#what the fuck is going on my brain lol

[lover-of-mine]

I know it isn't fair...

[introspectivememories]

was it casual when i sat in your lap in public? was it casual when i said "recently my heart is crying because you're leaving"? was it casual when we decided how your last name would fit with mine? ("yuki tsunoda-gasly" / "no tsunoda, only gasly" / "yuki gasly?") was it casual when we sang adele's "someone like you" together at your going away party? was it casual when i knew it was you just by touching your ass? was it casual when i knew it was you by smell alone? was it casual when "will you miss me?" / "for 2-3 minutes maybe" / "i'll take that. even if it's just 2-3 minutes, i'll take that"? was it casual when that bus was completely empty and we still sat right next to each other, all the way in the back? was it casual when i picked you up multiple times so you could dunk a basketball? was it casual when i begged to come over to your house multiple time and then you finally let me and we cooked fried rice together? was it casual when we played christmas twister together and i said "your big eggplant is touching my ass"? was it casual when we were pressed up against each other on a scooter going two miles per hour? was it casual when-

[why-the-heck-not]

me, a responsible being, working on the coding project as I should vs. me, a dysfunctional shithead, getting distracted by reading about brains (once aGAIN damnit (it's my favorite "I need to study my field but bc I should do that it's an impossible unthinkable feat now, so I'm reading about something else to fool my brain I'm still being productive"-topic))

[inkskinned]

it is all chaos and entropy. the thing is that the chaos and entropy make it beautiful and lovely.

yes, it's true that nature and the universe are uncaring and unspecific, and that is terrifying. i have lived through some of the unfairness - i got born like this, with my body caving into itself, with this ironic love of dance when i sometimes can't stand up for longer than 15 minutes. i am a poet with hands that are slowly shutting down - i can't hold a pen some days. recently i found a dead bird on our front porch. she had no visible injuries. she had just died, the way things die sometimes.

it is also true that nature and the universe are uncaring and unspecific, and that is wonderful. the sheer happenstance that makes rain turn into a rainbow. the impossible coincidence of finding your best friend. i have made so many mistakes and i have let myself down and i have harmed other people by accident. nature moves anyway. on the worst day of my life she delivers me an orange juice sunset, as if she is saying try again tomorrow.

how vast and unknowing the universe! how small we are! isn't that lovely. the universe has given us flowers and harp strings and the shape of clouds. how massive our lives are in comparison to a grasshopper. the world so bright, still undiscovered. even after 30 years of being on this earth, i learned about a new type of animal today: the dhole.

chance echoing in my life like a harmony between two people talking. do you think you and i, living in different worlds but connected through the internet - do you think we've ever seen the same butterfly? they migrate thousands of miles. it's possible, right?

how beautiful the ways we fill the vastness of space. i love that when large amounts of people are applauding in a room, they all start clapping at the same time. i love that the ocean reminds us of our mother's heartbeat. i love that out of all the colors, chlorophyll chose green. i love the coincidences. i love the places where science says i don't know, but it just happens.

"the universe doesn't care about you!" oh, i know. that's okay. i care about the universe. i will put my big stupid heart out into it and watch the universe feast on it. it is not painful. it is strange - the more love you pour into the unfeeling world, the more it feels the world loves you in return. i know it's confirmation bias. i think i'm okay if my proof of kindness is just my own body and my own spirit.

i buried the bird from our porch deep in the woods. that same day, an old friend reaches out to me and says i miss you. wherever you go, no matter how bad it gets - you try to do good.

[ganondoodle]

got this reblog on one of my posts were i talked about being anxious about the future of the zelda series after totk and-

i even went back and unblocked them just to check my own post and check twice what they meant exactly- but i still dont know how they got to these conclusions

i never said i 'want a good uwu ganondorf' (bc that would mean hes aligned with hyrule bc thats how goodness works!!!!11!1!!!), i also dont think of any of the zeldas as 'whores' (seriously, where did that come from?? neither me nor the addition of someone agreeing with me said anything like that??? did they think bc the addition called tloz misogynistic means we think zelda is a whore????? huh???)

its also funny how they say they want zelda to stay a simple fairytale rather than have 'people like me' bc .. one point i talked about in the og post was how the evil arab thing VS good white people media likes to do so much is so normalized here that its simply seen as a simple harmless fairytale trope instead of a big underlying issue in general media and the writers might not even realize it (which is worse) bc the most 'generic' appeal is to people who dont think of it as a problem in the first place, because it is so normalized

(huh, i wonder about what kind of person that part was about .. hmmmm)

(ALSO funny they mention princess hilda as nuanced villain ... like ... wow they are so nuanced about purple haired people!!- like guess why we want a nuanced/less badly/less flat written ganondorf and what he, in particular, has not in common with other villains! its not his hair color! .... or was that point supposed to mean .. look we have one female character that is a villain, its not misogynistic! idk honestly)

(and the classic, "you just call it this/dont like it bc its not what you wanted !!!!!!!2!"1!112!!")

also funny how its 'never gonna be progressive enough' like asking for the franchise to maybe put a little more thought and nuance into their white divine right vs evil desert man simulator instead of making it worse is already asking too much

(i dont know what the last point has to do with anything??)

