#what writer isn’t at least a little
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maddilynmuse · 3 months ago
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Another round in the ring for a fight that doesn’t stop. The crowd’s near-empty, no matter how I try. Maybe that’s better.
Life beats me down again. Blows coming one after another with barely a second to breathe. Our gloves have long gone missing, all I can do is bite and scratch. Seize it with my teeth, our blood in my mouth as another tooth goes flying.
A hook to the chest. I fall down again.
What little crowd remains tells me to stop getting my hopes up. Stay down. It’s not worth it. I’m exhausting myself for nothing. Getting hurt for nothing.
Hah. As if Life were so nice as to stop fighting just because I do.
Hope whispers in my ear. Get up. Block. Endure. Throw another punch. It hurts, it hurts, and that means that I’m alive. I’m convinced it won’t stop hurting until I roll over and die.
And usually I’d say an eye for an eye makes the whole world go blind.
But if it keeps hitting me anyways, don’t I at least have to try?
—————
If you want to help me keep swinging, maybe buy me a Kofi?
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platypusisnotonfire · 6 days ago
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I just found a draft of a WIP I totally forgot I was writing when I was a teenager and it is digging its claws into me
This book is really barely more than Strong Vibes but it had a character that was raised in a more intense and even more soulless version of the peacekeepers in Farscape, like military society, kids trained from basically birth, don’t know their families, but now with Even More Brainwashing and Creepy Cultlike Stuff.
Character doesn’t even have a name or permanent numerical designation, the absolutely only identifying thing they have is a chip in their wrist that is only readable by computers and is used when assigning missions. On every mission you get a different designation number or code name. They are stripped SO completely of any sense of identity.
Character never been on a planet, never even was taught about planets in schooling or taught what a family is or anything even academically. Has no concept of gender because reproduction is completely done in a lab and no biology of any type is ever taught to the grunt soldiers.
Additionally: never heard music.
Turns out they are an absolute musical prodigy the SECOND they are introduced to music
Like off the charts August rush nonsense.
Then proceeds to have crisis after crisis about that because if I wasn’t taught this then it must be heresy, but how could anything so perfect and beautiful not be from god
#I’m certainly not going to finish writing this book but by god I wish someone would#I want to read this story#Vi isn’t even like the main character it’s very much an ensemble cast#but man that whole story line is GRIPPING me#I want to know how their life progresses#also actually READING the draft itself is so painful my teenage writing was SO BAD#but like I remember what I was picturing and conceptualizing at the time and that hypothetical scene is what I get playing in my head#despite the very cringe writing#it’s the Vibes man#there are SO MANY VIBES#I have a lot of visual sets and musical pieces and emotional beats flowing in my head about it#not a lot of words#why am I a writer#like literally fr fr why did writing become my main art form that I’m freaking compelled to do#when 98% of my ideas are visual and music#and I have no idea how to translate that to words#I started writing before I could physically WRITE.#I made little books when I was like 2 and 3 of pictures I cut out of magazines and pasted into paper and stapled together#in some order that my toddler brain understood to be a narrative#like literally why did I gravitate to writing books when words are my least skillful area#maybe because making a tv series is what I’m designed for but don’t have the budget for lol 😂#probably why exodus terminal is my longest running and most likely to be completed project#I’ve written close to a million words in Exodus (most of them not linearly connected)#whereas my MOST completed other work was 50k#most books I’ve started get something like 3k-10k total words#spread over like 5-20 disconnected scenes#before I lose motivation#writing a book series paced like a tv series is really where I’m finally getting traction#also building the exodus terminal video game is getting those Visual Art energies out of my body when I don’t have Word Energy
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irukasito · 1 month ago
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something to remember when writing kakashi:
- he can be a silly little guy 🫶‼️
something to remember when writing iruka:
- he has anger issues 🫶‼️
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whumpypepsigal · 2 years ago
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hello my dear friends! it’s been a minute
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🎶gloooooorioussssss new whump posts coming in hot🎶
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✨hurt✨comfort ✨found family✨
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the-travelling-witch · 2 years ago
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i can tell you guys aren’t as fond of the entertainment industry which is a shame bc idol! childe, model! kaeya and club owner! diluc are very tasty :(
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veinpursuer · 5 months ago
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WHERE’S MY FUKING CAPO
#my post#funny#relatable#guitar#music#bjork#wait you can only have 30 tags the joke is much less funny if i don’t have a fucking wall of the stuff i guess i’ll just make this one reall#and 140 characters per tag this is stifling my creativity meh i was running out of popular tags anyway bjork’s not that popular of a tag tho#tbh i was running out of inspiration after like the 4 tag this joke was not meant to be at least not by my hand and i guess it wasn’t that f#unny either i cooled down real fast on that one you know what i’m pivoting this is no longer popular tags just my train of thought for as lo#ng as i feel like it the first few one might not even make sense when i’m done but who cares not me clearly it is quite annoying how i can’t#use commas tho make’s this harder to read than it needs to any way i lost my capo for like the third time my desk isn’t even that messy but#don’t know where else i would’ve put it it’s not lying on any of my instruments either i probably put it quote somewhere i would remember un#quote but clearly i didn’t i’m usually very good at remembering where i put things put the capo is the zone in between i use this often and#i use this every other year so i never remember where it is stored it is 1 am so i guess i’m going to bed soon anyway but still this is goin#g to annoy me until tomorrow i don’t even need it right i’ve had to remove so many tags the original joke barely makes sense anymore i’m kee#ping bjork tho you can pry her out of my cold dead hands not that i really listen to her music or know her i just like saying her name i’ts#got good mouth feel and it’s fun to spell i didn’t realize how long filling 30 tags would be what’s 140 times 30 let me look it up 4200 this#makes this post my biggest project by like 3000 words the only time i’ve written any meaningful lengths of texts was in college and i’m a dr#opout what 4200 characters not words silly little me makes a lot more sense now that i think about it i’m getting tired of writing so this m#ay end soon i would like to not go to bed at 4 am for a silly little post 2 people are going to read plus i am running out of ideas of thing#s to write i am very much not a writer writing scares me even writing lyrics for songs terrifies me i’ve only manage to write lyrics for one#without getting too self conscious and imploding but i’m better at writing songs with vocals i’ve never had anyone to write music with and w#ithout the ability to sing or write lyrics it’s been difficult the singing has been more or less remedied with synth v but the puter can’t w#rite lyrics for meso until i get a lyricist friend i will have to toughen up you can’t make art without making yourself known to those who c#onsume it but lyrics and poetry has always been 1 step too far for me tbh i’d rather spontaneously combust rather than let people know me i#do not look at my very numerous in stars and time posts and reblogs they are completely unrelated to this don’t think about it oh look behin#d you there’s a distraction oh you’ve missed it i have been writing this for half an hour and i am getting so sick of it i revealed informat#ion about the inner machinations of my mind i have not done this since last time i saw a therapist 5 years ago this is fucked up what a self#impose writing challenge can do to you luckily this is the last tag i’m doing lucky me well this was fun this is going to end suddenly so do
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yeoldenews · 1 year ago
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A Guide to Historically Accurate Regency-Era Names
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I recently received a message from a historical romance writer asking if I knew any good resources for finding historically accurate Regency-era names for their characters.
Not knowing any off the top of my head, I dug around online a bit and found there really isn’t much out there. The vast majority of search results were Buzzfeed-style listicles which range from accurate-adjacent to really, really, really bad.
I did find a few blog posts with fairly decent name lists, but noticed that even these have very little indication as to each name’s relative popularity as those statistical breakdowns really don't exist.
I began writing up a response with this information, but then I (being a research addict who was currently snowed in after a blizzard) thought hey - if there aren’t any good resources out there why not make one myself?
As I lacked any compiled data to work from, I had to do my own data wrangling on this project. Due to this fact, I limited the scope to what I thought would be the most useful for writers who focus on this era, namely - people of a marriageable age living in the wealthiest areas of London.
So with this in mind - I went through period records and compiled the names of 25,000 couples who were married in the City of Westminster (which includes Mayfair, St. James and Hyde Park) between 1804 to 1821.
So let’s see what all that data tells us…
To begin - I think it’s hard for us in the modern world with our wide and varied abundance of first names to conceive of just how POPULAR popular names of the past were.
If you were to take a modern sample of 25-year-old (born in 1998) American women, the most common name would be Emily with 1.35% of the total population. If you were to add the next four most popular names (Hannah, Samantha, Sarah and Ashley) these top five names would bring you to 5.5% of the total population. (source: Social Security Administration)
If you were to do the same survey in Regency London - the most common name would be Mary with 19.2% of the population. Add the next four most popular names (Elizabeth, Ann, Sarah and Jane) and with just 5 names you would have covered 62% of all women.
To hit 62% of the population in the modern survey it would take the top 400 names.
The top five Regency men’s names (John, William, Thomas, James and George) have nearly identical statistics as the women’s names.
I struggled for the better part of a week with how to present my findings, as a big list in alphabetical order really fails to get across the popularity factor and also isn’t the most tumblr-compatible format. And then my YouTube homepage recommended a random video of someone ranking all the books they’d read last year - and so I present…
The Regency Name Popularity Tier List
The Tiers
S+ - 10% of the population or greater. There is no modern equivalent to this level of popularity. 52% of the population had one of these 7 names.
S - 2-10%. There is still no modern equivalent to this level of popularity. Names in this percentage range in the past have included Mary and William in the 1880s and Jennifer in the late 1970s (topped out at 4%).
A - 1-2%. The top five modern names usually fall in this range. Kids with these names would probably include their last initial in class to avoid confusion. (1998 examples: Emily, Sarah, Ashley, Michael, Christopher, Brandon.)
B - .3-1%. Very common names. Would fall in the top 50 modern names. You would most likely know at least 1 person with these names. (1998 examples: Jessica, Megan, Allison, Justin, Ryan, Eric)
C - .17-.3%. Common names. Would fall in the modern top 100. You would probably know someone with these names, or at least know of them. (1998 examples: Chloe, Grace, Vanessa, Sean, Spencer, Seth)
D - .06-.17%. Less common names. In the modern top 250. You may not personally know someone with these names, but you’re aware of them. (1998 examples: Faith, Cassidy, Summer, Griffin, Dustin, Colby)
E - .02-.06%. Uncommon names. You’re aware these are names, but they are not common. Unusual enough they may be remarked upon. (1998 examples: Calista, Skye, Precious, Fabian, Justice, Lorenzo)
F - .01-.02%. Rare names. You may have heard of these names, but you probably don’t know anyone with one. Extremely unusual, and would likely be remarked upon. (1998 examples: Emerald, Lourdes, Serenity, Dario, Tavian, Adonis)
G - Very rare names. There are only a handful of people with these names in the entire country. You’ve never met anyone with this name.
H - Virtually non-existent. Names that theoretically could have existed in the Regency period (their original source pre-dates the early 19th century) but I found fewer than five (and often no) period examples of them being used in Regency England. (Example names taken from romance novels and online Regency name lists.)
Just to once again reinforce how POPULAR popular names were before we get to the tier lists - statistically, in a ballroom of 100 people in Regency London: 80 would have names from tiers S+/S. An additional 15 people would have names from tiers A/B and C. 4 of the remaining 5 would have names from D/E. Only one would have a name from below tier E.
Women's Names
S+ Mary, Elizabeth, Ann, Sarah      
S - Jane, Mary Ann+, Hannah, Susannah, Margaret, Catherine, Martha, Charlotte, Maria
A - Frances, Harriet, Sophia, Eleanor, Rebecca
B - Alice, Amelia, Bridget~, Caroline, Eliza, Esther, Isabella, Louisa, Lucy, Lydia, Phoebe, Rachel, Susan
C - Ellen, Fanny*, Grace, Henrietta, Hester, Jemima, Matilda, Priscilla
D - Abigail, Agnes, Amy, Augusta, Barbara, Betsy*, Betty*, Cecilia, Christiana, Clarissa, Deborah, Diana, Dinah, Dorothy, Emily, Emma, Georgiana, Helen, Janet^, Joanna, Johanna, Judith, Julia, Kezia, Kitty*, Letitia, Nancy*, Ruth, Winifred>
E - Arabella, Celia, Charity, Clara, Cordelia, Dorcas, Eve, Georgina, Honor, Honora, Jennet^, Jessie*^, Joan, Joyce, Juliana, Juliet, Lavinia, Leah, Margery, Marian, Marianne, Marie, Mercy, Miriam, Naomi, Patience, Penelope, Philadelphia, Phillis, Prudence, Rhoda, Rosanna, Rose, Rosetta, Rosina, Sabina, Selina, Sylvia, Theodosia, Theresa
F - (selected) Alicia, Bethia, Euphemia, Frederica, Helena, Leonora, Mariana, Millicent, Mirah, Olivia, Philippa, Rosamund, Sybella, Tabitha, Temperance, Theophila, Thomasin, Tryphena, Ursula, Virtue, Wilhelmina
G - (selected) Adelaide, Alethia, Angelina, Cassandra, Cherry, Constance, Delilah, Dorinda, Drusilla, Eva, Happy, Jessica, Josephine, Laura, Minerva, Octavia, Parthenia, Theodora, Violet, Zipporah
H - Alberta, Alexandra, Amber, Ashley, Calliope, Calpurnia, Chloe, Cressida, Cynthia, Daisy, Daphne, Elaine, Eloise, Estella, Lilian, Lilias, Francesca, Gabriella, Genevieve, Gwendoline, Hermione, Hyacinth, Inez, Iris, Kathleen, Madeline, Maude, Melody, Portia, Seabright, Seraphina, Sienna, Verity
Men's Names
S+ John, William, Thomas
S - James, George, Joseph, Richard, Robert, Charles, Henry, Edward, Samuel
A - Benjamin, (Mother’s/Grandmother’s maiden name used as first name)#
B - Alexander^, Andrew, Daniel, David>, Edmund, Francis, Frederick, Isaac, Matthew, Michael, Patrick~, Peter, Philip, Stephen, Timothy
C - Abraham, Anthony, Christopher, Hugh>, Jeremiah, Jonathan, Nathaniel, Walter
D - Adam, Arthur, Bartholomew, Cornelius, Dennis, Evan>, Jacob, Job, Josiah, Joshua, Lawrence, Lewis, Luke, Mark, Martin, Moses, Nicholas, Owen>, Paul, Ralph, Simon
E - Aaron, Alfred, Allen, Ambrose, Amos, Archibald, Augustin, Augustus, Barnard, Barney, Bernard, Bryan, Caleb, Christian, Clement, Colin, Duncan^, Ebenezer, Edwin, Emanuel, Felix, Gabriel, Gerard, Gilbert, Giles, Griffith, Harry*, Herbert, Humphrey, Israel, Jabez, Jesse, Joel, Jonas, Lancelot, Matthias, Maurice, Miles, Oliver, Rees, Reuben, Roger, Rowland, Solomon, Theophilus, Valentine, Zachariah
F - (selected) Abel, Barnabus, Benedict, Connor, Elijah, Ernest, Gideon, Godfrey, Gregory, Hector, Horace, Horatio, Isaiah, Jasper, Levi, Marmaduke, Noah, Percival, Shadrach, Vincent
G - (selected) Albion, Darius, Christmas, Cleophas, Enoch, Ethelbert, Gavin, Griffin, Hercules, Hugo, Innocent, Justin, Maximilian, Methuselah, Peregrine, Phineas, Roland, Sebastian, Sylvester, Theodore, Titus, Zephaniah
H - Albinus, Americus, Cassian, Dominic, Eric, Milo, Rollo, Trevor, Tristan, Waldo, Xavier
# Men were sometimes given a family surname (most often their mother's or grandmother's maiden name) as their first name - the most famous example of this being Fitzwilliam Darcy. If you were to combine all surname-based first names as a single 'name' this is where the practice would rank.
*Rank as a given name, not a nickname
+If you count Mary Ann as a separate name from Mary - Mary would remain in S+ even without the Mary Anns included
~Primarily used by people of Irish descent
^Primarily used by people of Scottish descent
>Primarily used by people of Welsh descent
I was going to continue on and write about why Regency-era first names were so uniform, discuss historically accurate surnames, nicknames, and include a little guide to finding 'unique' names that are still historically accurate - but this post is already very, very long, so that will have to wait for a later date.
If anyone has any questions/comments/clarifications in the meantime feel free to message me.
Methodology notes: All data is from marriage records covering six parishes in the City of Westminster between 1804 and 1821. The total sample size was 50,950 individuals.
I chose marriage records rather than births/baptisms as I wanted to focus on individuals who were adults during the Regency era rather than newborns. I think many people make the mistake when researching historical names by using baby name data for the year their story takes place rather than 20 to 30 years prior, and I wanted to avoid that. If you are writing a story that takes place in 1930 you don’t want to research the top names for 1930, you need to be looking at 1910 or earlier if you are naming adult characters.
I combined (for my own sanity) names that are pronounced identically but have minor spelling differences: i.e. the data for Catherine also includes Catharines and Katherines, Susannah includes Susannas, Phoebe includes Phebes, etc.
The compound 'Mother's/Grandmother's maiden name used as first name' designation is an educated guesstimate based on what I recognized as known surnames, as I do not hate myself enough to go through 25,000+ individuals and confirm their mother's maiden names. So if the tally includes any individuals who just happened to be named Fitzroy/Hastings/Townsend/etc. because their parents liked the sound of it and not due to any familial relations - my bad.
I did a small comparative survey of 5,000 individuals in several rural communities in Rutland and Staffordshire (chosen because they had the cleanest data I could find and I was lazy) to see if there were any significant differences between urban and rural naming practices and found the results to be very similar. The most noticeable difference I observed was that the S+ tier names were even MORE popular in rural areas than in London. In Rutland between 1810 and 1820 Elizabeths comprised 21.4% of all brides vs. 15.3% in the London survey. All other S+ names also saw increases of between 1% and 6%. I also observed that the rural communities I surveyed saw a small, but noticeable and fairly consistent, increase in the use of names with Biblical origins.
Sources of the records I used for my survey: 
Ancestry.com. England & Wales Marriages, 1538-1988 [database on-line].
Ancestry.com. Westminster, London, England, Church of England Marriages and Banns, 1754-1935 [database on-line].
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nereidprinc3ss · 4 months ago
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do you believe me now? | 8
it's the morning after. spencer reid suspects you’re left with some doubts after losing your virginity to him. he has to figure out why—which is hard when you're keeping secrets.
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this series is 18+ warnings/tags: fem!reader, blood related to losing virginity (dramatized for the drama duh), super vague allusions to the BAU being hungover, mild blasphemy if anyone even cares, pondering god bc am I really a fanfic writer if I don’t get a little religious w it, emily AND hotch are here and nobody knows why pls don't pay attention to that bc we are imagining like season 11/12 spencer and I'm inconsistent w who is unit chief in this series apparently, spencer slut lore, spencer emotional wounds lore, Spencer is a traumatic situationship survivor a/n: DADDYS HOMEEEEE (me and dybmn not spencer) anyway missed these little guys and am happy to be writing for them again!! idk what my upload schedule will becoming back to this but pls lmk what u think of this part, I have no idea how you will respond but I'm being brave and ily
Friday morning Spencer comes into the office fifteen minutes late (he tried his best), in yesterday’s suit (everything in his go-bag had been too wrinkled), hair messy (no doubt from your fingers), coffee cold (he’s exhausted) and overall, in an excellent mood.
The rest of the team isn’t faring quite as well—Spencer gathers they stayed at the bar celebrating Derek’s birthday a lot later than he had. It shows through sallow skin and dark circles and the grimaces he receives on the way to his desk that are probably supposed to approximate good morning’s. 
Honestly, he doesn’t mind the dull mood—he doesn’t need the teasing and the prying questions that would be sure to come if his co-workers were at peak performance and were able to put together his unusually perky demeanor and disheveled appearance. At least Prentiss doesn’t appear to be paying him any mind. She’s always the one who can read him like an open book and has no shame in doing so aloud. Echoes from years of, ‘so who was the lucky girl, last night, Reid?’ Still ring through his mind and it’s like he can feel her finger prodding at his side. 
