#what to do when the only thing i really want to do (read a specific fanfic) is triggering. help.

[glypt0don]

So, this is quite a rant. You can skip to the bottom, if you want to know my opinion but don't want to read that much... But I worked hard on it and I think it's important, so it would make me very happy if you read through the whole text.

So this fits into something I wanted to post about anyway: a broader theme of why do we frame things as wars? Like, why is it culture war, specifically. First I liked the concept, I thought it described something quite complicated reasonably easily. But I pondered on it a bit more and I think there's more going on.

It's pretty trivial, that most societies went through a huge change over the last half century. It's not just feminism. I could make a whole list of things we as a people took on. Anti-racism and civil rights, religious acceptance, global trade, reinterpreting the meaning of peace, connecting the word through the world-wide web, etc. We ( or, as I am barely an adult and have no idea how to change things for the better, I should say you, or maybe chat) decided it was time for change, so change came. You brought it about.

And I agree. Change WAS and IS necessary. What that change should entail, well, we all have our ideas, right? And they have the ugly tendency to differ from each other. The question then is, how do we coincide our contradictory ideas on society? The answer is both worrying and very important.

To be fair, our race doesn't have a great track record on solving these kinds of issues. I dug into my historical knowledge, since, you know, those who don't learn from it, repeat it... The only thing I can compare to what's happening today would be the Reformation (which probably says a lot about my historical knowledge). That's the only time I know, where societal assumptions were altered so much in such a short time. That time it was specifically about the Catholic church (if you don't know, what I'm talking about, you really should, so Google it), and the result was a series of wars, that ultimately may have wiped out about a fifth of Europes population. The wars were of course led by powerful men, who capitalised on the divide to further their own goals.

As back then, now too, we can't rely on institutions to tame the public. Many media and political identities have a direct interest in polarising society. Because that's what happens. All these contentious issues about gender, class, or foreign policy become dividing lines between folks who are supposed to be parts of the same whole (call it community, state, nation or humanity, depending on how wide you can think). You know, how it works, probably saw it a few times, whatever your interests are. It's literally everywhere! We fight it out with the perceived enemy of the week sometimes, when there is an election, something notable happens, or it's simply Pride Month. Then everyone goes back to their respective corners, where they vehemently agree with themselves. We don't talk a lot, just throw words at each other, like Buggs Bunny, playing tennis with a dynamite.

I should say, this post is a notable and refreshing outlier. Thanks, @trans-androgyne , for starting a discussion for a change!

I know, it's a bit like nuclear armament. You can't just stop, because THEY won't, and then they win, and you can't allow that. It's life and death! And I don't have some magic pill to make it all go right, or believe me, I wouldn't sit here, typing this out at 3 in the morning Central European Time. But let me propose this: don't call it a war! Neither culture war, nor gender war, nor anything like that. Because this isn't a war. Just ask anyone in the middle east! They can tell you, what is war, and THIS IS NOT IT! And also, because it may not be guns and destruction yet, but nothing guarantees, that it stays that way. We already had multiple attempted takeovers of capital buildings since this cursed decade began, because our social reality became so fragmented, that you can't accept the results of a popular election anymore. That should raise alarm bells. I know it does, but it can be much worse! Learn from history, do not repeat it! Hit the Wiki page on the Huguenot war! On the siege of Magdeburg. Or, if that's not your cup of tea, watch Civil War! I genuinely think it's the best movie of the year.

Call it Social Discourse! That sounds much more manageable, doesn't it? Or you can come up with something else, as long as it isn't some warmongering bullshit. And maybe the next time you meet someone with sexist, homophobic, racist, or maybe radical left and anarchistic views (whatever you're opposing), don't attack them with your words! Those aren't weapons. Try to talk to them instead! Try talking about feelings! Listen to theirs, make them understand yours! I say feelings, because you both have those. Try finding a common ground, however small, and build up from there. Like Minecraft Skyblock. It can be hard in a challenging way, instead of making you want to shoot yourself in the head. Remember, you aren't fighting a war. You are having a discourse.

All of it is to say, the world and society are changing, wether you like it or not, and we have to change with it, to survive. That is the simple fact. If you call that change a war, that's just gonna make the whole thing unnecessarily painful for everyone involved.

This was sociopolitical advice from a giant armadillo.

Genuinely, what happened to “feminism is for everyone”?

That’s the feminism I grew up with: encouraging people to recognize that fighting sexism and restrictive gender roles helps folks of every gender. We’d push back on the idea that feminists hate men, pointing to inclusive feminist literature and how many men are feminists.

Now, there are so many people insisting that the solution to patriarchy is to openly hate and ostracize men no matter what. Why? What is the benefit? It’s certainly not effective in fighting oppressive structures to exclude half the population from your cause on the basis of immutable traits. It may feel cathartic to say horrible things about men and try to punish them for your frustrations with patriarchy. But the only actual effect I see is the increasing right-wing radicalization of young men, who are being told that the left hates them for the way they were born and presented with an abundance of proof that it’s true.

Why are we going back to treating men and women as different species? It doesn’t fix things to say “well women are the good gender and men are the bad one” this time. If you sincerely want to dismantle sexism, you’re going to have to unpack and let go of all sex and gender essentialism—even that which considers women inherently pure and men inherently immoral.

[yugsly]

Hey uhhh. Sorry if this is too spoilery. So that Zine. Mentioning Capochin. THE FULL ON EMO EXCLUSIVE.

Do you think Capochin and [Redacted] improve together? They got a lot of work to do?? Is it okay for them to be together?

I wanna know MORE and I just. People are SCARED for Capochin myself included uhhhh.

PLEASE I NEED ANSWERS

Hey, before I say anything- I know they're mine and Day's characters, but anything I talk about related to "post-game" or context not in-game is still "speculation". Meaning, not necessarily canon unless it was something recorded in dev-text or something I specifically had in mind while creating it, not after. I would never want to snuff out anyone's own ideas for what things "mean". THAT BEING SAID, I have some things to say- DO NOT READ ON UNLESS YOU HAVE COMPLETED THE GAME:

So, It's pretty complicated and I've thought about it a lot during and after making the game. Hector's got to do a LOT of work to even earn Capochin's forgiveness, if he'll even give it to him. (if most anyone will give it to him, really.) It's a silly cartoon game but yes, the situation is pretty grim. I mean, you've seen that cooking video Capo made. You've seen what he said when you faced him at the end of the line. All those implications. Without getting into specifics, yeah, the situation was really, really bad. But it's complex. It's not black and white. Hector and Capo knew eachother for a long long time even before Hector became Inspekta (a nosy person might have noticed the news clippings in Milldread). So they go way back- and I imagine things were pretty great up until, and a good ways into Hector ascending. But you know, there was a certain turning point- leading to where he ended up. Razzma speaks on this a bit, throughout. (Razzma has a lot of interesting background tidbits, explore giving her different phrases!) Him realizing that becoming a god didn't solve his insecurities like he thought they might... and more... I won't elaborate too much, because I want you to imagine it yourself. I only want to spread a few bread crumbs and let you make up your minds, even if I have my own thoughts, you know? Your question: "Is it okay for them to be together?" Well, that's up to you to decide. It's okay to imagine whatever you want. Capo forgives Hector eventually? Great. He never forgives him? Also Great! Do I wish I had more time in-game to elaborate on these things? Sure, I do. There's a handful of things I'd love to have explored. But I also like that it's open ended- you can tell, at the end, even though the day was saved, Hector and Capo feel awful. Sure, Capochin gave him that confidence boost to save the day- nothing he said was a lie- it was just the right thing to do in the moment. But you know, they don't really get a chance to really hash it out. It allows for y'all to really brainstorm, the world is your oyster. Whatever you come up with- be kind to eachother and respect eachother's ideas, okay?

[luludeluluramblings]

dream team back. we’re currently yapping central again (per usual)

both of us are straight up in a tim drake brainrot spiral too!!! he’s a delightful little weirdo. a strange little gentleman if you will.

tim is such a funny little guy!!! he also makes a solid yandere. you can’t outsmart him. you can’t escape someone who can find everything about you. On the upside, I feel like he’d be happy to spoil his darling. also he’d be like, really considerate in weird ways??? I mean like you don’t get privacy (or you get the illusion of it maybe but not actual privacy.)

like yeah you’re always being watched in some way, but the man has committed every single one of your favorites and least favorites to memories. He knows what clothing you like, what specific features you look for in everything, and if he doesn’t, by god, will he learn. He knows your favorite song, and he knows the nickname you went by in elementary school.

Do you think he pretends to be normal and basically sets things up to send reader to be like a little love story?? You meet by chance, and he fell first. He fell a LONG time ago, so now it’s his mission to make you fall too. And Tim Drake ALWAYS finishes a mission. (Even as a baby daddy candidate). He makes himself the best option, even if he’s not the father.

Yandere!TimDrake x PastFriend!Reader x Aiden Cobblepot

☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️

A/N: Sooooo, I'm finally and slowly going through my ask box and you two may have sparked an idea just for Tim. I might have to do a Part Two for this. (I'm falling into the WIP trap. Help!) But, I love the thought of the Bat Family have competition when it comes to their darling. Gives them a challenge. Plus, I really wanted to use Aiden Cobblepot for this. I've been wanting to sneak him into something.

A/N: We have neglected!Sib!Reader, but what about a Neglected!Friend!Reader? Fun idea. Tim already knowing everything about you only to find you’ve changed and wants to study you all over again. Only this time he’s keeping you! (I’m very fond of Tim. I think he’s difficult to write for me, but I enjoy the little stalker so much.)

Warnings: Yandere Themes, Romantic themes, Tim can be read as kinda platonic, GN!Reader

☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️

You and Tim were once good friends. Well, he was your best friend. To him you were just a good one. High school buddies that would hang out all the time. At school only. And sometimes the rare gala you saw him at. It was rare you ever actually went to The Manor. You never asked to go. But, you had hoped to be invite.

