#what’s the point of any of this conflict

[werewolfetone]

Skyrim actually really did something by creating a video game grey morality™️ conflict where the issue isn't that both sides have a point it's that both sides absolutely suck balls and barely have any semblance of a point about anything. unclear if what they did was good or bad but they did do something

[whetstonefires]

Thinking about the parallels set up between Wei Wuxian and Mo Xuanyu, and how actually most of them are oddly specious.

The sketch of the backstory lines up, but on close examination they're mirror images.

Wei Wuxian wasn't kicked out of his sect, he left it. Wei Wuxian didn't hate the house he grew up in, he loved it, and getting the people there killed was the absolute last purpose for which his dark powers were ever intended.

Jiang Cheng was no Mo Ziyuan--his jealousy was a complicated thing all twisted up with love, and while he would lash out at Wei Wuxian both as a casual means of shit communication and more damagingly in moments of high tension, he had neither the desire nor the ability to bully him, and in general respected his boundaries almost too well.

When Wei Wuxian destroyed himself about Jiang Cheng, it was to give him cultivation, and protect his life and happiness. He would never have killed him.

Madam Yu was a domineering aunt-like figure, who hated Wei Wuxian for reasons of reputation, and because she had resented his dead mother, but she crucially did not have the power to actually disrupt his lifestyle to any significant extent.

Mo Xuanyu was shut up in a small room to rot; Wei Wuxian didn't even attend classes unless he wanted to. Mo Xuanyu was weak and disliked; Wei Wuxian was brilliant and popular.

Mo Xuanyu's uncle is a cipher of a figure, without character or agency, a nonentity who is resented to death apparently mostly for what he didn't do; in theory he is the master of the house, but he certainly never protected his wife and son's punching bag from them.

And this is what got me thinking along this track: because people keep interpreting Jiang Fengmian as this, as exactly like Mo Xuanyu's nameless uncle, a nonentity who lets his wife make all the decisions, and is contemptible therefore.

He shows up in fic characterized this way all the time, handled narratively as a gap rather than a person, an absence where there should have been a parent, and it's...totally inaccurate? The man only has a few scenes but the things that are most firmly established about him are:

he regularly goes out of his way to protect Wei Wuxian

he's extremely fond of Wei Wuxian

he cares a lot about ethical behavior

he's conflict-avoidant and gentle

he can and will overrule Yu Ziyuan when he's made up his mind, and there's nothing she can do about it

his communication skills are mediocre at best

he doesn't understand jiang cheng

he has a dumb sense of humor

Now almost none of this made it into cql besides point 4 and maybe 6, 5 is technically there but buried by the cinematic framing, so I totally get why the fandom on the whole struggles to characterize him well, and it's easier to write him off.

But it keeps bugging me to see him and Yu Ziyuan squashed into the mold of the Mo, because not only is that boring and reductive and kind-of-missing-the-point, it's like. Wei Wuxian and Jiang Cheng's characterization suffers a lot when you alter the environment and take away the influence exerted by their shared father figure.

Jiang Fengmian was Wei Wuxian's primary adult role model and it shows.

Jiang Cheng's relationship to his own sense of ethics is fraught because 'teaching him good ethics' was his dad's number one parenting goal, but they misunderstood each other so badly (partly because Yu Ziyuan kept loudly misinterpreting them to each other, which is so realistic I can't get over it, that's exactly how it works good lord) that Jiang Cheng has a direct association between the concept of 'doing the right thing even when it's hard' and a feeling of personal inadequacy.

The fact that Wei Wuxian got their dad-person's approval for being exactly himself and Jiang Cheng not only couldn't do that, he couldn't even get that same level of approval when he really pushed himself to rise to expectations, because Jiang Fengmian did not intend that warmth as a 'reward,' and so never realized he was withholding it, and therefore misunderstood Jiang Cheng's visible jealousy as a dangerous sense of personal entitlement that had to be carefully restrained, which reinforced his distrust of Jiang-Cheng-the-person and fed into a shitty loop where they were less and less able to relate to one another--that's fantastic. That's so human! I love it so much.

Both their failures are their own but at the same time it would never have gotten so bad if Yu Ziyuan hadn't been interjecting herself in there, in the middle of their relationship, fucking it up. That's family, baby.

I would ofc like if there was more fic engaging with the subtleties of all this because it's so good, mxtx did such elegant work here and it is not sufficiently appreciated. But it's the kind of thing that's hard to write good fic about; I am struggling with it myself.

So mostly I wish there was just more fic that didn't impose Mo Xuanyu's cliche angst backstory on Wei Wuxian, who has a whole different thing going on.

[sluttywonwoo]

the roster | part one of three

pairing: christopher bahng + lee sangyeon + choi seuncheol x f!reader

summary: what happens when all the guys on your roster find out about each other?

warnings: see here (mdni!!!)

word count: 4.4k

series masterlist

You’d been set up. You should have known something was off when Sangyeon texted you to come over. He never texted you first. He was the most reserved of the three, always letting you be the one to reach out to him if you wanted to hook up. 

You shot him an accusatory glare but he pointedly avoided your gaze, choosing instead to stare at something on the ceiling that was apparently much more interesting.  

Seungcheol was the first to speak, of course. “Did you really think we wouldn’t find out?” 

You figured there was no point in lying. They already had you cornered. “Yeah, kind of.” The three of them scoffed in unison, making you hold up your hands in defense. “I didn’t know you guys knew each other like that!”

In fact, you had chosen each of them precisely because you thought there wouldn’t be any conflicts of interest. They were all in different groups, all the leaders of said groups which you thought would mean that they were almost always busy with their members. You didn’t think they had time for friends. Let alone friends who were of different ages and also leaders. 

Chris was the biggest gamble. You knew that he knows almost everyone in the industry and has a lot of friends but you didn’t think he knew the other two guys you were fucking well enough to put together that you were actually sleeping with all of them. 

Everything had been going so well. You had perfected your system over the months, using the boys’ schedules to your advantage so there was never any overlap. Seungcheol got weekends, Sangyeon got Wednesdays and Fridays, and Chris got 3ams on Tuesdays, Thursdays, (and sometimes Fridays if you weren’t sleeping over at Sangyeon’s) because that’s just when he was free. You keep your Mondays and the last full week of every month free so that you have time for yourself. Otherwise you’d drive yourself crazy spending all your time with men. 

You had never agreed to be exclusive with any of them. You made it more than clear that wasn’t what you were looking for. Still, they must have thought you weren’t seeing anyone else because all three of them had shown up to this confrontation and all three of them looked pissed. 

“Is it just the three of us?” Chris chimes in. 

“How much time do you think I have?” you mutter. 

“Just answer the question.”

You look away from them. “Yeah, there’s no one else.”

“Lucky us,” Seungcheol sneers. 

“Hey, you’re the one who said you wanted something casual,” you remind him, your tone icy. “You wanted to sleep around with no strings attached and I agreed.”

You’ve known Seungcheol the longest. You were friends first, through your job, but it quickly turned into something more. You couldn’t keep your hands off each other, spending nights and mornings together. Going to sleep and waking up and stealing kisses in elevators. Talking on the phone for hours and planning dates in the different cities he was touring in. 

He shut you down before you could get too delusional about it, though, stating plainly that all he wanted was a strict friends-with-benefits sort of situation. You still remember the feeling of your throat burning as you fought back tears, telling him that was perfectly fine, that you felt the same way. 

You couldn’t let yourself get too attached to a man who didn’t want you in the same way you wanted him so you looked for a distraction and found one in Lee Sangyeon. You met him through Jacob, a younger member of his group. Sangyeon was the perfect distraction. He was charming and funny, never one to take himself too seriously. He was a real gentleman and it didn’t hurt that he had a huge dick. 

You were the one to broach the topic of nonexclusivity with him this time, wanting to beat him to it. You knew exactly what all of these idols wanted. Choi Seungcheol had taught you that lesson early on. Sangyeon took it well, at least, as well as you expected him to. He told you he was on the same page as you, that he was just looking for something casual and you believed him. Now, looking at the expression on his face as he listens to the two other men talk, you’re not sure. 

And then Chris just sort of fell into your lap. You weren’t looking for anything else. Juggling two men was enough work. You just so happened to run into him at some after party, stopping him to compliment his music. One thing led to another and you were shoving your tongue down his throat in a dark closet. Apparently he had a thing for praise. 

Neither of you had to be the one to friend(swithbenefits)zone the other. You brought it up one night as you laid in his bed together and he was quick to agree. 

“Yeah, I don’t have time for anything more than... this, right now,” he sighed. He sounded a little regretful about it, like he thought he was being an asshole despite you voicing the same sentiment. 

So you hadn’t been doing anything wrong- even if your brain liked to tell you otherwise sometimes. You defined the (non)relationships with each of them, used protection with all of them, you weren’t leading anyone on... it had just so happened to get a little bit... messy, for lack of a better word. 

-

“No strings attached doesn’t mean I want you to fuck my friends!” Seungcheol huffs, running a hand through his hair. 

“I didn’t know you were friends with them!” you cry, throwing your head back onto the back of the couch in frustration and accidentally banging your head against the wall in the process. 

“Are you okay?” Sangyeon asks, wincing. 

The other two side-eye him. 

“I’m fine. But why am I here? Did you bring me here just to yell at me?”

“Not exactly,” Chris says, smirking. 

You look to the other men for an explanation but neither of them offer any further explanation. 

“Then why?”

Chris slides his hands in his front pockets and shrugs. “Well, if you’re up for it, the three of us thought we might have a little fun with you.”

“What does that mean?”

Seungcheol steps forward and mirrors Chan’s stance, cocking his head to the side for good measure. You have to fight the urge to roll your eyes, knowing it would only make things worse for you. 

To be fair, all the posturing would be a lot more annoying if they weren’t the hottest men you’d ever seen in your life. 

“I think you know what that means,” Cheol adds, supplying absolutely nothing helpful. 

“Obviously I don’t or I wouldn’t have asked,” you argue. 

Seungcheol whistles and then looks to his friends. “Is she this bratty with you guys?” Chris gives an ‘eh’ hand motion whilst Sangyeon nods outright. “Yeah, I figured.”

“Did you think you were getting special treatment?” you taunt, surprising even yourself. 

He scowls but doesn’t respond, probably in an effort to maintain some semblance of self-control in front of the other two. If it were just you and him, you’d have a hand around your throat already. And maybe that’s what you wanted. Maybe your mouth was working faster than your brain in order to get a specific... reaction out of them like you normally would. Or maybe your mouth just liked to get you in trouble. 

From the way they were acting, they obviously hadn’t lured you here just to hang out. It had to be some sort of sex thing, right? You certainly weren’t opposed, you just needed to figure out what game they were playing so that you could be dealt in. 

“We were curious about which one of us you like the most,” Chris says finally. At least someone was interested in getting to the fucking point. 

You blink at him then turn to look at Seungcheol who just nods in confirmation. “You want me to... rank you? Why?”

“You’re the one who has us on a little roster,” Sangyeon points out, sounding a little mean for the first time tonight. “Surely you’ve thought about it before.”

You shake your head. “I haven’t. I mean, I like all of you guys! I wouldn’t hang out with you if I didn’t.”

“We don’t care about hanging out, we want to know who you think is the best in bed,” Seungcheol clarifies. 

“What?”

“You know, who’s the best fuck?”

“Why do you even care?” you ask. “Like what are you getting out of this?”

“Just a little competition between friends,” Chris assures you with a wink. 

“I... wouldn’t even know where to start,” you insist. 

“We thought you might say that,” Seungcheol hums as he steps closer to you. “Which is why we thought we could test it in real time.”

“In real time?”

“Yeah, let us fuck you, then you tell us who’s best.”

“Right now?” 

Seungcheol shrugs. “You asked why we brought you here.”

“And you just assumed I’d be down?”

“Yeah,” all three of them say at the same time. 

It’s your turn to scoff. So that’s what they think of you. You shouldn’t have expected anything different, to be fair. It wasn’t like you were a saint. You literally had your dick appointments with all of them penciled into your Google Calendar every week. 

“C’mon, baby, we know you by now,” Chris adds, plopping down on the sofa next to you. He stretches his arm across the back of it like guys like to do, opening himself up for you to lean into him if you wanted to. “Are you saying you don’t want us to take turns fucking your brains out?”

You stay silent. 

“Should we take that as a yes?” Sangyeon asks. 

“I’d say so,” Chris agrees.

Seungcheol claps his hands together decisively and then points to the man sitting next to you. “Chan, you’re up first then, yeah? That’s how you do it in your group, right? Youngest first?”

He’s mocking him but Chris doesn’t acknowledge it. If there’s one thing you know about Bang Chan, it’s that he’s not one to back down from a challenge, and while going first in this sort of competition must be daunting he doesn’t look the least bit shaken. 

“Are we doing this here?” he asks the older two. 

Sangyeon considers it and shrugs. “We should probably move to the bed, right?” 

“Dude, it’s your house.”

“There’s more room on the bed,” Sangyeon decides, offering you his hand. 

You take it and he helps you up from the couch. You step in front of the boys and lead them to Sangyeon’s bedroom, calling “it’s this way,” over your shoulder just to be a menace. You can’t see the faces they make behind you but you hear Sangyeon chuckle under his breath. 

You flick on one of his table lamps and make yourself comfortable on the bed, patting the spot next to you for Chris to join you. He does and puts a hand on your thigh, squeezing your thigh comfortingly. Seungcheol and Sangyeon lean against the dresser across from the bed in the most non-awkward way they can manage. 

Somehow, they both still look intimidating despite the fact that they’re essentially about to be cucked by one of their closest friends. 

“What now?” you ask. 

Chris brings one of his hands up to cup your cheek and leans in. “Now, we do this.”

He kisses you gently at first. Whether it’s to ease your nerves or his own, you aren’t sure, but he starts slow, building up to what you’re used to. His thumb strokes your cheek as if to reassure you as he deepens the kiss and slips his tongue into your mouth. His other hand that had been resting on your hip fumbles with your pants. 

“Just pretend they aren’t there,” he whispers. 

It’s impossible to do when you can feel the weight of their stares on you but you try to relax anyway, reminding yourself that something like this has been a fantasy of yours for a while now. You never thought it would actually happen and you definitely didn’t think it would be with them but with your luck you honestly shouldn’t be as surprised as you are. 

“This isn’t going to work if you don’t relax,” Chris continues, low enough for only you to hear. “I kind of have something to prove here.”

“You don’t have anything to prove,” you assure him. “You’re great in bed.”

“They don’t know that,” he hisses. 

“Sorry, sorry, I forgot this is just a competition to you guys,” you grumble. 

He chuckles. “What, you want me to make love to you in front of them? Because I will.”

“I think that’d be even more embarrassing, somehow.” 

“Exactly, now lay down and let me fuck you brainless so you can’t overthink anymore.”

He had such a way with words, that Bang Chan did. 

He shifts so you can lay down and take your pants off. Your shirt goes next, leaving you in just your underwear. It’s the most exposed you’ve ever felt even though you’ve been completely naked in front of all three men before. 

Chris snaps the elastic waistband of your cotton panties against your hip and smirks. “Cute.”

You pout, ready to defend your granny panties but Sangyeon pipes up from the other side of the room before you can.

“She doesn’t care what she wears over to mine because she knows it won’t stay on long anyway.”

That was actually true. You dressed the most comfortably to hang out with Sangyeon because you knew he wouldn’t care. It wasn’t like Chris or Seungcheol cared more, and you didn’t really dress up for them either, but there was a notable difference between the amount of effort you put in for each man, something you hadn’t noticed until just now. 

“She wet yet?” Seungcheol asks, sounding bored. 

You know it’s just a front so his jealousy and impatience won’t shine through because it’s not a very good one. Seungcheol is not and never has been good at hiding his feelings. 

Chris shoots him a look. “I was getting to that.” 

Seungcheol holds his hands up in defense but thankfully keeps his mouth shut. 

Chris sucks in a breath of patience and brings his hand in between your legs, fingers tracing your slit. Your cheeks grow warm with embarrassment because you are, in fact, wet. You have been since they sat you down and stood in front of you like you were going to be scolded for doing something wrong. 

“Yeah, she’s fucking wet,” Chris rasps. “Jesus Christ, baby. I bet your joggers are ruined too.”

His teasing makes you try to close your thighs around his hand but his reflexes beat yours and he catches your knee to force your legs back open. 

“Nice try.”

“You’re the worst.”

His fingers start to wander beneath the fabric of your panties, feather light touches that already have you gasping for breath. “You don’t mean that.”

“I do, I really do.”

“Want me to stop?” he threatens.

“What happened to having something to prove?” you mutter back. 

“Always such a fucking brat,” he muses, jaw tight. 

“Don’t act like you don’t love that about me.”

“You’re consistent, I’ll give you that.”

Chris leans down and kisses you again, presumably to get you to stop talking. It works, of course. He lets his tongue explore your mouth while his hands explore your body, still not giving you what you really want. 

Eventually, he slips a finger inside, taking you by surprise and making you gasp as you grab at him for something to squeeze. He offers you his arm and you take it, fingernails digging into his bicep. 

“It’s just one finger, baby,” Chris coos. 

“Feels.... good, though,” you squeak. 

He adds another right as you start to get used to the feeling of the first and you have to take a deep breath to keep yourself from making another embarrassing noise. 

“Don’t hold back. Let the boys know how good I’m making you feel.”

Seungcheol scoffs, tonguing his cheek. “You don’t have to fake it for him, babe.” 

“Are you sure you guys are friends?” you pant. 

They don’t answer, leaving you to draw the conclusions yourself. You’re sure they were friends... whether they would be after this was another story. 

Chris crooks his fingers up, knowing you won’t be able to stay quiet once he does. He’s right. You moan, albeit quietly, and arch into his touch. 

“So what are the parameters of this competition?” Chris asks the other two and turns his head towards them while he continues to work his fingers in and out of you. 

“What do you mean?” Sangyeon asks back. 

“Like, does foreplay count? Or is she judging solely based on our stroke game?”

Seungcheol considers it for a moment before looking to Sangyeon. “What do you think?”

“I think the judgment should include foreplay,” he says. “Foreplay is part of sex after all.”

“Good point,” Chris agrees. “Any other rules?” They shake their heads. “What about you, baby? Do you have any rules for us?”

You purse your lips as you think, trying not to lose focus with his fingers inside of you. “Just don’t go too hard. I do have to work on Monday.”

It’s only Friday night now, but knowing them, you’ll probably be sore for at least a couple of days afterward. 

Chris laughs. “We’ll do our best. Right, guys?”

They mumble what sounds like an agreement and Sangyeon even gives you a thumbs-up. 

“Can I keep going?” Chris asks you. 

“You didn’t really stop,” you point out.

He had still been fingering you lazily throughout the whole aside. It wasn’t enough to get you off but it was certainly distracting. You had to try very hard to concentrate on what they were saying. 

“C’mon, this is nothing,” he teases, bringing his thumb to your clit as he starts to kiss your neck. “How’s that?” he murmurs into your ear, 

“G-good...”

“Just good? Must be doing something wrong, then.”

Before you can deny it, he adds a third finger, earning a loud cry from you this time. You feel him grin against your throat, hiding his smug satisfaction from the other two. 

“Spread your legs wider for me, baby. Let them see.”

You do as you’re told even though it’s hard. It’s so much. You want to squeeze them around his hand again but you know you’ll only get told off if you do. 

“Good girl,” he praises, making you whimper. 

“That’s all it takes, doesn’t it?” Seungcheol mutters. “We just have to call you a good girl and you’re making a mess all over us, right?”

You squirm, arousal and embarrassment pooling in your belly. You can tell Chris wants to give Cheol shit for butting in when it’s supposed to be his turn, but he doesn’t because his words are technically helping him. You get even wetter around his fingers, a detail Chris elects not to share with the room. 

You’re sure they can see it, though, or at least hear it. The sounds are obscene. 

It’s mortifying. You want to die. But first you want to cum. 