(also yes totk is racist, like most if not all of the franchise and a alot of other media as well, shocker- you can still like it though, i and plenty of other people are still fans of it, we just wish they did a little more with their stuff and maybe not make the racism problem WORSE)

(also yes the hyrule monarchy is also evil :))) )

(and also not so secretly so either :)) )

[deoidesign]

Hi, how did you learn to draw Steve's physique?

Ohh what a complicated thing to answer...

When it comes to how I learned to draw anything, it's hard to say anything too specific since it's always a culmination of many years of assorted study and practice... but I can try to do my best to explain some of the biggest things that helped me learn, some tips I keep in mind, and maybe at least some places to start/delve further.

(just a little disclaimer it's not like my drawings here are going to be 100% medically accurate.. they're just to illustrate concepts!)

The main thing about learning various physiques is understanding anatomy. Which feels obvious, but I don't mean proportions; these are important, but perhaps more important is understanding the skeleton and how it moves and learning where muscles connect to bones and where fat grows on the body. When you understand how these function on a more mechanical level, depicting form and movement in a way that feels natural comes in tow.

For instance, understanding things like the pronation and supination of the radius and ulna, as well as the fact that muscles can ONLY contract or relax, will help you understand a bit better which muscles will be flexed and which will not while someone moves. It's inherent to the positioning based on the structural makeup of the body... It's not like you NEED to memorize all the muscles and bones, of course, but understanding and gaining at least a passive familiarity with the concepts really helps.

In tandem with this concept is the way parts of the body flow into eachother. Muscles ALWAYS come in groups because they can only contract. Whatever muscle is there to lift something, there is a muscle on the other side to pull that bone back down. What this results in is a series of straight edges next to curves, which gives us a lot of really lovely "s curves" and dents and folds and so on and so forth just naturally occurring.

I would suggest at least learning the "bony landmarks", which are bones (usually) visible on the surface of the body. things like the iliac crest, the great trochanter, the 7th vertabrae, the acromion process... These can be used to help you understand the parts of the body as angles and relationships, rather than trying to remember lengths and sizes, which vary immensely... (since you asked about steve, he can be our model... also study these on your own don't just take my word for it haha, these are the ones I personally keep in mind)

I've done the same thing with body hair... learning where it grows and in which directions... It helps me make up variations without needing reference, because I have a set of rules I can follow.

The biggest thing that helped me understand all this on a much deeper level was my ecorche course. I sculpted this guy. We started by sculpting the entire skeleton to understand the bones, and then we added muscles on top. Not every single muscle, of course, but the "artistic muscles" AKA the ones which directly affect the surface of the body. Doing this let us see where muscles connect, because we would make a shape, put it on the bone where it actually goes, and then you get to see how other muscles overlap that.

This helped me, perhaps, more than anything else. But I also didn't just start with this course, I had been drawing for years before I even took it. I had been in school for years before I took it. Not that I think it wouldn't be helpful to someone just starting out, but I do think that the more you know going in, the better an in-depth course like this will help you and stick with you. Classes are also expensive, though so I'm not really like... recommending you pay potentially thousands of dollars to take one... But it did help me a lot, personally.

I also, of course, have done many figure, gesture, and master studies...

These just help you quickly gain a stronger understanding of generalized anatomy, and gives you real life examples of and practice with of how people move and balance.

What all this does when combined, is gives me a very solid ability to depict movement and form in a way that feels relatively natural from my subconscious without the need for reference.

The rest of how I've learned to draw his physique is honestly mostly just stylization. I understand the body, and this is how I am depicting it for his level of musculature.

And as I move into depicting him in other ways, either moving in comics or in animation, realistically rendered, or extra stylized, these concepts inform every step of that process for me! When he keeps the same/similar relationships between parts, he gets to still look like himself.

It ALSO really helps when putting clothes on, because the way cloth falls and bunches and lifts is all directly related to the form it is on... So the more you understand that form, the more you can depict clothing and movement in a way that feels natural.