The Emily of it all makes him smile, though the rest of the memory leaves a metal tang in his mouth. Back in those days, there were sometimes a lot of girls, but even then he was consciously aware he wasn’t necessarily doing something he enjoyed. He spent a lot of time, actually, staring at his bedroom ceiling, psychoanalyzing himself. Repetition compulsion. The insatiable desire to repeat or reenact emotionally painful experiences. Maybe he thought if he could teach himself to subsist off of emotionless hookups, he could in some way heal from his experience with Elle. Though, he’s hesitant to think of it now as healing—it’s not like he didn’t know what he was doing when a few nights after she said I don’t feel the same I’m sorry he opened up his front door for her. It’s not like he didn’t know what he was doing every time after that. So, maybe heal isn’t the right word, when one doesn’t have the right to be injured. Or when the injuries are, in a manner of speaking, self-inflicted. At the very least he could tell himself that this time around, meaningless sex was a choice he was making for himself. Spencer hates when things just happen to him. 
But you—you’re different. You were a complete surprise. At first, a cute and unexpected complication. After a few painful and short-lived attempts at real relationships, Spencer decided he was simply not to be trusted with emotional intimacy of any kind, including that which inevitably develops from physical intimacy, and would resign himself to a life of celibacy. He tried not to like you, but you were just so damn likable. Magnetic, to use a trite and perfectly honest turn of phrase. All that to say: he doesn’t regret you at all. There is no filter of putrid shame or anguish over his memories of last night. 
Just you. Perfect. Starlit. Glowing softly around the edges like you’re not even real. 
I love you I love you I love you. A hymn with no melody. You, always reminding him exactly why he is decidedly not a man of faith. At least, not in the typical sense of the word. 
How God became the idol and not Mary is lost on him. That’s why, Spencer supposes, tapping an eraser on his desk, marriage and sex were forbidden for so many ecclesiastics. After all, if they knew what it was to love a woman, specifically to love you, he doubts they’d feel like spending much time in the pulpit. Love. Humans had that long before they had any gods. It’s primeval. It’s the most natural manifestation of devotion and worship. It will always have come first. Isn’t it a better kind of religion when a man realizes he can kneel in front of a woman rather than an altar?
A heavy hand falling on his shoulder jolts him from his theological musings—which are in all practicality useless. What’s that saying about blasphemous thinking on the FBI’s dime? Right. There isn’t one. 
“I’m scared to ask,” Morgan says as Spencer jumps slightly in his chair. 
“What?” He mumbles, looking up from the document he’d only sort of been reading.
Morgan just looks at him, strong brows furrowed and a ditch between them, angles his head and glances to the side as if Spencer is missing the obvious. He almost follows Derek’s eye-line. When that doesn’t work, Derek just says your name. Like your status is somehow in question. 
“Did you two work things out, or not? It looked pretty bad when you guys were leaving last night.”
People often misunderstand an eidetic memory. It’s not like things can’t slip his mind—Spencer can actually be quite forgetful. It’s made worse by the fact that last night at the bar feels like months ago. For a moment, he has no idea what Derek is referring to. 
“Oh. Oh! Right, we—right. Yeah, we, uh—we worked it out.” Before Derek has a chance to read his face, no doubt as incriminating as his fumbled speech and an ill-timed throat clearing, he turns back to his paperwork. “Thanks for keeping an eye on her at the bar. I appreciate that.”
It’s quiet for a moment, and Spencer’s lips twist as he can feel the incoming inappropriate comment. 
“Is that the same suit you were wearing last night?” Morgan quips, his wide grin audible. Spencer can practically hear the cartoon gleam of his friend’s bleached teeth. 
“No.”
“You dog.” Derek is still smiling as he claps Spencer’s shoulder again. “What did you say to her that worked so well?”
Spencer clears his throat again and tries to look extremely involved in logging onto his computer, speaking quickly as if he’s beyond disinterested and can’t wait for the exchange to be over. 
“I don’t know what you’re talking about. I’m actually trying to work so if you wouldn’t mind going back to your desk that would be great.” 
“Uh-huh. I’ll let you work. But I see you, pretty boy.”
Spencer tries not to blush like a teenager as he refuses to look up. 
Naturally the rest of the day is a slow descent into dread and madness as all those good feelings with which Spencer had started his morning begin to harden into something much worse, chilled by your lack of response to the text he sent you earlier. Which was essentially a rehashing of the note he left on your bedside table. 
Maybe it was too much. It should’ve been one or the other, but not both. He’s overwhelmed you. 
Okay, so maybe this is what religion is for. A last ditch effort when you can’t talk to your girlfriend so you have to try talking to God. 
But Spencer knows you, and he knows something is wrong. You wouldn’t just ice him out so blatantly if everything was okay. He catches himself glancing up toward Hotch’s window to see if the blinds are drawn, and considers faking an illness to get out of work early and go check on you. But he powers through the remaining hour and a half that he is obligated to stay at work, he bounces a pencil between his fingers, drums at his desk, and gets nothing else done. As soon as 4:59 rolls around, he’s out. 
Spencer can hear shuffling on the other side of your door as he stands in the hallway. A pot clatters. The walls hum with the rush of water through the pipes to your sink. He knocks, relieved that you’re okay and at the same time struggling with that weight on his chest—something cold that leans over his shoulders and whispers into his ear—so she just didn’t want to talk to you. 
Suddenly all sound from inside your unit ceases. For a few long seconds, Spencer’s confusion only grows exponentially. 
“Who is it?” You finally call, voice wavering. Also odd. Usually you just open the door. 
“Um… Spencer?”
“As in my boyfriend Spencer?”
He frowns, bottom lip jutting out ever so slightly as he tries to decipher your sudden paranoia. “I hope so?”
The click and jingle of several locks precipitates your much-anticipated reveal. 
“Come in,” you say breathlessly, more harried than usual and not giving him the tender greeting he’s selfishly become accustomed to—barely even giving him a second to look at you. But he steps inside, watching on in concern as you do up every single lock—the one on the knob, the deadbolt, even the chain. Is this really all because of his little comment last night about anyone being able to get in? He certainly hopes not. He didn’t mean to terrify you. 
When you finally turn, he takes stock of your appearance. Big hoodie, pajama pants patterned in little hearts. Hair pulled back hastily. Your skin is sort of dull where you normally glow. But you’re beautiful, like always. It always aches just a little bit to look at you. Spencer’s always been like that. Going breathless at a particularly good piece of art or pretty girl. Like yourself. Mostly you. 
You quickly turn to hurry back into the kitchen. “I was trying to make dinner, I—”
“Hold on,” he interrupts, stopping you with a hand on your stomach that is so non-demanding it’s really mostly a suggestion. He tries to clear his head, though you make it hard. “You didn’t talk to me all day. Not that you have to, but… I was worried.”
You glance at the floor and mumble, “I lost my phone,” with so much embarrassment he believes you’re telling the truth. “Did you, um—did you text me?”
Insecurity. Spencer knows well what it looks like on you. He softens. You weren’t ignoring him—but you’d been left in a vulnerable state without any ability to contact him or anyone. That couldn’t have been comfortable. 
“Of course I did.” He pauses to observe you. Still anxious. Still prepared to run at any second. Something, and he’s not sure what, did a number on you today. Maybe it’s sheer exhaustion, maybe it was the anxiety of not having your phone. But he has to figure out what it is so he can undo it. “What? What’s wrong?”
He watches your breathing pause—watches your eyes gloss over with tears and a frown contort your features. Oh, god. He’s done something terribly wrong. It’s been thirty seconds and he’s done something wrong. 
“Can we sit down? I don’t feel very good.”
“Yeah. Yeah, we can. Whatever you need.”
You cast a baleful look at him and now he has to wonder what that means. Spencer sets his bag on a pulled out dining chair and follows you to the couch where you settle on opposite sides—you’re curled up in the far corner, hugging a pillow to your chest with your legs folded in front of you. Spencer’s heart is beating fast. He doesn’t know what’s going on with you and he can’t figure it out just by looking and you don’t seem eager to tell him. 
He’s exhausted all his typical ways of collecting information, and now he’s at a loss. 
Eventually, the anxiety comes bubbling up. 
“Please talk to me,” he pleads. And you do. Almost instantly, like he stepped on some sort of landmine. 
“I know it’s my own fault for not having my phone on me and not being able to see your texts, but it really sucks that I had to find out from my creepy neighbor that you snuck out in the middle of the night without saying goodbye.”
The whiplash is so strong it’s almost a broken neck. Spencer reels, frowning deeply as he tries to process your impromptu speech, the sudden confrontation. What creepy neighbor?
“I… didn’t. I went to grab my stuff from the car around one, but I came right back. I left at 7:30. You don’t remember me saying goodbye?”
Your brow furrows, and your eyes dart over the design on the rug like you’re watching memories go by. He sees it in your eyes when you recall some hazy image of him holding your face, kissing your cheek more times than was necessary and whispering sweet things against your lips before he had to go. You shrink into the couch, clearly struggling under the combined weight of relief and embarrassment. 
“I forgot. I thought… he said…”
A moment passes and it’s clear you’ve abandoned the sentence. Spencer is concerned about this shadowy male figure who put malicious untruths into your head. He slides his hand under yours and twines your fingers together. Finally, finally you meet his gaze. 
“Someone made you believe I left without saying goodbye.”
And he almost wishes you weren’t looking at him as more tears pool before falling down your cheeks. You nod, and don’t make a sound. 
“No, honey. I didn’t do that. I’m sorry that’s what you’ve been thinking all day.”
“I was worried that you… or that I wasn’t…”
His chest aches. You’d woken up alone, no recollection of his goodbye, and without the comfort of even a text. 
“You didn’t see my note?”
The way you look at him then is heartbreaking. Eyes wide and wet and sad, lip trembling. 
“You left a note?”
Murphy’s Law. Anything that can go wrong, will. 
It must’ve fallen off the bedside table, or maybe he just hadn’t positioned it obviously enough. 
A lost phone, a missed note, and not even a memory of his departure. While none of these things are verifiably Spencer’s fault, he feels so, so guilty. 
“I did,” Spencer says gently, scooting closer and pulling you into him, head pressed to his shoulder as you try not to cry, and he rubs your back slowly. 
Your sulky words are muffled by his shirt. “I didn’t see it. What did it say?”
“A lot of very nice things about you,” he whispers. Spencer thought maybe he could get away with giving you all the sincere compliments you can’t accept face to face through a note you could read while he wasn’t around. That way you couldn’t refute them or stop him. It was a good plan. 
He feels the sigh of relief leaving your body against his neck. 
“I didn’t know.”
“I know. I’m sorry. That’s not… I should’ve just stayed. This is my fault.”
You keep your cheek pressed to his shoulder as you speak. 
“It’s not. You have a job. A really important job. You can’t just call out whenever I want you around.”
Logically he knows you’re right, but he doesn’t always think logically around you. 
“I could’ve made it work. I could’ve come in late, or the team could’ve called me if there was a case, which there wasn’t—”
“Spencer, it’s okay. It’s not your fault. Don’t worry about it.”
He pulls back slightly, frowning at your tone. You do look relieved, much less plagued than you’d been when he arrived minutes ago, but something heavy still weighs you down. The burden of it darkens your eyes and dulls your expression. When he cups your cheek, you glance up at him, and then away once more. 
He speaks softly. “Is that all you wanted to tell me?” 
Again he earns a moment of your eye contact, but it’s fleeting. He watches the words spin around your head as you try to figure out what to do with them—and then choose to remain silent. 
There is in fact something you’re keeping from him. 
Spencer hates to use work tactics on you, but he doesn’t speak either, hoping that you’ll feel compelled to fill the silence with the truth. Knowing how you’re not entirely comfortable with quiet. 
And you try, lips parting and the sound delayed as you wrestle with something you clearly don’t know how to talk about. 
“I… my neighbor,” you say, frowning like you don’t quite know why you’re speaking. “The one who told me he saw you leaving in the middle of the night. He also—he said…”
Spencer brushes hair away from your cheek with a thumb, stroking the high point in gentle passes as your words taper off. Now that he’s thinking about it, he did encounter a man in a dumpy robe standing in the courtyard and smoking a cigarette when he left you tangled in sheets and dozing contentedly to get his bag from the car. In fact, they rode back up to your floor in the elevator in mostly awkward silence. Spencer was sure his outfit told a story—shirt untucked and hastily buttoned only partway, no belt, shoes barely tied, duffel slung over his shoulder—he wasn’t really expecting to run into anyone at such an hour, to be honest, but he hadn’t particularly cared what this man thought of him, so it didn’t cross his mind again.
Now he remembers. 
Long night, huh? I remember those days. 
It was an inappropriate comment, but given his job he’s used to ignoring those. Mostly his mind had been preoccupied with the idea of returning to you, who gave him such a warm and sleepy welcome when he climbed carefully back into your arms several minutes later that it was like he’d never known anyone else at all. 
Now he resents that he hadn’t said anything, he hates the idea that you spoke to this man and he said something to upset you and Spencer wasn’t there. Usually he tries not a judge a book by its cover (metaphorically, of course) but he’s been around enough bad men to know when he’s looking at one. Last night he hadn’t even been cognizant enough to realize they got off on the same floor. 
“What did he say, angel?” Spencer whispers, incapable of being anything but soft with you at the moment. Even though he senses something a lot like a tide of preemptive anger rising in his chest, painted over with layers of anxiety and guilt. He should’ve found a way to stay with you this morning. 
You sniffle and let your head fall again, forehead resting against his collar. Instinctively his hand slides to the back of your neck and even at the awkward angle he finds a way to press his lips to yours hair. “Can we talk about it later? I don’t feel good.”
If it’s making you this uncomfortable, Spencer really wants to know what passed between you and this neighbor. In fact, he’d be willing to bet a lot of your strange behavior this evening stems from something that occurred which you don’t feel comfortable telling him yet. But he manages to bite back anymore questions. He doesn’t want to make you feel interrogated. 
“Yeah, you mentioned that,” he says eventually, kindly, hand tracing down the length of your back and up again. “Why don’t you feel good?”
He doesn’t miss the way you reach up to discreetly wipe your cheek. But he won’t make you talk about anything you don’t want to talk about until you’re ready, and it seems like you’re already having a rough day. Which is not what he wanted. This is so far from what he wanted for you. He’s cursing himself for how he handled this whole situation. 
“Um, I just… I don’t know. I feel… bad. I’m sorry I’m being so weird.”
“You’re not being weird, honey. You had a hard day. You’re having a normal reaction to an abnormal set of circumstances.”
You sit up, sniffing and wiping your tears like you can just make the whole thing go away. 
“No, I am. I am. It’s all okay now, right? So I don’t know why I feel like this. I don’t know what’s wrong with me.”
He watches helplessly. “Nothing is wrong with you. We’ve… it’s been a big couple of days. Mostly good, but I think you’re probably really tired. Emotionally and physically.” 
You bury your face in your hands and nod silently. He still feels like he’s shooting in the dark, but you’re not entirely comforted yet, and it’s killing him. 
“Whatever you’re feeling is okay. If this is… about last night, or this morning, or something entirely different—regardless of what it’s about, you’re not going to be… in trouble with me if you’re having complicated feelings. And you can talk to me. But it doesn’t have to be right now. We don’t have to figure it out all at once, okay?”
You press the heels of your palms into your eyes, and for a moment, his words sink into silence. When you do raise your head, nodding, the evidence of your discomfort is all over your face—reddened eyes, cheeks polished with wiped tears. But you take a deep breath and try to project whatever it is you think he wants to see. 
The back of your hand is soft under his thumb as he sweeps it, as if he could draw forth more information that way. People speak when they’re ready.
“Is there anything I can do?” He tries, all ramped brow and soft spoken. 
You’re looking at where he’s tracing swirls on your hand as you swallow and blink the last of your tears away. 
“Um… you can say no, but—do you think it would be okay for you to maybe stay again tonight?”
Spencer sucks in a breath, painfully aware that he’s about to let you down. 
“I… I haven’t been home in a week. I’ve been wearing this suit for two days straight and I don’t think I would want to share a bed with me again until I shower.” He watches you wilt and lifts a hand to stroke your hair. “But I do want to spend time with you… do you maybe want to come stay with me instead? No pressure—”
“Okay. Yes. Is that okay?”
Spencer’s brow knits. You seem even more enthused about the idea of going to his apartment, like now that the opportunity has presented itself you can’t wait to get out. Maybe you have some sort of black mold problem. 
“Of course. Do you wanna grab a few things and then we can go?”
“Um—I also haven’t showered today. Do you mind waiting?”
“Sure. Or you could use mine. With supervision, this time.”
Spencer is attempting to make a joke about your unplanned (and unmoderated) stay at his apartment last week after he left—but looking at your face now he’s wondering if he touched a nerve. 
“Like… one at a time? Or…”
He thought maybe you’d be more comfortable around him after last night—and it’s not like he hadn’t seen you naked before then, either.
“Do you wanna do it one at a time?” He asks gently. 
There’s this sparkly sort of longing in your eyes that he’s seen before, but you tamp it down like always. You’re so cautious. About everything. Even the things you’re curious about. It’s sweet and a little sad. 
“I’ve never… showered with anyone.”
The corner of Spencer’s mouth twitches as he pushes hair over your shoulder. “I know. You don’t have to. We could save like 100 gallons of water depending on how long your showers typically last, but—”
“Spencer—”
“Sorry, sorry—I didn’t—I didn’t mean it like that. I’m not trying to pressure you. You absolutely can take your own shower. You can go first so you get the hot water.”
“No,” you laugh, and it’s like a sparkling cloud of gold has settled around you, fractals bouncing off the shine of your cheeks and eyes—the sound of your laughter, the look of it, is such beautiful relief he can’t believe how good it feels, but it fades from you quickly. “It sounds… I think I want to, I just… I don’t wanna, like… do… anything.”
For a split second your veiled language mystifies him and then he realizes what you’re trying to say without saying. Something has changed since yesterday, when you brazenly referred to it as fucking, and today, when you can’t even say sex. He’s gotten as far as it being something your creepy neighbor said. Maybe. He needs to know what. 
But that’s not the topic at hand. 
“We don’t have to. I didn’t mean to imply that we would do anything like that. I don’t expect anything from you.”
You swallow. 
“Okay. I wasn’t sure.”
About what?
He says your name. No response. 
“Can you look at me, please?”
It takes you a moment, and your head raises like you might need some oil in your hinges, but eventually you manage. Spencer hopes the way he’s rubbing your leg is comforting. 
“You know I’m never, ever going to make you do anything you don’t want to do, right?”
To his horror, your answer isn’t an immediate and resounding yes. Instead you look back down and cover his hand with your own, fiddling nervously with his fingers. 
Eventually, you reply, “Yeah… I know. I just thought… I’m not sure. Maybe it’s supposed to be different now.”
“It doesn’t have to be. Nothing has to be different. We’re still doing everything on your schedule, okay? And as for the next few days, at least—I think it might be a good idea to take sex off the table altogether.”
Your eyes narrow and you hesitate. “Why?”
“Because I don’t want you worrying about it. And I don’t think it would feel good for you right now. I think there are things we need to talk about, but… we’ve probably tried enough for a while, hm?”
You give him a shy nod and hum your agreement. For a moment he lets his hand linger on your leg and then pulls it back. 
“Okay. Do you want my help packing a bag, or should I wait out here?”
“You can wait. It should only take a minute.” You pause, halfway up to look pensive. “Um, Spencer—do you think it would be okay if maybe I… if I stayed tonight and tomorrow? I just—I wanna get out of here, for a bit.”
He frowns but doesn’t hesitate. “Of course. Can I ask why?”
“It’s just… suffocating sometimes,” you call as you turn and hurry down the hallway to the bedroom. “Feels like my neighbors are on top of me, like they’re… breathing down my neck, half the time.”
Sure, bigger apartments exist—but it’s not like you’re in a studio. And you’ve never mentioned feeling that way before. That bad feeling is starting to come back—like you’re not telling him something he needs to know. But is it worse to let you deal with it yourself until you’re ready to talk or to force it from you?
A few minutes later you return, a duffel of your own over your shoulder and full to bursting. 
“So I’m an idiot. My phone was literally in the pocket of my jeans on the floor.” You drop the bag as you bend down by the door to pull on your favorite slippers. “Oh—I think I forgot my charger, can you grab it? It’s by my bed.”
Spencer of course obliges, and is secretly pleased to be in your room again, in the light this time, so he can see better. It’s sweet. The pictures on the walls, the plants and the knickknacks and the sticky notes scrawled with messy reminders on every surface and the sweater hanging over the back of a chair—the one you’d been wearing at the cafe all those months ago—it all feels so you. He wonders why the two of you don’t spend more time here. 