Just like you had hoped that he might reciprocate that pesky crush you had on him back then. You had felt like it was so painfully obvious. Though it wasn't as painful when you finally figured out he was Red Robin and you waited and waited for him to tell you his secret identity. And, then you would tell him you already figured it out and you would look so cool.

Only, he never did. You both grew distant. You had put so much carful effort into keeping that distance from growing. Inviting him to hang out more. Asking him out for casual coffee. He always said the same thing.

"Oh, damn. I could really go for that right now. But, I'm just sorta busy. Next time though. For sure."

Over and over. He sounded like a broken character. Repeating the same phrase. One that you would hang around after the game was over to reminisce about all the fun adventures you both once had. However this was life not a game. You couldn't just restart and rerun the same adventures.

It made you ache when you finally moved on. When you finally pulled away. Because, Tim didn't even notice you were gone. His life to change. He didn't have to restart anything. You had lost your best friend and he didn't even care. It stung. It stung more than you realizing he'd never reciprocate your feelings.

But, like all things, time moves on and so do you. Leaving the past behind and starting a new game. One that you start to flourish in. Making new friends. Meeting new people. Building closer bonds and more healthy friendships. It had been interesting to realize how dependent you had been on Tim once upon a time. And, embarrassing. You can't help looking back on it with a wince. You almost want to reach out and apologize. But, that would be weird and you both live completely separate lives now. You hardly ever see him at galas now. Mostly because you don't go anymore.

Things, do change. You never expected your new partner would draw Tim's attention back to you. And, in such a terrible way.

You had a rough idea of what you were getting into when Aiden Cobblepot had asked you out to dinner. You figured he was only interested in you for your money or your half-decent looks or your family name and position. You had heard all the rumors about him, but still you went. Mostly, because you knew how dangerous he and his family were. And, you were… presently surprised.

He was a bit of an entitled asshole. But, he wasn't scared of getting dirty. You watched him lead you through the puddles of rain water and Gotham grim in the posh restaurant. He held more concern for you're clothing getting dirty than his, which were more expensive than yours. He paid for the date without flinching at the price. Encouraged you to try his own food from his plate. Talked about fond memories of the things he and his sister got up to as children while asking you about your own childhood.

Admittedly, you were easily seduced because after that the two of you became an item. You didn't even realize how official you were until he introduced you to his sister, Addison, and she was actually nice to you. Extremely nice. She did, however, threaten to kill you if you betrayed Aiden in any way, which was honestly fair enough.

Aiden and you were a bit on the opposite side of things, taste wise and morally wise. But, you both made it work. He continued his life of crime, but made no mention of it around you to keep you legally clean. You shared most of your life with him, letting him have a slight glimmer into normalcy. He liked to take you on fancy dates and show you a good time. You were happy to pull him inside just to spend personal time with each other. Of course, you both made compromises. Aiden had a taste for luxury, and you didn't mind indulging in it. Especially after you beat his ass multiple times in Mario cart. It was only fair you let him take you to a gala some point.

Little did you know that that was how Tim would come clawing and digging his way back into your life.

☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️

For Tim seeing you again was like finding an old precious treasure. His life had gotten so difficult and complicate lately that just a reminded of all those old times was nice.

However, seeing you on the arms of the Penguin's son was a brutal wake up call. What were you doing? Had you hit your head? Was he blackmailing you? Drugging you? Everyone in Gotham could recognize the name Cobblepot and how dangerous they are. And, he remembers how smart you were so you couldn't have willing chose to be there. It's not logical.

For your safety, he reintroduces himself to you. Long time, no see. We should hang out some time and catch up. Only he means it. He can't let this happen. He can't let you fall in with a man like that. You're his friend. He'll win you over for your own sake. Ruin Cobblepot while he's at it because how dare he use you.

Even if you changed. Even if you don't smell the same. If your hair is different. If you dress different. Even if your very laugh had changed pitch, he knows you. And, if anything, he can just re-learn you all over again. It won't take long. He's done it all before. This time he'll savor though. This time he won't let you go as he pulls you back in. You were a good friend, this time he'll make you more.

☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️

A/N: I’m starting to type up Part Three of Pregant!Reader, but I ended up coming up with another start to it with more drama that would be strictly for the BatBoys. The messed up drama in it sounds fun and challenging, but I won’t do it until I finish what I started with the blurbs I have planned included.

A/N: Smalltown!Meta!Reader Part Nine is going to take a while. I have big plans for it, but Pregnant!Reader is kinda outshining it.

A/N: I will post about the LoungeSinger!Reader and another idea I came up with that y’all might like that I’ll add to the concept list.

A/N: There’s a Tony Part Two coming, but it’s only halfway typed and still not that yandere-y. Need to fix that.

A/N: My asks box is full, so I’m gonna try to empty it, but I host Thanksgiving in my family and I’m also a Christmas nut, so I’m gonna be busy. (I have four Christmas trees in my house currently… But I’m not as bad as my in-laws! They had their trees up BEFORE Halloween.)

[the-gay-trashmouth]

I think something that's bothers me about how folks talk about mouthwashing is how they talk about Swansea. It's either "Swansea would have killed Jimmy immediately if Anya had told him" or "he knew and he did nothing just like curly." because, to me at least it leaves out a lot of nuance to his character and situation. Curly and Swansea are really good foils to each other, one who's got a reputation for being the kind and helpful captain but in the end does nothing to truly protect the crew from Jimmy, and one who's gruff, harsh, and cruel but genuinely tries to help in the background, the reliable mechanic.

(read more for a long Mouthwashing character ramble tw for unwanted pregnancy and SA)

Because Curly is the one with the power. He doesn't take what Jimmy did seriously enough. And you can say that he might not have known fully what Jimmy did, but I think the "I told you" pregnancy conversation and his reaction to Jimmy right before the crash ("come on we'll get through this together. We'll figure it out, you've had hard times before-") are indicators that he knew, but he still chose to stick by his friend and treat it like a "mistake" rather than what it really was.

Now that's my own personal speculation of course, there's no outright scene of her telling him "your best friend assaulted me", but I think there's enough evidence in game through Anya and Curlys interactions to say that he knew, and he knew before Anaya knew she was pregnant. He had a fully functioning ship and four fully functional cryo-pods. He could have at least given Anya more security, kept her far away from him, and at most forced him into the cryopod until they got back to earth. Jimmy STILL had full, uncontrolled access to the cockpit AFTER his freakout with curly. AFTER Anya tells curly she doesn't feel safe with him. AFTER Curly finds out he raped Anya. He's so focused on seeing the good in his friend that he does NOTHING to protect Anya, doesn't strip away not one of Jimmy powers as copilot and consequently endangers her and the rest of the crew.

Curly was the captain, he had the power to relegate Jimmy to the fucking storage closet if he really wanted, at least put him in the cryopod until they got back to earth. In fact, he was the only person above Jimmy in terms of rank on the ship, but he chose to do nothing. He chose to let Jimmy continue as acting co-pilot, chose to comfort him rather than actually confront him. Slides off his weird sexual comments as jokes "So what's this about horses?"

Now let's compare that to Swansea, the mechanic.

We don't have any evidence that Swansea knew about what Jimmy did until after the crash ("it's been her telling me things") where they were trapped with no captain, barely any rations, and a single cryopod that he kept hidden away in the one room he had the key too (and the only room that could lead into medbay). He didn't use it for himself, he makes it clear he didn't intend on getting off this hunk of metal in his last few conversations with Jimmy.

Swansea as the ship's mechanic, was used to fixing things in the background. He didn't need to get along with anyone to keep the ship running, he didn't need people to like him to keep them safe. We see that with Daisuke. He's harsh on him, for sure, but he leaves constant notes to help him learn. Genuinely tries to keep him out of harm's way when it comes to more dangerous jobs. We know Anya was scared of Jimmy getting a weapon, she hid the gun case in the medical bay even knowing she would never get it open. We can see Swansea and Anya off on their own towards the first days after the crash, and Swansea still has a tight grip of the axe weeks and months later.

I personally think that was him trying to keep Jimmy from having access to a weapon. The only time Jimmy gets the axe while Swansea is alive is when Anya Specifically asks him to use it to get medical supplies. I don't think that's a coincidence.

Swansea, like any good mechanic, was quietly trying to keep things running out of Jimmy's sight. It's not until everyone is dead or dying that he snaps, that he finally takes direct action. But it was too little too late.

Both Curly and Swansea thought they were doing the right thing, helping in their own way. Curly genuinely wanted to see the good in Jimmy, wanted it to just be some challenge they could overcome, but in doing so he failed to see the monster right in front of him. He had all the power (in context of the crew, the company is a whole other can of worms I have so many other thoughts on), but he was too afraid to use it. Hell, he was DISCOURAGED to use it if the memo about HR complaints are anything to go by. Swansea, on the other hand, never trusted Jimmy, never even really liked him, but he didn't want to make anything worse either. He didn't know what would actually set Jimmy off, or what he was capable of, and aside from just straight up killing him what else could he do that wouldn't just push Jimmy further off the edge? Like with the foam. "One wrong move and you'll rip this ship a new asshole", he worked carefully, hiding the last pod from Jimmy, keeping the only other weapon on himself, guarding the only other entrance into Medbay, but Jimmy was escalating quickly. He underestimated how far Jimmy was willing to go, just like Curly had, and in the end suffered the consequences.

The only character who actually understood how dangerous and unstable Jimmy was is Anya. She knew the moment she found out she was pregnant he would hurt her ("you won't let me protect myself"). He wouldn't be able to take it, he would do something drastic. She knew he was escalating the longer they were stranded. Anya is the only crew member who truly understood how dangerous Jimmy was and took direct action.

And interesting thing to me is that she doesn't just kill herself. She locks herself in the medbay. She could have waited for Jimmy to sleep, or locked herself in the cockpit, but she locked herself in the medbay with Curly. She knows that with her gone there would be no one left to take care of him, she knew Jimmy would continue to escalate his abuse, and with her gone all of his anger and fear and guilt would turn on Curly.