Two of your favorite things about Chris are his hands. They’re huge, especially for a guy his height, and absolutely gorgeous. Thick veins run across the backs of them from his knuckles up through his forearms- he’s a nurse’s wet dream, and yours. You’ve spent an absurd amount of time tracing them with your own fingers when you’re laying in bed together after hooking up and more often than not, it’s enough to make you want to go again. 

He’s good with them too because of course he is. Bang Chan is annoyingly good at everything he does, including but not limited to: making you cum. 

“Already?” Chris muses under his breath. “Does having an audience turn you on that much?”

“Sh-shut up.”

“That’s not a very nice thing to say to someone who can take their fingers away any time they want to.”

“No, please!” you protest.

“That’s what I thought. Do you want to cum on my fingers? Or should I make you wait for it?” He’s talking to himself at this point but you answer anyway. 

“I-I don’t know...”

“Probably should let you, huh? You’re still so tight.”

You don’t get another word out before it hits you, your body curling in on Chan’s hand as he finger fucks you through your first orgasm of the night. As soon as you come down, he’s taking his fingers out of you and sucking them into his mouth, kissing you right after so you can taste yourself on his lips. 

“Good job, baby,” he murmurs into your mouth as he adds his tongue back into the mix. “Ready for me now?”

“Mhm...”

“Condoms are in the nightstand,” Sangyeon says, nodding in the direction of the bedside table. 

Chris reaches over and pulls the drawer out, whistling at the other things he finds rolling around in the compartment. 

“This hers?” he asks, holding up a vibrator.

“Who else’s would it be?” Sangyeon mutters. 

“I don’t know what you do in your free time, man.”

He drops the toy back in its place and grabs a condom from the box tucked in the corner of the same drawer. The odds of one size fitting three different men were slim, but having slept with each of them you’re sure they’ll be able to make it work. 

Chris hands you the foil packet, allowing you to do the honors of tearing it open with your teeth while he works on getting naked. 

Seungcheol whistles jeeringly at Chan as he takes his cock out and pumps it a couple of times. You can see the back of Chan’s neck flush red but he remains steady as he rolls the latex on. You realize it must be difficult for him to have an audience too, though he has nothing to be self conscious about. Even if they aren’t showing it, you know the other two have to be impressed.

He’s the perfect balance of long and thick and just like his hands, defined veins run up the length of his shaft. You’ve spent what feels like hours tracing those veins with your tongue, watching him shiver under your touch. Most dicks aren’t pretty but Christopher Bahng’s certainly is.

“Ready?” Chris asks, rubbing your thigh with his palm.  

“Yeah,” you breathe.

Since he already made you cum, he’s able to slip in without much resistance- but he’s big enough that the stretch is still intense, making your eyes roll back in pleasure as you stifle a whimper. 

He gives you a moment to adjust once he’s fully inside you, teasing only a little bit with slight movements of his hips. 

“God, that feels good,” you moan.

“I know, baby,” he murmurs sweetly, “you’re taking it so well for me.”

He brushes a couple of strands of hair out of your eyes so that you can see him properly. Obstructed view or not, he’s beautiful on top of you. His own bangs have already started to stick to his forehead and the pink flush of embarrassment has somewhat faded and turned into that of exertion, spreading from the back of his neck to his chest and face and matching the kiss-bitten swell of his lips. The muscles in his arms and shoulders are engaged with the effort it takes to hold himself above you, making him look even bigger. 

His eyes are soft, even as the rest of his features take on a more sinister expression. That was one of the things that made sex with Chris so good. He genuinely cares for you, not just as a lover, but as a person. Lots of guys put effort into making the other party feel good during sex but that doesn’t mean they care about them. It’s not like that with Chris. 

“Want it faster?” he asks you. You nod. “Ask nicely.”

You should’ve known it wouldn’t be that easy. 

“Please...”

He frees one of his hands and uses it to stroke your cheek. “‘Please,’ what?”

“Faster,” you squeak. 

“Is that the best you can do?” Seungcheol scoffs from the sidelines. 

“I’ll let her off easy this time,” Chris responds. “She can hardly think straight as it is, isn’t that right?”

Another nod. 

You get what you want and Chan picks up the pace, snapping his hips into yours in quick, shallow thrusts. 

“You’re getting tighter again,” he grunts, faltering imperceptibly. “You’re making this too easy for me.”

One of the other two makes what you assume is a snide remark but you don’t catch it because everything starts to fade into the background as you start to cum around Chan’s cock. It catches both of you off guard, you can tell. It isn’t unusual for you to finish from penetration alone but it usually takes a lot longer. 

“Holy shit, you’re so- fuck, you’re going to make me cum.”

He keeps going after you come down, chasing his own release. It’s almost enough to send you into a third orgasm but he cums before you can get there which is both a relief and a disappointment. 

You whine as the feeling ebbs and let yourself go boneless underneath him. He follows suit and collapses face first next to you on the mattress. 

“Sorry,” he whispers to you. “I would’ve kept going but I didn’t want you to be too sensitive for them.”

You nod in understanding and pat him appreciatively on the back. 

The room is quiet as the three men wait for you to catch your breath. Chris ensures you’re okay before rolling off the bed and joining the other two by the dresser. He mentions something about cleaning you up when you’re all done and offers to fetch you a glass of water. 

“There’s a Brita in the fridge,” Sangyeon tells him after also pointing him in the direction of the cabinet that holds the cups. 

He disappears into the hall and you gather what little strength you have to pop your head up and address the two remaining leaders at the foot of the bed. 

“Who’s next?”

this has been in the works for way too long lol but lmk what you think! i always appreciate feedback!!

tags: @minghaosimp @butterfliesinthenightsky @lelestarmy @stolasisyourparent @brownbunnyb @tinkerbell460 @cixrosie

add yourself to the taglist here

[not-neverland06]

conflicted spaces

Arthur Morgan x fem!reader

a/n: He doesn’t get TB in this. Why? Because this is fanfiction and I’m god and fuck canon (I just finished the game, I’m emotionally distraught and needed this)

Warnings: brief attempted SA

Summary: Your father is a gambling man and you’re always the collateral. He refuses to pay the wrong man and now you’re being dragged across country roads to a man you’ve never met. Arthur Morgan, an outlaw down to the bone, is in charge of making sure you get there in one piece. Except, he doesn’t feel right selling a woman off like she’s property.

You’re done being a doormat and letting the men in your life tell you what you’re worth. You’ve got three days to escape him, but you’re not prepared for the reality of the real world.

“Put your hands where I can see ‘em, cowboy.” Arthur’s shoulders tense and he curses under his breath. His hand darts to the revolver on his hip, but the second his fingers twitch towards it he hears a hammer being pulled back. The cool barrel of a gun digs into his neck and he raises his hand in surrender. 

The man behind him lets out a familiar laugh and tugs him around. Arthur rolls his eyes and glares at Dutch. “The hell are you doing?”

Dutch clears his throat, still laughing slightly. “Relax, Arthur, but if I had been an O’Driscoll you’d be dead right now.” Arthur doesn’t point out that the only thing they have to worry about out here are the Lemonye raiders. He’s more focused on why Dutch is even out here. Rarely does he leave Shady Belle to traverse the streets of St. Denis. 

None of them are particularly fond of the place. If he wanted to step in horse shit every other step he’d go to a stable. At least those smell better. Dutch slings an arm around Arthur’s shoulder, tugging him away from the saloon he was heading towards. 

“You’re gonna have to save the cheating for later, Arthur, I need you for something.”

“You know I don’t cheat,” Arthur jokes and Dutch grins at him and it’s nice. This is familiar to him. This feels right. Dutch has been odd lately, the jobs he’s been taking, the risks he’s been imposing, none of them feels like the man he knows. 

Now, Arthur would follow Dutch straight into hell without being asked. But he can’t abide by how he’s putting their people in harm's way. He’s felt like a stranger more often than not and he’s been doubting the people he shouldn’t. Right now, though, he can see the man he knows in the teasing curl of his lips. 

“What’dya need?”

Dutch pauses in front of a tailor and pats Arthur’s chest. “I need you to look prim and proper for a party we’ve got tonight.”

Arthur’s brows furrow cynically and he scoffs. “Someone invited us to a party?”

Dutch hesitates, a stiff smile on his face. “Well, let’s just say someone is interested in our work.” Arthur wants to question him further, he’s hiding something from him. But Dutch is pushing him towards the door of the shop before he can argue. “And get a haircut, we need to look presentable not like a bunch of mountain men.”

Arthur watches as Dutch leaves, something heavy weighing down on him. Dutch doesn’t usually tell people about his plans beforehand. At least not every step of them. But this is odd, he’s definitely hiding something and Arthur isn’t sure he wants to know what. 

With a resigned huff, he heads into the tailor. He has to mentally prepare himself for being stuffed into a starched collar and a stiff suit for the rest of the night. He hates these damn parties, hates having to pretend like he knows what the hell is being said. 

Most of the people that attend are educated or pretend to be. And when he lets it slip that he’s more likely to shoot a gun than read a book they turn on him like jackals. You can’t let them see that you’re different than them or you’ll never get a word in edgewise. 

The only part he enjoys is the booze and robbing them of their money. It’s not like they earned any of it. Most of it was made by breaking the backs of the people they mock for being too poor to afford a fancy suit. 

Arthur takes a deep breath and looks for the cheapest suit he can find in the overpriced shop. 

“Now,” Mr. Crane’s hand tightens around your bicep and he jerks you closer to him. You keep your face impassive, not letting him see just how much he’s hurting you. But you can feel your skin being stretched to its limits by his clammy fingers. “You’re going to behave tonight. I’ve got a few gentlemen I’d like you to meet.”

He looks at you expectantly but you keep your mouth firmly shut. His eyes narrow and he jerks you around roughly. “Understood,” you force the word out through gritted teeth. You’re trying to breathe as little as possible, not wanting to smell his cigar-laced breath any longer. 

Finally, after a tortuously long moment, he releases you. You take ten steps back, smoothing out nonexistent wrinkles from the silk skirt he’d forced you in. You glance out the window of his office, watching as the workers scramble to set up the tables for tonight. You can hear cooks in the kitchen, shouting out orders for the food for tonight. 

Everything must be perfect. Mr. Crane never fails to deliver on his extravagantly indulgent parties. The man himself is the very embodiment of greed. You glance over with a disgusted sneer as he sinks himself into his leather chair and pulls out a wad of cash. 

He catches your eye and sends you a sickly sweet smile. “This,” he waves the money at you and you track the movement boredly. “Is how much you’re worth, sweetheart.” Your brows raise in amusement and you scoff. More than you thought he would put up for you. 

You wonder who he’s going to have transport you. He’ll need you out of the city soon, your father is starting to catch onto what’s happening. It took him long enough. You’ve been missing a month, you’d think he would have put two and two together faster. Then again, he’d never been very interested in you beyond what you were worth to others. 

“When will I be able to meet these gentlemen?” You ask, taking a step towards him. Your eyes dart towards the letter opener on his desk and for a brief moment you picture yourself strabbing it into his fattened jugular. 

But he flicks his wrist and like magic the door opens, his men coming inside and standing resolutely by your side. “Not anytime soon, my dear.” He looks to the men surrounding you and you take in a sharp breath, wishing you’d just taken the chance when you had it. “My associate is feeling quite tired, take her back to her room, please.”

They grab you by the elbows, even though it's entirely unnecessary. You wouldn’t run, and even if you did you wouldn’t get far with the chains he has hidden under your dress. A punishment for the first time you snuck from his home. You’ve been well behaved since then but he doesn’t trust you. 

You’re whisked away without another word. The trek of the stairs is a slow one. They’re forced to help you navigate by lifting your skirts and not tripping on the chains. It no longer brings you any satisfaction to cause a hindrance in any of their days. 

Before, you would think of being an annoyance as a small victory. But it’s not, it never was. It was just a way for them to keep you complacent by allowing you to think you’d done something for yourself. You believe your father used to do the same thing. 

It’s just another way of keeping you quiet. 

When you make it to your rooms, they shove you inside. Like clockwork, you hear the jingle of the keys and then the lock clicks. You sigh and take a step towards your vanity, working on touching up your hair. 

You think the worst part of this must be how well you’re treated. You have meals made by a private chef. Your quarters are decorated more lavishly than they ever were at your father’s house. Yet, you hear the suffocating tick of the clock as it counts down your doom. 

You’re not entirely sure what their plan is with you. You know your father had made a promise to Mr. Crane involving some land. Or perhaps it had been a wager. But as always, you were collateral when your father refused to pay up. 

You know Mr. Crane wants you out of town so that he has more time to negotiate with your father, to call in the interest he owes him. You also know the only reason your father is interested in finding you is because you’re meant to marry the son of a business partner in two months. The money he’ll get from that will be enough to finally pay off his debts. 

Except, now, Mr. Crane tells you that should your father refuse to pay you’ll be married to one of his associates. And the deal he’ll make from that will be enough to cover what your father has refused to pay. 

No matter what, you’re going to be married off to some man you’ve never met and yet again be a quiet trophy on a shelf. It’s a very convoluted situation, one which makes you think leaping from a window might be a better fate. 

None of the men your father or Mr. Crane is in business with are particularly kind. They’ve got more skeletons in the closet than there are in the graveyard. You doubt you’ll live a very happy life with whoever they pick for you. 

You slump forward onto the vanity, trying to fight off the burning feeling in the back of your eyes. You’ve known this would happen for years. Even before Mr. Crane had you kidnapped, you knew that this would be your destiny. You would never get to be one of the free-spirited women who fought for the right to choose. You would always be forced into this role. 

Yet, being so close to it coming to fruition makes you feel choked and suffocated. You can feel the noose around your neck tightening, the hangman’s fingers twitching as he waits to see you drop. 

You dig your nails into your palm, taking in a deep breath and fighting back the wave of despair. Where there is doom, you also see a sliver of hope. Your next journey will be a long one. He’s hiring someone to have you transported to an area further up the map. 

If you play your cards right you might be able to escape while you’re traveling. If you’re incredibly smart about this, thinking with your head and not your heart, you might have a shot at freedom. 

You take in a deep breath, reapplying your makeup and resolving yourself to another night of mindless entertainment. But you hold onto that fleeting feeling of hope. You have a shot, you just have to take it. 

Arthur’s heard of these parties before. Some Mr. Crane fella that likes to blow all his money on food and booze. He indulges his guests and when they’re weakest, gets their secrets from them. He’s a snake and everyone knows it. Yet, missing his party is social suicide. They have no choice but to go and indulge in him. 

Arthur had never had any interest in meeting him or doing any business with him. But Dutch had informed him that’s exactly what’s happening tonight. They’ll mingle for a little while, maybe scout some other jobs, and then Mr. Crane will invite them up to his office for a private discussion. 

Dutch still hasn’t told him what exactly their business with him is. He brought Hosea along tonight so he has to assume it’s not going to be anything violent. But he can’t think of anything else they could be good for. 

“Alright, gentlemen,” Dutch places his hands on Hosea’s and Arthur’s shoulders, a scheming smile on his face. “Try not to embarrass me.” He slips behind them, heading up the stairs of the home. Hosea and Arthur share a brief look before they split up, blending into the background of the garden. 

Arthur lurks near the bar, he knows he should be talking to these assholes, possibly learning something useful. But he can’t be bothered. He orders a whiskey, gaze surveying the partygoers. They’re all loud with painted faces and fake smiles. Not a goddamn person here seems to be genuinely interested in anything they’re doing. 

“First time?” The soft voice beside him catches him off guard. He glances to the side and is surprised to see that you’ve slipped past him. He hadn’t even noticed you slide up next to him. You laugh at the look on his face and it’s the first thing here that seems real. “Sorry, it’s just that look on your face, I recognize the disappointment. You’ve never been to one of Crane’s parties before?”

“No,” he clears his throat, still recovering from the surprise. “Uh, I can’t say I have.”

You suck on your teeth, narrowing your eyes at the people passing by. “They’re not worth the effort. Everyone who leaves here leaves carrying his debt on their back.”

Arthur chuckles a little, lips twitching up into a small smile. He’s surprised by your frankness, most people like to hide behind passive-aggressive digs. He appreciates the straightforward attitude. “Then why are you here?”

You shrug and Arthur finds himself enchanted. He shouldn’t be, he’s never been one for romance. He finds women pretty and he’s been in love before, but he’s never bought into the idea of love at first sight. Or any of that mushy stuff that Mary Beth devours in those books of hers. 

But you are absolutely gorgeous, dressed in a silk dress that’s so expensive he’s sure he could buy two new horses with it. Your fingers and neck are decorated in dainty jewels that you fidget with as you stare down at your drink. When you set your eyes on him again he thinks he might have been struck by Cupid’s arrow. 

“I don’t have a choice,” you finally answer, sending him a stiff smile. “What about you? Why are you here?”

Arthur suddenly remembers himself, remembers why he’s here and what he’s supposed to be doing. The fog in his head dissipates and he’s disappointed in himself. Pretty women have never done anything except get him in trouble. 

“Business,” he answers vaguely. Your eyes narrow and your brows twitch in discontent. Something like realization dawns on your face and you back away from him. The easy attitude you’d carried yourself with is gone, replaced by a vague look of distrust. 

“Right, should’ve known.” You let out a rough sigh and Arthur can’t help but feel like he’s said the wrong thing. “I suppose I’ll be seeing you again soon.” You slip past him before he can ask you what you mean. He hears the faint sound of metal clinking as you walk back up the stairs. 

Something silver flashes under your skirts but he can’t get a good glimpse of it. He feels unsettled as he turns back to the bar. The whole interaction was odd. From how stricken he was with you to how cold you turned. 

He doesn’t know what you saw in him but it was probably for the best that you left when you did. Neither of you needed the trouble the other would bring. He shakes his head, downing his whiskey and muttering nonsense to himself about not thinking with the wrong head. 

It’s not that much later that Dutch is appearing on the balcony and silently motions him forward. Arthur leaves the bar behind and slips up the same stairs you’d disappeared on. Dutch says nothing as he leads Hosea and Arthur through the house. 

The mansion is a maze more than anything. Arthur loses track of all the turns they take and the winding staircases they descend. Finally, Dutch stops them all in front of two large oak doors. He raps once on the door and then lets himself in. 

A large, balding man with a shiny head is perched on top of a leather chair. He looms behind his desk, fingers steepled as he greets them all with a false smile. “Ah, gentlemen, so nice to finally meet you.”

Dutch grins and motions to Arthur, “This is the man who will be doing the transporting, Arthur.” Arthur’s eyes narrow in confusion but he says nothing as Dutch moves to Hosea, “And this is my associate, Hosea. He’s a lot better with money than I am, Mr. Crane. You understand.”

Mr. Crane lets out a boisterous laugh that makes Arthur’s ears hurt and nods his head, his cheeks jiggling with the movement. “That I do! Well,” he waves them forward when they linger in the doorway too long, “come in, come in.”

Arthur closes the doors behind them as Mr. Crane lifts himself from his desk. There are two couches positioned in front of an unlit fire. He takes one of them and Dutch and Hosea take the other. Arthur perches himself on the armrest of their couch, eyes surveying the office like it might reveal the truth of their visit. 

“I trust Mr. Van der Linde has kept this all quiet?” 

“He has,” Arthur grouses. 

At the same time, Dutch says, “Of course, Mr. Crane. I promised confidentiality and Dutch Van der Linde is nothing if not a man who keeps to his promises.” Crane nods, looking satisfied and  Arthur holds back a laugh at how easily he seems to trust Dutch.

“Good, good.” He dips his hand inside his jacket and Arthur’s palm instinctively drops to where his gun should be. Of course, they’d had to give up their weapons before they came into the party, if he does has a gun Arthur can’t do a damn thing. 

But he doesn’t, instead, he pulls out the thickest stack of cash that Arthur has ever laid his eyes on. A loud thud resounds through the room as he slams the bills on top of the table between them. Arthur’s eyes widen and Hosea’s jaw nearly drops at the sight of it all. 