He lets himself linger for only a minute before remembering his task, but as he reaches down to unplug your charger, whatever dopey smile he’d been wearing evaporates. The sheets have been stripped from your bed, and he can see why—there’s a striking stain of dried blood, and several surrounding dots, soaked into the mattress. Not much, but enough to make him feel horrendously guilty. He cringes, imagining what it must’ve been like to wake up all alone to nothing but your own blood. Poor girl. Of course he’d noticed some, last night when he was doing his best at cleaning you up, but it had been dark, and he was exhausted, and he hadn’t done enough. 
“Where’d your sheets go, baby?” He asks once back by the front door with his own bag on his shoulder, setting a gentle hand on your lower back and holding out your charger for you. You jump slightly, and he makes circles on your back, wishing there was something he could do to settle you. 
“Oh! They—they got ruined. I threw them out. It’s fine. I have others.”
So you didn’t have enough energy this morning to walk a few feet to your shower, but stripping your bed, getting dressed, and walking down to the trash chute at the end of the hall had been top of your priority list. 
You swallow as he undoes the locks and holds the door open for you, and pretend like you’re not doing surveillance to either side as you stand in the hallway, locking your door again like you can’t get out of here fast enough. 
Spencer casts a sidelong glance at you and wonders if you’re intentionally avoiding eye contact. He tries not to think like a profiler. He tries not to assign meaning to your actions, but he can’t help it. He can’t not notice. 
He can’t not worry. 
And he can’t not wonder what you’re not telling him. 
-
part nine
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tender-rosiey · 17 days ago
Note
SUKUNA AND HIS SHY DAUGHTER BONDING TIME WHEN?!?! Reader can be present and discreetly takes their pictures (sukuna pretends not to notice).
guided lines — ryomen sukuna x f!reader
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a/n: congrats we now have cameras in the heian era and BIG BIG thanks to @bluebell33 and @soupie-writer for beta-reading <33
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it’s a quiet afternoon in the heian household, the kind of stillness that comes after the chaos of the morning has settled.
the courtyard is bathed in golden sunlight, casting soft shadows along the wooden floorboards, and the faint rustle of the wind carries the scent of blooming wisteria.
you lean against the doorframe, peeking through the slightly open shoji screen into the courtyard where your husband and daughter are seated.
it’s a rare sight to see sukuna like this—relaxed, unguarded, the sharp lines of his usual stoicism softened as he sits cross-legged on the floor.
your daughter sits opposite him, her tiny hands clutching a paintbrush far too large for her delicate fingers.
the scroll of parchment between them is already half-filled with colorful smudges and haphazard lines, a far cry from anything artistic, but, hey, the effort is there.
“hold it properly,” sukuna instructs, his deep voice carrying just enough patience to make you pause in the hallway.
he reaches out to adjust her grip, his large hand completely engulfing her tiny one as he guides the brush to the paper.
she ducks her head shyly, murmuring a soft, “okay, papa.”
you bite back a smile, the term still so foreign yet so endearing coming from her lips.
sukuna doesn’t respond, at least not verbally, but his movements slow as he helps her make another stroke on the parchment.
you slip inside quietly, camera in hand.
sukuna had gifted it to you on a whim months ago, claiming he had no use for “trivial inventions,” but you’d quickly discovered his disinterest didn’t extend to being the subject of your photos.
he always pretends not to notice, but you’ve caught the subtle shifts in his posture whenever he knows your lens is trained on him—straightening his back, tilting his chin just slightly.
raising the camera to your eye, you adjust the focus, the scene coming into view with perfect clarity:
sukuna’s broad frame hunched slightly as he leans closer to d/n, his expression uncharacteristically soft, her tiny fingers smudged with ink and her lips pursed in concentration.
the sunlight catches the faint scar over his nose, the curve of his jawline, the tension in his hands as if he’s holding back his full strength.
click.
the sound is quiet, but his ear twitches ever so slightly, and you know he’s caught on. he doesn’t look at you, though, his attention remaining fixed on the little girl in front of him.
“what is that supposed to be?” he asks, nodding toward the splotchy shape she’s drawn.
“a bird,” she whispers, the pink in her cheeks deepening.
he raises a brow, and for a moment, you’re sure he’s about to tease her—sukuna’s sense of humor is sharp, often cutting, and you’ve had your fair share of exasperated sighs directed his way.
but instead, he tilts his head thoughtfully, as if trying to see it from her perspective.
“it…has wings,” he says finally, and her face lights up, a smile spreading across her features.
“you think so?”
“it’s obvious,” he replies, though his tone is far from dismissive. “draw another.”
you stifle a laugh, adjusting your position to capture another angle.
sukuna’s patience with a child isn’t something you’d ever expected to witness, let alone document, and it’s a side of him you treasure more than you’ll ever let on.
click.
this time, his gaze flickers toward you, just for a split second. it’s not a glare—more of a warning, the faintest quirk of his lips betraying his amusement.
you grin back at him, unrepentant, and he huffs quietly before returning his attention to your daughter.
“your brushwork is sloppy,” he comments as she attempts another bird, her little hands trembling slightly as she draws a lopsided wing.
“I’m trying,” she murmurs, her voice barely audible.
he leans back slightly, his arms resting on his knees as he watches her.
“try harder,” he says, but there’s no edge to his tone, only a challenge—a nudge toward improvement.
click.
this time, d/n notices, her wide eyes darting toward you. “mama, what are you doing?”
“nothing,” you lie, lowering the camera with a sheepish smile. “just admiring my two favorite people.”
she beams, but sukuna groans, dragging a hand down his face. “stop filling her head with nonsense,” he mutters, though the faintest hint of pink dusts his ears.
“it’s not nonsense,” you argue, stepping closer and crouching beside them.
d/n immediately crawls into your lap, clutching her brush in one hand and smearing ink on your sleeve in the process. you don’t mind, your focus entirely on the man in front of you.
she giggles, resting her head against your chest as you pull her close.
“papa’s really good at drawing,” she says, pointing at the bird he’d drawn earlier as an example. “he helped me with mine.”
sukuna shrugs, “someone had to make it look like a bird.”
you laugh, the sound light and warm, and his eyes linger on you for just a moment longer than necessary.
it’s subtle, almost imperceptible, but you know him well enough to catch it—the way his gaze softens, the way his shoulders relax just slightly.
later that evening, after your daughter has fallen asleep, you’re sorting through the photos on your camera, sukuna seated beside you on the porch.
he doesn’t say anything, but you can feel his presence, the quiet strength of him a comforting weight at your side.
“you know,” you say, breaking the silence, “I think these might be my favorite pictures yet.”
he glances at the screen, his expression unreadable. “you’re too sentimental.”
“maybe,” you admit, leaning your head against his shoulder. “but I can’t help it. you’re both so... precious to me.”
he doesn’t respond, and you take it as a sign for the comfortable silence to take over again.
but your husband presses a kiss to the top of your head that leaves you speechless till the end of the night.
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copyright © tender-rosiey
do not copy or plagiarize or I will kiss you
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avocado-writing · 5 months ago
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pairing: logan howlett x afab!reader. 18+, minors dni. angst; smut (p in v unprotected sex; handjob - logan receiving; oral - reader & logan receiving). canonically bisexual reader. mentions of pregnancy attempts. dp+w movie spoilers.
synopsis: in the Void, after leaving the other dead in your own timelines, you and Logan are reunited.
words: 8.5k.
notes: this was inspired by not your man by @studioghibelli and the worst logan by @coweye! please go and read both these fics and show their authors some love, they are both incredibly talented writers who deserve it! dividers by @saradika-graphics 💕
The past couple of days have been a lot. 
To be honest, anything that isn’t sitting at a bar drinking the place dry is a lot to Logan nowadays. He’s used to low lights, rumbling conversation around him, the fuzzier end of consciousness. Even now he aches for a drink, knowing he’ll have to wake up sober next to the asshole in red he spent the night putting down in that fucking minivan. 
He hopes, at least, he has been met with all the surprises that this place can afford him. 
Ah. But that’d be too fucking easy, right?
That Cajun bastard’s liquor sits comfortably in the cradle of his palm and he chases away lucidity one swig at a time. Tries to block out the half-baked plan Wade is concocting with the other poor bastards who have been stuck here, even if it’s all probably pointless. He only chimes in to laugh at their hope. 
Then Elektra turns, withering pity in her eyes, and seems to properly assess him for the first time. 
“They’re gonna be so disappointed when they see you.”
“Who?” he snorts, past the point of caring that he’d disappoint anyone. It’s then that Elektra hits him like a fucking freight train with just one word spilling from her lips: your name. 
Logan feels a flood of memories come back to him. Ones he’s spent too long trying to drink away. The early morning when you’d hide under the blankets together, your hand cradling his face and letting the whole world consist of just the two of you. The stolen kisses in quiet corridors so the students at the mansion wouldn’t catch you and start silly little rumours. 
Him holding your lifeless body in his arms surrounded by the rubble of what used to be your bedroom, your powers unable to save you. 
He doesn’t have anything to say, merely spitting vitriol to anyone who tries to speak to him, even that damn kid who still prefers the other dead Logan to him. Why wouldn’t she? He’s a fucking mess, worth less than nothing, and that Logan was a hero. 
He retreats in the evening to lick his wounds or, hopefully, drown them. People keep trying to fucking talk to him and he does not want it. Yet they’re fucking relentless, like the Void is perfect at creating gut punch after gut punch for him. Laura walks away into the darkness after successfully making him feel like shit - not that it’s difficult these days - and when he hears more footsteps he assumes it’s Wade coming to harass him about tomorrow. 
“Oh, will you fuck off - ?” he snarls, but the sight of you there, half lit by a dying fire with orange dancing on your skin, oh, it just kills any venom he can muster dead in his throat. 
Logan is looking at a ghost and he has never been less prepared for anything in his long, long life. 
Your mouth has fallen open into a soft “o” as you look at him, brows knitted together as you take in every imperfect aspect of his being. 
“Lo?” you whisper. Your voice hasn’t changed. 
“Logan,” he replies, gruff, unsure if he’s confirming or correcting. But fuck does it sound good to hear his name out of your mouth again, even if it’s just a syllable. 
You tuck a lock of hair behind your ear and take a seat on one of the logs which has been pulled up as a makeshift bench. He tries not to watch the way the fire lights up your eyes. There’s an agonisingly long pause before you finally attempt conversation.  
“Long time no see, huh?” you ask with a weak grin. Fuck. It’s like a dagger. Your humour was always something which endeared you to him. Unlike Wade you never took it too far, cultivating your sincerity with your silliness in order to grow yourself into peoples’ hearts. 
His heart especially, and now it aches. 
He grunts, because he can’t bring himself to actually say anything. Can barely look at you. You keep talking, either not noticing or barrelling on regardless. 
“You know, when the gang said that you were here… I didn’t believe it. Thought there was no way a fucking Wolverine would fall into this place.”
“Let me guess,” he sneers, taking another long drag of bourbon, “I’m not what you expected.”
You laugh, an easy little thing, and part of him hates you for it. For reminding him of how it sounds. 
“I mean, you’re not. But not because of what you’re thinking.”
“How do you know what I’m thinking?” It comes out as a snap, lip curling back over his teeth in disgust. You do not look bothered in the least, just crossing one leg over the other and leaning back. 
“Because I know you, Logan. Knew my Logan too. Bet you’re spiralling, making yourself out to be some kinda disappointment. Well you’re not. You could never be.”
He desperately wants to argue but he simply doesn’t have the gumption. Besides, it’s nice to hear someone say something kind about him after all these years. 
“So,” you say after another one of those painful pauses, “considering every time you look my way you wince, you have a me in your timeline?”
He laughs without any humour in it, stares into the flames for so long they start to hurt his eyes. 
“Yeah. I did.”
“Ahh. ‘Did’. I died, then?”
You say it so flippantly, he can’t fucking stand it. 
“Mmm.”
“Makes sense. Don’t think I’d leave you in any timeline, so the only way I could see us ending would be if I wasn’t there any more.” You sigh, stretching your legs out to warm them. “Can I ask how it happened? Call it morbid curiosity.”
He absolutely does not want to talk about this. But, also… it’s you. Maybe not the you that was his, exactly, but it is you. Perhaps you deserve to know. He tries to stay dispassionate, as if he is a doctor quietly recounting the facts of death to a family member. 
“Mansion was attacked. Everyone died, including you. I wasn’t there. We’d had a fight, I went out drinking. When I got back you were gone.” He flexes his fist around the neck of the bottle, trying to avoid shattering it, but desperately needing to hold onto something. 
“Oh.” The fire crackles loudly. “What did we fight about?”
This will kill him. He will die in this Void. 
“You wanted to do another round of IVF. I didn’t want to be disappointed again.”
The words settle like a cloud of choking ash over the two of you. He takes a long drink. What a fucking failure he is, couldn’t even knock you up properly. 
“Fuck, Logan. I’m so sorry.”
“Yeah.”
“Does it help if I tell you I probably wasn’t that mad? I’ve never been really angry with you, you know. My Logan… we used to bicker a lot, we both had short fuses, but it never meant anything in the long run.”
He doesn’t know if it does help or not. Is it better to know that you died hating him, making it easier? Or that you were snuffed out while loving him the whole time?
“Your turn,” he says, because he can’t bear to continue this particular line of conversation, but for some reason he wants to keep talking to you. Your voice is a comfort he thought he’d long since lost. 
“You wanna see a picture?” you ask, a grin pulling at the sides of your mouth. No, he doesn’t, but when you reach into your jacket to grab the photograph, he finds himself holding his hand out to take it. You slowly float it over, telekinesis absolutely unnecessary - but you always did use it to make the little things easier. 
It’s old. Frayed and disintegrating at the edges, a thing which has been held and looked at over and over again. Faded slightly despite the fact that you clearly try to take good care of it. 
“Oh,” he says, eyes widening. You chuckle. 
“I know.”
Because, despite the lack of facial hair and addition of a decent rack, the woman with her arm around you in the photo is him. 
The Logan in the picture is about as butch as they come, decked out in a Wolverine’s trademark flannel and leather. One of her arms is wrapped around you to keep you close against her, the other playfully flipping the camera off with a middle claw, and she’s laughing with a joy he hasn’t seen on his own face for years. You’re pressing a kiss into her cheek and hanging onto one of her thick biceps. The two of you exude happiness. 
“She was the best thing that ever happened to me. She could be a mean cunt sometimes, smoked like a chimney, drank like a fish, but fuck we were the centres of each other’s world.” You let out a long sigh and hold your hand out - Logan goes to give you the photo but instead you gesture for the bourbon. He passes it and you and you drink deeply, gratefully. “I’d been in a string of bad relationships. Guys who took me for granted, women who were toxic but I didn’t realise until I was in too deep. Then she came along and well… she was a fucking angel in plaid.” 
Logan’s thumb absentmindedly strokes the photo. He’s pretty sure there’s a near-identical one back in his timeline. 
“Our mansion was attacked too. She died getting the kids out.”
Fuck. Fuck. No, he can’t do this. He can’t face the way he should have died. He really is the fucking worst Wolverine. He snatches the bottle back from you, you give no resistance, and he polishes it off. The photo flutters to the ground. 
“I think it’s time you fucked off,” he growls out. You roll your eyes, fucking roll your eyes at him, something his version of you did on pretty much a daily basis, and the knife in his heart twists further. 
“Well, Logan, I’m not gonna do that. Because this conversation is the most whole I’ve felt in a long time, and I’m pretty sure you feel the same way.”
He doesn’t. He does. He wants you to disappear forever. He wants to hold you close and kiss you, beg you never to leave again. He hates you. He loves you so, so much. 
He’s such a ruined man that it is laughable. 
“So what, I come along and just replace your little girlfriend? First Wolverine that you manage to get your hands on; is that what you’re hoping for?”
You bark out a laugh. It echoes around the trees. There are tears in your eyes when he turns to look. 
“Girlfriend? Logan, you were my fucking wife!” 
It’s such a ridiculous thing to say that the laughter engulfs you, peals of giggles that double you over. You hold your head in your hands and it soon turns to bitter sobs. He wants to reach out and hold you, apologise for ever making you sad. He tries to get any lingering drops from the bourbon instead. 
“We got married at the mansion. Charles officiated. The kids made us cards. We didn’t get a honeymoon because we didn’t have the fucking time. We had five years. Five really happy years and you know what? We wanted a baby too. We were getting a donor lined up! And then when the attack happened you were the one getting all the kids out I begged you to come with us but you were too fucking good, you had to stay behind and make sure nobody followed us. And it cost you your fucking life. They ripped you apart Logan. I know because all I found of you was your head and your wedding ring. I didn’t even get time to mourn because I had a dozen children to fucking take care of! And I did because I knew that’s what you’d want me to do. It’s what you died for. So I lived in the fucking woods with all of them for years, and they were my family, and I made sure they were as safe and happy as I could make them. And you know what happened then? When they were all grown? A fucking TVA agent appears out of nowhere and tells me, ‘oops! Sorry! Your Logan wasn’t supposed to die, it was meant to be you!’ So they fucking throw me in this hellhole to rot away into nothing and I’m sorry, Logan, I’m sorry that when I heard you were here I got my fucking hopes up that you might be happy to see me, because if there was one person who understood all of the shit I’m going through then it might be you.” You throw your head back up to stare him dead in the eyes. “And it’s pathetic because you know what? Even after all this? I’m still not angry with you. I’m still happy you’re here. Because seeing you makes me feel better, despite everything.”
It’s a long-ass rant, and your words hang in the air after you’re done. He doesn’t know what to say. What can he say? He opens his mouth to apologise but the words just won’t come out. Because, yeah, if he really dissects himself and looks at the parts laid bare, he’s glad you’re here too. 
He reaches down to rescue the photo before an ember lands on it, gingerly extending into you. When you take it back his fingers brush yours. He wishes he wasn’t wearing gloves. 
“Who was the donor?” he asks eventually. That does a lot to alleviate the mood, and you smile through tear-streaked cheeks. 
“You might not like the answer.”
“Oh, for fuck’s sake, don’t tell me it was Scott.”
“The two of you got on okay! Butted heads a lot but he was always a good friend to us. Plus it was cheaper than going through an agency.”
He growls to himself and it makes you laugh, but properly this time. Things have started to soften and it’s… nice. To be like this with you again. You pause for a moment, stuck on whether to ask a question; hesitate over whether it’s a good idea, then barrel on regardless. 
“Can I ask a weird question?”
“You’re dangerously close to sounding like Wade,” he replies. You groan at that idea. 
“Ugh. Fucking Deadpools, man. We get one come along every now and then and trash the place before fucking off again. Apparently there’s like, a tribe of them out there somewhere.” You give a full-body shudder. “Imagine. No, it’s nothing like that, I guess. Can you… can you take off your glove? Left one.”
He has a horrible feeling about this but when you ask so nicely, that air of vulnerability around you, well it just seeps into his fractures and breaks him open. It takes a moment but he does, flexing his bare hand in the cool air. 
You reach around your neck and pull at a thin chain he’d barely noticed. The ring at the end slides up from where it’s been resting on your sternum under your shirt, glinting as you remove it. 
“Give me your hand.”
This is a bad idea. 
He does anyway. 
You slip the ring on his fourth finger, softly twisting it to fit over his knuckle as you go. It is the perfect size. 
“Will you look at that,” you mumble, not releasing your grip on him. “She… you always told me your hands were kinda big because of the claws. Like I cared. One of my favourite parts about you.”
Your fingers trace along his, finding the spaces between them and gently slotting your hands together. Logan isn’t sure if he’s the one who closes the grasp or if it’s you, but a beat passes and suddenly you’re holding hands. 
He’s not done this with you for so fucking long. An age of aching which is relieved at the feeling of your palm up against his. 
“So now what?” he eventually has to ask. You smile. 
“Well, I mean, your Deadpool is probably gonna get us all killed tomorrow…”
“Ugh. Don’t call him ‘my Deadpool’.”
“… so I’d quite like to just spend tonight holding your hand, if that’s okay. Seems like a pretty nice final night to me.”
When you hit him with those soft eyes, what other fucking choice does he have?
You don’t speak much for the rest of the night. Eventually the fire dies out. Laura comes to seek you out the next morning, and is surprised to find you lying side by side with this other Logan, the most deeply asleep she’s ever seen you, fingers laced together so tightly with his it looks like it might hurt. 
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He comes to the fight, of course; dredging up what little courage he has left in him in order to prove he’s not totally pathetic. You catch his eye and smile so wide that he feels likes he’s done at least one good fucking thing in his life. He hears the sound of you ripping into people with an enthusiasm he hasn’t witnessed for years. The last glimpse of you he gets before he jumps through the portal is you using your telekinesis to tear a man’s head off and he does not want to examine himself too closely when it sends a jolt of arousal down his spine. 