And wouldn't you know it? She was right. Without Anya to stop him, he takes curly out of the bed, forces him upright into the cryopod, and forces a man with no skin, no arms, no legs, and infected tissues to be frozen for 20 years while the rest of his crew Rot. And that's only what we know to be reality- if any of his delusions had some basis in reality he could have done so so much more. Anya is the Only one to take reasonable, direct action to keep herself, and then Curly, safe.

But she didn't have enough power over Jimmy to truly protect herself. She didn't have the code to the gun case, she didn't have a weapon or a rank to fall back on. She was outnumbered by men who she knew from experience either wouldn't or couldn't keep her safe, and she was heavily pregnant with a baby she didn't want and most likely couldn't even get enough nutrients to sustain either her or the fetus. She was physically weakened and trapped in a stranded ship with her abuser with no way home and a medical miracle (curse) in Curly.

This game is a really good reflection of reality, in my opinion as an abuse survivor. Some people will see them as "one of the boys" and constantly excuse or downplay their actions (Curly), some people will do small things in the background, recognize the abuse and disprove, but don't want to get in the way or make things worse (Swansea), and some people are just straight up oblivious/naive (Daisuke). But in the end, it's the system that allows abuse and incentives coverups to keep peace or save face that really allows abuse to fester and escalate.

Which is why I personally have a problem with the idea that Anya should have just Told A Different Man because it ignores the very real chain of power and her own agency in her story, AS WELL AS the idea that Swansea and Diasuke knew but didn't care because that's just not reflective of real life. Not every man is some rapist apologist who doesn't care what abusers do until it happens to them, some people just don't know what to do, or don't have any good options that wouldn't result in further abuse. Hell some people just don't even fucking notice! Not everyone has had exposure to the signs or knows what to look for.

It's easy when looking at fictional depictions of abuse to say "well if I was there I would have just punched him/killed him/called the police" but real life, in that moment, its never going to be clear cut. You can call out abuse, but that might just lead to that abuser taking it out on their abuse victim later. They could even start to target you for daring to speak out, or try to hurt you and cut you off from the person being abused. You can know all the right steps and the right programs, but in the moment, when faced with a real situation where someone could get hurt or even killed? You stumble. You think things over, you don't try and make any direct moves that would set their abusers off. Sometimes that's a good instinct, and sometimes that just lets abuse escalate. It's never a good situation, and it's never actually anyone's fault but the abusers. And this way of thinking also conveniently leaves out the survivor of this abuse, and portrays them as someone who needs to be saved, rather than someone who needs support and resources to save themselves. It also very conveniently lets the company that Put Anya in this situation in the first place get off Scott free.

The solution isn't "oh one of the men on board should have personally killed Jimbo and saved Anya all by himself" its "Anya deserved the support of her crewmates instead of being forced into close proximity with her rapist and also maybe Jimmy shouldn't have access to the fucking controls or medbay or any weapons- AND ALSO the crew shouldn't have financial incentives not to report things to HR"

[askshivanulegacy]

Posts like these always strike me as ... off-key somehow.

As a writer and an artist, I began posting my work because it was there.

I draw for myself. I write for myself.

I post because I CAN. Because my work is available and there's no reason not to. Because I can have a neatly organized portfolio that I can share if I ever want. Because I just like scrolling through my thumbnails on my art sites or my summaries on A03.

They show progress and achievement.

I don't need anyone else to tell me what I've achieved.

Two decades ago, well before A03 was ever a real thing, when I was doing a lot of my late night reading and thinking, I realized something foundational.

Your stories - my stories - connect you with the reader. For a short moment in time, you are the same. You have the same thoughts and feelings and goals and dreams. That author you're reading understands you on a level you might never be able to articulate to anyone, and you understand them. That means there's a person, somewhere on the planet that identifies with your most secret feelings.

And that's true for every story. And that's true whether you can say anything to the author about it or not.

And that means every story is worth sharing, even if just one person out there loves it, even if they never say so. It's worth it, for that one, silent person.

You don't need people to tell you that you have an impact for that impact to be very real.

And that's beautiful. It means everything.

The other piece of creation is that you, as a creator, cannot outsource your happiness.

There's nothing wrong with encouraging engagement, but you simply have no say in it. It's not something you can control or influence. Whether you post or don't post, it will not affect what other people do about it.

There is a harmful trend of creators deciding they NEED engagement. They become addicted to it and suddenly the only reason they create is for attention. The only reason they post is for attention. And because they've outsourced their happiness but can't control it, they crash and burn if they don't get whatever levels of engagement they've decided they want.

You, as a creator, need to find internal motivation. You need to develop the basic strength to be satisfied with your work. You need to develop a healthy relationship with your work.

Yes, it's a crying shame that readers/viewers do not bother to provide feedback. But you also cannot allow the actions of other random people to dictate what you do. You will ALWAYS end up disappointed. They will never perform up to your standards.

There is at least one person out there who was changed by your work, and that means something, even if they haven't said so. It's more important than sitting on your creations for no real reason other than someone you don't know not doing something very specific.

You can always do what you want with your stuff. If you don't want to share, then it's a choice. But is not sharing because you're bitter about unspecified randos really how you want to do it? Are you going to let bitterness dictate what you do? Or are you going to make your decisions for yourself?

You can only ever make an impact and you can only ever get feedback, however rare, by sharing.

A writer friend told me something that broke my heart a little bit today; they're going to quit publishing their fanfic.

My instant thought was that they had been trolled or attacked or that something terrible had happened in their life because this person is so passionate about their writing. It wasn't any of that. Engagement with their works has been going down, as it has for many of us. Comments are like gold dust a lot of the time, and just looking through the historical comment counts on old fics on ao3 demonstrates this trend very clearly. It was not simply the comments dropping off which caused them to decide to stop posting, however.

My friend came across a discord server for their fandom (I should point out here that their fandom interest and mine diverged a couple of years ago, we stay in touch but don't currently read each other's posts because I'm not into their fandom and they would rather gouge their eyes out with a wooden spoon than read anything Star Wars) and specifically to share fic in that fandom. They joined, because we all love a good fic rec, only to discover that their latest multichapter fic, which has almost no comments and very few kudos, is being hotly discussed in this server as one of the best stories ever. Not one of these people has bothered to say this to them on the fic. When they asked, none of participants could see the point in telling the author of the fic they apparently loved so much that they love it.

This discovery has absolutely destroyed my friend's love of sharing fic. They share because they love seeing other people's enjoyment, and fic writers do that through comments and kudos/reblogs/likes because we don't get paid. There is no literary critic writing a blog post/article about how amazing the story is for us to copy and keep/frame. There is no money from royalties. All we have are the words of the people reading our works.

Those people on that server could have taken five minutes of the time they spent gushing about how amazing my friend's story was to other people and used it to tell the one person guaranteed to want to hear that praise how much they loved it. They could have taken a moment to express their opinion to the person who spent hours upon hours plotting, writing, editing, and posting those chapters. Instead, they deprived my friend of thing that keeps them sharing their writing, and in the process have killed their love of it. My friend now feels used and unmotivated.

I won't be sharing a link to their fic, they said I could share their experience but not their identity. I know they plan to post one final chapter. I know they intend to express their hurt at being excluded from the praise for the thing they created, and I know they intend to announce that as a consequence they will not be posting for a long while, if at all.

So please, I beg you, don't hide your love of a story from the writer. It's just about the only thing we have.

[userautumn]

i thought you would be happy with buck getting his oh moment and realizing his feelings for eddie but i guess you really were sucked into the bucktommy fanon created huh. Shame that you won't be able to enjoy canon buddie when it happens.

This is the only message I am going to answer about this specifically since I initially brought the topic up on my blog.

So, first of all, by definition, BuckTommy isn't fanon. Fanon is a ship or character that is completely generated by fandom. Buddie, for example, is fanon. Although they share a strong platonic bond, their relationship is not textually romantic. They do not kiss. They are not textually established romantic partners. Eddie said in the last episode that he is straight. So Buddie only exists within a fandom context. Conversely, BuckTommy is established as canon. Buck has touched mouths with that man on-screen. They were established as boyfriends and, now, ex-boyfriends. So it is, quite literally, impossible for BuckTommy to be fanon, even if fans do extrapolate, embellish, or reconstruct that relationship for their own pleasure. So, that's number one.

Number Two: According to this fandom, Buck and Eddie have had their oh moments a combined total of six times now at least (3x15, 3x03, 4x13, and 5x11, to name a few) and absolutely nothing concrete has come out of these events. The shooting is the closest we ever got, and that was four seasons ago. I don't begrudge anyone for reading that moment at the end of tonight's episode within a romantic Buddie context. Go absolutely nuts and have fun with it. But to me, that moment, such as it was, was more of the same - Buck or Eddie look at each other a certain way, or have evident (non-romantic) feelings related to the other, fandom loses their minds, they speculate, convince themselves they're right, nothing happens, rinse and repeat. I'm personally tired of the spin cycle.

I said I wanted strides toward Buddie canon to be made crystal clear and that's still true. You clearly see things differently (and that's alright), but outside the Buddie fanfiction hivemind, tonight's episode was not crystal clear. There was no discussion of Buck's feelings. He didn't vent them to Maddie or Bobby or Eddie himself. He didn't say, out loud, or indicate in any explicitly romantic way that he has feelings for Eddie. Buck having feelings about Eddie leaving is not the same as having feelings for him. They are best friends. They are family, actually. If Eddie leaves, Buck is losing the anchor to his support system and his (pseudo-)son. That's a big deal. That is an extraordinary weight to carry, especially on the heels of a significant breakup, and especially while dealing with abandonment issues. There was nothing romantic about that and, reducing that moment to a romantic reading, seems... odd. To me.

