#when he really didnt even need to

[muchmossymess]

my contribution to the fmab fandom, slowly but surely (click for better quality)

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[moeblob]

So does he, Gallagher.

[mwagneto]

You seem very white. Maybe when you are screeching about Watson you should shut the fuck up and keep in mind that your little bullshit doesn't fucking matter in the face of representation that does matter. And yes, actually: to the sane world, Adler and Holmes were lovers. They were literally written that way in the vernacular. Sorry you're too dumb to know that. Go jerk off to Bernadick whitedick slash and leave Black watson alone.

i considered deleting this coz it's easily one of the nastiest asks i have ever received (and that's saying a LOT) but it's just so perfect. like i'm fully convinced you don't actually think any of this because every single word of this seems crafted specifically for me to try and make me angry. i can't even pick a favourite line. you're SO pissed off at me even though i never even said watson was bad. i literally only have bad things to say about bbc shitlock on the very rare occasion i mention it but you somehow assumed i like it for seemingly no reason. the way "maybe when you are screeching you should shut the fuck up" is like a direct quote from rdj sherlock (i can't do both). and again i literally never even said watson was bad😭

i have nothing serious to say to this coz clearly none of it is in good faith it's just designed to bait me into being mad but "to the sane world adler and holmes were lovers" was so fucking funny. what in the god damn hell are you talking about. here i made this one special just for you<3 goodnight

[buqbite]

Halo

[stromblessed]

Mizu's spectacles, and the levels of her disguise

In drafting some more Blue Eye Samurai meta posts, I find myself writing out the comparisons between what Mizu can and cannot hide about herself, and how that affects how she moves through the world.

Like, I get the jokes about Mizu's glasses, if only color contacts had existed back then, etc. etc., and I think (hope) that most viewers don't take the glasses jokes seriously, as in "I don't care about the suspension of disbelief because BES is a cartoon." But I wanted to write these thoughts out anyway without burying them in a text post about something else.

I think the points I'm going to lay out here are viewed very differently by different people, so please feel free to add to this post, reply, or put your thoughts in the tags!

Not only do Mizu's glasses not actually help her that much, there's surely more to Mizu's mixed race appearance than just the color of her eyes.

In my view, this was pointed out in episode 1:

I'm willing to bet most of us were expecting young Taigen to say "blue eyes," not "ROUND eyes."

Obviously this is still about Mizu's eyes, but not even spectacles can hide their shape.

I don't think the show is obligated to point out everything about Mizu's face that isn't quite as Japanese as the people around her expect. Though the creators have said that they specifically designed Mizu - and her clothes - to read both as "white" and as "Japanese," as well as both male and female. I think there's more about Mizu's features that read as "white" than just her eyes.

This is where my own headcanons start entering the picture, but it's my impression that people can just tell that Mizu looks different, whether or not they can put a finger on exactly how.

There's the little girl who looks at Mizu and then hides on the way into Kyoto:

When there's more to your face you'd like to cover up than just your eyes, big hats are a big help!

By the way, most of these examples have to come from the first half of the season, since by the second half, either Mizu is too preoccupied with fighting henchmen, or everyone Mizu is facing knows who she is already, and she therefore has no reason to hide her mixed race identity.

It's worth mentioning that the mere fact that Mizu has to hide multiple aspects of her identity - her mixed race and her sex - results in her having to choose clothes that really, really cover her up, which doesn't win her any favors either:

(Zatoichi reference, anyone?)

If it were as easy as, for example, tying her glasses to her head and wa-lah, nobody would ever know she was half-white - then (1) Mizu would've just done that long ago, and (2) Mizu wouldn't be so on guard and on tenterhooks 100% of the time the way she's depicted in the show, even when her glasses are on.