They leave you all there to face the end, but everyone knew that’s what you were all getting into. There has been a net gain and loss of nil. He never had you again. Not really. Not for anything longer than a night, and maybe that will be enough. 
Yes. That’s enough. It has to be. 
When he tells Wade he’ll go into that room, when he volunteers to die, he does it with the knowledge he’ll be doing something good, finally. Something you’d be proud of him for doing. And with you waiting for him on the other end of oblivion it really doesn’t seem too bad a fate. 
But then Wade does what he always does and fucks up his perfectly meticulous plan, and they both make it through, so he has to keep going. 
When Wade asks the TVA agent to help the group of you they left behind, Logan is sure to add on that people should get the opportunity to go back to their timelines - surely it’s what you’d want (this oddly selfless request has Wade raising an eyebrow which he ignores). After all, why wouldn’t you want to go back? It’s where you belong. Where you’ll be happiest. Putting things nice and neatly back into their place after this whole fucked-up venture. 
He doesn’t have you, but he’s still alive and wants to be, and that’s something. A lot more than he’s had for a long time now to be honest. 
His life becomes this strange little thing that’s wrapped up with Wade’s. He sleeps on his pull-out sofa until he has somewhere proper to put down his roots. Tries to lay off the booze as much as he can even if each day is a fucking struggle. Makes steps towards finding a proper place for himself; even gets a job on the door at the bar across the street. It’s okay. One step at a time. He can put himself back together like that. 
Imagine his surprise, then, when a week later there’s a knock at the door. 
He assumes it’s Al who’s forgotten her keys, or is too drunk to fish them out of her purse after bingo, so opens it without really thinking. 
The second time you’ve nearly stopped his heart in seven days. 
“Hey,” you say. 
“Oh,” is what he can manage. You tuck a lock of hair behind your ear. Your go-to. 
“Yeah. Sorry. I uh, followed you back, I suppose. The TVA were gonna send me home but I asked where you were and when the answer was ‘here’, well… didn’t make sense for me to be any place else.”
He blinks at you. After a beat of silence he can tell you hate, no doubt wondering if your choice was the wrong one, he lifts his hand to cup your face. You stiffen for a second and then nestle into his palm. 
“You’re real,” he states. You press your hand to his. 
“I am.”
He pulls you into his chest and you are more than willing to come. He feels the way you bury yourself into him, nose first, remembering what he smells like. Your arms wrap around him so tight it’s like you’re scared he will disappear when it should be the other way round: if anyone is dreaming it’s him. You bothered coming here for him. You uprooted your whole life for it. 
He could hold you forever but the neighbours are nosy and the apartment is a mess. He presses his mouth close to your ear. 
“Wanna get a coffee?”
You pull back to meet his gaze. 
“I’d love that.” Your eyes drop and you pull a face. “Oh, uhh, you might wanna get changed first, though.”
He looks down and realises what shirt he’s wearing before letting out a groan, which gets you chuckling. 
“Wilson’s letting me borrow his shirts until my first paycheck comes in. Just to slum around the apartment.”
“Oh, so you’re not ‘employee of the month at the dick sucking factory’?” You ask, reading the slogan on his tee.
“No. Looks like Wilson won out over me.”
The fact he’s made a joke hangs in the air for a moment and you burst into laughter, real actual laughter, and it’s the most beautiful fucking thing he’s ever heard.
He grabs the only plain shirt Wade has left out, slices off the sleeves just because, and grabs twenty dollars from his roommate’s wallet. Soon enough you’re sitting in the little café near his building. The sky is grey and overcast, just threatening to rain but not quite bothering, and the two of you are tucked away in a corner table while Taylor Swift plays over the sound system. 
Logan does not like that he knows it’s Taylor Swift. This is what living with Wade has done to him. 
You watch him with affectionate eyes across the table, making sure nobody is paying close attention before using your telekinesis to stir the little metal spoon around in your latte. You nod at his mug. 
“You take coffee the same way as she did. Boring and black.”
Logan’s nostrils flare a little in a laugh. 
“Yeah, and you take yours the same way too. So fucking dense with syrup that it’s not coffee at all.”
“Oh you were always such a coffee snob! ‘Babe you gotta try it plain first so you can appreciate the aroma’,” you say, putting on a gruff affectation as a parody of his voice. 
“You do need to try it plain f—”
He’s interrupted when a sugar lump floats into the air from the pot in the middle of the table and launches itself at him, bouncing off of his pectoral. He cocks an eyebrow. 
“Real mature, bub.”
“Grouch.”
“Contrarian.”
“I’m not a—” you pause, realising there’s no way to win against that accusation, and grin at him instead. 
“Where are you staying?” he asks after a long drink. It’s not booze. He kinda wishes it was booze. But also, he knows it’s best not to go down that path again, for everyone’s sake.
“The mansion. Turns out I died in this timeline too, so you and I are two for two here” - there’s a hint of a smile at your own macabre observation - “but they were using my room for storage so they just let me have it back.” You grimace a little. “It’s been weird. It’s my space but it’s not, y’know?”
“I get that.”
He probably gets it better than anybody. Nice to have someone to share this strange, singular feeling with. 
“You should come around. Laura’s there too, I know she’d be glad to see you too.”
“She settling in okay?”
“Yeah. It’ll take a while, but everyone has been really understanding and kind. I think she’ll thrive here.”
“I’m glad to hear that.”
You give him a smile that lets him know you believe it. Your eyes cast over him, taking in this new, slightly more settled Logan, falling still when you see what’s pressed against his fourth knuckle. 
“You’re still wearing the ring.”
“Oh,” he replies, surprised. Flexes his fingers as he looks at it. It’s been so comfortable there, so utterly unobtrusive and right, he hasn’t even noticed. “You want it back?”
A beat passes as you consider the question. Coffee is sipped. Another sugar added and stirred, perhaps just for show. 
“I don’t know,” you settle on. “I kinda like seeing you wear it but… if you were gonna have my ring, I’d want it to be one that was meant for you.”
He lets that idea settle between the two of you. Suddenly, slowly, you’re reaching forward, laying your smaller hand over his thick, rough one. 
“Logan. I want to be with you. In every way you’ll have me, all of it. I don’t know if it was fate or god or plain luck that threw us back together but I’m certain I don’t wanna waste this opportunity. I’d love you in every lifetime, in every timeline. I can’t be without you ever again, I think it would just kill me - and if I know you, you feel the same.”
He doesn’t even bother arguing because he does. When you turned up on his doorstep a scant couple of hours ago a part of his soul had been healed; your existence like kintsugi to piece him back together. A man made of adamantium and gold. 
“I’d like that,” he manages. 
“Yeah?” Your eyes glimmer with a hope which he’s not been privy to for a long time now. 
“Yeah.”
“Well, okay then,” you say with a smile, and drink your coffee. 
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The two of you do not take it slow. How does one take it slow when your soulmate comes back into your life? You are not exactly the same person he once knew, but you understand each other in every way which matters. Your souls fit together like puzzle pieces. The two of you are whole again. 
Then again, perhaps he doesn’t need the version of you he used to have. Maybe, now, he needs this you - rougher around the edges, a little older and more wary, a fit which is better for him. Someone who can put up with his bullshit as Al once bluntly put it. 
You barely spend a night apart. You stay over with him on Wade’s pullout (inciting an input of, “something the two of you had better do, we can’t afford a kid on my income—!” before Logan had hurled a water bottle at him) meeting up with him after his shift is done in the small hours, getting something to eat at one of the greasy spoons which remain open. He devours full plates of fatty food; you stick to slices of pie which you feed him bites of from your fork. When you get back to the apartment you cuddle up on the uncomfortable mattress which folds from the sofa and fall asleep in each other’s arms. 
He sleeps pretty well nowadays. 
The two of you only realise you haven’t kissed yet when you do it for the first time. You’re making a coffee run, tugging on his jacket because you like the smell of cigar smoke and it’s thicker than yours. A little act of intimacy which has become commonplace. 
“Same as usual?” 
“Mm-hm.”
“Boring,” you make an exaggeration of a sigh, before leaning over the back of the sofa to press your lips to his. He automatically leans into it, tilting his head up so that he can meet you; it’s a chaste little thing, a peck between two people who will only be parted for a moment, but you pull back in surprise when you realise what’s just happened. 
“Oh!” you say with delight, eyes sparkling.
Your hand slips around his neck to cradle him, fingers playing with the hair at his nape. You gently pull him back for another. Longer this time. Lips slip together, moving carefully in something a little deeper. When you break for a moment it’s Logan who pulls you back. This third kiss is on the brink of hungry. He slides his tongue to swipe against your mouth and you let out a happy little hum at the intrusion. 
His arm curls around your back. With a little tug he pulls you over the back of the sofa and into his lap, making you yelp with glee. His mouth returns to yours, crushing, greedy for any little noises you’re able to make. You relax into it and are happy to take whatever he gives you. 
Wade finds you making out on the couch like a pair of teenagers, coffee forgotten. He does not let Logan live it down for a week. 
The apartment is fine, but not a long term solution. Wade and Al are constant presences that stops the two of you being fully at ease together. Logan knows that invitation to go to the mansion is always there, but it’s a while before he takes it - he really isn’t sure what he’ll feel, being back at a place he last saw burned to the ground because of his pigheadedness. Might just break him all over again. 
But ah, when you nock your fingers in the spaces between his, he can face anything. 
One night, exhausted and full of diner food, he agrees to go back to yours - the two of you have had a late night coffee meaning you’re still a tiny bit buzzed, a little too much to fall asleep on the pullout. Instead you get a taxi to yours, near enough, tipping the driver well when he drops you in the middle of a random street and choosing to walk the last minutes hand-in-hand.
The mansion is quiet. Everyone is mostly asleep. And Logan does feel strange being back here, but it isn’t a bad strange. Just another aspect of this new life he has to compartmentalise. 
You drag him through low-lit halls, confident in the steps which will lead you back to your room; he recalls a similar journey from his own timeline in the night you first hooked up, smuggling him to your bed down the corridors all wandering hands and breathless kisses and giddy giggles; but there’s no part about you that wants to hide this. 
You’d show your Logan off to the world. 
You’ve tried to make the room your own, he can tell. It’s pretty big and spacious. Good view. Has an ensuite which he plans on monopolising. He shucks off his clothes and sleeps in just his boxers, arms holding you to him so he can feel every part of your body against his. His chest hair bristles between your shoulder blades and you hum contentedly. 
He agrees to come to breakfast the next morning and, to their credit, people are good at not staring. The members of the team he recognises from his past keep their distance unless he seeks to close it. Hank gives him a smile. 
“Good to see you, Logan.”
“Mmm,” he manages. Laura comes down to grab something to eat and lights up when she sees him. She gives him a hug which skews on the side of awkward but he’s grateful to receive it, and he can see how pleased you are watching this development. 
He comes around more and more often. 
Less time spent at the apartment with Wade - who constantly complains about the fact and Logan cannot tell if he’s sincere or not - more living in the pocket of you. He helps you sort out the furniture in the room so that there’s more space; you’re moving a chest of drawers to another corner together when a photo falls out from behind them. Trapped against the wall for years. Long forgotten. 
“Oh,” you say, lifting it up and bringing it to your hand with a wave. Your face twists into something strange and bittersweet, a mask Logan isn’t quite sure how to comprehend, but he quickly understands why when he joins you. 
It’s a picture of the two of you. 
Not exactly the two of you, of course; the ones of you who lived in this timeline. Logan is posing on the back of his Harley, you’re propped up on the seat next to him with your head thrown back in laughter. The two of you look… young. This must have been taken when you first started going out. 
Your thumb caresses the photo in a movement he’s familiar with. 
“Huh. Looks like we were together here, too. Who’da thunk it,” you mutter.
He slips an arm around you then because he’s feeling oddly sentimental. It’s reassuring. No matter what timeline it is, there’s a you who loves him and a him who loves you. A simple and irrefutable truth, like the fact that the sun rises every day or the moon moves the tides. 
“Apparently Magneto got me in the late noughties. Feels like a bit of a pathetic way to go, but diverging timelines, I guess.”
Logan knows that in this timeline, he stuck around for a while after. Poor bastard, he thinks. Having to live those years without you. That’s a misery he understands all too fucking well. 
But not any more. 
You leave the photo on your dresser, loathe to throw it away, and continue moving furniture to make room for the TV you just bought. Logan hates sharing the one in the living room, especially when the hockey’s on.
Eventually Logan is spending so much time with you he’s barely living at Wade’s any more. You’ve suggested they’d be happy to have him back in the mansion for a “teaching job” like you have, though he knows there’s never much teaching involved, more helping kids learn to defend themselves without too much collateral damage. Still it’s a fair chunk of change better than his current miserable doorman’s salary and it means he’d be living at more sociable hours.
Plus he’d get to move in with you, an idea you’re both secretly happy about. 
So he hands in his notice at the bar and packs the scant few belongings he has at Wilson’s into a cardboard box from Bad Dragon, which is strangely the only one Wade could find him (“god Peanut that’s so weird, oh well!”). Looks around the apartment he’s called home for some time, feels not entirely pleased to be leaving it. 
“And remember sweetie, if it all goes incredibly wrong and you realise the place you’ve belonged the whole time is on my undoubtedly piss-soaked pull out sofa bed, Al and I will be happy to have you back with minimal taunting.”
Logan fixes him with a look. 
“Wilson?”
“Yeah?”
“Thanks.” The word is odd coming from his mouth but not insincere. Wade goes to say something that’s no doubt stupid and inappropriate, however he softens at the last moment. 
“Any time. Go get ‘em, tiger, I’m rooting for you.”
You’ve moved your stuff so he can have a side of the closet, and drawers in the dresser, and he resumes his life with you. 
It takes only a couple of days for him to settle and realise how much he prefers this. Living with you properly. How, really, he couldn’t stand to be apart from you. How he wants to be there for every second, hear every laugh which drips from you, comfort you whenever something threatens to ruin your happiness. 
He falls asleep with you wrapped in his arms every night. Wakes up with you there. Pretty fucking perfect if you ask him. 
There’s nothing special about the morning when you first make love except for the fact it’s the morning when you first make love. It’s a border the two of you haven’t quite crossed yet. Almost as if you’re both afraid to make the commitment, like it may break you apart; there’s perhaps an underlying fear that you’re being unfaithful to your partners from your own timelines. That being together like that dishonours their memory. 
It’s a salve, then, that the longer you’ve been together the more you realise that you don’t love each other as a stand-in for the ones who died, but entirely on each other’s own merits. He doesn’t look at you and see the body he held in the manor. He sees someone who he’d protect, give his life to, become a dog for because he’s utterly in love with this you, the one who was so happy to find him in the Void, the one who patched him back together when he was at his most broken. 
There’s nothing to second guess in this relationship. It is the most solid foundation he’s ever had, and from the way you look at him every morning as if he’s hung the stars, you feel the same. 
That morning he’s holding you particularly tight. It’s a Sunday, the quietest day at the mansion, and the two of you are in bed later than you’d usually be. You’re both awake because you’re pressing more and more into each other’s bodies, nestling together like nesting dolls. His arm slung around your waist, hips against the swell of your ass. 
You shift slightly and he feels his cock harden in interest. Why wouldn’t it? Most beautiful person in the whole world right here in his bed. He might be old but he’s not a fool. 
He’s aware your hips are moving again, pressing yourself into him harder. He lets out a quiet, gruff laugh. 
“You’re doing that on purpose.”
“Mmm, maybe I am, Howlett. What are you gonna do about it?”
You squeak with laughter as he surges upwards, pinning your hands to the mattress either side of your head so that he can look down at you. Such a pretty picture beneath him. Hair all fanned out, eyes sleepy and sexy, ready to take in the syrupy-slow pace of the morning. 
His lips press into yours softly but firm. You hum into the kiss, slipping your wrists from his grasp so that you can wrap your arms around his broad neck and tug him closer. Your legs slowly match pace, looping at his waist. His cock is free to press against your clothed core now and he doesn’t waste a second of the opportunity; he grinds down, never letting it distract from the kiss for a second, even smiling into it when he can feel the blunt head of his dick catch your clit. You gasp. 
“Logan…”
Oh yes, that’s it. That’s the voice. He could listen to you say his name a million times and it would still be the sweetest sound in the whole fucking universe. 
He kisses you again and again, getting more fierce now. Tongues slide together and you moan into his mouth. Teeth clack with the force of it. He wants every sense to be drowned in you. Your smell, your taste, your touch. You’re holding him so tightly it’s like you’re worried you’ll just float away from the bliss of it all.
He’d never let that happen. He’ll keep you right here in this bed, forever, if you’d let him. 
With a display of telekinesis he’s not expecting, Logan finds himself on his back. You stare down at him with wide, hungry eyes, and he’s never been more turned on in his entire life. 
“Can I suck your cock?” you ask breathlessly, and he finds himself huffing out a laugh because fuck, as if you’d ever have to ask. You take his meaning and giggle before you start to make your way down the plain of his chest. A kiss dropped on the top of his pectoral, followed by you moving that sweet mouth around one of his nipples to play with it. Logan huffs and arches into your touch like a schoolgirl. You use your teeth to continue the trail, tracing around his abs - which have become less pronounced ever since he started eating right, and you’ve often expressed your pleasure at this fact - mouthing at where his muscles shape his Apollo’s belt. 
Your hand goes to palm his cock through his boxers and he has to make a concentrated effort not to come. It’s been a while since he was touched properly like this, and though he used to be able to go all night when he was a younger man, he truly doesn’t know if he has it in him today.
You seem delighted by this development though. Holding his gaze you slowly drag his waistband down to his thighs, watching in delight as his cock bobs up, half-hard. You take him in hand and pump him lazily, languidly, enjoying every stroke which makes him firmer. You prop yourself up on your free arm, elbow on the mattress and palm cradling your jaw, eyes on him like he’s the show of the century.  
“Handsome, handsome, handsome man,” you sigh, dreamily. 
“Old man,” he chuckles. 
“Not mutually exclusive.”
He has to concede that with the way you’re looking at him like you might eat him alive.  
When he feels your mouth around his cock his brain almost short-circuits. It’s warm and wet and willing, your tongue gliding along the thick vein you find there before caressing his head. Logan grunts, fisting the blankets, and a familiar snik has you looking up. You grin around his shaft when you see his claws have popped out from the intensity of his gripping hands. 
Pleased, you continue with your work. You bob up and down as the fire builds in his belly, a low heat which is soon bubbling over when he feels you press the tip of your tongue into his slit, humming with pleasure as the taste of his pre floods you. Logan is aware he’s beginning to tighten in a way which suggests that if you don’t stop now things will be over entirely too soon.
Claws retracting, his hand comes to grab your hair. His cock is enveloped in the sweet velvet of your throat, in fact he can feel himself brush against your uvula, and when you look up at him like that he almost gives up completely. He powers through though, carefully guiding you up and off. You wipe your spit-soaked mouth with the back of your hand. 
“Oh… was it not…?” you don’t voice the word ‘good’ but it hangs there anyway. Logan rumbles with a laugh.
“Fuck, it was the best thing I’ve felt in years. Wanna fuck you properly, though. Come up here and sit on my face, baby. Need to taste you.”
Your eyes go wide. Like he’s come up with the idea of the century.
“Fuck. Yeah, okay.”
There is nothing elegant about the way you pull yourself up the length of his body, but it is filled with a primal need which is far more sexy. You pause at his abdomen in order to rub your soaked cunt across his abs a couple of times. Fucking the muscles there. You throw your head back in gratification and continue up along his chest before a strong thigh is planted either side of his face.
Looking up at you from his back is his favourite view. Logan wastes no time in clamping an arm around either one of your legs and pulling you cunt-first onto his tongue, you gasp and writhe in delight.
“Oh fuck, Logan!” you hiss. Yeah, that’s it. That’s the voice he wants to hear. All strung out with sex and pleasure because of him. He fucking buries himself in you. Kisses your pussy sloppily, changing his attention from between your clit and your folds, no rhythm to his need. When your fingers scratch his scalp in your need to grab a fistful of hair he thinks he might be in heaven. His hips buck into the air, imagining the action of taking you before he’s even properly started. You start to fuck yourself on his face. Hips grinding down onto his beard, groaning at the stubble there which prickles and pleases.
“I’m gonna--”
“Fuckin’ do it,” he mumbles from between your legs. You cum in his hot, wanting mouth; all the furniture in the room rattles as you let out a little involuntary telekinetic jolt.
