as long-haired, regal and imposing --and the fanart at the time reflected this. I'd link some if Tumblr didn't hate links.

Something like this:

We were collectively drawing on a few things --mostly, Crawly's appearance and general bearing in the Biblical scenes of S1--

--But also scattered hints of his importance, backed up by conspicuous absences in Heaven and a few profound displays of power. That's all better covered elsewhere, so I won't reiterate the arguments here. All I'm saying is: I think our headcanons were justified.

But it turns out he was this:

!!!

With his curly little--!!

And his neat white--!!

IT TURNS OUT, he was an angel who squeaked and squealed when he was happy; who flailed his arms around and made explosion noises with his mouth to explain nebulas; who preened when told his stars were pretty. Furfur, who knew him before the Fall, says:

"You used to jump on me back, little monkey in a waistcoat..."

(The use of a diminutive there, 'little'...oh, that fascinates me.)

In a pretty huge subversion of expectations, we're given these glimpses of an angel who was sweet, and joyful, and heart-meltingly silly.

In sum...an innocent.

(Perhaps innocent to a troubling degree.

We see how he troubles Aziraphale, during their first conversation. He starts looking around and behind them, checking to make sure that no one can HEAR the blithe and reckless things coming out of this angel's mouth. This angel who talks like he's never been reprimanded in his life; like it's never occurred to him that anyone would want to hurt him.

Before the Beginning, Aziraphale understood Heaven better than he did. The danger is plainly occurring to Aziraphale.)

So now, we the viewers are in on a cruel joke that Aziraphale has known all along, which is that this --THIS-- is the angel who--

*checks notes*

--did a million lightyear freestyle dive into a boiling pool of sulphur. For asking questions.

...Imagine you are Aziraphale, and everything inside you wants to believe Heaven are the Good Guys, and God is Good and Everything She does is capital-R Right...and now try to reconcile that. Keep trying. I don't think he ever totally managed it in 6000 years.

All this gets further complicated when we learn that, despite all of the above, we were still right. That sweet excitable babby up there?

He WAS a powerful and high-ranking angel.

That much is explicitly confirmed, with significant evidence that he could have been among the mightiest of archangels...

...Who apparently accosted his fellow angels for piggyback rides. And was remembered millennia later by those (now fallen) angels as something 'little.'

What does that tell us about who he was? Is?

Hell, Aziraphale has known to be wary of the archangels (and the judgements of Heaven in general) since before the Fall even happened. He chooses to believe they are Good; he can't fool himself into thinking they are Safe.

Yet he's absolutely certain that Crowley won't hurt Job's children. Enough to stand in a burning building and say to them, "I can't save you, but don't be afraid. I won't need to."

And what reason does he give?

("I know you."

"You do not know me."

"I know the angel you were.")

What does that tell us about who he was? Is?

("The angel you knew is not me."

But how is Aziraphale supposed to believe that, when he can see him all the time?)

tl;dr --yes, this is better. I love the tragedy of it.

'Innocence died screaming' and all that.

[yuriyuruandyuraart]

that's it i'm officially DEAD and in tears omg zu.. oh my GOD zu omg i'm i can't even TYPE i'm shaking so hard it's so!!!! i'm so!!! ahjgzdyhagahgfd ZUUUUUU<33333

Happy birthday @yuriyuruandyuraart! ◟(๑•͈ᴗ•͈)◞

Ribbon (pink!Cross) & Buns (pink!Killer) by yuriyuruandyuraart respectively ;3

Cross from xtaleunderverse by jakei95

Killer by rahafwabas / rahaf-wabas / rahofy-sketch

+ the transparent one ehehe <3