I'd like to think I'd still be able to enjoy Canon Buddie if it happens tbh. I actively write fic about those two in my spare time even though I keep my conversations about them to the DMs. But if I'm not able to enjoy it, it won't be because of the ship itself, it will be because I finally tired of the abject cruelty that's cropped up in this space. There's this unspoken rule in fandom that what happens during hiatus stays in hiatus, and we all just silently agree to move on from it when the show comes back. But I'm having a hard time with that this year because I've seen and experienced some absolutely insane things from this fandom the last few months that have stuck with me. So. Maybe I won't still enjoy it, but I hope I will.

I was really angry with the (non-Buddie related) content of this episode when you messaged me, so you probably thought or hoped I would bitch and curse you out, and we'd do this whole back and forth thing that would inevitably lead to you getting blocked. But I meant what I said - I have no interest in arguing with anyone about this show. We're not going to agree, and that's okay. I'm not your inspirational Buddie Warrior, and that's also okay. I have too much to deal with than to actively engage in internet beef. What is is what is, whether you or I or both or neither of us like it, and arguing about it isn't going to change it. So we might as will just learn to live with it and each other as best as we can.

I'm going to go watch TV now.

[postoctobrist]

When me and my friends were young (but not that young) our small hometown town somehow got the money to build a 1000ft long pedestrian suspension bridge. We were bored and found that if we grabbed the suspension cable at its lowest point and pushed and pulled it at the right frequency we could slowly build up oscillations in the bridge. You could feel the walkway swaying underneath us and see the movement in the main suspension cable. We would do this with several people with one person counting out the beat until the oscillations got so large that the suspenders attaching the walk way to the main cable started to slam into the hand rail and make a horrible clanging noise. Then we would all be scared, and no longer bored so we would stop.

While doing this I was aware of the differential equations describing first and second order resonance in elastic structures with and without dampening. I had studied several engineering disasters where cyclic loading close to some multiple of the resonance frequency lead to collapse of buildings and bridges. It is a small town and I was bored.

I am bad at transitions, and I would like to ask for advice/articulate something. Mostly to force myself to articulate thoughts I have never spoken about, and you do not have to read all this. Because it is very long and large parts of it are honestly pretty horrible. I have for some time been making a very conscious effort to not think about "my gender". Because I felt that there would be no use in thinking about myself through that lens. Telling myself that I can do whatever I want regardless of gender. This seemed to work for me except I find myself paralyzed. I cannot imagine myself in a romantic or sexual relationship. Romantic or sexual attention I receive feels like it is intended for somebody else. Even in situations that should be simple where attraction is mutual I feel confused and conflicted. As I write this I am wearing clothes somebody gave to me almost a decade ago, they have holes in them and I never really considered what they look like to other people. A couple times a year when I make budget or apply for a job etc I thin about the future but only ever a year or two ahead. This future blindness gets so bad I often can't even make plans for the weekend. I find myself looking at my reflection as if trying to find something wrong with my appearance but I couldn't put my finger on any specific flaw. I look like an attractive man, what else could I ask for.

I have recently allowed myself to think about this and I am not sure that it is helping. I realize now that being a man can be an exhausting constant effort for me, and that certain things that I have been doing can alleviate this pressure. When I wear my long hair down, I do not imagine that I have become a women, but the act of wearing my long hair down and shaving my entire face is not something I would do to look like the manliest man. This almost symbolic rejection of my internal drive to act as a man has a profound effect on me. Especially when I am alone I find this very calming, my mind is a little quieter, my breathing is a little deeper.

However in public this is often over shadowed by a new discomfort. My already ever present sense of danger in public is heightened. Around many men I feel physically unsafe, as if a threat of violence lies just under the surface of every interaction. Around women my discomfort around men and with myself seem to combine and I cannot shake the feeling that I will make them feel unsafe. Making women feel unsafe makes me unsafe and so on. All this is worse the more feminine I am.

My small symbolic gestures of femininity in private would seem to have no real downside. Their benefits seem to come into effect as soon as stop trying to look masculine. However in the perception of others I feel a pressure to appear either completely man or women. I now find myself trying to appear feminine and this might be worse. Outside perception of me feels completely beyond my control. Which is a good excuse for me to repress any thoughts or feelings about it. I want to accept that this is outside my control, and also that I desperately want to control it.

Some of things I believe about this view of me from the outside are not things I would ever want to put on anyone else. I have never seen a person that would look worse with some musculature, and have always found strong people aesthetically pleasing and attractive. I enjoy being strong, it practical utility, the sense of security it provides me, and as an accomplishment I am proud of. Yet at the same time I sometimes find myself revolted by my muscles. My size, my veins, my bones, nothing about them is wrong except that they are there.

I feel I need to juxtapose any feminine attributes against my masculine ones (one earring is allowed but with short hair. Long hair is allowed in a bun but with stubble). To appear as a feminine man and not a failed attempt at manliness. Is this my reaction to a societal pressure or my own misandry against weak men? I have no way of knowing. Similarly I feel that the only way to be extremely feminine or a woman would be to subject myself to sexual objectification, and infantilization ("femboys" are only feminine as long as they are somebodies fetish and because they are boys and not adults). Again I cannot say if this is my reaction to a societal trend or my own judgement on other people. Either way I cannot help but feel that this pedophilic degrading view of femininity and women is a moral sin I have committed. Yet what possible use could there be in applying a moral judgement on my own thoughts? I don't choose to feel or think these things. I don't want to wear booty shorts, or dress up like a princess. Do I think less of those who do? If don't subject myself to this degradation in exchange for femininity will it be because I have the self respect of a man? Or is it just cowardice.

I don't want to look like a trans women. I want what my grandma has. She is a matriarch. The varicose veins on her arms, her short hair, a raspy laugh, a double mastectomy, these things are just the type of women she is. She is a mother of mothers. She might not be asked to pray over the meal, but her wisdom is an open secret among those that are really looking for ruthlessly honest advice. She must enjoy wearing jewelry (or she wouldn't bother) but never seems to take it too seriously. When telling a story about how she fought a bear off her daughters or cracking a joke about how she will die any day now her womanhood is so effortless, so inconsequential, so in the background that it almost seems almost useless.

oh my fucking god lady just take the fucking estrogen

[thecoffinsys]

Slay the Princess is the perfect demonstration of trauma, dissociation, and systemhood.

I NEED MORE PEOPLE TO TALK ABOUT THIS. And it's NOT just for the reasons you may think. Yes, it is due to the multitude of voices, but that isn't all there is to systemhood. Slay the Princess dives into almost every fundamental stage of grief, trauma, stress, and body sensations regarding traumatic events that we as a collective have ever experienced. Stay with me.

SYSTEMHOOD

Not only does Slay the Princess display systemhood through the multitude of voices, inability to come to a conclusion on outerbody decisions, and having different methods of how to survive specific situations— it also displays systemhood through loss of time, depersonalization, loss of identity and sense of self, alters having abilities over the body that others do not, looping the same trauma over and over again, and rapidly splitting due to traumatic experiences — even down to not being believed by family members when you tell them something horrible happened to you.

The entire idea of jumping from one alternative world to the next after dying or making the incorrect choice perfectly displays a repetition of the same traumatic memory over and over again, the mind trying to logistically think of what could have been done differently as a means of coping with what really happened. When you fail to save the world in one reality, your mind restarts the entire scenario again, trying to find a better option to the mistake you've already made.

The Stranger rout perfect displays depersonalization, dissociation, loss of self and identity, and confusion regarding time. The second you step down a staircase, you completely and utterly forget yourself in the mundane action. Forgetting who you are, where you are, what your purpose truly is - and sinking deep within your own mind, until suddenly you're right where you are meant to be and have no memory of how you got there. It's so perfect in how it shows the confusion and distress.

This game is about becoming. whole. Gaining. A sense. Of self. And purpose. Gaining more perspectives, more understandings of what it means to be a person. (Oh my god I'm screaming)

In The Nightmare, the voice of the Paranoid displays perfectly symptoms of not only paranoia regarding trauma, but symptoms of OCD due to trauma. He has an ability that no other alter has, which is to keep their organs running by participating in his own compulsion. Which really displays how some alters have abilities that other do not, because to be a system, you must be fragmented. Several shards of glass attempting, to the best of their ability, to be a functional mirror- but never having the exact strength. And different shards will hold different capabilities than those who are smaller, weaker, and carry smaller and/or more specific burdens. Paranoid is a very big shard, I think.

Following that — mirrors are a huge motif of the game. Not only do you continuously see them in every rout, but you end each rout by finally looking at yourself and seeing you for you. And the more perspectives you gain, the less "you" you truly feel. You become tired, withered. But it is all in the efforts to "become whole". To make this being of perception finally understand what it means to be more than just broken worlds creating branching understandings.

In A Moment of Clarity, dozens of voices begin to cloud our understanding due to the very traumatic thing we experienced in the last world. A rapid split because of trauma! We become more broken; "losing ourselves". Now there are even more conflicting thoughts, feelings, and opinions regarding how we should go about surviving- and it displays our further descent from our sense of self. Which is ironic given the name of the ending!

And finally (but most definitely not finally, I could keep going on and on but no one would want to read all of that), The Narrator never believing you when you tell him you've been here before, have experienced horrors that he could never imagine, and have been through countless nightmares. But not only does he not believe you, he will also ridicule your idea, and go on to say "you failed because you didn't listen to me" or "you damned another world because of what you did". Puts the blame on us, once again. It's the same thing a lot of systems do experience in the real world. You try to reach out, you try to explain to someone you trust that something horrible happened to you, but you're met with disbelief and shamed for your own trauma. Made to feel like the guilty one when you are in fact the victim- the survivor. That one stood out to me very personally.

. . .