This is all, of course, true when I draw anyone, you asked about Steve so I'm trying to mostly show with him! But because I'm just drawing from raw information of general anatomy rather than trying to study one body type at a time, it allows a lot more "give," I think!

Like, here's most of the cast from TTA so far... actually, they're not as varied as I thought they were nevermind LMAO ignore this part

But, it also makes monster and alien design much easier! It's a lot easier to come up with non-human anatomy when I understand human anatomy, because I can manipulate the knowledge I have...

There is infinite more to study in the world of anatomy... The complexity of the human body goes extremely deep. For our purposes as artists, we need only depict a fraction of it, but more information rarely hurts the process.

I'm sure there's something in here that's wrong on a technical level, I'm mostly going off of memory. But that's kind of my point - I understand enough generally and conceptually that when I am missing something and need to find reference for it, I understand what I'm looking at. It's much easier than trying to learn AND draw at the same time.

I hope even one thing in here helped you! Sorry it's so long.

[hayaku14]

gymnast kaito x sharpshooter shinichi meet-cute in the olympics au

[leftmysoulbythesideoftheroad]

god fucking damnit. i woke up from a nightmare this morning and just immediately broke down sobbing. sometimes i cry after a nightmare (because they’re literally all about the people i love suddenly being indifferent/cruel to me), but i still feel like i could start crying again any second

[wintergrofyuri]

i feel like disco elysium is becoming slightly relevant again so i took time out of my day to make this. thanks.

[delta-orionis]

For the past couple of days, I've been tossing around the idea of an iterator OC who is focused around astronomy. I love astronomy, and there's a conspicuous lack of any information about it in Rain World, which I find pretty intriguing. (I made a post about some of my random theories here.) So, I started to think about what an iterator specifically designed to study astronomy might be like. I named them Three Stars Above Clouds (in reference to Orion's belt, because I can't help but put references to Orion in everything I do, I guess). I actually ended up having a lot of thoughts about them, which I'll detail below. (Warning, there's A Lot.)

Three Stars Above Clouds (TSAC) was designed and built by a splinter group of Ancients who believed the Solution to the Great Problem wouldn't be found deep underground, but in the sky. TSAC was created in order to help them collect data about the sky, house their institutions, and conduct research. They were built into a mountain range, where clouds are less likely to form and the air is thinner. (Real world observatories are often built on top of mountains or in arid places like deserts in an attempt to avoid interference from clouds and rain. You can't see the stars if they're hidden behind clouds, after all.)

Three Stars Above Clouds' city is home to several large observatories which keep a constant watch on the sky. I got the idea for TSAC in part from the currently-under-construction Large Synoptic Survey Telescope (also called the Vera C. Rubin Observatory). The LSST is designed to take ultra-high-definition pictures of the entire night sky every couple of nights, in order to monitor for changes. This data will be a treasure trove for astronomers, and can be used for anything from discovering new asteroids and rogue planets, to monitoring distant galaxies for supernovae. One problem that arises from this, however, is the sheer amount of data that this telescope will produce- it's way too much for any human to hope to be able to sift through. I imagine that the Ancients who built TSAC would run into a similar problem; TSAC's observatories generate colossal amounts of data, so a large part of TSAC's duties as an iterator are to sift through and analyze this data to find anything that might be useful in finding the Solution.

Three Stars Above Clouds is relatively isolated as an iterator. They are located at a much higher altitude than their peers, in the middle of a remote mountain range. Their citizens are also somewhat isolated from Ancient society at large, due to their fringe religious beliefs. (Due to the lack of anything astronomy or space-travel related in Rain World's lore, I think the Ancients either largely don't have an interest in studying astronomy, or it's considered taboo due to their religion's focus on ascension, as well as the subterranean Void Sea.)

As for Three Stars Above Clouds themself, they have a bit of a reputation for being a loner. Other iterators sometimes see them as obsessing over something pointless, because despite the vast amounts of data TSAC has collected, so far it's turned up nothing useful in terms of the Solution. However they are sometimes contacted by iterators who might be interested in their data, either for the purpose of research or just out of curiosity. TSAC is happy to talk about their personal research to anyone who is willing to listen.

Three Stars Above Clouds worked closely with their citizens while their city was still inhabited, and misses them deeply. Despite their citizens being gone, they continue with their sky surveys, partially because the desire to do so is hard-coded into their programming, and partially because it at least gives them something to do. Deep down, TSAC is convinced that someday they will come across something extraordinary among the stars.

In order to store the immense amounts of data generated by their observatories, TSAC's city and internal structure contain a wealth of data pearls, which has inevitably led to the amassing of a large Scavenger population both in and around their structure, who regularly raid TSAC's supply of pearls. However, due to TSAC's high altitude, their external structure and surrounding mountains are also home to large colonies of Vultures, which help control the Scavenger population, at the very least. TSAC is quite fond of Vultures for this reason.