You are not done. This was the appetiser. Eyes still ravenous you peel your pussy off of his face, sweeping down to kiss him so you can taste yourself there. Moaning in delight at the musk.
“Wanna ride you…”
“Anything,” he breathes because, yeah. He will do anything you ask, anything you want. He’s a loyal hound at your heel. 
When you take his cock it’s with less teasing this time, more intent. Spreading your legs wide you line him up with your entrance and slowly sink down. He wants to grab. Your flesh, the blankets, anything. Sensing his desperation you hold out your hands when he’s far enough inside you and he meets them in midair, pressing his fingers between yours, knuckles white from the effort.
Hips nestle against his. You begin to move.
“Logan…” 
Your name leaves his lips in a similar whisper, dragged out through his throat from his very heart. You look down at him, eyes clear and wide and lucid despite the heady pleasure.
“Logan. I love you. I love you.”
Yes, you love this him. Not as a stand in for the Logan you lost, not as some sort of idol on a pedestal, but because you’ve fallen for him just like he’s fallen for you. He is worth loving. He is. He is worthy of you. It is a realisation which hits him with the force of a bomb. He grips you tighter.
“I love you too,” he confesses. He feels his pulse sync with yours from where he’s sheathed inside you, grips your hands tighter because he knows you can take it; you hold him back just as hard. Your hips rock in a wild rhythm as he brings his own up to meet them. It’s hard to know who’s fucking who, it’s wild and desperate and raw, but you keep chanting those words as a manta.
Logan. I love you. Logan. I love you.
He only lets go of one of your hands when he can feel he’s about to finish, dropping it to your clit in order to press rough circles there. You come messily over his cock and he spills inside you, pumping you full of him. Marking you as his.
You collapse into his arms, sweaty and spent. He holds you with arms like iron. Cock still inside, softening now, but he doesn’t want to to break the contact.
You pull back after a moment of breathing together, propping your elbow on his chest.
“Hey.”
He smiles back, a real smile, something he’s not been truly able to produce for years.
“Hey.”
“I meant it, you know. I love you,” you trace a pattern on his collarbone, silly and intimate. 
“I know. So did I.”
“Mmm, okay, good.” You kiss him and hum into it. “We should get up.”
“Probably.”
“But let’s not.”
“Sounds fuckin’ good to me.”
You laugh, and oh you are the sunlight. 
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The summer heat is cloying but Wade has set up some parasols on the top of his building to hide under, he did not specify where he got them but a few local restaurants seemed to be without on the journey back to the apartment. The group of you are definitely not meant to be up here, but with the weather so hot, nobody cares enough to cause a fuss. 
It’s a small gathering. Logan stands at the grill because it’s where he’s most comfortable, supervising the chaos. That awful mutt of Wade’s is looking up at him with expectant eyes and, when he’s sure nobody is watching, he throws her a hamburger which she goes crazy for. 
And it’s… nice. He didn’t even complain when Wade put on the 1989 album. A few of his old roommate’s friends, a couple of them now mutual - Piotr is a pretty relaxed guy to be in the mansion with, and the two teens who Wade somehow befriended get along with Laura. You’re talking with Peter who for some reason is always at these gatherings but he’s probably the least offensive person here. 
He says something which makes you laugh, and you look over to Logan as you both settle. You gesture at the bottle of soda in your hand, an invitation; he nods. 
You stand, rummage in the cooler, and close the gap. He eyes the glass bottle of Dr Pepper with disapproval; you give him a playful shove. 
“C’mon, be good. You just got your one month chip. Keep it up, we’re proud of you.”
He grumbles his acceptance and takes it. It is pretty refreshing to be fair. He settled the hand he’s not using on the grill around your waist, pulling you so that you settle nice and snug against his flank. You grin up at him, pleased with the show of affection.
“Hey handsome,” you chuckle. 
“Hey gorgeous.”
“You make me the happiest I’ve ever been, you know that?”
Day by day he’s letting himself believe it. That he’s the kind of man who could make someone as amazing as you happy, as over-the-moon with joy as you make him. 
Before he can answer Yukio appears by the grill, pointing a Polaroid camera in your faces. 
“Smile!” she says, and the two of you do, because she’s a nice kid and you don’t wanna let her down. She snaps a photo and watches it quickly develop, shaking it loudly in the air before admiring her work. 
“Awww, cute! I hope me and Ellie are like you guys when we’re your age. Here ya go!”
She passes over the photo before skipping away to find her next victim. Logan has to try and hide a laugh at the indignant splutters that are escaping you. 
“Our age…?!” you mutter, but soften when you look down at the picture. It’s nice. The two of you make a good-looking pair that’s for damn sure, he can almost understand Wade’s insistence of “letting him watch one night”. But most importantly, the two of you look… happy. With each other. With this slice of life. 
“This is a great one,” you declare. 
“Yeah,” he says, but he’s looking at you. 
When you get home tonight, late by the time you pull up to the mansion, you’ll toe off your shoes as you walk in through the door like you always do, but this time you’ll pause to put this photo in front of the one you found behind the chest of drawers, and Logan will feel content that he never has to be without you again. 
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kupidachillea · 5 months ago
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Olympians x You (hcs or imagines)
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Author note: Geez, it’s been awhile. Sorry, I’ve been in bit of a funk, got both writers block and art block but I just want to drop this. I still have a few things in my drafts, but for now I’ll feed you guys this.
TW (trigger warning):This may have a few Yandere themes in it. And while the Olympians themselves aren’t really yanderes- they do share similar tendencies considering their myths. Please note that this isn’t completely accurate to their mythology- but it’s just a bit of fun so please take no offence and be nice in the comments.
CW (content warning)⚠️: readers either 17-18+ (to read this I mean), light mentions of nudity, molesting and sexual harassment, toxic behaviour. General (hinted) Yandere behaviour. Reader’s discretion is advised.
🏺- You weren’t sure how you got here but somehow you ended up on mount Olympus of all places.
🪡- Your brain was fuzzy and you hadn’t yet registered the 12 + looming faces above you. When you did notice, they were bickering in a language you didn’t understand (or at the very least, understood a little). It was jarring and you were still trying to get your bearings.
-🏺 You noticed one of them, a woman, dressed in garments fit for royalty (in ancient times at least) and had somewhat of a peacock aesthetic to it, yelling and pointing accusingly at a man, presumably her husband. She didn’t seem happy. Hera. Queen of the Olympians..that means the other must’ve been Zeus..oh boy
🪡- Zeus looked as if he was trying to quell his wife’s anger before things got more out of hand. There were a few others in the back that looked bored of the situation- as if a similar thing has happened before, while others looked mildly amused.
🏺- Despite all that- the argument seemed to have turned completely to you. Hera turning her rage towards you. “You! Where did you come from, how did you arrive here!?” She’d ask in anger, it was evident she had very little patience if any at all, thankfully though she was now speaking a language you could understand. You scrambled to answer her, your body trembling slightly at how her voice shook the marble floor you were sat on.
🪡- You tried to explain to her that you didn’t know how you got here. Your brain still fuzzy with images that didn’t clear up or make sense. This obviously didn’t help the Queen’s anger and you could see her patience slipping. She would scoff and turn back towards the other gods, them discussing what they should do with you.
🏺 - Some suggestions were thrown around, some you weren’t so fond of. Multiple times did they suggest either killing you or throwing you off the mountain (which would kill you anyway). However those ideas were shut down immediately by more ‘kindhearted’ gods. This hasn’t happened in centuries- a human spawning on top of their mountain out of the blue..they aren’t really prepared for this.
🪡- They were almost all out of ideas, until one golden haired music deity bent down to your height and took a closer look at you. His eyes shining as he took in your appearance before a smile started to work its way on his lips. “How about we keep them..?” He suddenly asked, his gaze still set on the little (little to them anyway) human in front of him.
🏺- This made everyone pause and even you were shocked by the suggestion. You found it ridiculous and you argued that despite how flattering it was- you didn’t want to stay with them and you wanted to be returned back to your home. The gods only seemed to ignore you, as if you were a child having an unreasonable temper tantrum. They were all considering keeping you here!
🪡- “Well…” Hermes started. You could tell since he was a bit shorter than the others and he had his signature winged sandals. “It has been quite awhile since the gods have had a plaything..” he would mutter reluctantly. He wasn’t entirely sold on the idea, despite how his father and brothers (most anyway) were grinning like idiots. You, obviously , did not appreciate being referred to as a plaything.
🏺- “Then it is settled..this little one shall be our new plaything!” Zeus grinned, a little too happy for both yours and Hera’s taste. You were about to give them a piece of your mind but was swiftly silenced by a threatening gaze from Hera..to your surprise. And thus began your horrible life with the Olympians..
….
🪡- You were stripped of your modern clothing and given a chiton to wear instead. “It’s too modern for our liking..” Aphrodite would say as she felt up your body in ways that made you shiver in discomfort. “We’re use to our people…how should I say this? Showing a little more skin…” the goddess of love would chuckle sweetly, while you would stare at her in embarrassment and maybe even a hint of disgust. While you could understand where she was coming from- it still didn’t stop you personally from being uncomfortable with they way she was touching you.
🏺-You’d also be dressed up in fine jewellery, much to your surprise..anklets of gold, bangles made of bronze, necklaces etc. sweet smelling oil perfumes covering your body- anything to make seem more ‘appealing’ to the gods and goddess. You were their plaything after all, so it made sense for them to dress you how they liked..no matter how much you disliked it.
🪡- They’d occasionally have you pour them wine at banquets or sit on their laps to just sit there and look pretty. The main gods that did this were of course Zeus, Apollo, Poseidon, definitely Dionysus and at some point Hermes. You didn’t really appreciate this, but rejecting their request would result in a ‘punishment’ for you.
🏺- To your surprise..Ares rarely touched you without your permission, but he was a little mean here and there. He along with Athena and Demeter weren’t as…’touchy’ as the others. And Artemis …you appreciated that..though just because they didn’t touch you in inappropriate ways doesn’t mean they weren’t as ‘crazy’ as the rest.
🪡- For example, while Artemis wasn’t big on being a pest in terms of touching you, she did take you out on hunts..which..wasn’t so bad in your opinion. It was much better than being up on the mountain most days..she thought a little more rationally- but of course- her twin, Apollo, would see you hanging out with his sister and get a little possessive about it. Which you didn’t understand- you weren’t any of their lovers (even if they thought so), but even so..most hunting trips were cut short because of him.
🏺- When you finally got moments to breathe away from the gods..you’d spend it out in the garden..hidden away from everyone and thing..it was your quiet time up until one of the gods summoned you. You found out that you weren’t the first human to be in this position (and probably not the last)..according to one of the lesser known gods (maybe Hebe) you were told that centuries before, a young lad was taken into the heavens to serve Zeus but had been placed into the stars as the constellation known as Aquarius.
🪡- You shivered at the thought..you didn’t want that to happen to you. To be placed in the stars? Doomed to forever look down on earth and watch your family and friends grow? It may have been an honour back then but to you it was almost like a death sentence.
🏺- Either way, life with the Olympians got harder to cope with. Your privacy was always compromised and you were forced to many things you didn’t like. Sometimes the gods would be as bold to sneak up on you while you were bathing and either join you in the pool or touching up your nude body.
🪡-Often giving excuses for why they would do so, or simply ignoring your protest. It wasn’t hard to manhandle you after all..they were gods, and you were a puny human. Why should they care about your thoughts and feelings. It progressively got worse with them kissing your neck or cheek without your permission too- Apollo was the main culprit of that..
🏺- Sometimes you found yourself crying in a corner by yourself at the situation you were in. The only person willing to comfort you being Hestia. She obviously didn’t approve of this but she couldn’t do much besides being a safe space for you to turn to, which you appreciated.
🪡- But no matter how you protest, run, hide, or try to defy them; you are still theirs. That how they see it anyway, and they won’t change their mind..
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ratatattouille · 2 months ago
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Why Arcane's Finale Fumbled Pt. 2
In my last post, I argued that Arcane's second season was artistically beautiful and thematically cheap. I broke down where I believed the writers fumbled with Vi's, Jinx's and Viktor's characters, and how the conflict of season 2 should have centred around a war between Piltover and Zaun rather than Piltover/Zaun against Ambessa and cosmic robots. I asserted the the real let-down of Season 2 had to do with its themes and its refusal to commit to the political story it had set up.
Well, folks, on further examination, it actually looks worse than I thought, and I'm going to use two characters--Silco and Mel--to break down what makes the message of Arcane so hollow and even a little dangerous.
Let's get into it.
Silco: The First Proposition
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Silco and Vander:
Silco is a character CENTRAL to the themes of Arcane. The setup of the entire drama of the show, the central theme, are these questions: what is the price of progress and are we willing to pay it? Should we pay that price? Or as Silco says it quite bluntly to the first kid we see him give shimmer to: “Real power belongs to people who are willing to do anything to get it.” This story isn’t merely about ambition, but a dialogue on what actual progress costs and looks like. What does a better world look like? Is the better world we’re fighting for better for us or others? And what (or who) are we willing to sacrifice to achieve that goal? Vander, when faced with that question on the bridge answers, “No dream is worth the loss of those we love.”
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The death on the Bridge of Progress during the early war/conflict had too high a cost to Vander. Silco, however, “had enough.” Unlike Vander, what happened on the Bridge of Progress radicalized him. Silco, while being drowned by Vander, realized in that moment that he would do anything, not just to live, but to achieve his dream of a free Zaun. With or without Vander. Even if he had to sacrifice Vander. And we soon see, that while Vander dedicated the rest of his life to keeping the vulnerable in The Lanes safe (even if it meant making deals with enforcers), Silco was willing to throw citizens of The Lanes to the wolves on his way to achieve independence for Zaun. Silco calls it, “The necessary violence for change.” And in this episode (3 of Season 1) Silco sets forth a proposition for the entire show: does the path to a better world require violence?
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Silco and Sevika:
Silco’s new approach to crossing the bridge of progress, the path to freedom is winding and twisted. Silco embraces that, because only the goal matters: an independent Zaun. Silco won’t be at the mercy of the Council or anyone in The Lanes, and Sevika is into that shit. We saw that she percieved Vander as weak and servile to enforcers. Who she deems abhorrent without remorse (Vander and Grayson are both despised by Sevika and Marcus because they are percieved as being too lenient with their enemies). Silco, however, has an ACTUAL plan.
He creates a shimmer enterprise because having this control not only gives him a monopoly on The Lanes (and the gangs within), but leverage when it comes to manipulating the Council. Violence and the threat of war are the official languages of both Zaun and Piltover. It is how anyone bothers to listen to Silco both in The Lanes and within the Council. We know that the rich Piltovians (like those IRL) only speak money. “Progress” to them is prosperity and legacy (and I’ll get more into that later).
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By creating the shimmer enterprise, Silco not only gets his foot in the door, monopoly over the other gangs and factions (thus uniting them), but a metaphorical seat at the table. His name has weight now, which positions him to make demands of Piltover and give Zaun a thriving industry (at least when it comes to money). Especially because (as we see with Salo and Lest) shimmer is also used by the elites. Silco is a brilliant tactician who exploits the hubris of Piltovians (like Marcus, who wanted to be in charge so he can neuter Zaunites indiscriminately), and manipulates them to his own advantage (much like Mel). But when Renni’s son is killed in the mines, Silco’s proposition is confronted once again: isn’t it easy to justify necessary violence when no one you love is the collateral?
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Silco doesn’t care about Renni’s son, doesn’t see himself as remotely near Renni’s position. When Twitch calls Jinx his “dog” (something Sevika herself wanted to do lmao), Silco gets twitchy. He doesn’t recognize any similarity between his relationship with Jinx and Renni and her son. Jinx is not someone he would ever consider as up for debate. Which was the point of tension between him and Sevika (a Sevika who’s loyalty he KNEW he needed in order to keep control, especially in the wake of Jinx’s volatility and unpopularity). Nevertheless, Sevika doesn’t betray him in that moment, because she still sees Silco as stronger (even though she believes Jinx is a weakness he needs to get rid of). As with Vander, Sevika views affection for their own at the cost of freedom as weakness.
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Yet, funnily enough, she is fiercely loyal. She, like Jinx, is Silco’s “dog.” She shares his weakness, the weakness that makes her zealous for a better world in the first place. But what Twitch and Renni pose to both Silco and Sevika is the unsettling question of: are you really willing to go far enough? Or do you still see yourself as an exception? Regardless, when it comes to Silco’s proposition, Silco WAS SUCCESSFUL (and also accurate in his deductions on what would get both cities to respect him and eventaully give him what he wanted - Zaun). His determination and focus paid off, indeed, it’s hard to see how he could have been successful without the “necessary violence”. It is clear that he wouldn’t have. No shimmer, no independence. Silco, for all his gruesome methods, WAS RIGHT. Except . . .
Silco and Marcus:
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By exploiting and manipulating the vulnerable of The Lanes, Silco also ensured he would suffer the same fate as Marcus. Unlike Silco, Marcus did horrible things to protect his daughter. Marcus, at first, had started out as a zealous enforcer, eager to clean out the rats of The Lanes. Although he didn’t plan for Grayson to be killed, he was willing to get rid of her in order to ensure that he would get into a position that allowed him to do what he wanted to do: exterminate rats and be the hero of Piltover.
Silco offers him bodies for Stillwater in exchange for ease of shimmer distribution. Silco is willing to sacrifice his own people, the people Zaun is ironically for, in order to gain influence in Piltover. Silco, however, did the opposite. Because he loved Jinx, he recognized her deepest insecurity and sought to assuage it (inadvertently weaponizing it against her and those who loved her). He let Jinx get close and gave her responsibility so she could feel like she belonged (he let her drug his eye, a delicate process, while she was still thought of as reckless and untrustworthy). He brought her deeper into the heart of the violence and taught her to embrace it. He made her a child prodigy of warfare.
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He takes a different approach to Vander (who kept telling the kids to stay out of trouble where they could and used himself as a buffer). So was Silco wrong? Was Vander? The answer was, quite poetically and profoundly, their deaths and the resulting silence. Both died, more or less, at the hands of their daughters. This is something overlooked often by fandom. It was Vi’s choice to lead her brothers and sister into Jayce’s apartment that would eventually bring the enforcers down to The Lanes, sparking the chain of events that would lead to Vander’s death (or had things gone “well,” his arrest). Vi is also how Powder got the arcane stones in the first place. Vi’s encouragement (well-meaning and innocent as it was) played a hand in the disaster that followed.
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But the fact that both Vander and Silco die regardless, paints an excellent portrait of the constraints of oppression. Both tried different methods when it came to rearing their daughters. Both methods got them killed and thrust their children into peril. Vander could only have shielded Vi for so long, and Jinx could only have taken so much so young before she broke down completely. The fate of the girls is not merely their fathers’ fault, nor their sister’s. The tragedies of their lives happen due to the simple fact that they were born in The Lanes. No choice, on either Vander’s, Silco’s, Powder’s or Vi’s mattered in the end.
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They were always playing a losing game, which is what makes it so fucking INFURIATING when S2 comes along and suggests that “ACKTUALLY the reason everyone’s happy in Ekko’s AU is because Vi died/hextech was no more/Silco and Vander made up).” All of those were symptoms of the bigger issue, not the issue itself. And that is the horrible irony of Silco’s story. He WAS right. But his folly was viewing himself and those he loved as exceptions to the rule. For when Zaun demands the final price, when Jayce asks for Jinx in exchange for his dream being realized, he isn’t willing to pay anymore.
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Marcus only crossed the bridge of progress into Zaun for the sake of his daughter (as is shown in a chilling scene where he finds Silco playing with her in her room). Likewise, when Silco FINALLY finishes, after all those years, his march on The Bridge of Progress, like Marcus, he dies in a swarm of bullets. But unlike Marcus, he is afforded time to tell his daughter, “I wouldn’t have given you to them. Not for the world.” Not for his dream. So what did Season 2 do with that?