Her spectacles sure don't help her in the brothel, which is full of observant women who are trying to seduce her, meaning they get good long looks at her:

Mizu never takes her glasses off, but they still send a woman to her who has light eyes, thinking that must be what will interest a blue-eyed man:

No wonder Mizu gets mad after this, lol

So Mizu never takes her spectacles off in the brothel, it's dimly lit inside, and the women can still tell that she has blue eyes. I'm getting the sense that Mizu putting on her spectacles isn't a guarantee that people suddenly can't tell that she looks different.

And yet no one spots that she's female.

Mizu can hide her breasts, can wear her hair in the right style, can hide what's between her legs, can walk and talk and behave like a man - and she's been doing it for almost her entire life, to the point that not only is she very good at it, but the threat of being found out as female is deadly, but isn't presented in the show as omnipresent.

Let me explain.

She threatens Ringo for nearly saying the word "girl" out loud, because while she's constantly ostracized for being mixed race, being a woman traveling without a chaperone, carrying a sword, and disguised as a man will get her killed or flogged or arrested or some combination of these things.

But in addition, it's been drilled into her since she was a child that if she is discovered as female, the combination of her being mixed race and female will identify her as someone extremely specific, someone known to some bad people, and she will be killed:

I think of it as Mizu thinking to herself, "Being found out as mixed race means I'm treated badly. Being found out as mixed race and a woman means I'm dead."

Mizu's hair is cut as a child. But she isn't made to wear a big hat, or cover her eyes somehow, or anything like that. Because hiding her sex is a more successful endeavor than hiding her race.

Ringo finds out she's female by accident, but once Mizu accepts the fact that he won't rat her out, she relaxes pretty early on in the season. Because the threat of being found out as female is mitigated pretty much 99.9%, since Mizu has gotten so good at being a man. And also, because most of the time, people see what they want to see. Even if Mizu's face makes her stand out as "not 100% Japanese," no one in the world of BES looks at Mizu's clothes, her bearing, her sword, hears her voice, and will ever in a million years conclude that she is a woman, because expectations around gender roles in the Edo period were so rigid and so widely enforced.

One detail that proved this to me is after the Four Fangs fight:

Ringo takes off Mizu's clothes so he can stitch her up, then leaves her clothes off even after he's done. He doesn't even throw her cloak over her as a blanket or anything. There's a little a straw (pallet?) as a divider there on the left, but anyone could just peek around it and see Mizu and her chest bindings. (I think it's mostly there as a windbreaker.)

And Taigen is right there, but he doesn't give a shit:

Opinions probably vary hugely on this, but my impression is that because the show doesn't make any kind of deal about Taigen being in the room with Mizu here, my guess is that Mizu isn't in any danger of Taigen thinking she's female. Even when I watched the show for the first time, I assumed that Taigen had seen Mizu out of her clothes here, and that he thought nothing of it.

Eat your heart out, Li Shang (Mulan 1998). I actually do think that this scene is a direct and purposeful side-eye to that movie, lol

There's obviously some nuance to how "severe" being mixed race is compared to how "severe" being a woman is for Mizu:

After all, Swordfather can't bear to listen to Mizu confess to being a woman.

So a Japanese man can go wherever he wants, whenever he wants in BES. A Japanese woman has limited options: marriage, religion, or a brothel. A mixed-race man is an eyesore in this story. A mixed-race woman is a death sentence.

May as well eliminate the female aspect, and do what you can about the mixed-race aspect. Because that's just realistic.

Meaning Mizu can avoid the strictures Edo society places on women. But she can't avoid the repercussions that come with being mixed race. And I truly don't think that it's just because "there's no brown contacts yet."

[unriding]

a … a gift from the talented @kruinka 🥹 thank you so much!! ദ്ദി ༎ຶ‿༎ຶ)

[mamawasatesttube]

thinking abt kon getting hurt/upset about something big and clark bundling him up in his cape... ouuhhhhh souperfam save me...

[pa-pa-plasma]

hey i feel like we're really sleeping on that time Danny possessed Vlad & framed him for assaulting a minor

Editing with the clip because people don't believe me. Episode is 41: Eye for an Eye.