I really want to go on but this is already a billion paragraphs and I worry no one will even get this far. But this game means a lot to us as a system and as someone who experiences things very similar to what is displayed in the game on a daily basis. Slay the Princess might be one of our all time favorite games as of right now, especially considering the guy who traumatized us for 200 episodes straight is the main guy voicing the entire thing- that also helps with sentiment-

Uhhhh thank you for reading if you made it this far :]

[kamechan98]

Nah, it's cool, I understand

And yeah, the Anti-Blitz party may be something of a start with some of the people there. I'm of the opinion that some people are likely there for the party itself and that Blitz can't have emotionally screwed over that many people. Like, Dennis? They met for a few hours at Bee's party months ago, how is he THAT upset about it he needs to go to an Anti-Blitz party? Even for Blitz that's a bit much. But I also agree that it may not be the best option, as a friendship/relationship that is built on hating one person is not likely to last or be very good. If all you have in common is hating one specific person, what else is there to build on? Maybe some people there have built solid relationships while meeting at those parties, there did seem to be a quite a few couples and friends there, so who knows? Maybe there is a form of community and friendship between these people, finding comfort and support from each other after their heartbreak while also learning to move on and find love and joy again.

But I agree it's not what Stolas really needs, to have all of the good things he knows and feel about Blitz being disregared and blame everything on Blitz, twisting it around to make him the bad guy in every aspect of his life when that isn't true. We've seen that Stolas is trying to reflect and see where HE made the wrong step in their relationship, what he can learn from the whole thing and how he can do better in the future, which Verosika keeps trying to shut down.

"But maybe it's all on me For missin' every sign and every glance And every turn" "Maybe there's somethin' here for us to glean For you to teach, and me to try to learn"

"What if I came on too strong? What if I read this all wrong? What if we just don't belong?"

Stolas, while a bit delulu at times, a hopeless romantic and not anywhere near as self-aware as he needs to be, does recognise on some level that the reason their relationship turned out the way it did isn't all Blitz' fault and the fact that he keeps trying to reflect and and go over what happened between them despite his hurt feelings, broken heart is a good thing- both for the sake of their relationship in the future and for his own development. Yeah he's trying to cover it up a bit, turning a bit petty and spiteful towards Blitz for even going to the party (maybe he wouldn't have gone if Blitz hadn't shown up at his place, wanting to be a little petty towards him) but as soon as he's there he recognises how petty, stupid and ridiculous the whole affair is, throwing an entire party every year just to hate on Blitz, and is even able to recognise this while drunk of his ass.

Our Owl Boy is a bit delulu, but not THAT delulu.

But it is as you say, Stolas is a People Please of the highest order and is only now starting to learn to stand up for himself and focus on his own wants and needs rather than bending over backwards to please others around him while suffering in silence. And spending too much time around people who don't encourage that kind of reflection and accountability would be a step backwards for him. It'd be enabling his worst habits and maybe make him regress in his growth, which is the last thing anyone needs.

Whether Stolas and Blitz end the season as friends who need to work on themselves before they get together or as a tentative couple who want to try again, do it right this time while also getting to know each other properly (last bit will probably happen regardless, but you know what I mean) I am under no delusion that they won't end up together at some point in the future. But I want to see Stolas find an identity outside of liking Blitz. As much as I love him, and I do, that's pretty much been his character for a while now. Yeah, he was Octavia but we haven't been allowed to see much of their relationship, which we know is going to have consequences of some kind before the season is over. I recognise that Blitz is the main character and is likely to be the most complex and developed character, but that doesn't mean others can't have more to them than basic interests, quirks and be defined by their role in Blitz' life. We've seen some of it with Moxxie and Millie, would love more of it, as well as seeing some development and growth for Loona, Millie (as her own person not her relationship to Moxxie or Blitz) and I think Stolas would need it too.

Maybe he and Asmodeus will become better friends? Fizz? M&M, Loona might be set up to become better friends with him as well? Maybe Vassago will be one of few Goetia who actually care about him and want him to be okay? I don't know, we'll have to wait and see.

Stolas has always been "Single"...

One thing I've noticed people say that genuinely disturb me is when they think Stolas should learn how to be single...

Guys, Stolas has been "single" his entire fucking life.

On paper, he may have been "married".

But Stolas was married to a partner that treated him like shit, and forced him to live a life constrained from being his gay ass self.

People are treating the relationship he had with Blitz as them being in an actual romantic relationship, but as Blitz stated...

To Blitz, he and Stolas were never in an actual romantic relationship because let's face it, it's true.

Blitz simply operated under the terms that Stolas had set for them in their full moon romps.

Remember guys....

This man is an emotionally-inept dumbass, who automatically assumes the worse. Of course, he's not going to see any of Stolas’s invites as anything other than Stolas just wanting him for his body.

Is it right? No, of course not.

But this is Blitz, and I'm not expecting a man who has been suppressing every single major emotion and traumatic event in his life for 15 years (prior to GF) to pick up any of the hints Stolas was dropping. He's a dumbass.

So yes, Stolas has never been in an actual relationship, and I don't think he needs to learn how to be "single" when he's been single his entire fucking life.

The man doesn't need to learn to be happy alone when he's always been alone!

"You wanna know what I want? I want to know what it's like, to not be alone. I want to be someone's someone. I want to feel wanted. But like, in a romantic way, like I'm standing out in the rain at a train station and someone is shouting: “Harriet! Don’t get on that train, it’s going to London and I cannot be without you!”"

"I just... want someone to care if I stay or go. I want someone to want... me! To want to see me. To hold me. To look at me and think "You're the only one I want!" [sheds tears] "I desire to hold you and talk to you, and never let you feel so...""