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Summary of Fumblings:
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-I’ll tell you what Season 2 did. Season 2 took the biggest shit on one of the most fascinating characters in animated history. The reason I didn’t put that much critique up there was to show you how complex, layered, deep and thoughtful Season 1 was with Silco’s character. Silco in S2 became a cheap gimmick flung in our faces like the marketing team was trying to sell Silco plushies following the release. His back-story in Season 2 clashes horribly with Season 1. If Vander, Silco and Felicia were such chums back then, why did neither Silco nor Vi recognize each other when they met in Season 1? They were quite grown by the time the March on The Bridge of Progress happened. Honestly, there’s too many mistakes and inconsistencies with how Season 2 handles the backstory I don’t even see a point in getting to it
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-(excerpt from one of the writers) I can't BELIEVE MY FUCKING EYES! Silco’s respect for Vander, despite the fact that Vander tried to drown him (most likely after the carnage on the Bridge of Progress where Vander realized the cost of war), was that Vander remained dedicated to Zaun’s independence, at least, until he began prioritizing the safety of the children over Zaun’s freedom. Silco’s respect for Vander had never been a goal or motivation. Silco never expressed any desire to be respected by Vander. He merely expressed respect, ONLY because Vander, up until he became the enforcer’s “lapdog,” shared his pursuit of a free Zaun. Silco killed Vander for the same reason Vander tried to drown Silco: they had become a threat to what they held dear - Silco, his pursuit of Zaun, and Vander the safety of his adopted children.
-”We build our own prisons. Bars forged of oaths, codes, commitments.” This conversation is SO FUCKING—rips into mattress and pulls out stuffing Jinx hallucinates Silco from within the cell she’s in at Stillwater, maybe the same one Vi had been in. Silco starts off saying something like “It’s funny how Marcus thought putting Vi in this cell was a greater mercy than killing her,” cluing us in to not just Jinx’s mental state but the very real torment it must have been for Vi as a child as well. SO JUST TO RECAP, WE ARE TALKING ABOUT THE PRISON OF THE CYCLE OF KILLING AND VIOLENCE, OKAY. In addition to that already horrible quote above, Silco says, “. . . and it will continue, long after the two of you.” So, folks, IN CONCLUSION, this cycle of violence (which I have already established like a fucking broken record is EXPLICITLY started and perpetuated by Piltover) is eternal and inevitable. Just let that fucking sink in. Let it settle nice and sour in your gut and then tell me how that GERD feels. Not only is that an appalling thing to suggest about any oppressive regime, it’s also untrue. Yes, humanity has not gone a decade without some form of conflict and struggle, but individual societies have been PROVABLY capable of both progress and regress. Both of which require the agency and active participation of others. And Arcane seems to want to show that progress is indeed possible, but it has already declared it, to some extent, a pointless pursuit in this conversation. Which is it, Arcane S2 writers? Is progress worth striving for, or is it pointless? “Oh my god, you’re so dumb ratatatouille!” you say. “Of course they answered the former! Duh! In Ekko’s monologue when Jinx is trying to kill herself, he tells Jinx that someone special once told him that no matter what happened in the past, it’s never too late to build something new - someone worth building it for.” GREAT! DELICIOUS, EVEN! Now why is it that Ekko says this instead of Silco? Why isn’t this something Silco would say, given that this was the entire point of his and Vander’s story? That this is what his arc embodied and explored? “You’re so silly! Obviously Silco is a hallucination!” The show explicitly frames Silco as RIGHT and tries to tie in what Silco says with what Ekko says. More sympathetic viewers will say that since Ekko discovered that Jinx was never the problem, that hextech was, and that Jinx was actually the path towards progress - a path Silco had walked so she could run - Ekko approached her as someone he could finally save (and oh boy am I going to get into why that doesn’t work AT ALL later). Is is not Jinx, but the hextech, the ARCANE, that is dangerous. The hextech is the true jinx. It is what will keep the cycle going. That’s why Silco holds the arcane stone near his eye like that in the scene.
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And to that I say . . . WELL THAT’S FUCKING STUPID. I don’t care that “Arcane” is the title of the show. It is the cheapest story gimmick I have seen since vibranium, except vibranium REMAINED a plot device and didn’t usurp the theme or political/interpersonal conflicts in Black Panther. Hextech was a PLOT DEVICE meant to be used to explore the themes which became the ENDPOINT. And this story SUFFERS SO MUCH from that simple change. This is why most critics of season 2 say the story should have remained focused on the interpersonal and political reasons characters did what they did, rather than siphoning all their stories into a mission to stop the evil, mystical stones. It is a fucking stupid distraction in S2, where in S1 it had been a beautiful metaphor, a fragment of a mirror that the characters held up to examine their faces.
But by claiming the cycle was the hextech all along, you just shat on everything that made S1 good.
Which brings me back to what Ekko tells Jinx, that she can still build a better world for the people she loves (like Vi, I guess). That’s why she comes back to help her sister. She cuts her hair (a symbol of letting go of the past) and joins Vi to defeat Ambessa and evil Viktor. This is treated as some kind of continuation (or the true point) of Silco’s “ending the cycle” speech. By letting go of Vi (literally) and Silco (also literally), she can finally . . . er . . . stop “running in circles.” So the show tells us she is BOTH supposed to fight one more time to achieve an autonomous Zaun AND fuck off to a new land to escape said cycle—which, what was the POINT of fighting if she still had to “escape” it in the end anyways?
NO S2 HALLUCINATION SILCO, JINX AND VI DID NOT BUILD THEIR OWN PRISONS. THEY SURVIVED THE CAGES THEY WERE PUT IN AS CHILDREN AND THEY DESERVED BETTER THAN THAT GODAWFUL DUMBASS SPEECH.
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Do you see why this writing is so horrible? It contradicts itself so many fucking times, no matter how you splice it. Whether it’s about the cycle of violence being the fault of unforgiveness or hextech. None of it makes any sense because none of it was ever established in season 1 as being the cause for any of those things. And by even SUGGESTING that either or both of those could be the cause, the writers send us two very troubling messages: oppression is inevitable and also, somehow, the fault (rather than responsibility) of the oppressed. Actually no, I think the suggestion from the writers is even stupider: oppression is an option and you can opt in or out.
And that is the ultimate insult to Silco’s character and what he did for the story of the show.
Mel: The Counterpoint
Mel and Jayce:
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Mel is Silco’s thematic counterpoint. In the story, Silco proposes that progress costs some “necessary violence.” Mel is faced with this same question as a child, when Ambessa presents her with the last remaining heir of a nation Noxus had conquered. Ambessa asks young Mel if they should kill or spare the girl. “Kino says war is a failure of statecraft,” Mel had said, when her mother told her about how her father had made her retrieve knives on the battlefield at ten so she’d know death. War, Mel is sure, is REGRESS not PROGRESS. It is the breaking down of the state, not the making of one. It’s obvious to Mel that sparing this girl, who looks about her age, is the progressive, less barbaric thing to do. Yet Ambessa insists, “Your brother thinks he can talk his way out of anything,” Likening him to being a fox among wolves when a good ruler needs to be both. To which Mel goes on to describe the kind of ruler the new conquered kingdom will need. A woman “with a kind, fat face to charm her subjects”, but moldable, to which Ambesaa basically says “So basically you? Cool. I’m down, but you have to prove yourself to me. Prove you can take it.” This is when Mel is presented with the ultimatum: choose to spare the girl or kill her. “We can show the people we are merciful,” she pleads on behalf of the girl. But Ambessa is firm. If Mel kills her now (a symbol of the old “regime”), she won’t (maybe) have to deal with any uprisings and kill thousands.
But Mel doesn’t swallow this poison, insists that diplomacy is the superior way, and is banished to Piltover, where she undertakes the task of proving herself. She tries to become the fox. She uses her kind, fat face to charm the Councilors of Piltover and utilizes Jayce to use hextech for Piltover so that her work in the city becomes impressive, cements her legacy as a Medarda, validates her as one of them, and ALSO proves her mother wrong, thus liberating herself from her mother’s cycle of violence and re-instating her rightful station as a worthy member of the Medarda clan.
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But it’s not JUST that, though. Jayce’s enthusiasm to improve the world with hextech inspires Mel and validates what she felt so strongly as a child that Ambessa staunchly denied. When Jayce shares his dream with her, she goes all soft and says, “We’re (the Medarda’s) not often in the position to give back.” Which is . . . funny, lol. I think she was talking about herself rather than her entire family. Anyway, to Jayce, Mel was the one who gave him a second chance. He and Viktor wouldn’t have gone anywhere without her help. Jayce is likely the first person she’s felt capable of helping (especially outside Ambessa’s shadow), and likewise, Mel makes Jayce feel indominable (remember: “Nothing feels impossible when I’m with you”). Jayce makes her feel good about herself, hopeful that her ways can work. After all, being the fox has worked for Jayce and Piltover.
But Mel isn’t just the fox, and not for the reasons S2 thinks. Why? LONG before Ambessa sets foot in Piltover, Mel receives a letter from a correspondent overseas. She despairs that Jayce is not ready to be the success she needs him to be. Even after he confides in her about Viktor’s illness, to her it is not a personal loss. Like no matter what the meljayvik or melvik shippers say, Viktor and Mel DID NOT GIVE A FUCK ABOUT EACH OTHER OUTSIDE OF JAYCE. Jayce wants to uphold his promise in helping Viktor, the man who saved him from his own death (AND TRUST ME, WE’LL GET TO THAT) but Mel wants Jayce focused on keeping her investment and legacy IN PILTOVER safe from Ambessa.
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So what does homegirl do? She manipulates Jayce into creating hextech weapons. The reason she moves for a vote to make Jayce a councilor on Progress Day is in light of Jinx’s attack. The councilors are worried that someone in the undercity got their hands on hextech and can use it against them. Jayce, feeling responsible for the situation (and that probably having something to do with Caitlyn nearly dying in the attack), proposes to pause all hextech developments until the threat is neutralized. Instantly, we see Viktor’s and Mel’s reactions—panic. Both are running out of time. Mel to make Piltover a success (in that it is able to defend itself from Ambessa), and Viktor to help those dying in The Lanes. So Mel proposes Jayce become a councilor instead.
We next see her examining Jinx’s bomb with Viktor and Jayce. Jayce asks Viktor if it’s possible that Jinx could create something resembling hextech. Viktor, who is busy marvelling at Jinx’s ingenuity and feeling a little proud of his people, says very confidently that “It’s a leap.” Meaning it’s far away from what Jayce and him are developing. But Mel needs SOMETHING to intimidate Ambessa. That, or she recognizes the undercity as a real threat to her dream of progress and prosperity. Legacy. The undercity is ugly and she wants to neutralize it before she loses her chance. Regardless, here, we see her make the choice to be the wolf. The relentless and unmerciful. Focused and driven by her ambition. She will be a Medarda, unlike last time. Armed and prepared. When Jayce asks if she knows for certain that Zaun intends to turn the gemstones into weapons, Mel says, “That doesn’t matter. We’ll assume,” which pisses Viktor off. But then she performs the ultimate manipulation on Jayce. She uses Jayce’s care for the Kirammans and Piltover to convince him that it’s necessary to “protect your people” which, Viktor can tell, does not extend to the people of the undercity.
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Once again, Mel is demonstrating that she doesn’t see Zaunites as people. She barely acknowledges Viktor when he protests, saying “That’s not what we invented hextech for!” She merely looks at him, then looks back at Jayce and talks to Jayce. She repeatedly ignores Viktor, talks over him, as if he isn’t there. Doesn’t matter. After all, Jayce is the only one in Piltover worth her time. Piltover is her project, not the dirty undercity. Mel had already sown the seed for Jayce’s rampage by the time Ambessa showed up.
“Stay away from Jayce!” she says, and yet Mel is what brought Ambessa close to Jayce both physically and ideologically. For hextech and Piltover (the City of Progress) to be safe, Jayce has to commit some “necessary violence for change.”
This isn’t only Ambessa’s fault, but Mel’s and Jayce’s errors as leaders. By neglecting the undercity, Jayce fails to see how his innovations could be weapons until it's too late. Mel is also so focused on Ambessa as a threat that she neglects the threat of the undercity, a place that only became a threat because of YEARS of failed state-craft.
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Jayce acquiesces to Ambessa's rhetoric since the attack at the bridge, and proposes to the other council members to go into The Lanes with force, which they are all (including Mel) hesitant to do. But then Jayce goes ahead anyways, and kills a kid (which we’ll come back to), and he not only regrets it, but does a 180 and returns, like Mel, back to his core values — peace and progress over prosperity or legacy. He makes a deal with Silco and then goes and tells the Council what’s up. Mel, now utterly convinced of her position, is the first to cast her vote in favor of an independent Zaun, and removes the Medarda ring while she does so, signalling her disdain for all the clan represents. Not only that, but she smears gold over the Noxian ships in her painting, which her mother correctly reads as a rejection of Noxus and an embrace of the Piltover her and Jayce want to build. Mel does not anticipate the attack, and Mel, in the last frame of the finale of Season 1, is the first target of Jinx’s bomb, the first councilor it was going to hit while her back was turned to it.
Mel and Viktor:
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Mel’s parallel with Viktor is interesting. Mel’s interest in hextech (and initially Jayce) are to her own ends, later becoming altruistic (Viktor’s interest in Jayce also starts as an interest in his theories although his motivations were altruistic from the start). Jayce reminded her what she wanted to be in the first place. That her family name, like Jayce’s was to his, was a ball and chain around her neck. Holding her back from true progress. From a better world. A better legacy. Viktor comes from nowhere-land. Viktor doesn’t have a family legacy to inherit. Viktor is a Zaunite. And soon, much like Viktor, Mel is going to have to work hard to create her own legacy. Both Viktor and Mel are sort of outsiders in Piltover. As is shown in S2 with Salo, Piltover, the Fake City of Progress, has no accommodations for the disabled, which makes Viktor stand out like a sore thumb (also, Viktor is the one who made his own leg brace). Mel is a foreigner who has to make a name for herself before she can latch onto the Medarda title. Viktor wants the city to be good, while Mel wants the city (and herself) to look good by matching the strength and prosperity of Noxus.
This is why Viktor gets so sassy with her lmao. He sees through her manipulations and notices that she is pulling Jayce away from what they’d set out to do together (he is also annoyed at how easy it is for Jayce to forget). Mel is the one who tells Jayce it would be wiser to let the council members get away with their criminality (all while cracking down on The Lanes), which makes them wealthier, something that pushes Jayce deeper into his own prejudices against Zaun, where he starts seeing himself as primarily a caretaker of Piltover rather than hextech, as a councilor rather than a scientist, and it jeopardizes his relationship with Viktor.
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But Jayce helped her re-connect with the values all three of them shared deep down. The desire to help people and make the world a better place. After the bridge massacre, Mel wants to put her charm and diplomacy to good use, and she does so in the Council Room when she votes for Zaun’s independence.
But here’s where the FUMBLE happens. In S2, we see that Mel’s magic seems to have shielded Jayce and herself, but not Viktor. Not only that, but it’s hinted that Viktor’s magic is resistant to her touch. We don’t get any answer as to why that is (although I’d like to think that was Viktor being petty even while unconscious). This is especially weird since the arcane is alluded to be where the mages get their power (and isn’t it convenient that Viktor became a mindless war machine controlled by the corrupted/corrupting arcane instead of a mage when we see that in other universes he is indeed a mage already?). Not only that, but Viktor can clearly “touch” her magic through the puppet, later on.
Jayce keeps asking her why he was spared and Viktor wasn’t, and Mel, once again, cannot answer him. She knows that her magic protected her and Jayce, but once again, Jayce is lowkey asking why all these horrible things keep happening to Viktor instead of him. Why he is spared instead of Viktor. Unlike Mel, I have an answer. The answer IS PRIVILEGE JAYCE NOT THE FUCKING ARCANE AND THE MYSTICAL NATURE OF MAGIC OR SOME UNKNOWN FORCE OF FATE. Viktor’s tragedy was something that could be helped by both hextech and just Piltover not being a bunch of fucking asswipes. Viktor’s “bad luck” was actually just piss poor governance, or as Kino would say, “a failure of statecraft.” When Mel forsook her original ideals in order to pursue her mother’s acceptance and her family legacy, she did what all the other council members did: make themselves comfortable in places of power at the expense of the oppressed. In order for her to reclaim herself, she had to abandon Noxus and her dream of returning or belonging to the Medarda Clan. Mel has to choose between her family’s legacy and her own longing for progress and dedication to mercy over violence.
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Mel and Ambessa:
While Jayce has to fight Victor (who is really now reduced to just another weapon Jayce created that’s gotten into the wrong hands - and more on THAT later), Mel’s task is facing down her mother. By removing the context of oppressed/oppressor inherent to the Piltover/Zaun dynamic, we fail to explore S1’s setup for Mel. IT SHOULD BE NOTED that the reason diplomacy worked for Mel and not Silco was because of their differences in power. When Viktor tells Jayce “There is always a choice” after Jayce expresses his doubts regarding what Mel said about the Zaunites making hextech, Viktor was talking about Jayce’s choice. Mel’s choice. Mel could have chosen to be diplomatic, even with the threat of Jinx. But instead she forsook her ideals in pursuit of her desire to become a Medarda and, like her mother in her dream, preferred to eliminate the threat rather than integrate (Zaun). Even if she back-tracked by the time her mom came back.
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Mel has to face the fact that, like Jayce, she betrayed her values and initiated something horrible: the war she’d always dreaded and despised. Mel is why Ambessa heard of the weapons in the first place. But S2 doesn’t focus on this at all. It barely acknowledges it. Instead, Mel is sucked into the Black Rose and told she’s a mage and that her mother must die for the sake of nameless nations the Black Rose mentions. You see, Ambessa is a scapegoat. An excuse to halt and dissolve any meaningful discussion on Piltover’s (and Mel’s) hand in the plight of The Lanes.
By making Ambessa the big bad, the council members and other Piltovians complicit in Zaun’s desperation get a free pass. Both in the show and by fandom. In fact, Mel can now be regarded as a hero (one of the GOATs of Arcane, if I recall) for killing Ambessa, then being christened the wolf by her mother. We don’t have to reckon with the fact that for most of the time she ignored Zaun, and that when Zaun got her attention, her first instinct was to weaponize Piltover, saying, “The peace was already broken.” And I’m pretty sure the reason she did this was LARGELY for ambition, because not more than an episode later, she’s backtracking, insisting that Jayce doesn’t know war like she does, that they should simply give Silco what he wants.
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So Viktor was right. She wasn’t forced to create hextech weapons. She wanted to do it for her own gain. And Jayce rightfully gets mad at her in S2 when he recognizes her manipulations (even if he himself was complicit). He does, however tell her that “No one can control you and you’ll never be a passenger.” Once again affirming her incredible power—only this time, the focus is magic and not her political prowess. AND ISN’T IT CONVENIENT THAT MEL “DOESN’T UNDERSTAND” HER EMPATHIC POWERS SO SHE CAN BE TECHNICALLY EXCUSED FROM HER DECISIONS IN S1? HOW COOL IS THAT?!
Lmao when Mel starts lecturing her mother in the finale with “Mother, look at the price of your ambition,” it’s like . . . okay? You exacerbated this war long before your mother, girl. You were the one on the council for YEARS before she arrived. Mel, like Caitlyn, gets to play saviour while barely taking any credit for the fact that she was largely responsible for where Zaun and Piltover ended up (sis literally determined council votes singlehandedly). When Mel stands on the other side of the Bridge of Progress, she sees a trail of violence. She decides to cling even more firmly to her core values. Silco was right, but so was Mel. You see, diplomacy wouldn't have worked for Silco, but it could work for Mel, because Mel had power.
Summary of Fumblings:
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-And what was that, “(Piltover is) the city I built for my family” BS? By the end of S1, it is clear that Mel wants NOTHING to do with being a Medarda anymore. She wants to keep Noxus and Piltover SEPARATE. So why does she tell her mother, “You will never be a Medarda” as some kind of gotcha? Lmao, like why tf does that matter? How would she know? Why would she care? Other than her and Kino, what other benevolent Medardas are out there that makes her say this?
-The Black Rose warns Mel of Ambessa’s “thirst for legacy” (much like Mel’s) leading to a worldwide calamity. Mel wants to imagine that her mother prizes her own children over her pride, but the Black Rose insists that’s not true. That Ambessa is willing to sacrifice her children for more power and legacy. We do understand, however, that when Ambessa is confronted by the Black Rose, she is resorting to hextech so she can avoid using Mel (”she’s safer as our enemy”). AND THAT WOULD MAKE SENSE IF THE THIRD ACT ACTUALLY ACTED LIKE IT. How is Mel going to be this really great weapon that Ambessa doesn’t want to use because she loves her (which like, why didn’t she love Kino then if it wasn’t about magic?), but also simultaneously SENT AWAY TO A DISTANT LAND OUT OF HER WATCH? So now she’s hiding Mel, but she wants to pursue the arcane that is waking her mage-ness up and making it impossible for Mel to hide? Ambessa was literally there in the council room in the aftermath of the explosion. She knew Mel had used magic to protect herself and Jayce, but she didn’t do anything? Say anything?