This would be enough to get them out of St. Denis tonight. Shock sours quickly into suspicion. What the hell has Dutch signed up for? “Now, this is the first half. This is simply for accepting the job and,” he gives them all severe looks, “for your silence.”

Arthur shifts uncomfortably on his perch and waits for Mr. Crane to finish. “The other half will be given once the package has been safely delivered.” There’s a certain lilt to his words when he says package that has Arthur’s hackles raising. Whatever is getting delivered is not going to be good. 

Crane turns towards the bookshelves on the wall and calls out, “Darling, won’t you join us?” Arthur figures the man must have lost his mind, they should just take the money and leave. But there’s a loud creak and something like metal gears grinding together. One of the shelves pops open and the panel swings forward. 

You pop your head out, glancing towards Crane and then taking a step forward. Arthur, without even thinking about it, finds himself sitting up, and brushing some of the dirt off his pants from the ride over. 

At first, he’s so confused by seeing you again that he doesn’t realize why exactly he’s seeing you again. Then you glance towards him, a knowing look on your face and it clicks. You’re the package. You’re what he’s meant to be transporting. 

He glares over at Dutch, when exactly did they get into the business of trading women?

Hosea voices his doubts in a much calmer manner. “If I may, sir, why does she need to be delivered so discreetly?”

Mr. Crane laughs and your face twitches unpleasantly. You grimace, glaring at the back of the man’s head with something like murder in your eyes. He doesn’t know what he’s done to cause such a visceral look of hate and he doesn’t want to think about it. This whole situation is bothering him. You’re not here willingly, which means you’re not going to be transported willingly either. 

None of this makes sense. Dutch would never have taken a job like this before, even when they needed the money. And there’s no way in hell a rich man like this one would want to pay a couple of grungy outlaws so much money. There’s got to be some sort of trick in all of this. 

Cran clears his throat, “She’s a daughter of a, well,” he frowns and struggles for the words. “Let’s just say we’re in a hostile competition for a lot of land. This land, boys, could be very beneficial in expanding my business. He’s not interested in selling and, well, desperate times, desperate measures.”

You scoff, laughing slightly at him and rounding the couch. Dutch ignores you, Hosea looks uncomfortable, and Crane continues prattling on without missing a beat. “Should her father not pay me, she will be married to the associate you’re bringing her to. He’s promised me enough land and money to cover what I lost to her father. And if he does pay, she’ll be returned in time for her wedding here.”

Arthur’s eyes dart towards you and you send him a bitter smile. It makes him shift where he sits, hating the way your eyes bore into him. “I just need someone who's not afraid of getting their hands a little dirty to make sure she behaves while she’s delivered to my friend,” Crane glances over at Arthur. He asses him, the bulge of his arms in the suit and the scars on his face, whatever he finds must be satisfactory because he smiles over at Dutch. 

Arthur stands, ready for Dutch to tell Mr. Crane that they’re not in the business of selling women off. But Dutch doesn’t, he smiles at Mr. Crane and reaches for the money, passing it off to Hosea to count. “Well, I do believe my friend Arthur is just the man for the job.” 

“I think you’re right, Dutch.” He stands up now, pot belly nearly bursting the buttons of his shirt, and reaches for Dutch’s hand. “Pleasure doing business with you.”

Dutch smiles and takes his sweaty palm, “You as well, sir.” Dutch walks towards you and holds his arm out. “This way, my dear.” You glance between him and his elbow before rolling your eyes and reluctantly placing your hand on his arm. You follow him silently and obediently, no fight is left in you. Hosea follows after you both, a concerned look on his face. 

Arthur remains in the office, standing dumbfounded and staring at the doorway you’d disappeared through. He’s struggling to process what just happened. Arthur has helped people get home safely before and provided protection. But he’s never been one to traffic a hostage. 

Crane glances up, finally noticing him still standing there. He walks past him, patting his shoulder as he does and giving him an approving smile. “Don’t be afraid to take care of her should she get out of hand.” He’s nearly out the door but he looks back and adds, “Just don’t bruise her too much.”

Arthur’s fingers twitch for his revolver once more and he’s never wanted to shoot a man more. But he knows Dutch is waiting for him and he’d never make it out of here alive if he started a fight right now. Reluctantly, he makes his way out of the manor and towards where you’re all waiting for him. 

He’s fuming by the time he stops in front of Dutch. He’s trying to help you onto his horse and Arthur finally realizes what the metal sound he heard earlier is. There are chains around your ankles and you can’t maneuver yourself on the saddle. 

His eyes narrow and he glares at Dutch, “What the hell are you doing? We’re selling women now?”

Dutch glowers at the tone of Arthur’s voice. You watch them both passively, fiddling with the rings on your fingers and looking unbothered by the entire situation. “Watch yourself, Arthur,” there’s a clear warning in his tone but Arthur’s too upset to care. 

They’ve done a lot of bad things. They weren’t good men. But this was just going too far. “We need this, Arthur. You want to get out of here, you want to keep our people safe?” Arthur let out a deep exhale, gritting his teeth together and nodding reluctantly. Dutch huffs, “That’s what I thought. We’re not selling anyone, Arthur. It’s a simple delivery.”

His jaw clenches as he watches Dutch struggle to help you again. “It’s not going to work,” you inform Dutch. You lift your skirts, flashing him the chains he hadn’t seemed to notice yet. Neither of you gets a chance to say anything as Arthur pulls out his gun and shoots the lock off. 

He feels a little guilty at how startled you look. Your eyes widen until they look like they might bulge out. Your hands fly up to cover your ears as the sound rocks through you. It breaks violently through the silence of the night. 

Dutch turns and gives him a stern look, “Have you forgotten the meaning of subtlety?” Arthur can tell he’s trying not to shout and drag any more attention towards you all. 

Arthur glares at Dutch, something wicked brewing in his stomach. “The lady wouldn’t be able to ride a horse like that.” He mounts his horse and rides off without a look back. He can’t stand to be near you or Dutch any longer. 

The reality of what they’ve turned into hits him like a bag of rocks and it makes him irate. They’ve never been these people. Never traded a person off like they were an object. He’s sure plenty of people in camp would have a problem with this. But he doubts Dutch will let them know the truth until the job is done. 

And by then, everyone will be too happy with the money to complain. Dutch is nothing if not good at saving his ass. He’s hitching his horse as the rest of you ride into camp. He lingers by Diablo, resting a hand on the thick neck of the shire while Dutch helps you off the saddle. 

His eyes narrow in on the way Dutch’s fingers glide along your waist as you jump down. You take a step back the second your legs are steady sending Dutch a dirty look that almost makes Arthur laugh. 

He starts towards Dutch, ready to try and reason with him again. But he holds his hand up and walks away, not even giving him a chance to speak. Arthur lets out a rough sigh as Hosea comes up behind him. 

He pats his shoulder comfortingly, “You should get some sleep, Arthur. You’ll ride with her to Strawberry tomorrow morning.” He almost walks off but he whispers a quiet, “I’m sorry,” before he goes. 

Arthur glances towards you but you’re looking around the camp, eyes lingering on Javier as he sings by the fire. He swears he almost sees you smile but it's gone as quickly as it came. He takes his hat off, running his hand through his hair and letting out a tired sigh. 

“Alright, come with me,” he starts towards the house. It takes a minute to realize you’re not directly behind him. When he looks over your shoulder he sees you with your skirts lifted, tiptoeing through the mud and trying not to get your pretty skirts dirty. 

He rolls his eyes, storming back towards you. Your eyes widen at the look on his face and you stumble back a few steps. Undeterred, he bends over, throwing you over his shoulder and walking towards the house. 

Your hands claw at his back, desperately grasping onto his shirt so you keep your balance. He storms up the stairs, ignoring the alarmed looks he gets from others in camp. He can already hear them whispering, wondering who you are and why he’s dragging you into his room. 

They can make up whatever the hell they want. Arthur’s too pissed off to give a shit about rumors tonight. He drops you unceremoniously onto his bed and storms back out. He heads downstairs, rooting around in one of the chests for some extra clothes. 

You won’t be able to ride to Strawberry in those ridiculous clothes. You’ll need some pants if you’re going to sit on the horse properly. He tucks the outfit under his arm and makes his way back to you. 

When he opens the door your hand immediately darts away from his shaving kit and shoves itself under your butt. His brows furrow as he catches a flash of silver in your hand. He places the clothes down on the end of the bed, eyes drifting towards his shaving kit. Sure enough, his razor seems to be missing. 

He lets out a sigh and you tense up, hand clenching around your prize. He briefly debates taking it from you. But he figures you should be allowed a modicum of comfort. Even if you did try and use it against him it’s dull, he hasn’t sharpened it in a while and you wouldn’t be able to do much damage anyway. 

He lets you keep it, leaving you on your own without another word. He can hear the exhale of relief you let out when he walks away and it makes him feel just a little better about this. At least you’re not completely terrified. 

You change into the clothes Arthur gave you. They’re a little big, but you appreciate the pants. It’s much better than the ridiculous dresses Crane had you in. You collect your dress and toss it out the window of Arthur’s room, watching it sink into the mud pit below. It brings you some satisfaction to see Crane’s pretty silk getting ruined. 

You take off the jewelry you’d been given and stuff it into your boots. If you did manage to escape while you were traveling with Arthur then you were going to need some cash. You could sell off the jewels and hopefully, it would be enough to keep you comfortable. 

It feels nice, to wear real clothes. Not being dressed up like a doll for once. You envy some of the women here, who can wear what they want. There is an appeal to the outlaw life. As long as you’re on the right side of it, which, currently, you’re not. 

You slip out of the house before anyone has a chance to retrieve you. The whole night you were curled up around a dull razor with your eyes wide open. Spending a night surrounded by outlaws isn’t exactly restful. 

You figure you might as well try and walk around before you’re on the back of a horse for the rest of the day. There are more people up than you’d expected. Luckily, you don’t see Dutch around anywhere. You don’t feel like having to deal with any more of his false charm or empty apologies. 

The same man you’d seen strumming his guitar the night before is asleep next to the dying fire. A blonde woman catches your eye, she’s walking past some other women in dresses. They’re still asleep but she looks like she’s been up for hours. 

There’s a bit of blood on her pants and you briefly wonder what she’d been doing. “Who are you?” She asks, surveying you from head to toe with suspicion in her eyes. 

“A package,” you tell her bluntly, walking past her towards the only lit fire of camp. She follows you, a wry grin on her face as she watches you pour yourself some coffee. 

“You’ve got a real attitude, I like it.” 

You huff out a laugh, taking a sip of the burnt coffee and giving her a brief smile. “I’m sure my future husband won’t.” 

She rolls her eyes and scoffs, waving you off. “Husbands, good for nothing. I loved mine but he was useless as a sack o’ flour. You’re better off without them.”

Your smile turns strained and you look down at your feet, at the boots that aren’t your own. You’ll never get to dress like this again. Or speak like this to a woman who isn’t afraid to voice what's on her mind. 

“Yes, well,” you shrug and meet her eyes again, “I don’t seem to have much of a choice.”

Her eyes narrow and she frowns, “What’s that supposed to-”

“Mrs. Adler!” Dutch’s voice booms from across the camp and forces the others awake. Most of them grumble, but they’re quick to get started on morning chores. “I see you’ve met our guest,” he says your name with a flourish that almost makes you laugh. 

He’s a good actor. He’s especially good at covering up his mistakes. “Yeah, what’s going on, Dutch? Who is she? Why don’t you guys ever let me in on this stuff?” She fires off questions rapidly, you almost don’t catch them all. There are clearly underlying issues here other than your unexpected presence. 

“In due time,” he assures her, laying the charm on thick. But even you can tell he’s full of it. He’s not planning on letting her in on anything unless it benefits him. “And this is our guest, her fiancee has paid us handsomely to provide her safe passage back to him.” 

He walks towards you, laying a hand over your arm and squeezing slightly. You give Sadie a stiff smile and let him lead you away. “I do believe it’s best that you just wait for Arthur, dear.” He gives you a look that lets you know it’s an order, not a suggestion. 

Still, you play along, “I think you might be right, Mr. Van der Linde, thank you for the hospitality.” You run a tired hand over your face, sitting down on the stoop of the house and finishing off the rest of your coffee. Dutch watches you for a while, never straying too far from where you are and intercepting anyone who asks about you. 

He spins quite the romantic tale of your lost love and how he desperately wants you back. You wish it were true, that you were living out some wonderful fairytale and were about to be reunited with the love of your life. Instead, it feels like one long walk to the gallows. 

The wood creaks behind you and you don’t need to turn to see who it is. “Ready?” Arthur asks and you figure he means, ready to leave freedom and happiness and the will to live behind? 

No, “Sure,” you toss the rest of the coffee into the grass and leave the mug on the stairs. You get to your feet and let him lead you towards the horses. He shares a brief look with Dutch as you pass by him but it doesn’t look entirely pleasant. 

He makes his way toward a towering black shire and your eyes widen in horror. “What’s this?”

He works on saddling the horse up, not paying much attention to you. “This is Diablo.” You take a step closer and the horse starts huffing, swinging his neck towards you with his lips pulled back. You jump back a step back, eyeing him warily. 

Arthur glances over and lets out a low chuckle, “He won’t bite. He’s just curious.”

“Mhm,” you give him a disbelieving look. “You’ll have to excuse me for being wary, I’ve not met a lot of horses.”

Arthur looks a bit shocked by your admission. “Really?” He questions, sounding doubtful. 

You give him a brief smile and nod. “Hard to believe, I know, but I’ve lived a very sheltered life, Mr. Morgan. Haven’t had many opportunities for exploring on my own.” 

He opens his mouth, looking like he wants to say something. At the last second, he stops himself, instead taking a step closer to you. You flinch away from him when he reaches for you and he lets out a sigh. “You can’t spend the next three days terrified of him, come on.”

He coaxes you forward and you reluctantly step closer to the beast. He chuckles at the scared look on your face. You don’t appreciate how much amusement he’s gaining from this. “Come on,” he mutters, taking your wrist and leading you closer to Diablo. 

The damn thing is named Devil, how could you not be terrified of it? 

“He won’t bite, I promise.” You don’t trust him but he doesn’t give you much of a choice. He presses your open palm to Diablo’s nose and you wince, bracing for him to lash out at you. 

But he doesn’t, he lets out a soft knicker and it seems like he doesn’t even care that you’re there. You let out a relieved laugh, running your hand tentatively over his muzzle. It’s shockingly soft and oddly squishy. 

He doesn’t seem to mind as you awe over him. You smile and glance over at Arthur but it drops when you see the odd look on his face. He seems perplexed by your reaction and you can’t fathom why. “You really never have ridden a horse before, have you?”

You shake your head, “No. I told you.”

He purses his lips and nods. You don’t know what it is about this that’s bothering him and you don’t care to ask. If he doesn’t believe just how strict your upbringing has been then fine. “Alright, come on, we need to get a move on.” 

He leads you around to the saddle and helps you up on the back of the horse. It’s beyond odd, sitting on something in pants. Getting to spread your legs freely is something you are going to greatly enjoy during this journey. 

Arthur takes off without much warning and you yelp, throwing your arms around his waist to steady yourself. He glances over his shoulder at you but says nothing. You turn your head, watching as the camp gets smaller and smaller. 

The people mill about, greet each other, and break bread together. It hits you suddenly, this will be the last time you get to see people being free. If you don’t get out, if you can’t escape, your life will be filled with starched collars and powdered faces. You’ll never have a genuine conversation with someone again. You’ll be turned into pretty jewelry hanging off the arm of a man you never met. 

The ride to Strawberry is three days at least. You have three days to get your plan together and to escape. You almost feel sorry for Arthur and the repercussions he’ll have to face losing you. But not sorry enough that you’re not gonna try. 

Arthur’s speed evens out and you let your arms relax, easing away from him slightly. Your wrist jolts against the gun on his hip and you eye it curiously. If you had a gun there would be no doubt you could escape. You see Arthur’s fingers twitch on the reigns of the horse and you move your arms higher up his torso. 

You doubt you’ll be a quicker draw than he is. He is an outlaw after all. You don’t think he’d have many qualms about delivering you to your fiancee with a few extra holes in your gut. Your mind drifts to the razor in your pocket and you consider it for a moment. 

You’re sure you’d be quick enough to just whip it out and slit his throat. You sigh and dismiss the thought. You were a lot of things but you were not a murderer. There are lines you can’t bring yourself to cross. Besides, as wicked as what he’s doing to you is, you know he’s a good man. 

It was an instinctual feeling. Mr. Crane and your father were both horrible, evil men. They knew nothing but greed and would never be satisfied by all the riches they reaped. They were the type of men you looked at and knew deep down that there was nothing left to save. 

Arthur has undoubtedly bad things. You don’t become an outlaw without spilling some blood. He was weathered and rough from a hard life, but that didn’t mean there was nothing good left in him. You won’t have his blood on your hands, no matter how much you might want to get away from him. 

As grateful as Arthur is for the silence, it is odd. He’s helped a few ladies find their way back home before and for some reason, they seem to think he’s the best listener in the world. It seems everyone who rides with him wants to tell him their life stories. 

You’re completely silent, though. He has to keep looking back just to make sure you haven’t fallen off the back of the horse. You’re pretty complacent, following along with whatever Dutch said and coming along quietly. You seem beaten down, the fight dragged out of you. 

He wonders what Mr. Crane had done to you. A few times, he’s seen just a glimpse of the spark that used to be there. But it was snuffed out before he got a chance to know it. He almost wishes you would talk. It would distract him from what he was doing right now.

It didn’t feel right, bringing you along to marry a man you’ve never even met. He has to keep reminding himself that it would have happened no matter what. Ladies like you are always sold off into a profitable marriage. The only thing he’s doing is switching up who the fiancee might be. 

None of that makes him feel better, though. He should be helping you, not dragging you away to your worst nightmare. But, his people come first. The amount of money Dutch’ll get from this will be enough to get them all out of here. This could finally be the last score. 

You gasp behind him and he whips his head around, immediately expecting someone to be following along beside you both. Maybe your father’s men or just some raiders. But he doesn’t see anything except a herd of deer running through the trees. 

His brows furrow in confusion and he glances back at you. You’re watching them like they’re something spectacular. Arthur’s always been a fan of the quiet beauty of nature. He appreciates them in ways most folks don’t understand. But you’re looking at ‘em like you just found God. 

“Never seen deer before?” He teases, chuckling a little at your reaction. 

You startle, not realizing he had been watching. You clear your throat and look away from them sheepishly. He almost feels bad for ruining the moment for you. “No. No, I haven’t.” 

He knows it's possible, but it’s astounding to him that someone truly lived their whole life in the city. It just doesn’t seem right. Cities are full of shit, smog, and bad people. Not even having a moment out of that your whole life seems like torture. 

“I’ll just enjoy it while it lasts,” you mutter, eyes darting back to the tree line. But the deer are gone and you don’t look very interested anymore. 

“Right,” he shifts forward, the air between you awkward. He’d only meant it in jest. He didn’t mean to remind you of what was about to happen to you. He doesn’t like the silence, not this time, it feels wrong. It makes him stew in his shame and that’s a nasty feeling. 

Selfishly, he prods you for more. “A few days on the road, you’ll be eager for the city again.”

You laugh but there’s no humor to it. “I very much doubt that Mr. Morgan.”

“Arthur,” he corrects, “just call me Arthur.”

“Right,” your tone remains cold, “well if you don’t mind Arthur, I’d like to ride there in silence.”

He's got no other choice but to comply. If you don’t want to talk he won’t make you. He just wishes he could make this a little easier for you both. 

Camping is something. You don’t have a word for it. It’s nice to be out in nature and embrace it for the first time in your life. But you really would not mind the comfort of your bed right now. 

Rocks digging into your spine and head do not make for a good night’s sleep. You’ve been lying in front of the fire for hours, flipping around uselessly. It doesn’t matter how much you shift, the rock stays digging painfully into you. 

