#whatever I really need to draw more

[blahlahblash]

Day 1 "I found You Faker!" (why am I doing this)

Day 8 "Surprise!" (My non-artistic friend helped with this one at school 😭 sorry it's blurry)

I'm also super laattee

[lotus-pear]

free will is drawing ur two favorite characters together and making them gay

[chitinleg]

got him off-balance!

[runningatypufullspeed]

Miss Harmonia COOUGUGHHH cough cough COUGH

COUGH COUGH COUGH

[moeblob]

A lil guy !

[poorly-drawn-mdzs]

He's sensitive about that

[First] Prev <–-> Next

[harpoonsnotspoons]

Don't have my iPad with me so take this horrible phone doodle

Original under the cut

[wybienova]

dream visit (nostalgia) - a 2nd anniversary katfl comic

[skyenish]

*evaporates into thin air to avoid social interactions*

[pa-pa-plasma]

hey i feel like we're really sleeping on that time Danny possessed Vlad & framed him for assaulting a minor

Editing with the clip because people don't believe me. Episode is 41: Eye for an Eye.

[teddybeartoji]

aanyway this is what i did todayyy:33333

+ the "man is a moral animal" poem quote poem is by frank bidart btww!!!!!

ta– daaa!!! these are nothing big nothing special but it is really fun to make them hehehehe

[mugentakeda]

mighty dragon (and fledgling)

[plasticsandwich]

quick ivy for morale...... gnn

[ritoryb]

if (and) only (if) we could cross the great expanse

(stole the composition from an utena screenshot)

[tapeworrmart]

I feel a sort of odd weight lifted now Halloween is over. Like don't get me wrong it's my fav time of the year but I think I was stressing myself out too much with having to draw Halloween specific things (and failing cuz I burnt myself out) and having to watch specific films (even tho I watch horror all yr round) and it's like. Wow I kinda put a lot of pressure on it lol. So glad it's done and I can go back to drawing and watching anything.

I think there's a lot to be said about the direction being an 'artist' online is going in that u feel like u have to 'contribute' to 'trends' and holidays etc even when, in my case, I draw spooky stuff all the time anyway. But it's that mad dash kind of feeling cuz everyone else is doing it. I like it when it's a sense of community and u wanna draw stuff because others you like are also drawing it. But u gotta want to do it and have the energy for it in the first place. So I felt bad that I burnt out so quick last month. But it's done!

[deoidesign]

Hi, how did you learn to draw Steve's physique?

Ohh what a complicated thing to answer...

When it comes to how I learned to draw anything, it's hard to say anything too specific since it's always a culmination of many years of assorted study and practice... but I can try to do my best to explain some of the biggest things that helped me learn, some tips I keep in mind, and maybe at least some places to start/delve further.

(just a little disclaimer it's not like my drawings here are going to be 100% medically accurate.. they're just to illustrate concepts!)

The main thing about learning various physiques is understanding anatomy. Which feels obvious, but I don't mean proportions; these are important, but perhaps more important is understanding the skeleton and how it moves and learning where muscles connect to bones and where fat grows on the body. When you understand how these function on a more mechanical level, depicting form and movement in a way that feels natural comes in tow.

For instance, understanding things like the pronation and supination of the radius and ulna, as well as the fact that muscles can ONLY contract or relax, will help you understand a bit better which muscles will be flexed and which will not while someone moves. It's inherent to the positioning based on the structural makeup of the body... It's not like you NEED to memorize all the muscles and bones, of course, but understanding and gaining at least a passive familiarity with the concepts really helps.

In tandem with this concept is the way parts of the body flow into eachother. Muscles ALWAYS come in groups because they can only contract. Whatever muscle is there to lift something, there is a muscle on the other side to pull that bone back down. What this results in is a series of straight edges next to curves, which gives us a lot of really lovely "s curves" and dents and folds and so on and so forth just naturally occurring.

I would suggest at least learning the "bony landmarks", which are bones (usually) visible on the surface of the body. things like the iliac crest, the great trochanter, the 7th vertabrae, the acromion process... These can be used to help you understand the parts of the body as angles and relationships, rather than trying to remember lengths and sizes, which vary immensely... (since you asked about steve, he can be our model... also study these on your own don't just take my word for it haha, these are the ones I personally keep in mind)

I've done the same thing with body hair... learning where it grows and in which directions... It helps me make up variations without needing reference, because I have a set of rules I can follow.

The biggest thing that helped me understand all this on a much deeper level was my ecorche course. I sculpted this guy. We started by sculpting the entire skeleton to understand the bones, and then we added muscles on top. Not every single muscle, of course, but the "artistic muscles" AKA the ones which directly affect the surface of the body. Doing this let us see where muscles connect, because we would make a shape, put it on the bone where it actually goes, and then you get to see how other muscles overlap that.

This helped me, perhaps, more than anything else. But I also didn't just start with this course, I had been drawing for years before I even took it. I had been in school for years before I took it. Not that I think it wouldn't be helpful to someone just starting out, but I do think that the more you know going in, the better an in-depth course like this will help you and stick with you. Classes are also expensive, though so I'm not really like... recommending you pay potentially thousands of dollars to take one... But it did help me a lot, personally.

I also, of course, have done many figure, gesture, and master studies...

These just help you quickly gain a stronger understanding of generalized anatomy, and gives you real life examples of and practice with of how people move and balance.

What all this does when combined, is gives me a very solid ability to depict movement and form in a way that feels relatively natural from my subconscious without the need for reference.

The rest of how I've learned to draw his physique is honestly mostly just stylization. I understand the body, and this is how I am depicting it for his level of musculature.

And as I move into depicting him in other ways, either moving in comics or in animation, realistically rendered, or extra stylized, these concepts inform every step of that process for me! When he keeps the same/similar relationships between parts, he gets to still look like himself.

It ALSO really helps when putting clothes on, because the way cloth falls and bunches and lifts is all directly related to the form it is on... So the more you understand that form, the more you can depict clothing and movement in a way that feels natural.

This is all, of course, true when I draw anyone, you asked about Steve so I'm trying to mostly show with him! But because I'm just drawing from raw information of general anatomy rather than trying to study one body type at a time, it allows a lot more "give," I think!

Like, here's most of the cast from TTA so far... actually, they're not as varied as I thought they were nevermind LMAO ignore this part

But, it also makes monster and alien design much easier! It's a lot easier to come up with non-human anatomy when I understand human anatomy, because I can manipulate the knowledge I have...

There is infinite more to study in the world of anatomy... The complexity of the human body goes extremely deep. For our purposes as artists, we need only depict a fraction of it, but more information rarely hurts the process.

I'm sure there's something in here that's wrong on a technical level, I'm mostly going off of memory. But that's kind of my point - I understand enough generally and conceptually that when I am missing something and need to find reference for it, I understand what I'm looking at. It's much easier than trying to learn AND draw at the same time.

I hope even one thing in here helped you! Sorry it's so long.