Now most of this is clearly setting up another story in Runeterra (which means my criticism will ultimately be left to conjecture), so I’m going to focus instead on her last words to Mel: “You are the wolf.” The wolf being a symbol (at least in callback to season 1) of ruthlessness and fearlessness: the opposite of mercy. Why does her mother say this? Because Mel finally made a kill? Or because she killed to protect what she built? Finally embraced her power? Yeah, let’s go with that last one. Mel’s development in S2 becomes one where we focus on the power she’s always had, both magical and influential. Yet the show focuses more on the cool magic part than the rammys of Mel’s decisions in S1. It ignores her political power and frontlines her magical abilities, even making her political prowess partly due to her magical empath powers . . . like . . .
-Mel had dislodged her legacy from the Medardas by the time S2 rolls around. . . except no she hasn’t. In the end, Mel is sailing back on the Noxian ships she painted over, and she is doing so as the new Warlord (even wearing what looks like her mother’s cape) because she is the badass wolf, the leader that her mom wasn’t. And how did she achieve that power? Magic. Why does she want to go back? To reform the Medarda name? To take on the mission her mother couldn’t finish against The Deceiver? Because Jayce is dead? Who even cares at this point, this is mainly happening for the spinoff. It isn’t illogical, it’s just the least interesting approach to her character. Mel had much more agency in S1, and her political prowess made her formidable. But that doesn’t matter anymore.
-Her whole arc in S1 was all about her finding the courage to leave the Medarda name behind in pursuit of true progress, but then she kills her mother and sails away from Piltover, the city she fought to protect and killed her mother for and is all about probably reforming the Medarda name—and that’s her job done? Is it me, or is that a reversal of her—pardon the pun—progress? Also, she grew up in Piltover, it must be more of her home than Noxus ever was. Not only that, but making Ambessa go from an imperialist tyrant to this woman bravely fighting against a larger, more powerful threat cheapens what Noxus represented for me. Sometimes conquerors do be conquering, and they make threats up to justify their greed. Not the other way around. It’s not too egregious, but it would’ve been nice if the Black Rose had been more of an epilogue thing.
-sigh I know I’ve said it before but it’s because it’s true . . . the conflict should have remained between Zaun and Piltover and Ambessa was a cheap way out of what S1 was building up
-Ambessa was not who Mel needed to physically defeat, but someone she needed to ideologically defeat. And we don’t see any of that. By the time Ambessa calls Mel “the wolf” it’s hollow, because it’s about Mel being a more powerful combatant than a wise ruler. In this moment, her “foxness” is about how she figured out the “deception” of the Black Rose and not how she outmaneuvered her mother politically. Perhaps it would be epic if we knew what the fuck she meant by “I see your face deceiver!” and then super sayan-ing out of nowhere. Her not having mercy on her mother is about being a Medarda, a question that wasn’t the focus of season 1, merely a catalyst. Becoming a Medarda was the goal Mel had, not the need. She needed to learn how to rule. Instead, she learns how to kill. And then she’s off to her home in Noxus as more of a soldier and spy than a queen. 
Which likely means two things:
-S2 got bored of Mel and just gave her cool reflective powers to make up for it. Making every interesting development about her character happen off-screen, in the writers room, or on another show.
-S2 was deliberately trying to communicate that it sided with Ambessa. That violence and combat, war, is not merely a failure of state craft, but necessary or inevitable to political growth. That militarism is the only thing that can answer militarism. That the only way to ensure the progress you make is secure is arming yourself. Even though this topic has some grey areas, Arcane explicitly picks a side by narratively using Ambessa to justify Piltover’s weaponization of hextech.
i know fandom has a lot to say about Mel being a “strong-black woman” character, but as a black woman myself, I hated how they stripped her of what made her such a strong, enigmatic presence in S1. Her prowess, her wit and cleverness. Her sheer intellectual power made her so FORMIDABLE.
She’s just a lost, hurt uwu little puppy for most of S2 before she’s given her US government assigned Avengers superhero uniform.
Mel in Act I was already using Lest to spy and we almost got a good story then—POOF!—Black Rose.
-Mel’s contribution to the development of hex-tech every step of the way is completely ignored. Instead Viktor and Jayce take full responsibility.
Conclusion:
Mel and Silco's arcs both ask: is violence necessary for progress? Both answer yes, but Mel's remains a little unsatisfactory. Because Mel had a choice. She had power. Power that Silco was willing to do (almost) anything to get. Both Mel and Silco's presence in S1 were formidable, and what made them so intriguing was there thorough understanding of people, both the good and the bad. But in S2, at least for Mel, what made her such an agentive character is thrust aside for spinoff hype. It's not that it isn't cool, it is. It's just one of the things that made S2 feel not only chunky, but disconnected from the roots of its story in S1. Both Silco's and Mel's characters in S2 reveal a very poor (or troubling) view of oppression, power dynamics and politics.
Anyway, that's just me. I was gonna do Ekko, Caitlyn and Jayce as well, but this post got too lengthy. I'll probably need to whittle it all down later. I've already cut so much.
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cherrybomb107 · 1 month ago
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I literally wouldn’t have cared if they decided to pull a Cyberpunk Edgerunners and kill off our entire main cast save for one or two characters and let the bad guys(the establishment) win. Tragedy isn’t the problem. The problem is the way they went about it. The show had so many plot threads to tie up, there was never any time to truly reckon with all the tragedies that were occurring.
Ekko losing his tree because of Arcane poisoning would be tragic. Notice I said “would be” because that plot line is literally never addressed again. It gets brought up, and then forgotten about. Vi being hit by her girlfriend after she makes the decision to put on the uniform of her oppressors and contribute to oppressing her own people in pursuit of a little sister who she can’t accept has changed is tragic on multiple levels! That’s some compelling shit! But the show never meaningfully addresses these issues or lets Vi react to them without throwing her into a new situation where she has to fight and lose something again. All Vi has ever done her entire life is try and fail to protect her loved ones. She gets punished for trying. It’s almost like the universe itself is out to get her! But we never see Vi break down and pick herself back up. We never see her make any choices to do what’s best for her. The plot decided for her and that’s the problem!
Vi and Jinx deciding to go their separate ways after all that they’ve been through would’ve been tragic. These two sister who love each other more than anything having to break apart for who knows how long and holding onto the hope that maybe they can reunite and be sisters again is gut wrenching…or at least it WOULD be if they actually decided to separate! Vi didn’t decide to leave her sister, Jinx didn’t decide to leave Vi, the narrative forced them apart! The narrative keeps ripping them away from each other and it’s starting to feel intentional. Trying to tell the audience that the only way Vi can truly be happy and choose herself is by having her baby sister die and being forced to live with her girlfriend in a city that will be extremely discriminatory towards her is not it. I’m not saying that Vi and Jinx have to ride off into the sunset together. But I am saying that if going their separate ways really was for the best, the show wouldn’t spend so much time trying to convince us of that. It would just happen organically. Which, to me, it didn’t
Jinx losing Isha was yet another tragedy! But the show doesn’t really show Jinx grieving and then deciding to fight for what she believes in after Ekko convinces her to try. She tried to kill herself five times. FIVE TIMES!!! How on Earth did she go from that to a badass piloting an airship, dripped out with her new outfit and steeled sense of resolve? We don’t know because it happened offscreen! I understand the show had time constraints, but come on. This plot line deserved more time to shine. Sevika being on the Council is a tragedy. It’s an empty gesture for one, and majority rules for two. That means Sevika will be forced to try to barter for Zaun’s freedom while being surrounded by a bunch of classist Piltie pricks who despise her and everything she stands for. She will be talked over and talked down to. That’s not a happy ending! But the show frames it like it is! And I’m sorry but if you can’t watch interviews of the writers saying their thoughts on the show and you genuinely believe that they have the range to write Sevika being on the Council as thoughtful commentary? No comment😭😭😭
Caitlyn’s corruption arc is yet another tragedy! Both because of what happened to her AND the fact that the arc wasn’t done! Caitlyn’s arc was supposed to show how no matter how “good” and “kind” a privileged person believes them self to be, their unconscious bias and prejudice against the out group will rear its ugly head the second they experience a fraction of what the marginalized group has been experiencing for centuries. It was so easy for Caitlyn to say “I understand now. How easy it is to hate them.” “Those animals!” “I thought you were different, but you’re not. It’s her blood in your veins!” How easy it was for her to weaponize The Gray. How easy it was for her to work with Ambessa and co sign martial law despite knowing better. How easy it was for her to risk killing a child just to get to Jinx. That’s super compelling! But the problem is we never see Caitlyn wrestle with her decisions. Guilt should be eating her ALIVE and all we get is a complete 180 from her after a time skip! Then she does nothing to redeem herself! And once again, no the writers absolutely did not intend that to be commentary on how the privileged are able to get away with things the lower class would be imprisoned/killed for. If they did then Caitlyn could’ve had a confrontation with someone from Zaun, whether that be Sevika, Ekko, Jinx, Vi or someone else, where they call her out on her hypocrisy. Then we would see her wrestle with that and realize the monster that she’s become.
Unfortunately, all these tragedies are not given the proper narrative weight they deserve. Or they’re not treated as tragedies when they so clearly are! THAT’S the problem! It’s not tragedy, it’s the framing! And it’s the way y’all are so condescending whenever someone criticizes the show. Why is every single critique met with “You didn’t watch/understand the show”? Why is it always “What were you expecting?” “You’re just mad it didn’t go your way.” “You’re just a hater.” “You have no idea how hard writing a script is.” “They planned the story from the beginning, this is how it was supposed to be.” And on and on and on. It’s exhausting! Why is it so hard for y’all to understand that it is possible to understand and have love for something but still have gripes with it? It doesn’t mean I love the show any less! It just means I’d love it even more if not for these certain aspects of it. That’s it, that’s all🤷🏾‍♀️🤷🏾‍♀️🤷🏾‍♀️
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bloodblanks · 1 month ago
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do homicipher characters experience arousal?
i want to preface this by saying that i am not in any way, shape, or form criticizing other homicipher writers and/or their headcanons. i absolutely adore the work i’ve seen from everyone and am grateful to be able to read it! this is simply my personal thoughts on this topic so i hope it doesn’t come across like i’m trying to demean anyone else’s work.
additional note: i write reader insert so i will be referring to us as the reader rather than mc, but my post should work for both interpretations ^^
this is something i’ve been thinking about a lot since i’m working on some nsfw homicipher headcanons myself. from what i’ve read, a lot of homicipher work headcanon the characters as not really experiencing and/or knowing what arousal is, at least until they meet the reader (which is extremely endearing and flattering, i love the concept, and there’s nothing wrong with it!) but i personally came to the conclusion that homicipher characters do experience arousal, and have experienced it before meeting the reader. however, i believe their perception of arousal differs from ours.
to start, the reason i think they experience arousal to begin with, is because arousal isn’t just an emotional or mental response, but also a physiological function. similar to other physical needs (ie: food, sleep, water)—which i think they also require though that’s for another post—arousal doesn’t necessarily require conscious thought or emotional processes. arousal can be merely a response to touch or certain sensory inputs, something that happens regardless of how we think or feel.
while i think arousal is a natural function for them, i don’t believe they are likely to have had sex with other homicipher characters. the reason for that is also why i say they experience arousal differently—they don’t understand attraction. this is based on both my personal bias of wanting them to ourselves, but also the in game interactions with mr. hood and mr. silvair, where they fail to grasp the concept of ‘liking’ an individual.
since they don’t experience attraction (yet!), i imagine their perception of arousal would be a mechanical or instinctual one; just something their bodies respond to. much like thoughtlessly scratching an itch, they likely address it more as a physical need to take care of, rather than associating it with any deeper desires or having it directed/related to another person.
my silly little reader insert loving self does insist that they feel some sort of attraction towards us, though, which i believe will be a newfound feeling for them that can change how they experience arousal. with them able to feel attraction towards us, their once neutral and unassuming need can become something more intimate, romantic, or even obsessive depending on the character.
tl;dr homicipher characters have always experienced arousal but only as a bodily function, as they don’t understand attraction until meeting and developing interest in the reader, which changes their perception of arousal to something more complex and intimate.
thank you everyone for reading my silly little shower thoughts. i hope this was coherent enough and made sense! (>^ω^<)
feel free to leave any of your thoughts below if you have any comments on this! and feel free to argue with me if you think i’m yapping nonsense... (・・;)
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kiyokowastaken · 3 months ago
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A Piece Of Heaven.
James Sunderland x Female Reader.
Minors Don't Interact!!!
CW: fingering, overstimulating, p in v (no protection), hair pulling/tugging, blowjob, babying a middle aged, miserable man, dirty talk, OOC James, porn with plot, age gap (reader is in her early twenties while James is in his mid-thirties), tit sucking, creampie, dom!James, oral (male and female receiving and giving, face f*cking, James has a breeding kink.
Summary: After partnering up with James and Maria, you could see the dynamic between them. A beautiful blonde vixen flirting with a miserable and pathetic man in search of his supposedly dead wife. Feeling a bit jealous of the interaction between them, you decided to climb the roof of the hotel to watch whatever of the sky that you can but you’re interrupted by someone.
This isn’t revised so excuse any misspelling or grammar mistakes! I was also inspired by another amazing James Sunderland x Reader writer named sundrlands so check them out!!
Enjoy loves ^^!
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The fucking fog.
How come in some areas it’s dense as fuck but now when you need the fog to be dense, it’s not. You saw the blonde haired woman named, Maria latching onto James’s arms as if she couldn’t hold her own. You knew that the male was far too awkward to say anything about it, so he merely just let it be. You looked around the area, it seemed not as rundown and ruined as the other places that you guys have encountered, you caught a glimpse of a flower shop and your interest was piqued to say the least.
You jogged over to the small shop as James was looking down at the map trying to figure out where the hotel was as Maria was merely talking his ear off. You were pleasantly surprised when the flowers looked to be alive, they were still blooming in such a terrible condition. Your fingertips reached out and graced the soft petals of a Lily, the beautiful flower slightly moved by your touch before it got covered by a shadow.
You turned around to see James, which caused you to take a few steps back. His cologne was faint yet lingered around him, he smelled like clean laundry with a hint of a musky yet woody scent, the kinda smell that when you hugged someone you would try and take another whiff, “Uh..I figured out the way to the hotel, we would get there in a couple of more minutes..” The blonde haired man would mumble.
You couldn’t help but let out a soft laugh as you looked back at the blossomed flower, “You speak as if I’m going to snap back at you.” James merely flushed a bit at your comment as it took him a moment to think about his next choice of words. He always seemed to do that, instead of other people who just spoke their minds without considering what others might say.
James was the opposite, it’s like he handcrafted his response for you, yet he still fell short, “I didn’t want to disturb you, you looked peaceful over here in your own world.” He hummed out as he looked down at the flowers before he reached out and tried to stroke the flower but it seemed that he lacked a certain softness to his touch.
The very Lily that you once caressed so tenderly and gently, lost a petal once James touched it. James seemed a little disheartened as the sad look on his face that he always had seemed a bit more sadder, “I’m sorry, I shouldn’t have touched it, it seems like whenever I touch things they always end u-..” You stopped James’s sad monologue as with a bit of confidence, you grabbed his hand with your own and gently moved over to a flower, a budding bushel of Heathers.
You guide his hand and with a gentle brush of both hands, the bushel waves gently before you pulled your hand away with a small smile as you turned to look at the taller male, “Don’t always be pessimistic James, you have a gentleness to you. You just need to be patient, now come on, Maria is waiting for you.” You said with a slight bitter tone that James seemed to catch before his soft yet gruff voice said, “You mean, us, she’s waiting for us.” To which, you merely nodded before walking back with James.
A few minutes turned to a hour and the sweet moment between you and James had seemed to dissipate into thin air. Maria was once again walking side by side with James, their hands occasionally brushed against each other more than they should. At one point, Maria mentioned how cold she was which caused James to pause before he tugged off his military jacket and held it out for her which she graciously took and slipped on. You, in the meanwhile just scoffed, how unbelievable. James was merely being a gentleman and gave the women his jacket, so she wouldn’t freeze to death and here you were acting like it was the worst betrayal of your life. I mean, it stung a bit, you asked James to borrow his jacket during a moment of rest since the room you guys were in was cold to which he merely just got up and went through the hassle of finding a semi-clean blanket and handing it to you.
You merely just looked around at whatever you could in the surrounding scenery as the fog began to slowly disappear. You looked back to see the hotel, it was small but it was near an embankment of water which gave it a nice appeal. You guys got closer and before you guys knew it, you guys separated off into your own rooms. James got the room in the middle while you and Maria got the right and left rooms next to his.
Once, James got his jacket back from Maria, you all settled into your own rooms for the night. It was a delightful surprise when the water still ran through the pipes of this hotel, it was clean water as well. You stripped out of your clothes and turned the warm water on as once your body stepped into the warmth, it melted away any stress that you had away. You guys had battled all sorts of weird ass monsters coming to this hotel, so this was refreshing to say the least. You cleaned off the grim, sweat, and the blood off your body before getting out and changing back into your clothes.
They were a bit dirty but nothing too bad, you then debated into taking a nap or just roaming around the hotel. You guys could probably stock up on whatever you needed to finish this fucked up adventure so without a second thought, you grasped the handle of the door opened it before stepping outside into the fresh night breeze. Silent Hill looked less scary when it was night, the fog almost seemed lifted and the surroundings were now noticeable.
You turned towards James’s door to see him talking with Maria as they both leaned against the iron railing. You squinted a bit and you found yourself a bit shocked to see a small smile on his face, you had more than enough seeing the two of them together so you turned on your heel and walked to the opposite side. You looked through the few rooms that were accessible and grabbed some bandages and couple of food supplies before you found a latter up to the roof of the hotel.
You shrugged before you grabbed ahold of the latter and started to climb your way up to the room. Once on top of the roof, you let out a deep sigh as the air felt fresher up here. The cold wind stung your warm skin and blew through your slightly damp hair before you found yourself sitting on top of the roof. It was comfortable, the concrete of the roof was smooth enough to not be uncomfortable as you laid back and looked up at the sky and for once in Silent Hill, you felt at peace.
You closed your eyes for a moment as the wind blew small strands of your hair away from your face, you slowly reopened your eyes and the moon was bathing everything in its moonlight, including yourself. You looked serene, downright ethereal to James as he finally found you, he was getting worried once he searched your room and every other room that you already ransacked and didn’t find you.
He took a deep breath air before releasing it as he could now be calm. A few minutes ago, he was talking to Maria, the woman was good company. She was cocky, confident, and a downright temptress but he had enough of those types of women in his younger years. The attention was nice but you caught his eye, he really shouldn’t even be considering anyone when he’s looking for his wife, yet you graced him with patience, a loving and gentle touch, and the way your eyes always seem to shine a bit more brighter whenever he talked to you made him feel..good. Mary, they had their arguments and yet, they loved each other but somewhere along the way the glimmer in her eyes and the way she looked at James, it no longer felt like home. Yet, here he was searching for her after three years of her supposed death.
James saw you staring up at the sky and found himself also in awe at how beautiful the stars shined. He then cleared his throat as he saw you perk up as if he had frightened you, “Sorry..I didn’t mean to scare you, I just got worried when I didn’t find you in your room.” He said softly, as he walked a bit more closer before he found himself sitting down a bit away from you as he didn’t want to invade your space. “Are you okay..? I mean, obviously we aren’t since we are stuck in this hellhole but you seem to become a bit more reserved.” James said as his eyes glanced at you before looking elsewhere.
A silence followed afterwards and it seemed to eat at James, maybe he shouldn’t have said anything.
You let out a huff as you turned your body to fully look at James, “Are you something with Maria?” You rebutted with a question of your own. James was stunned at the question as he felt a red flush settle at the tips of his ears as he shook his head, “Me and Maria..we are just uh..good acquaintances. That’s all..” He stumbled out as your eyes hyper focused at his small movements and gestures.
“Then..why don’t you act the same way with me? You found Maria and me at the same place, we have been traveling together for a while now and yet, it seems like..you dislike me.” You muttered out before peeling your eyes away from James. James didn’t mean to make you feel that type of way, he didn’t mean to make you feel isolated from your small little group. This place was already isolating as it is.
“I-..I’m sorry, it’s just that..well I find myself feeling some kind of way whenever I’m near you and I don’t want that to affect us, it’s difficult to explain.” You could see James in the corner of your vision, he was rubbing the back of his neck. A bubble of confidence or maybe the way the moonlight reflected on James’s eyes made him seem all the more pathetic. You patted your lap as you looked at him for a split moment, “We have all the time in the world right now, explain this feeling to me, please.”