You let out a loud huff, flopping onto your back and glaring up at the starry sky in defeat. At least the view is nice. In the city, you can’t see the stars. The smoke’s too thick and you never get a good look at them.

Out here, they almost feel fake. They’re so bright and beautiful, you thought the paintings in the museum had always been exaggerating just how breathtaking a night sky can be. But you were wrong. And you hate that there’s a potential future where you’ll never get to see this again. 

“Would you quit squirming so damn much?”

You shoot up, resting on your elbows and glaring over at Arthur. He’s got his hat over his eyes, arms crossed, and looking like he’s been asleep for the past few hours. You hadn’t realized you’d been keeping him up. 

“Some of us aren’t used to sleeping outside,” you hiss, throwing yourself back down to the ground. He doesn’t say anything for a while and you figure that’s the end of it. You clench your eyes shut, counting sheep in your mind and trying to force yourself asleep. 

You hear boots crunching across leaves and your eyes fly open. Arthur’s standing over you, hands propped on his hips as he glares down at you. “Can I help you?” You snap when you get tired of the staring. 

He scoffs and shakes his head, kneeling to be eye level with you. You’re startled by the proximity, an odd heat creeping up your neck. “Come on, I’m gonna tire you out. Maybe then you’ll get some sleep.”

You gasp, astonished at the audacity of his suggestion. “Excuse me?” You demand, tone incredulous. 

His brows furrow before he shakes his head and rolls his eyes. “Not like that,” he grouses. “Get up,” he doesn’t give you much of a choice. He places his hand under your back, shoving you onto your feet. You stand with a slight stumble, glaring at him as you brush dirt off your shirt and pants. 

You can’t help the snotty tone of your voice as you ask, “What are we doing?” 

“Huntin,’” He answers gruffly, going over to the horse and taking the bow out of his saddle. 

Your brows furrow as you recall the few stories your father told you of hunting bison. “Aren’t you supposed to use a rifle?”

He shakes his head and nods towards the treeline. You glance back at the fire before reluctantly following him into the dark forest. The moon is full enough that it provides just enough light for you not to be terrified of what’s lurking in the underbrush. 

“Got a friend,” he tells you, kneeling and glancing at some tracks on the ground. “Taught me how to hunt properly. Bows are quieter, less disruptive, and they provide quicker, cleaner kills.” He looks back at you and motions towards the arrows, “Less pain for the animal.”

Your face slacks with something like astonishment. All you’d heard from your father was the thrill of the hunt, the satisfaction of the kill. He never mentioned keeping anything from the animal, using it for meat, or about how long it took for them to die. You’d never thought there was anybody who actually cared for the creature’s comfort as it died. 

You suppose there’s going to be a lot about Arthur that’s different from the men you know. 

“Arthur,” a twig snaps behind you, and your eyes widen. You drop your voice to a whisper, not wanting to draw too much attention towards you both. “I don’t want to kill anything,” you hiss.

“Ha!” He barks out a laugh and you purse your lips in irritation. He stands and looks at you, chuckling again before shaking his head. “I wouldn’t be so confident in your huntin’ skill, kid.”

You click your tongue and glare at him, “Don’t call me that,” you snap. It’s the same patronizing nickname your father loved to use on you and you detest it. He raises his hands in surrender and you roll your eyes at the smirk on his face. “Then what’s the point of this?”

He shrugs and heads further into the trees, you have no choice but to follow along behind him. “Figure you should be taught a few skills before I get rid of ya.”

You want to argue with him that there’s no point. If you are given to Crane’s associate, you’ll never set foot in the woods again. However, if you do manage to escape him, learning a few survival skills wouldn’t be a bad idea. 

So, you keep your mouth shut and let him lead you through the forest. “How do you know where to go?” You ask, trying to figure out what it is he keeps looking at in the mud. He waves you forward, moving you so you’re standing directly in front of him. 

“You see that?” You have to squint, relying solely on the light from the moon, to make out what he’s pointing at. There are some tracks in the mud that look vaguely like hooves. “It’s buck tracks, you can tell by the size.” He kneels and when you don’t follow he tugs you down by the sleeve. “You can’t rely on just the tracks, though. You have to look for other signs of ‘em.”

You glance around, noticing some crushed twigs and grass a few feet ahead. “Like that?” You point towards it and he huffs in amusement. 

“Caught on quicker than I thought.”

You feel vaguely offended by that but don’t bother voicing it, just glare at his back as he gets up. You walk silently through the forest, letting Arthur show you which tracks to follow and which to avoid. You’re not comforted by how many cougar prints you find. You stare up into the branches always expecting something to already be looking down at you. 

Miraculously, no wild cat chooses you for dinner as you track the buck down. You find him near a small stream, antlers dipping into the water as he takes a drink. He’s got to be one of the most gorgeous creatures you’ve ever seen. 

You’ve lived your whole life in St. Denis. The most you’ve seen are overworked carriage horses and mangy dogs. No life slips through the cracks of that place. There’s just smoke and misery. This is nature, real beauty. It’s breathtaking, the way the leaves ripple in the wind and the starlight reflects in the water. 

You can’t imagine seeing this and wanting to tear it down to put up an oily machine that contributes nothing to the earth but death. It just makes you hate your father more. It also makes you more resolved to not be forced back into that life. You can’t do it. You can’t have this one taste of freedom and then let it go without a fight. 

Arthur pulls the bow out and nocks an arrow. You glance between him and the buck and rapidly shake your head. “No,” you hiss, “I don’t wanna kill it.”

He rolls his eyes and moves you in front of him. You don’t have much choice as he places your hands on the string and guides you into the right position. “Relax,” he murmurs in your ear as you fight against his grip. “You ain’t gonna kill it.” 

It doesn’t bring you much comfort, but if you’re going to make it on your own, sometimes you’ll have to do something you don’t like. “Now,” his hand drifts down your bicep and you suck in a sharp breath. “Don’t hold it too long, you’ll get tired.” 

It’s dawning on you just how close you both are. You’re kneeling on the ground with him behind you, essentially cradling your body to him. You’ve never been this familiar with a man before, it’s making your brain short-circuit. You can hardly pay attention to what he’s telling you. 

He lifts your elbow slightly and points you towards the left. “You need to keep your arm steady even after you let go or your aim will be off. Take in a deep breath and release on the exhale.” You give him an apprehensive look, still not wanting to hurt the buck. He just nods and there’s something in his gaze that lets you relax slightly. 

You release the string and the arrow flies over the buck’s head, burying itself into the tree behind it. Its head shoots up and it turns towards you both before dashing off. You let out an astonished laugh, glancing down the bow and then back at Arthur. 

“My god, I’ve never shot anything before.”

“Congratulations, you’ve killed your first tree,” he remarks dryly, but you see the glint of humor in his eye. 

He gets to his feet and offers you a hand up. You smile up at him, undeterred by his attitude. “Thank you for this,” you tell him earnestly. He gives you an odd look but nods anyway. He doesn’t understand just how important this is to you. Knowing how to do something like this is the difference between life and death when you’re on your own. Of course, he doesn’t realize you’ll be making an escape attempt soon. 

He retrieves the arrow from the tree and you run your hand over the curve of the bow. You wonder just how much he’d miss this if you took it from him. 

Arthur’s tearing down the camp and you’re standing by Diablo, feeding him some apples. You stroke absentmindedly over the horse's muzzle, watching Arthur intently. He’s too busy pulling the tent apart to be paying attention to you. 

You got better sleep last night than you did at Crane’s. He was right, hunting had tired you out. You were eager enough to sleep that you didn’t even feel the rough ground underneath you. He seems to be a little more lax about his watch over you. 

Something about last night must have eased him into a sense of comfort that you’re not going to run. That’s his own fault, though. You glance over the curve of the hill, noticing a carriage that will be passing by soon enough. 

You look back at Arthur and ease slightly away from Diablo. Arthur is still collecting the blankets and rolling them up. He turns towards the dying fire and tosses the rest of the coffee out. You take another step back and he keeps his back to you. 

Slowly, you release Diablo’s reigns, giving him one last apple before you turn on your heel and run down the hill. Your foot slips out from under you and you let out a loud yelp as you go flying headfirst down the grass. 

You land on your back with enough impact to make the breath rush out of you. But your descent is still going and you’re flipping over headfirst into the road. You slide forward, the dirt scraping up your chin as you cough and try and catch your breath. 

“Look out!” You roll out of the way just before the carriage rolls over you. Someone shouts your name from the top of the hill and you see Arthur glaring down at you. He starts towards you and you scramble to your feet. 

“Stop!” You scream, waving your arms wildly and chasing after the carriage. The man gives you a bewildered look as you throw yourself at him. “Please, sir, I’ve been kidnapped, you must help me get back to my husband.”

The man looks behind you, sees a very angry Arthur bellowing out your name, and moves to the side. “Hurry up,” he urges, giving you a hand on the bench beside him. You let out a relieved breath, taking his hand and throwing yourself the rest of the way up. 

He whips the horses, hurrying them along all the while Arthur is yelling after you. It’s not hard to believe that he would kidnap you. He looks half-crazed as he follows along behind you. You turn over your shoulder, giving him a brief wave and a smile. “Thanks for the help,” you tell the man beside you. You offer your hand and name. 

He glances down at it but doesn’t take it, instead looking forward and ignoring you entirely. Something uneasy settles in your stomach but you push it aside. You blame the feeling on the adrenaline still pumping through you. 

“Where are you headed?” You ask, glancing into the back of the carriage. You notice some moonshine and a crate full of guns but decide not to question it. 

“Said yer husband’s waitin’ for ya?” He demands, completely ignoring your question. You stare at the side of his face but his expression isn’t giving anything away. He comes to an intersection. You see a sign pointing towards a town and figure he’s going to take it, but instead, he pulls onto a smaller trail leading to the woods. 

“Um,” you clear your throat uncertainly, glancing back at the sign. “Yes,” your voice cracks and you know you sound like you’re full of shit. 

He laughs and the sound sends chills down your spine. You rip your eyes off of him, looking down at the horses and suddenly realizing just what you’d gotten yourself into. “You sure about that, little lady?”

Something cold digs into your side and you gasp quietly, looking down to see a gun pressed against your ribs. “You scream, run, or do anythin’ to piss me off and I’ll put a fourth hole in ya.” When you don’t say anything he digs it harder into you. “Understand?” He growls and you can do nothing but nod your head. 

You want to move, want to shove him off the side of the carriage and make a run for it. But you can’t, you’re frozen solid. You’re so petrified with fear you can’t even blink. You think you’re holding your breath, as if taking in air is going to set the gun off. 

He grins, a blackened curl of lips over rotted teeth, at your obedience and comes to a stop in the trees. “What are you doing?” You whisper, staring at the secluded area with a newfound sense of horror. 

“Shut up,” he snaps, his voice echoing through the quiet of the woods. You hear no birds or animals and you feel so alone it makes you want to cry. He gets off the carriage and turns towards you. “Down,” he demands. Your eyes dart towards the reigns of the horses and he pulls the hammer of the gun back. “Don’t even think about it.”

You lift your hands in the air, slowly slipping down the seat. He doesn’t appreciate you taking your time He grabs the front of your shirt, jerking you further into the trees and tossing you to the ground. 

You let out a rough groan at the impact, blood staining your shirt as your elbow slips across a jagged rock. It’s like something is snapped loose in your mind. He comes stomping towards you, kneeling between your spread legs and it finally clicks. 

You lunge forward with a shout and he rears back in surprise. You wonder how often someone’s actually fought against him or just let it happen. You don’t want to die, you don’t want to get shot by this scum, but there are a lot of things worse than dying. 

You grab the arm holding the gun, jerking it around, and knocking it out of his hand. “You bitch!” He hisses, bringing his open palm down across your cheek. The smack rings through the trees and ricochets through the air. Your head whips to the side so hard you think you might have snapped your neck. 

Blood dribbles out from your lips, your teeth having bitten into the fat of your cheeks. You spot the gun nearby, the silver of the barrel glinting from under the leaves. Just as you reach for it, he’s wrapping his hands around your ankles and dragging you back towards him. 

You feel like screaming as your hands desperately grasp at the dirt underneath you. But there’s not enough air to scream. You dig your nails into the mud, feel them split against the rocks, and kick at his chest hard enough to make him lose his breath. 

His grip on you loosens and you throw yourself at the pile of leaves. Hands groping for something solid. Just as he flips you over you wrap your hand around the handle of the gun. You pull the trigger and the bang is deafening. 

Your ears ring and your hands are trembling from the recoil. His jaw goes slack and he tumbles on top of you. You let out a grunt, breath pushed out of you by his weight. You scramble against his chest, something warm making your hands slip as you struggle to roll him off of you. 

You glance over, waiting for him to spring back up. But there’s something dark pooling around him and sinking into the dirt below. There’s a hole in his chest and his eyes are already flattening. You fall back against the earth, staring up at the trees above you. 

The sounds rush back to you all at once. The birds singing, deers prancing somewhere in the distance. You hear a stream rushing nearby and let out a stunned laugh. There’s a smile on your face but there’s nothing to be happy about. 

You think you might be in shock. Mind still trying to catch up to what just happened. You glance down at the gun in your hand and toss it to the side, not wanting it near you anymore. Only a second later do you reach for it again. 

You struggle onto your hands and knees, checking over yourself for any injuries that you might be numb to right now. The only blood on you is from the dead man on the ground. You keel over, hands on your knees, and suck in a deep gasping breath. 

You stumble back, limping towards the carriage. You dig around in the back of the wagon, tugging out a giant hunting knife and walking towards the horses. You cut them loose, keeping the rope on one of them and tugging yourself onto her back. You tuck the knife in your belt and nudge her side, leading her forward gently. 

You don't even have time to process the fact that you’re riding a horse on your own. Your body is moving on autopilot. You can only think about getting ahead, getting away. What just happened will hit you later. You slump against the neck of the horse, adrenaline leaking out of you and exhaustion catching up. 

He’s going to find you and he’s going to kill you. Leaving while he had his back turned. Getting on some carriage with a man you’ve never met before. How dumb do you have to be? You can’t trust people out here. Not when there are gangs, raiders, hell, he’s encountered a few cannibals. 

For all he knows, you’re already dead and he’ll be delivering a body to the train station. The thought makes him curse and urge Diablo forward. It’s not hard to follow the tracks of the carriage, what concerns him is when they lead into the forest instead of the town. 

“Goddammit,” he mutters, “the hell have you done woman?” He leaps off Diablo, figuring it will be easier to track you on foot. He follows the paths of the wheels, finding the wagon abandoned and the horses cut loose. 

His brows furrow in confusion as he wanders around the side and spots a lump in the leaves. All he can see is the bottom of a boot and blood splattered across the orange of the fallen leaves. 

His stomach plummets and he races towards it. But it’s not you buried under the foliage, it’s the man who offered you a ride. “What the hell?” He kneels, brushing the leaves off his chest and frowning when he sees the blood splattered all along his chest. 

He doesn’t need to look long to figure out what killed him. He’s sure the bullet buried in his heart did the job. Arthur curses and stalks away from the man. There are prints where the horses were but there are too many to tell which one you might have taken. 

He’ll have to rely on instinct to find you. You’re becoming a real pain in the ass for what was supposed to be a simple job. Still, he can’t help but be a little relieved that it was a stranger and not you lying dead on the ground. 

He turns back onto the road, taking the turn into town. Someone on horseback rides past him, they look disgusted by something up ahead and it makes alarms go off in his head. He urges Diablo forward, running the rest of the way into town. 

An unsaddled mare lazily eats some grass as the sound of a rushing river meets his ears. Diablo’s hooves sound off against the wood of the bridge. He finally sees what disturbed the other rider so much. 

You’re sitting on the railing of the bridge, legs dangling dangerously over the edge as you stare down into the crashing waters below you. Arthur gets off his horse, approaching you slowly. He doesn’t want to startle you and have you go tumbling over the edge. 

He calls out your name and you glance briefly over at him. Blood is splattered across your neck and the front of your shirt is soaked with it. He knows it isn’t yours but it still puts him on edge. “What’re you doin’ kid?” 

You don’t answer him, “Did you follow me?” He eases up beside you, straddling the railing so he can catch you if you slip. He nods and you let out a rough sigh. “Is he dead?”

He scoffs, “Sure as shit hope so, don’t know how someone would survive that.”

A manic laugh bursts through your lips and you double over your head falling into your hands. Arthur surges forward, steadying you before you dive headfirst into the river. “Alright, let’s go,” he quietly urges you around. You don’t put up a fight, letting him maneuver you how he likes.

He gets you on your feet and leads you back to Diablo. You latch onto the horse's reigns immediately, stroking your hand over his mane. Your silence is concerning. Arthur doesn’t know what your regular behavior is, the most he’s seen of you, you have been quiet. This is different, though. He’s seen this sort of quiet in women before and it never ends pretty. 

“You’re alright, come on,” he tries to keep his voice low so he doesn’t set you off. He keeps his hands light as they land around your waist, giving you help onto Diablo’s saddle. Your gaze is distant and you move like someone else is controlling your body. 

He collects the mare you’d brought along with you and leads both horses into town. He’ll have to get a saddle for her, she already seems attached to you. And maybe taking a horse with you into the city will let you escape a little. 

The town, at least, is on the way to Strawberry so he doesn’t have to worry about being too far off schedule. Though, that’s the least of his concerns right now. His eyes keep darting up to you. Waiting for you to try and bolt again or finally break down. It doesn’t look like anything is going on in your head, you seem completely distanced from the situation. 

It’s a good thing for him. He can’t handle a distraught woman. He’s not a kind enough man for it. 

He hitches the horses in front of the hotel. You turn in the saddle, staring down at him and waiting for a hand down. You slide easily through his hands, landing in the mud with a dull thud and heading up the stairs of the hotel without prompt. 

He huffs and follows after you. He doesn’t know how to explain the blood on your clothes away and hopes he won’t have to. The man running the place, thankfully, doesn’t have many questions. He looks disturbed but keeps his qualms to himself when Arthur slips him a little extra cash. 

Arthur guides you up the stairs with a light hand on your back, opening the door of the bath for you. “Alright, here’s your room key. I’ll be out for a while so, just,” he sighs, taking in the blank look on your face and shaking his head. “Try not to cause any more trouble.” You nod and close the door behind him. 

There’s no worries that you’re going to make a run for it again. He’s sure whatever happened in those woods was scarring enough to make you want to go back to the city and never see country folk again. He wouldn’t blame you, there are some nasty people out here. Himself included, but he could never imagine hurting a woman like that. It just ain’t right. 

He heads to the shop across the street, buying some new clothes for you that actually fight properly. The horses are brought to the stables and he goes ahead and gets a paper for your mare under your name. Diablo will be faster tomorrow if he doesn’t have to carry the weight of two people. You might make it to your handler in time. 

Arthur still doesn’t feel right about this whole thing. Leaving you with a man you’ve never met feels even worse knowing what happened to you today. He doesn’t think you being so calm about it all is a good thing. Shouldn’t women react?

Dutch likes to tell him women are a more sensitive breed. He’s seen some tough ones in his life, but this seems like the time to be in hysterics if there ever was one. He heads back to the hotel, planning on just leaving the change of clothes in your room. 

He passes by the bath and hears an odd sound seeping through the cracks. Frowning, he presses his ear up against the door. A man passes by him, giving him a disgusted look as he goes into his room. Arthur sighs but he stays where he is. 

It’s clearer now, you’re crying and it’s hard to listen to. It's the type that makes it hard to breathe. That sort of crying makes your ribs ache and bruise. It’s wrong to keep listening to such a vulnerable moment. So, he does what he planned, drops the clothes in your room, and then heads to bed himself. 

Sleep comes easier than he thought it would. It’s not as restful as he’d been hoping but it draws over him faster than it normally does. He’s always been a light sleeper, though. It comes from years of having to be on guard in case some O’Driscoll is gonna try and slit his throat while he’s asleep. 

When he hears the door creak his hand is already on the trigger of his revolver as he shoots up in bed. The glow of the lamps outside illuminates what’s clearly a woman’s form. But he can’t see your face until you take a step further into the room and the moonlight provides some light. 