[ganondoodle]

me: finally im able to cope with how much i hate totk and can fuel that energy into other things :)

nintendy: the shiekah tech just dissappeared and no one knows why or cares enough to investigate it lol. lmao. its gone bc the calamity is gone or something even tho it literally isnt bc ganondorf is right there haha lol, stop asking, why do you care. just forget it existed and look at that sexy goatman and glue instead!! glue! isnt that wild?? also its totally a direct, 100% same universe and exact same characters, despite them act totally out of character, sequel to botw-

[dykedvonte]

I hate the stretch lines in the front of Curly's uniform because that means the devs rushed to make a model in like a month or so and thought "They gotta at least know he has huge knockers, gotta know he's got back pain." Cause like what is the thematic importance of his tits having overhang?

What responsibility is that representing? Breast reduction? It shows an inherent greed in his character due to the excess and heshouldletmeholdone and that he clearly is blinded cause if he tries to look down his damn ladder all he's seeing is his own cleavage.

[tangledinink]

For the Swanatello fam: what does everyone miss most about Donnie during his lake-induced absences?

for donnie, leo will gladly give every scrap of patience and grace and gentleness he has. he doesn't mind explaining things. he doesn't mind telling his brother the same things over and over. he doesn't mind it when donnie forgets or doesn't understand or needs his help to remember or process things.

but he misses the banter. the back-and-forth. the stupid fights and pranks and 'you said's' and 'i told you so's.' and, perhaps a bit selfishly, he misses when he didn't always feel like he had to be the bigger person for him. he misses when he still had the space to be childish and immature and petty towards his twin, and it wouldn't hurt either of them the way it tends to now.

[ swanatello ]

[spookberry]

I put them next to each other casually without much thought, but I've had to redraw them in this set up so many different times in the development of this project that I kinda ship them now??? like why are they always lookin at each other like that

[al-luviec]

compiled whatever this is (and I run out of tag space)

meh HoT gifs (3/?)

[starry-bi-sky]

ty for contributing to the wasteland that is appreciating bruce as a parent and first child danny🙏🙏🙏

It’s a battle out here soldier but I am strong, like winter bear. Also I relate so hard to Bruce in a lot of ways and I think his initial concept is really neat. He tries his damn hardest, and he has so much hope for his city that it’s really admirable.

And as much fun as it is to poke fun at him for his questionable parenting and hypocrisy, there’s always the line of too much that the fandom tends to cross quite often, just as much as they do with the clone and ghost king stuff. Bruce is just as much of a good parent (or at least a trying one) as he is a bad one, and people tend to ignore his good qualities for the sake of a joke. His character is centered around the fact that he cares, he’s just truly shit at communicating it — which, cheers bro, I’ll drink to that.

And there’s already a ton of batfam prompts and aus out there where Danny shows up when the whole colony is already adopted, which means most of the attention goes to Danny bonding with the other siblings and having very little to do with Bruce. He’s kinda just. There. Whether that be as a prop or an antagonist or someone to point and laugh at. Which, I can’t blame people too much for — the cast is so big it’s hard to keep track of relationships and stuff.

However, I think it’s important for Danny to have some form of relationship with Bruce too and not them just be strangers, especially in a familial/platonic setting where Danny is joining the family.

They share a handful of qualities that I think would mesh well together — Danny’s canonically a pessimist while Bruce is a diehard optimist (you kinda have to be to be a hero in a place like Gotham, and he wouldn’t be Batman if he wasn’t) and they both believe in giving people second chances and have wells of compassion to tap into. Danny’s clever and resourceful, and one of his main character traits is that he’s got an iron will.

All in all, good dad bruce go brrrrr and oldest son danny is the perfect, underutilized concept to explore exactly that without distractions. I think they could get along like a house on fire, if given the opportunity.

[thedolmainblog]

you know arts going well when you start drawing smth completely unrelated