The mountains are very cold, which means Three Stars Above Clouds' rain freezes almost immediately into snow and sleet, which falls down onto the surrounding mountains. As the glaciers and snowfall on these mountains melt, the water flows down the mountains into large rivers, and is collected in several dams at ground level. These dams are home to pumping stations which pump water back up into TSAC's can. TSAC's can is fed water through a vast array of underground pipes that snake underneath and through the mountains. The upkeep of these pipes is mostly automated, however, there are some issues that only an engineer can fix. With all of TSAC's engineers gone, their pipe network is extremely prone to failure due to its complexity. They've had a dam or two break in the past, and TSAC knows that it's only a matter of time before all of their dams break and they will lose their water supply for good.

Their void fluid filtration system is also similarly complex; mine shafts are scattered throughout the mountain range and reach deep underground to access the Void Sea. Even though TSAC's ancients don't think Void Fluid is the key to ascension, they still recognize its usefulness as a potent energy source.

These networks of tunnels, pipes, mines, and maintenance stations have become home to a wide range of creatures over the cycles, many seeking refuge from the cold. Maybe there's even a colony of subterranean Slugcats running around down there.

I've also made an annotated version of the drawing of TSAC's can; you can click on the alt text for transcriptions of my notes if you can't read my handwriting. One thing I forgot to note was the green lasers, those are Laser Guide Stars. (I just think they look cool.)

And here's a closer look at TSAC's city, because I'm pretty proud of the way it turned out. (I even snuck the LSST in there on the left, hehe.)

Aaaand I think that's everything! If I got any of the lore wrong, I apologize. Rain World's lore is pretty vague at times, and I tried to do the best with what I know. I also have a pretty strong grasp on astronomy, but not so much on climatology and geology, so if I got some of those things wrong as well, go easy on me, haha. X]

I will say, creating an iterator is an interesting thought experiment. You need to think about the effect they have on the surrounding environment, while keeping in mind that they're sentient and also have an entire city of people living on them that they need to help manage. Iterators are fascinating to me, and I love reading about other people's OCs and seeing the ways they're able to make them unique.

If you read this far, thank you for devoting some of your time to listening to me ramble. You get a gold star: ⭐⭐⭐

Edit: Here's a closeup of their in-game sprite as a reward for reading this far. Yippee

[writinggremlin]

Caretaker wrapped their arms around the emotionally devastated Whumpee, "I will hold you together," Caretaker muttered, cradling the back of Whumpee's head, "Even as the world tries to tear you apart, I will hold you together."

"How cruel," Caretaker thought to themself. "How evil of the universe to hurt you so unjustly like this. To rip away the happiness you deserve. For no other reason than the fact that it just... can."

"I will hold you together..."

"Then I will return what is rightfully yours."

[lesbian4lqg]

one thing we dont talk about enough is tianlang jun calling out shen qingqiu for knowing his was around the holy mausoleum

like the "bullseye" thing? crazy

sqq literally swaggered in there and kinda beat tlj on his own turf that he should have known nothing about and tlj is the only (living) character that really knows it, and as far as we know he never bothers to snitch!

hes just. tlj about it. like hes just like "wow thats crazy haha sqq is so cool"

to me it feels like one of sqq's biggest weak spots in his not-so-secret identity bc just about everything else can be explained by the usual "it was,,,,, a qi deviation" bs but like. how tf would he know his way around the holy mausoleum. nobody knows their way around the holy mausoleum thats kind of like the whole point

[faultyhammock]

Finally posting my forbidden locked tomb thoughts

[sulky-cabbage]

Eve: "Regarding the lyrics, this time its about portraying the conflicts and feelings of the characters in Jujutsu kaisen. This kind of feeling inside me, made me choose the characters one by one and thus write the lyrics. I don't dare to say where or who..."

Also Eve:

Alternative translations: 1 2 3 4

The lyrics hit different after ch 271. I kinda want this to be the op for s4 ngl

[crescentfool]

having the hc that minato is ace is incredibly funny sometimes when you think about how ryoji is oh so very bi because it's like. "ah. death stole my ability to be attracted to people," in the same way that ryoji stole minato's eye color and energy level. like wow, thanks ryoji, you just keep finding things to steal from minato!

[spineless-lobster]

My favourite trope in hades fics is when characters are drinking ambrosia and it’s the single most erotic thing to ever happen to them. Like fuck yeah rebellious hedonism IS sexy and the inherent eroticism of the mouth cannot be overlooked!!!