“Arthur?” You whisper his name, peering into his room. “Are you awake?”

“I am now,” he grumbles. With a sigh, he shoves the gun back under his pillow and runs a rough hand over his face. “What'd ya want?”

You let out a low breath and rock back on your heels. “I’m sorry,” you mutter. “I just, I can’t sleep. I keep thinking he’s gonna creep out of my closet or bust through the door, I-”

You cut yourself off but he can hear the emotion thickening your voice. He clenches his eyes shut in irritation, arguing with himself over what he’s about to say. “You wanna sleep in here?” He mumbles reluctantly. 

You close the door immediately, practically running towards his bed. “You don’t mind?”

You’re not really giving him a choice, but he’s not going to say that to you. “No.” He grabs a pillow and blanket off the bed and rounds the end of the mattress. You frown as you watch him toss everything to the ground. 

“Well, what’re you doing?”

“What’s it look like?” He snaps, angrily gesturing towards the floor. “I’m givin’ you the bed.” 

You bite your lip and he feels horrible instantly because you look like you’re about to cry. He’s not trying to be rude but you woke him up in the dead of night. What’d you expect him to say?

“I was sort of hoping we could share the bed.”

His eyes widen and he glares at you in disbelief. “You mean-”

“No!” You cut him off with an aggrieved sigh. “You fool, that’s not what I mean at all. I just don’t want to be alone, alright?” 

“Look,” he scoffs and shakes his head. “I don’t think I’m the man you want to bunk with for company, alright. I’m not that kind of guy.” You glare at him and snatch his pillow and blanket off the floor. 

“Don’t be so damn stubborn.” You aggressively fluff the pillows, throwing the covers back and gesturing towards them, your brow set in anger. 

“Right,” he huffs, “I’m stubborn.” He reluctantly crawls into bed and you follow behind him. It’s not that he minds sharing a bed with a pretty lady. He’s just not the sort of guy you should be coming to for comfort. 

He doesn’t think he can provide whatever it is you need at this moment. But you seem to think otherwise as you inch towards him slowly. He lays on his back, arms under his head as he watches you out of the side of his eye. You think you’re being subtle, slowly moving into his side until you’re flush against him. 

He doesn’t say anything to object and you don’t bring up the proximity. He doesn’t want to admit it but it is nice having someone else beside him. He’s so used to camping out on his own. He hasn’t had anyone beside him in a long while. He lost interest in women of leisure a long while ago. And ever since Mary, he’s given up on any sort of intimacy. 

He hates to admit it, but he finds himself easing towards the warmth you provide. The second you feel him reciprocating you’re inching a tentative hand around his waist, cuddling closer to him. He recognizes it for what it is. 

He’s always been looked at as someone who can protect, at least by the gang. He’s their muscle. To most others, he incites nothing but fear. It should be the same for you. But after what happened today, you just see someone who can keep the monsters in the dark away. 

He doesn’t mind being used like this. He wraps an arm around your shoulders and waits until he feels you settle to ease into sleep again. 

Arthur figures you should both get breakfast in town while you’re here. He reasons you should enjoy a hot meal before you’re on the road again. You don’t point out that you know he’s just trying to ease you into the day. 

You appreciate it, honestly, but yesterday wasn’t your first run-in with men like that. It’s become incomprehensibly normal in day-to-day life, even for a city girl like yourself. You’d cried everything out in the bath once you’d scrubbed your skin raw. 

You don’t think Arthur will ever understand just how much his presence helped you last night. If you’d been on your own, jumping every time you heard the wood creaking outside, you’d have driven yourself over the edge. He protected you, even if there was nothing to be protected from. 

You don’t think he gives himself enough credit. Ignoring the situation you’re both in and what he’s taking you to do, he’s a good man. While the caliber of the men you’ve met is questionable at best, he’s one of the best ones you’ve ever known. At the end of the day, he disagrees with the whole situation, but he’s doing this for his family. That’s admirable in its own way. 

But, god, does he have poor conversational skills. “So, yesterday.” You glance up from your toast, brows raised in question. He clears his throat, eyes darting between you and his food like he can’t choose what to focus on. “That man, did he…”

He trails off and you feel your hackles rise. “Don’t worry,” you hiss, a bite to your words, “I’m still pure for my husband. Your pay won’t be docked, if that’s what you’re worried about.”

His hand clenches around his fork and his eyes bore into yours, “That’s not what I meant,” he growls. “I wasn’t worried about that,” he snaps, “I was worried ‘bout you, woman.”

You take in a deep breath, actively biting your tongue from saying something spiteful. He wasn’t being rude, that’s just what you’re used to. “I’m sorry,” you concede lowly. “Nothing happened,” you repeat without the attitude. 

“Well,” he huffs and goes back to his breakfast, “good,” he settles on dully. 

“Good,” you agree quietly, pushing the rest of your food around. You find your appetite dulled and you push the plate away. You lean back in the booth and stare out the window. The horses seem to be getting on well enough. “Did you name her?”

Arthur gives you an odd look and you nod towards the mare hitched next to Diablo. He swallows the food he’d been chewing and takes a swig of his coffee. “No, figured you’d want to do it.”

Your brows furrow and your lips quirk in confusion. “Why?”

“She’s yours, ain’t she?” He grouses. 

You shake your head, “Nope,” you tell him, popping the p. “I just took her so I’d have something to get me to town.”

“Yeah, well,” he sounds less sure of himself and he’s looking like he made a mistake. “I thought she’d be nice for you to have with you in the city. A way for you to get around without relyin’ on someone else.”

You can’t help but smile, something in your chest easing away at the kind gesture. “I appreciate it,” he lights up a little at your approval, but you crush it in an instant. “But I can’t keep her, I won’t be allowed to. I’ve tried to have my own horse before, hard to control something that can get away from you,” you tell him blankly. There’s no emotion in your voice because it’s something you’re used to. 

He looks slightly horrified at how blunt you are. He can’t comprehend not having that freedom but he fails to recognize that he’s got a leash of his own. You doubt a man like Dutch would ever let his main asset just run off to wherever he wants to. 

A few people walk into the saloon, the women giving you odd looks when they see the pants on your legs. You smile cheekily at them, reveling in what you know will be a short-lived experience. You’ve never been on the receiving end of a judgmental look like that. 

You’ve always blended in. Been the perfect wallflower for the men in your life. You were never something to gawk at or cause trouble. It’s a relief to stick out for once, to break the mould for the first time in your life. 

Arthur clocks the interaction and chuckles. “Missin’ the skirts yet?”

“Not one damn bit,” you tell him, smiling as you take a sip of your coffee. “I’m going to miss being able to run around without having to lug an extra four pounds of fabric behind me.” 

“Ya know, you could just wear some pants, you’ve got a choice.”

You grin patronizingly at him, propping your head on your chin and watching him finish the rest of his breakfast. “You don’t know city men very well, do you?”

“Glad for it,” he grumbles, distaste clear in his tone.

A laugh breaks through your chest, the first real one in a while. “I’m going to be marrying one, Arthur. I won’t have a choice in much of anything anymore.” You can tell he wants to object, tell you there’s always a choice. 

He’ll never truly understand what’s going to happen to you, though. You’re no longer human once you’re married. You’re cattle and property, meant to be bred and shown off. You accepted your fate a long while ago. And after you’re failed escape attempt, you’ve realized this is what you were always meant to be. There’s no point in fighting fate. 

“Don’t apologize or argue,” you tell him, no spite or bitterness in your tone, just the honest truth. “I don’t mind anymore, really. What place is there for me in this world, anyway? I can’t exactly take care of myself.”

“You did a damn good job yesterday,” he snaps back quickly. He doesn’t seem too keen on the way you’re talking about yourself. But you’re not lying. Yesterday was a wake-up call. If you let yourself get screwed over by a hillbilly that quickly then how were you ever going to make it on your own? In your defense, you were raised to be dependent, you never had a chance. 

“Sure, but that was a one-off incident. I’m not going to run again, Arthur. There’s no point. And there’s no point in fighting against the way things are, they’re never going to change for me.” You take in a deep breath, the easy mood ruined by your sincerity. 

“I’m just gonna wait by the horses.”

You slide out of the booth, leaving Arthur to stare pensively at his plate. You’ve nearly slipped through the door when Arthur calls out, “You should name her.” You pause at the doorway, glancing back at him. He’s settling the bill at the front and you walk back out to the horses. 

The mare picks her head up as you walk towards her, ears perked and tail flicking. “Hey, girl,” you run a hand over her muzzle, admiring the sleek silver of her coat. “I guess I should name you.”

You run a hand over her mane and swing yourself onto the saddle. “How ‘bout Bullet, it’s how I got you, anyway.” A dark joke, but it eases the macabre feeling hanging around you. 

Arthur walks out of the saloon, tucking his money away into his bag. He lifts himself onto Diablo, glancing over at you with a knowing glint. 

“Name her?”

You resent how smug he sounds. “Bullet,” you answer reluctantly. 

“Bullet?” He questions, tone incredulous. 

You grin at him, “It’s how I got her.” There’s a slightly stunned expression on his face before it slacks away into something more amused. 

He shakes his head and nudges Diablo forward, Bullet follows alongside him eagerly. “Clever,” he mutters.

“Not really,” you snort, running a hand over her neck lovingly. “But I think it works for her.”

“Your husband’s gonna have his hands full with you,” you know he means it in jest. The lightness of the conversation turns into something heavier. Realization sinks over both of you and the smiles slowly drop away. “I-”

“How much further to Strawberry, anyway?” You effectively cut off whatever train of thought he was going to follow, distracting you both from the truth. 

“Half a day,” he tells you, frowning when you refuse to meet his eye again. Half a day. That’s all you’ve got to enjoy the last bits of freedom you have. You’re gonna take your damn time getting there, that’s for sure. 

You slow down from the steady trot Arthur had led the horses into, easing Bullet into a slow walk. You’re slowly getting the hang of riding a horse. It’s easy when she’s so intuitive. By god, though, your ass is sore. 

Arthur shoots you a questioning glance at the slow pace and you shrug. “Might as well take the time I’ve got left.”

“You’re actin’ like you’re on death row,” he chuckles. 

“Aren’t I?” He falls silent and you don’t know what’s bothering him but you don’t have the energy to inquire. 

He’s slowing you down on purpose, he knows it and you know it. Neither of you says a damn thing about it but it’s bugging him. He shouldn’t be this bothered by a job. He knows how to separate himself from what he does. He just can’t this time. 

There’s something about you that glows. You’re sitting beside him on the peak of a hill, overlooking the roads below you, and laughing as you make up stories for the people that pass by. It’s a far cry from the beaten-down woman he’d seen at Crane’s house. 

Even after what happened yesterday, you somehow manage to seem happier. There’s nothing about it that makes him happy. This feels like the last goodbye of someone who knows they’re going soon. The last bout of happiness before they just give in. 

You’re not gaining your spark back, you’re just giving in to what you think is inevitable. But it doesn’t have to be inevitable. You could fight back you just refuse to. He’s sure growing up the way you have, you don’t think it's possible to stand up for yourself. 

But you don’t have to give in like this. You don’t have to roll over and let someone else dictate your life. Which is rich, coming from him. He’s practically Dutch’s lap dog now. Even when he disagrees he still follows along behind him. 

He shouldn’t even be thinking like this. He can’t criticize you for not standing up for yourself when he’s the one thing standing between you and freedom. “Not hungry?” You nod towards the uneaten meat on his knife. 

He shakes his head, plucking it off the blade and passing it to you. You give him an odd look before popping it in your mouth. “Ya know,” you mutter around a full mouth. You take a moment to swallow it down before smiling over at him. “I’ve grown up with private chefs my whole life, but there’s is something infinitely more satisfying about this.”

He takes his hat off, running a hand through his hair. He snorts at your comment, “I find that hard to believe.”

“No,” you shake your head, insistent, “I mean it. Being out here, hunting the game myself, I don’t know, it’s nice.” You shrug and lean back on your hands, gazing across the way at the trees and river. 

“You can always get a bow and go hunting.” He speaks to you like it's a cut-and-dry truth that you’re just not accepting. Your face screws up and you give him an annoyed glare. 

“No. I can’t,” you tell him again. Where your words were patient before, he can tell you’re growing irritated at how much he’s pushing this.

“Yes, you can,” he snaps. “You don’t have to keep yourself boxed up in some manor in the city. Get out, woman, do something with your life!” His voice echoes through the air and you flinch back from it, lips pulling down into a sneer. 

“You know, that’s really easy for you to say, Arthur. You have a goddamn choice. Sure, I grew up with a silver spoon in my mouth, little miss rich girl crying about being pampered.”

He lets out a rough sigh, “That’s not what I meant-”

You cut him off, getting to your feet and glaring down at him. “You got to grow up with a choice. What to do with your body, your life, your career. You get to have an education if you want it. Every goddamn door is open to you. You don’t get hated for not wanting to have a family. You get to choose. And as much as you insist I can too, you will never understand the position I am in.”

You kick dirt over the fire and head back towards Bullet. “It’s a double-edged sword, Arthur. Sure, my life might be comfortable, but it’s never really gonna be my life.” He stays there on the ground, too stunned to get up. 

You glare down at him, impatiently waiting for him to get a move on. This isn’t how he wants things to end. He doesn’t want you to go off thinking he’s just some ignorant fool. But he is, much as he denies it, he’s always been a fool. 

He should never have thought he could make a difference in your life. Not when he’s the one backing you into this corner. He could have helped you escape the very first night he saw you. But he was too selfish to let you go, now you’re both paying for it. 

He mounts Diablo and you both head back to the roads silently. You’re moving faster now, leaving him behind if he lingers in one area for too long. You’re too pissed off to enjoy the rest of your day and he hates that he ruined it for you. You, at the very least, deserved a slower journey towards your future. 

You’re in Strawberry before he’s ready, he’s sure you aren’t. “Hey, we could-”

“I think that’s him.” You cut him off before he says something stupid like spend another night in town before you go. He’ll miss you, he thinks. Odd, he’s known you such a short time but it’s been so different having someone beside him as he rides. It was nice, what he wished he and Mary could have had. 

Arthur follows your gaze and lets out a tired sigh. Sure enough, some prim and proper ass is standing in front of the ticket station, foot tapping impatiently. He’s got a large bag beside him, gaze wandering around expectantly. He doesn’t doubt the man who looks like he’s got a five-foot stick up his ass is Mr. Crane’s associate. He’s got the same slimy glint.

You slide off Bullet and Arthur follows suit, taking the reigns of both horses and leading them towards the platform. The man’s eyes narrow in on you before lighting up. He calls out your name and it’s like a mask being dropped over your face. 

The spark is gone once more, a subdued and demure smile resting on your face as you wave at him. “I apologize for my dress,” you tell him as you walk up the steps. “Pants were more conducive to such a long ride.”

He takes your hand, pressing a lingering kiss to your knuckles that makes Arthur roll his eyes. “No apologies necessary, I brought you a change of clothes. I figured you would be less than put together after such a journey. I’m only sorry I couldn’t accompany you.”

You scoff and nod along, “Okay,” you mutter, not believing a word of his bullshit. You take the bag from him and move towards the saloon to find a room to change in. They both watch you leave, though the other man with a much more devious glint in his eye. 

Arthur’s hands tighten on the reigns of the horses, anything to keep him from reaching for his revolver. He’s already getting a bad feeling about this. There’s nothing trustworthy about the man in front of him. 

“Mr. Finch,” he holds out his hand and Arthur gives it a distrusting look before reluctantly shaking. Finch attempts to squeeze the life out of his hand but Arthur can barely feel it. He tightens his own grip and revels in the way Finch’s face blanches. 

“Arthur Morgan.”

Mr. Finch looks him up and down in the same way Crane had. He sees a commodity, not a person. “I trust,” he drawls, “nothing unsavory happened.”

Arthur feels rage bubbling in his gut. The only damn thing he cares about is whether or not you’re “pure.” Not if you were okay or injured during the journey. If he told him that he’d punched you out for talking back Finch would just ask if you were bruised. 

“She’s fine,” Arthur grits out. 

“Oh, good, good. Glad everything went smoothly.” Finch has a way of talking he’s found most self-important men do. He draws everything he says out, and forces you to listen to him speak. Makes you pay attention so he can pretend he has power for a moment. 

His gaze darts behind Arthur and he turns just in time to see you slipping out of the saloon. The dress Finch has provided you is ridiculously large. It poofs out at the waist in a way that makes Arthur wonder how you’re going to fit into your seat. 

You look beyond uncomfortable. Grimacing as you join them again. You try and plaster a smile on but it’s a struggle. You look to Arthur, a finality on your face that makes him want to throw you over his shoulder and run. He’s doing this for the others, he reminds himself. They’ll be on a boat to Tahiti in a week. 

“Thank you, Mr. Morgan, for everything.” The smile you leave him with is real, if just barely. Something lurks under your words that Mr. Finch will never understand and Arthur knows it will drive him crazy. 

“Let’s go,” Finch grabs your hand, looping it through his arm and tugging you towards the doors of the station. 

“Wait!” Arthur calls out, feeling foolish when you both look back at him with perplexed expressions. “You’ll be wanting Bullet, won’t you?”

Mr. Finch answers for you with a condescending tone, “She won’t be needing a horse, thank you.” You give him a knowing smile, turning away and slipping through the doors of the station and onto the train. 

Arthur stays rooted where he is, something crawling up in his chest and rooting around restlessly. The whistle blows and the wheels start cranking slowly forward. Arthur just barely catches a glimpse of you through a window as the train chugs past. 

“Shit!” He hisses. He tugs himself up onto Diablo’s saddle and urges him after the train. He was born a fool, he’s always going to be a damn fool. But he’d have to be a complete moron to just let you go. 

Mr. Finch keeps a painfully tight grip on your elbow, jerking you through the passenger cars and practically throwing you into your seat. You land with a thud, your arm bouncing against the window painfully. You keep a stoic expression, trying not to let him break you so soon. 

He takes a seat beside you, straightening out his jacket and tugging on his tie. Something white flashes in his jacket pocket and you lean forward, perplexed when you realize what it is. “What is that?” You question, not quite believing your eyes. Finch glances down at the thick wad of cash in his jacket and grins. 

“Oh, this? Mr. Morgan must have forgotten to collect the rest of his payment.” He sends you a condescending smile and you flinch away in disgust. “He was too enamored with my fiancee to pay much attention, I’m afraid.”

“That’s his money,” you snap, the volume of your voice catching the attention of a few other passengers. Finch sends them apologetic smiles, making you seem like a mad woman. “He earned that!” You object, eyeing the money warily. 

His hand snakes out, gripping you tightly around the arm and dragging you towards him until your noses are nearly touching. You nearly gag at the smell of his cigar-infused breath. It’s not like when Arthur would smoke one, you didn’t mind that. But this was making you sick to your stomach. 

“Let's get a few things clear, I will not be dealing with an obstinate wife. You can either get yourself in order or I’ll do it for you.”

Your lips pull back in disgust and you jerk yourself out of his grip. He’s not as strong as he pretends to be and you’re not going to be scared into submission again. “I’m not your wife yet. My father still has time to pay.”

He laughs at you, spittle flying from your lips and sprinkling across your cheeks. “He has time to pay, but that doesn’t mean he’ll be getting you back, sweetheart.” Your eyes widen with the realization and you want to throw yourself off the side of the train. 

You never had any chance to get out of this situation. Mr. Crane was always in control of it all. To even think of having a hope of getting back home was foolish. To believe for a second that you were going to escape this had been utter idiocy. 

He sees the crestfallen expression and sinks into his seat with a satisfactory look on his face. He thinks you to be subdued. But now you’re nothing more than a cornered animal with no other choice of escape. You’ve got nothing left for you, nothing to hold onto. 

As much as you’d thought you’d bonded with Arthur, you were still nothing more than a job to him. You were nothing more than a commodity to be traded between men. You would never have a say over your life. 