So yeah, I really don't think Stolas needs to learn to be happy alone. He knows what it's like to be alone, he's always been alone.

~~~~~~~~~~

And you know what I want?

Maybe I just want, this sad gay 🦉 to give this equally as sad and lonely pan 🦎 another chance...

Because, you know, even though he's an emotionally-inept dumbass and a motherfucker...

He's charismatic and charming...

He's good at fighting...

He's protective...

He knows how to have fun...

He's got the most beautiful smile...

He's hot as fuck...

And I also heard...

He's got a pretty cool family.

[lemonisntreal]

TONE DEAF :: Rosita and Norman <3

The first in a [hopefully] series of redesign + headcanon posts where I give you my take on a character for my AU

I'm grouping the two together because a] a lot of fluff headcanons I have, they share [because they're literally husband and wife]. And b] if I made an individual post for every single character, I... would go insane. So yeah. A bunch of characters are gonna get clumped together.

[FULL MASTERPOST HERE [yet to be made <3]]

HEADCANONS // BACKSTORY ⬇️

Me and the bad bitch I pulled by being autistic [also autistic]

Both of them are the same age, mid to late thirties.

In terms of general intelligence: Rosita has gifted IQ, while Norman is at genius level.

I know. I know Norman seems kinda dim in the movies. But guys [LMAO]. "I know it looks like there's nothing happening behind those eyes, but...... he can make entire computers!"

He's so smart yet so stupid. He's that kind of character. Like he can do all of this super impressive shit, and is super talented and can do math like BOOM done, but he's also kinda a "deer-in-the-headlights" when it comes to life [I LOVE HIM 👹]

Both of them worked hard and have their college degrees almost completely paid off at this point because of the scholarships they earned.

Rosita has a degree in engineering, Norman's a computer scientist.

They're both in STEM, it's just that Rosita likes to handle more of the mechanical aspects of things while Norman's better with the technical stuff, which I think is cute af.

Yin and Yang <3

This dynamic is just how they are too. How they act. Like for example, Rosita can be very to-the-point-

She's very much a problem solver and will get right to it once she understands what she's doing. Like yeah, she often takes a very methodical approach to it [see the scene where she's got all the papers laid out to try and learn to dance- very new territory for her], but once she learns, she gos all in. And EATS.

Norman's gotta have a plan before doing anything, meanwhile. He has a morning routine that can't be interrupted or else his whole day and mood will be thrown off. He reads through a recipe twice before even starting. That kind of stuff.

He's a lot more hesitant to even try.

A lot of people find Norman boring. But Rosita is enraptured by every word he says, she LOVES his long spiels about hyper-specific [and often mundane] things.

AAAA--

Norman is also a closeted DORK. He ran a tabletop games club in highschool with a couple other of his geeky ass friends [he's still into D&D to this day and has introduced Rosita to the game too]

[she's fun to play with, but super competitive. This goes for ANY game, actually, not just D&D. She'll kinda accidentally turn everything into a "contest" due to her inability to not do her very best] [it's mostly inspirational, not annoying, if that makes sense?]

I also wanna say Norman was in a weird amount of drama that he didn't want to be in at this time. Like all of his friends had falling-outs, and he was just always caught in the middle of it.

He's afraid of confrontation [UNLESS IT'S FOR HIS WIFE] [HE STANDS UP FOR HER RAHHHH] [this is gonna happen when I get to rewriting Sing 2, he's NOT just gonna take Crystal calling his WIFE "mommy pig"]

They're sooo "excuse me, he asked for no pickles"

Norman and Rosita technically met in high school, in Junior year when Norman first moved to Calatonia.

WHICH, he and his family did this because this was a point in time where laws having to do with the rights of animals were VERY flimsy, and Calatonia was one of the first and only safe places at the time-- for Pigs especially, actually.

The 3 Little Pigs is deadass CANON TO SING. So Pigs were/are actually a marginalized species in this universe.

[[during the warring period that I have yet to really talk about, they were often victims of the anarchy and poaching, so stigmas and insults around them still exist to this day]]

[[[[see Jimmy Crystal]]]]

So anyway, they "met" in high school- Norman totally crushed on Rosita from afar whenever he'd catch her in volleyball matches-

Rosita had a major tomboy phase throughout high school, slowly falling out of it during college [still only saves dresses and skirts for special occasions really]

[[Fun fact, Rosita is also sapiosexual [attracted to intelligence] [Roxanne Ritchi ahh] ]]

[[Norman is bi]]

They actually got introduced to eachother and had a proper arc when they went to the same college [which might've been a college in Redshore actually? But I'm not 100% sure on that headcanon. It would line up since Rosita's "wanted to perform in Redshore since she was a little kid" and Redshore is obviously a massive city with a lot of notoriety. Idk though- and it's not really that important to the story anyways]

Norman and Rosita had plans together- they were gonna make it big and live freely. Things were looking up with the lawmakers, who were finally repealing a bunch of nasty stuff that was put in place during the war times. And the two had hope that their dreams could actually be accomplished.

Rosita, who was originally gonna play it safe and become an engineer, was now thinking about attempting to become a performer [which Norman has supported since the beginning, he LOVES her singing, and often tells her that she's "better than some of the people I've heard on TV!"]

But. Life got in the way...

Present day, Norman works in Redshore at Crystal Enterprises. He's the head of some sort of organizational team- not really working on what he loves at this point.

And this is because of their children, who were a very sudden appearance in their lives [which is why we see so much struggle in the chaos at the beginning of the movie in this AU]

Rosita stopped everything, and Norman grabbed the first high-ish paying job he could, spending all his spare time on clocking in overtime hours.

The kids are all adopted, and there's only 6 now: Oldest Caspar [13], twin boys Mickey and Moe [11], middle child Kelly [9], little bro Freddy[8], and Zoey the sweet baby sister [6].

They became foster parents after the death of Rosita's sister [this hc is kinda subject to change, but this is the story rn. I'll specify on this later ☝️]

So Rosita's kinda put her life on hold for these babies. She's such a great mom to them, and they love her and Norman so much

But some of the older kids [Caspar specifically] are kinda in a rough phase since they feel like she resents them [which she doesn't], or that she isn't their "real mom" [which she IS]

This is like an E plot in the story, but definitely's gonna get at least a little bit of focus.

Rosita and Norman's marriage is falling apart just a little bit due to burnout, but it'll get better <3 [I can't do anything tragic to these two they're too sweet]

Norman snuggles up to Rosita in his sleep. Rosita starfishes LMAO

They wake up entangled. This is normal.

"Pig piles" are also a thing- there have been several nights where all six children "had nightmares" and so the family of 8 all slept in the same bed.

Norman has the best bond with the two girls out of all the children. They immediately latched onto him to be their level-headed dad.

Rosita can carry two kids at once easily, and often "relocates" them like this :>

She's probably the strongest out of everyone in the troupe if you don't count the potential Meena has. She solos.

She's constantly taking notes on everyone and everything around her. At the theater, you'll catch her tidying stuff up she spots out of the corner of her vision while you're having a conversation with her [she's still listening]. She knows everyones favorite foods, and allergies, and their preferences in things, etc. She's the most attentive and considerate out of all of them [the mom]

She may have a touch of OCD.

She gives the best hugs.

Rosita is also a FANTASTIC cook [not even a headcanon, I'm pretty sure the entire fandom agrees on this one] and often bakes stuff for her sweet-toothed children [and husband]

This is actually how she initially connected with Caspar, who refused to eat or speak at first when they were all placed with Rosita.

Cinnamon rolls.

Kelly will only eat the frosting off the top, and has ruined an entire pan before by doing this.

Rosita actually isn't the biggest fan of chocolate, small detail.

Idk why she just strikes me as not being an enjoyer.

Loves vanilla though. People are furious when she answers "vanilla" with zero hesitation to the chocolate vs vanilla question.

Norman is kinda a hopeless romantic, or at least really enjoys the aesthetic of it [in a sweet and not shallow way ofc], and goes all out every Valentine's Day: balloons, flowers, the works. He's learned that Rosita prefers strawberries over a box of chocolates, however. Has a tradition of getting a fruit basket for her <3

They also have a tradition from all the way back in college, where they go out to eat at specifically the in-universe equivalent of Olive Garden [which was the fanciest thing they could afford at the time] and eat a shared giant plate of spaghetti.

Norman loves coffee. Insists he likes it black but actually prefers a good 50:50 ratio of creamer and coffee.

Norman is also ☝️ lactose intolerant LMAO

[[or would be, if traditional milk was widely accessible/a thing. I say "lactose intolerant" but what I really mean is he's allergic to most milk substitutes- like nuts and soy [gives him tummy ache, not anaphylaxis] ]]

God, parenthesis are carrying me so hard rn.

Stopping here because I'm tired, but I could go ON about these two omg-

Normita forever rahhhh <3

[demacianpuppet]

Some more thoughts/observation regarding Viktor and whatever he had going on his cult because I'm obsessed.

First of all, what exactly was Salo doing there? He went to the power source of the Hex Gates to get some (raw) Hextech crystals I assume but this leave me with more questions than answers.

For what exactly did Viktor need the crystals?

I would assume stealing from the source, which is locked behind a specific key (which seem to only open with Hextech) makes it easier do than from higher up of the Hex Gates. Considering Viktor's followers are just an extension from Viktor himself, they have the easiest option to sneak into it.

Also, Salo wears no protection gear, something that the people who maintain the Hextech Gate clearly do as seen in Season 1.

One detail I didn't catch while watching the first time is that the discussion between Jayce and Viktor happens in the Wild Rune and also seems to be Viktor who frees Jayce from it.

(Maybe Viktor knew something about Jayce being trapped in the Wild Rune which would explain why only Jayce materialized when Salo appeared and Heimerdinger and Ekko are still missing.)

So more interesting details - first of all Salo wasn't breathing the whole dialogue. You can see how Jayce breath condensed in the Hex Gates while Salo's never did. It also lines up that Jayce saw some empty husk creature whenever he looked at Viktor's followers.

Not consider how creepy the whole scene was because we see Salo is absolutely not acting like Salo, constantly switching to being possessed by Viktor.

Also, when Jayce dispose of the empty husk that once Salo was, the blood is not just red but also prismatic. His body has been also fundamentally changed from the inside.

Also Viktor doesn't seen to really care that Jayce just killed someone? Like sure, he is worried for Jayce and mentioned that someone is in his head but she shows no pity for Salo who just got killed?

I continue that none of the Viktor's followers actually acted like normal human being. Like Huck showed no sign of fear when the Noxian appear with their weapon, nor do any other people reacted with fear when Jayce appears with his weapon in his hand and clearly not best mental state.

As someone else already pointed out, you don't see anyone doing anything but to work. No children playing, no people talking with each other. Again, not human, not normal.

Whenever Viktor touched someone and tries to heal them, you can see how he left his fingerprints on them. (Vander/Warwick has them as well.)

Interesting Viktor could spot Jayce mental state without touching him, makes me wonder how close he needs to be to a person. Maybe Jayce is a special case because they both are touched by the Arcane?

When Singed talked with Viktor, Singed touched Vikor's hand and he instantly glimpsed into Singed mind. It seems to be not even an active thing he does.

(Does it mean back then Jayce hugged him after he just woke up from his metamorphosis did he already had seen the weapons Jayce had crafted during that time in his mind?)

Interesting that Singed mentioned that Viktor grows weaker, you would assume whatever the Hexcore does should be like a virus, so more people would make it stronger and not weaker.

Was this the reason why Viktor wanted the Hextech Crystals? To make a new Hexcore to replace his failing energy source? So many question, no answers.