James looked at your lap that you patted before looking up at you, he felt like if he gave in to you, he would betray Mary. He did all of this for her. He reprimanded himself for feeling a warm feeling whenever you guys even locked eyes for a split moment. Yet, a part of him craved comfort, he wished to be adored again. He wished soft hands cradled his worn and tired face and pressed soft kisses against it. Mary once did that before the damned illness took her.
He moved closer to you and placed his head on your plush thighs and closed his eyes.
Warmth.
That’s what you gave off, the scent of a sweet yet citrus scent clung onto you and your clothes. He tensed up when he felt your hands on him. One on his chest and the other one scratched his scalp and he battled to hold back a soft groan. Sinful. This was utterly sinful. He was still married to Mary, he loved his wife, yet why did he turn around and push his face onto your stomach as one of his arms wrapped around your waist and pulled him close.
“J-..James..!” You stuttered out as the touch to you was foreign. You had have past lovers and loved every single one but none of them made you feel the way James did. The older man, he made a part of you want to baby him..protect him and care for him. He could provide for himself yet to your mind that didn’t matter.
“You make me feel warm, you make me forget about Mary. It feels so wrong. I’m here for her..and yet, your arms have felt more like home than hers ever did..and I feel guilty for such thought.”
Those words that James muttered out against your stomach made your face burn unlike any other. You didn’t know how to respond as you felt him take a deep inhale and then exhale, he felt more relaxed..guess that was eating at him for a while now. Your hand merely slid from his chest towards his back and rubbed his back as she sighed.
“You don’t have to feel guilty James..I also feel the same, I just didn’t know that you felt like I did. You always seemed reserved towards me, so I just thought I made you uncomfortable for something like that.” You felt James shift before you removed your hands from him as he sat up. He was fairly close now. You could smell him just like you did in the flower shop.
“..As I stated before, I’m not uncomfortable with you. I will feel terrible if you got mixed up with someone like me, (Y/N). You’re kind, sweet, warm, patient, and just everything that I’m not. I still have this whole Mary thing to resolve. We still need to get out of here and..I’m a bit older than you. You’re barely enjoying yourself, I’m already past my prime.” James said with a soft chuckle leaving his lips. God, that chuckle..it felt like a drug. You wanted more of that.
“You should stop putting yourself down, you’re terrible at even finding a good thing about yourself, James. You have this softness in you, I can see it. It’s just hidden by troubles, nothing that a little patience and talking can’t undo and about the whole age thing. Do you really think I care? We have gone against unexplained beings and you think an age gap is what’s gonna scare me off?” You rebutted with an eye roll as James raised an eyebrow.
“Do you like your men older?”
The silence that followed was all consuming, you cleared your throat as you puffed up your chest a bit as you nodded, “Well, yes but not senile old.” This seemed to make James laugh as he turned his face away from you as his body shook with his laughter.
“So, do I fit into your criteria?” James asked as his normally reserved and cold demeanor changed slightly. It had a hint of flirtatiousness and genuine curiosity. “I mean, yeah, you do.” You said as you couldn’t help but notice him moving closer.
A sudden change in the air happened, it was noticeable. He hummed as he looked at your eyes and then down to your lips, he wanted to kiss them so badly. It was almost downright painful how much he craved to brush his lips against yours. You could feel his eyes, you almost felt naked in his stare. It felt like he was undressing you.
“Jam-..”
“Can I kiss you?”
Did you fall asleep on the roof of the hotel and now your mind was conjuring up some wet dream about the male you have been lusting over? No, this felt real. He felt real. The warmth he radiated was real. You could only nod before he leaned in close and looked into your eyes with his beautiful, enchanting blue-grey eyes, “I need you to say yes or no.”
You felt your heart beating quickly, he was close, his slow exhale of breath. You could feel it against your lips before you opened your mouth, “Yes..please.”James let out a soft and quick breathy laugh before he placed one of his hands on your neck and pulled you into the kiss. His other hand was placed on your waist as he pulled you closer to him. You couldn’t hide the slip of a soft whine tumble out of your lips.
Heavenly. That’s what James felt right now. If Silent Hill was his own personal hell then you must be his personal heaven. The hand that held your neck slowly slipped upwards towards your jaw as he held it. His tongue flicked against your bottom lip as to ask for entrance.
James acted different. This wasn’t the same man that seemed to dislike small talk or any time of human connection if it didn’t regard Mary. You might’ve unleashed a animal, a hidden side of him that you only caught glimpses at whenever he swung that metal pipe and aimed at those twisted creatures before pulling the trigger without hesitation. You opened your mouth, a tad bit but that was enough for James to slip his wet tongue into your mouth. Your arms that were once by your side slipped upwards to grasp at his faded, forest green military jacket as a anchor. Your own tongue shyly met his in a heated and sultry dance. The kiss that was supposed to be somewhat sweet became needy and sloppy.
He tilted his head to the side as his hand that was on your waist slipped down and underneath your shirt as his calloused and rough hands grasped your body as if to reassure himself that you weren’t going to slip away. That you weren’t a figment of his imagination. You were real.
The two pulled away from the kiss as a line of saliva was the only evidence of the hot and heavy kiss. James’s hand that was on your jaw slid upwards and wiped your bottom lip as the string of saliva was no longer there. The air was charged with sexual tension, it was no longer awkwardness and stepping on eggshells. It was filled with lust, need, and want.
“I need you..I want you but we don’t have to continue if you don’t want too.” James said between small soft pants as he tried to regain his steady breathing. Your eyes were hazy, in your mind, you only wanted him. You craved him. You have held back for a while and now the man that you craved, he craved you back.
“I need you as well, James Sunderland.”
Those words sealed your fate. Now, here you were, your shirt and light jacket thrown on the floor of James’s hotel room. Soft moans and pants filled the room as James left dark purplish red marks on your neck and collarbone. How you were going to explain these marks to Maria tomorrow, well, that was a problem for tomorrow. James was set on marking your skin up, claim it as his. To claim you and mark you as his woman.
His tongue licked and traced from your collarbone down the valley of your breasts. He placed a couple of sloppy kisses there as his mouth traveled to your right breast as he attached his lips around your harden bud. His tongue swirled around it as he started to suckle on your breast. His hand ran up your body and groped your left breast, his thumb and middle finger pinched and tugged on your nipple as one of your hands grasped the bedsheets and the other hand tried to muffle your moans and gasps.
Your body was soft, warm, and inviting to James. He felt like he was tainting you with all of his sinfulness, he didn’t want to damn you but at the same time. He grasped onto you as if you were his salvation and maybe, you were. His angel, his pretty girl..he wanted to leave you a beautiful mess. His teeth softly teased your nipple that was on his mouth before he pulled away with a lewd ‘pop’. Your expression was his favorite thing, yet he disliked you hiding your face.
“Don’t hide your face sweetheart, I want to see you for who you are, please.” He said as he locked eyes with yours as his mouth wrapped around your left nipple as his right hand slid up your body to tug and pinch your spit ridden nipple. He gave the same treatment to your left nipple until he felt satisfied with himself. After that, he left a couple more love marks on your chest just to make sure as pulled away from your shivering body.
“May I?” He said as he eyed your pants as you nodded as your hands slid down to unbutton and unzip your pants so that he didn’t need to struggle as much. His hands then grabbed the hem on your pants and panties before he tugged them down in one fluid motions. The need to cover your intimate area was strong as your hand slipped between your thighs to cover your slicked cunt. James found that cute, he dropped your pants and panties on the ground before his attention returned to you.
He grasped your waist and pulled you to the edge of the bed as he made you sit up as he got on his knees. He wanted to taste you, badly. He looked up at you for a sign of hesitation before you nodded once again in consent as his hands prided your thighs open. He felt himself salivate when he saw your cunt dripping for him, “All for me, pretty girl~?” He cooed as he looked up once more to see your flustered face. He chuckled as he began with pressing soft kisses on your inner thighs as he teased you with small nips to your thighs. He suckled a few marks on your inner thighs before he was face to face with your cunt.
He closed his eyes as his tongue slipped out and a wet stripe licked your slit. You instant let out a whine as your thighs tensed up, he kept your thighs apart using his hands which were wrapped around them. He prodded his wet muscle into your cunt as his nuzzled his face into your wet heat. His nose occasionally bumped against your clit as his tongue lapped at your juices as he eagerly tasted you like if you were an expensive wine. His tongue prodded your clenching entrance before he nuzzled his face more into your cunt as his tongue slipped into your clenching and unclenching entrance.
His slurping became downright pornographic as your hands left the crumpled up bedsheets and slipped into his dirty blonde locks. Your head fell back as your lips were in a ‘o’ shape as moans and whines of pleasure left them. You began to grind your cunt against his mouth as the way he slurped you like he was a hungered man was all too addictive. The way his nose bumped against your clit would send shivers down your spine as goosebumps riddled your body, “J-..James~!” You moaned his name loudly.
This made James prideful, he pulled away from your slicked cunt as leaned his head against your thighs as you guys once again locked eyes as he panted heavily. He looked downright fucking sinful, his hair a tousled mess in your hands, his face flushed red, his eyes glazed over with pure lust and admiration, and his lips along with his chin were smeared with a combination of his spit and your juices. “Use me to get off, c’mon baby girl, I’m only here for you.” He panted out.
Those words made your eyes roll to the back of your head as his lips wrapped around your clit. Fucking hell. He was so fucking good, you felt the coil in your stomach come to life. One of his hands left your thighs as they slipped down to your cunt, his index and pointer finger slipped into your cunt without much resistance. He angled them upwards and curled them in a ‘come here’ motion, you soon began to grind your cunt on his face like if he was merely a tool for your pleasure.
The coil began to slowly unravel as he continued to suckle on your clit as his fingers quickened in pace as he felt you clenching non-stop on his fingers. You pushed his face against your cunt with your hands as his unused hand gripped your thighs in a bruising hold before he pulled away as he heard a disappointed and pitiful whine leave your pretty lips. He panted heavily as his chest rose and fell quickly as he tried to regain all the air he needed. He fell back on his ass as his other hand that was on your thigh wiped his face clean from your wetness. “Not yet, pretty girl, you aren’t going to cum that easily.”
He said as before he stood up, he then began to strip. Once he was naked, he had scratch marks and cuts on his body. They had long scarred which meant he probably got them long ago, your eyes mapped out his entire body before your eyes found his cock. He was trimmed, neat which surprised you. He was a good six and a half inches, he was more length than girth. He had a pretty pink tip, that was currently leaking pre-cum as it seemed that eating you out worked him up.
You looked up at him as he walked towards you, you licked your lips as he loomed over you. He grabbed your chin as his thumb ran across your lip, “Will you be a good little girl and suck me off, ‘hm?” He asked as you merely dumbly nodded, “Then, what’re you waiting for?” He let go on your chin before as he grabbed your hair into a ponytail as your mouth opened to let him slide into your mouth.
Your mouth wrapped around his tip as your tongue licked his slit that was leaking pre-cum. You swirled your tongue around his head before you slowly took more into your mouth, you had a bit of a gagging reflex so little by little did you take his cock into your mouth. You felt the tip of his cock press against the back your throat which caused you to gag, your hands held onto his muscular thighs as your nails dug onto them. He was fully in your mouth, he could see that you were tense so, he gave you a bit of advice, “Relax..breathe through your nose. You will cause yourself to gag more if you try to breathe through your mouth.” He said as he felt you take his advice.
He then started to bob your head up and down his cock as he felt drool mixed with pre-cum coat his cock. He also heard a bit of it fall onto the floor beneath the both of you, he let soft groans out as his head lolled back in pleasure as the hold that he had on your hair tighten, “That’s it darling, you’re taking my cock so well…” He mumbled out as he slowly began to buck his hips into your mouth. As when he looked down at you, he saw your pretty mouth around his cock as those tear filled eyes looked at him.
“Fuck..if you look at me like that, I might just cum early, doll face.” He muttered through gritted teeth as he felt you hollow your cheeks to create more suction. He felt you become more comfortable as he placed his other hand on your head as he began to lightly thrust into your mouth. The lewd noises and the occasional gagging sound around his cock made him shiver. He felt the knot in his stomach slowly appear.
He quickened his pace a bit more as he almost lost himself when he felt you swallow around his cock. The way your throat tighten around his cock, it was fucking heaven sent. You were a fucking miracle. He began to just fully thrust into your mouth as you slacked your jaw, letting him fully fuck your mouth as groans and..a whimper left his mouth. Oh, this was heavenly, he made such a pretty noise that made you bob your head with his thrusting as you felt his cock throbbing into your mouth more frequently.
It was you that pulled away from his grasp as you coughed, your lips were swollen from the kissing and the sucking you were just doing. He let out a frustrated groan leave his lips as he felt his cock throbbing as his orgasm was so close. You inhaled and exhaled deeply as your chest heaved, “If I couldn’t get my..orgasm, then you can’t either..” You panted out as James merely glared at you before he nodded, it was only fair. He edged you close to your orgasm and you did the same.
He pushed you down on the bed as he towered over you as you guys scooted upwards onto the bed a bit more. James placed a pillow underneath you and moved you close to him, you wrapped your legs around his hips as he looked at you, “Uh..I don’t have a condom, are you sure?” James asked as his hands were on your hips as his thumbs wrapped smoothing circles on your skin. You bit your lip as you thought for a moment before nodding, “Yeah, it’s okay..I want to feel all of you.” You mumbled.
James nodded as he positioned himself before he slowly slipped inside you. You winced a bit at the penetration as it had a been awhile since you slept with someone. James gritted his teeth as he swore that he wasn’t about to cum right then and there. You were fucking tight, he huffed as the grip on your waist tighten as he slowly sank more of his length into your cunt. You, in the other hand, you felt filled. He thrusted fully into you as your toes curled as he let you get used to him and his size.
A few seconds passed before you rolled your hips and a soft moan left your lips, you looked at him and gave him a reassuring nod as he bottomed out before thrusting back into you. Your hands wrapped around his neck as your nails dug into his board shoulder, “F-..fuck, James..feels so fucking good~!” You whined out as James settled for a slow yet deep pace.
Skin on skin slapping could be heard throughput the room, the scent of sex lingered and consumed the air in the room as the bed squeezed with every deep thrust that James gave you. Your moans mingled with his groans as his hands ran up your body and groped your breasts as bounced every time that he thrusted into your squelching cunt. Lips messily found each other as both of you locked lips in a sloppy and lustful kiss. Passion and..love was found between the two of you. You guys fucked each other like if you were in your own honeymoon.
You guys complete forgot about the outside world and the cruel reality. You guys were completely focused on each other, saliva slicked lips found bare and naked skin to mark as James pace became more quick. Your nails ran down his back creating red irritated marks as he groaned, one of his hands slipped away from your breasts and down to your clit. He rubbed quick and tight circles as he felt you clench around him like a vice, trying to milk him for everything that he had, “f-..fucking hell, c’mon doll face, take my cock. After we are..out of here, I will make you my pretty wife and fuck a baby into you, yeah~?” James said rolled his hips into your cunt.
You nodded as you were feeling so fucking good, he was fucking you so good. “y..yeah, I wanna be your pretty wife..fuck a baby into me right now, please baby~!” You whined against his ear as he nodded. Both of you too drunk out of each other’s presences as the coil in your stomach grew too tight as he quicken the pace into a more quick and deep pace as his kissed your g-spot so fucking precisely and him rubbing your bundle of nerves didn’t help as you came around his cock without warning. You clenched around him tightly as he felt your walls spasm around his cock.
“Good girl..coming on cock so prettily, gonna make you a mommy, mhm, you want that baby girl, ‘hm~?” James said as he wrapped his unused arm around your waist and pulled you close to cold sweat covered body. You nodded dumbly as you felt overstimulated, the way he kept fucking you like a mere ragdoll, chasing his own orgasm made you clench around him. You bit down on his shoulder he as he continued to thrust into you as he felt his cock twitching more frequently, “Close..I’m gonna breed you, my sweet girl. Make you mine fully, come on, cum with me. Let’s cum together….” He muttered as his breathing was ragged.
His chest heaved quickly as his thumb started to swipe against your clit as his thrusts became animalistic in pace as he pounded into you. He groaned loudly into your shoulder as came deep into you. Filling your womb to the brim with his seed as you cried out as you came hard. He stopped swiping on your clit as both his arms held you close to him. He could feel himself twitching inside you. Fuck..you both were tired. He slowly pulled out of you with a wince as you merely groaned, you felt his sticky, warm seed drip out of your abused cunt.
James pulled you down onto the bed with him as he would clean this mess up later but right now, he wanted to relish in the afterglow. He pressed a kiss to your forehead as his hands rubbed your back as you nuzzled into his chest, “I will do everything I can to get us out of Silent Hill..I promise.” He muttered against your hair as you merely nodded as you were fair too tired to form any sentences. He soon felt your body go limp as you feel into a deep slumber.
This wasn’t about Mary anymore, he had to move on from her..he loved Mary but you loved him even if he was a broken man. You chose to embrace him and give yourself to him regardless of the darkness within himself.
You were his saint, his angel, his goddess..his little piece of heaven.
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orlesianhennin · 4 months ago
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I really feel like so many people who hate Vivienne for being power hungry do not fully grasp and appreciate the desperation that Vivienne feels because she conceals it so well… as little content as she got, she honestly is expertly written and presented and it’s why it disappoints me so much when people hate her for surface level reasons… her writer deserves so much more appreciation.
I think it is subtle because she hides it and you really have to care about the character to seek out these threads and understand her motivations… she is in danger of total irrelevance, being cast aside by society (and history), and she is forced to ride the coattails of some upstart organization because all of the institutions she is invested in have either totally failed her or cast her aside.
She is clearly a prideful person who does not readily admit this… but her true talent is how clearly she can evaluate this and understand her own position. She suffers no delusions. She knows the Circle’s standing in society is diminished to nothing if it doesn’t house and account for the majority of mages, and she is left with just meek Chantry loyalists and sycophants who are lost without her guiding hand, as even otherwise pro-Circle mages with any sense have abandoned ship and left both rebels and loyalists at this point to see where the chips fall (Ellandra) - and the Chantry itself has been all but decimated in terms of military and political power. The one lifeline she has is the Imperial Court, and the fickle nobility have moved on from her - the mages are now a threat that she cannot control or offer any meaningful opposition to, and Celene’s favor has turned to Morrigan, and Vivienne does not know if she will ever have it again. She knows Bastien is dying, and that all that she has left at court will be those who hold kind feelings towards her such as his family, and that is a position she can never accept - being at the mercy of others.
We meet Vivienne, this impressive, powerful mage, who has made a life for herself by maneuvering brilliantly, all to improve her own standing, at a point where she is in danger of losing everything she has. And she doesn’t let on, at least not explicitly, but she joins the Inquisition out of desperation - it’s obvious she sees it as an opportunity, but the gravity of the situation for her isn’t clear from the start. She refuses to lay down and fade away. Vivienne would never had joined this fledgling upstart organization if she was in a better position at Court or there wasn’t a vacuum of power. She is very close to having nothing left, and starting over - and so she does. Before the rug can be pulled from under her, she gets out and sets off for herself again.
Vivienne, often accused of pride, privilege, and self importance, comes to the Inquisitor out of pure humility. She knows she is reduced. And her gamble ultimately pays off, and the Inquisition becomes the political juggernaut that it does, and she becomes more powerful and important than ever just by association. And I like to think, especially with an Inquisitor who respects and befriends her, that she plays no small part in shaping the organization.
I think this is also why, potentially, she plays it so cool at the Winter Palace. She doesn’t get involved… she doesn’t need to. Simply being present is a statement to the court, and she truly doesn’t care about who wins; it’s not just the Game, it’s personal, despite what she claims. That they cast her aside, and now they are interested again… not necessarily in her, but still, she sees the paradigm shifting again. She is now a part of the organization who gets to change Orlais, and favor with the Inquisition is quickly becoming just as important as favor with Celene.
The whole arc is a subtle one as she really doesn’t get much attention, but if you pay close attention, it shows how expertly Vivienne plays politics. We already know she came from nothing and maneuvered into a powerful position. But I think not everyone realizes she is nearly back to nothing when we first meet her… and through the course of the game’s events, by allying with the right people, she plays the game well enough to become an advisor to the most influential person in southern Thedas… and potentially even Divine. But her initial plea to the Inquisitor, for all the great lengths she goes to keep up the appearance of strength and invulnerability, comes from a place of utter desperation.
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