You have nothing, you doubt you ever actually had anything left for you. You glance over at the man beside you and feel a cool dread blanket itself over you. Nothing left to lose. 

There’s a solid weight tucked into the bodice of your dress. Its cool metal has been warmed by your skin. Its handle curves around your ribs and it only has one bullet left. You reach down the front of your dress, fingers curling around the revolver you’d stolen from a dead man. 

Finch glowers at your inappropriate behavior “What are-” You pull the gun out, turning it on him. He jumps back in shock and throws his hands in the air on instinct. “Please-” you revel in his pathetic pleading only for a moment. Pulling the trigger a second time is surprisingly easy. The screams that ring out through the train car are less enjoyable. “Shit!” He cusses, hands coming up to try and staunch the flow of blood pouring from his stomach. 

You slip your hand into his blazer, stealing the money before he can object. You run out of the passenger car, leaping to the flat car with all the cargo. It will take a few minutes for them to catch onto what happened and figure out where you went. 

You don’t know what you’re going to do now. You’re stuck on a moving train, there’s nowhere for you to hide. You hadn’t thought when you’d shot him, you just wanted that smug look on his face to disappear. 

“Where is she?” You hear the guards shouting out your name, flipping over crates to find you. They’re still at the front of the train, but you don’t have long until they start moving back here. 

God, what have you done?

You just know, if you made it to that train station, you were never going to make it out. His men would be waiting there to transport you. You��d be watched every second of your life, you can’t do it again. You can’t be locked in a gilded cage, that’s not a life worth living. 

There’s no escape for you. Nowhere left to run, nowhere to hide. You glance over the left side of the train. There’s a slight dip into a deep ravine. The crashing water looks almost peaceful from up here. 

You don’t know if it would be a quick death but you know it would be merciful compared to what’s waiting for you at your last stop. You keep your eyes on the water, see yourself taking control of your life for the first time, and take a step up on the rail. 

Someone shouts your name from the right side of the train and you gasp, arms circling wildly as you almost go toppling over the edge. They shout your name again, panic laced in the tone. This doesn’t sound like Finch or any of the other guards. You whip around and find Arthur riding his horse beside the train. 

“What the hell are you doing, woman?” 

Your brows furrow in confusion and your eyes dart between him and the ravine. “Jumping! What the hell are you doing?”

His gaze narrows and he shouts to be heard over the rumble of the train tracks. “Stopping you from being a goddamn fool. Get over here!” You hear the guards getting closer as they storm down the rest of the train. 

You don’t have long to make a decision, you can already see his horse struggling to keep up with the speed of the train. There’s a bridge coming up in a moment, he won’t be able to go any further and they won’t be able to come after you. 

It’s a split-second decision, one that has you pushing off the railing of the car and rushing towards him. You don’t have time to doubt yourself or plan this out further, you take a running leap off the train, towards his outstretched arms. 

He barely catches you in time, jerking on the reigns of the horse and bringing him to a sudden stop before all three of you go tumbling into the water. Shots fire off on the train, but they’re gone before they can do any real damage. 

Your chest heaves as you dangle from his arms, fingers digging into his shirt desperately. Your heart is pounding so hard against your chest that you almost can’t hear what he’s saying, but you get the gist of it. 

“The hell were you thinking? Trying to jump off the damn train! You’re a fool, woman.” He tugs you onto the saddle the rest of the way. As much as he tries to sound angry you can feel his relief in the way he squeezes you close to him. 

“Thank you,” you whisper, head sinking into his neck and breathing in the familiar scent. 

He sighs, struggling between yelling at you more and just enjoying the fact that he got to you before you did something neither of you could recover from. “You’re welcome, just,” he pauses, holding you a little closer, “don’t be so damn stupid again.”

You laugh and it’s a little wet as tears start to pool in your eyes. “I’m not planning on it.” You sit up, easing away from him and glancing over your shoulder. You watch as the train grows smaller until you can only see a plume of smoke and nothing more. “What the hell are we going to do?”

He sighs and turns the horse around. You maneuver yourself around, facing forward and pushing back against him.  “I don’t know. Dutch ain’t gonna be happy about you comin’ back with me.” 

You bite your lip, a hundred different possibilities swirling through your head. You’ve never been able to make a choice before, faced with it, you’re overwhelmed with options. You can’t pick one so you blurt out the first coherent thought you have. 

“What if we don’t go back?”

Arthur stills behind you, “What?” His tone is low and filled with something you know means he’s ready to say no. 

“Just for a little while,” you rush the words out quickly, trying to fight for a chance to get him to listen. “We can send this to the camp,” you tug out the wad of cash you’d stolen from Finch and Arthur barks out a laugh. You feel his chest tremble behind you and it makes you grin. 

“Did you steal his money?”

“Your money, technically,” you correct, grinning over your shoulder at him. “Besides, he doesn’t need it anymore.” He gives you a concerned look but you just wave him off. “We can send the camp some money and go off on our own for a while.”

“I don’t know, kid.”

“Don’t call me that,” you interrupt, glaring at him. “It’ll only be for a little while, Arthur. Come on, I’m free for the first time in my life, enjoy it with me.”

He looks uncertain and you know it’s an odd notion to him, putting himself first instead of the camp or Dutch. You’re sure he’s never done it before. Breaking away from them instead of going about like the loyal soldier he is. 

“Just a little while?”

You nod, turning just enough to tuck the money in his pocket. “Just a little while,” you swear.

“John Marston!” You frown, turning away from the oven and glancing out the window. Arthur’s grinning by the gates of the horse pen, leaping over the wood, and walking out to greet someone. You abandon the stew, heading towards the door of your home. 

Outside are two horses, one with a woman and her son, and an abandoned one. The owner is currently bringing Arthur into a brief embrace, John, you presume. Arthur’s told you about him a bit. They weren’t always close but it was getting better before Arthur went away. 

Sometimes you feel bad, having dragged him away from everything he was familiar with. You meant it when you said you only wanted to be gone for a little while. You knew if you went back immediately there would be hell to pay with Dutch and you’d both be put to work. 

You’d be going from one owner to another. All you’d wanted was a few weeks on the road on your own. But a few weeks turned into six months and then a year, and it was Arthur telling you he couldn’t go back. He couldn’t stand what the gang was turning into. What Dutch was turning into. All you’d given him was an excuse to finally get out before it all blew up.

You walk down the steps of the home Arthur built, wiping your hands off on your apron. You give a brief wave to the woman you assume is Abigail. She waves back, slipping off the horse and helping Jack down. 

Arthur pulls away from John, turning towards you and motioning you forward. John gives you an apprehensive look. “Do I know you?”

Arthur gives him your name, throwing an arm over your shoulder and pulling you in closer. “That job Dutch got from Crane.” John’s face lights up with recognition and he smirks. 

“I see,” he shakes his head and gives Arthur a knowing look. “It’s always a woman with you, isn’t it?” You snort at how aggrieved Arthur looks. “Well,” John turns towards you and smiles, “nice to finally meet the woman that got him under control.”

“Nice to meet you too,” you smile lightly at him, pulling away from Arthur. “Are you going to be joining us for dinner?”

“No, he’s not,” Arthur answers at the same time John says, “I would love to.”

Arthur and John share a look you can’t understand. You glance past John and wave Abigail forward, “Come in, please. I’d enjoy the company.”

“Forgive my obstinate husband, he tends to linger where he ain’t wanted.” She brushes past him and you lead her inside your home. Leaving Arthur and John to bicker outside. Jack stays outside, smiling up at Arthur. You know he’s missed the boy, you’re sure he’s okay entertaining them for one night. 

Abigail helps you set the table while Arthur and John catch up over a bottle of whiskey. Arthur tried to pull out a cigar but you’d shut that down quick. He’d had a cough a little while ago and the doctor advised cutting down on tobacco if he wanted it to go away. You know it’s hard but you’re cracking down on how much he smokes. 

“We got the money you sent,” John’s telling Arthur as they come over to join you all at the table. Jack eagerly hops into the seat beside Arthur before you can snag it and you grin. “Dutch blew it all and wouldn’t tell us on what. He kept saying we still needed another score.”

John shakes his head and the distant look in his eyes makes your stomach churn. “You’re a lucky bastard you got out when you did, Arthur, truly.”

“Hosea?” Arthur questions and you grimace at the look on John’s face. You can see Arthur deflate as John shakes his head. 

“There was a bank robbery, Molly told the Pinkertons we were going to be there, he didn’t make it.”

Arthur’s hand clenches around the fork and you wish you could say something that would make him realize it’s not his fault. “I should have been there,” he mutters. 

“Wouldn’t have done anything, man. Hosea had given up in the end. We all had. It was so damn divided, the family was gone.”

“Still.” Arthur insists, glaring down at his plate like it had offended him. 

“No,” to your surprise it’s Abigail that snaps. “Dutch was gone and that bastard Micah just kept pushing him over the edge. The only thing you would have done is get yourself killed. You’re damn lucky Arthur Morgan.”

You’re sure he’ll still blame himself later. Reason a hundred times over that had he been there something would have been different. Even if it was him on the other end of the gun he’d be happier knowing someone else hadn’t died when it could have been him. You couldn’t stand that these self-sacrificing ideals Dutch had drilled into him were still present. 

But you know Abigail and John help ease the guilt slightly. It’s on Arthur to let it go entirely, though you doubt that will happen anytime soon. John picks up on the change in mood, he’s reluctant to let the night sour so soon. 

He turns towards you with a look that makes you feel like you need to prepare for trouble. “So you did all that to escape getting married. And then you marry this moron?” He motions towards Arthur and you can’t help but laugh. 

“John!” Abigail snaps but he only smiles at her. You can see the way she fights the twitch of her lips and it makes you smile in turn. 

You correct him, “We’re not technically married-”

“Might as well be,” Arthur argues, glaring at John. You reach across the table, taking his hand in yours and gently squeezing. You can’t help but laugh at him. 

“Yeah, we might as well be,” you agree. “But it was never about not wanting to be a wife. I just wanted to have a damn choice. That’s what I got out here. I can hunt or cook. Sew or go out and make some money. And it’s a lot nicer being a wife out in the country than it is in the city, I’ll tell you that much.”

“Here’s hoping,” Abigail mutters. She glances towards Arthur, “That’s why we’re out here. We got word from a few people that you might be lurking around here. John’s thinking of getting a house, really settling down.”

Arthur sighs, leaning back in his chair and glaring at John. “That’s why you’re here? You want a handout,” he accuses. 

“No!” John snaps. “Dammit, Arthur, why you always gotta assume the worst of me?”

“Because it’s usually true,” Arthur mutters. “If that’s not what you want then what is it?”

John purses his lips and lets out a spluttering breath. “A loan,” he lands on, struggling to find the right word. 

Arthur barks out a laugh, slapping his hand on the table and poking a knowing finger into John’s chest. “I knew it!”

John swats his hand away and glares. “Look, Morgan, I only need a little. Just to buy some animals, get started on the house.”

“What’d ya want Marston, my whole damn house?”

Abigail lands a gentle hand on your arm and nods to the porch. “They’ll be at it for a while.” You nod and leave the table, following her to the swing out back. She settles down on it with a sigh, gazing out at the trees that line your home. 

“You’ve got a nice life out here.”

You smile fondly, “I like to think so. We’re thinking about getting a few cows, maybe starting a proper ranch.”

Her face lights up at the idea and she laughs. “That’s what John wants. It’s unbelievable how similar they are, they’re too thick-headed to see it.”

You can still vaguely hear them bickering inside the house. You peer inside and see Jack sitting at the table, watching them both with an entranced expression. You can’t help but grin at the look on Arthur’s face. He’s laying into John but he looks happier than you’ve seen him in a while. 

You know he’s missing everybody, has been for a long time. Maybe if Abigail and John are close by he’ll have that sense of familiarity again. “The others,” you start, turning back to Abigail. “Charles and Sadie, what happened to everyone else?”

“A few of them are living good lives, some of them aren’t. Most of them are drifting, not ready to give up the outlaw life just yet.”

“It’s hard to watch the world change while you’re still stuck in the same spot.” You brush some hair out of your eyes and smile at Abigail. “Me and Arthur are gonna help you and John. But I’d like it if you were both close by. It would be nice to have someone familiar near us, we’re pretty lonely up here.”

She gives you a brief smile back, “I think that would be nice.”

John’s voice picks up from inside and you jump, “Oh that’s a load of bull-”

Abigail’s smile drops and she leans over your shoulder to shout, “Watch it!” at John. You laugh when you see the perturbed look on his face. She motions towards his son and Arthur gives John a smug look. 

“You gonna help him?” You ask Arthur as you settle into bed later. He opens his arms, pulling you into his embrace once you’re settled under the covers. 

“John?” You nod, brushing a strand of hair out of his eyes. “Yeah, ‘course I’m gonna help him. But there’s nothing wrong with jerking him around a little bit first.”

You roll your eyes and shake your head, tucking yourself under his chin. You almost think he’s asleep but then he’s speaking up again. “We should really do it.”

You pull back, brows furrowed in confusion. “Do what?”

There’s a certain look in his eyes that causes something to swirl in your stomach. It’s not an unpleasant feeling, just an excited one, “Get married.”

You give him a bewildered look, shaking your head in disbelief. Nearly five years you’ve both been living out here and he’s never once mentioned getting married. You never thought you two actually needed it. You always knew what you were to each other, how much you meant to one another. 

You were each other’s salvation. There’s no telling what graves you would be laying in were it not for Dutch bringing you both together. You hadn’t thought he wanted to be married, he always told you he’d given those dreams up. “You really mean that?”

He shrugs like it’s the easiest decision in the world. “Might as well, right?” 

You shake your head, but there’s no fighting the way your lips curl up. “You’re a fool, Arthur Morgan.”

He nods, dipping his head down to press a gentle kiss on your temple. He treats you so gently, it makes you want to cry. But then he goes and says something ridiculous like, “Yeah, a fool for you,” and he makes you laugh. 

You tug him down, lips nearly touching his. “Yes,” you whisper, “I’ll marry you.” You were always scared of living a life like this. Being tied to one man for the rest of your time on earth. But he’s not some city man looking to make you into a pet. He lets you live, breathe, and be free. He’s a partner not a warden and that’s all you’ve ever wanted. 

[rayroseu]

Wait this is actually interesting, so from what the story implies, Wild Rose Castle is weaker than Black Scale Castle because it probably has no magical atmosphere that serves as its defense, there's probably fewer troops here, and the fact that its just on a clear meadow makes the terrain not suitable for defenses unlike Black Scale who is atop a mountain and covered in a Valley.

So I kinda think that Wild Rose Castle is a newly built castle in Briarland. After all, Meleanor was a kid only 200 years ago so Wild Briar is probably that age as well (or more), i think that age is young (compared to Black Scale which probably several centuries old?) thats why it has weaker defense facilities.

Maybe Wild Briar is older as Black Scale, but this game says this is Meleanor's castle so I assume she's the one who had built this.

But I have this HC that this castle is actually built because of Levan. For his diplomatic mission between humans. Building a castle in an easy terrain would make sense to make it easier for magicless humans to transport in. Because I don't really expect(?) Maleanor who is a military commander, which she probably has knowledge of strategies, to not see how disadvantegous this location is considering its close to humans

But I also think Wild Briar was built as like a refuge for the faes that live far away outside Dragon City(I wont call it dragonopolis lol)

Wild Rose being a few centuries old also kinda makes sense since the Silver Owls only recognize Meleanor as the only ruler in Briarland, they probably arent aware theres a queen named Maleficia because she's ancient(?) atleast I didnt caught any silver owls mentioning her iirc(?) They went to the mountains near Dragon city yes-- but like it was to pursue General Lilia and not to besiege Black Scale as well even they kinda had the potential to do so since they took down Maleanor and Silver Owls' is implied to be very greedy--

I actually think its more interesting to not summarize Maleanor's cause of death as just her overestimating her win against Knight of Dawn-- I actually think its because of several reasons such as:

"Wrong time" in working out the diplomatic relations between the conflict between humans and faes, Levan's plan to educate wasn't pointless effort, but I wish the story states as well what he did to counter the fact that the faes hates humans not because of a misunderstanding, but because of their mistreatment towards faes(the story literally implies rhe humans kills faes meanwhile we have yet to see a royal guard fae that killed humans the story only tells us they chased them away), Levan does this when its clear that the Silver Owls was getting hostile, like objectively speaking, this was kinda not the right time to communicate and Meleanor was the receiving end of the build up hostility of the Silver Owls

This is kinda countering my first point, but Meleanor's decisions was kinda weird too in the story lol, why send your best Generals to the enemy fortress.... 😭💥 But I actually think this is interesting as well, because its likely a reference to the wars in LiveAction Maleficent... I remember watching that movie especially Maleficent 2: Mistress of Evil and just wondering why the Moors never plans (and even if they do its very simple, just charge in and overpower the enemy with strength), they just charge in instead of treating it "like a chess" where you save your best pieces in dangerous situations and everyone has a role in dispelling the enemy. They also hold this belief that only the strong ones would guarantee their success and heavily relies on them. Meanwhile, Queen Ingrid used deception and control to subdue all the faeries. Like Meleanor/Faes vs Humans, the faes never thinks about what the human enemy plans, they rely on raw dodging it lol probably alluding to the fact that the faes have trouble thinking like a human.

And lastly this point lol, poor choice of headquarters, the terrain is easy for humans to invade in, and the castle is still weak, also the fact that Wild Briar was alone in fighting several human nations was a factor as well because it couldnt get back up in time because it was too far away from Black Scale Castle, kinda adding Wild Briar was outnumbered too atp

[mxtxfanatic]

What finally pushes Wei Wuxian into a qi deviation isn’t the fact that Jiang Cheng showed up to hate-crime him and Lan Wangji, but the fact that Wei Wuxian showed up with the best of intentions—informing his dead guardians of his intentions to marry—just to be goaded into attacking their son in front of their tablets, the highest form of disrespect he could’ve performed in front of them. That Jiang Cheng could drag him down to such a level as to engage in something so disrespectful when Wei Wuxian showed up specifically to pay his respects is why it should not surprise anyone that Wei Wuxian’s last thoughts on Lotus Pier is that he wants to leave and never return:

It was only proper to show respect for the deceased. After all, they were at an ancestral hall.

...

Jiang Cheng was exactly who Wei WuXian had wanted to avoid; the last person he wanted to be seen by. Now that Jiang Cheng had found him, he knew he probably couldn’t escape fast enough without having harsh words flung his way. Wei WuXian didn’t want to start any unnecessary conflict, so he said, “I didn’t bring HanGuang-Jun anywhere that contained the Lotus Pier’s secrets. I’m just here to offer a few incense sticks to Uncle Jiang and Madam Yu. We are just leaving.”

—Chapt. 87: Core (Part 9), boat-full-of-lotus-pods

He turned to Jiang Cheng and said, “Jiang Cheng, listen to yourself. Do you even hear what you’re saying? Don’t forget who you are. You’re the leader of a sect. To insult a fellow cultivator from one of the Four Great Sects in front of Uncle Jiang and everyone’s memorial tablets. Where are your manners?”

...

All three of them had weapons out in front of the ancestral hall now. Jiang Cheng’s eyes were bloodshot as he snarled, “Fine! If you want a fight, then let’s fight! You think I’m afraid of you two?!” But just a few strikes later, Wei WuXian remembered, startled, that they stood before the ancestral hall of the Yunmeng Jiang Sect. He had only just knelt and prayed in front of Uncle Jiang and Madam Yu for their protection a few moments ago. And now he was attacking their son with Lan WangJi right under their nose! As if a bucket of cold water had just been dumped over him, suddenly, spots appeared in front of Wei WuXian’s eyes and his vision darkened.

...

Wei WuXian did not answer him. Instead, he said, “Lan Zhan...... Let’s go.” Immediately. And never come back.