Also what exactly was Viktor doing when he was levitating while being connected via strings to something? Did the writers just need a reason why Viktor would not try fight back when Jayce appeared? Did he was ready to face the possibility that Jayce could actually do harm to him?

Jayce goes into the room, does the shot and refusing to even look when he was firing it. There is one frame there you can see mirror version of Jayce reading the shot, it makes me wonder how often he went to Viktor and tried to change the outcome.

Jayce also left immediately once the deed was done. While Jayce was clearly tearing up, he ran way instantly.

Viktor just watched Jayce do the shot, fear in his eyes and he couldn't stop staring at him until his last breath was leaving him. The cog (which is not the same one during Hextech breakthrough) rolled away from his hand.

We know that Viktor ends the episode with his monologue how emotions are problem but I wonder if he knew that would happened and a part of him (or the Hexcore) becked Jayce to do the shot so he finally could get rid of his heart and/or influence of the Hexcore for good.

Because in Viktor's mindscape Viktor behaved like he always did while in reality he is very emotionalless despite everything.

Also going back to the hive mind thing - their life energy was clearly connected to the Hexcore which was the reason why they all started dying when the Hexcore was destroyed.

Despite Jayce ruining everything according the fans, I don't think Viktor would have stayed alive much longer anyway with Ambessa and Singed near. I wonder if this was the best-case scenario so that they would not get the Hexcore in their hands or if Jayce basically did a self-fulfilling prophecy with this action.

[musashi]

Hiiii, so this is a call for some help with a video I have in the works right now.

I am looking for a Latinx volunteer to... I guess sensitivity read and/or help me fine-tune a very specific part of a youtube video script. Preferably someone in the Ace Attorney fandom, but you do not need to be by any means--if there are any plot details you need me to explain to you to make my points clearer, my autistic ass will jump at the opportunity.

It's a misconception debunking video with a little 'character assassination' bit at the end where I plan on talking about unfortunate boxes, flanderizations, and stereotypes that some of the characters in my favourite visual novel often get lumped into. One of these characters is Diego Armando, a Latino (dark skinned Japanese in the original) man who is constantly held to higher scrutiny by the fandom than his lightskinned peers. He is frequently demonized, painted as a misogynistic scumbag, held in much worse faith than other culprits for his very understandable and sympathetic wrongdoing, and overall just treated incredibly harsh for things that other comparable characters get away with on account of them 'looking' white and having more anglicized names.

Since I am white myself I do not plan on speaking excessively about the experience when it is not my own but I think it is a huge fucking disservice to not focus on the fact that this fandom treatment all just stems from racism. It's the one part of my video where I don't plan on even entertaining "the other side" or explaining where the misinterpretation "comes from" I want to just. Make the point. That it's racism, with no rhyme or reason.

But I obviously don't feel qualified to just do that on my own so this is just me putting out feelers to ask if anyone would like to read over this part of my script for me, offer concrit (scalding concrit if you must, please, I want it to be as tight as possible) and basically just make sure my own white privilege doesn't gloss over, misrepresent, or miss anything. Basically just asking for help not fucking it up.

Again you do not have to be into AA to help me with this, I can tell you all about the character and what he does and doesn't do, his place in the story, and the things I hear about him in fandom and how they don't hold up on other comparable characters. Just know I will have to spoil the whole final game for you if you ever plan on getting into it haha. And, once again, please only volunteer if you are Latinx yourself.

I will, of course, give you full credit and thanks in my video and in the description, and link my viewers to any and all platforms if you'd like. Since I make no money off youtube and am horrendously broke myself, if you have any donation links posted anywhere I will boost the hell out of those too. That's about all I can offer for compensation OTL

Please contact me via ask if this is something you're interested in. You can also reply on this post and I can open DMs for you or get in touch with you via email or discord. I really, really, really want to include this in the video but I want to do it right.

Even if you're not someone who qualifies, if you are an AA blog or have lots of AA blogs following you, I'd appreciate a reblog to boost this! Thank you :3

[mage-ical-character-person]

Time for more because. Because!

first off: wanna point this out: Meme games

The fact that the minigame format like Meme is used for WOTFI instead of the using the usual non-minigame challenges, or the choose your own adventure of WOTFI 2023 despite the whole “We should really do this again sometime”

And Just... That's Puzzles' whole thing. Don't know what to make of that!

and... this

hehehe… sillies… Second, some stuff from other posts I’ve made and discussions I’ve had I wanna stick here so it’s all in one place. Colored text is new stuff if you've read the other posts already and don't want to read repeat info and musings. Alternatively if you haven’t read the post and you want to. I got links.

First from here: Puzzles and Four both struggle with empathy to some extent. Four has more practice with the aspects of empathy that can be learned (cognitive empathy) but it’s still something he usually needs to actively think about, which is something he forgets to do sometimes. Puzzles sucks at just about every form of empathy. But they both still care very deeply for the people they consider friends (see reblog above about protectiveness)

Also Four and Puzzles both put people through torment for content. Puzzles with just about everything he does, Four with stuff like “I put Mario in Danger for Views” “Mario Does Literally Anything for Views” and this

Next, this.

Mario only is friends with SMG4 as a result of not being the Mario he was before Four showed up. When Mario is briefly turned back during the Lawsuit arc, Four and Meggy make him back into the Mario they're friends with without any input from him. This sorta parallels the whole Leggy situation in a weird way. In addition, Puzzles brainwashes people to make them more entertaining and cooperative for his shows. The USB SMG4 arrived in did the same thing for Four automatically as soon as he arrived.

And!

We're talking about It's Gotta Be Perfect again. Puzzles gets a fatal error that tells him to contact the manufacturers, then we get eye imagery. Then we get the IGBP Goop.

Notably, this happens when Leggy is turned back into Meggy. In other words, when Puzzles loses his only friend and source of support. I've gone on and on about how what snapped Four out of it in IGBP is his friends and being reassured they'll always be by his side, and what that means for Puzzles. and this is just... another instance of that.

But with the Goop, there's something else. It seems to be tied to strong emotions, but the fact that it shows up when Four is worried about being left behind for not being good enough--and being reassured otherwise is what allows him to break free-- AND the fact that with Puzzles it shows up when he loses his only friend and wants her back...

And, well... This...

(Seriously what was up with the stuff that happened to Three in IGBP I feel like we don’t talk about it enough) It's... well, it's something. Puzzles would do ANYTHING anything to not lose his friend, regardless of if said friend is okay with it. I don't know if Four's quite to that point, but he's... adjacent to that, at the very least.

The desperation to be seen... and the eye imagery associated with the Goop... it’s something

...Not wanting to be left behind, wanting to hold on to the people you have... wanting to be perfect...

Well... I mean, it parallels other characters, too.

(With Niles Specifically, I can't help but think that the Goop is some kind of virus similar to Niles/Eldritch Zero. I mean, it was invoked by an adware)

On the subject of characters other than SMG3 and SMG4 that parallel Puzzles, let's talk about Clench and Tari.

Both Puzzles' TV head Clench are prosthetics in a way, and Puzzles can transport people into TV shows, while Tari can, with Clench, do the same with video games. And for what it's worth, with Western Spaghetti, they're sort of on the same... frequency? Tari being able to interface with the simulation and hijack Puzzles' signal to bring forth dancing Mario.

AND

Oh and also Puzzle has parallels with Axol as well.

I mean just...

friendless childhood to becoming obsessed with media to creating that media (still obsessive).

And.. resourcefulness?

Yeah we'll call it resourcefulness.

Puzzles Parallels Post

feel like I keep repeating things over various reblog chains and stuff and my thoughts are never all in one place so. This where I keep linking said reblog chains. One of which has an endpoint that does not involve me but sshhh.

Mr. Puzzles and SMG4 have SO much in common. Four comes pretty close to Puzzles-level bad on some occasions and they share a lot of the same insecurities

I believe part of the reason Puzzles targeted Four in the first place (because I doubt “You’re the stupidest show I’ve ever seen!” Is the only reason) is because it’s easy to exploit the insecurities of someone who has the same insecurities as you, because you know that feeling in and out. Even if for Puzzles he probably didn’t have a lot of self awareness about it. Probably something more along the lines of “Oh, this guy clearly cares the correct amount about pleasing an audience and the quality of his content! But he’s not even good at it! I can use this!”

The difference is that Four has friends. He has a support system to pull him out of it when these insecurities start to make him spiral. Puzzles does not have that and frankly seems to have given up on ever attaining it. Twice.

AND THEN THERE’S ALSO THE PARALLELS WITH SMG3

Because part of it is because SMG3 and SMG4 already parallel each other so you can’t have Puzzles parallel one without the other.

But ALSO! Very similar motivations of wanting to be seen and appreciated. With a side of pettiness and jealousy. Also this

And this was also an incredibly SMG3 adjacent moment

But also the show keeps calling attention to SMG3’s difficulty making friends. Which is also Puzzles’ whole thing.

I need them to actually go somewhere with this so bad. Because 3 and 4 might be the only people who can actually understand Puzzles. Or at least let them understand themselves better as a result of Puzzles.

I NEED the “You and I aren’t so different” moment SO BAD!!

[kokiriri]

Time in Emrub vs. The World of Twelve

Soo I was scrolling thru Pinterest and found a manga screenshot that caught my attention.

Now I haven't actually read the Wakfu manga (I need to read it, I know) but I found enough screenshots to piece together an idea of what happened leading up to this scene. From what I've got, the manga covers when Chibi and Grougal are kidnapped by Jiva, the guardian of the months in the Wakfu/Dofus universe. The Brotherhood of the Tofu try to find a way to safely retrieve the Ebony twins and on the way, they stop by Emrub, the dimension where the Eliatrope people live.

Now here's where things get interesting: as shown in both the manga and television series, all the Eliatropes residing in Emrub are children. Qilby mentions that time flows differently in Emrub than it does on the World of Twelve, but not much else is said besides that. This scene in the manga however, sheds more light on just how large the difference is between the two dimensions. The dragon character on the left page asks the Brotherhood "what took them so long" to which Amalia retorts they had only been gone for "a few hours." The dragon then explains that nearly a year had passed on the World of Twelve, which obviously shocks the Brotherhood.

Now what am I getting at? Well, because I was bored and wanted to do something besides my homework, I decided to do a little math to see if the manga accurately explores the difference in time flow between the two dimensions. Keep in mind, a lot of this math is approximate and based on various contextual assumptions, but yeah, let's get into it.

For starters, we know that all the children living in Emrub have resided there since the Eliatrope War that took place thousands of years prior to the events covered in Wakfu. They all are still clearly children when Yugo visits them during his confrontation with Qilby in Season 2, meaning that despite having thousands of years gone by, they haven't really aged at all. There are toddlers amidst the crowd as well, looking around 3-5 years old. Based on this observation, the children couldn't have stayed in Emrub for over 3-5 years, otherwise the existence of those younger children simply wouldn't make sense.

Now, another thing to keep in mind; back in Season 1, Yugo asks the specifics behind his and Adamai's most recent rebirth, to which Grougaloragram explains that since the Emerald twins made the greatest sacrifice during the Eliatrope War, it then took them thousands of years to regenerate wakfu within their dofus. I'm assuming that the Eliatrope children were sent to Emrub shortly before Yugo and Adamai died in combat. This, in part, means that the Eliatropes have lived in Emrub for thousands of earth years. From here is where we apply the math from the manga, as well as where I begin to make some approximations.