—Chapt. 88: Core (Part 10), boat-full-of-lotus-pods

Tellingly enough, Jiang Cheng does not hold the same sense of shame in the fact that he instigated a physical fight in the resting place of his ancestors nor that his intentions weren't to maintain decorum when he followed wangxian into the ancestral hall to begin with. In fact, he is fueled by rage to the point of irrationality before he even steps foot into the ancestral hall, so much so that he cannot even accept wangxian disengaging from the fight and attempting to leave on their own:

All the signs pointed to the same conclusion—there was now something more between Wei WuXian and Lan WangJi. Unable to make himself turn away or step forward to speak to them, Jiang Cheng had concealed himself and followed after them, reinterpreting their every exchange and gesture through a coloured lens. Feelings of disbelief, strangeness, and slight, mild disgust had momentarily been enough to overcome Jiang Cheng’s hatred. It was only when Wei WuXian had brought Lan WangJi into the ancestral hall that Jiang Cheng’s anger reawakened. The repressed, overwhelming rage consumed his rationality and manners.

...

Lan WangJi harbored no more desire to continue the fight with Jiang Cheng. Wordlessly, he pulled Wei WuXian onto his back and turned to leave. Jiang Cheng was plagued by alarm and suspicion. He was alarmed by the terrifying sight of blood suddenly oozing out of Wei WuXian’s qiqiao. Yet he was suspicious of whether the man was faking it for an excuse to run away. After all, it was a prank that Wei WuXian had pulled quite often in the past. At the sight of the two men leaving, Jiang Cheng called, “Stop!”

—Chapt. 88: Core (Part 10), boat-full-of-lotus-pods

[cloudraker]

What would the tfp autobots (your pick) reactions would be if their neutral NB cybertonian ally goes, "Oh? You didn't know? I have a Conjux now :)" and brings the motherfucker predaking.

But hey! Atleast the predacon is a green flag. The man would do anything for the reader, respects them, and is utterly smitten. At that point the autobots wouldn't have to worry about him anymore since reader is their ally

This has been rotting in my inbox for so long,, anon if you see this thank you for your patience

TFP Preadaking with a Neutral S/O

Under the cut :)

Setting this after the war/the return to Cybertron

Assuming you didn't fight in the war, you're probably the most normal person he knows. You're probably the most normal person on Cybertron at this point. The others don't think much of it when you start spending more and more time out by yourself- there's a lot to take in now that the war is over and cybertron is so different

Your little adventures start at a few hours, then it's half a day, and before long you're gone for days at at time. That's when they start asking questions

Where have you been going? What could possibly be so important that you go missing for days at a time when there is- what do you mean you met somebody?

Having to explain that yes you met somebody and yes they're on Cybertron and well you don't know if it's a good idea if they all met him. It's all very "he goes to a different school you don't know him"

They eventually get you to agree and when you actually bring him around the Autobots are.. well they sure are there and that sure is a guy you've brought home

Predakind, to his credit, is on his best behavior. He's standing behind you (a respectable distance away from them) as you talk the others out of shooting him then and there

He doesn't stay long, much to your disappointment. A few conversations with both sides reveals their past history, leaving you caught in the middle.

The overall consensus on the Autobot side is "you're an adult, we can't stop you but it's also a really bad idea-"

Ratchet would be the most understanding- which isn't saying much. He's upset but he also knows you don't have the same feelings towards Predaking as he and the other Autobots do- to you, he's just some guy you met. While he makes his many grievances known, he also makes it clear that if anything happens you'll still have people supporting you

Magnus is.. conflicted. On one hand, part of him is glad that there's some sense of normalcy for somebody- a hope that things will be okay. On the other hand, he doesn't have an other hand

He doesn't count as an Autobot but Knockout would warn you against the predacon, calling him things like dangerous and a brute while also trying to dig any gossip out of you. Will begrudgingly make sure you're polished and shiny before you go out if you ask him for help. Very "you're going out dress like that?"

Once they get more familiar with the idea, Predaking starts making the occasional appearance

At first it's just flying by overhead, letting you know he's still around even if you haven't been able to see each other much lately. Then it's coming to meet you when you've got plans and then he's making very awkward small talk with Bulkhead while he waits for you to come out

Everybody starts to relax a bit when they see just how good he is to you. This hulking beast of a robot, built for fighting and dragged into a time not meant for him, bending to take your hand and kiss your knuckles whenever he sees you. How you never come back with a so much as a scratch on your pain and only with good things to say

He gets some serious side-eye when he enters the base for the first time, and everybody is a bit tense, but it (thankfully) all goes well

He's eventually asked to help with some repairs or some mundane task and- while somewhat reluctant- he complies. For you, of course, in an attempt to make life just a little bit easier

It's a very, very slow journey to having both your partner and the Autobots start to build even a semblance of trust, but you're willing to put in the work and Predaking is willing to put in the work for you

[girlactionfigure]

the British

SEPTEMBER 18, 2024

For many years, there has been a concerted effort to delegitimize the State of Israel as a British colonial project. These people decontextualize one single paragraph-long, non-binding statement -- the 1917 Balfour Declaration -- and ignore everything that happened before and since. 

The fact of the matter is that by the time the British actually occupied the territory that now encompasses the State of Israel and the Palestinian Territories, they actively worked with the Arabs against the establishment of a sovereign Jewish state. 

Anyone familiar with the complicated history of the conflict beyond the same tired propaganda talking points knows this. Our own grandparents know this, because it was they who suffered under British curfews, detention camps, unfair laws, and more.

THE BALFOUR DECLARATION: IN CONTEXT

In 1897, at the First Zionist Congress, the Zionist movement decided that “Zionism seeks to establish a home for the Jewish people in Eretz ­Israel [the Land of Israel] secured under public law.” In other words, the Zionist movement sought to accomplish its goals through legal means, rather than through violence. To do this, the Zionists tried lobbying a number of world powers, most significantly, the Ottomans, who then ruled over what is now Israel and the Palestinian Territories. They were unsuccessful. In fact, the Ottoman Empire tightened its anti-Jewish restrictions in the Land of Israel in response.

Meanwhile, as the Ottoman Empire weakened, a number of Indigenous religious and ethnic minorities in the Middle East, as well as the Arabs, began vying for their own independence. This was especially true during World War I, after it was revealed that the British and the French had conspired to take over the spoils of the vast Ottoman Empire once the Ottomans were defeated. Other groups that made public -- though ultimately unsuccessful -- bids for sovereignty included the Assyrians and the Kurds. In other words, given the context of the period and the region, Zionism was not an anomaly, but rather, it fell in line with what other national groups were doing at the time.

In 1916, the British promised the Arabs a unified Arab state in Greater Syria, which included what is now Israel, the Palestinian Territories, Lebanon, Jordan, and parts of Turkey. A year later, in 1917, the British signed the Balfour Declaration, supporting the establishment of a “Jewish national home,” which, in the eyes of the Arabs, contradicted the promise the British had made just the previous year.

“His Majesty's Government view with favour the establishment in Palestine of a national home for the Jewish people, and will use their best endeavours to facilitate the achievement of this object, it being clearly understood that nothing shall be done which may prejudice the civil and religious rights of existing non-Jewish communities in Palestine, or the rights and political status enjoyed by Jews in any other country.”

WHAT WAS THE BALFOUR DECLARATION?

The Balfour Declaration was a statement issued in 1917 by the British government supporting the establishment of “a national home for the Jewish people” in Palestine. 

There are two important things to keep in mind: (1) in 1917, Palestine was not yet under British rule; thus, the British had no actual power to assign it to anyone, and (2) by the time the British were given administrative powers over Palestine, they’d already changed their tune in favor of the Arab aspirations. It’s also important to note that the Balfour Declaration never specified the exact nature of this “national home for the Jewish people,”and, as such, the British felt that this promise did not actually contradict the earlier promise they had made to the Arabs in 1916 regarding a unified Arab state in Greater Syria. 

The causes for the Balfour Declaration are subject to speculation. Some historians believe the British wanted to reward Chaim Weizmann, one of the most active proponents for a Jewish state, for producing acetone, which was critical to the British war effort during World War I. Others believe the British were desperate for the Americans to enter World War I, and because they held the antisemitic view that Jews had a great deal of power over the American government, they thought that in rewarding the Jews, the Jews would reward them. Others claim Lord Balfour was a Christian Zionist -- not to be confused with a Christian who is a Zionist -- and he felt that the returning of the Jews to the Land of Israel would hasten the Second Coming of Jesus. Finally, others think the British “embraced” Zionism because they felt that it would justify their colonization of Palestine over the French colonization of Palestine, as the French were also vying for control of that strip of land.

BRITISH RESPONSE TO ARAB VIOLENCE

British rule over Palestine was characterized by appeasement to -- and oftentimes outright support for -- the Arabs, even when the Arabs carried out antisemitic massacres against the Jews. After the 1920 Nebi Musa pogrom in Jerusalem, for example, the Jews accused the British of complicity, as they had actively prevented the Jews in the Old City from getting help. In fact, it was this riot that led to the formation of the Haganah, the first Zionist paramilitary in Mandatory Palestine, as the Zionist movement realized that the British could not -- or were not willing to -- protect the Jewish population of Palestine.

In 1936, the Arab Higher Committee, the Arab leadership in Mandatory Palestine, called for a general strike and boycott of Jewish products. This quickly escalated into violence and terrorism, leading to the massacre of some 500 Jews and hundreds of British. Due to their inadequacy in protecting the Jewish population, once again, the British reluctantly agreed to arm the Haganah.

In 1937, the British issued the Peel Commission to investigate the causes of unrest in Palestine. The investigators decided that partitioning the land into one Jewish state and one Arab state was the best option -- putting partition on the table for the first time. The Jews agreed to the plan reluctantly -- the terms weren’t great, though Chaim Weizmann said the Zionist movement was prepared to accept a state “even if it’s the size of a tablecloth” -- but the Arabs rejected it vehemently. Wishing to appease the Arabs, the British immediately discarded the 1937 Peel Plan and instead rewarded the Arab perpetrators of the violence with the 1939 White Paper.

THE 1939 WHITE PAPER

Given the results of the 1937 Peel Commission, which found that it was the Arab leadership that had instigated the violence of the Arab Revolt (against Jewish immigration), the Jews in Palestine were absolutely dismayed when the British issued the 1939 White Paper.

The White Paper, in direct contradiction with the findings of the Peel Commission, called for the establishment of a singular Palestinian Arab state. The Jews felt that, in light of previous promises, hundreds of years of Arab subjugation of Jews, and Arab violence against the Jews in Palestine, a single, Arab-majority state would shatter any illusion of Jewish self-determination. 

Most damningly, the White Paper also almost entirely banned Jewish immigration, while Arab immigration continued to flow freely and without restriction into Palestine. The White Paper limited Jewish immigration to up to 75,000 people within a period of 5 years, and any further immigration would be subject to the approval of the Arabs. Keep in mind that this was on the brink of World War II, when millions of Jews were desperate to escape Europe.

Jews were also banned from purchasing any lands owned by Arabs, save for 5% of the Mandate territory. 

The Jewish Agency for Palestine issued a statement saying that the British were denying the Jews their rights in the “darkest hour of Jewish history.”

ALIYAH BET

Aliyah Bet is the code name for the wave of Jewish illegal immigration and illegal rescue missions to Mandatory Palestine between 1920-1948, and particularly after 1939, after the British passed the 1939 White Paper. Aliyah Bet happened in two phases: phase one (1934-1942/1944) and phase two (1945-1948).

The rescue missions were carried out by a network of Zionist organizations. Some 62 missions were carried out between 1937-1944, the majority of them unsuccessful and often ending with catastrophic results. 

Some 70,000 Jews, aboard 62 or 66 vessels (sources differ), attempted to reach Palestine via ship during World War II. Only ~15,000 made it safely, as most were unable to penetrate the British blockade. Five ships sunk, resulting in nearly 1,600 casualties.

After the war, the Haganah continued its illicit operations, now smuggling Holocaust survivors out of Europe. Overall, some 70,000 Jews arrived to Palestine in over 100 ships throughout the course of Aliyah Bet. This was a modest number considering the high number of Jews that attempted to travel to Palestine unsuccessfully. 

Aliyah Bet created a conundrum for the British. On the one hand, they were trying to appease the Arab Higher Committee, which decried Jewish immigration. On the other hand, the world saw the British as cruel, keeping Holocaust survivors trapped in detention camps and banning them from Palestine.

Had the British supported the Zionist movement, there would have been no need for Aliyah Bet, nor would 1600 Holocaust refugees have died at sea en route to Palestine.

DETENTION CAMPS IN CYPRUS

The 1939 British White Paper remained in effect until 1948, with the establishment of the State of Israel. After the end of the Holocaust, Aliyah Bet continued in full force. Most of the would-be immigrants -- Holocaust survivors -- were detained by the British and placed in prison and internment camps. The largest of the camps were located in Cyprus, which was a British colony at the time.

Between 1946 and 1949, some 53,510 Jews were held prisoner in these camps. The majority had arrived from the Balkans and Eastern Europe, though a small number of Moroccan Jews were imprisoned as well. 80% of the prisoners were between the ages of 13-35, and 6,000 of them were orphans. Some 2,000 Jewish children were born in the camps. After Israel’s independence, Israel evacuated the last 10,200 prisoners into Israel.

The conditions at the camps were atrocious and inhumane.Jews had to face obstacles such as poor sanitation, overcrowding, lack of privacy, and a shortage of drinkable water. The American Joint Distribution Committee, which provided medical aid, extra food rations, and more, stated that the British treated Jewish refugees in Cyprus worse than they treated Nazi prisoners of war in adjacent camps. 

Tents and barracks were overcrowded. There was a severe clothing and shoe shortage. The food was bad quality. Undoubtedly the biggest issue was lack of water, particularly during the summer, which resulted in poor sanitary conditions and the spread of disease. The British officers responsible for the refugees were unwilling and indifferent. The barbed wire and watchtowers reminded the Jewish refugees of their time in Nazi concentration camps, which was retraumatizing. Additionally, the camps had been built by Nazi POWs, which understandably upset the Jewish detainees.

Some 400 Jews died in the internment camps in Cyprus.

Jewish children in a British detainment camp in Cyprus after the Holocaust. Some 400 Jews died in these camps, due to lack of sanitation, malnutrition, subpar medical care, ill-treatment, and other poor conditions.

ATLIT

Atlit was a British concentration camp near Haifa used to hold Arabs and Jews under administrative detention (i.e. without a trial) during the period of the British Mandate. It was built in the 1930s and was primarily used to imprison Jewish refugees who arrived in Palestine. Some 10,000 Jewish refugees were held there. 

Men and women were separated upon arrival and sent to showers to be deloused with dichlorodiphenyltrichloroethane. Since many of the prisoners were Nazi concentration camp survivors, the showers were especially frightening and traumatic. Barbed wire formed a barrier between the men and women in the camp and the perimeter was surrounded by watchtowers eerily reminiscent of the Nazi camps. Children were separated from their parents. 

A nurse at Atlit described the conditions in 1947: “"...when the Jewish Agency asked me to come here, I felt maybe at last I could do something for the survivors. Then I saw the things that you're seeing now. The results of the Nazi dehumanization. People with no belief in the future, apathetic, quarrelsome, no morals...”

JEWISH INSURGENCY AGAINST THE BRITISH

Had the British been “on the side of the Zionists,” then there would have been no need for the Zionists to launch an insurgency against the British.

Zionist non-violent and violent (including terrorism) resistance to the British began after the 1939 White Paper. It was temporarily put on hold with the outbreak of the Holocaust, when the head of the Jewish Agency and future first prime minister of Israel, David Ben Gurion, announced, “We must assist the British in the war as if there were no White Paper and we must resist the White Paper as if there were no war.”

Towards the end of the Holocaust, however, the Irgun resumed its anti-British operations, when its leader and future prime minister Menachem Begin announced in February of 1944: “There can no longer be an armistice between the Jewish Nation and its youth and a British administration in the Land of Israel which has been delivering our brethren to Hitler…Our nation is at war with this regime and it is a fight to the finish.” 

The Haganah, which was under the jurisdiction of the officially recognized Jewish leadership in Palestine, remained mostly cooperative with the British, while putting pressure on them to open up Jewish refugee restrictions.

 Perhaps most infamous of all Irgun operations was the bombing of the King David Hotel in 1946, where the British held administrative quarters. Begin had warned the British of the bombing in advance, giving them ample time to evacuate their staff and hotel guests, but they didn’t listen. In the end, 91 people were killed in the bombing.

Following the bombing, the Irgun and Lehi continued attacking British police and military targets. In retaliation, the British imposed a number of restrictions on the Jewish population of Palestine,such as martial law, military curfews, random searches, and mass arrests. Tensions grew between the Haganah — which condemned the bombings — and the Irgun and Lehi.

BRITISH ANTISEMITISM

The unrest in Palestine reignited widespread British antisemitic sentiment, both within the Mandate and in Great Britain. 

For example, after the Irgun kidnapped and hung two British sergeants, British soldiers went on a rampage in Tel Aviv, indiscriminately attacking the Jewish community and killing five Jews. In Great Britain, the outraged population rioted against the Jewish community, a riot which devolved into a pogrom, with many carrying signs with messages such as “Hitler was right.”

Jews were consistently put under curfews and subjected to ill-treatment.

Winston Churchill himself wrote that the British soldiers in Palestine were strongly pro-Arab. The Jewish Agency issued frequent complaints that the soldiers made antisemitic remarks, such as “bloody Jew,” “pigs,” or even vowing to finish the job that Hitler had started. 

It was the British officers in Palestine that first engaged in Holocaust inversion; that is, the depiction of Jews as Nazis. In March of 1945 — about two months before the Nazis even surrendered — the High Commissioner of Palestine, Lord Gort, told the Colonial Secretary in London that “the establishment of any Jewish State in Palestine…will almost inevitably mean the rebirth of National Socialism [i.e. Nazism] in some guise.”

Sir John Bagot Glubb, who later became the British Commander of the Jordanian Arab Legion during the 1948 war, called Jews “unlikeable, aggressive, stiff-necked, vengeful, and imbued with the idea of [being] a superior race.”

1948

The British abstained from voting in the 1948 United Nations Partition Vote. Some British officials, most notably British Foreign Secretary Ernest Bevin, openly opposed any partition or establishment of a Jewish state.

The British fought in both official and unofficial capacities alongside the Arabs in the 1948 war. In other words, they fought against the establishment of a Jewish state and in favor of an Arab state. Most importantly, British officer John Bagot Glubb commanded the Jordanian Arab Legion in 1948.

After the British withdrew from Mandatory Palestine on the eve of Israel’s independence, they handed their arms over to the Arabs, not the Jews. In fact, it was British intelligence that convinced the Arabs to invade in 1948.

At one point in 1949, the British even considered invading the State of Israel to protect their own interests in Egypt.

In conclusion:

Before the British even set foot in Palestine, they had made contradictory promises of sovereignty to Jews, Arabs, and other Middle Eastern minorities.

However, by the time that the British actually were in Palestine, they actively did everything they possibly could to appease the Arabs, thus working to prevent the establishment of a Jewish state.

Had a Jewish state not become a reality in spite of the British, the Balfour Declaration would have long been forgotten, just like the unfulfilled promises the British made to the Assyrians and Kurds.

The fact of the matter is that virtually every border in the Middle East was carved up by the British and French, yet only the Jewish state is delegitimized on that basis. In fact, some countries were invented by the British entirely. For example, the British aided in the creation of Saudi Arabia by funding and supporting the Al Saud family, which, with their help, came to dominate a large chunk of the Arabian Peninsula. The British quite literally invented Iraq when they created the Mandate of Iraq in 1921 in part of what had long been known as other regions, including Assyria, Mesopotamia, and Babylonia. And, of course, the British created Jordan when they handed an enormous piece of the Mandate of Palestine over to the Hashemites in 1922. The Hashemites are from Arabia, not Transjordan.

For a full bibliography of my sources, please head over to my Instagram

rootsmetals

EDIT - 1948 slide - partition vote was in 1947! Sorry typo 😅

the British put Jewish children (Holocaust survivors!!!!) in concentration camps to appease the Palestinian Arab leaders, but the BaLfOuR dEcLaRaTiOn, right? 🙄 Crazy how certain people think it’s totally fine to whitewash this horrid history when this whitewashing comes at the expense of Jews and Jewish trauma. Genuinely wondering if you’d treat another minority’s history like this.

[cxndiedvi0lets]

To the American Horror Story Community. Please Read this.

Hello, you may know me as Violet or CxndiedVi0lets, but I think I'm gonna have to drop the Violet Harmon stuff.

I don't want to associate to her any longer with my Violet content. I want to address that I'm not trying to imitate the events of my life, and it's better if you guys could stop it.

The community has always been toxic that I'm aware of because of the idolisation.

Violet has only been my comfort character, and I want to establish that because I find these rumours rubbish. I chose Violet because she was the closest character that I've felt comfort in due to the correlation of the events in my life with her and I feel a sense of connection towards her that felt empowering for atleast awhile but, since life has took a toll on me, I begin to feel triggered by the concept and accusations of my correlation to the fictional character being a 'copy'. I will admit to establishing imitations for my comfort towards her, but I no longer want to correlate to her because it triggers me, especially the ongoing competition, and it makes me feel like people are assuming my life events to a similar fictional character are being taken as a joke or unserious and has become completely problematic because I've been viewed more as a "copycat" or "wannabe" rather than a person who just feels a direct connection to a fictional character.

With that said, I'd like people to remind them that these "copy cats, " "wannabes," or "imitations" may just find comfort in the character and not wanting to establish themselves AS the actual character and that you should be mindful with the things you say to others before creating that assumption.

Some people may be just expressing themselves and finding the imitation of finding a comfort character that could express for them.

I will admit, I haven't been the saint in the past either and have gone through childish conflicts, and no one does want to admit it. We all want to be Violet Harmon as some point to be empowered and viewed for being brave despite the challenges they face that may seem scary and shows an aspect of Violet, that it is okay to feel weak sometimes and that other peoples views shouldn't bother you because no matter what information people hold on you or your expression and actions are not yourself.

People have layers and flaws, and that's alright. What isn't alright is reacting to extremes. It's okay to be afraid or frustrated with events and it is normal to talk behind people but that doesn't make it right.

It's disappointing to see how this community had become a competition rather than people just connecting to each other and creating relationships of deeper expressions with unspoken words.

Sometimes 'imitations' can become extreme and don't make it right, but always be mindful that this could be a sense of expression, and it doesn't give anyone the right to comment on others and reflect them as if they are trying to be the character themselves but rather finding the character as an alter-ego of empowerment or a reflection of themself.

As for my situation, the reason I no longer want to associate with her is the events I've had associated with this community, and I'll admit. It took me some time and reflection that these are harmful and painful even if I seem strongheaded or ignorant towards the previous asks I've received. It made me feel as if no one was taking me seriously and rather displaying myself as a competitor towards an in real life imitation of a character, and it's extremely painful and just washes me to seeing the character in darker light or matter. You don't know me, and my actions do not reflect me as a person, but one thing I can assure you is. I am a person who means no harm and just wanting to express myself and had been built over paranoia from cyberbullying, and although people have told me to ignore it. It doesn't change the fact that it has and took a toll for me.

I've seen people on this community that I've cared about that has faced this challenge as well and I'm asking you all to be kind.

If you see something you don't like, talk to them or talk to a friend for advice or even so ignore it.

I have seen and heard things that have completely shattered me and my trust but, I continue to interact because im a hopeful person and I know people can change and will change but, It doesn't change the fact that the actions they have committed will be erased in my memory that may make me cautious and wary. I want to express myself as a caring individual and will set arays and boundaries if needed even if I do act to my extremes due to being mentally challenges.

As for people who think they're being copied, isn't it better to maybe talk to them and get to know them or even be closer to them?

You never know, as for @irl-violetharmon and as for @ciggiestash , I want to publicly apologise for our conflicts before even if it has passed. I want to commend her for her kindness, and as for the girls who think they're imitating others, try to push that thought away.

Because some girls just take inspiration from others, and it should be flattering to you that you have become a display as someone to look up to or idolise. That isn't something that happens to everyones lifetime.

Just because my association to Violet has ended doesn't mean I won't continuously try to express myself to the comfort of this fandom, and I have found friends and even perhaps a family. Admist the toxicity, I dislike social media for this, but besides that. I've created a foundation of friends who have helped me and freely express myself without judgement. Thank you, @jazz-berry @yandereunsolved @heartz4peter @0rfielvamp @mooniehoneyrey @fear-is-truth @hauntedrose555 and many others that I haven't tagged.

Please be a better community and better people. You have all been a part of my journey and my life despite all of it being online.

[minjoonapio]

🎐 Wind Breaker CH.155: Oath

💭 Thoughts & Analysis

⚠️ SPOILERS ⚠️

Note: Sorry for the late post. I posted way ahead on twitter on the same day the chapter dropped.

Yeah I am…ecstatic about this chapter. It’s like the anime was playing in my head and for some reason Yuki Hayashi’s MHA OST was playing at the background during the turning point of the chapter lol. So yes this is added to my fave chap list 🙂‍↕️

We finally got a POV of Chika Takiishi! I am not sure if this means that Chika has Face Blindnesss. A condition where you struggle to recognize faces or can’t interpret facial expressions and cues. It can explain the push for him not to connect with people. Or it’s just solely, like he said, he has no interest in people.

But then people like Ume and Endo came along and kept shoving themselves in Chika’s path. Ume was seen as a nobody at first, a common boulder in his path. But with how they constantly insisting being in their path, Umemiya eventually became a goal to reach; a challenge to overcome. And Chika found enjoyment in that.

The fact Chika says “these THINGS called HUMANS” He completely disassociates himself as that. It also explains why he held this stoic face for most of his pages, not a single different emotion until he faces Ume. I guess he really does see himself as what Endo does—A god.

But I think it's not only because he chooses to be this way. If he really has a condition, he is sort of forced to choose not to care, and not to give so much effort in connecting with people.

Chika looks sad that the fight is over. Before all this started, he was walking around with Endo in search of enjoyment for the past 2 years. His world has shifted ever since he met Umemiya…or since Ume kept bothering him.

Now the leader is down. What now?

You don't even need to understand Endo's reaction alone. As someone who chose to disconnect from any human interaction, Chika finally said Umemiya’s name!

Callback to what Kotoha said: "Calling someone’s name is looking at someone properly and accepting them" Chika acknowledges Ume; thankful even that he had this much fun after a long time. He even surely respects him.

This was an unexpected reaction from Sakura. When we thought he had retracted from Ume, he actually held onto the hope of the leader he knew & the words he embedded in him. Ume didn’t do anything horrific yet that makes Sakura completely lose trust. He continues to believe, not taking Endo’s previous words of past Umemiya completely to heart (last chapter).

Perhaps Sakura and Umemiya will have a chat about that after all of this is over.

Sakura echoed the words Umemiya told him that day at the Ori rooftop (what is it with Wind Breaker and rooftops?). The words that Umemiya swore by.

The same words that snapped Sakura back into shape when fighting Endo. The same thing that’ll happen back to Umemiya.

AND HERE'S THE FREAKIN' CALLBACK!! FULL CIRCLE MOMENT!!! I’M SCREAMING.

We got our Umemiya back!

The facial expressions say a lot of things. Sakura's face is saying it's about time Umemiya is in his senses. He knew their leader wouldn't be defeated that easily. While Umemiya's face is saying how could he forget the words he swore by in front of his kouhai? And now, he is throwing those words back to him in the face. At the same time, he's glad Sakura is there and believes in him.

Imagine though Sakura said all that and Ume didn’t move. That’ll be funny. I actually thought Sakura would be mad when he said those words. I expected anger because he would have Endo's chitchat of Umemiya to his head, and would be internally conflicted. So he would want Umemiya to prove him wrong; that he's not like that.

But I guess calm was chosen to show how much faith Sakura has for the leader. That he was not easily swayed by Endo's words.

Y’all…Umemiya really freakin prettified the heck out of Chika. He first cutiefied Choji and now this? Look at how Chika's eyes are lit up. He looks more HUMAN. Less stoic. We’re getting more emotions out of him. It’s like he’s been set free.

(Not gonna lie, Umemiya looks pretty good despite all the blood, cuts, dirt and sweat.)

Umemiya admitted Chika truly got to him; he triggered his rage and blinded him, which led to his initial downfall. Since there never was a clear winner in their fights, Umemiya reminds himself that Chika was doing this just so he can finally be defeated.

I think Umemiya is not only saying this to clarify with Chika, but also to himself. He won't be blinded by his emotional impulses again.

If Ume and Chika were left alone on the rooftop, Ume would lose.

As a leader, Ume has always carried on his own this weight of protecting his beloved town and found family. He makes sure everyone is happy. Because of that, he would suffer under that weight and lose his strength.

With Sakura there in that rooftop, at the top, Umemiya is reminded that he’s not alone in carrying this weight.

It doesn’t surprise me that Umemiya would ask that of Chika. It’s so him. He’s all about connecting through conversations. Whether through fights or sitting down & eating together. I believe for the longest time Ume wanted to get to know Chika more, other than have him join them in the first place.

Chika finally accepting a deal with Umemiya is huge. He never took any interest in the so called “humans”. With the way Chika LOOKS at Ume, he has already acknowledged, respects, and is thankful to Ume. And I’m sure he wants to have fun fighting him again.

Oh the way Umemiya says those words so confidently. We’re gonna have one hell of an amazing fight in the next chapters. This last page I believe has already told us who’ll win.

--

I believe we will have that talk of Chika and Ume; Chika will talk more about himself. And Ume and Sakura will have a chat as well later on when it's all over; more details of how Bofurin came to be.

Someone in twitter hopes the BBQ party is still on. And I imagine that Chika and Endo will be there. Wouldn't that be a spectacle? 😆 I don't think it's impossible, given how the manga is so far.

[paeliae-occasionally]

hi pae pae!!!

what is your process of designing your maps? and how do you approach lore? how does that brilliant mind of your work to create such fascinating history and complex worldbuilding?

je would like to know the trade secrets pretty pls

p.s. how far along are you on xaeren? if it’s not far enough, im afraid i’m going to have to start protesting soon… 😔

p.p.s. before you say school is taking up your time—understandable. have a great day. keep being brilliant. i just really want more xaeren content.

p.p.p.s. in my head, i imagine xaeren as so mighty fine that there’s an occult in some middle school of a suburban neighborhood with an old classroom turned into a shrine for his feral fangirls to host club meetings simping over him

that’s it’s. that’s all the pspspsppsss i have. miss you! have a great day! cheerios!

Hello Naveena! Lots of questions! We will go through them one at a time.

What is your process of designing your maps?

So with maps I will start by just noting down the history and current function of the city which gives me an idea of style and layout e.g. all of the cities that were part of the Laith’Edrels have lots of circular designs whereas a modern altic city may have more typical alleyways and rectangular buildings Next I plot in the districts of the city, like where the upper class live, where the high streets are etc. I also add any key buildings at this time, like a plot relevant church or a mages tower. Lastly I go back in and draw boxes and house shapes for 2 hours.

How do you approach lore?

A lot of my lore is just a set of stories where I look at a place on the map, or a group of people and go ‘what could have happened here?’ The bigger worldbuilding points like the dissolution came from me wanting to have magical decay from fewer more powerful beings to more less powerful beings, so I needed gods. However it always frustrates me when there are canonically gods in a world who just sit back and ignore the world crashing and burning as one frustrated hero has to fix the problem, so I made a reason for them to be gone

History and worldbuilding

Honestly a lot of my history writing was based off of the large amounts of real life history I read in my free time. Studying how cities and empires develop then putting my own spin on them because magic would change some things. Worldbuilding comes from my maps really. I will label different cultures on the map then come up with myths and legends for that culture, magic specific to them or their ancestors, wars and internal conflict. Then that spirals into pages of notes on the socioeconomic background for Onkairel. It is lots of fun.

“would like to know the trade secrets” she says after writing a whole book with detailed political lore and plenty of depth to the world.

You know the secrets. You also know the secrets to actually writing the book too.

So about Xaeren…

I will be writing the scene where he meets Kell soon so I will tag you in it when I do, but you are right about the school work :( so it may take a little while.

“an occult in some middle school of a suburban neighborhood with an old classroom turned into a shrine for his feral fangirls to host club meetings simping over him”

So you say that jokingly… No, to be fair he isn’t known for his an appearance but he is quite well known in Zairel as an assassin and member of house Hiresias. He is terrifying and intriguing to many because of his unique magic that Lysandri can’t explain so I would not be surprised if there was discussion of him in the lower ranks of Lysandri and Hiresias.

I will write some Xaeren soon. Have a lovely day <3

[necrotic-nephilim]

omg another Tim Drake multishipper, hello!! :3 I haven't seen much Tim/Dick, but I'm a HUGE fan of DamiTim and JayTim!

If I may ask, what are things about Tim/Dick that you like? I haven't seen that ship before, so I'm curious! :)

hello!!! i am the biggest Tim multishipper, i will ship that guy with anyone and everyone. but i have such a soft spot for DickTim and would LOVE to talk about them oh my god

there are so many angles you can use to look at DickTim, but the primary one is their relationship to the Robin mantle and how it influences their relationship to each other. Tim is the Robin that Dick chose and gave his mantle to. because while yes, Dick accepted Jason as Robin, Dick was *not* the one who gave Robin to Jason, that was Bruce. and Dick didn't fully approve of it, not as a slight to Jason but just being protective of his mantle. but Dick approved of and gave his mantle to Tim. and on Tim's side, when Tim came to Dick in the first place, it was to ask *Dick* to be Robin, not to be Robin initially. Tim is Robin because Dick refuses and guides him into that role.

with Dick and Tim in general, there's this repeated insistence on both sides that they know what's best for the other and will try to force the other into that role. Tim thought Dick being Robin was best for Dick (and Bruce) and tries to persuade Dick into that role. and later on, when Dick gives Robin to Damian, in the fandom it gets treated as some big asshole move, but in reality Dick does it because he sees Tim as his equal. he thinks Tim is ready to move on from Robin and doesn't want Tim to be his Robin when Dick is Batman because it would be insulting to Tim. and i'm not going to get into whether or not Dick handled that correctly bc that's a whole other post and that moment gets fanonized as it is, but the point is, Dick was doing what he thought was best for Tim. and the driving force of *any* of their conflict is never genuine malice, it's one of them trying to do what they think is best for the other and it causing disagreements. all of their conflict is born out of love and care for each other. when Dick doesn't believe Tim about Bruce being alive, it's not out of doubt of Tim's detective skills, it's out of love and concern for Tim's mental state. (bc historically, Tim has proven very poor at coping with grief) and i personally deeply enjoy ships that are a tad fucked up and dead dove, and the best way to dead dove DickTim is to make them *too* controlling of each other. they try too hard and go too far trying to "help" each other and that can make for some messy middle ground.

but even at their worst, they still make up. Tim and Dick still managed to get back on good ground after the whole Red Robin thing and Dick immediately trusted and believed Tim. their relationship is not a perfect one, but it's one born out of love and trust. neither of them handle being angry/distant with each other for long and they will always attempt to mend things. i'm rarely a New-52 fan but, i've always loved Tim's reaction during Grayson (2014) when he finds out Dick is alive. (Dick died but came back and has been forced by Bruce to continue faking his death bc he's undercover and all) of everyone, it's Jason and Tim who have the worst reaction to Dick being alive. it's an incredibly hurt betrayal. Tim loves Dick so much he can't fathom the idea of doing that to Dick, so he doesn't know why Dick could do that to him. it's one of my fave DickTim moments. the deep hurt and how long it takes to rebuild that trust. but still Tim immediately works with Dick and is willing to help him with a mission. no matter how angry he is, he will always let Dick in and be there when Dick needs him. it's so crunchy to me. they're not always *good* at making up in their low moments, but they will never stop trying.

furthermore, i know fanon has sort of latched onto "Jason was Tim's Robin/hero" which is certainly cute and fun as a concept, but Tim is canonically the biggest fanboy of Dick Grayson to exist. he loves Dick and he loves the mantle of Robin that Dick has created. i personally firmly believe Tim at some point had a childhood celebrity crush on Dick and i can't be convinced otherwise. Tim views Dick through the lense of Robin bc Tim is just massively Weird about the Robin mantle in such interesting ways. when Tim hallucinates Dick encouraging him during Batman (1940) #456, he hallucinates Dick as Robin, not Nightwing. there's such a pedestal that Tim puts Dick on in his mind, i think it's very easy to see that be a romantic attraction. during the Unternet arc of Red Robin (2009), when Tim is in the Unternet his Red Robin suit looks like a Nightwing suit. it's *very* clearly derivative, and that suit was created by his subconscious as how he sees himself. (as per how the Unternet works and all) so Tim's *idealized* version of Red Robin is built off of Nightwing's image.

more on Dick's side of things, when Dick kills Joker during Joker: Last Laugh #6, he does it because he thinks Joker killed Tim. and to be clear this isn't a heat of the moment thing. this is premeditated, multiple characters try to stop him from finding Joker because he fully plans to kill him, and does. (ofc Bruce gives him CPR and all) it's *Tim's* death that pushes Dick over the edge to compromise his morals, even when he knows killing Joker is just letting Joker win. he can't get over his anger over Tim's supposed death though. Dick is incredibly protective of Tim and I think that's fun to play with how far Dick is willing to go for Tim compared to everyone else.

a lot of characters in the Batfam are purposefully entangled, but Dick and Tim feel very fated in a specific way. Tim was there, when Dick's parents died. he saw it happen and from that moment on, his whole life's trajectory was changed in the direction of Dick. i would argue it's Dick that brought Tim into the fold, not Bruce. there's just so many countless moments of them looking up to each other, checking in on each other, helping each other out, etc, especially during the 90s/2000s. they work remarkably well as a united front against Bruce, for me. when they need to hide something from Bruce or just need someone on their side when Bruce is being Bruce, they always go to each other and trust each other far more than Bruce trusts either of them at times. i think a lot about their dynamic during Batman: Prodigal and how being Batman and Robin while Bruce was... off doing who knows what served as a bonding moment. no one else was really around, it was just Dick and Tim relying on each other and getting to know each other better.

of all of Tim's relationships in the Batfam, i would personally argue he's closest to Dick. so much love is already built into relationship, so turning it romantic is a natural and easy step. you can add a lot of conflict from their more unstable moments of attempting to make choices for the other or just have a very sweet and loving partnership because of their trust in each other. it's such a good ship to me.

[lurkingshan]

On the one hand, I love that Naughty Babe is giving Diao so much agency to be the one figuring things out and calling the shots in his relationship. On the other hand, Yi is getting zero character development because instead of owning up to anything or doing any effective problem solving for his own issues, he just waits for Diao to figure it out on his own and then they shrug and move on. It’s quite a bizarre approach to resolving conflicts in the story.

[dykedvonte]

Ulysses obsession with the Courier is a special type of sad to me cause the Courier’s part was so important but so unwitting. They had no idea what was in the package they delivered and neither did he. Neither had an idea of what it could’ve done and the Courier was only caring out their job (mind you the Courier could be killed via notes in the express contract if they don’t). To them it was just another regular delivery to the divide and one that they likely thought would help, just like all the ones before.

It’s so tragic for Ulysses to hold so much ire to the Courier when it really was the case of it could’ve been anyone. Anyone could have delivered that package but they did and so he focused the blame on them and it destroys what he is trying to instill in the courier on a fundamental level.

[fujii-draws]

OKAY! Chatot rant in tags below! Read at your own discretion.

[bigskydreaming]

The thing that kills me about the Star Wars prequel trilogy and why I will die on my hill that my problem is not that Star Wars is a tragedy, its that its a badly written tragedy, is that Anakin Skywalker was at his closest to being a good Jedi when he was ten years old.