For the sake of convenience, I'll be assuming that it took roughly 10,000 years for Yugo and Adamai to reincarnate. I'll also presume that the Brotherhood of the Tofu spent 3 hours in Emrub, since no number is explicitly defined (the only point being made was they spent "a few hours" there, meaning not one, but multiple hours.)

Now let's break it down.

The dragon stated that nearly a year had passed on the World of Twelve while Emrub only experienced 3 hours (again, I'm approximating here.) I'm guessing that "nearly a year" means 11 or so months, but I'll be rounding up to a year because I'm lazy. Therefore, 3 Emrub hours = 1 WoT (World of Twelve) year.

Based on this, 10,000 WoT years = 30,000 Emrub hours. Covert those hours into years, and you get 3.4 years.

During the 10,000 WoT years it took for Yugo and Adamai to be reborn, it was only 3.4 years for the children in Emrub. Pretty crazy.

Here are some other comparisons between the two dimensions to help you wrap your head around the difference:

Sleeping for 9 hours in Emrub takes 3 years on the World of Twelve.

The time it took for Yugo to grow from 0-12 years old on the World of Twelve took 36 hours (or 1.5 days if you prefer) in Emrub.

In the Wakfu OVA, Joris Jurgen is 598 years old. That's 74.75 days (~2.5 months) in Emrub.

And we can break it down even further if you'd like:

15 minutes in Emrub = a month on the World of Twelve

1 minute in Emrub = 2 days on the World of Twelve

1 second in Emrub = 48 minutes on the World of Twelve

(Again, I’m here to remind you that these are all approximations)

These numbers align with what I was discussing earlier -- as the youngest children in the audience appear to be 3-5 years old, 3.4 years is an entirely plausible conclusion. Now, this math is heavily simplified, and I honestly doubt Yugo and Adamai took 10,000 years to reincarnate. ((Grougal's choice to use "thousands of years" as opposed to "TENS of thousands of years" has me thinking that they spent under 10,000 years in their dofus. I simply used 10,000 to show that even at the maximum amount of time Yugo and Ad could've spent in their dofus, the mathematical differences between the two time zones still make sense.)) You get the point.

It's pretty cool to see a piece of media that takes the time to consider details and accuracies like this, because I feel like so often I see plot holes and inconsistencies that books or shows don't bother to cover up. (Don't get me wrong, Wakfu has its fair share of plot holes, it's just nice knowing they took time to think about this small detail.) And although no amount of hours or months are explicitly defined in the canon material, the series recognized that the difference had to be such that the World of Twelve had to experience a year in the time it took Emrub to experience a couple of hours in order for certain developments to make logical sense.

Anyways, that's the end of my insane ramblings. I did this math at like 1 am, so there's a good chance I made a mistake somewhere in my calculations. Don't be shy to correct me if you see any errors or whatever.

[joocomics]

ಬ be quiet (or not)

pairing: non-idol!ten x fem!reader

genre: smut — mdni! wc: 953

contains: university au, sub!reader, usage of toys (vibrator), exhibitionism kink, dirty talk, light humiliation kink

[ wayv masterlist | general masterlist ]

“I will move my hand now,” Ten warns you, but his low voice with an evident sneering tone makes it sound more like a command than anything else; a command he knows you’d suck at following.

It sounds like I want to see you try and fail.

His bold eyes peer into yours in attempt to read your answer in the way they are glazed over with arousal. It’s a small plaything that’s working between your legs, but with a strong impact on your whole body, causing your gaze to be constantly refocusing on the view in front of you, more specifically on him from different angles as you’re locked inside the bathroom.

“You probably know how to keep quiet since you brought this little thing with you.” Ten’s hand retrieves and he cannot help but grin when he catches you desperately tucking your lip between your teeth to avoid making a sound the second he uncovers your mouth. “C’mon, tell me… Why do you have this in your bag anyway?”

The same warmth that overflowed your body when you ran into him on the stairs earlier spreads beneath your skin once again. How come you forget to zip up your bag once and out of all things you keep inside your vibrator is what falls out of it? And out of all people in this building he’s the one to witness it?

However, the feeling of indignity you suffered from in that particular situation which led to this present moment lingers differently now… and you’re enjoying it rather than wanting to escape from it.

“It’s just…” you speak up quietly, “I’ve been feeling stressed out lately.”

“So you hide and touch yourself in public?” His eyes widen with a sparkling glow, the same way they did when he picked up your toy to observe it up close. It’s a discreet size, but there was no way he could ignore it while helping you gather your stuff.

“I—“ you gulp after an unsuccessful attempt to respond. The effects of the vibrations are causing moans to rise into your throat. “I’ve never done it h-here. Just in my car.”

You look at Ten with more concentration after his finger lifts your chin higher. He’s attractive, he really is. Especially when he’s smirking at you condescendingly like that and you can’t do anything except anticipate his next move or his next teasing question.

The son of the dean of this university… If you could turn back time to tell your past self that one day you’re going to find yourself hidden in the campus bathroom with him while everyone else is in class you wouldn’t believe yourself.

“No, I get it, baby,” Ten nods as a gesture of rapport. “It’s exam season, that’s always stressful, isn’t it?” The artificial concern drips from his voice, erotic and tempting in a way you cannot describe.

The small space of the cubicle is making you both feel hotter and you can sense sweat growing on your neck as the buzzing sensation starts to burn in your core.

You move the vibrating head in a slow circle, doubling the pressure on your clit by pressing harder.

“I’m close—“ You whisper the same moment Ten leans in with a hand against the wall behind you where your figure is quivering from the approaching high.

His gaze lowers all the way down to your panties stretched from your ankles. They have a dark spot, a result from the few minutes you spent making out before he turned on your personal toy.

“I think I’m gonna keep those.” He says as you pant into his face; his expression changes into something completely new once your free hand grasps on his hoodie. He swallows the reckless urge forming inside him at the same pace as his erection throbs - stimulated even further from the pretty way you’re breaking down for his eyes only. “I want to make sure that you’re really gonna come over at my place tonight.”

A high pitched sound echoes throughout the tiled walls, but there was no time to prevent it as Ten’s fingers slip inside you without a warning, eager to speed up the process of reaching your climax, but also unable to stop wondering how you feel down there.

“Fuck—“ he mutters in one breath, guiding his lips against yours, but without actually touching them, “you’re perfect for my cock, pretty.”

“I will—“ you mewl in a delayed response while quickening the circles on your sensitive point. Your eyes are squeezed shut as your tummy tightens from the gliding movements that excite your walls with each rub.

“Good.” Ten chuckles amused by your reactions, by your neediness, before his voice turns firm again. “I’m gonna teach you how to actually keep quiet. A perverted girl like you needs a lesson or two.”

You’re unsure if it was just a coincidence or if his words were what pushed you over the edge, but seconds later, you cum around his curled fingers, making him snicker again; this time with your efforts to endure the sensation as calmly as possible which were quite pathetic.

“Tsk, almost got us caught.” He grabs your face with a quick domineering grip almost as if he wants to look at you carefully one more time so he can make sure he has all its details memorised.

Fortunately, the rush washed over you just in time for him to go.

In eight minutes lectures will start coming to an end, and as the son of the dean, he wants to save himself the trouble of being seen leaving the women’s bathroom with a boner and a pair of panties in the back pocket of his jeans.

! please do not repost, copy or translate my works

! please keep in mind that english is not my first language. i apologise for any mistakes i’ve might missed

[howlsofbloodhounds]

I need to see more content of Color matching Killer's freak, and not just in terms of suggestive themes.

Obviously he's not direct or loud about it, obviously it's not easy reading that off of a person like him, but I imagine Killer would pick up early that Color's a bit of a freak cause why the hell else would he be trying to help him so much? Freak recognizes freak. Freakception. It's just kind freak on fire vs knife freak, that's what this has become.

Color is the subtle kind of freak. There is always a 50/50 chance that if Killer's got an urge, Color's gonna indulge it and act like he always does in the process. He is a "go with the flow" kind of guy on the surface until he decides to rip off that facade. His friends already know how freakish he is to a certain extent but it's people like Killer, Epic, and Delta that truly do vibe with it in their own ways.

Killer would want more of it and look for ways to encourage Color's "dark side", Delta would compete with it, and Epic would think of any punchline to add to how hilarious he finds it.

This is a group of equally as unhinged men.

The signs of Color's freak would be evident to Killer long before he decides to take up Color's offer in leaving Nightmare behind. He would pick up those signs and use them against him, specifically during arguments or fights where Killer accuses him of having crude ulterior motives.

And Color giving him little to no reactions on that basis would not only infuriate Killer but also fascinate him even more than he already was. Cause he can't always tell whether or not a comment set something off in Color's mind, or if there really was nnothing.

And then as time continues to pass, that is when Killer's observations start to make sense. He and Color are a lot more alike than he previously thought, well beyond the "we both used to be Sans and got fucked over by the same stupid kid" commonality.

They both have deeply-rooted trauma from two of the same fucking child. While Color was eventually provided with the resources to start healing, Killer was routinely denied those resources.

Perhaps Color has one of those warped bouts of hyena-like laughter too, except while Killer has it casually, it's a red flag coming from Color as it's indicative of a panic attack, complete breakdown, or weak attempt at stress relief following either of those things.

They both struggle at showing vulnerability because of their trauma. Killer hides that in multiple shitty ways while Color has had several years of therapy and a solid support system and because of that developed a stable "fake it till you make it" mask for only the worst case scenarios where he can't catch a break soon enough. (He's had to use that mask A LOT in dealing with Killer before he left Nightmare)

Think Stage 3 doesn't have enough reasons to regard Color as a source of safety? They've both got distinct animalistic traits and behaviors, and Color dedicated the patience and time to let Stage 3 learn that at its own pace. Stage 3 finds a mutual understanding with Color that it can't with anyone else BECAUSE of the effort and comfort Color provided.

And what about the fact that they've both lost their sense of identity and since gaining freedom had to gradually make a new one with the shards they managed to salvage? They both aim to keep some aspects of "Sans", but can never truly be "Sans" again. They've both grown past the point of ever being the exact same as they were decades, perhaps hundreds of years before.

In various ways both before and after escaping their traumas, they are both in constant physical, mental, and emotional pain. Some conditions simply have no cure, no medication to soothe their symptoms.

They are so similar yet so different. So of course Color would match Killer's freak. Under calm and casual circumstances he'd agree with (Stage 2) Killer's accusation of him being a masochist and Killer would be caught off guard because he was aiming to make Color angry. But instead Color gives him that simple admission with no strings attached.

Like golly gee fuck, Killer, it's almost like he has to be one in order to cope with the amount of agony he deals with every day. Speak for yourself, motherfucker.

Unhinged freaky old men is where it’s at.

People look at the chromatic crew and think Color’s the odd one out, that he’s the hinged one, but definitely not.

Bro probably finds it comforting and reassuring when killer licks away his tears 💀. Mans would be so willing to indulge nearly anything killer wants to try or do, and he’d likely enjoy most of it.

Need more of Color matching Killer’s freak and rolling with it. Wonder if Color ever surprises Killer sometimes.